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22:
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373:, Massachusetts, in 1881. Reviews of the premiere were mixed, praising the "gracefulness" of the music, but finding the opera lacking in dramatic intensity; it closed after two weeks. Cellier remained in America to conduct the Comly-Barton Opera Company on tour in the American West. Later that year he was music director of D'Oyly Carte's New York and touring productions of
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560:
wrote, "Gentility reigns supreme, and with it unfortunately also a good deal of the refined feebleness and the ineptitude which are the defects of that quality." Stephenson rewrote the lyrics of one of
Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success
585:, a fact that caused consternation to Cellier's friend Arthur Sullivan. Some critics reconsidered their earlier condemnation, the work became regarded as a classic Victorian piece, and the initially despised plot was traced seriously back to the Restoration playwrights
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works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in
Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886
164:
wrote that the music "is unexpectedly apropos and pretty ... and we have no hesitation in saying that Mr. Alfred
Cellier's melodies will live even after the long life shall have come to an end." He achieved a favourable outcome with
647:
Cellier owed much to the influence of
Sullivan. He was a fertile melodist, and his writing exhibited elegance and refinement, although he was not able to infuse his music with humour in the way that Sullivan did.
581:, built using the profits from the production, where it ran into 1889. Its initial run of a total of 931 performances was the longest of any piece of musical theatre up to that time, considerably longer than even
171:, produced at Prince's Theatre, Manchester, in 1874 and revived in London in 1876 and 1887 (with a new libretto) and in New York in 1880, among others. Most of his early works for the theatre, including
644:
commented: "There is a free-flowing style to
Cellier’s compositions, with fine lyrical detail and sumptuous orchestration with which he provides a wide variety of musical effects."
475:. Later, as a result of ill health, he resided mostly in America, where he was at times a representative for the D'Oyly Carte company, and Australia, where he conducted for the
303:
during which the partners of The Comedy Opera
Company attempted to repossess the set, and he was noted for his attempts to calm the audience during the fracas. His brother,
1926:
1991:
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412:. In 1883, Cellier left the D'Oyly Carte company, but he was back for brief periods as music director with D'Oyly Carte's touring companies for
77:, London, the second child and eldest son of Arsène Cellier, a language teacher from France, and his wife Mary Ann Peterine, formerly Peacock,
624:(with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful. Also after Cellier's death,
307:, succeeded him as musical director at the Opera Comique in 1879. Alfred Cellier was a conductor of a series of promenade concerts at the
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460:(composed together with his brother François, which played together with several different operas at the Savoy between 1887 and 1889.
1971:
1966:
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and as conductor of the
Belfast Philharmonic Society (both in 1862). In 1866 he succeeded Dr. Chipp as organist and director of the
1981:
1936:
1986:
1976:
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339:
using
Sullivan's music from the rest of the score. Back in London in July 1880, he directed the music at the Opera Comique for
1946:
1728:
57:, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.
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117:, at the same time acting as conductor of the Belfast Philharmonic Society. In 1868 he returned to London as organist of
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612:, and made a final brief visit there for health reasons in early 1891, together with Stephenson. His last comic operas,
211:(1878), had only modest success. Cellier also wrote numerous separate songs and composed for orchestra (including his
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1815:
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1941:
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349:. In April 1881, he left the D'Oyly Carte company, ceding the baton to his brother. Cellier composed a three-act
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and other
Gilbert and Sullivan operas for J. C. Williamson and was absent from London during the productions of
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565:. The following year H. J. Leslie took over the production from Edwardes and introduced new stars, including
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Thomsett. He was educated at the grammar school in
Hackney. From 1855 to 1860, he was a chorister at the
39:(1 December 1844 – 28 December 1891) was an English composer, orchestrator and conductor.
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In addition to conducting and music directing the original productions of several of the most famous
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In 1879, he travelled with Gilbert, Sullivan, and Carte to America, where he acted as conductor for
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and, in 1878–1879 he was joint conductor, with Sullivan, of the Covent Garden Promenade Concerts.
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on 25 September 1886. Cellier was in Australia from February 1886 to February 1887, conducting
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In 1885, Cellier composed a song, "There once was a time, my darling", for a piece produced by
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One or more of the preceding sentences incorporates text from a publication now in the
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512:(1885). Meanwhile he had composed what would become his greatest success, the comic opera
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was one of his schoolmates. Cellier later married Harriet Emily. Cellier's brother,
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522:. To create the score, Cellier repurposed some of his music from his 1876 failure,
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an even greater success at the box office. It transferred in December 1888 to the
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While in London, Cellier conducted at several London theatres, including the
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395:(1882–83), for the latter of which he prepared the New York overture.
