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Single-reed instrument

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were depicted on the reliefs of seven tombs at Saqqarra, six tombs at Giza, and the pyramids of Queen Khentkaus. Most memets were double-clarinets, where two reed tubes were tied or glued together to form one instrument. Multiple pipes were used to reinforce sound or generate a strong beat-tone with slight variations in tuning among the pipes. One of the tubes usually functioned as a drone, but the design of these simple instruments varied endlessly. The entire reed entered the mouth, meaning that the player could not easily articulate so melodies were defined by quick movement of the fingers on the tone holes. These types of double-clarinets are still prevalent today, but also developed into simplified single-clarinets and hornpipes. Modern-day idioglots found in Egypt include the
174: 82: 696: 956:, the lower lip rests against, but not over, the teeth as in pronouncing the letter "V" and the corners of the lip are drawn in (similar to a drawstring bag). With the less common double-lip embouchure, the top lip is placed under (around) the top teeth. In both instances, the position of the tongue in the mouth plays a vital role in focusing and accelerating the air stream blown by the player. This results in a more mature and full sound, rich in 763: 730: 746: 713: 31: 70:), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the 659: 951:
muscles on the sides of the mouth. The top teeth rest on top of the mouthpiece. The manner in which the lower lip rests against the teeth differs between clarinet and saxophone embouchures. In clarinet playing, the lower lip is rolled over the teeth and corners of the mouth are drawn back, which has
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Most single-reed instruments are descended from single-reed idioglot instruments called 'memet', found in Egypt as early as 2700 BCE. Due to their fragility, no instruments from antiquity were preserved but iconographic evidence is prevalent. During the Old Kingdom in Egypt (2778–2723 BCE), memets
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to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much
89:: tubular single reeds in which the reed is still part of the reed stem. Reeds can be split from middle upward (kataglott, the reed hangs down) and from top downward (anaglott, the reed stands up). These particular reeds are drawn from those used in an 74:
caused by the shape of the corpus. E.g. the clarinet is only including the odd harmonics due to air column modes canceling out the even harmonics. This may be compared to the timbre of a
185:, and reed of a clarinet. These three components are present in many modern European Classical single-reed instruments and tend to be aesthetically and mechanically similar. 592:†The lowest possible pitch of each clarinet and saxophone is dependent on its manufacturer and model (the pitches used are typical of professional instruments). 359:
Note that if one was to compare clarinets to their saxophone counterparts while considering their approximate lowest (concert) pitch†, the order would shift:
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Although the clarinet and saxophone both have a single reed attached to their mouthpiece, the playing technique or embouchure is distinct from each other.
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the effect of drawing the upper lip around the mouthpiece to create a seal due to the angle at which the mouthpiece rests in the mouth. With the
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later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a
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The reeds of alto (left) and tenor saxophones (right) . They are of comparable dimensions to alto and bass clarinet reeds, respectively.
