271:, the founder of the Ballets Cullberg in Sweden, and Grete MĂĽller who would become his later collaborator. As a teacher, he trained not only dancers but also future teachers, such as Simone Michelle and June Kemp, who took over the direction of the London school when he left for Chile to take up an appointment to direct the University of Chile's dance department from 1959 to 1964. In 1965 he was invited by Grete MĂĽller to take over the direction of the school which she had opened in Herisau after her training at the school in London. He taught here until his death in 1981. In 1979 he headed the International Council of Kinetography Laban (ICKL), the international congress. They dedicated themselves to the development of the signs and language of Laban notation, the transcription of choreographies and the writing of movement studies for teaching.
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in 1940, where he reformed the Jooss-Leeder Dance Studio with Kurt Jooss. The year 1947 marks the end of their collaboration, when he moved to London and set up his own school with the Studio Group as his own company. On 17 July of this year, his name change to Sigurd Leeder was authorised. In
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in 1924. He met the latter while he was a dancer at the
Stadttheater in MĂĽnster under the joint direction of Hans Niedecken-Gebhard and Rudolf Schulz-Dornburg. A close collaboration between Leeder and Jooss followed, lasting twenty-three years. In 1926 he was given a teaching and leadership
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commission at the Westfälische
Akademie fĂĽr Bewegung, Sprache und Musik in MĂĽnster. The following year, with Kurt Jooss, he founded the Neue TanzbĂĽhne at the MĂĽnster Theater, which employed
238:, soon-to-be patrons, who invited him, Jooss and their dancers to England in early 1934, following rising Nazi oppression. This was the foundation of the Jooss-Leeder School of Dance at
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addition to teaching in London, he regularly participated in summer courses in
Switzerland, notably alongside his peers in modern dance, including Mary Wigman, Rosalia Chladek and
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in Essen. He traveled with Jooss to study classical dance in Paris and Vienna. Their collaborative piece Zwei Tänzer became an emblematic work.
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As a result of restrictive measures during the early part of the Second World War, he spent a few months in an internment camp, then moved to
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In 1928 he participated in the II Dancers
Congress in Essen, with Kurt Jooss, Dussia Bereska, Fritz Klingenberg and Rudolf Laban, where
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on 14 August 1902, the son of Carl Eduard
Gottfried Leder, lithographer, and Martha Auguste Anna Henriette Friedrich. He died in
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that same year. Then, in 1923, he toured with the Munich
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as stage and costume designer. He also became a professor at the newly established
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Two encounters shaped his future career – with Rudolf Laban in 1923, and then with
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in
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as a pianist, Aino
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in Devon. He developed his method of teaching based on the study of
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Etwas ganz Neues muĂź nun entstehen. Kurt Jooss und das
Tanztheater
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Sigurd Leeder, Tänzer, Pädagoge und
Choreograf. Leben und Werk
133:(birth name: Carl Eduard Wilhelm Leder) was a German dancer,
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267:Among his students in London at this time were
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16:German dancer and choreographer (1902–1981
111:Learn how and when to remove this message
179:in Ascona with Klara Norden, a pupil of
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275:Choreographies (non exhaustive list)
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