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Music criticism

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every performance, and criticism may, therefore, be directed both at the text (musical score) and the performance. More specifically, as music has a temporal dimension that requires repetition or development of its material "problems of balance, contrast, expectation and fulfilment... are more central to music than to other arts, supported as these are by verbal or representational content." The absence of a systematic or consensus-based musical aesthetics has also tended to make music criticism a highly subjective issue. "There is no counter-check outside the critic's own personality."
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in the arts. Both of these had consequences for the practice of music criticism; "the tone of the critic was lowered as his audience expanded: he began to approach the reader as a colleague rather than a pedagogue", and a new generation of critics began to widen their consideration to other aspects
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A further impetus to the direction of music criticism was given by the changing nature of concert programming with the establishment of the European classical music canon; indeed it is at this period that the word 'classical' is first applied to a received musical tradition. At the same time, the
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or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at
133:, the active concert life of late 18th-century London meant that "the role and the function of arts criticism as we know it today were the creations of the English public." However, the first magazines specifically devoted to music criticism seem to have developed in Germany, for example, 206:
that egregious absurdity of repeating, and finishing many songs with the first part; when it often happens, after the passions of anger and revenge have been sufficiently expressed, that reconcilement and love are the subjects of the second, and, therefore, should conclude the
267:, and this is often regarded as the precursor of a new genre of criticism aimed at a wider readership than qualified connoisseurs. In subsequent years several regular journals dedicated to music criticism and reviews began to appear in major European centres, including 246:
proportion of new music to 'canonic' music in concert programming began to decline, meaning that living composers were increasingly in competition with their dead predecessors. This was particularly the case in respect of the rise of
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Typically, until the late eighteenth century, music criticism centred on vocal rather than instrumental music – "vocal music ... was the apex of aesthetic hierarchy. One knew what music was expressing."
250:'s reputation in his last year and posthumously. This gave rise both to writings on the value of the 'canon' and also to writings by composers and their supporters defending newer music. 819: 72:
With the concurrent expansion of interest in music and information media since the turn of the 20th century, the term has come to acquire the conventional meaning of
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The last years of the eighteenth century reflected both a change of patronage of music from the aristocracy to the rising middle classes, and the rise of
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of music than its pure representative aspects, becoming increasingly interested in instrumental music. Prominent amongst these was
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Critical references to music (often deprecating performers or styles) can be found in early literature, including, for example, in
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Weber, William (2003). "Consequences of Canon: The Institutionalization of Enmity between Contemporary and Classical Music",
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as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of
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That instrumental music has now risen to a level of which one probably had no inkling not long ago and that the
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and during his 1839–42 stay in Paris for Schlesinger's publishing house and German newspapers. The writer
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is too much concerned with naturalistic imitation than with expression, and criticises the habit, in
