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Scraps at Midnight

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360:, Lanegan elaborates on several of the compositions and clears up some misconceptions, writing that "Last One in the World" was not written about Kurt Cobain, as some have speculated, but "for my friend Layne Staley, who was still living at the time. I loved them both as family: Kurt was like a little brother, Layne like a twin." He also relates that the minimal lyrics to "Hospital Roll Call" came from "an unpleasant eight-day stay at a decrepit infirmary hallway in 302: 252: 297: 292: 287: 282: 247: 242: 237: 232: 347:), Lanegan stated "That's always been my goal since I started...It's sort of been my obsession to make records that had the feeling of the blues, the spirit of them, I think, but without being what we'd consider to be traditional blues, or twelve bar bar band blues, which is a boring, outdated mode and I'm not interested in it. But I am interested in the real feelings behind it." 355:
The album was recorded at the Rancho de la Luna in Joshua Tree, California. Opener "Hospital Roll Call" and the Cohenesque "Hotel" expands on the theme of self-abuse ("Hear the roars and the hush and the cold chill of time, and I'm happy murdering my mind"), while the gentle "Bell Black Ocean" and
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In a 2012 interview, Lanegan expressed mixed feelings about the album: "If I heard it today Iā€™d totally cringe, though there are a couple of songs on there, one of which I still play acoustically ā€“ 'Because of This' ā€“ that I think are really good."
343:) which feature the songwriter's interpretation of American roots music set to troubling lyrics that explore themes of loss, sin, and redemption. In a 2004 interview (currently available on 674: 31: 1055: 707: 1035: 841: 154: 356:"Stay" deal with themes of love and perseverance ("Livin's not hard, it's just not easy, always keepin' the dogs off"). In his 2017 book 684: 740:"The Quietus | Features | A Quietus Interview | Pulling Son House from a Burning Building: Mark Lanegan Interviewed" 1135: 796: 965: 855: 717: 1130: 915: 753: 827: 789: 364:. Sixteen wasn't the room number, just what was written in black marker on the wall above my gurney." 339: 136: 1062: 1021: 972: 384:, but with songs as uniformly strong and performances as passionate as these, it comes damn close." 1079: 933: 897: 1140: 1094: 100: 890: 547: 320:. It was produced by Lanegan and longtime collaborator Mike Johnson, and was released in 1998. 112: 739: 993: 782: 1125: 1099: 1028: 8: 712: 261: 869: 331:
could arguably be considered the final installment of a trilogy of albums (preceded by
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Stephen Thomas Erlewine of AllMusic writes "Although it's similar to its predecessor,
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is arguably his most accomplished - it might just miss matching the excellence of
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All tracks are written by Mark Lanegan and Mike Johnson except where noted
848: 655: 625: 59: 1046: 619: 579: 558: 68: 659: 585: 361: 224: 30: 344: 96: 514:"Because of This" (Lanegan, Johnson, Richards, Paul Solger Dana) 774: 38: 448:"Bell Black Ocean" (Lanegan, Johnson, Keni Richards) 316:is the third solo album by the American musician 1117: 1056:It's Not How Far You Fall, It's the Way You Land 279: 790: 229: 797: 783: 29: 570: 1118: 601: 510: 778: 499: 488: 477: 466: 455: 444: 433: 422: 411: 210: 18:1998 studio album by Mark Lanegan 705: 672: 591:Phil Sparks - upright bass (on 6, 8) 754:"Mark Lanegan - Scraps At Midnight" 656:"Scraps at Midnight - Mark Lanegan" 281: 13: 358:I Am the Wolf: Lyrics and Writings 14: 1152: 231: 804: 594:Mike Stinette - saxophone (on 6) 387: 300: 295: 290: 285: 280: 250: 245: 240: 235: 230: 1136:Beggars Banquet Records albums 746: 732: 699: 666: 648: 631:Charles Peterson - photography 415:"Hospital Roll Call" (Lanegan) 399: 1: 641: 613:John Burton - engineer (on 9) 597:Terry Yohn - harmonica (on 8) 323: 673:Fine, Jason (July 9, 1998). 