700:
878:
818:
1519:
794:
1344:
1160:
1534:
729:
371:. From the existing sources it is not immediately clear why the pope turned to Sanmicheli rather than another person for such a delicate assignment; perhaps it was given to him on the recommendation of Cardinal Alessandro Farnese or, more likely, at the behest of Antonio da Sangallo himself. This assignment represented a further turning point in his career in that he thus had the opportunity to visit the most advanced military architecture and to associate with the most highly regarded architects and engineers of the time, who greatly influenced him in his way of designing.
966:
1363:
380:
1149:
1355:
957:
1546:
294:
1016:, who, as Vasari recalls, had sympathy and respect for his Veronese colleague. Sanmicheli's closest followers, however, were members of his family: the young Bernardino Brugnoli and his nephews Giangirolamo Sanmicheli and Domenico Curtoni were among those who more than anyone else embraced the artistic legacy of their famous relative. Through them, the Sanmichelian style lived on until the mid-17th century, when the growing popularity of Palladio's approach to architecture overshadowed it.
510:
425:
172:
31:
1073:
1138:
235:
597:
290:, a position that allowed him not only to supervise the work of one of the major works of central Italy, but also to be the successor to a dense array of great architects who had previously taken part in the project. This assignment brought him great prestige, and the experience he gained from it, especially in the management of the workforce, would prove most useful when, in the future, he was put in charge of the re-fortification of the Venetian state.
1064:
1199:. Probably built between 1540 and 1541 and certainly finished in 1542 (date given in an inscription located on the city-side facade), it has several original elements compared to the other two city gates, starting with the facade made not entirely of stone, but with alternating bricks, and a greater simplicity and sobriety. This is probably due to the need to build it in a short time and at a relatively modest expense.
3343:
3331:
1677:. Work began in 1555 but was soon interrupted due to structural problems, likely caused by inadequate workers. The project was then revised by Sanmicheli and work resumed in 1559 and, with more vigor, in 1561. After the master's death, work was directed, until 1579, by Bernardino Brugnoli; when work was interrupted, the structure was not completed until the 20th century to a design by Ettore Fagiuoli.
1205:. Built between 1542 and 1557, it is considered to be Sanmicheli's masterpiece in terms of what he did as a military architect, fitting perfectly into the late Renaissance culture of the period. While the country-side facade has elements that make it a sumptuous and refined work, intended to express the prestige of the city and the Republic, the city side is very austere, covered in rusticated ashlar.
3355:
215:. The family workshop was a simple artisan's workshop, albeit in contact with several high-quality ateliers. Probably Michele was also able at a young age to acquire intellectual stimulation from his family's acquaintance with Bernardino and Matteo Mazzola, stonemasons and humanists, with whom they collaborated on the construction of the Loggia del Consiglio.
901:; this condition allowed him to be in contact with a large part of the local nobility, and in addition his activity as an architect put him in a position to advise the client about the decorations of the work under construction. In the face of all this, he had the opportunity to recommend many painters and sculptors to his liking, becoming a kind of patron.
467:(1547); he also began to transform the fortifications of Verona using the bastion system. At the same time (between 1531 and 1532) he was responsible for studying and designing the reorganization of the Visconti Citadel of Verona, in collaboration with his nephew Giangirolamo Sanmicheli, who was his faithful collaborator and successor.
841:." In some works, however, Sanmicheli did not just slavishly apply the prescriptions of Vitruvian architecture, rather applying them in new ways. Despite the fact that he left no graphic documentation, he had a perfect knowledge of ancient architecture, particularly Veronese architecture, since numerous inspirations are drawn from the
1113:, which took place between 1509 and 1516. To safeguard the Republic it was decided to undertake a project to improve defensive structures, so the Venetians found in Sanmicheli the right man to accomplish this delicate task. For him, in 1535, they created ad hoc the post of engineer superintendent of all fortifications in the empire.
713:
to carry out surveys and inspections about the various defensive structures, although he had to renounce a new mission to the eastern territories due to precarious physical conditions. He was also very much involved in inspections of hydraulic networks, and he continued to supervise and open numerous
1420:
Bevilacqua Palace on Corso Cavour. In view of the strong rivalry between the
Bevilacqua and Canossa families, in 1532 the former decided to commission a sumptuous palace from the master, immediately after construction of Canossa Palace began. Palazzo Bevilacqua is among Sanmicheli's most elegant and
1087:
At the height of his career
Sanmicheli enjoyed wide recognition among the Venetian ruling class and held a prominent position over other architects in the service of the Serenissima. His position as "Architect to the Most Illustrious Venetian Ducal Empire" led him to superintend numerous projects in
1847:
Giovambattista Da
Persico had this to say about it: "The palace that once belonged to the Lavezzola family, now to Pompei, one of Sanmicheli's most praised designs, stands on this bank. Whether more ornamentation comes to it from the site, or vice versa, would not be affirmed so lightly. Its facade
1655:
Lazaretto of Verona. Built beginning in 1549 outside the walls of Verona to isolate those infected with the plague, it is probably based on a reduced design from the original
Sanmichelian one. Completed in 1628, as a result of damage over the centuries only the ruins of the cloister and the central
1457:
Portal of
Sanmicheli house, first in Binastrova Street and then in Vicolo Pozza. The building, renovated between 1540 and 1541, had three floors, adorned with a fine portal and with windows fitted with rectangular frames and arranged asymmetrically. The house was demolished in 1890 due to extensive
1432:
Portal of the
Palazzo del Capitanio in Piazza dei Signori. Commissioned by Captain Leonardo Giustinian and built presumably between 1531 and 1533, the white stone portal echoes the theme of the triumphal arch and is characterized by the use of the Corinthian order and the presence of noble coats of
1424:
Bevilacqua Castle. A medieval fortress ruined in 1404 during the wars between the
Venetians and the Carraresi, it was transformed by Sanmicheli in the 1930s: having repaired the four outer walls and the four towers, the interior was completely renovated and organized around a rectangular courtyard.
1370:
In designing palaces, Sanmicheli was one of the most innovative architects of the 16th century: a feature of his works is the mixing of classical elements, frequent in the works of
Bramante and Raphael, with other elements belonging to the local architectural tradition. While it was in Orvieto that
864:
While throughout his life
Sanmicheli appears rather consistent with one idea of architecture, one can still find in his works a change in style. In his early period he turned out to be more inclined to realize projects endowed with greater complexity and finer workmanship (such as Bevilacqua Palace
619:
commissioned him to draw up a secret report on the defenses of the lagoon, a document that demonstrates the excellent methodology used by
Sanmicheli, which is still relevant today; with this document, the architect was able to highlight the complex problems of the territory and formalize a redesign
548:
was completed shortly after the bishop's death in 1532; among other things, the architect, precisely through Ludovico, got to know the brothers Giovan Francesco, Antonio and Gregorio Bevilacqua, who entrusted him in the late 1520s with the construction of Palazzo Bevilacqua, which faced the Canossa
454:
was then the subject of subsequent retouches by Bartolomeo Giuliari in 1793. On October 28, 1530, when the private work was completed, he was officially appointed superintendent of the military factories of Verona (a position he would hold until his death). With this role he designed the monumental
1453:
Palazzo Pompei on the Lungadige Porta Vittoria. Commissioned by the Lavezola family around the mid-1530s, it is characterized not only by its monumental façade with the ground floor in rusticated ashlar and the more elegant piano nobile in Doric order, but also by the presence of a courtyard in an
1128:
Although in the early part of his career he was engaged in the cities of central Italy, the place to which he linked his name more than any other was undoubtedly Verona. In addition to his hometown, where he was a main actor on the architectural scene, he was often called upon for consultations or
813:
one finds the deliberate transgressions typical of this style, in Sanmicheli the deliberate violation of classical rules appears to be absent: if anything, his transgressions were not aimed at the desire to amaze the observer, but were necessary in order to be able to mix ancient elements with the
1461:
Villa Brenzone Guarienti at Punta San Vigilio. Characterized by a sober and austere design, not very typical of Sanmichelian architecture, it is included by some authors among the master's works, probably built between 1541 for Agostino Brenzone; already habitable the following year, the work was
780:
Hard hit by the loss of his beloved nephew Giangirolamo, in whom he saw his worthy successor, he ended his career with the design of the centrally planned church of Madonna di Campagna, finished by Bernardino Brugnoli in Verona. On April 29, 1559, he dictated a will naming his cousin Paolo as his
391:
After finishing his service for Clement VII Sanmicheli decided to return, in 1527, to Verona: Vasari wrote that the "desire came to Michele after so many years to see again his homeland and his relatives and friends, but much more the fortresses of the Venetians." After spending a few days in his
988:
Towards the end of the 16th century, Sanmicheli's art strongly influenced the work of contemporary architects, although after his death, as time passed, his influence diminished until it disappeared altogether. One of the architects who more than any other drew inspiration from the work of the
1557:
All of the churches and chapels built by Sanmicheli have the feature of presenting a central plan or at least forming part of structures with centralized space. This predilection of the architect probably refers back to his study of 15th-century religious buildings, which presented the same
1116:
Although his fame was mainly related to military works, the Veronese architect also did his best in the construction of civil works, such as ecclesiastical and residential buildings of great value, so much so that he aroused the appreciation of other contemporary architects as well, such as
324:
Due to the fame he gained from being master builder at the cathedral, Sanmicheli was able to obtain some important private commissions, as for example, on April 19, 1516, when he was commissioned by the Sienese merchant Girolamo Petrucci in Orvieto for the family chapel in the
1887:
According to Vasari, Sanmicheli "loved as sons" Veronese and Zelotti, and this friendship enabled him to get the right recommendations for some important works, such as the paintings at Villa Soranza and the decorations of the Hall of the Council of Ten at the
1837:
At that time the Arch of the Gavi was placed along today's Corso Cavour at the height of Castelvecchio and in front of Porta Borsari. Following the dismantling carried out by Napoleonic troops, it was rebuilt in 1932 in its present location next to the
1720:
There is no certainty about the date of his birth. Vasari reports 1484, while architectural historian Giulio Sancassani, through a study of his father's will, concluded that the date of birth had to be some time after 1486 and no later than 1488. In
1409:
Ponte Nuovo. The bridge was built between 1526 and 1528 to replace an earlier bridge destroyed during the flood of 1512. Of simple structure with four arches of increasing span and separated by piers, it was also destroyed during the Verona flood of
1553:
Although Sanmicheli is best known as a military architect and for some of his palaces, there is no shortage of buildings for religious purposes in his output. His first assignment in complete autonomy was to supervise work on the Orvieto Cathedral.