160:. The piece was a success and played more than 200 times. A reviewer in the
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1453:, 16 November 1872, p. 1; and "Dramatic and Musical Chronology for 1872",
267:(1878, for which he wrote the overture, based on themes from the opera),
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in London. From 1871 to 1875 he was conductor and musical director at the
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632:. Often in ill health throughout his life, Cellier was unable to finish
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1469:, 9 March 1872, reproduced in the liner notes to the 2018 recording of
1404:. Vol. 5 (11th ed.). Cambridge University Press. p. 604.
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Cellier's first appointments were as organist at All Saints' Church,
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1225:, cantata for four solo voices and orchestra, Leeds Festival, 1883
601:. Its success led to revivals of some of Cellier's earlier works.
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299:(1878–79). Cellier was conducting the performance of
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1761:, Oxford University Press, 2001, accessed 3 February 2021
1715:, Oxford University Press, 2004, accessed 12 January 2011
1630:
Longest Running Plays in London and New York, 1875 to 1920
1349:, Oxford University Press, 2004, accessed 9 October 2008,
526:, which had, nevertheless, received praise for its music.
1518:, The Gilbert and Sullivan Archive, accessed 11 June 2018
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completed the score. A reviewer of the 2018 recording of
1673:, The Cyber Encyclopedia of Musical Theatre, TV and Film
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Suite symphonique for orchestra, Brighton Festival, 1878
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1554:"A Twentieth Garland of British Light Music Composers"
1502:, The Guide to Musical theatre, accessed 11 June 2018
283:(1878–79), and three of his own one-act works:
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W. S. Gilbert, A Classic Victorian & His Theatre
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Belladonna, or The Little Beauty and the Great Beast
534:in 1884, but ultimately Edwardes mounted it at his
1269:Stephenson wrote under the pen name "Bolton Rowe".
628:used some of his music in his 1902 adaptation of
604:Cellier returned to Australia in 1888 to conduct
498:s hit song, was very popular as a parlour ballad.
434:. He composed two more companion pieces that had
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1825:Cellier, François; Cunningham Bridgeman (1914).
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1599:Stone, David. "Alfred Cellier’s Grand Opera:
1199:, 1902 (Cellier's music posthumously adapted)
655:, London, at the age of 47. He was buried in
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343:and another of his own pieces with Desprez,
1927:People associated with Gilbert and Sullivan
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16:19th-century English composer and conductor
1894:Links to lyrics, MIDI files and cast lists
438:premieres, both with libretti by Desprez:
1992:People from the London Borough of Hackney
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530:had been announced for production at the
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424:(1885). In 1885, also, Cellier composed
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1906:Information about Savoy curtain raisers
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1713:Oxford Dictionary of National Biography
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1789:Gilbert and Sullivan, a Dual Biography
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1828:Gilbert and Sullivan and Their Operas
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554:initially attracted critical praise.
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1831:. Boston: Little, Brown and Company.
1808:The Gilbert & Sullivan Companion
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1687:Sir Arthur Sullivan Society Magazine
1605:Sir Arthur Sullivan Society Magazine
1477:"W.S. Gilbert & Alfred Cellier:
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247:In December 1877 Cellier joined the
140:During this period he composed many
69:Woodblock engraving of Cellier, 1887
1908:at The Gilbert and Sullivan Archive
1810:. London: W.H. Allen & Co Ltd.
1791:. Oxford: Oxford University Press.
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1341:Edwards, F. G., rev. James J. Nott
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608:and a revival of his earlier work,
251:company as musical director at the
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1871:Edwards, Frederick George (1901).
1632:at the Stage Beauty website (2007)
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2003:
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1685:. "Alfred Cellier in Australia",
1607:, No. 115, Summer 2024, pp. 13–16
1972:English people of French descent
1967:Burials at West Norwood Cemetery
1888:. London: Smith, Elder & Co.
1884:Dictionary of National Biography
1429:, 30 December 1891, p. 4, col. B
1378:
1365:Cellier and Bridgeman, pp. 30–33
1000:Bolton Rowe (Stephenson), after
389:(both in the fall of 1882), and
219:achieved particular popularity.
