647:
538:
155:
60:
483:
455:"). Andersen devotes a chapter to this theory, entitled "Pagan or Medieval". While suggesting possible pagan influences on Irish sheela na gigs, he considers them as having a medieval context. He argues that pagan origins are less likely than influence from the continent during the medieval period: "What can be said against it, is that it is less easily proved and can be less easily illustrated than the possible continental, French origin for the motif discussed in earlier chapters" (
273:
378:". They cite Andersen's second chapter as a good discussion of the name. Andersen says there is no evidence that "sheela na gig" was ever a popular name for the figures when they were created. It began during the mid-19th century "where popular understanding of the characteristics of a sheela were vague and people were wary of its apparent rudeness". An earlier reference to the dubious nature of the name is made by H. C. Lawlor in an article in
525:. (Freitag argues against this.) Pilgrim sculptors noted what they had seen on the route and ended up carving their own interpretations of the motifs. Eventually, the exhibitionist motif was transferred to Ireland and Britain. This theory seems to accommodate many of the religious figures but relates less well to some of the secular ones. Images carved on castles would not seem to be serving a religious purpose. The figure at
444:(1993) draws parallels between the sheela na gig and the ancient Irish myth of the goddess who granted kingship. She would appear as a lustful hag, and most men would refuse her advances, except for one man who accepted. When he had relations with her, she was transformed into a beautiful maiden who would confer royalty onto him and bless his reign. There are additional variants of this common
671:
reach, as the interpretation of what is a sheela na gig will vary among scholars. For example, Freitag omits the
Rochester figure from her list while Weir and Jerman include it. Concannon includes some worn figures which only she has identified as sheela na gigs. With renewed interest in the topic, scholars have recently identified previously unknown figures, so more could be discovered.
40:
517:
images. These images, they argue, were used as a means of religious instruction to a largely illiterate populace. As part of this interpretation, they explore a continental origin for the figures. Andersen first suggested this origin, and Weir and Jerman continued and expanded this line of inquiry. They argue the motif migrated from the continent via the
311:, stating it is "a stone fetish representing a woman, supposed to give fertility, generally thought to have been introduced by the Normans." Other researchers have questioned these interpretations â few sheela na gigs are shown with breasts â and expressed doubt about the linguistic connection between
719:
These female figures protect the villagers' health and ward off all evil spirits as well. They are constructed by ritual specialists according to strict rules, which if broken would result in the specialist's as well as the chief's death. It is not coincidental that each example of signs representing
670:
As noted above, Ireland has the greatest number of known sheela na gigs. At one time, they were mistakenly thought to be a uniquely Irish practice; however, scholars realized that the sheela na gig motif could be found all over western and central Europe. Accurate numbers of figures are difficult to
174:
Scholars disagree about the origins of the figures. James Jerman and
Anthony Weir believe the sheela na gigs were first carved in France and Spain during the 11th century; the motif eventually reached Britain and then Ireland in the 12th century. Jerman and Weir's work was a continuation of research
433:
proposed this, as did Anne Ross, who wrote in her essay "The Divine Hag of the Pagan Celts", "I would like to suggest that in their earliest iconographic form they do in fact portray the territorial or war-goddess in her hag-like aspect". Georgia
Rhoades suggests the figures may represent the crone
604:
has reinterpreted the concept of the sheela na gig especially in terms of the image as evil or embodiment of sin. Feminists have adopted the image as an icon with feminist authors viewing the sexuality of the sheela na gig more positively as an empowering figure. Reverence for female sexuality and
490:
This hypothesis usually is combined with the "goddess" explanation. Barbara
Freitag suggests the figures were used in a fertility context and associate them with "birthing stones". There is folkloric evidence of at least some of the sheela na gigs being used in this manner, with the figures being
422:
A popular hypothesis is sheela na gigs represent a pagan goddess, but academics believe the situation was more complex, with multiple interpretations and roles for the female character as spiritual traditions changed over time. The goddess in question usually is identified as Celtic, the hag-like
94:
The greatest concentrations can be found in
Ireland, Great Britain, France and Spain, sometimes together with male figures. Ireland has the greatest number of surviving sheela na gig carvings; Joanne McMahon and Jack Roberts cite 124 examples in Ireland and 45 examples in Britain. One of the best
516:
Weir and Jerman suggested the sheela na gigs served to warn against lust. They see the figures as a religious warning against sins of the flesh. Exhibitionist figures of all typesâmale, female, and bestialâare found frequently in the company of images of beasts devouring people and other hellish
499:
has an associated tradition of being shown to brides on their wedding day. This theory does not seem to apply to all the figures: some are thin with their ribs showing and thin breasts, which do not suggest fertility. Others are plump and are shown in a sexual context with a partner (as at
633:
claims that the image of the Sheela na gig has almost become emblematic of Irish feminism as a force for hope and change. Scholar
Georgia Rhoades argues that for many contemporary feminists the gesture of the Sheela's unapologetic sexual display is "a message about her body, its power and
382:
Vol. 31, January 1931 (Royal
Anthropological Institute of Great Britain and Ireland), in which he writes, "The term 'sheela-na-gig' has no etymological meaning and is an absurd name." Andersen, Weir and Jerman, and Freitag all dismiss the name as being modern and somewhat arbitrary.
629:, Luz Mar GonzĂĄlez-Arias argues that the creative re-imagining of this medieval female figure can "encourage contemporary women to stop perceiving their own corporeality as a heavy, awkward and shameful burden of guilt". Irish writer Molly Mullin's essay
214:
religion. They note what they claim are differences of materials and styles of some sheela na gigs from their surrounding structures, and noting some are turned on their side, to support the idea they were incorporated from previous structures into
352:(c.1795). These are the oldest recorded references to the name, but do not apply to the architectural figures. The Royal Navy's records indicate the name of the ship refers to an "Irish female sprite". Freitag discovered that "gig" was a
589:(23 September 1977) in which a potentially violent incident involving several men was averted by a woman exposing her genitals to them. They doubt, however, whether the story was true. Weir and Jerman go on to suggest that the
508:, who seem to represent fertility. The faces of some figures are striated, indicating scarring or tattoos. Weir notes a close examination of the figures reveals features which are not consistent with a fertility function.
469:
Freitag explores possible Celtic pagan origins, but finds little to suggest a link; "in particular the notion of the divine hag being a portrayal of the Ur-Sheela has to be firmly dismissed as wayward conjecture"
191:
conquest (12th century). The areas which remained governed by native Irish have few sheela na gigs. Weir and Jerman also argue their location on churches and the grotesque features of the figures, by
593:
function seems to have been gradually ascribed to the figures over time. While this theory seems to apply to most of the secular and some of the religious figures, it does not apply to all of them.