1043:) modeling it on the structure of Palazzo Canossa, and Bartolomeo Giuliari, who in 1816 produced a monograph on Pellegrini Chapel. In 1823, Francesco Ronzani and Girolamo Luciolli finally produced a meticulous collection of Sanmicheli's works.
624:, and other lagoon fortifications. This work earned him an appointment on April 14 as chief engineer of the Republic, "both for the excavation and maintenance of our lagoons, as well as for the fortification of our sites from land and sea."
646:
Between 1537 and 1540 Sanmicheli experienced a period of intense work, during which he traveled almost continuously to inspect eastern fortifications together with his nephew, with whom personal and professional ties increased; he visited
203:. He learned the basics of his profession, along with his brother Jacopo (who died young) and his cousin Matteo Sanmicheli, from his father Giovanni and his uncle Bartolomeo, both stonemasons in Verona, originally from Cima, a hamlet of
1193:. Built between 1535 and 1540, it was extensively remodeled by the Austrians in 1854 with the addition of two side arches on both facades. On the rear façade was a plaque, later lost, attributing the architect's authorship of the work.
400:
to study their military architecture. Of his stay in the city of Padua, there is a legend that he was placed under arrest on suspicion of espionage activities, given his great interest in defensive structures. On a subsequent stay in
1008:, so much so that he may have initially considered him as his mentor, though his influence on the Paduan architect waned as he matured, eventually fading away almost completely. Other architects inspired by Sanmicheli were
620:
with a view to not only military but also civilian efficiency. This assignment was immediately followed, on January 27, by the commission to design the fort of Sant'Andrea, on the island of the same name in front of the
579:
In 1533 he was very active in Verona, where he built the portals of the palaces of the Capitanio and PodestĂ at the behest of the Venetian rectors Dolfin and Giustinian, and renovated his family home; he also went to
1416:
on Corso Cavour. Commissioned by Ludovico di Canossa, it was designed between 1526-28 and work began in 1531. Built almost simultaneously with Bevilacqua Palace, the two immediately acquired great urbanistic
1225:"Lower" gate in Legnago. Begun in 1529, it stood on the opposite side of the city from the San Martino gate, facing in the direction of the Polesine. Now demolished, there are no records of its appearance.
1742:
Vasari estimates the move to Rome to have been in the 1500s, but according to newly ascertained information that shifts the date of his birth to a later date, the correct date can be assumed to be around
833:) learned during his stay in central Italy and the predilections of architects already working in Verona and Venice. The Veronese architect learned the canonical rules of architecture from the work of
1039:
and Luigi Trezza. In the nineteenth century, there were additional Veronese architects and scholars who dealt with his work, such as Michelangelo Castellazzi, who designed Palazzo Ottolini (in
1167:
Vasari, who knew him in Venice, attributes to Sanmicheli fundamental innovations in the field of fortifications at a time of general renewal in the field of military works for which the term "
1228:"Upper" San Martino Gate in Legnago. Designed around 1529-30 and finished in 1535. Opposite the "lower" gate, it too was demolished in 1887; its structure is known from 18th-century reliefs.
218:
Toward the end of 1505 the young Sanmicheli was already orphaned of both parents while one brother, Jacopo, was close to death, and another brother, Alessandro, was locked in a convent in
1371:
Sanmicheli began his career as a palace builder (due to his friendship with Girolamo Petrucci), it was in Verona, however, that he had the opportunity to demonstrate his true abilities.
943:
As a result of these considerations, Sanmicheli's influence on Venetian art cannot be relegated to architecture alone, but extended to the practice of painting and sculpture as well.
188:
1001:. In turn, Sanmicheli also took inspiration from Sansovino's work; this suggests that there were good relations between the two rivals, and that they sometimes shared some ideas.
40:
1442:
Giovanni Dolfin, it was built to replace an earlier entrance with a simple fornix. The design of the portal is set on the model of the triumphal arch and is distinguished by
1454:
eccentric position with respect to the central axis, a pattern that often recurs in the Venetian building tradition. It currently houses the civic museum of natural history.
717:
Having moved permanently to Verona, he devoted himself to the designs of numerous sumptuous patrician residences in the city, as well as the construction of the dome of the
1173:" is used. However, at least for the first of these innovations, the invention of the angled bastion, it should be remembered that modern historiography attributes it to
275:. He soon won praise, so much so that Vasari wrote that "in a short time he became, not only in Rome, but throughout all the places surrounding it, renowned and famous."
409:, whose acquaintance, as well as the fame he had now acquired, meant that he was offered the position of military engineer for the Serenissima. Thus, in the same way as
1687:
Church of the Madonna di Campagna in San Michele Extra near Verona. The project dates back to 1559, but following Sanmicheli's death the work was directed by Brugnoli.
1570:. Design of the altar of the Magi (begun in 1512 and finished by others in 1528) and interventions on the facade around 1513, including the completion of the central
1380:
Palazzo Petrucci on Corso Cavour. Commissioned by Girolamo Petrucci in 1517, the work involved a complete renovation of the interior and a new facade on three levels.
470:
As a result of his work in Verona, Sanmicheli's skills as a military architect became known and appreciated outside the borders of the Republic, and thus it was that
2302:
111:
as a military architect, he designed numerous fortifications in the vast Venetian republic, thus ensuring a great reputation for himself. His works can be found in
1752:
Vasari wrote in this regard, "Because of his fame, the people of Orvieto brought him with honorable stipends to be architect of their highly regarded temple." In
1383:
Municipal Palace. The renovations included the construction of a new vault for the lower hall, the reconstruction of four workshops and other minor interventions.
1109:
At the beginning of the 16th century, the Venetian government was very concerned about the defense of its borders, fears that had been heightened following the
158:
A tireless worker, in addition to constructions of a military nature he was also involved in the design of palaces and religious architecture of great value.
3215:. Verona: Ministero per i beni e le attivitĂ culturali, Soprintendenza per i beni architettonici e paesaggistici per le province di Verona, Rovigo e Vicenza.
1824:
He built the Barbarigo (1531), Faler (1535), San Benardino (1535), San Zeno (1542) and, still extant, San Francesco (1546) and Spagna (1547) bastions. In
147:. Due to his sojourns in the latter locations he was probably the only Italian architect of the 16th century to have had the opportunity to see and study
1469:. Built beginning in 1556 on a commission from Bonaventura degli Honorij, it was probably completed by a Sanmichelian workshop after the master's death.
869:), while at the end of his life he favored a more sober yet more monumental style (as in the church of Madonna di Campagna, the architect's last work).
699:
932:. Although many of the sculptural works needed for his projects were done by Sanmicheli himself, he commissioned some from other sculptors, especially
825:
Sanmicheli's style, which certainly appears recognizable and unmistakable, manifests itself as the result of High Renaissance influences (particularly
3103:
Li cinque ordini d'architettura civile di Michel Sanmicheli non piĂą veduti in luce, ora pubblicati ed esposti con quelli di Vitruvio e d'altri cinque
1684:
in Verona. In 1557 began the laying of the flooring designed by Sanmicheli, who in the same year designed the bell tower, which remained unfinished.
