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the Vice-Chancellor and his attendants as they forced a passage. All the young women in Oxford and all the girls' schools had got in before us and filled the semi-circular auditorium. Every inch was crowded, and still no lecturer; and it was not apparent how he could arrive. Presently there was a commotion in the doorway, and over the heads and shoulders of tightly packed young men, a loose bundle was handed in and down the steps, till on the floor a small figure was deposited, which stood up and shook itself out, amused and good humoured, climbed on to the dais, spread out papers and began to read in a pleasant though fluting voice. Long hair, brown with grey through it; a soft brown beard, also streaked with grey; some loose kind of black garment (possibly to be described as a frock coat) with a master's gown over it; loose baggy trousers, a thin gold chain round his neck with glass suspended, a lump of soft tie of some finely spun blue silk; and eyes much bluer than the tie: that was Ruskin as he came back to Oxford.
3440:
the hall had been lent for a lecture on art and would certainly not have been made available for preaching
Socialism. He stammered a little at all times, and now, finding the ungracious words literally stick in his throat, sat down, leaving the remonstrance incomplete but clearly indicated. The situation was most unpleasant. Morris at any time was choleric and his face flamed red over his white shirt front: he probably thought he had conceded enough by assuming against his usage a conventional garb. There was a hubbub, and then from the audience Ruskin rose and instantly there was quiet. With a few courteous well chosen sentences he made everybody feel that we were an assembly of gentlemen, that Morris was not only an artist but a gentleman and an Oxford man, and had said or done nothing which gentlemen in Oxford should resent; and the whole storm subsided before that gentle authority.
1098:
4205:
architecture in which intellect is idle, invention impossible, but in which all luxury is gratified and all insolence fortified." Rejection of mechanisation and standardisation informed Ruskin's theories of architecture, and his emphasis on the importance of the
Medieval Gothic style. He praised the Gothic for what he saw as its reverence for nature and natural forms; the free, unfettered expression of artisans constructing and decorating buildings; and for the organic relationship he perceived between worker and guild, worker and community, worker and natural environment, and between worker and God. Attempts in the 19th century to reproduce Gothic forms (such as pointed arches), attempts he had helped inspire, were not enough to make these buildings expressions of what Ruskin saw as true Gothic feeling, faith, and organicism.
5355:
1081:(published April 1846). The volume concentrated on Renaissance and pre-Renaissance artists rather than on Turner. It was a more theoretical work than its predecessor. Ruskin explicitly linked the aesthetic and the divine, arguing that truth, beauty and religion are inextricably bound together: "the Beautiful as a gift of God". In defining categories of beauty and imagination, Ruskin argued that all great artists must perceive beauty and, with their imagination, communicate it creatively by means of symbolic representation. Generally, critics gave this second volume a warmer reception, although many found the attack on the aesthetic orthodoxy associated with
3285:
5260:
8169:, 37.15Ruskin, in a letter to Charles Eliot Norton, 20 August 1870: "I have not yet received so much encouragement from anything as from what you tell me respecting the feelings of other workmen. For up to the present time I have literally felt that, as Carlyle once wrote to me—'We are in a minority of two,' and that, whatever sympathy here and there people might feel either with his genius or with my poor little art-gift, there was no one who would or could believe a word of what we said touching the vital laws and mortal violations of them which regulate and ruin states, and are not doing the first for us in England."
2940:. A communitarian protest against nineteenth-century industrial capitalism, it had a hierarchical structure, with Ruskin as its Master, and dedicated members called "Companions". Ruskin wished to show that contemporary life could still be enjoyed in the countryside, with land being farmed by traditional means, in harmony with the environment, and with the minimum of mechanical assistance. He also sought to educate and enrich the lives of industrial workers by inspiring them with beautiful objects. Toward this end, with a tithe (or personal donation) of ÂŁ7,000, Ruskin acquired land and a collection of art treasures.
5246:
2646:, are essentially concerned with education and ideal conduct. "Of Kings' Treasuries" (in support of a library fund) explored issues of reading practice, literature (books of the hour vs. books of all time), cultural value and public education. "Of Queens' Gardens" (supporting a school fund) focused on the role of women, asserting their rights and duties in education, according them responsibility for the household and, by extension, for providing the human compassion that must balance a social order dominated by men. This book proved to be one of Ruskin's most popular, and was regularly awarded as a
4493:(1862), Ruskin recommended that the state should underwrite standards of service and production to guarantee social justice. This included the recommendation of government youth-training schools promoting employment, health, and 'gentleness and justice'; government manufactories and workshops; government schools for the employment at fixed wages of the unemployed, with idlers compelled to toil; and pensions provided for the elderly and the destitute, as a matter of right, received honourably and not in shame. Many of these ideas were later incorporated into the
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4642:"—a statement about the relationships of price and quality as they pertain to manufactured goods, and often summarised as: "The common law of business balance prohibits paying a little and getting a lot." This is the core of a longer statement usually attributed to Ruskin, although Ruskin's authorship is disputed among Ruskin scholars. Fred Shapiro maintains that the statement does not appear anywhere in Ruskin's works, and George Landow is likewise sceptical of the claim of Ruskin's authorship. In a posting of the
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2562:. Mill formed the Jamaica Committee for the purpose of holding Governor Eyre accountable for what they perceived to be his unlawful, inhumane, and unnecessary quelling of the insurrection. In response, the Eyre Defence and Aid Fund was formed to support Eyre for having fulfilled his duty to defend order and save the white population from danger; Carlyle served as the chairman. Ruskin allied with the Defence, writing a letter which appeared in the
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3972:, which traces its origins to the Cambridge School of Art, at the foundation of which Ruskin spoke in 1858. Also, the Ruskin Literary and Debating Society, (founded in 1900 in Toronto, Ontario, Canada), the oldest surviving club of its type, and still promoting the development of literary knowledge and public speaking today; and the Ruskin Art Club in Los Angeles, which still exists. In addition, there is the
14839:
4622:. However, there is no evidence that Ruskin ever engaged in any sexual activity with anyone at all. According to one interpretation, what Ruskin valued most in pre-pubescent girls was their innocence; the fact that they were not (yet) fully sexually developed. However, James L. Spates describes Ruskin's erotic life as simply "idiosyncratic" and concludes that he "was physically and emotionally normal". The
3316:), and he altered the house (adding a dining room, a turret to his bedroom to give him a panoramic view of the lake, and he later extended the property to accommodate his relatives). He built a reservoir and redirected the waterfall down the hills, adding a slate seat that faced the tumbling stream and craggy rocks rather than the lake, so that he could closely observe the fauna and flora of the hillside.
2387:). The reaction of the national press was hostile, and Ruskin was, he claimed, "reprobated in a violent manner". Ruskin's father also strongly disapproved. Others were enthusiastic, including Carlyle, who wrote, "I have read your Paper with exhilaration… Such a thing flung suddenly into half a million dull British heads… will do a great deal of good", declaring that they were "henceforth in a minority of
4638:, he wrote: "So far as I know, there is not in history record of anything so disgraceful to the human intellect as the modern idea that the commercial text, 'Buy in the cheapest market and sell in the dearest,' represents, or under any circumstances could represent, an available principle of national economy." Perhaps due to such passages, Ruskin is frequently identified as the originator of the "
58:
758:, under the pen name "Kata Phusin" (Greek for "According to Nature"). It was a study of cottages, villas, and other dwellings centred on a Wordsworthian argument that buildings should be sympathetic to their immediate environment and use local materials. It anticipated key themes in his later writings. In 1839, Ruskin's "Remarks on the Present State of Meteorological Science" was published in
484:
contrast to his father, took on all debts, settling the last of them in 1832. John James and
Margaret were engaged in 1809, but opposition to the union from John Thomas, and the problem of his debts, delayed the couple's wedding. They finally married, without celebration, in 1818. John James died on 3 March 1864 and is buried in the churchyard of St John the Evangelist, Shirley, Croydon.
14436:
1635:. In these lectures, Ruskin spoke about how to acquire art, and how to use it, arguing that England had forgotten that true wealth is virtue, and that art is an index of a nation's well-being. Individuals have a responsibility to consume wisely, stimulating beneficent demand. The increasingly critical tone and political nature of Ruskin's interventions outraged his father and the
3505:, "The Advancement of All". In Japan, Ryuzo Mikimoto actively collaborated in Ruskin's translation. He commissioned sculptures and sundry commemorative items, and incorporated Ruskinian rose motifs in the jewellery produced by his cultured pearl empire. He established the Ruskin Society of Tokyo and his children built a dedicated library to house his Ruskin collection.
383:. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society.
1798:, to whom he acknowledged that he "owed more than to any other living writer", Ruskin shifted his emphasis in the late 1850s from art towards social issues. Nevertheless, he continued to lecture on and write about a wide range of subjects including art and, among many other matters, geology (in June 1863 he lectured on the Alps), art practice and judgement (
4674:
the statement, but the signs gave no information on where or when Ruskin was supposed to have written, spoken, or published the statement. Due to the statement's widespread use as a promotional slogan, and despite questions of Ruskin's authorship, it is likely that many people who are otherwise unfamiliar with Ruskin now associate him with this statement.
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about his first marriage. Ruskin repeated his marriage proposal when Rose became 21, and legally free to decide for herself. She was willing to marry if the union would remain unconsummated, because her doctors had told her she was unfit for marriage; but Ruskin declined to enter another such marriage for fear of its effect on his reputation.
1384:", a charge Ruskin later disputed. Ruskin wrote, "I can prove my virility at once." The annulment was granted in July. Ruskin did not even mention it in his diary. Effie married Millais the following year. The complex reasons for the non-consummation and ultimate failure of the Ruskin marriage are a matter of enduring speculation and debate.
990:. Suddenly Ruskin had found his métier, and in one leap helped redefine the genre of art criticism, mixing a discourse of polemic with aesthetics, scientific observation and ethics. It cemented Ruskin's relationship with Turner. After the artist died in 1851, Ruskin catalogued nearly 20,000 sketches that Turner gave to the British nation.
1216:, because he feared that they would be destroyed by the occupying Austrian troops. One of these troops, Lieutenant Charles Paulizza, became friendly with Effie, apparently with Ruskin's consent. Her brother, among others, later claimed that Ruskin was deliberately encouraging the friendship to compromise her, as an excuse to separate.
854:). A work of Christian sacrificial morality and charity, it is set in the Alpine landscape Ruskin loved and knew so well. It remains the most translated of all his works. Back at Oxford, in 1842 Ruskin sat for a pass degree, and was awarded an uncommon honorary double fourth-class degree in recognition of his achievements.
2825:(1871–84). (The letters were published irregularly after the 87th instalment in March 1878.) These letters were personal, dealt with every subject in his oeuvre, and were written in a variety of styles, reflecting his mood and circumstances. From 1873, Ruskin had full control over all his publications, having established
3312:, paying ÂŁ1500 for it. Brantwood was Ruskin's main home from 1872 until his death. His estate provided a site for more of his practical schemes and experiments: he had an ice house built, and the gardens comprehensively rearranged. He oversaw the construction of a larger harbour (from where he rowed his boat, the
790:, he enjoyed equal status with his aristocratic peers. Ruskin was generally uninspired by Oxford and suffered bouts of illness. Perhaps the greatest advantage of his time there was in the few, close friendships he made. His tutor, the Rev Walter Lucas Brown, always encouraged him, as did a young senior tutor,
1503:) — which is the closest thing to a model of this style, but still failed to satisfy Ruskin completely. The many twists and turns in the Museum's development, not least its increasing cost, and the University authorities' less than enthusiastic attitude towards it, proved increasingly frustrating for Ruskin.
4654:), an anonymous library staff member briefly mentions the statement and its widespread use, saying that, "This is one of many quotations ascribed to Ruskin, without there being any trace of them in his writings – although someone, somewhere, thought they sounded like Ruskin." In an issue of the journal
4315:
Art is not a matter of taste, but involves the whole man. Whether in making or perceiving a work of art, we bring to bear on it feeling, intellect, morals, knowledge, memory, and every other human capacity, all focused in a flash on a single point. Aesthetic man is a concept as false and dehumanising
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continues to thrive as an educational charity, and has an international membership. The Ruskin
Society organises events throughout the year. A series of public celebrations of Ruskin's multiple legacies took place in 2000, on the centenary of his death, and events are planned throughout 2019, to mark
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distanced Ruskin from the modern art world, his ideas on the social utility of art contrasting with the doctrine of "l'art pour l'art" or "art for art's sake" that was beginning to dominate. His later writings were increasingly seen as irrelevant, especially as he seemed to be more interested in book
2292:
There is no wealth but life. Life, including all its powers of love, of joy, and of admiration. That country is the richest which nourishes the greatest number of noble and happy human beings; that man is richest who, having perfected the functions of his own life to the utmost, has always the widest
1756:, "I hear the chink of them at the end of every cadence of the Bible verses." This "loss of faith" precipitated a considerable personal crisis. His confidence undermined, he believed that much of his writing to date had been founded on a bed of lies and half-truths. He later returned to Christianity.