549:
Andersen and Weir and Jerman think the figures may also have been used as protection against evil. This would explain the use of the figures on structures such as castles. They served an
715:), they are typically shown with legs splayed, revealing a large, black, triangular pubic area; the hands rest upon the thighs. The writers of the encyclopedia article say:
697:, notes the similarity between the positioning of many sheela na gigs above doorways or windows and the wooden female figures carved over the doorways of chiefs' houses (
3305:
344:, and an 18th-century dance called the Sheela na gig. The Irish slip jig, first published as "The Irish Pot Stick" (c.1758), appears as "Shilling a Gig" in Brysson's
466:
figurine on the motif, but they acknowledge the link is tenuous. They write, "It makes for very interesting speculation, but the amount of evidence is not large".
1270:
1394:
414:
Much of the disagreement among scholars about these figures concerns exactly what they are meant to represent, and no theory explains all the figures.
1578:
720:
the female genitalia used as apotropaic devices are found on gates. The vulva is the primordial gate, the mysterious divide between nonlife and life.
1451:
2606:
3459:
183:
in Dublin, draws attention to the distribution of sheela na gigs in
Ireland to support Weir and Jerman's theory; almost all of the surviving
84:
1525:
678:
contexts, especially in France, northern Spain, Britain, and Norway. In
Ireland figures commonly are found in areas of Norman influence.
3310:
243:, County Tipperary. Scholars disagree about the origin and meaning of the name in Ireland, as it is not directly translatable into
491:
loaned out to women in labour. Other examples are associated with wedding traditions. According to
Margaret Murray, the figure in
374:
Weir and Jerman use the name sheela for the figure because it had entered popular usage; they also term figures of both sexes "
44:
529:
appears on a stable (although this may have been moved from elsewhere). The theory does not seem to apply to all the figures.
1571:
1341:
1110:
964:
934:
902:
819:
1634:
3424:
1465:
Oakley, Dr. Theresa & Woodcock, Dr. Alex, "The Romanesque Corbel Table at St John's, Devizes and its Sheela na gig",
235:
wall in Rochestown, County Tipperary, Ireland; the name also was recorded in 1840 by John O'Donovan, an official of the
1254:
1047:
1355:
1006:
1522:
An extensive guide to male and female exhibitionist carvings in Western Europe by the co-author of "Images of Lust".
3469:
3449:
1564:
1433:
Goode, Starr & Dexter, Miriam Robbins, "Sexuality, the Sheela na gigs, and the Goddess in Ancient Ireland",
1411:
Dexter, Miriam Robbins & Goode, Starr, "The Sheela na gigs, Sexuality, and the Goddess in Ancient Ireland",
1392:
877:
569:
542:
206:
Another theory, espoused by Joanne McMahon and Jack Roberts, is the carvings are remnants of a pre-Christian
17:
3464:
496:
2491:
1360:
1162:
Wide-open to Mirth and Wonder: Twentieth-Century Sheela-na-Gigs as Multiple Signifiers of the Female Body
580:(1764) showing a demon being repulsed by the sight of a woman lifting her skirt to display her genitals.
387:
646:
3419:
3257:
1448:
926:
The Sheela-na-Gigs of Ireland and Britain: The Divine Hag of the Christian Celts â An Illustrated Guide
180:
3414:
277:
261:
3366:
2471:
1175:
Mullin, Molly (1991). "Representations of History, Irish Feminism, and the Politics of Difference".
537:
3454:
3272:
353:
179:(1977), the first serious book on sheela na gigs. Eamonn Kelly, Keeper of Irish Antiquities at the
80:
3444:
3409:
3186:
2561:
761:
675:
167:
1406:
659:
154:
3479:
3474:
522:
386:
The oldest recorded name for one of the figures is "The Idol", which relates to the figure at
617:
474:, page 41). Although scholars have used evidence to reject the theory, it is popularly held.
341:
3434:
2298:
1547:
A guide to Romanesque churches in Portugal. Includes male and female exhibitionist figures.
1368:
31:
146:). They often are positioned over doors or windows, presumably to protect these openings.
8:
3429:
2521:
2481:
2148:
1945:
1775:
573:
163:
159:
2881:
2536:
2378:
2203:
402:(1795) (Andersen page 11). The name "The Idol" also was applied to a now lost figure in
107:, Ireland. There is a replica of the Round Tower sheela na gig in the County Museum in
3439:
3194:
2653:
2541:
2238:
1227:
1192:
304:
2486:
2418:
1513:
553:
function, designed to ward off evil. In Ireland, some of the figures were called "The
3001:
2986:
2601:
2413:
1830:
1730:
1610:
1550:
1485:
1402:
1387:
Costa, Joaquim LuĂs â "Lust and iconography in the Portuguese Romanesque sculpture".
1374:
1351:
1337:
1250:
1231:
1106:
1002:
960:
930:
898:
873:
815:
448:
445:
96:
518:
2976:
2755:
2123:
2025:
1588:
1481:
1219:
1184:
611:
550:
504:). Theresa Oakley and Alex Woodcock recently discovered an exhibitionist couple at
143:
1541:
Female symbolism in church architecture, with several references to sheela na gigs
59:
3262:
3120:
3102:
2991:
2496:
2118:
1455:
1398:
1322:
1073:
996:
924:
867:
663:
601:
585:
430:
322:
240:
236:
216:
2398:
1365:
On The Worship of the Generative Powers during the Middle Ages of Western Europe
1271:"Big vagina energy: the return of the sheela na gig | International Women's Day"
3135:
2891:
2476:
2233:
1895:
1502:
367:
247:. Alternative spellings of "Sheela" may sometimes be encountered; they include
244:
211:
207:
64:
2501:
482:
3403:
3384:
3325:
2936:
2698:
2163:
1556:
437:
391:
375:
188:
116:
52:
3166:
2183:
2178:
303:
the Irish form of the Anglo-Norman name Cecile or Cecilia) on her hunkers".
3171:
3125:
2966:
2673:
2428:
2328:
2050:
1740:
1705:
1428:
Obscenity: Social Control and Artistic Creation in the European Middle Ages
606:
562:
557:
Stones", which supported their theory. Some folkloric evidence is known of
501:
452:
403:
319:. The phrase "sheela na gig" was said to be a term for a hag or old woman.
287:
JĂžrgen Andersen writes that the name is an Irish phrase, originally either
104:
3081:
1855:
631:
Representations of History, Irish Feminism, and the Politics of Difference
122:
The carvings may have been used to ward off death, evil and demons. Other
3357:
3145:
3112:
3016:
2921:
2861:
2688:
2288:
2283:
2248:
1985:
1950:
1910:
1885:
1850:
1535:
1223:
756:
681:
Contemporary examples can be found in Ireland as part of Project Sheela.
526:
272:
192:
76:
3320:
2813:
2663:
2268:
1507:
356:
slang word for a woman's genitals. A similar word in modern Irish slang
3380:
2946:
2906:
2876:
2718:
2703:
2683:
2668:
2643:
2318:
2308:
2228:
1800:
1680:
1472:
Power, Rosemary (2012). "Iona's Sheela-na-gig and Its Visual Context".
