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287:. She began studying with her grandmother, and, after her talent for the piano was discovered, she was sent to Europe to study, since at that time there were no great piano teachers in the United States. She was the first American woman to win entrance to the piano class at Paris' Conservatoire Nationale de Musique. She first studied with
449:-era charges with concert clothes and food, or helping to subsidize their rent or letting them live with her in her New York apartment. She also pressed officials at Juilliard to build a dormitory – a project that was not realized until after her death decades later. Her most famous pupil was concert pianist
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In
January 1917, when the Philadelphia Art Alliance launched a new series of "sociable luncheons" to familiarize prominent men and women in the Philadelphia region with fine arts and music trends, the organization's leaders chose Samaroff to be the series' first speaker. Well known to the alliance
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After her divorce from
Loutzky and the 1900 hurricane that claimed her family's business, she returned to the United States and tried to carve out a career as a pianist. She soon discovered she was hampered by both her awkward name and her American origins. Her agent suggested a professional name
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She married
Stokowski in 1911, and their daughter Sonya was born in 1921. At that time, Samaroff was much more famous than her husband and was able to lobby her contacts to get Stokowski appointed in 1912 to the vacant conductor's post at the
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in New York, becoming the first
American-born teacher on the piano faculty. She taught at both schools for the rest of her life. Called "Madam" by her students, she was an advocate for them, supplying many of her
415:. In 1925, Samaroff fell in her New York apartment and suffered a shoulder injury that forced her to retire from performing. From that point on, she worked primarily as a critic and teacher. She wrote for the
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and residents of the
Philadelphia region from her work on the alliance's music committee, as well as from her performance career, she presented a lecture on "The Correlation of Music and the Fine Arts."
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In 1923, Samaroff and
Stokowski divorced; the reasons included Stokowski's infidelity, from which she never recovered. She took refuge in her friends, among whom were
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until 1928 - the first woman to serve as music critic for a New York daily newspaper - and gave guest lectures throughout the 1930s.
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under
Stokowski's direction when he made his official conducting debut in Paris with the Colonne Orchestra on May 12, 1909.
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Samaroff developed a course of music study for laymen and was the first music teacher to be broadcast on
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Olga
Samaroff (center) with students Solveig Lunde and William Kapell (courtesy of Solveig Lunde Madsen)
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and the
Schumann Piano Concerto. She played extensively in the United States and Europe thereafter.
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Redfern, Sophie. 'Old
Divisions and New Debates: Music Criticism in Post-War America', in
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in 1905 (the first woman ever to do so). She hired the hall, the orchestra, and conductor
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740:(1st ed.). College Station, Texas: Texas A&M University Press. p. 143.
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in New York on the evening of May 17, 1948, after giving several lessons that day.
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The Pianistic Legacy of Olga Samaroff: Her Contributions to the Musical World
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An American Virtuoso on the World Stage: Olga Samaroff Stokowski
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and in 1924 was invited to join the faculty of the newly formed
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236:(August 8, 1880 – May 17, 1948) was an American
381:(who did the series in 1927) by several years. German pianist
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change, which was claimed to be taken from a remote relative.
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637:"Olga Samaroff - Texas Historical Markers on Waymarking.com"
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As Olga Samaroff, she self-produced her New York debut at
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also performed the complete sonatas in public by age 15 (
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789:The Opposite of Woe, My Life in Beer and Politics
626:, January 21, 1917, p. 3 (subscription required).
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365:. She was the second pianist in history, after
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791:. New York: Penguin Press. p. 112.
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765:. May 18, 1948. p. 20.
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465:An American Musician's Story
273:Lucy Mary Agnes Hickenlooper
56:Lucy Mary Agnes Hickenlooper
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285:1900 Galveston hurricane
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1939:Charles Lewis Gruneisen
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1351:(1995–1999, 2001–2008)
667:. Arcadia Publishing.
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713:, January 21, 1917.
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510:Ines Gomez Carrillo
484:Andrew Hickenlooper
473:24 West 55th Street
225:here on archive.org
1668:Position abolished
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1110:The New York Times
1035:Isabel Morse Jones
785:Hickenlooper, John
726:(2019), p 671-692.
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36:Olga Samaroff
33:
30:
19:
2026:
1995:
1981:Francis Toye
1953:
1916:
1909:Discontinued
1895:David Cairns
1860:
1823:
1797:W. J. Turner
1786:
1749:
1735:Noël Goodwin
1723:Francis Toye
1712:
1675:
1656:Roger Covell
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1635:John Warrack
1627:
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1440:Mosco Carner
1434:Evening News
1432:
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1396:
1386:(2000–2019)
1369:(since 2020)
1339:(1946–1982.)