1540:(1857). He had taught several women drawing, by means of correspondence, and his book represented both a response and a challenge to contemporary drawing manuals. The WMC was also a useful recruiting ground for assistants, on some of whom Ruskin would later come to rely, such as his future publisher,
1229:
represented Ruskin's opinion of contemporary
England. It served as a warning about the moral and spiritual health of society. Ruskin argued that Venice had degenerated slowly. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of
832:
Ruskin's health was poor and he never became independent from his family during his time at Oxford. His mother took lodgings on High Street, where his father joined them at weekends. He was devastated to hear that his first love, Adèle Domecq, the second daughter of his father's business partner, had
483:
John James had hoped to practise law, and was articled as a clerk in London. His father, John Thomas Ruskin, described as a grocer (but apparently an ambitious wholesale merchant), was an incompetent businessman. To save the family from bankruptcy, John James, whose prudence and success were in stark
4673:
ice cream parlours prominently displayed a section of the statement in framed signs: "There is hardly anything in the world that someone cannot make a little worse and sell a little cheaper, and the people who consider price alone are that man's lawful prey." The signs listed Ruskin as the author of
4542:
He alleged various reasons, hatred of children, religious motives, a desire to preserve my beauty, and finally this last year he told me his true reason… that he had imagined women were quite different to what he saw I was, and that the reason he did not make me his Wife was because he was disgusted
4485:
Ruskin argued that one remedy would be to pay work at a fixed rate of wages, because human need is consistent and a given quantity of work justly demands a certain return. The best workmen would remain in employment because of the quality of their work (a focus on quality growing out of his writings
4349:
Ruskin's belief in preservation of ancient buildings had a significant influence on later thinking about the distinction between conservation and restoration. His position at the beginning of his career was very radical and he believed that if no conservation had been done on a building it should be
2654:
by confining women to the domestic sphere. Although indeed subscribing to the
Victorian belief in "separate spheres" for men and women, Ruskin was however unusual in arguing for parity of esteem, a case based on his philosophy that a nation's political economy should be modelled on that of the ideal
1455:
in May. Ruskin's own work was very distinctive, and he occasionally exhibited his watercolours: in the United States in 1857–58 and 1879, for example; and in
England, at the Fine Art Society in 1878, and at the Royal Society of Painters in Watercolour (of which he was an honorary member) in 1879. He
1241:
We want one man to be always thinking, and another to be always working, and we call one a gentleman, and the other an operative; whereas the workman ought often to be thinking, and the thinker often to be working, and both should be gentlemen, in the best sense. As it is, we make both ungentle, the
4595:
Will you – (it's all for your own good – !) make her stand up and then draw her for me without a cap – and, without her shoes, – (because of the heels) and without her mittens, and without her – frock and frills? And let me see exactly how tall she is – and – how – round. It will be so good of
4586:
Ruskin is not known to have had any sexually intimate relationships. During an episode of mental derangement after Rose died, he wrote a letter in which he insisted that Rose's spirit had instructed him to marry a girl who was visiting him at the time. It is also true that in letters from Ruskin to
4451:
Nay, but I choose my physician and my clergyman, thus indicating my sense of the quality of their work. By all means, also, choose your bricklayer; that is the proper reward of the good workman, to be "chosen." The natural and right system respecting all labour is, that it should be paid at a fixed
4384:
For Ruskin, the "age" of a building was crucially significant as an aspect in its preservation: "For, indeed, the greatest glory of a building is not in its stones, not in its gold. Its glory is in its Age, and in that deep sense of voicefulness, of stern watching, of mysterious sympathy, nay, even
3439:
William Morris had come to lecture on "Art and plutocracy" in the hall of
University College. The title did not suggest an exhortation to join a Socialist alliance, but that was what we got. When he ended, the Master of University, Dr Bright, stood up and instead of returning thanks, protested that
2722:
but now occupies premises on High Street. Ruskin endowed the drawing mastership with ÂŁ5000 of his own money. He also established a large collection of drawings, watercolours and other materials (over 800 frames) that he used to illustrate his lectures. The School challenged the orthodox, mechanical
2702:
to a larger-than-expected audience. It was here that he said, "The art of any country is the exponent of its social and political virtues… she must found colonies as fast and as far as she is able, formed of her most energetic and worthiest men;—seizing every piece of fruitful waste ground she can
4613:
Ruskin's biographers disagree about the allegation of "paedophilia". Tim Hilton, in his two-volume biography, asserts that Ruskin "was a paedophile", alluding by way of explanation to a sensual description by Ruskin of a half-naked girl he saw in Italy and quoting Ruskin's own statements about his
4167:
has written, further, that, "The anthologising of short purple passages, removed from their intended contexts something which Ruskin himself detested and which has bedevilled his reputation from the start." Nevertheless, some aspects of Ruskin's theory and criticism require further consideration.
3404:
election to the second term of the Slade professorship took place in 1884, and he was announced to lecture at the
Science Schools, by the park. I went off, never dreaming of difficulty about getting into any professorial lecture; but all the accesses were blocked, and finally I squeezed in between
2838:
For Mr
Whistler's own sake, no less for the protection of the purchaser, Sir Coutts Lindsay ought not to have omitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of cockney impudence before
2534:
Ruskin's sense of politics was not confined to theory. On his father's death in 1864, he inherited an estate worth between ÂŁ120,000 and ÂŁ157,000 (the exact figure is disputed). This considerable fortune, inherited from the father he described on his tombstone as "an entirely honest merchant", gave
1372:
in 1852. Suffering increasingly from physical illness and acute mental anxiety, Effie was arguing fiercely with her husband and his intense and overly protective parents, and sought solace with her own parents in Scotland. The Ruskin marriage was already undermined as she and Millais fell in love,
970:
favoured pictorial convention, and not "truth to nature". He explained that he meant "moral as well as material truth". The job of the artist is to observe the reality of nature and not to invent it in a studio—to render imaginatively on canvas what he has seen and understood, free of any rules of
4186:
I to: "go to Nature in all singleness of heart… rejecting nothing, selecting nothing and scorning nothing." By the 1850s. Ruskin was celebrating the Pre-Raphaelites, whose members, he said, had formed "a new and noble school" of art that would provide a basis for a thoroughgoing reform of the art
3358:
The centenary of Ruskin's birth was keenly celebrated in 1919, but his reputation was already in decline and sank further in the fifty years that followed. The contents of Ruskin's home were dispersed in a series of sales at auction, and Brantwood itself was bought in 1932 by the educationist and
3101:
in 1869 was one of the few occasions they came into personal contact. After a long illness, she died on 25 May 1875, at the age of 27. These events plunged Ruskin into despair and led to increasingly severe bouts of mental illness involving breakdowns and delirious visions. The first of these had
4661:
Early in the 20th century, this statement appeared—without any authorship attribution—in magazine advertisements, in a business catalogue, in student publications, and, occasionally, in editorial columns. Later in the 20th century, however, magazine advertisements, student publications, business
4582:
began on 3 January 1858, when she was 10 years old and he was about to turn 39. He was her private art tutor, and the two maintained an educational relationship through correspondence until she was 18. Around that time he asked her to marry him. However, Rose's parents forbade it, after learning
2311:
Ruskin authored several works on political economy. Ruskin's social view broadened from concerns about the dignity of labour to consider issues of citizenship and notions of the ideal community. Just as he had questioned aesthetic orthodoxy in his earliest writings, he now dissected the orthodox
4208:
For Ruskin, the Gothic style in architecture embodied the same moral truths he sought to promote in the visual arts. It expressed the 'meaning' of architecture—as a combination of the values of strength, solidity and aspiration—all written, as it were, in stone. For Ruskin, creating true Gothic
2424:
If there be any one point insisted on throughout my works more frequently than another, that one point is the impossibility of Equality. My continual aim has been to show the eternal superiority of some men to others, sometimes even of one man to all others; and to show also the advisability of
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Ruskin believed in a hierarchical social structure. He wrote "I was, and my father was before me, a violent Tory of the old school." He believed in man's duty to God, and while he sought to improve the conditions of the poor, he opposed attempts to level social differences and sought to resolve
1609:
IV presents the geology of the Alps in terms of landscape painting, and their moral and spiritual influence on those living nearby. The contrasting final chapters, "The Mountain Glory" and "The Mountain Gloom" provide an early example of Ruskin's social analysis, highlighting the poverty of the
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Theoria: Ruskin's 'theoretic' faculty – theoretic, as opposed to aesthetic – enables a vision of the beautiful as intimating a reality deeper than the everyday, at least in terms of the kind of transcendence generally seen as immanent in things of this world. For an example of the influence of
1708:
to allow him to work on the Turner Bequest of nearly 20,000 individual artworks left to the nation by the artist. This involved Ruskin in an enormous amount of work, completed in May 1858, and involved cataloguing, framing and conserving. Four hundred watercolours were displayed in cabinets of
642:
Ruskin was greatly influenced by the extensive and privileged travels he enjoyed in his childhood. It helped to establish his taste and augmented his education. He sometimes accompanied his father on visits to business clients at their country houses, which exposed him to English landscapes,
4204:
typifies the inextricable mix of aesthetics and morality in his thought: "Pagan in its origin, proud and unholy in its revival, paralysed in its old age… an architecture invented, as it seems, to make plagiarists of its architects, slaves of its workmen, and sybarites of its inhabitants; an
1556:(1866), an imagined conversation with Winnington's girls in which he cast himself as the "Old Lecturer". On the surface a discourse on crystallography, it is a metaphorical exploration of social and political ideals. In the 1880s, Ruskin became involved with another educational institution,
4319:
Even the most superior mind and the most powerful imagination must found itself on facts, which must be recognised for what they are. The imagination will often reshape them in a way which the prosaic mind cannot understand; but this recreation will be based on facts, not on formulas or
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has been seen as foreshadowing environmentalism and related concerns in the 20th and 21st centuries. Ruskin's prophetic writings were also tied to his emotions, and his more general (ethical) dissatisfaction with the modern world with which he now felt almost completely out of sympathy.
3056:
in a plain way." Through the Museum, Ruskin aimed to bring to the eyes of the working man many of the sights and experiences otherwise reserved for those who could afford to travel across Europe. The original Museum has been digitally recreated online. In 1890, the Museum relocated to
4436:... the art of becoming "rich," in the common sense, is not absolutely nor finally the art of accumulating much money for ourselves, but also of contriving that our neighbours shall have less. In accurate terms, it is "the art of establishing the maximum inequality in our own favour."
4452:
rate, but the good workman employed, and the bad workman unemployed. The false, unnatural, and destructive system is when the bad workman is allowed to offer his work at half-price, and either take the place of the good, or force him by his competition to work for an inadequate sum.
4180:. He believed that all great art should communicate an understanding and appreciation of nature. Accordingly, inherited artistic conventions should be rejected. Only by means of direct observation can an artist, through form and colour, represent nature in art. He advised artists in
1186:(1849). It contained 14 plates etched by the author. The title refers to seven moral categories that Ruskin considered vital to and inseparable from all architecture: sacrifice, truth, power, beauty, life, memory and obedience. All would provide recurring themes in his future work.
1242:
one envying, the other despising, his brother; and the mass of society is made up of morbid thinkers and miserable workers. Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.
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In principle, Ruskin worked out a scheme for different grades of "Companion", wrote codes of practice, described styles of dress and even designed the Guild's own coins. Ruskin wished to see St George's Schools established, and published various volumes to aid its teaching (his
4538:, whom he met when she was 12 and he was 21, and Gray's family encouraged a match between the two when she had matured. The marriage was annulled after six years owing to non-consummation. Effie, in a letter to her parents, claimed that Ruskin found her "person" repugnant:
1551:
in Cheshire. A frequent visitor, letter-writer, and donor of pictures and geological specimens to the school, Ruskin approved of the mixture of sports, handicrafts, music and dancing encouraged by its principal, Miss Bell. The association led to Ruskin's sub-Socratic work,
4551:
It may be thought strange that I could abstain from a woman who to most people was so attractive. But though her face was beautiful, her person was not formed to excite passion. On the contrary, there were certain circumstances in her person which completely checked it.
4364:
understood. It means the most total destruction which a building can suffer: a destruction out of which no remnants can be gathered: a destruction accompanied with false description of the thing destroyed. Do not let us deceive ourselves in this important matter; it is
1074:, but he was alarmed by the combined effects of decay and modernisation on the city: "Venice is lost to me", he wrote. It finally convinced him that architectural restoration was destruction, and that the only true and faithful action was preservation and conservation.
4574:
said to his daughter Mary, "should you ever hear anyone blame Millais or his wife, or Mr. Ruskin , remember that there is no fault; there was misfortune, even tragedy. All three were perfectly blameless." Ruskins' marriage is the subject of a book by Robert Brownell.
4715:: Ruskin gave this title to a series of letters he wrote "to the workmen and labourers of Great Britain" (1871–84). The name was intended to signify three great powers that fashion human destiny, as Ruskin explained at length in Letter 2 (February 1871). These were:
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The Guild's most conspicuous and enduring achievement was the creation of a remarkable collection of art, minerals, books, medieval manuscripts, architectural casts, coins and other precious and beautiful objects. Housed in a cottage museum high on a hill in the
1604:
III Ruskin argued that all great art is "the expression of the spirits of great men". Only the morally and spiritually healthy are capable of admiring the noble and the beautiful, and transforming them into great art by imaginatively penetrating their essence.
