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Crowell chose "to articulate something about the feminine archetype." He wanted to understand womanhood and immerse himself in it to understand the choices of his loved ones. He wrote "Sex and
Gasoline" first and then "Truth Decay" and "I Want You" followed along the same thematic lines. He wrote other songs that he did not include on the album for thematic purposes.
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decade, but found it still as perhaps one of the strongest albums of the year. While offering praise for the first three tracks, Keefe described the rest of the album as predictable, chiding "Who Do You Trust" and "Closer to Heaven" for "relying on the same brand of free-associative poetry to make essentially the same point." Conversely, Stuart Munro of
1159:, who recognized Crowell as the "Lone Star State's Bob Dylan", gave the album 4.5 out of five stars. He praised Joe Henry for bringing forth the "genuine and personal narratives" of Crowell with blunt impact. Thom Yurek of Allmusic gave the album four out of five stars, calling it the kind of album Crowell has wanted to make since
648:. It employs symbology open for interpretation. To Allmusic, Crowell uses the track to examine his own treatment of women, concluding he is guilty of objectifying them despite his contrary intentions. Crowell observes the shift to respect from objectification often occurs too late. The similarly ambiguous arrangement straddles the
474:. Due to his lack of total control over the project, Crowell initially had difficulty with the sessions and remained only for a total of four or five days. He did not stay for the mixing, asking Henry to mail it to him once completed. While recording the track "Truth Decay," Crowell used Phil Everly of the
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agreed with the Dylan comparisons, saying
Crowell shared Dylan's pretentiousness yielding "Dylan-like rage, prophecy, and poetry." He gave the album six out of ten stars, faulting it for being too much like his previous three releases, which gives the album strength but does not break any new ground
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described it as too atmospheric to be country and too rustic to be rock or pure pop. The tracks range in outlook from fatalistic to idyllic, with a sense of urgency. The tone is markedly more negative than
Crowell's previous efforts, but still warm and smoky. Although, comedic elements are present it
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The core theme for the album derived from one of
Crowell's daughters who "let herself be led to death's door because she didn't fit society's image." Furthermore, Crowell's wife, a former model and singer, had difficulties in dealing with the aging process in her line of work. From these experiences,
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Crowell employed the same technique for writing that he used on his previous three releases: "find a core theme, a central driving point, and coax myself into writing much the same way you'd write a book or a film script where it's not just a collection of ten or eleven songs, but a world you enter."
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described it as having a "surprisingly angular guitar motif scythes into lyrics about the sexual exploitation of the young." At the end of the song, someone in the
Glasgow crowd yelled "Play some country!" To which, Crowell responded, "It doesn't exist anymore, haven't you heard?" Upon its release,
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describes them as "accessible and jagged observations on the conflicting poles in what it means to be a conscious human being who struggles with unconscious urges" as well as the struggle of being a man who attempts, often unsuccessfully, to respect women in a culture that sometimes expresses hatred
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The seventh track, "I've Done
Everything I Can" is a duet between Crowell and Joe Henry in which the two have a conversation about Crowell's helplessness as a father in coming to grips with the choices of his troubled daughter. It combines the sadness of giving a daughter her freedom with the pride
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For the first time in his career, Crowell turned to an outsider to produce one of his albums. He had originally recorded and produced a full album of songs himself but upon listening to the result he decided they were too close to the material he had already released. He scrapped the album entirely
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for inspiration. Crowell wanted Everly to sing harmony on the track but Everly was in
Tennessee and could not travel to California. Instead, Crowell imagined how Everly would sound on the track while recording. Everly later recorded overdubs for the track back in Tennessee, which Claudia Church
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The third track, the politically-charged mid-tempo shuffle "The Rise and Fall of
Intelligent Design" asks how the world would be if Crowell were a woman. Through a pulse of steel guitar fingerpicking, soft toms, shuffling acoustics, and a buried bass drum, Crowell questions what he would do as a
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gave the album a 6.6 out of ten, calling it "uneven but generally pleasant." He praised Henry's production for allowing
Crowell's humor to prevail and applauded the guitar work of Doyle Bramhall II and Greg Leisz as being more intricate, at times, than the songs themselves. He faulted Crowell's
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faulted the title track for not explaining the "whys and wherefores" for society's emphasis on youth and beauty, and panned "The Rise and Fall of
Intelligent Design" for not fully exploring the concept it introduces that understanding one's manhood requires an understanding of womanhood. Munro
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gave the album 3.5 out of five stars, describing it as a letdown for being internally redundant and overwritten, yet still more topical and intelligent than other country releases. Keefe compared it unfavorably to Crowell's previous three releases, which he regarded as some of the best of the
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musicians, to be the producer. Henry was noted for his tendency to approach each project uniquely and to experiment with different styles. In Crowell's words, "Henry produced, and I shut up and sang. The end result is some of the best performances I've given to date. I should have done this
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gave the album 3.5 out of five stars he labeled the release as disappointing and one of Crowell's lesser performances, adding "Crowell paints women as being victim to nearly insurmountable hurdles, but when singing of them as individuals, he awards them all the power." Jeff Leven of
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Crowell released the album at a critically acclaimed juncture in his career. As he focused more on artistic merit and lyrically-driven sound, he honed in on a central theme for the tracks. He drew inspiration from his personal life including his wife and four daughters.