1444:, Volume 2. Santa Barbara, California: Praegar. pp. 209â223. 2011
1196:
622:
590:
334:
131:
1532:
Includes several references to apotropaic exposure of female genitalia
3375:
3315:
3300:
3267:
3130:
3026:
2996:
2951:
2916:
2871:
2856:
2723:
2596:
2511:
2393:
2363:
2343:
2293:
2273:
2223:
2198:
2030:
1925:
1835:
1810:
1805:
1780:
1715:
1660:
1645:
1615:
746:
736:
425:
326:
123:
1665:
1544:
1188:
655:
462:
Weir and Jerman explore the possible influence of the ancient Greek
3252:
3210:
3140:
3046:
3041:
2956:
2941:
2896:
2866:
2846:
2713:
2693:
2658:
2278:
2258:
2070:
2060:
2040:
2035:
2005:
2000:
1970:
1965:
1960:
1935:
1825:
1820:
1755:
1750:
1725:
1710:
1700:
1675:
635:
558:
554:
127:
75:
is a figurative carving of a naked woman displaying an exaggerated
2556:
2348:
2188:
371:) also exists, further confusing the possible origin of the name.
231:
1840â1844, as a local name for a carving once present on a church
3371:
3353:
3176:
3086:
3031:
2961:
2931:
2911:
2886:
2818:
2771:
2627:
2531:
2516:
2506:
2438:
2353:
2253:
2075:
2065:
2055:
2020:
1940:
1920:
1915:
1905:
1900:
1890:
1875:
1795:
1785:
1760:
1745:
1695:
1690:
1685:
1670:
1650:
1295:
1024:
2003 â The Dictionary spells the name hyphenated, "Sheela-na-gig"
741:
707:
505:
292:
281:
112:
88:
48:
2981:
2803:
2333:
2138:
3362:
3011:
3006:
2971:
2808:
2708:
2678:
2648:
2611:
2546:
2443:
2408:
2323:
2313:
2243:
2218:
2208:
2143:
2133:
2128:
2113:
2108:
2103:
2015:
2010:
1990:
1980:
1975:
1865:
1860:
1840:
1770:
1655:
1519:
492:
135:
108:
100:
2926:
1498:
400:
A New, Correct, and Much-improved History of the Isle of Wight
3247:
3161:
3036:
3021:
2901:
2851:
2739:
2388:
2383:
2373:
2193:
2168:
2158:
2045:
1995:
1955:
1930:
1870:
1845:
1815:
1790:
1765:
1735:
1720:
1074:"Sheela-na-gigs: The naked women adorning Britain's churches"
895:
The Sheela-na-gigs of Ireland, An Illustrated Map & Guide
751:
731:
702:
463:
232:
139:
39:
1501:
A guide to sheela na gig carvings and sheela na gigs in the
1334:
Sacred Display: Divine and Magical Female Figures of Eurasia
158:
Sheela na gig on the south-west pillar of the presbytery in
3215:
2551:
2526:
2423:
2403:
2368:
2338:
2303:
2263:
2213:
2173:
2153:
1880:
694:
196:
1510:
A comprehensive guide to all the Sheela na Gigs in Ireland
650:
A sheela-like figure in a non-architectural context, the "
333:. She documents references earlier than 1840, including a
2358:
1633:
1449:
The Power of Display: Sheela na gigs and Folklore Customs
596:
200:
1367:, 1865/66 (Attributed) Appended to the 1865 reprint of
1210:
Rhoades, Georgia (2010). "Decoding the Sheela-na-gig".
1440:
Goode, Starr,"Sheela na gig: Dark Goddess of Europe,"
134:, were frequently part of church decorations all over
1528:
The Story of V: A Natural History of Female Sexuality
1467:
Wiltshire Archaeological and Natural History Magazine
1426:
on the Wall: Obscenity Exposed in Early Ireland". In
1126:
Murray, Margaret (1934). "Female Fertility Figures".
138:. It is commonly said that their purpose was to keep
1551:
Sheela na Gigg from 48 Original Irish Dances (score)
1430:, ed. Jan M. Ziolkowski, 76â90. Leiden: Brill, 1998.
869:
Images of Lust: Sexual Carvings on Medieval Churches
568:
Andersen reproduces an 18th-century illustration by
2579:
1372:
An account of the remains of the worship of Priapus
2836:
2093:
3401:
3064:
2793:
1375:(Scanned facsimile available on Internet Archive
1164:. Cork: Cork University Press. pp. 102â118.
561:(skirt-lifting) being used by women to ward off
162:, Kirkwall, Orkney, ca. 12th to 13th centuries,
111:town. Another well-known example may be seen at
1553:. (because References above has a broken link)
394:. This name was mentioned by R. Worsley in his
1586:
1332:Dexter, Miriam Robbins & Mair, Victor H.,
1128:Journal of the Royal Anthropological Institute
922:
886:
417:
406:and was recorded as being in use around 1783.
2461:
1572:
1247:The Sacred Whore: Sheela Goddess of the Celts
674:A significant number of figures are found in
1144:
634:significanceâa gesture of rebellion against
195:standards, suggests they represented female
79:. These carvings, from the Middle Ages, are
1391:# 17 (January â June 2015). . Available in
805:
803:
801:
799:
797:
486:Sheela na Gig and male figure, Whittlesford
434:or an earth goddess from Celtic mythology.
357:
1579:
1565:
1516:A guide to exhibitionist figures in France
865:
795:
793:
791:
789:
787:
785:
783:
781:
779:
777:
532:
1336:, 2010, Amherst, New York: Cambria Press
1244:
1238:
1096:
1094:
990:
988:
986:
984:
982:
980:
978:
976:
918:
916:
914:
809:
645:
536:
481:
429:figure of Irish and Scottish mythology.
271:
153:
58:
38:
1209:
994:
950:
948:
946:
923:McMahon, Joanne; Roberts, Jack (2000).
892:
861:
859:
857:
855:
853:
851:
774:
511:
346:A Curious Collection of Favourite Tunes
14:
3402:
1174:
1138:
1125:
1100:
1091:
1067:
1065:
973:
911:
897:. Galway, Ireland: Bandia Publishing.
849:
847:
845:
843:
841:
839:
837:
835:
833:
831:
597:Feminist reinterpretation of the image
348:(1791) and "Sheela na Gigg" in Hime's
229:Proceedings of the Royal Irish Academy
3460:Objects believed to protect from evil
3342:
3289:
3236:
3063:
2835:
2792:
2578:
2460:
2092:
1635:Ancient Gaulish and Brythonic deities
1632:
1599:
1560:
1419:(2), Mary Condren, ed., (2002), 50â75
1159:
1071:
1050:. Listserv.heanet.ie. 22 October 1997
998:Sheela-na-gigs: Unravelling an Enigma
954:
866:Weir, Anthony; Jerman, James (1986).