3543:
Ruskin's work has been translated into numerous languages including, in addition to those already mentioned (Russian, French, Japanese): German, Italian, Catalan, Spanish, Portuguese, Hungarian, Polish, Romanian, Swedish, Danish, Dutch, Czech, Chinese, Welsh,
3929:. All three mount regular exhibitions open to the public all the year round. Barony House in Edinburgh is home to a descendant of John Ruskin. She has designed and hand painted various friezes in honour of her ancestor and it is open to the public. Ruskin's
390:. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism,
1208:, staying at the Hotel Danieli. Their different personalities are revealed by their contrasting priorities. For Effie, Venice provided an opportunity to socialise, while Ruskin was engaged in solitary studies. In particular, he made a point of drawing the
971:
composition. For Ruskin, modern landscapists demonstrated superior understanding of the "truths" of water, air, clouds, stones, and vegetation, a profound appreciation of which Ruskin demonstrated in his own prose. He described works he had seen at the
9261:
James Spates has written about the effects of this, based on the research work of Helen Viljoen. See James L. Spates, 'John Ruskin's Dark Star: New Lights on His Life Based on the Unpublished Biographical Materials and Research of Helen Gill Viljoen',
2921:
in London and move to Venice. The episode tarnished Ruskin's reputation and may have accelerated his mental decline. It did nothing to mitigate Ruskin's exaggerated sense of failure in persuading his readers to share in his own keenly felt priorities.
4310:, and perhaps owe to this fact a part of their value." Ruskin's accounts of art are descriptions of a superior type that conjure images vividly in the mind's eye. Clark neatly summarises the key features of Ruskin's writing on art and architecture:
3096:
was ten. His first meeting came at a time when Ruskin's own religious faith was under strain. This always caused difficulties for the staunchly Protestant La Touche family who at various times prevented the two from meeting. A chance meeting at the
1752:. He had, however, doubted his Evangelical Christian faith for some time, shaken by Biblical and geological scholarship that was claimed to have undermined the literal truth and absolute authority of the Bible: "those dreadful hammers!" he wrote to
1237:. Praising Gothic ornament, Ruskin argued that it was an expression of the artisan's joy in free, creative work. The worker must be allowed to think and to express his own personality and ideas, ideally using his own hands, rather than machinery.
3328:, according to his wishes. As he had grown weaker, suffering prolonged bouts of mental illness, he had been looked after by his second cousin, Joan(na) Severn (formerly "companion" to Ruskin's mother) and she and her family inherited his estate.
7341:
2951:, but the agricultural scheme established there by local communists met with only modest success after many difficulties. Donations of land from wealthy and dedicated Companions eventually placed land and property in the Guild's care: in the
2765:, instigated by Ruskin in 1874, and continuing into 1875, which involved undergraduates in a road-mending scheme. The scheme was motivated in part by a desire to teach the virtues of wholesome manual labour. Some of the diggers, who included
1618:
In addition to leading more formal teaching classes, from the 1850s Ruskin became an increasingly popular public lecturer. His first public lectures were given in Edinburgh, in November 1853, on architecture and painting. His lectures at the
3387:
In middle age, and at his prime as a lecturer, Ruskin was described as slim, perhaps a little short, with an aquiline nose and brilliant, piercing blue eyes. Often sporting a double-breasted waistcoat, a high collar and, when necessary, a
4560:
speculated that he rejected Effie because he was horrified by the sight of her pubic hair. Lutyens argued that Ruskin must have known the female form only through Greek statues and paintings of nudes which lacked pubic hair. However,
4608:
I like my girls from ten to sixteen—allowing of 17 or 18 as long as they're not in love with anybody but me.—I've got some darlings of 8—12—14—just now, and my Pigwiggina here—12—who fetches my wood and is learning to play my bells.
2742:). His lectures ranged through myth, ornithology, geology, nature-study and literature. "The teaching of Art…", Ruskin wrote, "is the teaching of all things." Ruskin was never careful about offending his employer. When he criticised
1709:
Ruskin's own design. Recent scholarship has argued that Ruskin did not, as previously thought, collude in the destruction of Turner's erotic drawings, but his work on the Bequest did modify his attitude towards Turner. (See below,
3886:(1941) identified Ruskin as a thinker who made Nazism possible, and one 1930s German headmaster told his students that "Carlyle and Ruskin were the first National Socialists." More recently, Ruskin's works have also influenced
9177:
8810:
1536:. Although Ruskin did not share the founders' politics, he strongly supported the idea that through education workers could achieve a crucially important sense of (self-)fulfilment. One result of this involvement was Ruskin's
734:
Ruskin's journeys also provided inspiration for writing. His first publication was the poem "On Skiddaw and Derwent Water" (originally entitled "Lines written at the Lakes in Cumberland: Derwentwater" and published in the
4187:
world. For Ruskin, art should communicate truth above all things. However, this could not be revealed by mere display of skill, and must be an expression of the artist's whole moral outlook. Ruskin rejected the work of
3319:
Although Ruskin's 80th birthday was widely celebrated in 1899 (various Ruskin societies presenting him with an elaborately illuminated congratulatory address), Ruskin was scarcely aware of it. He died at Brantwood from
1515:
was part of a wider plan to improve science provision at Oxford, something the University initially resisted. Ruskin's first formal teaching role came about in the mid-1850s, when he taught drawing classes (assisted by
4569:
and John Batchelor also took the view that menstruation was the more likely explanation, though Batchelor also suggests that body-odour may have been the problem. There is no evidence to support any of these theories.
1132:, once the residence of the Ruskin family. It was the site of the suicide of John Thomas Ruskin (Ruskin's grandfather). Owing to this association and other complications, Ruskin's parents did not attend. The European
10000:
4772:
Modern Atheism: Ruskin applied this label to "the unfortunate persistence of the clerks in teaching children what they cannot understand and employing young consecrated persons to assert in pulpits what they do not
4665:
In the 21st century, and based upon the statement's applicability of the issues of quality and price, the statement continues to be used and attributed to Ruskin—despite the questionable nature of the attribution.
1026:. In 1845, at the age of 26, he undertook to travel without his parents for the first time. It provided him with an opportunity to study medieval art and architecture in France, Switzerland and especially Italy. In
14235:
4155:, the environmental effects of pollution, mythology, travel, political economy and social reform. After his death Ruskin's works were collected in the 39-volume "Library Edition", completed in 1912 by his friends
3166:
was revised, edited and issued in a new "Travellers' Edition" in 1879. Ruskin directed his readers, the would-be traveller, to look with his cultural gaze at the landscapes, buildings and art of France and Italy:
1456:
created many careful studies of natural forms, based on his detailed botanical, geological and architectural observations. Examples of his work include a painted, floral pilaster decoration in the central room of
4658:, Kenneth Bell quotes the statement and mentions that it has been attributed to Ruskin. While Bell believes in the veracity of its content, he adds that the statement does not appear in Ruskin's published works.
4221:. Even its crude and "savage" aspects were proof of "the liberty of every workman who struck the stone; a freedom of thought, and rank in scale of being, such as no laws, no charters, no charities can secure."
3242:
The period from the late 1880s was one of steady and inexorable decline. Gradually it became too difficult for him to travel to Europe. He suffered a complete mental collapse on his final tour, which included
698:. His early notebooks and sketchbooks are full of visually sophisticated and technically accomplished drawings of maps, landscapes and buildings, remarkable for a boy of his age. He was profoundly affected by
11606:
9372:
3355:, the last volume of which, an index, attempts to demonstrate the complex interconnectedness of Ruskin's thought. They all acted together to guard, and even control, Ruskin's public and personal reputation.
833:
become engaged to a French nobleman. In April 1840, whilst revising for his examinations, he began to cough blood, which led to fears of consumption and a long break from Oxford travelling with his parents.
4332:
This fulfilment of function depends on all parts of an organism cohering and co-operating. This was what he called the 'Law of Help,' one of Ruskin's fundamental beliefs, extending from nature and art to
4029:
has argued that Ruskin's understanding of the Gothic as a combination of two types of variation, rough savageness and smooth changefulness, opens up a new way of thinking leading to digital and so-called
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The relation between Ruskin, his art and criticism, was explored in the exhibition Ruskin, Turner and the Pre-Raphaelites (Tate Britain, 2000), curated by Robert Hewison, Stephen Wildman and Ian Warrell.
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Good art is done with enjoyment. The artist must feel that, within certain reasonable limits, he is free, that he is wanted by society, and that the ideas he is asked to express are true and important.
555:
She read alternate verses with me, watching at first, every intonation of my voice, and correcting the false ones, till she made me understand the verse, if within my reach, rightly and energetically.
2551:
clean and tidy. Modest as these practical schemes were, they represented a symbolic challenge to the existing state of society. Yet his greatest practical experiments would come in his later years.
902:(whose son, Arthur Severn, later married Ruskin's cousin, Joan). He was galvanised into writing a defence of J. M. W. Turner when he read an attack on several of Turner's pictures exhibited at the
2909:
that was successful, but also acknowledged that he saw marks of great labour and artistic skill in the painting. In the end, Whistler won the case, but the jury awarded damages of only a derisory
551:
from beginning to end, and then to start all over again, committing large portions to memory. Its language, imagery and parables had a profound and lasting effect on his writing. He later wrote:
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who had a well-established interest in literary and artistic matters. In these letters, Ruskin promoted honesty in work and exchange, just relations in employment and the need for co-operation.
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prize. Its reception over time, however, has been more mixed, and twentieth-century feminists have taken aim at "Of Queens' Gardens" in particular, as an attempt to "subvert the new heresy" of
12044:
9857:
9403:
4225:, in contrast, expressed a morally vacuous and repressive standardisation. Ruskin associated Classical values with modern developments, in particular with the demoralising consequences of the
3235:(1885–1889) (meaning, 'Of Past Things'), a highly personalised, selective, eloquent but incomplete account of aspects of his life, the preface of which was written in his childhood nursery at
1151:, secured for them by Ruskin's father (later addresses included nearby 6 Charles Street, and 30 Herne Hill). Effie was too unwell to undertake the European tour of 1849, so Ruskin visited the
4329:
Beauty of form is revealed in organisms which have developed perfectly according to their laws of growth, and so give, in his own words, 'the appearance of felicitous fulfilment of function.'
3485:
described him as "one of the most remarkable men not only of England and of our generation, but of all countries and times" and quoted extensively from him, rendering his ideas into Russian.
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4776:
Excrescence: Ruskin defined an "excrescence" as an outgrowth of the main body of a building that does not harmonise well with the main body. He originally used the term to describe certain
4339:
Great art is the expression of epochs where people are united by a common faith and a common purpose, accept their laws, believe in their leaders, and take a serious view of human destiny.
1645:. As the Ruskin scholar Helen Gill Viljoen noted, Ruskin was increasingly critical of his father, especially in letters written by Ruskin directly to him, many of them still unpublished.
4565:
wrote, "It has been said that he was frightened on the wedding night by the sight of his wife's pubic hair; more probably, he was perturbed by her menstrual blood." Ruskin's biographers
4233:, which he criticised. Although Ruskin wrote about architecture in many works over the course of his career, his much-anthologised essay "The Nature of Gothic" from the second volume of
11103:
1672:. (For other addresses and letters, Cook and Wedderburn, vol. 16, pp. 427–87.) The year 1859 also marked his last tour of Europe with his ageing parents, during which they visited
10236:
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during May 1851. Providing Millais with artistic patronage and encouragement, in the summer of 1853 the artist (and his brother) travelled to Scotland with Ruskin and Effie where, at
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Town Hall, to which he had been invited because of a local debate about the style of a new Exchange building. "I do not care about this Exchange", Ruskin told his audience, "because
9175:
8808:
3162:
Ruskin embraced the emerging literary forms, the travel guide (and gallery guide), writing new works, and adapting old ones "to give", he said, "what guidance I may to travellers…"
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III (1856) to describe the ascription of human emotions to inanimate objects and impersonal natural forces, as in "Nature must be gladsome when I was so happy" (Charlotte Brontë,
4268:
3690:
9702:, "'The masses are much more sensitive to the perfection of the whole than to any separate details': The Influence of John Ruskin's Political Economy on Pierre de Coubertin", in
2901:
also agreed to give evidence for Whistler, but in the end could not attend as he had to go to Windsor to be knighted. Edward Burne-Jones, representing Ruskin, also asserted that
2420:
social inequalities by abandoning capitalism in favour of a co-operative structure of society based on obedience and benevolent philanthropy, rooted in the agricultural economy.
4614:
liking for young girls, while John Batchelor argues that the term is inappropriate because Ruskin's behaviour does not "fit the profile". Others point to a definite pattern of "
2568:
in December 1865 ("they are for Liberty, and I am for Lordship; they are Mob's men, and I am a King's man"), donating ÂŁ100 to the Fund, and giving a speech at Waterloo Place on
2465:. Ruskin asserted that the components of the greatest artworks are held together, like human communities, in a quasi-organic unity. Competitive struggle is destructive. Uniting
2277:
3810:, cited Ruskin's principles of beautification, asserting that the games should be "Ruskinised" to create an aesthetic identity that transcended mere championship competitions.