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has suggested that "music is probably the most difficult of the arts to criticise." Unlike the
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Weber, William (2001). "From Miscellany to Homogeneity in Concert Programming", in
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Composer and Critic: 200 Years of Musical Criticism. London: Chapman & Hall.
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Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner
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of instruments, as it were – all this is well-known to every music-lover.
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published in 1752. In it, Avison claims that since the time of
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Charlton, David (2003). "Hoffmann as a Writer on Music", in
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reported on music and literature in Paris for the Stuttgart
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for reporting on classical and popular music in the media
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criticism. For the contemporary usage of the term, see
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Writing about music is like dancing about architecture
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From Mendelssohn to Wagner: Memoirs of J. W. Davison
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Evolution of timpani in the 18th and 19th centuries
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Hoffmann's Musical Writings 738: 719: 583: 559: 511: 475: 451: 439: 424: 161:respectively) generated essays from 24: 2726:Classical and art music traditions 1158:History of lute-family instruments 975:Cambodian ceremonial music—Pinpeat 808: 768:, Oxford: Oxford University Press 282:Revue et gazette musicale de Paris 263:(1769–1842), began publication in 25: 2936: 820:"In Memory of the Critic's Trade" 2898: 2897: 2884: 2870: 2442:Saint Vincent and the Grenadines 1917:Democratic Republic of the Congo 1517:Sound recording and reproduction 970:Burmese classical music—Mahāgīta 2746:Jazz and popular music glossary 589: 256:Allgemeine musikalische Zeitung 1987:Federated States of Micronesia 307:founded in 1834 in Leipzig by 13: 1: 1030:Philippine art songs—Kundiman 950:Afghan classical music—Klasik 674:The Oxford Companion to Music 349:Zeitung für die elegante Welt 285:(Paris 1827–1880, founded by 54:The Oxford Companion to Music 2891:Record production portal 2736:Cultural and regional genres 995:Indonesian art music—Gamelan 7: 1507:Music technology (electric) 1045:Thai classical music—Piphat 1000:Japanese court music—Gagaku 657:Essay on Musical Expression 379:List of chief music critics 372: 184:Essay on Musical Expression 10: 2941: 1153:History of the harpsichord 1040:Kandyan dance of Sri Lanka 840:"The Shop Talk of Critics" 764:Taruskin, Richard (2010). 680:, accessed 1 January 2013. 648: 304:Neue Zeitschrift für Musik 102: 83: 29: 2864: 2769: 2698: 1698: 1684: 1535: 1445: 1327: 1268: 1190: 1133: 1063: 980:Chinese traditional music 940: 890: 882: 715:. London: William Reeves. 279:(London, 1844-date), the 139:Der getreue Music-Meister 80:Nature of music criticism 27:Classical music criticism 1862:Central African Republic 1405:Computational musicology 955:Andalusi classical music 783:The Gentleman's Magazine 655:Avison, Charles (1752). 395: 124:medieval music theorists 2751:Music genres and styles 1055:Western classical music 1025:Persian classical music 390:Category: Music critics 355:(1791–1843) was called 323:wrote for the Parisian 122:and in the writings of 2731:Classical music genres 1807:Bosnia and Herzegovina 1348:Doctor of Musical Arts 1173:History of the trumpet 985:Indian classical music 694:Conway, David (2012). 315:, and later edited by 243: 209: 196:George Frideric Handel 165:and others, including 135:Georg Philipp Telemann 108:To end of 18th century 49: 30:This article is about 2557:São Tomé and Príncipe 2432:Saint Kitts and Nevis 2412:Republic of the Congo 1178:History of the violin 830:on 23 September 2020. 