524: 371: 350: 191:Released: September 28, 1998 7: 916:Here Comes That Weird Chill 634:Judith Schaechter - artwork 610:- mixing; engineer (on 8,9) 10: 1157: 828:Whiskey for the Holy Ghost 544:- vocals, guitar, producer 382:Whiskey for the Holy Ghost 340:Whiskey for the Holy Ghost 137:Whiskey for the Holy Ghost 1072: 1045: 1022:Ballad of the Broken Seas 1010: 982: 943: 925: 907: 812: 637:Kenneth Sherwood - design 492:"Day and Night" (Lanegan) 406: 403: 398: 218: 215: 199: 182: 171: 167: 130: 122: 106: 90: 74: 58: 50: 37: 28: 23: 898:Straight Songs of Sorrow 576:Liz Burns - voice (on 7) 1095:Queens of the Stone Age 934:Has God Seen My Shadow? 459:"Last One in the World" 973:The Gravedigger's Song 616:Greg Calbi - mastering 842:I'll Take Care of You 155:I'll Take Care of You 1100:The Twilight Singers 1029:Sunday at Devil Dirt 622:- engineer (on 6, 8) 571:Additional personnel 481:"Waiting on a Train" 206:Professional ratings 1131:Mark Lanegan albums 891:Somebody's Knocking 602:Technical personnel 207: 177:Scraps at Midnight 926:Compilation albums 835:Scraps at Midnight 687:on October 2, 2007 550:- guitar, producer 470:"Wheels" (Lanegan) 378:Scraps at Midnight 329:Scraps at Midnight 313:Scraps at Midnight 205: 146:Scraps at Midnight 24:Scraps at Midnight 1113: 1112: 821:The Winding Sheet 706:Josephes, Jason. 628:- engineer (on 6) 521: 520: 426:"Hotel" (Lanegan) 334:The Winding Sheet 309: 308: 203: 202: 163: 162: 1148: 1105:The Gutter Twins 1073:Related articles 799: 792: 785: 776: 775: 769: 768: 766: 764: 750: 744: 743: 736: 730: 729: 727: 725: 716:. Archived from 708:"Record Reviews" 703: 697: 696: 694: 692: 683:. Archived from 670: 664: 663: 652: 566:Paul Solger Dana 537: 536: 532: 503:"Praying Ground" 401: 396: 395: 305: 304: 303: 299: 298: 294: 293: 289: 288: 284: 283: 255: 254: 253: 249: 248: 244: 243: 239: 238: 234: 233: 208: 204: 192: 189: 132: 131: 86: 85: 81: 65:Alternative rock 33: 21: 20: 1156: 1155: 1151: 1150: 1149: 1147: 1146: 1145: 1116: 1115: 1114: 1109: 1085:Screaming Trees 1068: 1041: 1013:Isobel Campbell 1006: 978: 939: 921: 903: 808: 803: 773: 772: 762: 760: 752: 751: 747: 738: 737: 733: 723: 721: 720:on July 2, 2007 704: 700: 690: 688: 675:"Album Reviews" 671: 667: 654: 653: 649: 644: 604: 573: 538: 534: 530: 528: 527: 522: 390: 374: 353: 326: 301: 296: 291: 286: 251: 246: 241: 236: 195: 190: 187: 186: 158: 149: 140: 101:Beggars Banquet 99: 83: 79: 78: 46: 19: 12: 11: 5: 1154: 1144: 1143: 1141:Sub Pop albums 1138: 1133: 1128: 1111: 1110: 1108: 1107: 1102: 1097: 1092: 1087: 1082: 1076: 1074: 1070: 1069: 1067: 1066: 1059: 1051: 1049: 1043: 1042: 1040: 1039: 1032: 1025: 1017: 1015: 1008: 1007: 1005: 1004: 997: 989: 987: 980: 979: 977: 976: 969: 962: 955: 947: 945: 941: 940: 938: 937: 929: 927: 923: 922: 920: 919: 911: 909: 908:Extended plays 905: 904: 902: 901: 894: 887: 880: 873: 866: 859: 852: 845: 838: 831: 824: 816: 814: 810: 809: 802: 801: 794: 787: 779: 771: 770: 745: 731: 698: 665: 646: 645: 643: 640: 639: 638: 635: 632: 629: 623: 617: 614: 611: 603: 600: 599: 598: 595: 592: 589: 588:- piano (on 6) 583: 582:- drums (on 6) 577: 572: 569: 568: 567: 564: 561: 556: 551: 545: 526: 523: 519: 518: 515: 512: 508: 507: 504: 501: 497: 496: 493: 490: 486: 485: 482: 479: 475: 474: 471: 468: 464: 463: 460: 457: 453: 452: 449: 446: 442: 441: 438: 435: 431: 430: 427: 424: 420: 419: 416: 413: 409: 408: 405: 402: 391: 389: 386: 373: 370: 352: 349: 325: 322: 307: 306: 277: 269: 268: 265: 257: 256: 227: 221: 220: 217: 213: 212: 201: 200: 197: 196: 194: 193: 183: 180: 179: 169: 168: 165: 164: 161: 160: 151: 142: 128: 127: 120: 119: 110: 104: 103: 94: 88: 