3007:'s publication of some of her tales of peasant life.) In reality, the Guild, which still exists today as a charitable education trust, has only ever operated on a small scale.
2730:
below). He lectured on a wide range of subjects at Oxford, his interpretation of "Art" encompassing almost every conceivable area of study, including wood and metal engraving (
694:
These tours gave Ruskin the opportunity to observe and record his impressions of nature. He composed elegant, though mainly conventional poetry, some of which was published in
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523:. His childhood was shaped by the contrasting influences of his father and mother, both of whom were fiercely ambitious for him. John James Ruskin helped to develop his son's
12149:
2934:, in 1871 (although originally it was called St George's Fund, and then St George's Company, before becoming the Guild in 1878). Its aims and objectives were articulated in
15089:
13149:
12005:
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Laws of FĂ©sole: A Familiar Treatise on the Elementary Principles and Practice of Drawing and Painting as Determined by the Tuscan Masters (arranged for the use of schools)
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The greatest artists and schools of art have believed it their duty to impart vital truths, not only about the facts of vision, but about religion and the conduct of life.
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and Alexander Wedderburn. The range and quantity of Ruskin's writing, and its complex, allusive and associative method of expression, cause certain difficulties. In 1898,
2543:
to aid her philanthropic housing scheme. But Ruskin's endeavours extended to the establishment of a shop selling pure tea in any quantity desired at 29 Paddington Street,
4109:. The centre educates adolescents with developmental differences using Ruskin's "land and craft" ideals, transitioning them so they will succeed as adults in an evolving
6998:
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principally on the grounds that it failed to acknowledge complexities of human desires and motivations (broadly, "social affections"). He began to express such ideas in
3106:, a town and a county that he knew from his boyhood travels, whose flora, fauna, and minerals helped to form and reinforce his appreciation and understanding of nature.
1794:… the central work of my life" the break was not so dramatic or final. Following his crisis of faith, and urged to political and economic work by his professed "master"
10366:
4747:. These three powers (the "fors") together represent human talents and abilities to choose the right moment and then to strike with energy. The concept is derived from
4242:
Ruskin's theories indirectly encouraged a revival of Gothic styles, but Ruskin himself was often dissatisfied with the results. He objected that forms of mass-produced
5354:
2425:
appointing such persons or person to guide, to lead, or on occasion even to compel and subdue, their inferiors, according to their own better knowledge and wiser will.
1954:
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published the lines (24 May 1856), "I paints and paints,/hears no complaints/And sells before I'm dry,/Till savage Ruskin/He sticks his tusk in/Then nobody will buy."
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11590:
9826:
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Ruskin's lectures were often so popular that they had to be given twice—once for the students, and again for the public. Most of them were eventually published (see
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death in 1851. Being named an executor to Turner's will was an honour that Ruskin respectfully declined, but later took up. Ruskin's book in celebration of the sea,
916:
in 1836, which had prompted Ruskin to write a long essay. John James had sent the piece to Turner, who did not wish it to be published. It finally appeared in 1903.
870:
10417:
Cook and Wedderburn 12.417–32. Cynthia J. Gamble, "John Ruskin: conflicting responses to Crystal Palace" in Françoise Dassy and Catherine Hajdenko-Marshall (eds.),
3215:(1880) in which, as Seth Reno argues, he describes the devastating effects on the landscape caused by industrialization, a vision Reno sees as a realization of the
15074:
14473:
11640:
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entry for Ruskin, however, states ÂŁ157,000 plus ÂŁ10,000 in pictures (section: "A Mid-Life Crisis"). The National Probate Calendar states simply, 'under ÂŁ200,000.
11248:
10836:
9970:
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and Ruskin had claimed that in 1858 Ruskin burned bundles of erotic paintings and drawings by Turner to protect Turner's posthumous reputation. Ruskin's friend
10595:
7072:
A Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century
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Although critics were slow to react and the reviews were mixed, many notable literary and artistic figures were impressed with the young man's work, including
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14285:
11290:
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Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century
2354:
to demonstrate the communal and sometimes sacrificial nature of true economics. For Ruskin, all economies and societies are ideally founded on a politics of
1744:. He would later claim (in April 1877) that the discovery of this painting, contrasting starkly with a particularly dull sermon that he had listened to at a
890:
For much of the period from late 1840 to autumn 1842, Ruskin was abroad with his parents, mainly in Italy. His studies of Italian art were chiefly guided by
13001:
6399:
4254:, freehand stone carvers chosen to revive the creative "freedom of thought" of Gothic craftsmen, disappointed him by their lack of reverence for the task.
3392:, he also wore his trademark blue neckcloth. From 1878 he cultivated an increasingly long beard, and took on the appearance of an "Old Testament" prophet.
2913:(the smallest coin of the realm) to the artist. Court costs were split between the two parties. Ruskin's were paid by public subscription organised by the
2535:
him the means to engage in personal philanthropy and practical schemes of social amelioration. One of his first actions was to support the housing work of
1842:
underpinning it. He repudiated his sometimes grandiloquent style, writing now in plainer, simpler language, to communicate his message straightforwardly.
439:(1871–1884). In the course of this complex and deeply personal work, he developed the principles underlying his ideal society. As a result, he founded the
375:, which he considered as "the only book of any value on architecture". Ruskin's writing styles and literary forms were equally varied. He wrote essays and
6577:
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to the alienation of the worker not merely from the process of work itself, but from his fellow workmen and other classes, causing increasing resentment.
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1960:
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in 1848. The Pre-Raphaelite commitment to 'naturalism' – "paint from nature only", depicting nature in fine detail, had been influenced by Ruskin.
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9725:
9221:
13072:
2481:
Government and cooperation are in all things and eternally the laws of life. Anarchy and competition, eternally, and in all things, the laws of death.
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12028:
8761:
For an exploration of Ruskin's rejection of dominant artistic trends in his later life, see Clive Wilmer, "Ruskin and the Challenge of Modernity" in
4464:
At the root of his theory, was Ruskin's dissatisfaction with the role and position of the worker, and especially the artisan or craftsman, in modern
1161:. He was struck by the contrast between the Alpine beauty and the poverty of Alpine peasants, stirring his increasingly sensitive social conscience.
12118:
11095:
4163:
observed that in attempting to summarise Ruskin's thought, and by extracting passages from across his work, "the spell of his eloquence is broken".
1810:). He continued to draw and paint in watercolours, and to travel extensively across Europe with servants and friends. In 1868, his tour took him to
13464:
13081:
8687:
5784:(1865) (i.e., "Of Queens' Gardens" and "Of Kings' Treasuries" to which was added, in a later edition of 1871, "The Mystery of Life and Its Arts") (
5047:
3653:
No true disciple of mine will ever be a "Ruskinian"! – he will follow, not me, but the instincts of his own soul, and the guidance of its Creator.
2576:. In addition to this, Ruskin "threw himself into" personal work for the Defence, "enlisting recruits, persuading waverers, combating objections."
1403:
for her medical care). Other artists influenced by the Pre-Raphaelites also received both critical and financial assistance from Ruskin, including
9193:
8521:
6607:
4276:
2346:
failed to consider the social affections that bind communities together. He articulated an extended metaphor of household and family, drawing on
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5887:(1871–84) ("Works" 27–29) (originally collected in 8 vols., vols. 1–7 covering annually 1871–1877, and vol. 8, Letters 85–96, covering 1878–84)
1415:, who became a good friend (he called him "Brother Ned"). His father's disapproval of such friends was a further cause of tension between them.
15084:
14633:
12755:
12629:
10266:
3766:, an educational establishment in Oxford originally intended for working men, was named after him by its American founders, Walter Vrooman and
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represented him. The trial took place on 25 and 26 November, and many major figures of the art world at the time appeared at the trial. Artist
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In 1879, Ruskin resigned from Oxford, but resumed his Professorship in 1883, only to resign again in 1884. He gave his reason as opposition to
2263:
1874:
12324:
6124:
4522:, was said to have colluded in the alleged destruction of Turner's works. In 2005, these works, which form part of the Turner Bequest held at
1225:(1851–53). Developing from a technical history of Venetian architecture from the Byzantine to the Renaissance, into a broad cultural history,
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7601:
10228:
7736:
7725:
4151:
Ruskin wrote over 250 works, initially art criticism and history, but expanding to cover topics ranging over science, geology, ornithology,
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Ruskin was the only child of first cousins. His father, John James Ruskin (1785–1864), was a sherry and wine importer, founding partner and
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14215:
7926:
7895:
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4761:: Used by Ruskin as the antithesis of wealth, which he defined as life itself; broadly, where wealth is 'well-being', illth is "ill-being".
14974:
10914:
9626:
and see specifically, Robert Hewison, "'You are doing some of the work that I ought to do': Octavia Hill and Ruskinian values", pp. 57–66.
3834:. Ruskin was discussed in university extension classes, and in reading circles and societies formed in his name. He helped to inspire the
15099:
15044:
14729:
14466:
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Proceedings of the 23rd Annual ARCOM Conference, 3-5 September 2007, Belfast, U.K., Association of Researchers in Construction Management
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11138:
10959:
4623:
4247:
3998:—is named after John Ruskin. There is a mural of Ruskin titled "Head, Heart and Hands" on a building across from the Ruskin Post Office.
2383:, was forced to abandon the series by the outcry of the magazine's largely conservative readership and the fears of a nervous publisher (
1998:
1512:
1496:
12784:
12780:
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6281:) ed. Na Ding, foreword by Tim Kavi, brief literary bio by Kelli M. Webert (TiLu Press, 2013 electronic book version, paper forthcoming)
1341:(1849–50), a painting that was considered blasphemous at the time, but Ruskin wrote letters defending the Pre-Raphaelite Brotherhood to
706:(1830), a copy of which was given to him as a 13th birthday present; in particular, he deeply admired the accompanying illustrations by
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12437:
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Bell, Kenneth J. (1992). "Go Figure: Some Reflections on John Ruskin, Bid Evaluation, and the Accidental Triumph of Good Engineering".
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6629:
6008:
Proserpina: Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps, and in the Scotland and England Which My Father Knew
5717:
The Elements of Perspective, Arranged for the Use of Schools and Intended to be Read in Connection with the First Three Books of Euclid
2753:
Most controversial, from the point of view of the University authorities, spectators and the national press, was the digging scheme on
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8262:(Sutton Publishing, 1999) p. 62 as does James S. Dearden (who adds that property, including paintings, was valued at ÂŁ3000), in idem,
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587:. He had few friends of his own age, but it was not the friendless and joyless experience he later said it was in his autobiography,
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books, technical publications, scholarly journals, and business catalogues often included the statement with attribution to Ruskin.
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called Ruskin an inspiration and invoked his ideas in justification of their own social interventions; likewise the founders of the
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12141:
11196:
10106:
1097:
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Barringer, T. J.; Contractor, Tara; Hepburn, Victoria; Stapleton, Judith; Long, Courtney Skipton; Levy Haskell, Gavriella (2019).
11906:
9424:
Alexander MacEwen, who attended Ruskin's lectures at Oxford, reported that the papers described him thus. See David Smith Cairns,
5259:
950:'s critics. Ruskin controversially argued that modern landscape painters—and in particular Turner—were superior to the so-called "
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A Joy Forever' and Its Price in the Market: being the substance (with additions) of two lectures on The Political Economy of Art
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11995:
7752:
For the address itself, see Cook and Wedderburn 16.177–206, and for the wider context: Clive Wilmer, "Ruskin and Cambridge" in
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6764:
3681:. Ruskin's ideas on the preservation of open spaces and the conservation of historic buildings and places inspired his friends
3199:
In the 1880s, Ruskin returned to some literature and themes that had been among his favourites since childhood. He wrote about
1849:
1085:
difficult to accept. In the summer, Ruskin was abroad again with his father, who still hoped his son might become a poet, even
11509:"Chloroform and Halothane in a Precision System: Comparison of Some Cardiovascular, Respiratory and Metabolic Effects in Dogs"
7734:
Ruskin in Milan, 1862": A Chapter from Dark Star, Helen Gill Viljoen's Unpublished Biography of John Ruskin by James L. Spates
7020:
6990:
4396:. Ruskins radical position on restoration was nuanced at the end of his life as he wrote in his last book Preateria in which "
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on art and architecture). The best workmen could not, in a fixed-wage economy, be undercut by an inferior worker or product.
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2778:
10811:
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Plantation of Renown: The Story of the La Touche Family of Harristown and the Baptist Church at Brannockstown in Co. Kildare
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6509:
2505:
Ruskin's next work on political economy, redefining some of the basic terms of the discipline, also ended prematurely, when
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7574:"Be Like Daisies": John Ruskin and the Cultivation of Beauty at Whitelands College (Guild of St George Ruskin Lecture 1992)
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3027:
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promoted the virtues of a secular and Protestant form of Gothic. It was a challenge to the Catholic influence of architect
9818:
2877:, and accused Whistler of asking two hundred guineas for "flinging a pot of paint in the public's face". Whistler filed a
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14754:
14628:
10030:
9674:
4967:
4801:
1884:
11896:"illth, n." OED Online, Oxford University Press, December 2021, www.oed.com/view/Entry/91518. Accessed 17 February 2022.