361:James William Davison 287:François-Joseph Fétis 231: 204: 178:The English composer 163:Jean-Jacques Rousseau 151:Querelle des Bouffons 143:Der kritische Musikus 44: 2627:United Arab Emirates 1692: 1400:Cognitive musicology 836:Schonberg, Harold C. 353:George Henry Caunter 155:Jean-Philippe Rameau 2777:Aesthetics of music 2592:Trinidad and Tobago 1727:Antigua and Barbuda 1211:Band (rock and pop) 1135:Musical instruments 1010:Lao classical music 678:Oxford Music Online 343:wrote articles for 293:founded in 1825 by 229:, who wrote in 1809 159:Jean-Baptiste Lully 2839:Musical instrument 2807:Music and politics 1937:Dominican Republic 1685:By sovereign state 1005:Korean court music 965:Azerbaijani Mugham 845:The New York Times 818:(September 2019). 739:Graf, Max (1948). 336:Allgemeine Zeitung 326:Journal des débats 273:(London 1823–33), 261:Friedrich Rochlitz 216:Age of Romanticism 145:which appeared in 67:musical aesthetics 50: 2912: 2911: 2797:Music and fashion 2792:Music and emotion 2694: 2693: 1962:Equatorial Guinea 1458:A-side and B-side 1363:Music archaeology 1338:Bachelor of Music 1186: 1185: 1120:Psychedelic music 1115:Progressive music 1035:Scottish Ceòl Mór 824:DePauw University 774:978-0-19-538482-6 704:978-1-107-01538-8 276:The Musical Times 227:E. 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1428: 1426: 1423: 1421: 1418: 1416: 1413: 1411: 1410:Ecomusicology 1408: 1406: 1403: 1401: 1398: 1396: 1395:Biomusicology 1393: 1392: 1391: 1388: 1384: 1381: 1380: 1379: 1376: 1374: 1371: 1369: 1368:Music history 1366: 1364: 1361: 1359: 1356: 1354: 1351: 1349: 1346: 1344: 1341: 1339: 1336: 1335: 1333: 1330: 1326: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1304:Improvisation 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1286: 1284: 1279: 1276: 1274: 1271: 1270: 1267: 1259: 1256: 1254: 1253:Lead vocalist 1251: 1250: 1249: 1248:Military band 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1227: 1224: 1222: 1219: 1217: 1214: 1213: 1212: 1209: 1208: 1206: 1201: 1198: 1196: 1193: 1192: 1189: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1140: 1138: 1136: 1132: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1100:Hip hop music 1098: 1096: 1093: 1091: 1090:Country music 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1072: 1070: 1068: 1062: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1020:Ottoman music 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 947: 945: 943: 939: 933: 930: 926: 923: 922: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 897: 895: 893: 889: 885: 878: 873: 871: 866: 864: 859: 858: 855: 847: 846: 841: 837: 833: 829: 825: 821: 817: 813: 812: 802: 797: 793: 788: 784: 779: 775: 771: 767: 762: 758: 757:0 521 23520 0 754: 750: 745: 742: 737: 733: 732:0-333-23111-2 729: 725: 724: 718: 714: 709: 705: 701: 697: 692: 688: 683: 679: 675: 670: 666: 662: 658: 653: 652: 641: 636: 629: 624: 617: 616:Taruskin 2010 612: 605: 601: 597: 592: 585: 580: 573: 572:Hoffmann 2003 568: 561: 556: 549: 544: 537: 536:Charlton 2003 532: 525: 520: 513: 508: 501: 496: 489: 488:Taruskin 2010 484: 477: 472: 465: 464:Taruskin 2010 460: 453: 448: 441: 436: 434: 426: 421: 414: 409: 407: 405: 400: 391: 388: 385: 382: 380: 377: 376: 370: 369: 367: 362: 358: 354: 350: 346: 342: 338: 337: 332: 328: 327: 322: 318: 317:Franz Brendel 314: 310: 306: 305: 300: 296: 292: 288: 284: 283: 278: 277: 272: 271: 266: 262: 258: 257: 251: 249: 242: 240: 236: 230: 228: 223: 213: 208: 203: 201: 197: 193: 189: 185: 181: 176: 174: 173: 168: 167:Denis Diderot 164: 160: 156: 152: 148: 144: 140: 136: 132: 129:According to 127: 125: 121: 120: 115: 100: 97: 93: 87: 77: 75: 70: 68: 64: 60: 56: 55: 47: 43: 37: 33: 19: 2896: 2882: 2868: 2657:Vatican City 2607:Turkmenistan 2507:South Africa 2477:Sierra Leone 2457:Saudi Arabia 1832:Burkina Faso 1492:Record label 1378:Music school 1238:Concert band 1148:Angular harp 1075:Circus music 960:Arabic music 843: 828:the original 800: 791: 782: 765: 748: 740: 721: 712: 695: 673: 661:Downloadable 656: 640:Davison 1912 635: 623: 611: 591: 579: 567: 555: 543: 531: 519: 507: 495: 483: 471: 459: 447: 420: 364: 356: 348: 347:'s magazine 339:, the young 334: 324: 302: 290: 280: 274: 268: 259:, edited by 254: 253:In 1798 the 252: 244: 238: 232: 219: 210: 207:performance. 205: 183: 177: 170: 142: 138: 128: 117: 111: 89: 71: 58: 52: 51: 18:Music critic 2761:Terminology 2741:Instruments 2547:Switzerland 2517:South Sudan 2512:South Korea 2437:Saint Lucia 2392:Philippines 2337:North Korea 2317:New Zealand 2312:Netherlands 2117:Ivory Coast 1957:El Salvador 1702:Afghanistan 1669:Micronesian 1470:Compilation 1383:Composition 1278:Composition 1243:Disc jockey 1216:Backup band 1143:Arched Harp 900:Prehistoric 803:9/2, 78–99. 794:29, 127–34. 659:. London. 