1217:, having "literate, immediately appealing songs" and adding subtler hooks, more subdued tones, as well as more mature and interior insights. He highlighted "I’ve Done Everything I Can" and "The Rise And Fall Of Intelligent Design" as standout tracks.
727:), is about an affluent girl who learns to "bow head" and "lift skirt" from an early age. It presents a betrayal of lust and a narrator who sees value beyond freshly desire. The track features bluesy moaning vocals on top of an upright bass thump.
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suggested the album offered insights rooted in the present day rather than the past. Other themes explored include aging, sexual appetite, the consequences of a celebrity-obsessed media, heartache, sadness, regret, a troubled society, and mortality.
618:. Broadly, he expounds upon what makes this "mean old world run." It features layers of acoustic guitar, a piano with "strident yet warm" notes, mandolin, and a throbbing bassline accompanying the lyrics. In an interview with the
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The sixth track, "Who Do You Trust" is a fatalistic track on which Crowell expresses contempt. Its underlying message is that nobody can be trusted. Musically, it has a "funky groove" backed with a "gospel fervor."
360:, and one born to his first ex wife). With his return to music, he viewed himself more as an artist and focused on his craft, disregarding commercial appeal. His latest trio of albums, including
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The opening track "Sex and Gasoline" is a satire using the voice of society to connect to the album's underlying theme of the oversexualization of women in the United States. With what the
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described the album as "masterful" and said it was probably the best work of Crowell in a decade, highlighting "The Rise and Fall of Intelligent Design" as the best track. Steve Klinge of
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gave the album three and a half out of four stars, complimenting Henry's production for amplifying "the muscle of Crowell’s lyrics and the immediacy of his vocals." Jim Farber of the
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sooner." He referred to Henry's production as "liberating." Crowell described his singing and guitar-playing on the album as the best he ever recorded to that point in his career.
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described Crowell as "cranky" on "The Rise and Fall of Intelligent Design" and "Closer to Heaven" but found the album overall as a compelling portrait of "beauty in imperfection."
1991:
499:, in which Crowell explores personal themes in a "struggle to come to terms with the new millennium." Women serve as the inspiration for the collection of eleven original songs.
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340:", which spent five weeks at number one on the country charts, Crowell was no longer the same "bona fide hit machine" who charted five number one singles from his 1988 album
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Although the album at times boasts an edgy rock style, particularly the title track, others are more poetic and introspective. Overall, it is less rock-infused than
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calls "empty vessels", including sushi, hummus, noisy neighbors, golf, and "buzzwords like 'awesome' and 'dude'." He also lists some of the things he likes such as
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applauded the charm of Crowell's literacy enhanced by Henry's production and declared Crowell as "close to making the best music of his career." Jewly Hight of
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describes the lyric "I'm okay as long as I can laugh / I don't care if everything goes wrong" as emblematic of the dark comedic elements on the album.
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and the passage of time. On the track, Crowell sings as a voice of conscience. Instrumentally, it features an acoustic guitar and not much else.
622:, Crowell revealed the song to be "about a young woman very close to me that our culture was just beating to a pulp. And it made me angry." With
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felt the emphasis on women from the perspective of men paradoxically offered more insight on the male sex than the female. Referencing the title,
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so as not to "undermine the integrity of the composition." Everly came out of retirement to provide background vocals. It shares its title with
636:, you're sexually irrelevant. If you're 42, you might get traded in for a younger woman. Your intelligence and wisdom is not relevant anymore."
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praised the "lithe, pulsing production" as well as the "highly literary fashion" of Crowell and described the musicians as "subtle geniuses."
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received critical acclaim. However, during the tour in support of the album, Crowell was criticized for straying from the lyrically-driven
1163:. Yurek cited Crowell's ability to make "emotions almost visible" through the work, comparing the anger of the opening track with that of
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The album received largely favorable reviews though it was seen as a lesser effort than Crowell's previous three releases. It charted on
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praised "I've Done Everything I Can" and "The Night's Just Right" where "the particulars imply some universal" truth. On his website
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777:"Funky and the Farm-Boy" is a narrative with a bluesy, good-time feel on which Crowell, with the delivery of a folksinger, discusses
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The next track, "Truth Decay" is a melodic ballad on which Crowell says he channeled Phil Everly to sing harmony without his natural
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At this time in his career, Crowell was still in the process of restyling himself as a "mature poet/troubadour" in the vein of
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781:. The band is afforded some latitude on the track, prominently featuring the guitar work of Doyle Bramhall III and vocals of
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produced the album using a group of musicians with whom Crowell had not previously worked. Principal recording took place in
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lauded Crowell's ability "to illuminate eternal truths without overstatement, pretension or pedantry" from an oblique angle.