4392:, who promoted the view that "if no conservation had been done a building it should be restored". In fact Ruskin never
1034:, which Ruskin considered the exemplar of Christian sculpture (he later associated it with the then object of his love,
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12406:
11709:
The Complexity Crisis: Why Too Many Products, Markets, and Customers Are Crippling Your Company and What to Do About It
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10155:
7835:
Alan Davis, "Misinterpreting Ruskin: New light on the 'dark clue' in the basement of the National Gallery, 1857–58" in
7474:
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4893:
4855:
3133:
Ruskin continued to travel, studying the landscapes, buildings and art of Europe. In May 1870 and June 1872 he admired
1337:
747:
were published. They show early signs of his skill as a close "scientific" observer of nature, especially its geology.
11629:
7813:
For the catalogues, Cook and Wedderburn 19.187–230 and 351–538. For letters, see 13.329-50 and further notes, 539–646.
6835:
James S. Dearden, "The King of the Golden River: A Bio-Bibliographival Study" in Robert E. Rhodes and Del Ivan Janik,
5960:
Val d'Arno: Ten Lectures on the Tuscan Art, directly antecedent to the Florentine Year of Victories, given before the
3400:
The following description of Ruskin as a lecturer was written by an eyewitness, who was a student at the time (1884):
3092:. Maria La Touche, a minor Irish poet and novelist, asked Ruskin to teach her daughters drawing and painting in 1858.
15004:
14999:
12984:
12038:
11751:
11717:
11600:
11396:
10953:
10833:
10805:
10568:
10440:
9962:
9887:
9801:
7055:
4874:
3284:
1164:
The marriage was unhappy, with Ruskin reportedly being cruel to Effie and distrustful of her. The marriage was never
11446:
11068:
10859:
9504:
Masami Kimura, "Japanese Interest in Ruskin: Some Historical Trends" in Robert E. Rhodes and Del Ivan Janik (eds.),
3800:. The Museum has promoted Ruskin's art teaching, utilising the collection for in-person and online drawing courses.
3572:
Theorists and practitioners in a broad range of disciplines acknowledged their debt to Ruskin. Architects including
2839:
now, but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
840:, whom he later married: the twelve-year-old Effie had asked him to write a fairy story. During a six-week break at
15104:
15054:
12654:
12179:
11221:
11018:
10131:
9547:
8269:
7549:
The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Hall,
4054:
3089:
2601:
1648:
Ruskin gave the inaugural address at the Cambridge School of Art in 1858, an institution from which the modern-day
1426:(1855–1859, 1875). They were highly influential, capable of making or breaking reputations. The satirical magazine
433:. In 1871, he began his monthly "letters to the workmen and labourers of Great Britain", published under the title
12856:
6172:
The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Hall
4626:
was 12 for females until 1875 and then raised to 16 in 1885, having been 13 in Great Britain between those dates.
4428:), but he gave them full expression in the influential and at the time of publication, very controversial essays,
4385:
of approval or condemnation, which we feel in walls that have long been washed by the passing waves of humanity."
14116:
13809:
13275:
13042:
9341:
8591:
6051:
5570:
4352:
4002:
1182:
844:
to undergo Dr Jephson's (1798–1878) celebrated salt-water cure, Ruskin wrote his only work of fiction, the fable
691:
for the first time, that 'Paradise of cities' that provided the subject and symbolism of much of his later work.
411:
in which he argued that the principal role of the artist is "truth to nature". From the 1850s, he championed the
144:
12898:, sixth edition (1905).) – Note that the title was slightly changed for the 1900 2nd edition and later editions.
5804:(1866) (to a later edition was added a fourth lecture (delivered 1869), called "The Future of England") (1866) (
4526:, were re-appraised by Turner Curator Ian Warrell, who concluded that Ruskin and Wornum had not destroyed them.
4369:, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture.
4001:
Since 2000, scholarly research has focused on aspects of Ruskin's legacy, including his impact on the sciences;
3750:, and opened it as a permanent Ruskin memorial. Inspired by Ruskin's educational ideals, Whitehouse established
2897:
appeared for Ruskin. Frith said "the nocturne in black in gold is not in my opinion worth two hundred guineas".
618:, where Dale was the first Professor of English Literature. Ruskin went on to enrol and complete his studies at
15039:
14663:
13335:
12708:
10777:, p. 553, "absolutely under her orders I have asked Tenny Watson to marry me and come abroad with her father."
9645:
8746:
8486:
6569:
5217:
5004:
4958:
4639:
4239:(1853) is widely considered to be one of his most important and evocative discussions of his central argument.
2342:
as dehumanising (separating the labourer from the product of his work), and argued that the false "science" of
1909:
1636:
1331:
Ruskin became acquainted with Millais after the artists made an approach to Ruskin through their mutual friend
12213:
11830:
9703:
9009:
2905:
was not a serious work of art. When asked to give reasons, Burne-Jones said he had never seen one painting of
2819:, he began his series of 96 (monthly) "letters to the workmen and labourers of Great Britain" under the title
15069:
15049:
14482:
13794:
13719:
13136:
11743:
Consumer Republic: Using Brands to Get What You Want, Make Corporations Behave, and Maybe Even Save the World
11477:
5275:
4751:'s phrase "There is a tide in the affairs of men/ Which, taken at the flood, leads on to fortune" (Brutus in
4409:
4272:
4021:
argues that Ruskin's notions of craft can be felt today in online communities such as YouTube and throughout
3018:, producing cloth goods. The Guild also encouraged independent but allied efforts in spinning and weaving at
2363:
1857:
1769:
Whenever I look or travel in England or abroad, I see that men, wherever they can reach, destroy all beauty.
1641:
947:
875:
357:
242:
9722:
6761:"Christ Church, Oxford by John Ruskin :: ArtMagick Illustrated Poetry Collection :: Artmagick.com"
5707:
The Two Paths: being Lectures on Art, and Its Application to Decoration and Manufacture, Delivered in 1858–9
2547:(giving employment to two former Ruskin family servants) and crossing-sweepings to keep the area around the
1491:. Such buildings created what has been called a distinctive "Ruskinian Gothic". Through his friendship with
15024:
14418:
14345:
13259:
12849:
7101:
Young Mrs. Ruskin in Venice: Unpublished Letters of Mrs. John Ruskin written from Venice, between 1849–1852
6178:
The Ruskin Family Letters: The Correspondence of John James Ruskin, his wife, and their son John, 1801–1843
5477:
4360:
Neither by the public, nor by those who have the care of public monuments, is the true meaning of the word
4070:
2707:
cherished a long-hand copy of the lecture, believing that it supported his own view of the British Empire.
1983:
1120:
846:
380:
13109:
13097:
11421:
9935:
9909:
9302:
4246:
Gothic did not exemplify his principles, but showed disregard for the true meaning of the style. Even the
15059:
15009:
14739:
13283:
13007:
12104:
7394:, private publication August 2002 & April 2006, for viewing Fareham Library reference Section or the
7143:
6472:
5582:
4235:
4200:
3902:
In 2019, Ruskin200 was inaugurated as a year-long celebration marking the bicentenary of Ruskin's birth.
3879:
2999:), but the schools themselves were never established. (In the 1880s, in a venture loosely related to the
2782:
2687:
2380:
1968:
1230:
revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness.
1220:
851:
422:
152:
13204:
13174:
8676:
7710:
Most of Viljoen's work remains unpublished, but has been explored by Van Akin Burd and James L. Spates.
6954:
5812:
Time and Tide, by Weare and Tyne: Twenty-five Letters to a Working Man of Sunderland on the Laws of Work
4780:
features also for later additions to cathedrals and various other public buildings, especially from the
3677:(of the Guild of Handicraft) were keen disciples, and through them Ruskin's legacy can be traced in the
2746:
in a lecture in June 1871 it was seen as an attack on the large collection of that artist's work in the
15034:
14984:
13944:
13774:
13429:
13351:
13125:
13077:
12788:
11279:
10683:
8510:
8462:
6599:
5392:
5376:
5139:
5054:
5035:
3432:
1325:
600:
520:
412:
12980:
11457:. Berkeley, Ca.: University of California, College of Agriculture, Agricultural Experiment Station: 43
8438:
4755:). Ruskin believed that the letters were inspired by the Third Fors: striking out at the right moment.
3628:, knew Ruskin's work well. Admirers ranged from the British-born American watercolourist and engraver
3010:
Ruskin also wished to see traditional rural handicrafts revived. St. George's Mill was established at
2800:, but he had increasingly been in conflict with the University authorities, who refused to expand his
1580:, which he visited regularly, and was similarly generous to other educational institutions for women.
14582:
13651:
13228:
12838:
10797:
8154:
4973:
4946:
3953:
3823:
3731:'s community in Millthorpe, Derbyshire was partly inspired by Ruskin, and John Kenworthy's colony at
3529:
3525:
2678:
2528:
2023:
1533:
1529:
1219:
Meanwhile, Ruskin was making the extensive sketches and notes that he used for his three-volume work
891:
17:
13929:
9031:
7919:"The Aesthetic and Critical Beliefs of John Ruskin. Chapter Four, Section III. The Return to Belief"
4209:
architecture involved the whole community, and expressed the full range of human emotions, from the
3792:
Ruskin's Drawing Collection, a collection of 1470 works of art he gathered as learning aids for the
2881:
suit against Ruskin, but Ruskin was ill when the case went to trial in November 1878, so the artist
491:
The grave of John James Ruskin, father of John Ruskin, in the churchyard of St John the Evangelist,
14719:
14305:
14089:
13490:
13393:
13199:
13010:
in the Baldwin Library of Historical Children's Literature Digital Collection. Retrieved 2010-10-19
12316:
10081:
Making Is Connecting: The social meaning of creativity from DIY and knitting to YouTube and Web 2.0
5008:(1967), Ken Russell's biopic for television of Rossetti, in which Ruskin is played by Clive Goodwin
4810:
4601:
4264:
3985:
3961:
3778:
3774:
3678:
3517:
3420:
3332:
was the eloquent final chapter of Ruskin's memoir, which he dedicated to her as a fitting tribute.
2826:
2801:
2627:"For all books are divisible into two classes: the books of the hour, and the books of all time" –
2073:
2013:
1649:
1620:
1541:
1521:
1273:
1269:
1213:
619:
615:
480:. She had joined the Ruskin household when she became companion to John James's mother, Catherine.
430:
117:
13844:
11883:
For a full and concise introduction to the work, see Dinah Birch, "Introduction", in John Ruskin,
7711:
7605:
5383:
4389:
638:
10 Rose Terrace, Perth (on the right), where Ruskin spent boyhood holidays with Scottish relatives
415:, who were influenced by his ideas. His work increasingly focused on social and political issues.
364:
15064:
14785:
14744:
14365:
14315:
13739:
7733:
7722:
6334:
5303:
4834:
4815:
4571:
4110:
3640:, Ruskin's editor and biographer, other leading British journalists influenced by Ruskin include
3110:
2589:
2238:
1978:
1136:
meant that the newlyweds' earliest travels together were restricted, but they were able to visit
976:
912:
718:(1833) he also admired. His artistic skills were refined under the tutelage of Charles Runciman,
276:
225:
13869:
11340:
10904:
See James L. Spates, "Ruskin's Sexuality: Correcting Decades of Misperception and Mislabelling"
10857:
Pigwiggina is a nickname Ruskin used for the girl as she looked after (lambs and) piglets; c.f.
7918:
7887:
7399:
4534:
Ruskin's sexuality has been the subject of a great deal of speculation. He was married once, to
15014:
14295:
14245:
14002:
13704:
13570:
13327:
13194:
12238:
10906:
10539:
10258:
6288:
5936:
Ariadne Florentina': Six Lectures on Wood and Metal Engraving, with Appendix, Given before the
4515:
4222:
4188:
4141:
Middle: Ruskin in middle-age, as Slade Professor of Art at Oxford (1869–1879). From 1879 book.
3843:
3743:
3706:
3366:
Brantwood was opened in 1934 as a memorial to Ruskin and remains open to the public today. The
3360:
2864:
1899:
1669:
1517:
1392:
1356:
1321:
1293:
1039:
723:
250:
13200:
Finding aid to John Ruskin letters at Columbia University. Rare Book & Manuscript Library.
12070:
11741:
11707:
11161:
11126:
10943:
10694:. Vol. 35. London: George Allen; New York: Longmans, Green, and Co. pp. lxvi–lxvii.
8799:
For the Guild's original constitution and articles of association: Cook and Wedderburn 30.3–12
14879:
14795:
14521:
14423:
13997:
13972:
13950:
13859:
13684:
13657:
13631:
13565:
13156:
12518:
11780:
10587:
7888:"The Aesthetic and Critical Beliefs of John Ruskin. Chapter Four, Section II. Loss of Belief"
7395:
5083:
4474:
4226:
4106:
3759:
2910:
2384:
2293:
helpful influence, both personal, and by means of his possessions, over the lives of others.