1326:
1318:(since 1992)
1304:William Mann
1287:H. C. Colles
1258:
1250:(since 2008)
1185:The Observer
1183:
1175:(since 2022)
1108:
1063:
1055:(since 1996)
1024:
969:The Guardian
967:
959:(since 2009)
908:(1855?–1870)
895:
879:Richard Dyer
862:
788:
779:
762:
756:
737:
731:
723:
718:
710:
705:
695:
690:
678:. Retrieved
663:
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644:. Retrieved
640:
631:
623:
614:
545:Martin Canin
477:
469:heart attack
464:
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431:
417:
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317:
313:
272:
270:
258:
242:music critic
233:
232:
224:
217:
208:Liebesträume
206:
117:music critic
88:(1948-05-17)
86:May 17, 1948
29:
2145:1948 deaths
2140:1880 births
2070:(1963–1968)
2064:(1954–1963)
2058:(1940–1954)
2014:(1904–1934)
2008:(1864–1904)
1983:(1925–1937)
1977:(1892–1908)
1966:(1849–1865)
1941:(1845–1853)
1935:(1834–1844)
1929:(1816–1826)
1897:(1983–1992)
1891:(1958–1983)
1885:(1920–1959)
1879:(1881–1901)
1873:(1865–1870)
1848:(1993–2024)
1842:(1964–1993)
1836:(1934–1964)
1811:(1959–1967)
1805:(1945–1958)
1799:(1915–1940)
1774:(1945–1948)
1768:(1933–1945)
1766:Edwin Evans
1762:(1911–1933)
1737:(1965–1978)
1731:(1947–1952)
1725:(1922–1925)
1700:(1931–1946)
1694:(1906–1919)
1688:(1877–1906)
1643:(1989–2005)
1637:(1961–1972)
1607:(1992–1998)
1605:Mary Miller
1592:(1888–1894)
1577:(1977–1981)
1562:(1926–1928)
1556:(1881–1924)
1541:(1976–1993)
1513:(1986–2009)
1497:Paul Bekker
1484:(1972–1978)
1478:(1953–1972)
1457:(1913–1920)
1442:(1957–1961)
1427:(1846–1866)
1412:(1884–1889)
1406:(1861–1881)
1363:(2008–2019)
1357:(1999–2001)
1312:(1982–1992)
1306:(1960–1982)
1300:(1943–1960)
1298:Frank Howes
1289:(1911–1943)
1283:(1889–1911)
1277:(1879–1889)
1271:(1846–1879)
1244:(2000–2008)
1238:(1992–1996)
1232:(1986–1992)
1226:(1955–1987)
1220:(1949–1953)
1214:(1939–1945)
1208:(1925–1939)
1202:(1920–1925)
1169:(2000–2021)
1163:(1995–2000)
1157:(1991–1995)
1151:(1980–1991)
1145:(1960–1980)
1139:(1955–1960)
1133:(1924–1955)
1131:Olin Downes
1127:(1902–1923)
1121:(1887–1902)
1094:(1992–1996)
1088:(1972–1992)
1082:(1949–1972)
1076:(1925–1948)
1049:(1965–1996)
1043:(1947–1965)
1037:(1925–1947)
1010:(1999–2003)
1008:Tom Service
1004:(1977–1993)
998:(1927–1940)
992:(1906–1927)
986:(1905–1906)
957:Ivan Hewett
953:(1995–2009)
947:(1986–2005)
941:(1976–1985)
935:(1954–1976)
929:(1933–1954)
923:(1911–1932)
914:(1870–1906)
887:(2006–2024)
881:(1976–2006)
875:(1964–1976)
555:Eugene List
525:Edith Grosz
390: 1910
328:Tchaikovsky
277:San Antonio
203:Franz Liszt
102:Occupations
71:San Antonio
2134:Categories
1809:David Drew
1772:Ralph Hill
1751:Daily Mail
1620:Ralph Hill
1419:Daily News
771:1327454612
747:0890966915
680:August 17,
646:August 17,
607:References
447:Depression
413:Cary Grant
222:in 1931
63:1880-08-08
2112:Biography
2068:Alan Rich
2062:Paul Lang
1698:Eric Blom
1390:Tim Smith
1337:Paul Hume
1260:The Times
1218:Eric Blom
1098:Alex Ross
1053:Mark Swed
480:Civil War
371:Beethoven
299:, at the
281:Galveston
113:pedagogue
1349:Tim Page
767:ProQuest
482:general
295:'s son,
248:'s son,
179:Children
18:Samaroff
2086:Portals
1622:(1940s)
1463:(2000s)
816:at the
807:at the
375:sonatas
238:pianist
172:
160:
156:
143:
139:
125:Spouses
1377:Others
1196:(1919)
769:
744:
700:(2014)
671:
411:, and
373:piano
309:Berlin
111:piano
96:, U.S.
77:, U.S.
2124:Music
210:No. 3
162:(
158:
137:
75:Texas
742:ISBN
682:2019
669:ISBN
648:2019
291:and
168:div.
83:Died
51:Born
434:NBC
392:).
330:'s
307:in
275:in
216:'s
205:'s
2136::
2041:c.
1521:c.
639:.
514:es
494:.
407:,
403:,
387:c.
263:.
256:.
240:,
164:m.
73:,
2088::
2046:)
2039:(
1526:)
1519:(
847:e
840:t
833:v
773:.
750:.
650:.
618:"
516:)
512:(
182:1
65:)
61:(
20:)
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