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The next track, "The Night's Just Right" is a retrospective, tender ballad in which Crowell "lets a little light shine in."
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The last track, "Closer to Heaven" starts with Crowell, in a "slightly curmudgeonly" way, listing his dislikes or what the
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Dylanesque vocals as setting the bar too high on his topical material, leaving it "too on-the-nose." Steve Horowitz of
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lauded the songwriting and production but questioned the inclusion of "Funky and the Farm-Boy." Ed Bumgardner in the
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were highly regarded and cemented his legacy as an icon among the often artistically-minded outside-the-mainstream
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of knowing she can choose the right path herself based on the foundation the father built in raising her. The
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681:. It notes Crowell did not support Clinton in the Democratic Party primaries, opting to back former Senator
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genre. It features a "mesmerizing" quiet beat that goes in and out of a mute steel guitar, invoking reverie.
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on the horizon, he chose to push his poetry to the forefront, shifting from a "bandleader to communicator."
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gave the album 3.5 stars out of five and praised Crowell as a "master songwriter" regardless of genre.
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The second track "Moving Work of Art" describes the beauty of a woman in full, channeling the work of
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communities. In fact, Crowell received the Lifetime Achievement Award for songwriting at the 2006
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criticized Crowell's "righteous indignation" as being overbearing at times. Jonathan Keefe of
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described the song as simplistic and preachy, comparing it unfavorably to the 1980s output of
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and headed to California to recreate it with a group of musicians he did not know. He chose
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noted the album has very little to do with gasoline, and is focused more on sex, not
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describes as "Dylanesque bite," Crowell rails against society's emphasis on the
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at which Crowell once again performed "Sex and Gasoline", Jim Harrington of the
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purports Henry's vocals to be that of a friend or Crowell's conscience itself.
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previously recorded the song as "The Night's Just Right for Love" on his 2000
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were added to the project. Henry used the trio on his previous project, the
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called it "not just a celebration of women, but a real attempt at empathy."
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and presumes one might be better at the job than a man, resolving the
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Concerning the track "Sex and Gasoline" Crowell says "If you're not a
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Through Henry's guidance, progressive musicians such as string master
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Rodney Crowell set on rocking – but he’s better with country and folk
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observed it had the same "swampy, bluesy feel" as Dylan's 1997 album
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informed him the music was too loud, drowning out his lyrics. With
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at which he played the song that would become the title track for
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George Strait’s Self-Titled Album: Revealing “A Master” At Work
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Others were slightly less favorable. While Kevin John Coyne of
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filmed. Crowell called that session a highlight of his career.
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Sex & Gasoline: Rodney Crowell Somewhere in the Rust Belt
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woman. In doing so, he discusses the possibility of a female
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is the fourth and final in a series of albums, starting with
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handbook." Crowell later recounted how friends at a show in
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CD reviews: Loudon Wainwright III, Rodney Crowell and more
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The penultimate track "Forty Winters" is a ballad about
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combined with the elegance of Dylan. Doug Collette of
713:"I Want You #35", a title that echoes two Dylan songs "
313:, with "pointless guitar leads ... straight out of the
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received generally favorable reviews. Doug Freeman of
470:, California in July and October 2007 at the historic
192:, the album is a topical release dealing largely with
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Rodney Crowell’s Sex and Gasoline Among New Releases
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played many instruments including lap steel guitar.
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2208:Rodney Crowell is all about 'Sex & Gasoline'
1982:Rodney Crowell album review (Sex & Gasoline)
1386:"The Rise and Fall of Intelligent Design" - 4:28
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432:, who, at the time, was known for his work with
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1807:Rodney Crowell’s New Album Coming in September
1327:Top Country Albums chart and number 35 on the
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1697:Rodney Crowell focuses on the art of the song
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1829:Six (Or So) Questions For ... Rodney Crowell
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386:at which he debuted "A Moving Work of Art."
2525:, Grammy.com, December 21, 2019 (Retrieved)
2513:, Grammy.com, December 21, 2019 (Retrieved)
2284:Rodney Crowell Sex & Gasoline (Yep Roc)
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2357:, udiscovermusic.com, September 19, 2019.
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1863:Rodney Crowell, 'the Houston Kid' Returns
2458:Rodney Crowell: Sex and Gasoline (Shock)
2395:Review: Rodney Crowell, Sex and Gasoline
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604:(pictured), you're sexually irrelevant."