725:. In 1540 he finished work on the Palazzo Pompei, commissioned by the wealthy Lavezzola family, one of the Veronese master's most successful works.
2834:
781:
universal heir, and towards the end of August of the same year he passed away in his hometown due to a violent fever. His remains are kept in the
627:
His intense activity as a military architect did not prevent him, however, from also dealing with civil works: in these years he designed for the
821:
The Church of Our Lady of the Countryside, where a decidedly more sober and monumental style can be seen than the one adopted in the early works
1848:
is varied and vague in the dignity and simplicity of only two floors, the first of which is rustic, the second of which is of Doric order." In
446:. In addition, around the end of 1527, the noblewoman Margherita Pellegrini offered him to design a chapel in memory of her son Nicolò at the
2896:
253:, where he was probably able to move because of the support of two of his brothers, who held prominent positions in the congregation of the
222:. This situation gave him little reason to stay in his hometown and so, having sold some family properties in Azzano, he decided to move to
1494:. Designed in 1540 on a commission from the Venetian patrician Alvise Soranzo, it was destroyed in 1818. It was decorated with frescoes by
525:
1598:. Commissioned as a tomb for Orsino and Rodolfo of the Counts of Marsciano, the project was begun in 1522 and the work completed later by
450:: to this work the architect applied himself with considerable enthusiasm, producing a work that was much appreciated by the client. The
1591:(or cathedral of Montefiascone). The design dates from 1519 and was finished by others in the 17th century, after being left incomplete.
344:
in Rome. Only the colonnade with entablature remains of this building, due to the fire of 1670 and the subsequent radical renovation by
797:
Detail photograph of Bevilacqua Palace, where the refinement of decoration typical of the Veronese architect's early works can be seen
1626:
in Verona. Work began in 1528 and from 1534 to 1538 was supervised by his cousin Paolo; new workers completed the work only in 1559.
3395:
1957:
He praised his ability to construct "buildings both for the comfort and adornment of peace, as well as for the defense of war." In
3153:
Raffaello Brenzoni (June 1960). "I Sanmicheli, maestri architetti e scultori del XV e XVI sec. oriundi di Porlezza di Valsolda".
1509:. Completed in 1555, many features of this work can be found in other buildings by the master, which could prove his authorship.
3390:
1046:
As a demonstration of this newfound appreciation for Sanmicheli's works, the city of Verona dedicated a statue to him, made by
1031:, for interest in Sanmicheli's work to be rediscovered. This renewed interest is also found later in the studies and works of
3400:
877:
282:, where he stayed for the next two decades. In 1512, a great opportunity presented itself to him: he was offered the role of
2241:
1425:
The master is also credited with the roof garden and the renovation of the large courtyard behind, including the monumental
3282:
3184:
Lionello Puppi (1986). "Un viaggio per il Veneto di Antonio da Sangallo e di Michele Sanmicheli nella primavera del 1526".
2306:
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Cappella della famiglia Pellegrini esistente nella Chiesa di San Bernardino di Verona architettura di Michele Sanmichele
1619:
1523:
1177:
and Antonio da Sangallo. Sanmicheli completed his training in contact with the work of the two brothers and their heir
1019:
It would be necessary to wait well beyond the beginning of the 18th century with Bartolomeo dal Pozzo through his work
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866:
451:
254:
1518:
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793:
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His fame as an architect is linked not only to works of a military character but also to civil architecture in the
413:, he became a salaried officer of the Republic: his acclaim among the Venetians and the tragedy represented by the
333:
3277:
928:
was also recommended for some works, in particular for the creation of nine panels for one of the ceilings of the
3410:
3405:
3385:
1178:
368:
1948:
One can find in the Customs House of San Fermo an example of the influence of the Sanmichelian style in Pompei.
671:. On his return from the long journey he continued to work on the fortifications of the mainland (particularly
406:
340:, an octagonal building surmounted by a dome in the style of Bramante, reminiscent of the one in the church of
1240:
Sanmicheli was called to many places to design or provide consultation about fortifications to defend cities:
615:, though not before dictating his will to the Venetian notary Giovanni Cavani. Upon his return to Venice, the
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1681:
1660:
1649:
1538:
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damage during the 1882 flooding of the Adige River, and the portal moved to another building in Vicolo Pozza.
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His first assignment in this role was in Verona, between 1527 and 1528, where he was called by Giovanni Emo,
246:
101:
1110:
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At the height of his career Sanmicheli belonged to the elite of the Venetian artistic scene, on a par with
364:
1663:
in Verona. Work, supervised by his cousin Paolo, began in 1547 and continued until the end of the century.
1396:
1347:
755:
341:
3256:
3193:
Giulio Sancassani (1976). "Il testamento di Giovanni Sanmicheli Lapicida, padre di Michele architetto".
3321:
3130:
Le vite de' piĂą eccellenti architetti, pittori, et scultori italiani, da Cimabue insino a' tempi nostri
2838:
17:
3270:
1804:
On the wall of Porta Nuova the Serenissima granted him the honor of placing his name next to that of
1499:
1047:
1024:
913:
782:
733:
192:, though providing scant information for the entire period of his training between Verona and Rome.
1697:
521:
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he also had a love affair of which he did not speak much but which led to the birth of a daughter.
502:
also made a request to the Serenissima, which was, however, rejected, for his services to fortify
313:
as a guarantor in a dispute over a payment to a Florentine sculptor, while in 1516 he traveled to
1642:
1588:
1571:
1413:
1246:
929:
810:
805:. This, however, is an inadequate definition, since whereas in the architectural achievements of
545:
513:
337:
318:
104:, he returned to Verona, where he received numerous prestigious commissions throughout his life.
703:
The courtyard of Palazzo Pompei, commissioned to the Veronese architect by the Lavezzola family.
1623:
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1152:
529:
460:
447:
266:
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182:
Much of the information about Michele Sanmicheli's life is known through his first biographer,
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3250:
1578:
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533:
326:
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750:, the same innovative elements of which can be found in his later works: Palazzo Roncale in
3380:
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3235:
1637:, work began in 1534 or 35 and was completed in 1541; the pictorial decoration was done by
1190:
1174:
1141:
1090:
1081:
Maps of places in north-central Italy and the eastern Mediterranean where Sanmicheli worked
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979:
709:
456:
384:
245:
Sanmicheli went to Rome at a young age (in his early twenties), to work as an assistant to
3265:
1343:
528:
who had returned to Verona during the 1520s, commissioned him to design a town house near
8:
3347:
1634:
1533:
1491:
1483:. Designed in about 1527, it is attributed to Sanmicheli because of the rear wall of the
1330:
1202:
994:
933:
684:
549:
Palace along what is now Corso Cavour, and the restoration of Bevilacqua Castle in 1532.
471:
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429:
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for the renovation of the fortress, he met the captain general of the Venetian Republic,
258:
1036:
728:
200:
148:
108:
78:
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In the following years, the Veronese architect still traveled extensively in the vast
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1567:
1118:
1032:
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846:
537:
298:
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1670:. Despite its small size, it is a prime example of Sanmicheli's church architecture.
837:, so much so that Arentino named him in a small group of architects referred to as "
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1674:
1630:
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886:
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of the city, to take charge of the restoration of the Ponte Nuovo bridge over the
329:, on which he worked until 1524 and which became one of his most important works.
2237:
1436:
Portal of the Palazzo del PodestĂ in Piazza dei Signori. Commissioned in 1533 by
1005:
937:
904:
Among the painters who most benefited from the relationship with Sanmicheli were
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612:
474:, in 1531, obtained permission to have him as a consultant on the strongholds of
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238:
89:
668:
379:
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882:
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628:
616:
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283:
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35:
2835:"Il Presidente Galan presenta l'affresco di Veronese acquistato dalla Regione"
956:
3369:
1808:
769:, while the following year he worked on a triumphal arch for the entrance of
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632:
556:, while in the following year he completed studies for the fortifications of
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74:
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1702:
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1354:
1169:
1013:
842:
806:
360:
1545:
576:
for extensive studies leading to the construction of the Cornaro bastion.
332:
Between 1525 and 1526 he worked to prepare, on the commission of Cardinal
293:
3195:
Atti e memorie dell'Accademia di Agricoltura, Scienze e Lettere di Verona
1527:
1446:
and pilasters and the presence of the lion of St. Mark at the top of the
1443:
1426:
1004:
Another architect who was strongly influenced by the Veronese's work was
858:
770:
621:
509:
483:
208:
175:
152:
1549:
The central temple of Verona's lazaretto, without the now collapsed dome
1148:
1072:
552:
In 1531 he began work (which would continue until 1537) on the walls of
301:, in the construction of which Sanmicheli collaborated as master builder
171:
1606:
1466:
1281:
1040:
596:
585:
30:
3297:
1438:
739:
In 1541 he designed the Corner Mocenigo Palace in Venice, overlooking
656:
438:
136:
3121:
Regole generali di architetura sopra le cinque maniere de gli edifici
1652:
in Verona. The work was designed by 1536 and completed in 1540 or 43.