638:, rather than an endorsement of it".
472:Sheela na gigs: Unravelling an Enigma
398:(1781) and noted also by J. Albin in
366:
331:Sheela-Na-Gigs: Unravelling an Enigma
239:of Ireland, referring to a figure on
187:sheela na gigs are found in areas of
957:Sheela Na Gigs. Origins And Function
943:
583:Weir and Jerman relate a story from
227:The name was first published in the
175:begun by Jorgen Andersen, who wrote
43:A 12th-century sheela na gig on the
1105:. New York: University of Chicago.
1062:
1037:, Dublin: Irish Texts Society, 1927
828:
83:found throughout most of Europe on
24:
1316:
541:La Fontaine plate, illustrated by
299:, meaning "Sheila (from the Irish
269:, meaning "Julia of the breasts".
63:Sheela na gig from Ireland in the
25:
3491:
1492:
1413:Irish Journal of Feminist Studies
1072:Jones, Sarah (19 February 2019).
605:vulvas can be seen in the art of
1539:by Ernest L. Martin, Ph.D., 1998
1537:The Anatomy of a Church â Part 2
1160:Arias, Luz Mar GonzĂĄlez (2007).
396:The History of the Isle of Wight
2580:Scottish mythological creatures
1484::10.1080/0015587X.2012.716578.
1288:
1263:
1203:
1168:
1153:
1119:
641:
1437:, Vol. 23, No. 1 (2000): 38â48
1329:, 1983, Paris, J.-C. Godefroy
1040:
1027:
1015:
872:. London: B. T. Batsford Ltd.
276:Sheela na gig on town wall in
13:
1:
3343:
3237:
2837:Welsh mythological characters
2094:Irish mythological characters
1545:Igrejas RomĂąnicas em Portugal
1149:. Fethard Historical Society.
768:
627:Wide-open to Mirth and Wonder
409:
388:Holy Cross Church in Binstead
95:examples may be found in the
3065:Welsh mythological creatures
2794:Scottish rulers and warriors
1600:
1103:The Encyclopedia of Religion
1101:Eliade, Mircea, ed. (1993).
684:
497:St Michael at the North Gate
477:
442:The Encyclopedia of Religion
265:, it is derived from Irish,
222:
30:For the PJ Harvey song, see
7:
3290:
2492:Conn of the Hundred Battles
1381:
1245:Concannon, Maureen (2004).
1035:FoclĂłir Gaeážlge agus BĂ©arla
814:. Rosenkilde & Bagger.
724:
418:Survival of a pagan goddess
10:
3496:
3425:Female legendary creatures
1442:Goddesses in World Culture
1369:Sir Richard Payne Knight's
181:National Museum of Ireland
29:
3349:
3338:
3296:
3285:
3243:
3232:
3203:
3185:
3154:
3111:
3095:
3074:
3070:
3059:
2842:
2831:
2799:
2788:
2764:
2748:
2732:
2636:
2620:
2589:
2585:
2574:
2467:
2462:Irish rulers and warriors
2456:
2099:
2088:
1641:
1628:
1606:
1595:
995:Freitag, Barbara (2004).
810:Andersen, Jorgen (1977).
325:devotes a chapter to the
278:Fethard, County Tipperary
262:Oxford English Dictionary
149:
1508:Ireland's Sheela Na Gigs
1327:Baubo, la vulva mythique
1145:O'Connor, James (1991).
691:Encyclopedia of Religion
350:48 Original Irish Dances
329:of the name in her book
81:architectural grotesques
27:European sculpture motif
3470:Vagina and vulva in art
3450:Irish words and phrases
1530:by Catherine Blackledge
762:Vagina and vulva in art
533:Protection against evil
91:, and other buildings.
3155:Sea and lake creatures
1422:Ford, Patrick K. "The
955:Kelly, Ăamonn (1996).
893:Roberts, Jack (2009).
722:
667:
546:
523:Santiago de Compostela
487:
358:
284:
171:
68:
56:
1249:. The Collins Press.
812:The Witch on the Wall
717:
649:
618:The Vagina Monologues
540:
485:
457:The Witch on the Wall
342:HMS Shelanagig (1780)
275:
177:The Witch on the Wall
157:
62:
42:
1454:4 March 2016 at the
1397:6 March 2016 at the
1348:Pagan Celtic Britain
1224:10.1353/ff.2010.0004
705:archipelago. Called
693:, in its article on
660:Province of A Coruña
602:Feminist scholarship
512:Warning against lust
295:of the breasts", or
160:St. Magnus Cathedral
32:Sheela-Na-Gig (song)
3465:Sculptures of women
1460:About Place Journal
1212:Feminist Formations
259:. According to the
3195:Ysbaddaden Bencawr
2542:Fionn mac Cumhaill
1520:Satan in the Groin
1033:Dinneen, Patrick.
668:
652:santuario rupestre
547:
488:
305:Patrick S. Dinneen
285:
172:
126:carvings, such as
69:
57:
3420:European folklore
3397:
3396:
3393:
3392:
3334:
3333:
3281:
3280:
3228:
3227:
3224:
3223:
3055:
3054:
3002:Math fab Mathonwy
2827:
2826:
2784:
2783:
2780:
2779:
2607:Monster of Glamis
2602:Loch Ness Monster
2570:
2569:
2452:
2451:
2084:
2083:
1624:
1623:
1342:978-1-60497-674-8
1112:978-0-02897-135-3
1048:"IRTRAD archives"
966:978-0-946172-51-1
959:. Country House.
936:978-1-85635-294-9
929:. Mercier Press.
904:978-1-901083-26-2
821:978-87-423-0182-1
495:at the church of
446:Northern European
16:(Redirected from
3487:
3415:Celtic goddesses
3340:
3339:
3287:
3286:
3234:
3233:
3072:
3071:
3061:
3060:
2977:Lleu Llaw Gyffes
2882:BrĂąn the Blessed
2833:
2832:
2790:
2789:
2587:
2586:
2576:
2575:
2537:Fergus mac RĂłich
2458:
2457:
2379:ManannĂĄn mac Lir
2289:CĂș RoĂ mac Daire
2090:
2089:
1630:
1629:
1597:
1596:
1589:Celtic mythology
1581:
1574:
1567:
1558:
1557:
1514:Hortusdeliciarum
1488: 0015-587X.
1462:Vol. 2, Issue 2.