1982:19th-century conductors (music)
1937:English male conductors (music)
1739:, Music Web International, 2018
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1987:19th-century English musicians
1977:19th-century British composers
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1231:Barcarolle for flute and piano
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398:In 1883, Cellier's setting of
85:, St. James's, under the Rev.
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1896:for a number of Cellier works
1729:"Alfred Cellier (1844–1891):
1538:"Fracas at the Opera Comique"
1486:, Dutton Vocalion, March 2018
1457:, 5 January 1873, supplement.
1343:"Cellier, Alfred (1844–1891)"
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1252:Notes, references and sources
26:
1947:English male opera composers
1689:, No. 97, Summer 2018, p. 22
785:Prince's Theatre, Manchester
651:Cellier died at his home in
618:(1889, with Stephenson) and
60:
7:
1849:. Oxford University Press.
1838:Sullivan and His Satellites
1783:, Chatto & Windus, 1904
1296:, accessed 20 January 2018
713:Bolton Rowe (a pen name of
667:
215:(1978)) and the piano; his
97:, also became a conductor.
10:
2008:
1932:English conductors (music)
1902:at MusicalTheatreGuide.com
1777:Adams, William Davenport.
1771:
1733:, comic opera (1892); and
1709:"Caryll, Ivan (1861–1921)"
1619:, 27 September 1886, p. 10
318:Cellier, H. J. Leslie and
309:Queen's Theatre, Long Acre
183:(1874, with a libretto by
1845:Stedman, Jane W. (1996).
1780:A Dictionary of the Drama
1645:, 22 December 1908, p. 11
867:St George's Hall, London
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287:(1877–78 revival),
148:, the first of which was
1900:Listing of Cellier shows
1787:Ainger, Michael (2002).
1581:"The Drama in America",
1292:, Ancestry Institution,
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733:Gallery of Illustration
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369:) that was presented in
205:Gilbert Arthur Ă Beckett
1942:English opera composers
1874:"Cellier, Alfred"
1763:(subscription required)
1717:(subscription required)
1401:Encyclopædia Britannica
1298:(subscription required)
1072:Strand Theatre, London
705:Gallery of Illustration
563:Prince of Wales Theatre
454:in 1886–87), and
332:The Pirates of Penzance
156:), with the librettist
154:Gallery of Illustration
1559:18 August 2006 at the
1540:, Stage Beauty website
1481:& Alfred Cellier:
1423:"Mr. Alfred Cellier",
696:Charity Begins at Home
610:Charity Begins at Home
499:
408:, was produced at the
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150:Charity Begins at Home
70:
33:
1962:Composers from London
1806:Ayre, Leslie (1972).
1654:"Things Theatrical",
1601:The Masque of Pandora
1585:, 1 August 1880, p. 5
1552:Scowcroft, Philip L.
1355:10.1093/ref:odnb/4989
979:The Masque of Pandora
751:(musical extravanza)
657:West Norwood Cemetery
518:, with a libretto by
494:"Queen of my Heart",
493:
457:Mrs. Jarramie's Genie
363:The Masque of Pandora
317:
230:
203:, with a libretto by
68:
24:
1836:Hyman, Alan (1978).
1660:, 23 July 1892, p. 2
1191:Little Jack Sheppard
1088:Mrs Jarramie's Genie
885:(fanciful operetta)
698:(a musical proverb)
546:, at the Savoy, and
509:Little Jack Sheppard
428:for a production of
410:Leeds music festival
365:(with a libretto by
191:(1875, Manchester),
73:Cellier was born in
44:Gilbert and Sullivan
1840:. London: Chappell.
1727:Walker, Raymond J.
1514:The Sultan of Mocha
1498:The Sultan of Mocha
1475:: Smith, Donald J.
1160:Music completed by
1136:The Tower of London
1134:Revised version of
1105:Collaboration with
1064:The Sultan of Mocha
1055:Revised version of
859:Two Foster Brothers
800:The Tower of London
776:The Sultan of Mocha
404:, in the form of a
197:Two Foster Brothers
189:The Tower of London
168:The Sultan of Mocha
127:Royal Court Theatre
1892:Johnson, Colin M.