1302:
1137:
834:
802:
762:
672:
553:
541:
424:
374:
234:
70:
3112:
Le fabbriche civili, ecclesiastiche e militari di Michele Sanmicheli
889:
in Venice, a commission also obtained with the support of Sanmicheli
2655:
1447:
1253:
1063:
744:
676:
648:
475:
204:
128:
1939:
He used the design of Porta Palio as his main compositional model.
591:
41:
The Lives of the Most Excellent Painters, Sculptors and Architects
1582:
1309:
1260:
1103:
830:
758:
in Venice (from about 1556), which is also his last masterpiece.
680:
561:
557:
503:
402:
393:
279:
219:
124:
120:
93:
359:, a survey of the fortifications of the northern borders of the
3230:
1921:
Some details are reminiscent of Porta Nuova and Pompeii Palace.
1667:
1506:
1484:
1480:
1295:
1267:
894:
751:
581:
314:
212:
196:
116:
112:
63:
3342:
1094:, i.e., northeastern Italy, and in the distant possessions of
1870:
Vasari reports that "he was killed by a malignant fever." In
1323:
1316:
1288:
1274:
1099:
1095:
774:
664:
660:
652:
608:
601:
573:
569:
479:
443:
418:
397:
310:
144:
140:
132:
67:
687:, an occasion during which he most likely met the architect
186:, who wrote about the Veronese architect in his famous work
1585:. Built around 1516 on a commission from Girolamo Petrucci.
1021:
Le vite de' pittori, de gli scultori et architetti veronesi
491:
269:, who was active at the papal court, and the circle of the
223:
189:
Le vite de' piĂą eccellenti pittori, scultori e architettori
85:
1930:
Very similar to Canossa Palace both in plan and elevation.
801:
Sanmicheli has repeatedly been called an architect with a
1861:
In a concurrently dictated deed he named him as his heir.
1393:
Palazzo Corner Mocenigo in Campo San Polo. Built in 1541.
229:
761:
In 1555 he produced drawings for the rebuilding of the
321:
kept in the collegiate church of Santa Maria Maggiore.
265:. In Rome he also frequented the architect and inlayer
2273:
2271:
2193:
2191:
2178:
2176:
2103:
2101:
367:, which was followed by a detailed report signed with
3319:
3197:. Vol. XXVI. Verona: Linotipia Veronese Fiorini.
1999:
1997:
1129:
projects outside the territories of the Serenissima.
1088:
the vast territories of the Serenissima, both in the
993:, as can be seen from some of his works, such as the
920:, the latter one of the most important exponents of
3105:. Verona: Jacopo Vallarsi Libraio a San Sebastiano.
2268:
2218:
2188:
2173:
2098:
3141:. Verona: Stabilimento Tipo-Litografico Franchini.
3139:Le vite dei pittori scultori e architetti veronesi
3137:Diego Zannandreis (1891). Giuseppe Biadego (ed.).
1994:
1791:No definite information is available, however. In
375:Return to Verona and assignment at the Serenissima
151:, a possible source of inspiration for his use of
3213:Itinerari sanmicheliani nella provincia di Verona
3186:Antonio da Sangallo il giovane: la vita e l'opera
1989:Vita di Michele San Michele architettore veronese
1898:Vita di Michele San Michele architettore veronese
1876:Vita di Michele San Michele architettore veronese
1758:Vita di Michele San Michele architettore veronese
1727:Vita di Michele San Michele architettore veronese
1629:Choir screen and completion of the presbytery of
1338:
3367:
3204:Architettura a Verona nell'etĂ della Serenissima
872:
754:, Palazzo degli Honorij in Verona (1553-54) and
241:was an architect who greatly inspired Sanmicheli
27:Venetian architect and urban planner (1484–1559)
1487:, very similar to other works by the architect.
978:of the Verona Civic Library and the statue, by
592:Fortification of Venice and the eastern borders
355:In early 1526 he carried out, at the behest of
2208:
2206:
1326:(in various locations, between 1538 and 1539);
88:to complete his education studying the art of
3110:Francesco Ronzani; Girolamo Luciolli (1831).
2697:
2695:
2461:
2459:
2338:
2336:
2064:
2062:
2060:
1215:Fort of Sant'Andrea. Built beginning in 1534.
3202:Arturo Sandrini; Pierpaolo Brugnoli (1988).
3094:Descrizione di Verona e della sua provincia
2203:
1605:Cloister of the church of Sant'Agostino in
1050:, which still stands in Corso Porta Nuova.
3155:Arte Lombarda: rivista di storia dell'arte
3132:. Edizione Giuntina. parte III, volume II.
2692:
2456:
2333:
2057:
1609:. It was built in 1524, entirely of brick.
2290:Notiziario della Banca Popolare di Verona
1909:To thank him, Vasari gave him a drawing:
1462:probably completed between 1550 and 1553.
885:in the Hall of the Council of Ten at the
714:construction sites in Verona and Venice.
3201:
3177:Michele Sanmicheli: architetto di Verona
3123:. Venezia: Francesco Marcolini da Forli.
2670:
2668:
2666:
2664:
2625:
2623:
2621:
2584:
2582:
2277:
2262:
2224:
2197:
2182:
2107:
2003:
1980:
1978:
1976:
1792:
1648:Realization of the drum and dome of the
1544:
1537:The (unfinished) dome and bell tower of
1532:
1517:
1361:
1353:
1342:
1158:
1147:
1136:
876:
849:, the destroyed Jupiter Ammon Arch, the
816:
792:
788:
727:
698:
595:
508:
423:
417:convinced Sanmicheli never to return to
378:
292:
233:
170:
34:Portrait of Michele Sanmicheli found in
29:
3109:
2489:
1181:, with whom he collaborated at length.
14:
3368:
1231:Mainland Gate in Zadar. Built in 1537.
974:The bust of Michele Sanmicheli at the
3165:
3041:
3017:
2945:
2883:
2871:
2859:
2797:
2773:
2701:
2674:
2661:
2642:
2640:
2638:
2629:
2618:
2612:
2600:
2588:
2579:
2561:
2537:
2513:
2501:
2465:
2450:
2438:
2426:
2414:
2402:
2390:
2366:
2354:
2342:
2155:
2143:
2131:
2119:
2092:
2080:
2051:
2039:
1973:
1656:temple mutilated by the dome survive.
1399:on the Grand Canal. Realized in 1556.
732:Sanmicheli's funeral monument at the
540:, and a country villa in Grezzano of
230:First commissions in Rome and Orvieto
3283:Dizionario Biografico degli Italiani
2897:"Bagnoregio in Provincia di Viterbo"
1624:Franciscan complex of San Bernardino
607:In October 1534 Sanmicheli left for
588:for consultations related to ports.
3206:. Verona: Banca Popolare di Verona.
3166:Paul Davies; David Hemsoll (2004).
1666:Chapel of the Della Torre villa in
24:
3211:Maristella Vecchiato, ed. (2010).
3092:Giovambattista Da Persico (1820).
3067:
2635:
2244:from the original on 10 March 2016
1778:The two went as far as Veneto. In
1513:
1479:Corte Spinosa, in the environs of
1219:
946:
683:for advice on the building of the
448:church of San Bernardino in Verona
305:Also in 1512, under the title of "
257:, he had the opportunity to study
25:
3422:
3220:
3183:
3174:
3146:
2027:
1779:
1235:
1132:
982:, located along Corso Porta Nuova
783:church of San Tomaso Cantuariense
734:church of San Tomaso Cantuariense
694:
524:. In 1530 Ludovico di Canossa, a
3353:
3341:
3329:
3136:
2327:
2167:
1812:
1811:and the governors of Verona. In
1071:
1062:
964:
955:
814:requirements of modern designs.
383:City-side facade and section of
286:at the construction site of the
50:, sometimes also transcribed as
3396:16th-century Italian architects
3192:
3091:
3062:
3047:
3035:
3023:
3011:
2999:
2987:
2975:
2963:
2951:
2939:
2927:
2915:
2889:
2877:
2865:
2853:
2827:
2815:
2803:
2791:
2779:
2767:
2755:
2743:
2731:
2719:
2707:
2680:
2606:
2594:
2567:
2555:
2543:
2531:
2519:
2507:
2495:
2483:
2471:
2444:
2432:
2420:
2408:
2396:
2384:
2372:
2360:
2348:
2321:
2295:
2283:
2256:
2230:
2161:
2149:
2137:
2125:
2113:
2086:
2074:
1951:
1942:
1933:
1924:
1915:
1911:San Michele driving out demons.
