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509:. Her husband's interests included drinking and gambling but Theresa, her sister, Alice and her brothers Frederick and Thomas took an interest in the house, advising on its decoration by correspondence with Theresa. She is credited with making Saltram a “showpiece of South West England”. The six years until Theresa's early death are considered Saltram's golden age. The house owns ten portraits by
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to add the
Entrance Porch and create the present Library out of two smaller rooms. His second wife, Frances, continued to develop the artistic legacy of the family by producing her own watercolours and Old Master copies, which are displayed in the house. The Earl of Morley was ambitious and attempted
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Money was so short that the 3rd Earl of Morley was forced to leave the house between 1861 and 1884, and was only able to return after selling several of the estate's most valuable paintings. The family's fortunes picked up in 1926 when the 4th Earl of Morley inherited several other estates, although
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John Parker inherited the house in 1743, and along with his wealthy wife Lady
Catherine Parker (who largely funded the remodelling), embellished the building with symmetrical Palladian façades which mask the Tudor origins of the house. The interiors of the house were given delicate touches including
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Mayes, Mayhowes, etc.) who were yeoman farmers in the 16th century. The family owned
Saltram for about 50 years, their prosperity declining at the end of the century when they began to sell and lease parts of the estate. Their landholdings were considerable – for example, a lease granted by them in
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1588 granted the right to farm in
Saltram Wood "and all houses, quays and buildings adjoining or upon the same", and to have fishing rights at Laira Bridge Rock and Culverhole; to hold portions of a quay called Coldharbour; and to have the use of the Mayhowes' fishing nets.
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The third John Parker, later known as the Earl of Morley, inherited the house just twenty years after his father and took longer again to make any major changes to the house. However, in 1819 he employed the
Plymouth architect
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the good times were short-lived as the war brought damage from enemy bombing. Eventually in 1957 the house and its contents were accepted in lieu of death duties by H.M. Treasury, which transferred them to the
National Trust.
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in 1625. For reasons unknown King
Charles I twice defended him despite his seemingly obvious culpability. James II Bagg died in 1638 and was succeeded by his son George Bagg, when Saltram was described as comprising
350:'s best preserved examples of an early Georgian house, and retains much of its original décor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir
656:(c. 1486–1550), by deed of gift, the office of bailiff of the manor of North Molton and lands called "Legh" for the term of his life.(Plymouth & West Devon Record Office 69/M/2/93, dated 28 March 1550
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was commissioned in 1768 to create the Saloon and the
Library (the Library is now the Dining Room). Adam created everything from the door handles to the huge plasterwork ceiling.
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480:, about two miles north of Saltram, purchased the manor of Saltram, and created the Parker dynasty which reigned over Saltram until its days as a private estate were over.
441:, a favourite of King James I. He is believed twice to have embezzled funds from the Crown, the first occasion having contributed to the failure of Buckingham's attack on
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The name
Saltram derives itself from the salt that was harvested on the nearby estuary and the fact that a "ham", or homestead, was on the site before the Tudor period.
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in 1660, Hatsell was stripped of the house and estate, which were granted to Sir George
Carteret in settlement of a loan he had made to the King during the Civil War.
469:, when the Commonwealth government transferred it to the former Parliamentarian captain Henry Hatsell in payment of a large debt owed by Bagg. However, after the
563:(estuary) is tidal, so the view alternates between water and mud. The completion of the landfill site at Chelson Meadow has created a green space. Views of
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458:, Saltram suffered at the hands of the Parliamentarian forces. Following the defeat of the Royalist cause, shortly after 1643 he was forced to
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The next family to own Saltram were the Baggs, who were probably responsible for turning the farmhouse into a mansion. Sir James Bagg, MP for
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to develop several industrial and engineering projects on the estate, but many were unsuccessful and the family fell heavily into debt.
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Salt was harvested on the nearby estuary and the fact that a "ham", or homestead, was on the site before the Tudor period
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Despite having held on to Saltram through the Civil War, the Baggs lost Saltram in 1660, shortly before the
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Boringdon also commissioned Nathaniel Richmond to lay out the present parkland which surrounds the house.
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377:(1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the
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house on two occasions. The Saloon is considered one of Adam's finest interiors. Saltram is one of
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448:"One great mansion house, one stable, three gardens, two acres of orchard, eight acres of meadows"
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of Devon appears unreliable. A deed exists which records that in 1550 Edmund Parker, "gent"
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are possible from the first storey of the house and the Castle summerhouse in the gardens.
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354:(1723-1792), who was born and educated at Plympton, and was a friend of the Parker family.
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made the four candelabras. Theresa and her husband spent ÂŁ10,000 on the Saloon.
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ceiling plasterwork in the Entrance Hall, Morning Room and Velvet Drawing Room.
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Saltram House was used as one of several local settings for the 1995 film
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The present building was commenced by John Parker (1703–1768) of nearby
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Saltram House, south (main entrance) front, with the Parker arms in the
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Jane Austen on film and television: a critical study of the adaptations
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and eight acres more. Despite inheriting his father's role as Deputy
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The first recorded family to have owned the house is that of Mayhew (
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John la Zouche, 8th Baron Zouche (of Haryngworth), 9th Baron St Maur
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Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
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Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
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Ceri Johnson/National Trust, "Saltram", National Trust Press, 1998
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of 1531, 1564 & 1620, Exeter, 1895, p.588, pedigree of Parker
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744:"Parker [née Robinson], Theresa (1745–1775), art patron"
622:, (Ed.) The Visitations of the County of Devon: Comprising the
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584:"SALTRAM HOUSE, Non Civil Parish - 1386230 | Historic England"
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462:(pay a fine) in the sum of ÂŁ582 to secure his landholdings.
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in lieu of death duties in 1957, and is open to the public.
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The early genealogy of the Parker family as given in the
679:: McFarland & Company, Inc., Publishers. p. 6.
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the son and heir apparent of John Parker of North Molton
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338:in Devon". The house was designed by the architect
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16:George II era mansion in Plympton, Devon, England
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19:For the 1783 Epsom Derby winning racehorse, see
753:(online ed.). Oxford University Press.
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608:Pevsner, Nikolaus
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571:References
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138:50°22′54″N
677:Jefferson
555:Landscape
405:Etymology
316:George II
277:1832, by
187:– Grade I
141:4°04′57″W
102:Completed
86:Etymology
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460:compound
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320:Plympton
264:pediment
242:/saltram
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413:History
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328:England
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