1323:Devereux, George
1311:
1310:
1308:
1306:
1292:
1286:
1285:
1283:
1281:
1267:
1261:
1260:
1242:
1236:
1235:
1207:
1201:
1200:
1177:Feminist Studies
1172:
1166:
1165:
1157:
1151:
1150:
1142:
1136:
1135:
1123:
1117:
1116:
1098:
1089:
1088:
1086:
1084:
1069:
1060:
1059:
1057:
1055:
1044:
1038:
1031:
1025:
1019:
1013:
1012:
992:
971:
970:
952:
941:
940:
920:
909:
908:
890:
884:
883:
863:
826:
825:
807:
612:The Dinner Party
370:
365:
361:
354:Northern English
289:Sighle na gCĂoch
144:apotropaic magic
21:
3495:
3494:
3490:
3489:
3488:
3486:
3485:
3484:
3455:Nude sculptures
3400:
3399:
3398:
3389:
3345:
3330:
3292:
3277:
3239:
3220:
3199:
3181:
3172:Llamhigyn y DƔr
3150:
3121:Bendith y Mamau
3113:Fairies/Spirits
3107:
3103:Adar Llwch Gwin
3091:
3066:
3051:
2838:
2823:
2795:
2776:
2760:
2744:
2728:
2637:Fairies/Spirits
2632:
2616:
2581:
2566:
2497:Cormac mac Airt
2487:ConĂĄn mac Morna
2463:
2448:
2095:
2080:
1637:
1620:
1602:
1591:
1585:
1499:SheelaNaGig.org
1495:
1456:Wayback Machine
1447:Goode, Starr, "
1399:Wayback Machine
1384:
1346:Ross, Dr Anne,
1319:
1317:Further reading
1314:
1304:
1302:
1294:
1293:
1289:
1279:
1277:
1269:
1268:
1264:
1257:
1243:
1239:
1208:
1204:
1189:10.2307/3178168
1173:
1169:
1158:
1154:
1143:
1139:
1124:
1120:
1113:
1099:
1092:
1082:
1080:
1070:
1063:
1053:
1051:
1046:
1045:
1041:
1032:
1028:
1020:
1016:
1009:
993:
974:
967:
953:
944:
937:
921:
912:
905:
891:
887:
880:
864:
829:
822:
808:
775:
771:
766:
727:
687:
644:
599:
586:The Irish Times
578:Nouveaux Contes
535:
514:
480:
459:, p. 95).
431:Margaret Murray
420:
412:
363:
323:Barbara Freitag
291:, meaning "the
241:Kiltinan Castle
237:Ordnance Survey
225:
217:early Christian
199:as hideous and
152:
35:
28:
23:
22:
15:
12:
11:
5:
3493:
3483:
3482:
3477:
3472:
3467:
3462:
3457:
3452:
3447:
3445:Irish folklore
3442:
3437:
3432:
3427:
3422:
3417:
3412:
3410:Sheela na gigs
3395:
3394:
3391:
3390:
3388:
3387:
3378:
3369:
3360:
3350:
3347:
3346:
3336:
3335:
3332:
3331:
3329:
3328:
3323:
3318:
3313:
3311:ClaĂomh Solais
3308:
3303:
3297:
3294:
3293:
3283:
3282:
3279:
3278:
3276:
3275:
3270:
3265:
3260:
3255:
3250:
3244:
3241:
3240:
3230:
3229:
3226:
3225:
3222:
3221:
3219:
3218:
3213:
3207:
3205:
3201:
3200:
3198:
3197:
3191:
3189:
3183:
3182:
3180:
3179:
3174:
3169:
3164:
3158:
3156:
3152:
3151:
3149:
3148:
3143:
3138:
3136:Gwragedd Annwn
3133:
3128:
3123:
3117:
3115:
3109:
3108:
3106:
3105:
3099:
3097:
3093:
3092:
3090:
3089:
3084:
3078:
3076:
3068:
3067:
3057:
3056:
3053:
3052:
3050:
3049:
3044:
3039:
3034:
3029:
3024:
3019:
3014:
3009:
3004:
2999:
2994:
2989:
2984:
2979:
2974:
2969:
2964:
2959:
2954:
2949:
2944:
2939:
2934:
2929:
2924:
2919:
2914:
2909:
2904:
2899:
2894:
2889:
2884:
2879:
2874:
2869:
2864:
2859:
2854:
2849:
2843:
2840:
2839:
2829:
2828:
2825:
2824:
2822:
2821:
2816:
2811:
2806:
2800:
2797:
2796:
2786:
2785:
2782:
2781:
2778:
2777:
2775:
2774:
2768:
2766:
2762:
2761:
2759:
2758:
2752:
2750:
2746:
2745:
2743:
2742:
2736:
2734:
2730:
2729:
2727:
2726:
2721:
2716:
2711:
2706:
2701:
2696:
2691:
2686:
2681:
2676:
2671:
2666:
2661:
2656:
2651:
2646:
2640:
2638:
2634:
2633:
2631:
2630:
2624:
2622:
2618:
2617:
2615:
2614:
2609:
2604:
2599:
2593:
2591:
2583:
2582:
2572:
2571:
2568:
2567:
2565:
2564:
2559:
2554:
2549:
2544:
2539:
2534:
2529:
2524:
2519:
2514:
2509:
2504:
2499:
2494:
2489:
2484:
2479:
2477:Conall Cernach
2474:
2468:
2465:
2464:
2454:
2453:
2450:
2449:
2447:
2446:
2441:
2436:
2431:
2426:
2421:
2416:
2411:
2406:
2401:
2396:
2391:
2386:
2381:
2376:
2371:
2366:
2361:
2356:
2351:
2346:
2341:
2336:
2331:
2326:
2321:
2316:
2311:
2306:
2301:
2296:
2291:
2286:
2281:
2276:
2271:
2266:
2261:
2256:
2251:
2246:
2241:
2236:
2231:
2226:
2221:
2216:
2211:
2206:
2201:
2196:
2191:
2186:
2181:
2176:
2171:
2166:
2161:
2156:
2151:
2146:
2141:
2136:
2131:
2126:
2121:
2116:
2111:
2106:
2100:
2097:
2096:
2086:
2085:
2082:
2081:
2079:
2078:
2073:
2068:
2063:
2058:
2053:
2048:
2043:
2038:
2033:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1983:
1978:
1973:
1968:
1963:
1958:
1953:
1948:
1943:
1938:
1933:
1928:
1923:
1918:
1913:
1908:
1903:
1898:
1896:Hooded Spirits
1893:
1888:
1883:
1878:
1873:
1868:
1863:
1858:
1853:
1848:
1843:
1838:
1833:
1828:
1823:
1818:
1813:
1808:
1803:
1798:
1793:
1788:
1783:
1778:
1773:
1768:
1763:
1758:
1753:
1748:
1743:
1738:
1733:
1728:
1723:
1718:
1713:
1708:
1703:
1698:
1693:
1688:
1683:
1678:
1673:
1668:
1663:
1658:
1653:
1648:
1642:
1639:
1638:
1626:
1625:
1622:
1621:
1619:
1618:
1613:
1607:
1604:
1603:
1593:
1592:
1584:
1583:
1576:
1569:
1561:
1555:
1554:
1548:
1542:
1533:
1523:
1517:
1511:
1505:
1503:United Kingdom
1494:
1493:External links
1491:
1490:
1489:
1480:(3): 330â354.