1903:
1881:
1864:
1855:
1849:
1841:
1831:
1818:
1798:
1785:
1772:
1763:
1746:
1730:
1682:church of San Giorgio in Braida
1661:church of Santa Maria in Organo
1650:church of San Giorgio in Braida
1577:Petrucci funeral chapel in the
1561:
1366:Palazzo degli Honorij in Verona
1179:Antonio da Sangallo the Younger
721:and the (unfinished) facade of
719:church of San Giorgio in Braida
572:. The following year he was in
369:Antonio da Sangallo the Younger
363:, which were under threat from
127:, and he worked extensively in
66:, 1484 - Verona, 1559), was an
3210:
3188:. Venezia: Arti grafiche Tris.
3114:. Venezia: Giuseppe Antonelli.
3078:. Verona: Tipografia Giuliari.
3053:
3029:
3005:
2993:
2981:
2969:
2957:
2933:
2921:
2821:
2809:
2785:
2761:
2749:
2737:
2725:
2713:
2686:
2573:
2549:
2525:
2378:
2212:
2068:
2045:
2033:
2021:
2009:
1825:
1736:
1714:
1613:
1403:
1387:
1339:Palaces and civil architecture
1284:(1533, with later reworkings);
1053:
989:Veronese master was certainly
13:
1:
3391:Republic of Venice architects
3293:Episcopal Conference of Italy
3152:
3073:
2490:Ronzani & Luciolli (1831)
2477:
2278:Sandrini & Brugnoli (1988
2263:Sandrini & Brugnoli (1988
2225:Sandrini & Brugnoli (1988
2198:Sandrini & Brugnoli (1988
2183:Sandrini & Brugnoli (1988
2108:Sandrini & Brugnoli (1988
2015:
2004:Sandrini & Brugnoli (1988
1967:
1793:Sandrini & Brugnoli (1988
1589:Cathedral of Santa Margherita
1526:in Verona in a photograph by
1374:
1163:Fort of Sant'Andrea in Venice
873:Sanmicheli, patron of artists
643:), later demolished in 1795.
255:Canons Regular of St. Anthony
3401:Italian Mannerist architects
3074:Bartolomeo Giuliari (1816).
1680:Floor and bell tower of the
1209:
1184:
1111:War of the League of Cambrai
839:Vitruvii in li edifici belli
564:, and for the renovation of
407:Francesco Maria della Rovere
166:
161:
7:
3309:Works by Michele Sanmicheli
3299:Opere di Michele Sanmicheli
3127:
3118:
3100:
3082:
1984:
1958:
1893:
1871:
1753:
1722:
1691:
1641:on preliminary cartoons by
1358:Bevilacqua Palace in Verona
1348:Palazzo Grimani di San Luca
756:Palazzo Grimani di San Luca
428:The country side facade of
199:, at that time part of the
10:
3427:
3119:Sebastiano Serlio (1537).
3101:Alessandro Pompei (1735).
3042:Davies & Hemsoll (2004
3018:Davies & Hemsoll (2004
2946:Davies & Hemsoll (2004
2884:Davies & Hemsoll (2004
2872:Davies & Hemsoll (2004
2860:Davies & Hemsoll (2004
2798:Davies & Hemsoll (2004
2774:Davies & Hemsoll (2004
2702:Davies & Hemsoll (2004
2675:Davies & Hemsoll (2004
2630:Davies & Hemsoll (2004
2613:Davies & Hemsoll (2004
2601:Davies & Hemsoll (2004
2589:Davies & Hemsoll (2004
2562:Davies & Hemsoll (2004
2538:Davies & Hemsoll (2004
2514:Davies & Hemsoll (2004
2502:Davies & Hemsoll (2004
2466:Davies & Hemsoll (2004
2451:Davies & Hemsoll (2004
2439:Davies & Hemsoll (2004
2427:Davies & Hemsoll (2004
2415:Davies & Hemsoll (2004
2403:Davies & Hemsoll (2004
2391:Davies & Hemsoll (2004
2367:Davies & Hemsoll (2004
2355:Davies & Hemsoll (2004
2343:Davies & Hemsoll (2004
2156:Davies & Hemsoll (2004
2144:Davies & Hemsoll (2004
2132:Davies & Hemsoll (2004
2120:Davies & Hemsoll (2004
2093:Davies & Hemsoll (2004
2081:Davies & Hemsoll (2004
2052:Davies & Hemsoll (2004
2040:Davies & Hemsoll (2004
1594:Chapel of the Corporal at
667:, and other places in the
336:, the first design of the
1769:Perhaps as early as 1521.
1633:. Commissioned by Bishop
1620:Pellegrini funeral chapel
1465:Palazzo degli Honorij in
914:Giovanni Battista Zelotti
881:The ceiling decorated by
635:(not to be confused with
77:who was a citizen of the
3083:Scipione Maffei (1732).
2330:, p. 191 e p. 206).
1708:
1698:Renaissance architecture
1473:
278:In 1509 he then went to
178:of the Sanmicheli family
3271:Encyclopædia Britannica
3175:Lionello Puppi (1971).
3128:Giorgio Vasari (1568).
1500:Giovan Battista Zelotti
924:at that time, although
679:), but he also visited
338:Montefiascone Cathedral
317:for an estimate of the
195:Sanmicheli was born in
3411:Italian urban planners
3406:Renaissance architects
3386:Architects from Verona
3244:Bruno Maria Apollonj,
1579:church of San Domenico
1550:
1542:
1530:
1367:
1359:
1351:
1164:
1156:
1145:
1023:, and especially with
936:, Pietro da Salò, and
930:Corner Spinelli Palace
890:
822:
798:
736:
704:
613:Senate of the Republic
611:at the request of the
604:
517:
433:
388:
365:Charles III of Bourbon
327:church of San Domenico
302:
267:Fra Giovanni da Verona
242:
179:
44:
3251:Enciclopedia italiana
2656:Enciclopedia Treccani
2292:, Verona, 1997, n. 1.
1548:
1539:San Giorgio in Braida
1536:
1521:
1365:
1357:
1346:
1162:
1151:
1140:
880:
820:
796:
789:Influences and styles
731:
723:Santa Maria in Organo
702:
685:Palazzo della Ragione
599:
512:
427:
392:hometown, he went to
382:
348:. During his time in
342:Santa Maria di Loreto
296:
237:
174:
33:
3179:. Venezia: Marsilio.
2824:, pp. 173–175).
2812:, pp. 157–158).
2764:, pp. 165–167).
2728:, pp. 125–129).
2689:, pp. 118–123).
2369:, pp. 302–312).
1490:Villa La Soranza in
1247:Monteleone d'Orvieto
1175:Giuliano da Sangallo
1091:Domini di Terraferma
1048:Gianbattista Troiani
1010:Bartolomeo Ammannati
980:Gianbattista Troiani
710:Domini di Terraferma
3278:SANMICHELI, Michele
3257:Sanmichèli, Michèle
3246:SANMICHELI, Michele
3236:Sanmichèli, Michele
3008:, pp. 97–101).
2647:Sanmicheli, Michele
1782:, pp. 101–107)
1635:Gian Matteo Giberti
1505:Palazzo Roncale in
1492:Castelfranco Veneto
1331:Peschiera del Garda
934:Alessandro Vittoria
472:Francesco II Sforza
455:gates of the city:
259:classical sculpture
247:Antonio da Sangallo
3289:Michele Sanmicheli
3276:Maria Beltramini,
3266:Michele Sanmicheli
3168:Michele Sanmicheli
3032:, pp. 56–59).
2984:, pp. 75–76).
2972:, pp. 66–71).
2924:, pp. 30–32).
2841:on 15 January 2012
2018:, pp. 56–65).
1733:, pp. 76–90).
1551:
1543:
1531:
1368:
1360:
1352:
1165:
1157:
1146:
1037:Adriano Cristofali
891:
823:
799:
737:
705:
605:
518:
434:
389:
334:Alessandro Farnese
303:
243:
201:Republic of Venice
180:
149:Greek architecture
79:Republic of Venice
48:Michele Sanmicheli
45:
3227:Pellegrini Chapel
3170:. Milano: Electa.
3085:Verona illustrata
2328:Zannandreis (1891
2309:on 29 August 2007
2303:"Palazzo Roncale"
2168:Zannandreis (1891
1813:Zannandreis (1891
1639:Francesco Torbido
1596:Orvieto Cathedral
1568:Orvieto Cathedral
1558:characteristics.
