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281:, and moved to Algiers in 1920. She began working in administration where she met her future husband whom she married in 1921. After the birth of Simone Boisecq the following year, she left her job in administration and resumed teaching piano. The Boisecq family lived west of Algiers in the La Consolation neighborhood.
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before devoting herself to art. Her early aesthetic influences were primitive art, the landscapes of
Algeria and Brittany, and her admiration and friendships with surrealist poets and painters. As a young artist with a rising career in Paris, Boisecq established friendships with
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Boisecq has exhibited her work widely. Between 1999 and 2001, retrospective exhibitions of her work were presented in France, Germany, and
Portugal. Between 2011 and 2013, a traveling exhibition of Boisecq and Karl-Jean Longuet's works, titled
299:. Three years later, in 1937, she attending drawing classes with Henri Laitier, and took sculpture classes at the Beaux Arts in Algiers, receiving her bachelors degree in 1940. The following year she studies aesthetics and philosophy at the
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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689:, préface de François Rebsamen, textes de Anne Longuet Marx, Agnès Werly, Blandine Chavanne, Thierry Dufrêne et Sabrina Dubbeld, Silvana Editoriale/musée des Beaux-Arts de Dijon, 2022, p.112
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218:(April 7, 1922 - August 6, 2012) was a French sculptor who worked in Algiers and Paris. Her work has been described as a synthesis between abstraction and figuration.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
500:, Agen, musée des beaux-arts, Colmar, musée Interlinden, Limoges, musée des beaux-arts, Poitiers, musée Sainte-Croix, Reims, musée des beaux-arts;
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As a student at the Lycée
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Content in this edit is translated from the existing French
Knowledge article at ]; see its history for attribution.
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was published in 2018. In 2021, an exhibition of her and
Longuet's work was presented in
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Le Soleil et l'envol, À la rencontre de Simone
Boisecq et Karl-Jean Longuet, sculpteurs
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in 1956. Her work has been described a synthesis between abstraction and figuration.
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All biographical information taken from Valérie
Lawitschka and Anne Longuet Marx,
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737:"Mort du sculpteur Simone Boisecq, proche de la Nouvelle Ecole de Paris (musée)"
615:"ANNE LONGUET MARX, SIMONE BOISECQ, LA PÉRIODE SAUVAGE (1946-1960). PURH, 194 P"
266:. He held an interest in primitive art (such as Breton art), collected works of
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Images des Ĺ“uvres de Simone
Boisecq et Karl-Jean Longuet au Musée Unterlinden
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to Émile
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sculpture from her father that had been purchased at the
Chartres market.
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https://webmuseo.com/ws/musee-unterlinden/app/collection/expo/42?lang=fr
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Boisecq's works are found in numerous museum collections, including the
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to the source of your translation. A model attribution edit summary is
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Karl-Jean Longuet et Simone Boisecq, de la sculpture à la cité rêvée
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Toutes les Ĺ“uvres de Simone Boisecq sont reproduites dans
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Donation Boisecq Longuet au musée des Beaux-Arts de Dijon
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a machine-translated version of the French article.
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