1470:
1463:
1445:
1438:
1431:
1420:
1409:
1383:
1380:
1379:
1378:
1377:see pp132â134)
1361:Wright, Thomas
1358:
1344:
1330:
1318:
1315:
1313:
1312:
1287:
1262:
1256:978-1903464526
1255:
1237:
1218:(2): 167â194.
1202:
1167:
1152:
1137:
1118:
1111:
1090:
1061:
1039:
1026:
1014:
1007:
972:
965:
942:
935:
910:
903:
885:
878:
827:
820:
772:
770:
767:
765:
764:
759:
754:
749:
744:
739:
734:
728:
726:
723:
686:
683:
643:
640:
598:
595:
534:
531:
519:pilgrim routes
513:
510:
479:
476:
419:
416:
411:
408:
267:SĂle na gcĂoch
224:
221:
212:mother goddess
151:
148:
67:(12th century)
65:British Museum
26:
9:
6:
4:
3:
2:
3492:
3481:
3480:Yonic symbols
3478:
3476:
3475:Visual motifs
3473:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3426:
3423:
3421:
3418:
3416:
3413:
3411:
3408:
3407:
3405:
3386:
3382:
3379:
3377:
3373:
3370:
3368:
3364:
3361:
3359:
3355:
3352:
3351:
3348:
3341:
3337:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3298:
3295:
3288:
3284:
3274:
3271:
3269:
3266:
3264:
3261:
3259:
3256:
3254:
3251:
3249:
3246:
3245:
3242:
3235:
3231:
3217:
3214:
3212:
3209:
3208:
3206:
3202:
3196:
3193:
3192:
3190:
3188:
3184:
3178:
3175:
3173:
3170:
3168:
3165:
3163:
3160:
3159:
3157:
3153:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3118:
3116:
3114:
3110:
3104:
3101:
3100:
3098:
3094:
3088:
3085:
3083:
3080:
3079:
3077:
3073:
3069:
3062:
3058:
3048:
3045:
3043:
3040:
3038:
3035:
3033:
3030:
3028:
3025:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2937:Dylan Ail Don
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
2903:
2900:
2898:
2895:
2893:
2890:
2888:
2885:
2883:
2880:
2878:
2875:
2873:
2870:
2868:
2865:
2863:
2860:
2858:
2855:
2853:
2850:
2848:
2845:
2844:
2841:
2834:
2830:
2820:
2817:
2815:
2812:
2810:
2807:
2805:
2802:
2801:
2798:
2791:
2787:
2773:
2770:
2769:
2767:
2763:
2757:
2754:
2753:
2751:
2747:
2741:
2738:
2737:
2735:
2731:
2725:
2722:
2720:
2717:
2715:
2712:
2710:
2707:
2705:
2702:
2700:
2697:
2695:
2692:
2690:
2687:
2685:
2682:
2680:
2677:
2675:
2672:
2670:
2667:
2665:
2662:
2660:
2657:
2655:
2652:
2650:
2647:
2645:
2642:
2641:
2639:
2635:
2629:
2626:
2625:
2623:
2619:
2613:
2610:
2608:
2605:
2603:
2600:
2598:
2595:
2594:
2592:
2588:
2584:
2577:
2573:
2563:
2560:
2558:
2555:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2533:
2530:
2528:
2525:
2523:
2520:
2518:
2515:
2513:
2510:
2508:
2505:
2503:
2500:
2498:
2495:
2493:
2490:
2488:
2485:
2483:
2480:
2478:
2475:
2473:
2470:
2469:
2466:
2459:
2455:
2445:
2442:
2440:
2437:
2435:
2434:Sheela na gig
2432:
2430:
2427:
2425:
2422:
2420:
2417:
2415:
2412:
2410:
2407:
2405:
2402:
2400:
2397:
2395:
2392:
2390:
2387:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
2367:
2365:
2362:
2360:
2357:
2355:
2352:
2350:
2347:
2345:
2342:
2340:
2337:
2335:
2332:
2330:
2327:
2325:
2322:
2320:
2317:
2315:
2312:
2310:
2307:
2305:
2302:
2300:
2297:
2295:
2292:
2290:
2287:
2285:
2282:
2280:
2277:
2275:
2272:
2270:
2267:
2265:
2262:
2260:
2257:
2255:
2252:
2250:
2247:
2245:
2242:
2240:
2237:
2235:
2232:
2230:
2227:
2225:
2222:
2220:
2217:
2215:
2212:
2210:
2207:
2205:
2202:
2200:
2197:
2195:
2192:
2190:
2187:
2185:
2182:
2180:
2177:
2175:
2172:
2170:
2167:
2165:
2162:
2160:
2157:
2155:
2152:
2150:
2147:
2145:
2142:
2140:
2137:
2135:
2132:
2130:
2127:
2125:
2122:
2120:
2117:
2115:
2112:
2110:
2107:
2105:
2102:
2101:
2098:
2091:
2087:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1934:
1932:
1929:
1927:
1924:
1922:
1919:
1917:
1914:
1912:
1909:
1907:
1904:
1902:
1899:
1897:
1894:
1892:
1889:
1887:
1884:
1882:
1879:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1824:
1822:
1819:
1817:
1814:
1812:
1809:
1807:
1804:
1802:
1799:
1797:
1794:
1792:
1789:
1787:
1784:
1782:
1779:
1777:
1774:
1772:
1769:
1767:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1737:
1734:
1732:
1729:
1727:
1724:
1722:
1719:
1717:
1714:
1712:
1709:
1707:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1682:
1679:
1677:
1674:
1672:
1669:
1667:
1664:
1662:
1659:
1657:
1654:
1652:
1649:
1647:
1644:
1643:
1640:
1636:
1631:
1627:
1617:
1614:
1612:
1609:
1608:
1605:
1598:
1594:
1590:
1582:
1577:
1575:
1570:
1568:
1563:
1562:
1559:
1552:
1549:
1546:
1543:
1540:
1538:
1534:
1531:
1529:
1526:Excerpt from
1524:
1521:
1518:
1515:
1512:
1509:
1506:
1504:
1500:
1497:
1496:
1487:
1483:
1479:
1475:
1471:
1469:Vol 99 (2006)
1468:
1464:
1461:
1457:
1453:
1450:
1446:
1443:
1439:
1436:
1432:
1429:
1425:
1421:
1418:
1414:
1410:
1408:
1404:
1400:
1396:
1393:
1390:
1389:Medievalist .