1524:Pellegrini Chapel
1119:Sebastiano Serlio
1033:Alessandro Pompei
1029:Verona illustrata
922:Venetian painting
910:Battista del Moro
906:Francesco Torbido
867:Pellegrini Chapel
600:Mainland Gate in
522:Renaissance style
452:Pellegrini Chapel
299:Orvieto Cathedral
288:Orvieto Cathedral
84:After staying in
16:(Redirected from
3418:
3358:
3357:
3356:
3346:
3345:
3334:
3333:
3332:
3325:
3216:
3207:
3198:
3189:
3180:
3171:
3162:
3142:
3133:
3124:
3115:
3106:
3097:
3088:
3079:
3057:
3051:
3045:
3039:
3033:
3027:
3021:
3015:
3009:
3003:
2997:
2991:
2985:
2979:
2973:
2967:
2961:
2955:
2949:
2943:
2937:
2931:
2925:
2919:
2913:
2912:
2910:
2908:
2899:. Archived from
2893:
2887:
2881:
2875:
2869:
2863:
2857:
2851:
2850:
2848:
2846:
2837:. Archived from
2831:
2825:
2819:
2813:
2807:
2801:
2795:
2789:
2783:
2777:
2771:
2765:
2759:
2753:
2747:
2741:
2735:
2729:
2723:
2717:
2711:
2705:
2699:
2690:
2684:
2678:
2672:
2659:
2652:
2644:
2633:
2627:
2616:
2610:
2604:
2598:
2592:
2586:
2577:
2571:
2565:
2559:
2553:
2547:
2541:
2535:
2529:
2523:
2517:
2511:
2505:
2499:
2493:
2487:
2481:
2475:
2469:
2463:
2454:
2448:
2442:
2436:
2430:
2424:
2418:
2412:
2406:
2400:
2394:
2388:
2382:
2376:
2370:
2364:
2358:
2352:
2346:
2340:
2331:
2325:
2319:
2318:
2316:
2314:
2305:. Archived from
2299:
2293:
2287:
2281:
2275:
2266:
2260:
2254:
2253:
2251:
2249:
2234:
2228:
2222:
2216:
2210:
2201:
2195:
2186:
2180:
2171:
2165:
2159:
2153:
2147:
2141:
2135:
2129:
2123:
2117:
2111:
2105:
2096:
2090:
2084:
2078:
2072:
2066:
2055:
2049:
2043:
2037:
2031:
2025:
2019:
2013:
2007:
2001:
1992:
1982:
1962:
1955:
1949:
1946:
1940:
1937:
1931:
1928:
1922:
1919:
1913:
1907:
1901:
1885:
1879:
1868:
1862:
1859:
1853:
1850:Da Persico (1820
1845:
1839:
1835:
1829:
1822:
1816:
1802:
1796:
1789:
1783:
1776:
1770:
1767:
1761:
1750:
1744:
1740:
1734:
1731:Sancassani (1976
1718:
1675:Verona Cathedral
1631:Verona Cathedral
1123:Jacopo Sansovino
1075:
1066:
1035:, as well as in
995:Marciana Library
991:Jacopo Sansovino
968:
959:
767:Venetian Arsenal
748:of the same name
566:Piazza Contarena
526:bishop of Bayeux
411:Jacopo Sansovino
21:
3426:
3425:
3421:
3420:
3419:
3417:
3416:
3415:
3366:
3365:
3364:
3354:
3352:
3340:
3330:
3328:
3320:
3223:
3149:
3070:
3068:Ancient sources
3065:
3060:
3056:, p. 103).
3054:Vecchiato (2010
3052:
3048:
3044:, p. 375).
3040:
3036:
3030:Vecchiato (2010
3028:
3024:
3020:, p. 373).
3016:
3012:
3006:Vecchiato (2010
3004:
3000:
2994:Vecchiato (2010
2992:
2988:
2982:Vecchiato (2010
2980:
2976:
2970:Vecchiato (2010
2968:
2964:
2958:Vecchiato (2010
2956:
2952:
2948:, p. 361).
2944:
2940:
2934:Vecchiato (2010
2932:
2928:
2922:Vecchiato (2010
2920:
2916:
2906:
2904:
2903:on 3 April 2016
2895:
2894:
2890:
2886:, p. 354).
2882:
2878:
2874:, p. 352).
2870:
2866:
2858:
2854:
2844:
2842:
2833:
2832:
2828:
2822:Vecchiato (2010
2820:
2816:
2810:Vecchiato (2010
2808:
2804:
2800:, p. 369).
2796:
2792:
2788:, p. 153).
2786:Vecchiato (2010
2784:
2780:
2776:, p. 363).
2772:
2768:
2762:Vecchiato (2010
2760:
2756:
2752:, p. 133).
2750:Vecchiato (2010
2748:
2744:
2740:, p. 139).
2738:Vecchiato (2010
2736:
2732:
2726:Vecchiato (2010
2724:
2720:
2716:, p. 143).
2714:Vecchiato (2010
2712:
2708:
2704:, p. 356).
2700:
2693:
2687:Vecchiato (2010
2685:
2681:
2677:, p. 355).
2673:
2662:
2650:
2645:
2636:
2632:, p. 353).
2628:
2619:
2615:, p. 166).
2611:
2607:
2603:, p. 366).
2599:
2595:
2591:, p. 358).
2587:
2580:
2576:, p. 199).
2574:Vecchiato (2010
2572:
2568:
2564:, p. 258).
2560:
2556:
2552:, p. 189).
2550:Vecchiato (2010
2548:
2544:
2540:, p. 359).
2536:
2532:
2528:, p. 182).
2526:Vecchiato (2010
2524:
2520:
2512:
2508:
2504:, p. 344).
2500:
2496:
2488:
2484:
2478:Giuliari (1816)
2476:
2472:
2468:, p. 343).
2464:
2457:
2453:, p. 339).
2449:
2445:
2441:, p. 337).
2437:
2433:
2429:, p. 336).
2425:
2421:
2413:
2409:
2401:
2397:
2389:
2385:
2379:Vecchiato (2010
2377:
2373:
2365:
2361:
2357:, p. 275).
2353:
2349:
2345:, p. 278).
2341:
2334:
2326:
2322:
2312:
2310:
2301:
2300:
2296:
2288:
2284:
2280:, p. 170).
2276:
2269:
2265:, p. 169).
2261:
2257:
2247:
2245:
2238:"Villa Cornaro"
2236:
2235:
2231:
2227:, p. 168).
2223:
2219:
2213:Vecchiato (2010
2211:
2204:
2200:, p. 166).
2196:
2189:
2185:, p. 165).
2181:
2174:
2170:, p. 192).
2166:
2162:
2154:
2150:
2142:
2138:
2130:
2126:
2118:
2114:
2110:, p. 164).
2106:
2099:
2091:
2087:
2079:
2075:
2069:Vecchiato (2010
2067:
2058:
2050:
2046:
2038:
2034:
2026:
2022:
2014:
2010:
2006:, p. 163).
2002:
1995:
1983:
1974:
1970:
1965:
1961:, p. III).
1956:
1952:
1947:
1943:
1938:
1934:
1929:
1925:
1920:
1916:
1908:
1904:
1886:
1882:
1869:
1865:
1860:
1856:
1846:
1842:
1836:
1832:
1826:Vecchiato (2010
1823:
1819:
1815:, p. 197).
1803:
1799:
1795:, p. 164).
1790:
1786:
1777:
1773:
1768:
1764:
1751:
1747:
1741:
1737:
1719:
1715:
1711:
1694:
1616:
1564:
1516:
1514:Religious works
1476:
1414:Palazzo Canossa
1406:
1397:Palazzo Grimani
1390:
1377:
1341:
1336:
1238:
1222:
1220:In other places
1212:
1187:
1170:trace italienne
1135:
1085:
1084:
1083:
1082:
1078:
1077:
1076:
1068:
1067:
1056:
1025:Scipione Maffei
1006:Andrea Palladio
986:
985:
984:
983:
971:
970:
969:
961:
960:
949:
947:Artistic legacy
938:Danese Cattaneo
875:
803:Mannerist style
791:
697:
689:Andrea Palladio
594:
546:Palazzo Canossa
377:
239:Donato Bramante
232:
169:
164:
155:without bases.
28:
23:
22:
15:
12:
11:
5:
3424:
3414:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3363:
3362:
3350:
3338:
3318:
3317:
3306:
3295:
3286:
3274:
3263:
3254:
3242:
3233:
3222:
3221:External links
3219:
3218:
3217:
3208:
3199:
3190:
3181:
3172:
3163:
3148:
3147:Modern sources
3145:
3144:
3143:
3134:
3125:
3116:
3107:
3098:
3089:
3080:
3069:
3066:
3064:
3061:
3059:
3058:
3046:
3034:
3022:
3010:
2998:
2996:, p. 81).
2986:
2974:
2962:
2960:, p. 52).
2950:
2938:
2936:, p. 47).