596:Conway 2012 548:Conway 2012 524:Avison 1752 500:Avison 1752 222:Romanticism 92:Winton Dean 2647:Uzbekistan 2567:Tajikistan 2472:Seychelles 2452:San Marino 2287:Mozambique 2277:Montenegro 2247:Mauritania 2212:Madagascar 2207:Luxembourg 2162:Kyrgyzstan 2137:Kazakhstan 1942:East Timor 1892:Costa Rica 1857:Cape Verde 1767:Bangladesh 1752:Azerbaijan 1674:Polynesian 1664:Melanesian 1446:Production 1425:Organology 1390:Musicology 1125:Soul music 1080:Folk music 1065:Vernacular 628:Urban 1843 604:Weber 2003 600:Weber 2001 359:. In 1835 301:, and the 299:A. B. Marx 188:Palestrina 84:See also: 2782:Album era 2662:Venezuela 2527:Sri Lanka 2482:Singapore 2367:Palestine 2322:Nicaragua 2252:Mauritius 2202:Lithuania 2087:Indonesia 2042:Guatemala 1742:Australia 1732:Argentina 1652:Caribbean 1606:Southeast 1331:and study 1329:Education 1319:Technique 1200:Ensembles 1110:Pop music 942:Art music 920:Religious 816:Page, Tim 584:Graf 1948 560:Dean 1980 512:Dean 1980 476:Dean 1980 452:Dean 1980 440:Dean 1980 425:Dean 1980 413:Bujic n.d 366:The Times 248:Beethoven 175:(1761). 2919:Category 2903:Category 2716:Timeline 2687:Zimbabwe 2577:Thailand 2572:Tanzania 2537:Suriname 2492:Slovenia 2487:Slovakia 2402:Portugal 2382:Paraguay 2357:Pakistan 2272:Mongolia 2227:Maldives 2222:Malaysia 2147:Kiribati 2067:Honduras 1982:Ethiopia 1977:Eswatini 1932:Dominica 1927:Djibouti 1882:Colombia 1847:Cameroon 1842:Cambodia 1827:Bulgaria 1812:Botswana 1772:Barbados 1659:Oceanian 1613:European 1569:Southern 1502:Sampling 1299:Notation 1233:Big band 1195:Musician 925:Biblical 689:, 1–22). 598:, 50–1; 574:, 222–3. 490:, 441–2. 373:See also 235:symphony 57:defines 2812:Warfare 2711:Outline 2667:Vietnam 2652:Vanuatu 2642:Uruguay 2622:Ukraine 2597:Tunisia 2502:Somalia 2462:Senegal 2417:Romania 2332:Nigeria 2297:Namibia 2292:Myanmar 2282:Morocco 2262:Moldova 2187:Liberia 2182:Lesotho 2177:Lebanon 2122:Jamaica 2102:Ireland 2077:Iceland 2072:Hungary 2037:Grenada 2022:Germany 2017:Georgia 1997:Finland 1972:Estonia 1967:Eritrea 1947:Ecuador 1922:Denmark 1897:Croatia 1887:Comoros 1837:Burundi 1802:Bolivia 1782:Belgium 1777:Belarus 1762:Bahrain 1757:Bahamas 1747:Austria 1737:Armenia 1717:Andorra 1712:Algeria 1707:Albania 1586:Central 1554:Central 1549:African 932:Secular 915:Martial 905:Ancient 792:Poetics 649:Sources 550:, 11–2. 454:, 46–7. 289:), the 265:Leipzig 192:Raphael 147:Hamburg 103:History 96:plastic 2721:Albums 2682:Zambia 2617:Uganda 2612:Tuvalu 2602:Turkey 2562:Taiwan 2542:Sweden 2467:Serbia 2427:Rwanda 2422:Russia 2397:Poland 2372:Panama 2347:Norway 2267:Monaco 2257:Mexico 2217:Malawi 2172:Latvia 2157:Kuwait 2152:Kosovo 2132:Jordan 2107:Israel 2057:Guyana 2047:Guinea 2032:Greece 2012:Gambia 2002:France 1907:Cyprus 1852:Canada 1822:Brunei 1817:Brazil 1797:Bhutan 1787:Belize 1722:Angola 1693:  1623:Nordic 1618:Balkan 1453:Single 1358:Method 1309:Lyrics 1273:Theory 772:  755:  730:  702:  630:, 442. 618:, 673. 466:, 571. 2756:Songs 2706:Index 2699:Lists 2677:Yemen 2587:Tonga 2552:Syria 2532:Sudan 2522:Spain 2447:Samoa 2407:Qatar 2362:Palau 2327:Niger 2307:Nepal 2302:Nauru 2237:Malta 2192:Libya 2142:Kenya 2127:Japan 2112:Italy 2082:India 2062:Haiti 2027:Ghana 2007:Gabon 1952:Egypt 1877:China 1872:Chile 1792:Benin 1601:South 1581:Asian 1564:North 1527:Remix 1522:Cover 1480:Remix 1294:Genre 1163:Nafir 1085:Blues 1067:music 910:Dance 884:Music 665:IMSLP 663:from 562:, 38. 538:, 10. 526:, 73. 514:, 37. 502:, 37. 478:, 39. 442:, 45. 427:, 44. 396:Notes 239:opera 202:, of 114:Plato 63:music 2849:Folk 2582:Togo 2387:Peru 2352:Oman 2232:Mali 2167:Laos 2097:Iraq 2092:Iran 1992:Fiji 1902:Cuba 1867:Chad 1591:East 1574:West 1559:East 1475:Live 1314:Song 1289:Form 1105:Jazz 770:ISBN 753:ISBN 728:ISBN 700:ISBN 642:, v. 311:and 190:and 157:and 119:Laws 1353:PhD 169:'s 137:'s 116:'s 2921:: 842:. 822:. 676:, 602:; 432:^ 403:^ 329:, 126:. 76:. 69:. 876:e 869:t 862:v 848:. 776:. 759:. 734:. 706:. 667:. 606:. 586:. 415:. 368:. 38:. 20:)

Index

Music critic
classical music
music journalism

Eduard Hanslick
The Oxford Companion to Music
music
musical aesthetics
journalistic reporting on musical performances
Writing about music is like dancing about architecture
Winton Dean
plastic
Plato
Laws
medieval music theorists
Richard Taruskin
Georg Philipp Telemann
Hamburg
Querelle des Bouffons
Jean-Philippe Rameau
Jean-Baptiste Lully
Jean-Jacques Rousseau
Denis Diderot
Rameau's Nephew
Charles Avison
Palestrina
Raphael
George Frideric Handel
Italian operas
Romanticism

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