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2897:Leaving Louisiana in the Broad Daylight
2753:(Now and Then There's) A Fool Such as I
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1990:, November 13, 2008 (archived from the
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1792:James McMurty Wins Two Americana Awards
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1933:Rodney Crowell Rebuilds a Musical Life
1911:I First Met Don Everly in the Late ...
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1344:Best Contemporary Folk/Americana Album
1237:or gain any new fans. Writing for the
224:Best Contemporary Folk/Americana Album
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1631:Rodney Crowell, King Tut's, Glasgow
1395:"I've Done Everything I Can" - 5:34
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384:Americana Music Honors & Awards
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2809:Many a Long & Lonesome Highway
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2316:Rodney Crowell: Sex & Gasoline
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2184:Rodney Crowell: Sex & Gasoline
2126:Rodney Crowell/ Sex & Gasoline
2102:Rodney Crowell/ Sex & Gasoline
2054:Rodney Crowell, Sex & Gasoline
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1727:Rodney Crowell: Sex & Gasoline
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1541:provided vocals for "Truth Decay."
1429:- acoustic guitar, electric guitar
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194:gender issues in the United States
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2584:But What Will the Neighbors Think
2016:Rodney Crowell – Sex And Gasoline
1321:The album peaked at number 38 on
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2373:Rodney Crowell: Sex and Gasoline
2074:Rodney Crowell: Sex and Gasoline
1773:Rodney Crowell: Closer to Heaven
1745:Rodney Crowell On Mountain Stage
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2501:, December 21, 2019 (Retrieved)
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2336:In touch with his feminine side
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1404:"Funky and the Farm-Boy" - 4:08
1401:"The Night's Just Right" - 3:51
2414:Rodney Crowell at the Basement
1794:, CMT.com, September 25, 2006.
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663:President of the United States
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264:, Crowell performed a show in
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2890:I Ain't Living Long Like This
2714:The Rodney Crowell Collection
2444:, accessed December 31, 2019.
2134:, accessed December 31, 2019.
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1496:- electric bass, upright bass
1279:Chart performance and acclaim
719:Rainy Day Women #12 & #35
673:connects these lyrics to the
524:but gender. Comparing it to
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254:Just ahead of the release of
2978:Albums produced by Joe Henry
2626:Let the Picture Paint Itself
2493:Rodney Crowell Chart History
1913:, Rodney Crowell (Official)
1568:Jean McClain, also known as
1414:
1314:
1302:
826:
407:
368:as well as the 2003 release
7:
2577:Ain't Living Long Like This
1572:provided background vocals.
1383:"Moving Work of Art" - 4:30
572:. It is largely acoustic.
60:July 25 – October 12, 2007
10:
2994:
2946:The Notorious Cherry Bombs
2940:The Notorious Cherry Bombs
740:I've Done Everything I Can
675:2008 presidential campaign
482:
233:
206:South Pasadena, California
185:. Released in 2008 on the
69:South Pasadena, California
2927:
2867:
2858:I Walk the Line Revisited
2730:
2705:
2568:
1447:- vocals on "Truth Decay"
1435:- acoustic guitar, vocals
1410:"Closer to Heaven" - 5:20
1398:"Who Do You Trust" - 4:08
1380:"Sex and Gasoline" - 4:28
1340:51st Annual Grammy Awards
1213:compared it favorably to
849:
846:
295:." During a 2006 show in
228:51st Annual Grammy Awards
218:s Top Country Albums and
133:
125:
113:
100:
84:
74:
64:
56:
48:
35:
26:
21:
2918:Voilá, An American Dream
1725:Smith, William Michael.
187:independent record label
2788:She's Crazy for Leavin'
2774:It's Such a Small World
1392:"I Want You #35" - 3:31
1334:It was nominated for a
1407:"Forty Winters" - 4:43
773:Funky and the Farm-Boy
753:The Night's Just Right
605:
424:
251:
222:and was nominated for
2973:Rodney Crowell albums
2904:Making Memories of Us
2480:Winston-Salem Journal
2422:, September 18, 2008.
2344:, September 16, 2008.
2232:They're Hangin' Tough
2230:Lewis, Randy, et al.
2131:Country Standard Time
1272:Winston-Salem Journal
721:" (both from Dylan's
616:feminine beauty ideal
595:
575:Country Standard Time
454:Loudon Wainwright III
415:
338:Making Memories of Us
241:
2830:Now That We're Alone
2696:The Chicago Sessions
2381:, September 2, 2008.
2289:The Austin Chronicle
2240:, September 2, 2008.
2190:, September 1, 2008.
2060:, September 7, 2008.
1957:, September 2, 2008.
1941:, December 26, 2008.