2926:
2914:
2888:
2876:
2864:
2862:, p. 75).
2852:
2826:
2814:
2802:
2790:
2778:
2766:
2754:
2742:
2730:
2718:
2706:
2691:
2679:
2660:
2634:
2617:
2605:
2593:
2578:
2566:
2554:
2542:
2530:
2518:
2516:, p. 14).
2506:
2494:
2482:
2470:
2455:
2443:
2431:
2419:
2417:, p. 63).
2407:
2405:, p. 61).
2395:
2393:, p. 60).
2383:
2381:, p. 25).
2371:
2359:
2347:
2332:
2320:
2294:
2282:
2267:
2255:
2229:
2217:
2215:, p. 24).
2202:
2187:
2172:
2160:
2158:, p. 29).
2148:
2146:, p. 28).
2136:
2134:, p. 25).
2124:
2122:, p. 24).
2112:
2097:
2095:, p. 23).
2085:
2083:, p. 20).
2073:
2071:, p. 23).
2056:
2054:, p. 19).
2044:
2042:, p. 16).
2032:
2030:, p. 11).
2020:
2016:Brenzoni (1960
2008:
1993:
1971:
1969:
1966:
1964:
1963:
1950:
1941:
1932:
1923:
1914:
1902:
1880:
1863:
1854:
1852:, p. 18).
1840:
1830:
1828:, p. 23).
1817:
1797:
1784:
1771:
1762:
1745:
1735:
1712:
1710:
1707:
1706:
1705:
1700:
1693:
1690:
1689:
1688:
1685:
1678:
1673:Bell tower of
1671:
1664:
1659:Facade of the
1657:
1653:
1646:
1627:
1615:
1612:
1611:
1610:
1603:
1592:
1586:
1575:
1563:
1560:
1522:Detail of the
1515:
1512:
1511:
1510:
1503:
1496:Paolo Veronese
1488:
1475:
1472:
1471:
1470:
1463:
1459:
1455:
1451:
1434:
1430:
1422:
1421:refined works.
1418:
1411:
1405:
1402:
1401:
1400:
1394:
1389:
1386:
1385:
1384:
1381:
1376:
1373:
1340:
1337:
1335:
1334:
1327:
1320:
1313:
1306:
1299:
1292:
1285:
1278:
1271:
1264:
1257:
1250:
1242:
1237:
1236:Fortifications
1234:
1233:
1232:
1229:
1226:
1221:
1218:
1217:
1216:
1211:
1208:
1207:
1206:
1200:
1197:Porta San Zeno
1194:
1186:
1183:
1153:Porta San Zeno
1134:
1133:Military works
1131:
1080:
1079:
1070:
1069:
1061:
1060:
1059:
1058:
1057:
1055:
1052:
973:
972:
963:
962:
954:
953:
952:
951:
950:
948:
945:
918:Paolo Veronese
883:Paolo Veronese
874:
871:
790:
787:
741:Campo San Polo
696:
695:The last years
693:
629:Cornaro family
617:Council of Ten
593:
590:
514:Canossa Palace
461:Porta San Zeno
376:
373:
309:," he went to
284:master builder
231:
228:
184:Giorgio Vasari
168:
165:
163:
160:
36:Giorgio Vasari
26:
9:
6:
4:
3:
2:
3423:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3373:
3371:
3361:
3351:
3349:
3344:
3339:
3337:
3327:
3326:
3323:
3316:
3315:
3310:
3307:
3305:
3301:
3300:
3296:
3294:
3290:
3287:
3285:
3284:
3279:
3275:
3273:
3272:
3267:
3264:
3262:
3258:
3255:
3253:
3252:
3247:
3243:
3241:
3237:
3234:
3232:
3228:
3225:
3224:
3214:
3209:
3205:
3200:
3196:
3191:
3187:
3182:
3178:
3173:
3169:
3164:
3160:
3156:
3151:
3150:
3140:
3135:
3131:
3126:
3122:
3117:
3113:
3108:
3104:
3099:
3095:
3090:
3086:
3081:
3077:
3072:
3071:
3055:
3050:
3043:
3038:
3031:
3026:
3019:
3014:
3007:
3002:
2995:
2990:
2983:
2978:
2971:
2966:
2959:
2954:
2947:
2942:
2935:
2930:
2923:
2918:
2902:
2898:
2892:
2885:
2880:
2873:
2868:
2861:
2856:
2840:
2836:
2830:
2823:
2818:
2811:
2806:
2799:
2794:
2787:
2782:
2775:
2770:
2763:
2758:
2751:
2746:
2739:
2734:
2727:
2722:
2715:
2710:
2703:
2698:
2696:
2688:
2683:
2676:
2671:
2669:
2667:
2665:
2658:
2657:
2648:
2643:
2641:
2639:
2631:
2626:
2624:
2622:
2614:
2609:
2602:
2597:
2590:
2585:
2583:
2575:
2570:
2563:
2558:
2551:
2546:
2539:
2534:
2527:
2522:
2515:
2510:
2503:
2498:
2491:
2486:
2479:
2474:
2467:
2462:
2460:
2452:
2447:
2440:
2435:
2428:
2423:
2416:
2411:
2404:
2399:
2392:
2387:
2380:
2375:
2368:
2363:
2356:
2351:
2344:
2339:
2337:
2329:
2324:
2308:
2304:
2298:
2291:
2286:
2279:
2274:
2272:
2264:
2259:
2243:
2239:
2233:
2226:
2221:
2214:
2209:
2207:
2199:
2194:
2192:
2184:
2179:
2177:
2169:
2164:
2157:
2152:
2145:
2140:
2133:
2128:
2121:
2116:
2109:
2104:
2102:
2094:
2089:
2082:
2077:
2070:
2065:
2063:
2061:
2053:
2048:
2041:
2036:
2029:
2024:
2017:
2012:
2005:
2000:
1998:
1990:
1986:
1981:
1979:
1977:
1972:
1960:
1954:
1945:
1936:
1927:
1918:
1912:
1906:
1899:
1895:
1891:
1890:Doge's Palace
1884:
1877:
1873:
1867:
1858:
1851:
1844:
1834:
1827:
1821:
1814:
1810:
1809:Andrea Gritti
1807:
1801:
1794:
1788:
1781:
1775:
1766:
1759:
1755:
1749:
1739:
1732:
1728:
1724:
1717:
1713:
1704:
1701:
1699:
1696:
1695:
1686:
1683:
1679:
1676:
1672:
1669:
1665:
1662:
1658:
1654:
1651:
1647:
1644:
1643:Giulio Romano
1640:
1636:
1632:
1628:
1625:
1621:
1618:
1617:
1608:
1604:
1601:
1597:
1593:
1590:
1587:
1584:
1580:
1576:
1573:
1569:
1566:
1565:
1559:
1555:
1547:
1540:
1535:
1529:
1525:
1520:
1508:
1504:
1501:
1497:
1493:
1489:
1486:
1482:
1478:
1477:
1468:
1464:
1460:
1456:
1452:
1449:
1445:
1444:Ionic columns
1441:
1440:
1435:
1431:
1428:
1423:
1419:
1417:significance.
