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334:(1907). Chomón's work was also more expansive in terms of genre than that of Méliès; he started in actuality films and continued working in this field after the transition to documentary and was also employed on standard dramatic features as well. Méliès began making actualities also, in 1896, but after discovering and developing the trick film and fantasy genres, he stayed put. Nevertheless, it is for his trick films that Chomón will be best remembered; Spain honored him with a postage stamp in 1994. Chomón's film
326:" in the movies, utilizing a device built by Chomón. Finally, recognition came to Chomón in his home country, as the Filmoteca de Catalunya established a special division with the purpose of collecting and cataloguing what was left of his output; a DVD collection in PAL format with 31 films, Segundo Chomón: Le Cine de la Fantasia, was released by the Filmoteca in 2010. Many of de Chomon's Parisian Pathé Frères films have been recovered, but his Spanish and Italian productions have proven more elusive.
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258:. Shortly afterward, Zecca moved into an executive position at Pathé and did little direction from that time; Chomón's most productive years as a filmmaker lasted from 1907 to 1912, a period during which Méliès' production went into a steep decline. Chomón often worked with other directors; in addition to Zecca he collaborated with
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eye-popping production designs, Chomon was a slightly more modern filmmaker than Méliès. Chomón relied extensively on animation, a field in which he was a pioneer and a technique
Georges Méliès seldom, if ever, used. Moreover, Chomón offered slight improvements on some techniques that Méliès already had tried, such as in
295:(1927). Towards the end of his life, Chomón collaborated with Swiss inventor Ernest Zollinger (ex-Pathé, ex-Itala Films) to develop a photographic, two-color film process. Chomón was planning to get back into full-time film production on his own when he died, suddenly, of a heart attack at age 57.
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Comparisons of Chomón's work with that of
Georges Méliès is inevitable, with those in Chomón's court insisting that he was a better filmmaker, whereas those on Méliès' side insist that Chomón was a mere imitator. While it is hard to top Méliès' achievements in discovering basic editing and in his
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Chomón was expert enough at making trick films and had proven himself so valuable to Pathé that in 1905 he and
Mathieu moved from Barcelona to Paris, and Chomón was placed in charge of a color stencilling shop in addition to his periodic duties as a director. Through 1907, Chomón worked in close
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The very year that Chomón died, the
Surrealists organized a soirée that would rehabilitate the artistic reputation of Georges Méliès and to begin the long process of recovering his films. Chomón was effectively forgotten in the wake of his death, though over time silent film collectors began to
283:; Chomón's own films had become less frequent after his move to Italy, and he had primarily worked in visual effects and cinematography in these years. After 1917, Chomón principally worked on creating visual effects for the films of others, including Guido Brignone's
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220:. Around 1900 he became an agent for Pathé Frères in Spain, publicizing and distributing their films out of Barcelona. In 1901, Chomón began producing actuality films in Spain on an independent basis and distributing them through Pathé; his first
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314:(1908), persistently circulated in the collector's market and were also circulated by the Museum of Modern Art film library; the first as an example of stencilled color and the second as a
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192:, due to his frequent camera tricks and optical illusions. He is regarded as the most significant Spanish silent film director in an international context.
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In 1912, Chómon accepted an invitation to make films in Italy. In addition to his own films, he worked on special effects on the films of others, notably
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180:; 17 October 1871 – 2 May 1929) was a pioneering Spanish film director, cinematographer and screenwriter. He produced many short films in
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Eleanor McKeown, "The
Spanish Weirdness of Segundo de Chomón" Electric Sheep
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Eleanor McKeown, "The
Spanish Weirdness of Segundo de Chomón" Electric Sheep
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Gartenberg Media DVD "Segundo De Chomón (1903–1912): El Cine de la
Fantasia"
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Gartenberg Media DVD "Segundo De Chomón (1903–1912): El Cine de la
Fantasia"
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Paghat the
Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Paghat the Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Paghat the Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Paghat the Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Spanish film director, cinematographer, screenwriter and animator
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Segundo de Chomón : un pionnier méconnu du cinéma européen,
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1466:, Zaragoza, Caja de Ahorros de la Inmaculada-Edelvives, 1999.
