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65:, Edwardes engaged Jones to conduct several operettas and musical comedies in London. Jones had begun composing incidental music and supplemental songs for some of the shows he conducted and even wrote scores of his own in 1889 and 1892. In 1893, one of his songs, "Linger Longer, Loo", composed for the 1892
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in 1885. These two musicals were frequently revived, recorded and widely toured in Europe as well as throughout the
English-speaking world. The former became the most frequently-performed English-language work of musical theatre in Europe for many decades. The piece figures prominently in
159:, was a military bandmaster. His mother was Ann Jones, née Eycott. As a child, Jones moved frequently as his father was transferred to new military stations in England and Ireland. The young Jones learned to play a variety of instruments in the band. In
450:) alongside their comic and soubrette elements, and the scores which Jones provided included, alongside the lighter material, numbers sentimental and dramatic, as well as some impressive and vocally demanding concerted ensembles and finales."
381:, Edwardes gave Jones the opportunity to write the music, and the result was a hit show that enjoyed a long run and toured internationally, setting the trend for a new genre of popular musical theatre that came to be known as
435:(1899). Jones's musical plays were "written in a more musically substantial style than the featherweight entertainment given at the Gaiety. Their librettos sported a solid and serious romantic backbone (confided to the
336:
At the same time as these conducting engagements, Jones had begun composing incidental music and songs as needed for the shows he conducted. In 1889, he wrote the musical score for the pantomime
179:. Jones was the eldest son and second of six children. His youngest brother, Guy Sidney Jones (1875–1959), also became a conductor and composer whose musical scores included
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in his father's band and orchestra. He also gave piano lessons. In 1882, he was hired as a conductor for tours of operettas and other musical theatre pieces, such as
291:. He briefly returned to conducting in the British provinces, but in 1892, after nine years of touring, Edwardes hired Jones to conduct the musical
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and
Cellier, which Jones had conducted for so long, but it was lighter and breezier, appealing to the popular tastes of the time.
54:, but several of his pieces were among the most popular shows of the era, enjoying long runs, international tours and revivals.
385:. The ballad "Sunshine above" from the show was popular parlour song. Jones's style was similar in technique to the music of
417:(1894), which ran for fifteen months. This was followed by three of the most successful musical comedies of the 1890s:
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hired him as musical director for the Gaiety
Theatre's 1891 tour of America and Australia, conducting the burlesques
143:
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at the Gaiety
Theatre. The song became popular throughout the English-speaking world and inspired a drawing by
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36:, was an English conductor and composer, who was most famous for composing the musical scores for a series of
494:, and it was adapted as a Russian film in 1959 that featured its music, including "The Amorous Goldfish".
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107:(1899). After this, Jones had less frequent and intense successes, but his more popular shows included
465:, "The Amorous Goldfish" became an oft-sung hit, as did several of his other songs for these shows.
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took advantage of the fad for oriental settings in musical theatre that had reached a peak in
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in 1916, Jones achieved two last successes. However, Jones, like his sometime collaborator
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In 1885, Jones married Kate Linley, an actress, and the couple produced five children.
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In 1892, after nine years of conducting touring companies of
British operettas for
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Other musicals followed, but Jones's only real successes during this period were
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884:, volume 8, pp. 85–88, Greening & Co., Ltd. (1906), accessed 21 April 2010
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Jones soon became house composer and music director for George
Edwardes's new
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545:(1906), which was danced at Christmas-time. Later, back at the light-hearted
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at the Gaiety
Theatre, became popular throughout the English-speaking world.
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Links to MIDI files, lyrics and cast lists for many of Jones's shows
939:. New York City, USA: Facts on File Publication, New York City, NY.
352:(1892), with a libretto by Reginald Stockton, which was produced at
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engaged Jones as musical director for the tour of her musical
805:, Oxford University Press, 2004, accessed 18 September 2008,
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344:
in
Australia, Jones wrote a dance number that was added to
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under the management of comedian J. J. Dallas. After that,
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Jones gained his first professional experience playing the
212:. He next toured with the Vokes family and also composed
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32:(17 June 1861 – 29 January 1946), usually credited as
953:
Murray, Roderick: "Sidney Jones and Star
Blossom" in
175:
and later conducted a band and the Spa
Orchestra at
163:, he studied with Sir Robert Stewart (1825–1894) of
917:Links to the lyrics, MIDI files and cast list for
903:Links to the lyrics, MIDI files and cast list for
407:, Jones again collaborated with Hall and lyricist
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265:. He was then music director for a tour of the
81:(1893), one of the first major successes of the
987:, Vol. 87, No. 1236 (February 1946), p. 63
235:for nearly four years as conductor of tours of
773:, sleeve notes from the Hyperion recording of
533:in the title role. As musical director at the
348:'s score. Jones also composed an operetta,
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311:(1893), and for the London production of
48:periods. Jones's most famous musical was
962:The encyclopaedia of the musical theatre
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85:genre. A series of Jones hits followed:
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208:and a popular American musical show,
393:Daly's Theatre years and later years
249:(starring Lucy Carr Shaw, sister to
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799:"Jones, (James) Sidney (1861–1946)"
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613:("Linger Longer, Loo" contributed)
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503:(produced by Jones) in 1902 and
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852:obituary, 30 January 1946, p. 7
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16:English conductor and composer
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957:Annual (2002), pp. 15–18
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831:British Musical Theatre site
737:"Historical Harrogate Music"
580:, Surrey, at the age of 84.