1415:
1412:
1408:
1407:
1398:
1395:
1392:
1391:
1382:
1379:
1378:
1372:
1364:
1356:
1349:
1345:
1332:
1328:
1325:
1321:
1318:
1314:
1311:
1307:
1304:
1300:
1297:
1293:
1290:
1286:
1283:
1279:
1276:
1272:
1269:
1265:
1262:
1258:
1255:
1251:
1248:
1244:
1243:
1241:
1230:
1227:
1224:
1223:
1214:
1213:
1204:
1201:
1198:
1195:
1192:
1189:
1188:
1182:
1180:
1176:
1172:
1171:
1161:
1154:
1150:
1143:
1139:
1130:
1126:
1124:
1120:
1114:
1112:
1107:
1105:
1101:
1097:
1093:
1092:
1074:
1065:
1051:
1049:
1044:
1042:
1038:
1034:
1030:
1026:
1022:
1017:
1015:
1011:
1007:
1002:
1000:
999:Corner Palace
996:
992:
981:
977:
967:
958:
944:
941:
939:
935:
931:
927:
923:
919:
915:
911:
907:
902:
900:
896:
888:
887:Doge's Palace
884:
879:
870:
868:
862:
860:
856:
852:
851:Roman theater
848:
844:
840:
836:
832:
828:
819:
815:
812:
811:Giulio Romano
808:
804:
795:
786:
784:
778:
776:
772:
768:
765:depot at the
764:
759:
757:
753:
749:
747:
742:
735:
730:
726:
724:
720:
715:
712:
711:
701:
692:
690:
686:
682:
678:
674:
670:
666:
662:
658:
654:
650:
644:
642:
638:
637:Villa Cornaro
634:
633:Piombino Dese
630:
625:
623:
618:
614:
610:
603:
598:
589:
587:
583:
577:
575:
571:
567:
563:
559:
555:
550:
547:
543:
539:
535:
534:Porta Borsari
531:
530:Castelvecchio
527:
523:
515:
511:
507:
505:
501:
497:
496:Lombard duchy
493:
489:
485:
481:
477:
473:
468:
466:
462:
458:
453:
449:
445:
441:
440:
431:
426:
422:
420:
416:
412:
408:
404:
399:
395:
386:
381:
372:
370:
366:
362:
358:
353:
351:
350:Montefiascone
347:
346:Carlo Fontana
343:
339:
335:
330:
328:
322:
320:
316:
312:
308:
300:
295:
291:
289:
285:
281:
276:
274:
273:
268:
264:
260:
256:
252:
248:
240:
236:
227:
225:
221:
216:
214:
210:
206:
202:
198:
193:
191:
190:
185:
177:
173:
159:
156:
154:
153:Doric columns
150:
146:
142:
138:
134:
130:
126:
122:
118:
114:
110:
107:Hired by the
105:
103:
99:
95:
91:
87:
82:
80:
76:
75:urban planner
72:
69:
65:
61:
57:
53:
49:
43:
42:
37:
32:
19:
3348:Architecture
3314:Open Library
3312:
3303:
3298:
3281:
3269:
3260:
3249:
3239:
3212:
3203:
3194:
3185:
3176:
3167:
3158:
3154:
3138:
3129:
3120:
3111:
3102:
3093:
3084:
3075:
3063:Bibliography
3049:
3037:
3025:
3013:
3001:
2989:
2977:
2965:
2953:
2941:
2929:
2917:
2907:25 September
2905:. Retrieved
2901:the original
2891:
2879:
2867:
2855:
2843:. Retrieved
2839:the original
2829:
2817:
2805:
2793:
2781:
2769:
2757:
2745:
2733:
2721:
2709:
2682:
2654:
2651:(in Italian)
2608:
2596:
2569:
2557:
2545:
2533:
2521:
2509:
2497:
2485:
2473:
2446:
2434:
2422:
2410:
2398:
2386:
2374:
2362:
2350:
2323:
2311:. Retrieved
2307:the original
2297:
2289:
2285:
2258:
2246:. Retrieved
2232:
2220:
2163:
2151:
2139:
2127:
2115:
2088:
2076:
2047:
2035:
2023:
2011:
1988:
1985:Vasari (1568
1959:Serlio (1537
1953:
1944:
1935:
1926:
1917:
1910:
1905:
1897:
1894:Vasari (1568
1883:
1875:
1872:Vasari (1568
1866:
1857:
1843:
1833:
1820:
1800:
1787:
1774:
1765:
1757:
1754:Vasari (1568
1748:
1738:
1726:
1723:Vasari (1568
1716:
1703:Bastion fort
1600:Simone Mosca
1556:
1552:
1437:
1369:
1239:
1168:
1166:
1127:
1115:
1108:
1089:
1086:
1045:
1028:
1020:
1018:
1014:Michelangelo
1003:
987:
975:
942:
903:
892:
863:
838:
824:
807:Michelangelo
800:
779:
760:
745:
738:
716:
708:
706:
669:Stato da MĂ r
645:
626:
606:
578:
551:
519:
469:
437:
435:
415:sack of Rome
390:
361:Papal States
354:
331:
323:
306:
304:
277:
272:Bramanteschi
270:
263:architecture
250:
244:
217:
209:Lake Ceresio
194:
187:
181:
157:
106:
83:
59:
55:
51:
47:
46:
39:
3381:1559 deaths
3376:1484 births
3240:treccani.it
2028:Puppi (1971
1780:Puppi (1986
1528:Paolo Monti
1427:Doric order
1203:Porta Palio
1191:Porta Nuova
1142:Porta Nuova
1054:Major works
976:protomoteca
771:Bona Sforza
639:, built by
631:a villa in
622:Venice Lido
484:Alessandria
465:Porta Palio
463:(1541) and
457:Porta Nuova
444:Adige River
430:Porta Palio
385:Porta Nuova
357:Clement VII
176:Family tree
109:Serenissima
3370:Categories
3291:on BeWeb,
1968:References
1607:Bagnoregio
1562:In Orvieto
1467:Piazza Bra
1375:In Orvieto
1305:(c. 1535);
1282:Senigallia
1270:(1530-37);
1041:Piazza Bra
853:, and the
586:Senigallia
532:, between
498:. In 1539
297:Façade of
60:Sammichele
56:Sanmichele
52:Sammicheli
18:Sanmicheli
3360:Biography
3261:sapere.it
3096:. Verona.
3087:. Verona.
2845:2 October
2313:16 August
2248:16 August
1614:In Verona
1541:in Verona
1404:In Verona
1388:In Venice
1350:in Venice
1303:Orzinuovi
1210:In Venice
1185:In Verona
1155:in Verona
1144:in Verona
899:Sansovino
847:Gavi Arch
835:Vitruvius
763:Bucentaur
673:Orzinuovi
554:Orzinuovi
542:Mozzecane
538:Gavi Arch
516:in Verona
500:Charles V
432:in Verona
387:in Verona
307:marmoraio
249:. In the
167:Childhood
162:Biography
98:Sansovino
71:architect
2242:Archived
1692:See also
1572:tympanum
1448:pediment
1254:Piacenza
1027:and his
997:and the
827:Bramante
746:sestiere
677:Chioggia
649:Dalmatia
641:Palladio
536:and the
494:for the
476:Vigevano
459:(1532),
319:ciborium
205:Porlezza
129:Dalmatia
102:Sangallo
90:Bramante
3322:Portals
2653:in the
1838:castle.
1729:), and
1622:in the
1583:Orvieto
1439:podestĂ
1429:portal.
1333:(1548).
1319:(1537);
1312:(1536);
1310:Brescia
1298:(1535);
1291:(1534);
1277:(1532);
1263:(1529);
1261:Legnago
1256:(1526);
1249:(1525);
1104:Croatia
861:gates.
855:Borsari
831:Raphael
743:in the
681:Vicenza
657:Ĺ ibenik
562:Brescia
558:Treviso
504:Antwerp
439:podestĂ
403:Legnago
394:Treviso
280:Orvieto
220:Bologna
137:Ĺ ibenik
125:Brescia
121:Bergamo
94:Raphael
68:Italian
3231:Flickr
2649:entry
1987:, ch.
1896:, ch.
1874:, ch.
1756:, ch.
1725:, ch.
1668:Fumane
1507:Rovigo
1485:loggia
1481:Mantua
1296:Venice
1268:Verona
1102:, and
926:Vasari
916:, and
895:Titian
845:, the
752:Rovigo
582:Pesaro
490:, and
315:Spello
213:Lugano
197:Verona
143:, and
123:, and
117:Verona
113:Venice
100:, and
64:Verona
3336:Italy
1892:. In
1743:1505.
1709:Notes
1474:Other
1433:arms.
1410:1882.
1324:Crete
1317:Corfu
1289:Zadar
1275:Padua
1100:Crete
1096:Corfu
859:Leoni
843:Arena
775:Padua
665:Crete
661:Corfu
653:Zadar
609:Zadar
602:Zadar
574:Padua
570:Udine
480:Pavia
419:Lazio
398:Padua
311:Rieti
211:, or
145:Corfu
141:Crete
133:Zadar
131:, in
3304:MLOL
3161:(1).
2909:2010
2847:2010
2315:2010
2250:2010
1806:Doge
1498:and
1121:and
1012:and
897:and
865:and
857:and
829:and
675:and
584:and
560:and
492:Como
488:Lodi
396:and
261:and
251:Urbe
224:Rome
135:and
86:Rome
73:and
3311:on
3302:on
3280:on
3268:on
3259:on
3248:on
3238:on
3229:on
1581:in
1329:in
1322:in
1315:at
1308:at
1301:at
1294:in
1287:at
1280:at
1273:at
1266:at
1259:at
1252:at
1245:at
809:or
773:in
568:in
207:on
58:or
38:'s
3372::
3157:.
2694:^
2663:^
2637:^
2620:^
2581:^
2458:^
2335:^
2270:^
2240:.
2205:^
2190:^
2175:^
2100:^
2059:^
1996:^
1991:).
1975:^
1900:).
1878:).
1760:).
1125:.
1106:.
1098:,
940:.
912:,
908:,
785:.
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659:,
655:,
651:,
544:.
506:.
486:,
482:,
478:,
421:.
226:.
139:,
119:,
115:,
96:,
92:,
81:.
54:,
3324::
3159:V
2911:.
2849:.
2492:.
2480:.
2317:.
2252:.
1645:.
1602:.
1574:.
1502:.
1450:.
62:(
20:)
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