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for that color in that frame. This had to be done for each individual frame, and as many different stencil films had to be made as there were different colors to be added. Each of the final projection prints was matched up with one of the stencil films and run through a machine that applied the
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to trace the outlines of areas of the projected image that were to be tinted one particular color. The stylus was connected to a reducing
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through the stencil. This operation was repeated using each of the different stencils and dyes in turn.
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that caused a sharp blade to cut corresponding outlines through the actual film frame, creating the
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in the early 20th century. Among the last feature films to use this process were the
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processes, it was a way of arbitrarily adding selected colors to films originally
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of the black-and-white film to be colored was rear-projected onto a sheet of
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with many written resources and many photographs of Pathécolor prints.
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process and did not use color film. Like computer-based
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stencil process should not be confused with the later
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225:Pathécolor on Timeline of Historical Film Colors
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137:However, the stencil process was not a
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203:List of early color feature films
31:Pathécolor tinting on a print of
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54:process for movies developed by
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253:This filmmaking article is a
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231:Pathecolor at Classic Movies
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176:. An operator used a blunt
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208:List of color film systems
46:, was an early mechanical
304:Film and video technology
108:(sometimes without the
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213:List of film formats
236:Pathecolor at IMDB
82:(1954) by Spanish
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143:film colorization
139:color photography
56:Segundo de Chomón
16:(Redirected from
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309:Silent film
174:rotoscoping
118:WarnerColor
102:Pathé Color
87:Luis Buñuel
44:Pathéchrome
18:Pathéchrome
298:Categories
182:pantograph
114:Metrocolor
98:Pathécolor
94:Pathécolor
84:Surrealist
40:Pathécolor
197:See also
172:, as in
186:stencil
151:printed
74:Mexican
50:-based
48:stencil
178:stylus
35:(1907)
166:print
162:frame
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