1887:Oksenhorn, Stewart.
1827:du Lac, J. Freedom.
1705:, November 13, 2008.
1695:Oksenhorn, Stewart.
1389:"Truth Decay" - 4:30
1156:The Austin Chronicle
893:The Austin Chronicle
837:Professional ratings
832:Professional reviews
632:, or have legs like
600:, or have legs like
448:, and percussionist
276:. David Peschek of
2816:If Looks Could Kill
2795:After All This Time
2612:Keys to the Highway
2605:Diamonds & Dirt
2523:2008 Grammy Winners
2292:, October 31, 2008.
2261:The Huffington Post
2216:, October 10, 2008.
2213:New York Daily News
2110:, October 26, 2008.
2052:Coyne, Kevin John.
1897:, October 16, 2008.
1871:, November 9, 2008.
1834:The Washington Post
1781:, October 31, 2008.
1778:American Songwriter
1751:, November 25, 2008
1661:, January 20, 2006.
1537:Phil Everly of the
1490:- background vocals
1477:, electric guitar,
1465:- acoustic guitar,
1453:- background vocals
1423:- percussion, drums
1342:in the category of
1312:Independent Albums
1300:Top Country Albums
1215:Diamonds & Dirt
1190:New York Daily News
838:
799:Alzheimer's disease
669:and air pollution.
343:Diamonds & Dirt
242:Crowell onstage in
2851:Please Remember Me
2823:My Past Is Present
2706:Compilation albums
2682:The Traveling Kind
2661:Sex & Gasoline
2633:Jewel of the South
2483:, October 9, 2008.
2464:, October 1, 2008.
2403:, August 31, 2008.
2322:, October 6, 2008.
2264:, October 8, 2008.
2158:, August 31, 2008.
2150:Sex & Gasoline
2100:McPherson, David.
2082:, October 7, 2008.
2024:, October 2, 2008.
1917:, January 4, 2014.
1837:, October 20, 2008
1790:Gilbert, Calvin. "
1735:, October 1, 2008.
1459:- vocals, producer
1348:Record of the Year
1329:Independent Albums
1151:Sex & Gasoline
836:
787:Sister Jane McLain
640:Moving Work of Art
606:
522:sexual intercourse
493:Sex & Gasoline
425:
336:'s 2004 cover of "
323:Sex & Gasoline
274:Sex & Gasoline
252:
220:Independent Albums
181:singer-songwriter
174:Sex & Gasoline
149:Sex & Gasoline
22:Sex & Gasoline
2955:
2954:
2876:The Answer Is Yes
2844:What Kind of Love
2746:Song for the Life
2647:Fate's Right Hand
2393:Keefe, Jonathan.
2237:Los Angeles Times
2182:Horowitz, Steve.
1909:Crowell, Rodney.
1868:Houston Chronicle
1651:Harrington, Jim.
1523:Doyle Bramhall II
1427:Doyle Bramhall II
1352:Album of the Year
1319:
1318:
1185:Los Angeles Times
1148:
1147:
967:Los Angeles Times
747:Houston Chronicle
620:Houston Chronicle
611:Los Angeles Times
548:Houston Chronicle
531:Houston Chronicle
504:toward them. The
464:Doyle Bramhall II
371:Fate's Right Hand
170:
169:
166:
165:
52:September 2, 2008
2985:
2928:Related articles
2837:Lovin' All Night
2802:Above and Beyond
2555:
2548:
2541:
2532:
2531:
2526:
2520:
2514:
2508:
2502:
2490:
2484:
2473:Bumgardner, Ed.
2471:
2465:
2451:
2445:
2429:
2423:
2410:
2404:
2391:
2382:
2369:
2358:
2351:
2345:
2341:The Boston Globe
2332:
2323:
2314:Collette, Doug.
2312:
2293:
2280:
2265:
2254:Gleason, Holly.
2252:
2241:
2228:
2217:
2204:
2191:
2180:
2159:
2146:
2135:
2122:
2111:
2098:
2083:
2070:
2061:
2058:Country Universe
2050:
2025:
2012:
1995:
1975:
1958:
1948:
1942:
1938:Edmonton Journal
1929:
1918:
1907:
1898:
1885:
1872:
1861:Dansby, Andrew.
1859:
1838:
1825:
1814:
1804:
1795:
1788:
1782:
1769:
1752:
1742:
1736:
1723:
1706:
1693:
1662:
1649:
1640:
1639:, July 28, 2005.
1629:Peschek, David.