87: 76: 72: 71: 62: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 1153: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1123: 1121: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1077: 1075: 1071: 1065: 1064: 1060: 1058: 1057: 1053: 1052: 1050: 1048: 1044: 1038: 1037: 1033: 1031: 1030: 1026: 1024: 1023: 1019: 1018: 1016: 1014: 1009: 1003: 1002: 998: 996: 995: 994:Black Pudding 991: 990: 988: 986: 981: 974: 970: 967: 963: 960: 956: 953: 949: 948: 946: 942: 936: 935: 931: 930: 928: 924: 918: 917: 913: 912: 910: 906: 900: 899: 895: 893: 892: 888: 886: 885: 881: 879: 878: 877:Phantom Radio 874: 872: 871: 867: 865: 864: 863:Blues Funeral 860: 858: 857: 853: 851: 850: 846: 844: 843: 839: 837: 836: 832: 830: 829: 825: 823: 822: 818: 817: 815: 813:Studio albums 811: 807: 800: 795: 793: 788: 786: 781: 780: 777: 759: 755: 749: 741: 735: 719: 715: 714: 709: 702: 686: 682: 681: 680:Rolling Stone 676: 669: 661: 657: 651: 647: 636: 633: 630: 627: 624: 621: 618: 615: 612: 609: 606: 605: 596: 593: 590: 587: 584: 581: 578: 575: 574: 565: 563:Keni Richards 562: 560: 557: 555: 554:Dave Catching 552: 549: 546: 543: 540: 539: 533: 516: 513: 509: 505: 502: 498: 494: 491: 487: 483: 480: 476: 472: 469: 465: 461: 458: 454: 450: 447: 443: 439: 436: 432: 428: 425: 421: 417: 414: 410: 397: 394: 388:Track listing 385: 383: 379: 369: 365: 363: 359: 348: 346: 342: 341: 336: 335: 330: 321: 319: 315: 314: 278: 276: 275: 274:Rolling Stone 271: 270: 266: 264: 263: 259: 258: 228: 226: 223: 222: 214: 211:Review scores 209: 198: 185: 184: 181: 178: 174: 170: 166: 157: 156: 152: 148: 147: 143: 139: 138: 134: 133: 129: 125: 121: 118: 114: 111: 109: 105: 102: 98: 95: 93: 89: 77: 73: 70: 66: 63: 61: 57: 54:July 21, 1998 53: 49: 45: 40: 36: 32: 27: 22: 16: 1061: 1054: 1034: 1027: 1020: 1001:With Animals 999: 992: 985:Duke Garwood 966:Ramblin' Man 959:Hit the City 952:No One Knows 932: 914: 896: 889: 882: 875: 868: 861: 854: 847: 840: 834: 833: 826: 819: 806:Mark Lanegan 761:. Retrieved 757: 748: 734: 722:. Retrieved 718:the original 711: 701: 689:. Retrieved 685:the original 678: 668: 650: 608:John Agnello 548:Mike Johnson 542:Mark Lanegan 392: 381: 377: 375: 366: 357: 354: 338: 332: 328: 327: 318:Mark Lanegan 312: 311: 310: 272: 260: 176: 153: 145: 144: 135: 124:Mark Lanegan 117:Mark Lanegan 113:Mike Johnson 44:Mark Lanegan 39:Studio album 15: 1126:1998 albums 1080:Discography 849:Field Songs 626:Jack Endino 1120:Categories 1090:Mad Season 1047:Soulsavers 870:Imitations 642:References 620:Terry Date 559:Fred Drake 324:Background 126:chronology 69:blues rock 856:Bubblegum 713:Pitchfork 580:Tad Doyle 525:Personnel 372:Reception 351:Recording 262:Pitchfork 884:Gargoyle 763:July 21, 724:June 16, 691:June 16, 660:Allmusic 586:J Mascis 362:Montreal 225:AllMusic 108:Producer 51:Released 41: by 944:Singles 758:Discogs 345:YouTube 173:Singles 159:(1999) 150:(1998) 141:(1994) 97:Sub Pop 1063:Broken 529:": --> 437:"Stay" 407:Length 267:7.9/10 219:Rating 216:Source 188:"Stay" 115:& 75:Length 1011:with 983:with 404:Title 175:from 92:Label 60:Genre 1036:Hawk 765:2018 726:2023 693:2023 531:edit 517:8:19 506:3:07 495:3:16 484:4:32 473:4:35 462:4:24 451:2:43 440:3:29 429:3:10 418:2:58 337:and 511:10. 400:No. 1122:: 756:. 710:. 677:. 658:. 500:9. 489:8. 478:7. 467:6. 456:5. 445:4. 434:3. 423:2. 412:1. 84:33 80:40 67:, 975:" 971:" 968:" 964:" 961:" 957:" 954:" 950:" 798:e 791:t 784:v 767:. 742:. 728:. 695:. 662:. 535:] 82::

Index


Studio album
Mark Lanegan
Genre
Alternative rock
blues rock
Label
Sub Pop
Beggars Banquet
Producer
Mike Johnson
Mark Lanegan
Mark Lanegan
Whiskey for the Holy Ghost
I'll Take Care of You
Singles
AllMusic
Pitchfork
Rolling Stone
Mark Lanegan
The Winding Sheet
Whiskey for the Holy Ghost
YouTube
Montreal
Mark Lanegan
Mike Johnson
Dave Catching
Fred Drake
Tad Doyle
J Mascis

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