1386:
1385:
1376:
1373:
1370:
1366:
1362:
1359:
1357:
1356:0-89733-435-3
1353:
1349:
1345:
1343:
1339:
1335:
1331:
1328:
1324:
1321:
1320:
1301:
1300:Projectsheela
1297:
1291:
1276:
1272:
1266:
1258:
1252:
1248:
1241:
1233:
1229:
1225:
1221:
1217:
1213:
1206:
1198:
1194:
1190:
1186:
1182:
1178:
1171:
1163:
1156:
1148:
1147:Sheela na gig
1141:
1133:
1129:
1122:
1114:
1108:
1104:
1097:
1095:
1079:
1075:
1068:
1066:
1049:
1043:
1036:
1030:
1023:
1018:
1010:
1008:0-415-34552-9
1004:
1001:. Routledge.
1000:
999:
991:
989:
987:
985:
983:
981:
979:
977:
968:
962:
958:
951:
949:
947:
938:
932:
928:
927:
919:
917:
915:
906:
900:
896:
889:
881:
875:
871:
870:
862:
860:
858:
856:
854:
852:
850:
848:
846:
844:
842:
840:
838:
836:
834:
832:
823:
817:
813:
806:
804:
802:
800:
798:
796:
794:
792:
790:
788:
786:
784:
782:
780:
778:
773:
763:
760:
758:
755:
753:
750:
748:
745:
743:
740:
738:
735:
733:
730:
729:
721:
716:
714:
710:
709:
704:
700:
696:
692:
682:
679:
677:
672:
665:
661:
657:
653:
648:
639:
637:
632:
628:
624:
620:
619:
614:
613:
608:
603:
594:
592:
588:
587:
581:
579:
575:
571:
570:Charles Eisen
566:
564:
560:
556:
552:
544:
543:Charles Eisen
539:
530:
528:
524:
520:
509:
507:
503:
498:
494:
484:
475:
473:
467:
465:
460:
458:
454:
450:
447:
443:
439:
438:Mircea Eliade
435:
432:
428:
427:
415:
407:
405:
404:Lusk, Ireland
401:
397:
393:
392:Isle of Wight
389:
384:
381:
377:
376:exhibitionist
372:
369:
368:[ÉiË]
360:
355:
351:
347:
343:
340:
339:Sheela Na Gig
336:
332:
328:
324:
320:
318:
314:
310:
309:SĂle na gCĂoÄ
306:
302:
298:
297:SĂle ina Giob
294:
290:
283:
279:
274:
270:
268:
264:
263:
258:
254:
250:
246:
242:
238:
234:
230:
220:
218:
213:
209:
204:
202:
198:
194:
190:
186:
182:
178:
169:
165:
161:
156:
147:
145:
141:
137:
133:
129:
125:
120:
118:
117:Herefordshire
114:
110:
106:
102:
98:
92:
90:
86:
82:
78:
74:
73:sheela na gig
66:
61:
54:
53:Herefordshire
50:
46:
41:
37:
33:
19:
18:Sheela na Gig
3126:Brenin Llwyd
2967:Gwyn ap Nudd
2433:
2429:Plor na mBan
2249:Cenn Cruaich
1741:Belatucadros
1706:Anextiomarus
1536:
1527:
1477:
1473:
1466:
1459:
1441:
1434:
1427:
1423:
1416:
1412:
1388:
1371:
1364:
1347:
1333:
1326:
1303:. Retrieved
1299:
1290:
1278:. Retrieved
1275:The Guardian
1274:
1265:
1246:
1240:
1215:
1211:
1205:
1183:(1): 29â50.
1180:
1176:
1170:
1161:
1155:
1146:
1140:
1131:
1127:
1121:
1102:
1081:. Retrieved
1077:
1052:. Retrieved
1042:
1034:
1029:
1021:
1017:
997:
956:
925:
894:
888:
868:
811:
718:
712:
706:
698:
690:
688:
680:
673:
669:
651:
642:Distribution
630:
626:
616:
610:
607:Judy Chicago
600:
584:
582:
577:
567:
563:evil spirits
548:
521:to and from
515:
502:Whittlesford
489:
471:
468:
461:
456:
453:Loathly lady
441:
436:
424:
421:
413:
399:
395:
385:
379:
373:
349:
345:
338:
330:
321:
316:
312:
308:
300:
296:
288:
286:
266:
260:
256:
252:
248:
228:
226:
205:
203:corrupting.
189:Anglo-Norman
184:
176:
173:
140:evil spirits
121:
105:County Kerry
93:
72:
70:
36:
3435:Iconography
3358:Calan Gaeaf
3146:Tylwyth Teg
2862:King Arthur
2699:Meg Mullach
2689:Ghillie Dhu
2284:Crom Cruach
1986:Ricagambeda
1951:Nantosuelta
1911:Icovellauna
1851:Dea Matrona
1083:20 February
757:Lajja Gauri
574:La Fontaine
527:Haddon Hall
307:also gives
219:buildings.
132:hunky punks
119:, England.
97:Round Tower
3430:Grotesques
3404:Categories
3385:Calan Awst
3381:Lughnasadh
3326:Spear LĂșin
3301:Caledfwlch
3268:Drom Asail
3263:TĂr na nĂg
3167:Ceffyl DƔr
2907:Creiddylad
2892:Caswallawn
2877:Blodeuwedd
2719:Shellycoat
2704:Nuckelavee
2684:Each-uisge
2669:Changeling
2644:Bean-nighe
2502:CĂșchulainn
2309:Dian Cecht
2229:Buarainech
2184:BĂ© Chuille
1801:Cathubodua
1681:Ambisagrus
1587:Topics in
1022:OED Online
879:0713451106
769:References
676:Romanesque
623:Eve Ensler
591:apotropaic
551:apotropaic
410:Hypotheses
364:pronounced
335:Royal Navy
168:Romanesque
142:away (see
85:cathedrals
3440:Irish art
3376:Calan Mai
3367:GƔyl Fair
3344:Festivals
3316:Fragarach
3273:Hy-Brasil
3238:Locations
3131:Cyhyraeth
3082:CƔn Annwn
3027:Penarddun
2997:Manawydan
2952:Euroswydd
2917:Cyhyraeth
2872:Beli Mawr
2857:Arianrhod
2724:Wirry-cow
2597:Gigelorum
2512:Deichtine
2482:Conchobar
2394:Mog Ruith
2364:Luchtaine
2344:Fionnuala
2294:The Dagda
2199:Bodb Derg
2031:Smertrios
1926:Loucetios
1856:DÄ«s Pater
1846:Dea Latis
1836:Coventina
1831:Contrebis
1811:Cissonius
1806:Cernunnos
1781:Britannia
1776:Brigantia
1716:Arnemetia
1661:Adsullata
1646:Abandinus
1616:Cailleach
1407:1715-0736
1232:145565461
747:Green Man
737:Cailleach
701:) in the
685:Parallels
478:Fertility
426:Cailleach
327:etymology
223:Etymology
208:fertility
128:gargoyles
124:grotesque
55:, England
3321:GĂĄe Bulg
3253:Mag Mell
3211:Coblynau
3141:Gwyllion
3047:Taliesin
3042:Rhiannon
2957:Gofannon
2942:Efnysien
2897:Ceridwen
2867:Afallach
2847:Amaethon
2814:ScĂĄthach
2714:Seonaidh
2694:Glaistig
2664:Cat-sĂŹth
2659:Caoineag
2522:Diarmuid
2399:MorrĂgan
2279:Creidhne
2269:Cliodhna
2259:Cethlenn
2164:BĂĄnĂĄnach
2104:Abartach
2071:Visucius
2061:Toutatis
2041:Suleviae
2036:Sucellus
2006:Rudianos
2001:Rosmerta
1971:Nicnevin
1966:Nemausus
1961:Nemetona
1936:Luxovius
1901:Herecura
1826:Condatis
1821:Cocidius
1756:Bergusia
1751:Belisama
1731:Aufaniae
1726:Arvernus
1711:Arduinna
1701:Andraste
1676:Alisanos
1601:Creation
1474:Folklore
1452:Archived
1435:ReVision
1395:Archived
1382:Articles
1350:, 1967,
1054:14 March
725:See also
666:, Spain.