1627:
1621:
1614:Sex and Gasoline
1610:
1565:
1550:
1534:
1519:
1483:lap steel guitar
1283:
1282:
1257:The Boston Globe
1222:Country Universe
1144:
1143:
1142:
1138:
1137:
1133:
1132:
1128:
1127:
1123:
1122:
1106:
1105:
1104:
1100:
1099:
1095:
1094:
1090:
1089:
1085:
1084:
1068:
1067:
1066:
1062:
1061:
1057:
1056:
1052:
1051:
1047:
1046:
1042:
1041:
1037:
1036:
1032:
1031:
1027:
1026:
1022:
1021:
993:
992:
991:
987:
986:
982:
981:
977:
976:
960:
959:
958:
954:
953:
949:
948:
944:
943:
939:
938:
930:Country Universe
924:
923:
922:
918:
917:
913:
912:
908:
907:
903:
902:
886:
885:
884:
880:
879:
875:
874:
870:
869:
865:
864:
839:
835:
805:Closer to Heaven
779:sexual obsession
731:Who Do You Trust
724:Blonde on Blonde
677:of then-Senator
646:Townes Van Zandt
588:Sex and Gasoline
569:Time Out of Mind
135:
134:
31:
19:
18:
2993:
2992:
2988:
2987:
2986:
2984:
2983:
2982:
2958:
2957:
2956:
2951:
2923:
2911:Queen of Hearts
2863:
2726:
2701:
2668:Old Yellow Moon
2640:The Houston Kid
2598:Street Language
2564:
2559:
2529:
2521:
2517:
2509:
2505:
2491:
2487:
2472:
2468:
2452:
2448:
2432:Margasak, Peter
2430:
2426:
2419:Nashville Scene
2411:
2407:
2392:
2385:
2370:
2361:
2352:
2348:
2334:Munro, Stuart.
2333:
2326:
2313:
2296:
2282:Freeman, Doug.
2281:
2268:
2253:
2244:
2229:
2220:
2205:
2194:
2181:
2162:
2147:
2138:
2124:Cornell, Rick.
2123:
2114:
2099:
2086:
2071:
2064:
2051:
2028:
2014:Klinge, Steve.
2013:
1998:
1994:March 3, 2009).
1976:
1961:
1949:
1945:
1930:
1921:
1908:
1901:
1894:The Aspen Times
1886:
1875:
1860:
1841:
1826:
1817:
1813:, May 29, 2008.
1805:
1798:
1789:
1785:
1771:Cooper, Peter.
1770:
1755:
1743:
1739:
1724:
1709:
1702:The Aspen Times
1694:
1665:
1650:
1643:
1628:
1624:
1611:
1584:
1580:
1573:
1566:
1557:
1551:
1542:
1539:Everly Brothers
1535:
1526:
1520:
1417:
1374:
1290:
1281:
1196:Nashville Scene
1161:The Houston Kid
1140:
1135:
1130:
1125:
1102:
1097:
1092:
1087:
1064:
1059:
1054:
1049:
1044:
1039:
1034:
1029:
1024:
989:
984:
979:
956:
951:
946:
941:
920:
915:
910:
905:
882:
877:
872:
867:
834:
829:
812:Huffington Post
767:eponymous album
679:Hillary Clinton
625:The Aspen Times
585:
544:The Houston Kid
526:The Houston Kid
518:County Universe
497:The Houston Kid
490:
488:Theme and style
485:
476:Everly Brothers
410:
397:
392:
366:The Houston Kid
349:The Houston Kid
236:
190:Yep Roc Records
161:
158:Old Yellow Moon
152:
143:
44:
17:
12:
11:
5:
2991:
2981:
2980:
2975:
2970:
2953:
2952:
2950:
2949:
2942:
2937:
2931:
2929:
2925:
2924:
2922:
2921:
2914:
2907:
2900:
2893:
2886:
2879:
2871:
2869:
2865:
2864:
2862:
2861:
2854:
2847:
2840:
2833:
2826:
2819:
2812:
2805:
2798:
2791:
2784:
2777:
2770:
2767:Ain't No Money
2763:
2756:
2749:
2742:
2734:
2732:
2728:
2727:
2725:
2724:
2717:
2709:
2707:
2703:
2702:
2700:
2699:
2692:
2685:
2678:
2671:
2664:
2657:
2650:
2643:
2636:
2629:
2622:
2615:
2608:
2601:
2594:
2591:Rodney Crowell
2587:
2580:
2572:
2570:
2566:
2565:
2562:Rodney Crowell
2558:
2557:
2550:
2543:
2535:
2528:
2527:
2515:
2511:Rodney Crowell
2503:
2485:
2466:
2446:
2441:Chicago Reader
2424:
2412:Hight, Jewly.
2405:
2400:Slant Magazine
2383:
2378:Paste Magazine
2359:
2353:Sexton, Paul.
2346:
2324:
2320:Glide Magazine
2294:
2266:
2242:
2218:
2192:
2160:
2148:McCord, Jeff.
2136:
2112:
2084:
2062:
2026:
1996:
1959:
1943:
1931:North, Peter.
