385:(1997), and attempts to take stock of the last three decades of changes. Drakulić writes about the bitter disappointments felt by many East Europeans who expected that the revolutions of 1989 would usher in a new era of democracy and prosperity. Instead, the essays in this collection reveal that East Europeans still feel like second class citizens. In her chapter discussing what she calls "European food apartheid," Drakulić describes how investigators found that Western corporations sold lower quality products in the East under the same brand names and packaging they use in the West: fish sticks with less fish in them and biscuits made with cheaper
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358:, was published by Penguin in the US, and was widely reviewed to great acclaim. The book consists of eight reflections told from the point of view of a different animal. Each beast reflects on the remembrance of communism in different countries in Eastern Europe. In the second-to-last chapter, a Romanian dog explains that under capitalism everyone is unequal "but some are more unequal than others", an inversion of a famous
340:. Both books touch on the same issues that caused her wartime emigration from the home country. In scholarly circles, she is better known for her two collections of essays: "How We Survived Communism and Even Laughed" and 'Cafe Europa'. These are both non-fiction accounts of Drakulić's life during and after communism.
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merits of communism, a system that, in a short time, brought modernization and changed an agrarian society into an urbanized, industrial one. It meant general education as well as the emancipation of women; this has to be recognized, even though such changes were accomplished by a totalitarian regime.”
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instead of butter. Drakulić also ruminates on the persistence of post-communist nostalgia in the region, as people try to grapple with both the positive and negative legacies of their collective pasts. She writes, “In all former communist countries in
Eastern Europe, it is difficult to mention the
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subsequently admitted to being its author) accused five
Croatian female writers, Drakulić included, of being "witches" and of "raping" Croatia. According to Letica, these writers failed to take a definitive stance against rape as allegedly planned military tactic by Bosnian Serb forces against
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Croats, and rather treated it as crimes of "unidentified males" against women. Soon after the publication, Drakulić started to receive telephone threats; her property was also vandalized. Finding little or no support from her erstwhile friends and colleagues, she decided to leave
Croatia.
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A Guided Tour
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A Guided Tour through the Museum of
Communism. Fables from a Mouse, a Parrot, a Bear, a Cat, a Mole, a Pig, a Dog, and a Raven
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215:), writing mainly on feminist issues. In addition to her novels and collections of essays, Drakulić's work has appeared in
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is a book in which she also analyzed her experience overseeing the proceedings and the inmates of the
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Slavenka
Drakulic receives the Leipzig Book Award for European Understanding
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Intellectuals as Bad Guys? The Role of
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Faculty of
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Slavenka
Drakulic Biography at the DAAD Artist-in-Residence Program
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They Would Never Hurt a Fly: War Criminals on Trial in the Hague
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Surviving COVID-19: Waking up after six days on a ventilator
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in 1976. From 1982 to 1992, she was a staff writer for the
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International Criminal Tribunal for the Former Yugoslavia
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Slavenka Drakulic speaking at Festivaletteratura 2009 -
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Balkan Express: Fragments from the Other Side of the War
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is about crimes against women in the Bosnian War, while
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Café Europa Revisited: How to Survive Post-Communism
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Café Europa Revisited: How to Survive Post-Communism
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In 2021, Drakulić published a new essay collection,
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Slavenka Drakulic and Katha Pollitt in conversation
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347:, is based on a biography of the Mexican painter
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812:Animal farm: the tale of the mouse and the mole
945:A Guided Tour through the Museum of Communism
128:Leipzig Book Award for European Understanding
719:, Women in European History, Nora Augustine
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512:How We Survived Communism and Even Laughed
470:) : January 1, 2001 by Penguin Books
379:How We Survived Communism and Even Laughed
171:have been translated into many languages.
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448:(also known as: "As If I Am Not There") (
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991:Extract from "Two Underdogs and a Cat"
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191:), on July 4, 1949. She graduated in
1121:International Writing Program alumni
895:Across the Page: Bisexual Literature
767:"Blood and lipstick", Melissa Benn,
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207:bi-weekly newspaper and news weekly
1081:21st-century Croatian women writers
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1051:Swedish people of Croatian descent
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928:December 6,
625:, Penguin (
547:Cafe Europa
496:Non-fiction
481:Frida's Bed
426:Marble Skin
381:(1992) and
375:Berlin Wall
364:Animal Farm
362:quote from
349:Frida Kahlo
345:Frida's Bed
1020:Categories
747:"Masthead"
704:References
287:The Nation
248:The Nation
149:journalist
74:Journalist
68:Occupation
47:1949-07-04
395:Stockholm
338:The Hague
310:article (
276:Politiken
254:La Stampa
211:(both in
199:from the
197:sociology
175:Biography
165:communism
898:Archived
646:Articles
387:palm oil
271:Eurozine
161:feminism
157:essayist
153:novelist
146:Croatian
111:feminism
81:essayist
77:novelist
639:Persian
617:Persian
410:Fiction
293:and in
291:Croatia
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399:Zagreb
307:Globus
295:Sweden
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181:Rijeka
167:, and
155:, and
57:Rijeka
868:2021
209:Danas
205:Start
131:2005
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699:2011
693:2008
672:2009
660:2001
654:1999
631:ISBN
627:2021
609:ISBN
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553:1996
537:ISBN
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520:ISBN
516:1991
506:1984
485:2008
472:ISBN
468:1999
450:1999
440:1997
430:1993
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