1759:Grove Music Online
1755:" Cellier, Alfred"
1657:The Sporting Times
1185:Les Manteaux noirs
1075:21 September 1887
1066:(revised version)
1049:25 September 1886
883:The Spectre Knight
626:Rutland Barrington
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381:Les Manteaux Noirs
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290:The Spectre Knight
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223:D'Oyly Carte years
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1753:Mackerness, E.D.
1735:Suite Symphonique
1671:"Cellier, Alfred"
1483:Suite Symphonique
1290:François Cellier"
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1131:B. C. Stephenson
1099:14 February 1888
1052:B. C. Stephenson
1024:13 February 1886
1013:(a whimsicality)
968:21 February 1880
945:23 December 1878
874:Gilbert Ă Beckett
841:W. T. Moncrieff's
789:16 November 1874
758:Criterion Theatre
213:Suite Symphonique
201:St. George's Hall
119:St Alban's Church
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897:9 February 1878
833:17 October 1876
710:7 February 1872
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595:Oliver Goldsmith
520:B. C. Stephenson
486:and later pieces
477:J. C. Williamson
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426:incidental music
367:B. C. Stephenson
280:Cups and Saucers
275:George Grossmith
158:B. C. Stephenson
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925:Alfred Thompson
811:4 October 1875
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736:3 July 1873
725:Dora's Dream
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1957:1891 deaths
1952:1844 births
1879:Lee, Sidney
1641:"Dorothy",
1217:Other works
1162:Ivan Caryll
1090:(operetta)
1057:Nell Gwynne
861:(operetta)
849:Revised as
822:Nell Gwynne
727:(operetta)
687:Librettist
638:Ivan Caryll
599:Shakespeare
573:, who made
524:Nell Gwynne
418:(1884) and
351:grand opera
209:Bella Donna
193:Nell Gwynne
111:Ulster Hall
49:comic opera
30: 1880
1916:Categories
1277:References
1002:Longfellow
814:Anonymous
653:Bloomsbury
591:Aphra Behn
583:The Mikado
571:Ben Davies
540:The Mikado
471:, and the
469:St James's
446:The Mikado
421:The Mikado
359:Longfellow
320:Stephenson
296:After All!
135:Manchester
113:concerts,
107:Blackheath
1643:The Times
1617:The Times
1426:The Times
1125:, London
1046:, London
934:After All
918:Prince's
894:, London
844:Rochester
830:Prince's
808:Prince's
760:, London
754:2 scenes
707:, London
597:and even
593:, and to
557:The Times
465:Criterion
451:Ruddigore
243:from 1877
146:operettas
61:Biography
25:Cellier,
1557:Archived
1241:Source:
1206:Source:
1170:Source:
1011:The Carp
668:Operatic
544:The Carp
496:Dorothy'
441:The Carp
392:Iolanthe
379:(1882),
327:Pinafore
305:François
301:Pinafore
273:(1878),
261:(1877),
195:(1876),
177:(1873),
95:François
89:, where
1881:(ed.).
1772:Sources
1737:(1878)"
1583:The Era
1455:The Era
1389::
1148:2 acts
1119:3 acts
1069:3 acts
1040:3 acts
1035:Dorothy
984:3 acts
915:3 acts
853:, 1886
851:Dorothy
846:(1818)
827:3 acts
805:3 acts
781:3 acts
606:Dorothy
575:Dorothy
552:Dorothy
548:Dorothy
528:Dorothy
515:Dorothy
484:Dorothy
406:cantata
355:Pandora
341:Pirates
337:Pirates
207:), and
199:(1877,
123:Holborn
115:Belfast
54:Dorothy
1853:
1814:
1795:
1383:
1234:Songs.
1193:, 1885
1187:, 1882
1151:Lyric
1096:Savoy
1093:1 act
1016:1 act
992:Boston
962:1 act
939:1 act
888:1 act
864:1 act
839:after
730:1 act
701:1 act
690:Notes
675:Title
636:, and
467:, the
371:Boston
1877:. In
1257:Notes
1243:Grove
1208:Grove
1172:Grove
1114:Doris
678:Acts
663:Works
615:Doris
473:Savoy
1851:ISBN
1812:ISBN
1793:ISBN
589:and
569:and
448:and
383:and
329:and
237:and
144:and
1603:",
1398:".
1351:doi
361:'s
277:'s
187:),
133:in
79:née
1918::
1757:,
1744:^
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27:c.
1859:.
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1174:.
32:s
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