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422.3 Reedpipes with free reeds: The reed vibrates through a closely fitted frame, and there are fingerholes.
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422.2 Single reed instruments: The pipe has a single 'reed' consisting of a percussion lamella. These are the
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Musical Instruments: History, Technology, and Performance of Instruments of Western Music
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The following is a list of clarinets and saxophones, relative to their range and
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The standard embouchures for single reed woodwinds like the
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The Clarinet: Some notes upon its history and construction
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Donald Murray Campbell, Arnold Myers; et al. (2004).
211: 923: 596: 1922: 1047:. United States: Diagram Visual Information Ltd. 1019:Foster, Caxton C. and Soloway, Elliott (1981). 1397: 1115: 1092:. New York, NY: Taplinger Publishing Company. 947:and is supported by the chin muscles and the 1129: 1404: 1390: 1122: 1108: 977: 975: 973: 189:Single reed instruments fall under three 1077:. New York, NY: W.W. Norton and Company. 1062:. New York, NY: Oxford University Press. 981: 657: 172: 80: 29: 1072: 1042: 986:. New Haven, CT: Yale University Press. 970: 14: 1923: 1066: 1036: 1385: 1103: 1087: 990: 165:. See links to other examples below. 1081: 1057: 1411: 1051: 204:including clarinets and saxophones. 24: 212:Comparing clarinets and saxophones 25: 1942: 168: 58:of some sort. By contrast, in a 1045:Musical Instruments of the World 924:Playing a single reed instrument 761: 744: 728: 711: 694: 597:List of single-reed instruments 1013: 680: 13: 1: 963: 653: 27:Class of woodwind instruments 7: 10: 1947: 220:from the opposite family: 1887: 1723: 1687: 1678: 1633: 1557: 1548: 1466: 1428: 1419: 1353: 1332: 1311: 1275: 1189: 1138: 1025:, p.165. Addison-Wesley. 601: 1043:Midgley, R, ed. (1976). 62:instrument (such as the 1931:Single-reed instruments 1073:Rendall, G.F. (1971). 665: 186: 142: 40:single-reed instrument 35: 1022:Real Time Programming 941:single lip embouchure 661: 176: 84: 33: 1651:Heckelphone-clarinet 1156:Heckelphone-clarinet 1060:The Baroque Clarinet 982:Hoeprich, E (2008). 954:saxophone embouchure 939:are variants of the 623:Heckelphone-clarinet 218:key of transposition 1058:Rice, A.R. (1992). 49:that uses only one 1610:Reclam de xeremies 1252:Reclam de xeremies 1002:, p.53-5. Oxford. 666: 197:412.13 Free reeds. 187: 143: 131:reclam de xeremies 36: 1918: 1917: 1883: 1882: 1783:Gourd mouth organ 1674: 1673: 1544: 1543: 1379: 1378: 1088:Kroll, O (1968). 589: 588: 357: 356: 153:Examples include 150:and the zummara. 16:(Redirected from 1938: 1848:Orthotonophonium 1843:Indian harmonium 1685: 1684: 1558:Cylindrical bore 1555: 1554: 1430:Cylindrical bore 1426: 1425: 1406: 1399: 1392: 1383: 1382: 1124: 1117: 1110: 1101: 1100: 1094: 1093: 1085: 1079: 1078: 1070: 1064: 1063: 1055: 1049: 1048: 1040: 1034: 1017: 1011: 994: 988: 987: 979: 765: 748: 732: 715: 698: 583: 582: 572: 571: 560: 559: 548: 547: 537: 536: 525: 524: 513: 512: 502: 501: 490: 489: 478: 477: 467: 466: 455: 454: 443: 442: 432: 431: 420: 419: 408: 407: 397: 396: 385: 384: 362: 361: 340: 339: 317: 316: 294: 293: 271: 270: 248: 247: 223: 222: 202:percussion reeds 191:Hornbostel–Sachs 21: 1946: 1945: 1941: 1940: 1939: 1937: 1936: 1935: 1921: 1920: 1919: 1914: 1879: 1719: 1670: 1629: 1540: 1462: 1415: 1413:Reed aerophones 1410: 1380: 1375: 1354:Southeast Asian 1349: 1328: 1307: 1288:Double clarinet 1271: 1185: 1134: 1128: 1098: 1097: 1086: 1082: 1071: 1067: 1056: 1052: 1041: 1037: 1018: 1014: 995: 991: 980: 971: 966: 926: 897:Southeast Asian 869:Double clarinet 778: 777: 776: 775: 774: 766: 757: 