1919:
1899:
1873:
1839:
1815:
1796:
1783:
1753:
1737:
1707:
1663:
1658:East Bay Times
1641:
1622:
1581:
1579:
1576:
1575:
1574:
1567:
1560:
1558:
1552:
1545:
1543:
1536:
1529:
1527:
1521:
1514:
1511:
1510:
1500:Patrick Warren
1497:
1491:
1485:
1460:
1454:
1448:
1442:
1436:
1433:Rodney Crowell
1430:
1424:
1416:
1413:
1412:
1411:
1408:
1405:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1373:
1370:
1317:
1316:
1313:
1305:
1304:
1301:
1293:
1292:
1287:
1280:
1277:
1250:Slant Magazine
1245:Peter Margasak
1240:Chicago Reader
1146:
1145:
1116:
1113:Slate Magazine
1108:
1107:
1078:
1070:
1069:
1015:
1007:
1006:
1003:
995:
994:
970:
962:
961:
932:
926:
925:
896:
888:
887:
858:
852:
851:
848:
844:
843:
833:
830:
828:
825:
807:
806:
795:
794:
775:
774:
755:
754:
742:
741:
733:
732:
711:
710:
709:I Want You #35
699:T Bone Burnett
691:
690:
658:
657:
642:
641:
590:
589:
584:
583:Track by track
581:
489:
486:
484:
481:
472:Garfield House
468:South Pasadena
421:Garfield House
409:
406:
396:
393:
391:
388:
354:Claudia Church
302:East Bay Times
258:'s 2005 album
256:Rodney Crowell
235:
232:
183:Rodney Crowell
168:
167:
164:
163:
154:
145:
131:
130:
127:Rodney Crowell
123:
122:
117:
111:
110:
104:
98:
97:
88:
82:
81:
79:Garfield House
76:
72:
71:
66:
62:
61:
58:
54:
53:
50:
46:
45:
42:Rodney Crowell
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
2990:
2979:
2976:
2974:
2971:
2969:
2966:
2965:
2963:
2948:
2947:
2943:
2941:
2938:
2936:
2933:
2932:
2930:
2926:
2919:
2915:
2912:
2908:
2905:
2901:
2898:
2894:
2891:
2887:
2884:
2880:
2877:
2873:
2872:
2870:
2866:
2859:
2855:
2852:
2848:
2845:
2841:
2838:
2834:
2831:
2827:
2824:
2820:
2817:
2813:
2810:
2806:
2803:
2799:
2796:
2792:
2789:
2785:
2782:
2778:
2775:
2771:
2768:
2764:
2761:
2757:
2754:
2750:
2747:
2743:
2740:
2736:
2735:
2733:
2729:
2723:
2722:
2721:Greatest Hits
2718:
2716:
2715:
2711:
2710:
2708:
2704:
2698:
2697:
2693:
2691:
2690:
2686:
2684:
2683:
2679:
2677:
2676:
2672:
2670:
2669:
2665:
2663:
2662:
2658:
2656:
2655:
2651:
2649:
2648:
2644:
2642:
2641:
2637:
2635:
2634:
2630:
2628:
2627:
2623:
2621:
2620:
2619:Life Is Messy
2616:
2614:
2613:
2609:
2607:
2606:
2602:
2600:
2599:
2595:
2593:
2592:
2588:
2586:
2585:
2581:
2579:
2578:
2574:
2573:
2571:
2569:Studio albums
2567:
2563:
2556:
2551:
2549:
2544:
2542:
2537:
2536:
2533:
2524:
2519:
2512:
2507:
2500:
2499:
2494:
2489:
2482:
2481:
2476:
2470:
2463:
2459:
2455:
2450:
2443:
2442:
2437:
2433:
2428:
2421:
2420:
2415:
2409:
2402:
2401:
2396:
2390:
2388:
2380:
2379:
2374:
2371:Leven, Jeff.
2368:
2366:
2364:
2356:
2350:
2343:
2342:
2337:
2331:
2329:
2321:
2317:
2311:
2309:
2307:
2305:
2303:
2301:
2299:
2291:
2290:
2285:
2279:
2277:
2275:
2273:
2271:
2263:
2262:
2257:
2251:
2249:
2247:
2239:
2238:
2233:
2227:
2225:
2223:
2215:
2214:
2209:
2206:Farber, Jim.
2203:
2201:
2199:
2197:
2189:
2185:
2179:
2177:
2175:
2173:
2171:
2169:
2167:
2165:
2157:
2156:
2155:Texas Monthly
2151:
2145:
2143:
2141:
2133:
2132:
2127:
2121:
2119:
2117:
2109:
2108:
2103:
2097:
2095:
2093:
2091:
2089:
2081:
2080:
2075:
2072:Quill, Greg.