2248:
2188:
1665:
1408:
943:
929:
and Turner. Both painters were among occasional guests of the Ruskins at Herne Hill, and 163
807:
783:
596:
592:
112:
31:
13038:
12455:
10985:
10567:
9790:
8213:
6637:
5792:
The Ethics of the Dust: Ten Lectures to Little Housewives on the Elements of Crystallisation
4799:
Ruskin was the inspiration for either the Drawling Master or the Gryphon in Lewis Carroll's
4615:
4398:
he regretted that no one in England had done the work that Viollet le Duc had done in France
817:
His most noteworthy success came in 1839 when, at the third attempt, he won the prestigious
14979:
14944:
14939:
14934:
14805:
14699:
14385:
14265:
14255:
14163:
14136:
14039:
13560:
13454:
13221:
13085:
12862:
8895:
6111:
6083:
6020:(i.e., 'Shepherd's Library', consisting ofmultiple volumes) (ed. John Ruskin) (1876–1888) (
5975:
5961:
5937:
5919:
5875:
5855:
5833:
5750:
4651:
4251:
3910:
3819:
3714:
3340:
3223:(1884), describing the apparent effects of industrialisation on weather patterns. Ruskin's
3066:
2894:
2559:
2512:
2507:
2400:
in particular, later proved highly influential. The essays were praised and paraphrased in
1573:
1525:
1364:
1313:
1302:
1031:
779:
740:
623:
611:
426:
14567:
13819:
12538:
12384:
10552:
Also see Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica",
7421:, ed. John Dixon Hunt and Faith M. Holland (Manchester University Press, 1982), pp. 65–93.
7360:
5289:
3125:, both for himself and his loved ones, helped to revive his Christian faith in the 1870s.
2815:
In January 1871, the month before Ruskin started to lecture the wealthy undergraduates at
2375:
between August and November 1860 (and published in a single volume in 1862). However, the
836:
Before he returned to Oxford, Ruskin responded to a challenge that had been put to him by
8:
14775:
14770:
14638:
14602:
14577:
14428:
14395:
14370:
14205:
14158:
14153:
13967:
13924:
13914:
13864:
13749:
13601:
13555:
13550:
13545:
13540:
13483:
13367:
13359:
12354:
8870:'Treasuring things of the least': Mary Hope Greg, John Ruskin and Westmill, Hertfordshire
8345:
7647:
Francis O'Gorman, "Ruskin's Mountain Gloom", in Rachel Dickinson and Keith Hanley (eds),
7113:
6312:
6302:
5399:
5231:
5130:
5090:
4781:
4634:
Ruskin was not a fan of buying low and selling high. In the "Veins of Wealth" section of
4257:
Ruskin's distaste for oppressive standardisation led to later works in which he attacked
3957:
3835:
3803:
3537:
3428:
3103:
3004:
2890:
2786:
2593:
2563:
2183:
2178:
2138:
1879:
1827:
1488:
1404:
1388:
1317:
1265:
1141:
1133:
1071:
13884:
13166:
12988:
12972:
11907:"The Fortnightly Review › Ruskin and the distinction between Aesthesis and Theoria"
10110:
7712:
An Introduction to Helen Gill Viljoen's Unpublished Biography of Ruskin by Van Akin Burd
6137:
Dilecta: Correspondence, Diary Notes, and Extracts from Books, Illustrating 'Praeterita'
3324:
on 20 January 1900 at the age of 80. He was buried five days later in the churchyard at
983:
547:
Christian, more cautious and restrained than her husband, taught young John to read the
14915:
14749:
14390:
14380:
14350:
14325:
14111:
14049:
13909:
13839:
13709:
13616:
13535:
13520:
13409:
12770:
12749:
12688:
12678:
12664:
12641:
12623:
12276:
11914:
11688:
10574:
9226:
9198:
8332:
8082:
8035:
7192:
6236:
6097:
5073:
4744:
4479:
4230:
4152:
3930:
3875:
3786:
3686:
3581:
3379:
3367:
3256:
3208:
2931:
2882:
2754:
2699:
2339:
2203:
2198:
2008:
1993:
1696:, revolving around Turner's drawings, was published in 1856. In January 1857, Ruskin's
1577:
1569:
1557:
1473:
1448:
1412:
1257:
826:
822:
787:
663:. Their continental tours became increasingly ambitious in scope: in 1833 they visited
440:
336:(8 February 1819 – 20 January 1900) was an English writer, philosopher, art historian,
235:
14562:
10140:
The Economic Symposium. John Ruskin and the Modern World: Art and Economics, 1860–2010
8625:
Stuart Eagles, "Ruskin the Worker: Hinksey and the Origins of Ruskin Hall, Oxford" in
8471:
The History of the University of Oxford: Volume VII: Nineteenth-Century Oxford, Part 2
7966:
4591:
he asked her to draw her "girlies" (as he called her child figures) without clothing:
2093:
14440:
14400:
14275:
14168:
14142:
13784:
13744:
13679:
13636:
13611:
13530:
13525:
13375:
13033:
12885:
12806:
12737:
12727:
12712:
12611:
12601:
12447:
12280:
12034:
11747:
11713:
11639:. Edinburgh, UK: Association of Researchers in Construction Management. p. 578.
11596:
11571:
11530:
10949:
10801:
10747:
10695:
10579:
10436:
10135:
9797:
9641:
9551:
9522:
8742:
8492:
8482:
8101:
John Ruskin or The Ambiguities of Abundance: A Study in Social and Economic Criticism
8074:
8027:
7996:
On the importance of words and language: Cook and Wedderburn 18.65, 18.64, and 20.75.
7822:
Ian Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica",
7051:
6340:
6328:
6268:
5734:
5338:
5170:
5150:
4954:
4912:
4889:
4870:
4851:
4413:
4263:
capitalism, which he thought was at its root. His ideas provided inspiration for the
4144:
4042:
4031:
3922:
3863:
3847:
3831:
3629:
3625:
3533:
3336:
3325:
3289:
3134:
2898:
2868:
2816:
2774:
2691:
2651:
2569:
2413:
2401:
2371:
2343:
2243:
2043:
1839:
1699:
1500:
1461:
987:
281:
97:
14612:
12255:
Johnson, Chloe (2010). "Presenting the Pre-Raphaelites: From Radio Reminiscences to
11692:
9541:
9085:
Cook and Wedderburn 23.293. For further study, see Keith Hanley and John K. Walton,
8655:, vol. 35, no. 1 (Spring 2008) (Guest Editor, Sharon Aronofsky Weltman), pp. 200–22.
6881:
4844:
3077:
3042:, it opened in 1875, and was curated by Henry and Emily Swan. Ruskin had written in
2785:. It helped to foster a public service ethic that was later given expression in the
2153:
865:
14845:
14810:
14790:
14607:
14587:
14537:
14496:
13904:
13854:
13799:
13714:
13699:
13646:
13424:
13052:
12901:
12268:
12066:
11678:
11561:
11520:
11259:(17). Manhattan, Kansas: Kansas State College of Agriculture and Applied Science: 4
11049:
10687:
10569:"A Censorship Story Goes Up in Smoke – No Bonfire Devoured J.M.W. Turner's Erotica"
8466:
8066:
8019:
7649:
Ruskin's Struggle for Coherence: Self-Representation through Art, Place and Society
7264:
The Order of Release, the story of John Ruskin, Effie Gray and John Everett Millais
7024:
6404:
6322:
6307:
4940:
4698:
4519:
4291:
4156:
4078:
4066:
4017:); the other focuses on Ruskin and the theatre. The sociologist and media theorist
4010:
3945:
3851:
3797:
3782:
3767:
3751:
3728:
3593:
3122:
2917:, but Whistler was bankrupt within six months, and was forced to sell his house on
2914:
2830:
2747:
2719:
2668:
2555:
2369:
The essays were originally published in consecutive monthly instalments of the new
2313:
2103:
2098:
2053:
1934:
1889:
1741:
1705:
1547:
From 1859 until 1868, Ruskin was involved with the progressive school for girls at
1428:
1396:
1332:
972:
803:
540:
516:
386:
Ruskin was hugely influential in the latter half of the 19th century and up to the
299:
12890:
9613:
9064:. Revised and enlarged edition, 1982; "Ruskin's "Wild Rose of Kildare", pp. 29–41.
8918:
8099:
For the sources of Ruskin's social and political analysis: James Clark Sherburne,
7588:
Breaking New Ground: A History of Somerville College as seen through its Buildings
7400:
The stained glass window of the Church of St. Francis. Funtley, Fareham, Hampshire
6416:
5974:
The Aesthetic and Mathematic School of Art in Florence: Lectures Given before the
5428:. The volume in which the following works can be found is indicated in the form: (
5317:
1668:, Ruskin argued that a 'vital law' underpins art and architecture, drawing on the
683:, places to which Ruskin frequently returned. He developed a lifelong love of the
14597:
14572:
14236:
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
13789:
13729:
13606:
13444:
13343:
13267:
13207:. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
13143:
13116:
13104:
13024:
12816:
12000:
10939:
10840:
10791:
10741:
10549:
10077:
9757:
After Ruskin: The social and political legacies of a Victorian prophet, 1870–1920
9729:
9713:
9623:
9277:
After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920
9181:
8814:
8691:
8614:
After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920
8478:
8184:
After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920
7740:
7729:
7718:
7406:
6547:
6517:
5915:
5859:
5765:
5489:
5366:
5155:
5012:
4881:
4619:
4511:
4250:, a building designed with Ruskin's collaboration, met with his disapproval. The
4182:
4177:
4098:
4089:
4046:
4018:
3995:
3991:
3934:
3718:
3549:
3513:
3509:
3058:
3044:
2976:
2673:
2489:
2467:
2462:
2445:
2405:
2223:
1924:
1819:
1777:
1689:
1596:
1548:
1457:
1436:
1418:
During this period Ruskin wrote regular reviews of the annual exhibitions at the
1209:
1157:
1129:
1124:. The couple were engaged in October. They married on 10 April 1848 at her home,
1102:
1082:
938:
921:
818:
771:
719:
707:
652:
509:
504:
492:
408:
403:
387:
136:
14451:
13020:
8301:
7444:
4933:(1999), Ruskin and the Hinksey diggings form the backdrop to Ann Harries' novel.
4877:, is about two cousins who pursue their interest in Ruskin to his Coniston home.
3512:
attempted to put his political ideals into practice. These communities included
3048:
III (1856) that, "the greatest thing a human soul ever does in this world is to
2443:
Ruskin's explorations of nature and aesthetics in the fifth and final volume of
1564:
festival that endures today. (It was also replicated in the 19th century at the
946:
under the anonymous authority of "A Graduate of Oxford", was Ruskin's answer to
591:(1885–89). He was educated at home by his parents and private tutors, including
14689:
14648:
14557:
14547:
14506:
14375:
14355:
14225:
13982:
13934:
13894:
13829:
13779:
13759:
13694:
13439:
13434:
13299:
13291:
12950:
12868:
12762:
12704:
Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud
12113:
10591:
10455:
Kenneth Clark, "A Note on Ruskin's Writings on Art and Architecture", in idem,
10405:
10287:
10169:
9678:
9438:
8827:
The Lost Companions and John Ruskin's Guild of St George, a revisionary history
6671:
6408:
6394:
5882:
5727:
5187:
5179:
5163:
5072:
about Ruskin's attempt to revive Gothic architecture and his connection to the
5021:
5017:
4777:
4712:
4694:
credits Ruskin with the first quotation in 152 separate entries. Some include:
4670:
4647:
4588:
4579:
4307:
4160:
4026:
3973:
3940:
3906:
3855:
3763:
3710:
3702:
3670:
3645:
3613:
3597:
3585:
3577:
3495:
3490:
3468:
3463:
3424:
3305:
3273:
3265:
3151:
3146:
3093:
2936:
2859:
2847:
2821:
2790:
2548:
2495:
2473:
2454:
2433:
2409:
2396:
2359:
2355:
2334:
2329:
2301:
2218:
2148:
2143:
2063:
2018:
1894:
1835:
1795:
1790:
1749:
1736:
1730:
1298:
1277:
1191:
1177:
1035:
1015:
963:
959:
850:(not published until December 1850 (but imprinted 1851), with illustrations by
841:
799:
435:
417:
391:
368:
168:
160:
14862:
13311:
13029:
12741:
12615:
12512:
12272:
11857:
s III (see Part VI, "Of Many Things", c. XII, "Of the Paethetic Fallacy") see
11053:
10699:
10022:
9699:
6798:
For his winning poem, "Salsette and Elephanata", Cook and Wedderburn 2.90–100.
1264:
in general. This chapter had a profound effect, and was reprinted both by the
543:, in 1838, but Ruskin was disappointed by its appearance. Margaret Ruskin, an
14928:
14780:
14643:
14516:
14405:
14195:
14054:
13977:
13919:
13834:
13814:
13674:
13626:
13449:
12451:
11566:
11549:
10583:
9777:. Madison and Teaneck, NJ: Fairleigh Dickinson University Press. p. 223.