756: 755: 749: 740: 739: 738: 733: 724: 723: 722: 716: 707: 706: 705: 701:Treble/soprano 699: 690: 689: 683: 656: 604: 599: 580: 579: 569: 568: 563: 557: 556: 545: 544: 534: 533: 528: 522: 521: 510: 509: 499: 498: 493: 487: 486: 475: 474: 464: 463: 458: 452: 451: 440: 439: 429: 428: 423: 417: 416: 405: 404: 394: 393: 388: 382: 381: 337: 336: 314: 313: 291: 290: 268: 267: 245: 244: 214: 171: 72:harmonic series 28: 23: 22: 15: 12: 11: 5: 1944: 1934: 1933: 1916: 1915: 1913: 1912: 1907: 1902: 1900:Quadruple reed 1897: 1891: 1889: 1885: 1884: 1881: 1880: 1878: 1877: 1872: 1867: 1862: 1857: 1852: 1851: 1850: 1845: 1840: 1830: 1825: 1820: 1815: 1810: 1805: 1800: 1795: 1790: 1785: 1780: 1779: 1778: 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1641:Aulochrome 964:References 949:buccinator 654:Historical 608:Aulochrome 584:Contrabass 573:Contrabass 347:Contrabass 183:mouthpiece 159:saxophones 111:chalumeaus 56:mouthpiece 47:instrument 1910:Tone hole 1823:Organetto 1761:Chromatic 1756:Harmonica 1751:Harmoneon 1731:Accordion 1680:Free reed 1661:Saxophone 1595:Launeddas 1580:Chalumeau 1227:Launeddas 1207:Chalumeau 1166:Saxophone 958:overtones 937:saxophone 817:Launeddas 797:Chalumeau 772:Launeddas 769:Sardinian 751:Egyptian 675:Chalumeau 663:Chalumeau 633:Saxophone 374:Saxophone 237:Saxophone 193:classes: 155:clarinets 119:launeddas 1925:Category 1818:Melodica 1808:Mangtong 1766:Diatonic 1736:Claviola 1666:TárogatĂł 1625:Zhaleika 1585:Clarinet 1443:Chirimia 1267:Zhaleika 1222:Hornpipe 1217:Ganurags 1190:European 1171:TárogatĂł 1146:Clarinet 933:clarinet 852:Zhaleika 812:Hornpipe 807:Ganurags 781:European 736:Zhaleika 638:TárogatĂł 613:Clarinet 581:♭ 570:♭ 558:♭ 546:♭ 535:♭ 523:♭ 514:Baritone 511:♭ 500:♭ 488:♭ 476:♭ 465:♭ 453:♭ 441:♭ 430:♭ 418:♭ 406:♭ 395:♭ 383:♭ 369:Clarinet 338:♭ 329:Baritone 319:Baritone 315:♭ 292:♭ 269:♭ 246:♭ 232:Clarinet 179:ligature 163:bagpipes 109:, early 44:woodwind 1803:Lusheng 1776:Tremolo 1656:Octavin 1620:Xaphoon 1605:Pibgorn 1590:Diplica 1481:Bombard 1476:Bassoon 1438:Balaban 1361:Pey pok 1293:Dozaleh 1237:Pibgorn 1212:Diplica 1202:BirbynÄ— 1181:Xaphoon 1161:Octavin 903:Pey pok 832:Pibgorn 802:Diplica 792:BirbynÄ— 718:Bamboo 703:birbynÄ— 643:Xaphoon 628:Octavin 433:Soprano 409:Soprano 398:Soprano 260:Soprano 255:Soprano 250:Soprano 139:zummara 107:dozaleh 99:diplica 68:bassoon 1870:Triola 1793:Hulusi 1688:Single 1600:Mijwiz 1575:BĂĽlban 1570:Arghul 1565:Alboka 1531:Sopila 1521:Rhaita 1516:Piston 1491:Gralla 1371:Toleat 1319:BĂĽlban 1298:Mijwiz 1283:Arghul 1242:Pilili 1197:Alboka 1176:Venova 1139:Modern 1029:  1006:  918:Toleat 891:BĂĽlban 874:Mijwiz 864:Arghul 822:Pilili 787:Alboka 753:mijwiz 602:Modern 148:arghul 137:, and 127:pilili 123:mijwiz 95:bĂĽlban 91:arghul 1888:Other 1860:Sheng 1798:Khene 1715:Sneng 1615:Sipsi 1526:Shawm 1448:Duduk 1345:Pungi 1303:Sipsi 1257:Sipsi 945:teeth 913:Sneng 879:Sipsi 842:Sipsi 720:sipsi 479:Tenor 306:Tenor 296:Tenor 227:Range 135:sipsi 115:cifte 42:is a 1905:Reed 1895:Bore 1724:Sets 1695:Bawu 1506:Oboe 1458:Piri 1453:Guan 1340:Pepa 1027:ISBN 1004:ISBN 935:and 549:Bass 503:Bass 468:Alto 444:Alto 352:Bass 342:Bass 301:Bass 283:Alto 278:Alto 273:Alto 177:The 66:and 64:oboe 51:reed 1865:ShĹŤ 1501:Kèn 1496:Hne 1247:Pku 837:Pku 1927:: 1875:Yu 972:^ 960:. 555:~B 520:~A 485:~B 450:~A 415:~D 380:~A 181:, 157:, 133:, 129:, 125:, 121:, 117:, 113:, 105:, 101:, 97:, 78:. 38:A 1405:e 1398:t 1391:v 1123:e 1116:t 1109:v 1010:. 578:E 567:B 562:0 543:B 532:E 527:1 508:E 497:B 492:1 473:B 462:E 457:2 438:E 427:B 422:3 403:B 392:E 387:3 335:B 312:E 289:B 266:E 243:B 141:. 20:)

Index

Single-reed

woodwind
instrument
reed
mouthpiece
double reed
oboe
bassoon
harmonic series
square wave

arghul
bĂĽlban
diplica
dili tuiduk
dozaleh
chalumeaus
cifte
launeddas
mijwiz
pilili
reclam de xeremies
sipsi
zummara
arghul
clarinets
saxophones
bagpipes

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