2069:
2067:
2059:
2055:
2049:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2023:
2022:
2017:
2011:
2009:
2007:
2005:
2003:
2001:
1993:
1989:
1988:
1987:Rolling Stone
1983:
1979:
1974:
1972:
1970:
1968:
1966:
1964:
1956:
1952:
1947:
1940:
1939:
1934:
1928:
1926:
1924:
1916:
1912:
1906:
1904:
1896:
1895:
1890:
1884:
1882:
1880:
1878:
1870:
1869:
1864:
1858:
1856:
1854:
1852:
1850:
1848:
1846:
1844:
1836:
1835:
1830:
1824:
1822:
1820:
1812:
1808:
1803:
1801:
1793:
1787:
1780:
1779:
1774:
1768:
1766:
1764:
1762:
1760:
1758:
1750:
1746:
1741:
1734:
1733:
1732:Houston Press
1728:
1722:
1720:
1718:
1716:
1714:
1712:
1704:
1703:
1698:
1692:
1690:
1688:
1686:
1684:
1682:
1680:
1678:
1676:
1674:
1672:
1670:
1668:
1660:
1659:
1654:
1648:
1646:
1638:
1637:
1632:
1626:
1619:
1615:
1612:Jurek, Thom.
1609:
1607:
1605:
1603:
1601:
1599:
1597:
1595:
1593:
1591:
1589:
1587:
1582:
1571:
1570:Pepper MaShay
1564:
1559:
1555:
1549:
1544:
1540:
1533:
1528:
1524:
1518:
1513:
1512:
1509:
1505:
1501:
1498:
1495:
1492:
1489:
1486:
1484:
1480:
1476:
1472:
1468:
1464:
1461:
1458:
1455:
1452:
1449:
1446:
1443:
1440:
1439:Sally Dworsky
1437:
1434:
1431:
1428:
1425:
1422:
1421:Jay Bellerose
1419:
1418:
1409:
1406:
1403:
1400:
1397:
1394:
1391:
1388:
1385:
1382:
1379:
1378:
1377:
1372:Track listing
1369:
1367:
1366:Alison Krauss
1363:
1359:
1358:
1353:
1349:
1345:
1341:
1337:
1332:
1330:
1326:
1325:
1311:
1307:
1306:
1299:
1295:
1294:
1288:
1286:Chart (2008)
1285:
1284:
1276:
1274:
1273:
1268:
1264:
1259:
1258:
1252:
1251:
1246:
1242:
1241:
1235:
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2935:Discography
2868:Other songs
1475:pedal steel
1445:Phil Everly
1267:Graham Reid
1181:Randy Lewis
1165:Steve Earle
689:Truth Decay
395:Composition
376:alt-country
334:Keith Urban
2962:Categories
2883:Heartbroke
2689:Close Ties
2188:PopMatters
1978:Kemp, Mark
1578:References
1554:Greg Leisz
1508:pump organ
1504:Chamberlin
1479:mandocello
1463:Greg Leisz
1451:Niki Haris
1234:PopMatters
1201:Greg Quill
1012:PopMatters
783:Niki Haris
759:PopMatters
715:I Want You
671:PopMatters
559:PopMatters
444:, bassist
442:Greg Leisz
390:Production
315:arena rock
307:Glenn Frey
293:roots-rock
129:chronology
106:Work Song/
2498:Billboard
2462:Elsewhere
1502:- piano,
1457:Joe Henry
1415:Personnel
1324:Billboard
1310:Billboard
1298:Billboard
1291:position
1263:Elsewhere
1173:Mark Kemp
827:Reception
817:Guy Clark
630:size zero
598:size zero
430:Joe Henry
417:Joe Henry
408:Recording
380:Americana
330:Bob Dylan
214:Billboard
208:in 2007.
202:Joe Henry
120:Joe Henry
95:Americana
2107:Exclaim!
1992:original
1915:Facebook
1618:Allmusic
1471:mandolin
1441:- vocals
856:Allmusic
701:'s 1980
667:Iraq War
501:Allmusic
459:Recovery
270:Scotland
115:Producer
57:Recorded
49:Released
39: by
2731:Singles
1955:CMT.com
1811:CMT.com
1354:winner
1338:at the
1331:chart.
1203:of the
1183:of the
717:" and "
695:vibrato
483:Content
419:at the
319:Ireland
266:Glasgow
248:Ireland
234:Context
226:at the
162:(2013)
153:(2008)
144:(2005)
108:Yep Roc
91:Country
2739:Elvira
1005:6.6/10
850:Rating
847:Source
528:, the
456:album
244:Dublin
75:Studio
2475:Spins
2021:Blurt
1467:Dobro
1308:U.S.
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1228:Paste
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564:Blurt
513:Blurt
102:Label
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1364:and
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