1454:À la recherche de Segundo de Chomón : pionnier du cinéma,
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Europa Film Treasures, "Les Kirikis, acrobates japonaises
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Anthology Film Archives, "The Singular Segundo de Chomón"
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Anthology Film Archives, "The Singular Segundo de Chomón"
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Anthology Film Archives, "The Singular Segundo de Chomón"
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Europa Film Treasures Les Kirikis, acrobates japoniases
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Europa Film Treasures: Les Kiriki, acrobates japonaises
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365:(1912) years before making their experimental film
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353:Film historian Tom Gunning has suggested that
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162:Segundo Víctor Aurelio Chomón y Ruiz
42:Segundo Víctor Aurelio Chomón y Ruiz
1746:Pickpock ne craint pas les entraves
1690:Gulliver en el país de los Gigantes
1529:Works by or about Segundo de Chomón
1491:Los 500 filmes de Segundo de Chomón
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424:Gulliver en el país de los Gigantes
226:Gulliver en el país de los gigantes
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1682:Los héroes del sitio de Zaragoza
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432:Los héroes del sitio de Zaragoza
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1180:La gratitud de las flores
1088:Une excursion incohérente
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454:El heredero de Casa Pruna
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644:Le baiser de la sorcière
626:La fée des roches noires
216:Parisian workshops like
208:, who appeared in early
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984:Cauchemar et doux rêves
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694:Les flammes diaboliques
465:(The Enchanted Glasses)
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1378:2012-10-22 at the
1247:Una farsa de Colás
1020:Le jeu de patience
1002:La forge du diable
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620:La forge infernale
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218:Thuillier's studio
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1547:Segundo de Chomón
1506:978-2-296-09970-8
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1174:La fecha de Pepín
1131:El puñao de rosas
1118:El pobre Valbuena
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1032:Le Roi des aulnes
966:Sculpteur moderne
688:Les chrysanthèmes
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840:La grenouille
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743:Satan s'amuse
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554:Le troubadour
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359:Salvador Dalí
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1706:Ah! La barbe
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1512:(in Spanish)
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1168:La fatalidad
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1162:La expiación
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815:L'aspirateur
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210:Pathé Frères
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186:Pathé Frères
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119:
106:
69:(1929-05-02)
1774:1929 deaths
1769:1871 births
1650:Loie Fuller
1106:Amor Gitano
712:Les tulipes
650:Le charmeur
638:Le bailleur
408:Loie Fuller
375:Filmography
355:Luis Buñuel
308:(1907) and
287:(1925) and
238:trick films
230:Pathéchrome
153:dancing at
151:Loie Fuller
1763:Categories
1674:Montserrat
1447:References
1259:Pulgarcito
1223:Los guapos
1112:El ejemplo
960:Mes fleurs
439:Pulgarcito
416:Montserrat
324:dolly shot
289:Abel Gance
264:Émile Cohl
222:trick film
67:2 May 1929
48:1871-10-17
371:in 1929.
350:in 2010.
196:Biography
86:1900–1927
1434:Archived
1376:Archived
293:Napoléon
273:'s epic
200:Born in
170:Chaumont
77:, France
1593:YouTube
1582:YouTube
1531:at the
357:and/or
320:Cabiria
276:Cabiria
173:French:
166:Chomont
58:, Spain
1749:(1909)
1741:(1908)
1733:(1908)
1725:(1908)
1717:(1907)
1709:(1905)
1701:(1904)
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1263:1912:
1257:1911:
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389:1902:
381:1901:
299:Legacy
202:Aragon
182:France
164:(also
137:(1908)
124:(1908)
111:(1907)
91:Spouse
56:Teruel
1294:Notes
157:1902.
75:Paris
1551:IMDb
1502:ISBN
1468:ISBN
1068:Mars
224:was
64:Died
38:Born
1591:on
1580:on
1549:at
342:or
291:'s
168:or
1765::
1405:.
244:.
1621:e
1614:t
1607:v
1508:)
1409:.
1188:.
338:(
50:)
46:(
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