9446:
8738:
8496:
8078:
8031:
6316:
5988:
Mornings in Florence: Simple Studies of Christian Art, for English Travellers
5191:
5175:
5143:
5123:
5113:
4962:
4904:
4829:
4494:
4303:
4259:
4038:
3926:
3918:
3887:
3859:
3807:
3755:
3722:
3641:
3521:
3486:
3309:
3260:
3098:
3023:
2770:
2758:
2647:
2608:, on the relation between taste and morality, was delivered in April 1864 at
2325:
2317:
2233:
2228:
2113:
2048:
1914:
1465:
1419:
1369:
1086:
967:
903:
895:
795:
791:
775:
699:
644:
473:
461:
345:
324:
14552:
13596:
13121:
12414:
9526:
9519:
Catalogue of the Ryuzo Mikimoto Collection : Ruskin Library, Tokyo 2004
8331:
Dearden, James S.(2018)."Why are there so few 'Wars'? A John Ruskin Rarity."
7654:
7478:
2123:
1788:
Although in 1877 Ruskin said that in 1860, "I gave up my art work and wrote
421:(1860, 1862) marked the shift in emphasis. In 1869, Ruskin became the first
14668:
14658:
14009:
13874:
13754:
13734:
13586:
13419:
12919:
12486:
12477:
11683:
11666:
11575:
11534:
11525:
11508:
10787:
10303:
10202:
7221:
6807:
6346:
5109:
5101:
5059:
5043:
5039:
4766:
4562:
4557:
4523:
4164:
4094:
4083:
4006:
3977:
3871:
3839:
3827:
3682:
3674:
3617:
3573:
3297:
3216:
3200:
2743:
2723:
methodology of the government art schools (the "South Kensington System").
2704:
2695:
2585:
2536:
2208:
2128:
1830:). Yet increasingly Ruskin concentrated his energies on fiercely attacking
1753:
1492:
1400:
1348:
1306:
1165:
1055:
930:
926:
811:
711:
710:. Much of Ruskin's own art in the 1830s was in imitation of Turner, and of
668:
584:
536:
12803:
Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art
12295:
10083:(Polity, 2011), pp. 25–36, 217–19; specifically on YouTube, see pp. 85–87.
9879:
8178:
For the influence of Ruskin's social and political thought: Gill Cockram,
6127:: Outlines of Scenes and Thoughts Perhaps Worthy of Memory in My Past Life
4394:
criticised Viollet le Duc's restoration work, just the idea of restoration
4210:
3616:
was an enthusiastic Ruskin reader. Art historians and critics, among them
2698:. He delivered his inaugural lecture on his 51st birthday in 1870, at the
925:, John James Ruskin had begun collecting watercolours, including works by
14704:
14592:
14178:
14131:
13987:
13939:
13849:
13641:
9250:
John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters
6864:
6196:
John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters
6096:
The Storm-Cloud of the Nineteenth Century: Two Lectures Delivered at the
5837:
5174:(2014), a biopic about the Ruskin-Gray-Millais love triangle, written by
5094:(1995), a play written by Gregory Murphy, dealing with Ruskin's marriage.
5069:
4997:
4900:
A novel in which Ruskin makes his last visit to Amiens cathedral in 1879.
4748:
4014:
3981:
3605:
3601:
3589:
3482:
3015:
2984:
2952:
2918:
2886:
2797:
2766:
2408:, a wide range of autodidacts cited their positive impact, the economist
2133:
2118:
1973:
1919:
1722:
1677:
1565:
1481:
1155:
with his parents, gathering material for the third and fourth volumes of
1118:, the daughter of family friends. It was for her that Ruskin had written
1002:
Ruskin toured the continent with his parents again during 1844, visiting
955:
951:
907:
544:
532:
524:
476:. His wife, Margaret Cock (1781–1871), was the daughter of a publican in
349:
12175:
11426:(6th ed.). Chicago, Illinois: Mahogany Association, Inc. p. 47
9290:
Ruskin, Bembridge and Brantwood: the Growth of the Whitehouse Collection
8124:
Cook and Wedderburn 4.122n. For the press reaction: J. L. Bradley (ed.)
7672:
Alan Davis, "Ruskin's Dialectic: Mountain Gloom and Mountain Glory", in
6215:
Unto this Last: Four essays on the First Principles of Political Economy
5668:(Annual Reviews of the June Royal Academy Exhibitions) (1855–59, 1875) (
4388:
It has been thought that he was a strong proponent of his contemporary,
4191:
because he considered it to epitomise a reductive mechanisation of art.
3758:, and ran it along Ruskinian lines. Educationists from William Jolly to
806:. Among his fellow undergraduates, Ruskin's most important friends were
14709:
14673:
14542:
14148:
14126:
14019:
13804:
13764:
13724:
13591:
13506:
13403:
11280:"Advertising in the Barter Basement: Is Pitch More Potent than Payoff?"
10793:
Don't Tell the Grown-Ups: The Subversive Power of Children's Literature
8086:
8054:
8039:
8007:
6693:
6186:
ed. John Lewis Bradley and Ian Ousby (Cambridge University Press, 1987)
6156:
eds. Joan Evans and John Howard Whitehouse (Clarendon Press, 1956–1959)
5478:
The King of the Golden River, or the Black Brothers. A Legend of Stiria
5159:
5025:
4566:
4535:
4469:
4465:
4282:
4195:
4050:
3965:
3952:
Many streets, buildings, organisations and institutions bear his name:
3637:
3609:
3389:
3344:
3248:
3236:
3204:
3118:
2643:
2597:
2544:
2540:
2321:
2158:
2108:
1988:
1929:
1831:
1745:
1721:
In 1858, Ruskin was again travelling in Europe. The tour took him from
1657:
1261:
1125:
1115:
1067:
837:
664:
580:
569:
337:
268:
191:
30:
This article is about the art critic. For the painting by Millais, see
14896:
11887:, ed. Dinah Birch (Edinburgh University Press, 2000), pp. xxxiii–xlix.
9723:
Olympic Perspectives. 3rd International Symposium for Olympic Research
9092:
8587:
8380:
8240:
8228:
7723:
Editor's Introductory Comments on Viljoen's Chapter by James L. Spates
7196:
6817:
5998:
Deucalion: Collected Studies of the Lapse of Waves, and Life of Stones
5200:(2014), is a biographical novel about John Ruskin by Octavia Randolph.
4983:(2014), is a biographical novel about John Ruskin by Octavia Randolph.
4943:
that explores Ruskin's twin obsessions with Venice and Rose La Touche.
4682:
3858:
acknowledged their debt to Ruskin as they helped to found the British
3459:
1568:
High School for Girls.) Ruskin also bestowed books and gemstones upon
1399:, Rossetti's wife, to encourage her art (and paid for the services of
1176:
Ruskin's developing interest in architecture, and particularly in the
634:
14800:
14694:
14501:
14059:
14029:
13824:
13769:
13689:
13621:
13459:
13398:
12724:
John Ruskin's Continental Tour 1835: The Written Records and Drawings
12442:
11951:
Fors Clavigera: Letters to the Workmen and Labourers of Great Britain
9716:, pp. 25–44; Arnd Krüger, "Coubertin's Ruskianism", in: R. K. Barney
9333:
8392:
8313:
8276:
8106:
7759:
7554:
7231:
7151:
6227:
Fors Clavigera: Letters to the Workmen and Labourers of Great Britain
5923:
5183:
4214:
4058:
3969:
3914:
3867:
3773:
Ruskin's innovative publishing experiment, conducted by his one-time
3747:
3736:
3633:
3621:
3545:
3501:
3321:
3301:
3269:
3121:. Ruskin's increasing need to believe in a meaningful universe and a
3062:
3035:
2972:
2948:
2450:
2213:
2193:
2058:
2003:
1811:
1561:
1452:
1440:
1381:
1377:
1343:
1233:
The chapter, "The Nature of Gothic" appeared in the second volume of
1063:
465:
12201:
10508:
9796:. New York: The Modern Language Association of America. p. 78.
9788:
Tennyson, G. B. (1973). "The Carlyles". In DeLaura, David J. (ed.).
9638:
Designing Utopia: John Ruskin's Urban Vision for Britain and America
9144:
8070:
8023:
7795:
7505:
6882:"the electronic edition of John Ruskin's "Modern Painters" Volume I"
3489:
not only admired Ruskin but helped translate his works into French.
3191:
3114:
3088:
Ruskin had been introduced to the wealthy Irish La Touche family by
1256:
This was both an aesthetic attack on, and a social critique of, the
14360:
14094:
14044:
14024:
13889:
13137:
Birmingham Museums & Art Gallery's online biography and gallery
13061:
12858:
The Work of John Ruskin: Its Influence Upon Modern Thought and Life
12595:
11444:
11075:. Princeton, NJ: Donald C. Stuart, Jr. and Dan D. Coyle. p. 11
10400:
John Unrau, "Ruskin, the Workman and the Savageness of Gothic", in
9744:
Ruskin and Social Reform: Ethics and Economics in the Victorian Age
9119:
8180:
Ruskin and Social Reform: Ethics and Economics in the Victorian Age
7679:
6942:
6741:
6279:
The Queen of the Air: A Study of the Greek Myths of Cloud and Storm
5822:
The Queen of the Air: A Study of the Greek Myths of Cloud and Storm
5105:
4724:
4218:
4009:
admired him. Two major academic projects have looked at Ruskin and
3891:
3732:
3244:
3019:
2980:
2960:
2639:
2609:
2362:", characterised by networks of charitable, co-operative and other
2351:
1661:
1137:
1089:, just one among many factors increasing the tension between them.
1047:
1019:
1003:
958:
period. Ruskin maintained that, unlike Turner, Old Masters such as
469:
401:
Ruskin first came to widespread attention with the first volume of
379:, poetry and lectures, travel guides and manuals, letters and even
376:
341:
57:
38:
13057:
12482:"John Ruskin: Mike Leigh and Emma Thompson have got him all wrong"
11351:(8). Ottawa, Ontario, Canada: Carleton College: 6. 12 October 1954
10421:(L'Harmattan et l'Université de Cergy-Pontoise, 2006), pp. 135–49.
9067:
9005:
8658:
8368:
8131:
7783:
7323:
7203:
7077:
6848:
Bradley, Alexander. “Ruskin at Oxford: Pupil and Master”, p. 750,
6729:
6717:
6705:
6681:
3933:
continues his work today, in education, the arts, crafts, and the
3383:
Portrait of John Ruskin, leaning against a wall at Brantwood, 1885
3175:(1880–1885) (a close study of its sculpture and a wider history),
2694:
in August 1869, though largely through the offices of his friend,
2638:(published 1865), delivered in December 1864 at the town halls at
2623:
2554:
In 1865–66, Ruskin became involved in the controversy surrounding
1476:
is reputed to have been designed by him. Originally placed in the
487:
14173:
14121:
14079:
14064:
14034:
10339:
10213:(Hesperus, 2011), pp. vii–xiv. He also appeared on an edition of
10026:
9139:
Ruskin and Environment: The Storm-Cloud of the Nineteenth Century
8986:
8949:
For a short, illustrated history of the Guild: James S. Dearden,
8781:
8555:
8160:
7978:
7954:
7867:
7771:
7493:
6853:
4323:
These facts must be perceived by the senses, or felt; not learnt.
4022:
3559:
3553:
3039:
2964:
2956:
1673:
1288:
1148:
660:
607:
477:
348:. He wrote on subjects as varied as geology, architecture, myth,
11475:
9910:"Museum, Arts Centre & Self Catering Accommodation Coniston"
9660:
For a full discussion of Ruskin and education, see Sara Atwood,
9303:"Museum, Arts Centre & Self Catering Accommodation Coniston"
7842:
6904:
5802:
The Crown of Wild Olive: Three Lectures on Work, Traffic and War
5746:
Munera Pulveris: Six Essays on the Elements of Political Economy
3026:
and elsewhere, producing linen and other goods exhibited by the
1105:. She thought the portrait made her look like "a graceful Doll".
14106:
14084:
14014:
13992:
13150:
Sources for the Study of John Ruskin and the Guild of St George
10526:
Jose Harris, "Ruskin and Social Reform", in Dinah Birch (ed.),
10053:
Constructing Cultural Tourism: John Ruskin and the Tourist Gaze
9939:
9913:
9493:
Proust as Interpreter of Ruskin. The Seven Lamps of Translation
9364:
9310:
9162:
For an illustrated history of Brantwood, see James S. Dearden,
9087:
Constructing Cultural Tourism: John Ruskin and the Tourist Gaze
8474:
7629:
5782:
Sesame and Lilies: Two Lectures delivered at Manchester in 1864
5362:
5345:
4295:
3866:'s earliest MPs acknowledged Ruskin's influence than mentioned
3252:
3156:
3142:
2944:
2762:
2711:
2458:
1823:
1815:
1444:
1352:
1205:
1059:
1051:
1023:
1011:
688:
656:
353:
13213:
13152:. Produced by Sheffield City Council's Libraries and Archives.
9773:
Brockie, Ian (2004). "Hitler, Adolf". In Cumming, Mark (ed.).
9733:(London, Ont.: University of Western Ontario 1996), pp. 31–42.