636:misogyny
559:anasyrma
555:Evil Eye
313:ina Giob
201:sinfully
193:medieval
3372:Beltane
3354:Samhain
3306:Dyrnwyn
3291:Weapons
3204:Goblins
3177:Morgens
3087:Gwyllgi
3032:Pryderi
3017:Ogyruan
2962:Gwydion
2912:Culhwch
2887:Branwen
2819:Uathach
2772:Bauchan
2765:Goblins
2674:CĂč-sĂŹth
2654:Brownie
2628:Boobrie
2532:Ferdiad
2517:Deirdre
2439:Tailtiu
2354:Goibniu
2254:Cessair
2224:Bronach
2119:Alastir
2076:Vosegus
2066:Verbeia
2056:Taranis
2051:Tamesis
2021:Sequana
1941:Maponos
1921:Litavis
1916:Inciona
1906:Icaunus
1891:Grannus
1876:Erecura
1796:Camulus
1786:Buxenus
1761:Bormana
1746:Belenus
1696:Andarta
1691:Ancasta
1686:Ancamna
1671:Alaunus
1651:Abellio
1305:23 July
1280:23 July
1197:3178168
742:Dilukai
713:dilugai
708:dilukai
703:Palauan
664:Galicia
506:Devizes
390:on the
293:old hag
282:Ireland
185:in situ
113:Kilpeck
89:castles
49:Kilpeck
3363:Imbolc
3075:Beasts
3012:Nisien
3007:Modron
2972:Hafgan
2809:Connla
2749:Gnomes
2709:Selkie
2679:Dunnie
2649:Bodach
2612:Wulver
2590:Beasts
2547:Lugaid
2507:Cumhal
2472:CaĂlte
2444:Tethra
2409:Nemain
2324:Ethniu
2314:Elatha
2244:Carman
2239:Canola
2219:Brigid
2179:BĂ©ážinn
2144:Airmed
2134:Aimend
2129:Aibell
2114:Aengus
2109:Abhean
2026:Sirona
2011:Segomo
1991:Ritona
1981:Ogmios
1976:Nodens
1946:Matres
1866:Dusios
1861:Divona
1841:Damona
1771:Bricta
1666:AgronÄ
1656:Abnoba
1405:
1354:
1340:
1296:"Home"
1253:
1230:
1195:
1109:
1005:
963:
933:
901:
876:
818:
656:CoirĂłs
545:(1762)
493:Oxford
451:(see "
317:na Gig
249:Sheila
164:Norman
150:Origin
136:Europe
109:Tralee
101:Rattoo
45:church
3258:SĂdhe
3248:Annwn
3187:Cewri
3162:Afanc
3096:Birds
3037:Pwyll
3022:Olwen
2992:Mabon
2987:Lludd
2902:Cigfa
2852:Arawn
2740:Ceasg
2621:Birds
2562:Oscar
2557:OisĂn
2419:Nuada
2414:Niamh
2389:Midir
2384:Miach
2374:Macha
2349:FĂłdla
2329:Ethne
2319:ĂtaĂn
2194:Boann
2189:Birog
2169:Banba
2159:Balor
2046:Sulis
2016:Senua
1996:Robor
1956:Naria
1931:Lugus
1886:Fagus
1871:Epona
1816:Clota
1791:Camma
1766:Borvo
1736:Aveta
1721:Artio
1611:Beira
1424:Which
1228:S2CID
1193:JSTOR
752:Herma
732:Baubo
654:" at
625:. In
572:from
464:Baubo
449:motif
337:ship
301:SĂle,
245:Irish
233:gable
103:, in
77:vulva
3216:Pwca
2982:LlĆ·r
2947:Elen
2932:Dwyn
2922:Dewi
2804:AĂfe
2756:Peck
2733:Fish
2552:Medb
2527:Emer
2424:Ogma
2404:Neit
2369:Lugh
2339:Fand
2334:Ăriu
2304:Donn
2299:Danu
2274:Corb
2264:Cian
2234:Caer
2214:Bres
2209:Breg
2204:Brea
2174:Beag
2154:Badb
2139:Ăine
1881:Esus
1486:ISSN
1403:ISSN
1352:ISBN
1338:ISBN
1307:2021
1282:2021
1251:ISBN
1132:LXIV
1107:ISBN
1085:2019
1056:2013
1003:ISBN
961:ISBN
931:ISBN
899:ISBN
874:ISBN
816:ISBN
711:(or
695:yoni
689:The
615:and
359:gigh
315:and
257:SĂla
255:and
253:SĂle
197:lust
166:and
130:and
2927:DĂŽn
2359:Lir
2149:Anu
1482:doi
1478:123
1458:,"
1220:doi
1185:doi
1078:BBC
699:bai
621:by
609:'s
576:'s
440:'s
380:Man
210:or
115:in
99:at
47:at
3406::
2124:Ai
1476:.
1415:,
1401:,
1363:,
1325:,
1298:.
1273:.
1226:.
1216:22
1214:.
1191:.
1181:17
1179:.
1130:.
1093:^
1076:.
1064:^
975:^
945:^
913:^
830:^
776:^
662:,
658:,
565:.
280:,
251:,
87:,
71:A
51:,
3383:/
3374:/
3365:/
3356:/
1580:e
1573:t
1566:v
1417:4
1309:.
1284:.
1259:.
1234:.
1222::
1199:.
1187::
1134:.
1115:.
1087:.
1058:.
1011:.
969:.
939:.
907:.
882:.
824:.
470:(
362:(
170:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