411:to produce another success,
332:singing "Linger Longer, Loo"
220:. In 1886, actress/producer
167:. The family later moved to
7:
1027:Listing of Jones's musicals
977:Sullivan and His Satellites
969:The British musical theatre
767:"Sidney Jones (1861–1946);
537:, Jones wrote the ballets,
282:Ruy Blas and the Blasé Roué
75:Jones's first hit show was
10:
1073:
1013:Internet Broadway Database
861:Toye, Francis. Letter to
576:Jones died at his home at
935:Burbank, Richard (1984).
321:First composing successes
205:Les Cloches de Corneville
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592:Cover of the Vocal Score
488:'s popular short story,
457:Cover of the Vocal Score
383:Edwardian musical comedy
288:Cinder-Ellen Up-too-Late
83:Edwardian musical comedy
937:Twentieth Century Music
865:, 2 February 1946, p. 5
527:Prince of Wales Theatre
299:Prince of Wales Theatre
1052:English male composers
905:The Medal and the Maid
811:10.1093/ref:odnb/34233
666:The Medal and the Maid
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231:Jones then worked for
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509:in 1908 (produced by
491:The Lady with the Dog
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377:, with a libretto by
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146:
24:
975:Hyman, Alan (1978).
475:Gilbert and Sullivan
272:Little Jack Sheppard
979:. London: Chappell.
874:Dangerfield, Fred.
251:George Bernard Shaw
173:Leeds Grand Theatre
881:The Play Pictorial
741:The Harrogate Band
709:The Girl from Utah
701:A Persian Princess
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552:The Girl from Utah
519:Charles Brookfield
459:
334:
314:The Gay Parisienne
210:Fun on the Bristol
151:Jones was born in
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126:The Girl from Utah
30:James Sidney Jones
27:
985:The Musical Times
876:"See-See" feature
627:An Artist's Model
605:Our Family Legend
414:An Artist's Model
350:Our Family Legend
200:Robert Planquette
88:An Artist's Model
40:hits in the late
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983:"Sidney Jones",
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366:Yvette Guilbert
330:Yvette Guilbert
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277:George Edwardes
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18:
1047:1946 deaths
1042:1861 births
567:World War I
541:(1905) and
531:Denise Orme
529:, starring
523:Adrian Ross
241:comic opera
129:(1913) and
101:(1898) and
1036:Categories
955:The Gaiety
929:References
775:The Geisha
769:The Geisha
679:Cinderella
635:The Geisha
599:Aladdin II
543:Cinderella
480:The Mikado
467:The Geisha
463:The Geisha
420:The Geisha
346:Meyer Lutz
338:Aladdin II
93:The Geisha
51:The Geisha
991:The Times
863:The Times
849:The Times
401:. After
379:Owen Hall
177:Harrogate
153:Islington
67:burlesque
46:Edwardian
42:Victorian
681:(ballet)
674:(ballet)
611:Don Juan
443:and the
437:baritone
423:(1896),
358:Don Juan
354:Brighton
317:(1896).
303:West End
196:clarinet
183:(1907).
135:(1916).
123:(1908),
117:(1906),
113:(1902),
95:(1896),
91:(1894),
70:Don Juan
1011:at the
919:See See
829:at the
686:See See
651:San Toy
571:ragtime
549:, with
515:See-See
471:San Toy
445:soprano
432:San Toy
297:at the
294:In Town
246:Dorothy
218:In Camp
157:Suffolk
115:See See
104:San Toy
943:
833:(2004)
777:(1998)
743:(1996)
269:piece
161:Dublin
724:Notes
714:1916
706:1913
698:1909
690:1908
684:1906
677:1906
670:1905
664:1903
656:1902
648:1899
640:1898
632:1896
624:1894
616:1893
609:1892
603:1892
597:1889
439:hero
256:Doris
226:Vetah
169:Leeds
1022:IMDb
941:ISBN
469:and
285:and
259:and
243:hit
61:and
44:and
1020:at
878:in
807:doi
578:Kew
477:'s
364:of
253:),
239:'s
202:'s
1038::
838:^
817:^
801:,
782:^
748:^
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228:.
949:.
809::
771:"
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