8651:
Jed Mayer, "Ruskin, Vivisection, and Scientific Knowledge" in
7756:(Newsletter of The Guild of St. George) no.7 (2007), pp.8–10.
3219:. He returned to meteorological observations in his lectures,
14821:
14653:
13879:
13475:
13414:
13002:
UK Museum, Library and Archive collections relating to Ruskin
12176:"Light, Descending, a biographical novel by Octavia Randolph"
11246:
9264:
Bulletin of the John Rylands University Library of Manchester
7183:
Grieve, Alastair (1996). "Ruskin and Millais at Glenfinals".
6202:
4758:
4213:
effects of soaring spires to the comically ridiculous carved
3813:
3011:
2968:
2906:
2878:
2807:
2663:
2347:
1904:
1759:
1726:
1628:
1487:
Ruskin's theories also inspired some architects to adapt the
1027:
1007:
899:
680:
676:
672:
595:
preacher Edward Andrews, whose daughters, Mrs Eliza Orme and
548:
528:
395:
304:
12030:
Alice Beyond Wonderland: Essays for the Twenty-first Century
11507:
Dobkin, Allen B.; Harland, John N.; Fedoruk, Sylvia (1961).
9849:
9602:
Ruskin and the Twentieth Century: The modernity of Ruskinism
9395:
7419:
The Ruskin Polygon: Essays on the Imagination of John Ruskin
7392:
The stained glass window of the Little Church of St. Francis
6180:
ed. Van Akin Burd (2 vols.) (Cornell University Press, 1973)
6166:
A Tour of the Lakes in Cumbria. John Ruskin's Diary for 1830
4618:" behaviour with regard to his interactions with girls at a
4556:
The cause of Ruskin's "disgust" has led to much conjecture.
3588:
incorporated his ideas in their work. Writers as diverse as
14735:
An Introduction to the Three Volumes of Karl Marx's Capital
14100:
14074:
12967:
11500:
8544:
8542:
5854:
Six Lectures on the Elements of Sculpture Given before the
5420:
It is the standard scholarly edition of Ruskin's work, the
1435:
Ruskin was an art-philanthropist: in March 1861 he gave 48
1380:, on grounds of "non-consummation" owing to his "incurable
1355:
rock to which, as had always been intended, he later added
1152:
1043:
684:
12722:
Ruskin, John; Hanley, Keith; Hull, Caroline Susan (2016).
11376:. Chicago, Illinois: Mahogany Association, Inc. p. 24
11321:. Philadelphia, Pa.: Lehman Sprayshield Company. p. 4
11314:
10475:("The Lamp of Memory") c. 6; Cook and Wedderburn 8.233–34.
10321:"Was Ruskin the most important man of the last 200 years?"
8883:
Miss Margaret E. Knight and St George's Field, Sheepscombe
6484:
The Blackwell Companion to the Bible in English Literature
6184:
The Correspondence of John Ruskin and Charles Eliot Norton
5730:: Four Essays on the First Principles of Political Economy
4547:
Ruskin told his lawyer during the annulment proceedings:
3528:
in existence from 1894 to 1899. One of Ruskin's students,
2539:(originally one of his art pupils): he bought property in
1351:, he painted the closely observed landscape background of
993:
802:. He became close to the geologist and natural theologian
651:, was an account of his tour in 1830) and to relatives in
643:
architecture and paintings. Family tours took them to the
14069:
13131:
11630:"TQM in Large Northern Ireland Contracting Organizations"
11066:
8679:
A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin
8443:. New York: National Library Association. pp. 19, 21
8258:
Francis O' Gorman gives the figure as ÂŁ120,000, in idem,
7103:(Vanguard Press, 1967; new edition: Pallas Athene, 2001).
6261:) ed. Kenneth Clark (Penguin, 1964 and later impressions)
5135:
4691:
4121:
4097:. In 2015, inspired by Ruskin's philosophy of education,
3347:
and Alexander Wedderburn edited the monumental 39-volume
3272:
with increasing violence, although he knew and respected
1560:, a training college for teachers, where he instituted a
1495:, Ruskin supported attempts to establish what became the
829:, who was receiving an honorary degree, at the ceremony.
11289:. Washington, DC: Broadcasting Publications, Inc.: 133.
11287:
Broadcasting: The Businessweekly of Television and Radio
10893:
The Desire of My Eyes: The Life and Work of John Ruskin
10435:. Cambridge, MA: Harvard University Press. p. 245.
10094:
The Sympathy of Things: Ruskin and the Ecology of Design
8539:
5608:
10) – containing the chapter "The Nature of Gothic"
4420:, and increasingly in works of the later 1850s, such as
4290:, 1853. Pen and ink and wash with Chinese ink on paper,
3994:, United States—site of one of the short-lived American
3822:, and his ideas informed the work of economists such as
2777:, were profoundly influenced by the experience: notably
1335:. Initially, Ruskin had not been impressed by Millais's
1010:, studying the geology of the Alps and the paintings of
515:
Ruskin was born on 8 February 1819 at 54 Hunter Street,
12657:(1st supplement). London: Smith, Elder & Co., 1901.
10174:
There is no wealth but life: Ruskin in the 21st Century
9759:(Oxford University Press, 2011) and Dinah Birch (ed.),
6331:, home of the first Ruskin College in the United States
6265:
The Genius of John Ruskin: Selections from his Writings
6192:
ed. George Allen Cate (Stanford University Press, 1982)
5885:: Letters to the Workmen and Labourers of Great Britain
5656:
Lectures on Architecture and Painting (Edinburgh, 1853)
4468:
society. Ruskin believed that the economic theories of
4378:("The Lamp of Memory") c. 6; Cook and Wedderburn 8.242.
4125:
Upper: Steel-plate engraving of Ruskin as a young man,
4093:
have both written about Ruskin, as has the broadcaster
4075:
There is no wealth but life: Ruskin in the 21st Century
3374:
2804:. He was also suffering from increasingly poor health.
1955:
August Strindberg's Little Catechism for the Underclass
1147:
Their early life together was spent at 31 Park Street,
11621:
11373:
How to Identify Genuine Mahogany and Avoid Substitutes
11228:. 1938–1939. Sweet Briar, Va.: Sweet Briar College: ii
11219:
7951:(2 vols., 2nd edn., George Allen, 1912), vol. 2, p. 2.
6168:
eds. Van Akin Burd and James S. Dearden (Scolar, 1990)
5686:
The Elements of Drawing, in Three Letters to Beginners
3838:
in Britain and the United States. Resident workers at
2527:(1867), his letters to Thomas Dixon, a cork-cutter in
1395:. He also provided an annuity of £150 in 1855–1857 to
1077:
Drawing on his travels, he wrote the second volume of
15080:
People associated with the Pre-Raphaelite Brotherhood
14286:
The Work of Art in the Age of Mechanical Reproduction
12566:(ODNB) Oxford University Press, 2004; online edition.
11201:. Pittsburgh, Pa.: Pittsburgh Reflector Co. p. 3
11188:
11093:
10530:(Clarendon Press, 1999), pp. 7–33, specifically p. 8.
8844:
Thirteen Acres: John Ruskin and the Totley Communists
8577:(Pocket Biographies) (Sutton Publishing, 1999) p. 78.
6370:. London: The Journal of the Decorative Arts Society.
6211:
ed. Francis O' Gorman (Oxford University Press, 2012)
6114:, During his Second Tenure of the Slade Professorship
6086:, During his Second Tenure of the Slade Professorship
4814:(1878), a novel by one of his Oxford undergraduates,
2523:(1872)). Ruskin further explored political themes in
1716:
1484:, the window depicts the Ascension and the Nativity.
933:(demolished 1947) to which the family moved in 1842.
14913:
Burd, Van Akin, "Frederick James Sharp: 1880-1957."
12821:
Tragedy and Hope: A History of the World in Our Time
11592:
The Past, Present, and Future of the Business School
11506:
11445:
Woods, Baldwin M.; Raber, Benedict F. (March 1935).
11194:
10229:"Autism Transition: Returning To Craft And The Land"
8964:
John Ruskin and the Lakeland Arts Revival, 1880–1920
8266:(Shire Publications, 2004), p. 37. Robert Hewison's
8151:
The Correspondence of Thomas Carlyle and John Ruskin
6190:
The Correspondence of Thomas Carlyle and John Ruskin
6162:
ed. Helen Gill Viljoen (Yale University Press, 1971)
3632:
to the sculptor-designer, printmaker and utopianist
2863:, Ruskin launched a scathing attack on paintings by
2616:
don't!" These last three lectures were published in
460:
business manager of Ruskin, Telford and Domecq (see
407:(1843), an extended essay in defence of the work of
15090:
Slade Professors of Fine Art (University of Oxford)
14725:
A Contribution to the Critique of Political Economy
13098:
Ruskin letter to Brantwood at Mount Holyoke College
12079:
The Historic Note-book: With an Appendix on Battles
11220:Art's Beauty Salon (1938). Sweet Briar YWCA (ed.).
9506:
Studies in Ruskin: Essays in Honor of Van Akin Burd
9164:
Brantwood: The Story of John Ruskin's Coniston Home
9113:
Early Anthropocene Literature in Britain, 1750-1884
8642:(Yale University Press, 2000), pp. 399–400, 509–10.
7551:ed. Van Akin Burd (Harvard University Press, 1969)
6837:
Studies in Ruskin: Essays in Honor of Van Akin Burd
3567:
2710:In 1871, John Ruskin founded his own art school at
1984:
For a Critique of the Political Economy of the Sign
739:) (August 1829). In 1834, three short articles for
599:were later credited with introducing Ruskin to the
12835:The Darkening Glass: A Portrait of Ruskin's Genius
11746:. Toronto: McClelland & Stewart. p. 141.
11388:
11017:. Ruskin Library News. 23 May 2011. Archived from
11009:
11007:
9789:
9426:Life and times of Alexander Robertson MacEwen, D.D
7576:(Brentham Press for The Guild of St George, 1992).
6229:ed. Dinah Birch (Edinburgh University Press, 1999)
6174:ed. Van Akin Burd (Harvard University Press, 1969)
5950:Love's Meinie: Lectures on Greek and English Birds
5914:The Eagle's Nest: Ten Lectures on the Relation of
4843:
3395:
614:(1797–1870). Ruskin heard Dale lecture in 1836 at
14481:
12672:The Production and Distribution of John Ruskin's
12250:
12248:
12246:
12065:
11394:
10948:. New Haven: Yale University Press. p. 657.
9912:. Brantwood.org.uk. 14 April 2017. Archived from
4838:series, and had the protagonist meet John Ruskin.
4629:
4073:were among those to contribute to the symposium,
4013:(investigating, for example, Ruskin's links with
3781:, whose business was eventually merged to become
3563:Cannery operation in the Ruskin Cooperative, 1896
3499:and paraphrased the work in Gujarati, calling it
1710:
1373:and Effie left Ruskin, causing a public scandal.
655:, Scotland. As early as 1825, the family visited
519:, London (demolished 1969), south of what is now
14926:
13465:The Ruskin - Library, Museum and Research Centre
13210:Sharp Collection-manuscripts, letters,artifacts.
13082:The Ruskin - Library, Museum and Research Centre
12721:
12598:Unto This Last: Two Hundred Years of John Ruskin
11627:
11438:
9967:BARONY HOUSE - Edinburgh Hotel Edinburgh B&B
9248:For Ruskin's relationship with Joan Severn, see
8977:Ruskin's Faithful Stewards: Henry and Emily Swan
7916:
7910:
7885:
7701:(Routledge & Kegan Paul, 1984), pp. 202–205.
7626:Respectively, Cook and Wedderburn vols. 5 and 6.
6991:"NPG 5160; Effie Gray (Lady Millais) – Portrait"
6787:John Ruskin, Henry James and the Shropshire Lads
6630:"John Ruskin Biography >> Classic Stories"
4403:
3852:Report … on Social Insurance and Allied Services
3268:than in modern art. He also attacked aspects of
3155:. In 1874, on his tour of Italy, Ruskin visited
2584:Ruskin lectured widely in the 1860s, giving the
1748:church in Turin, led to his "unconversion" from
1204:In November 1849, John and Effie Ruskin visited
1054:, he was particularly impressed by the works of
786:in January of the following year. Enrolled as a
15075:People associated with Anglia Ruskin University
13110:Ruskin letter to Simon at Mount Holyoke College
12865:vol. 78, no. 465 (Feb. 1889), pp. 382–418.
11067:Lewis C. Bowers; Sons, Inc. (9–15 March 1952).
11004:
10938:
10514:
10391:, iii, ch. iv, §35; Cook and Wedderburn 11.227.
10345:
9963:"JOHN RUSKIN my famous ancestor, read my story"
9150:
9125:
9098:
9073:
8992:
8924:
8787:
8664:
8561:
8398:
8386:
8374:
8319:
8307:
8282:
8246:
8234:
8166:
8137:
8128:(Routledge & Kegan Paul, 1984), pp. 273–89.
8112:
7984:
7972:
7960:
7873:
7848:
7801:
7789:
7777:
7765:
7685:
7660:
7635:
7560:
7511:
7499:
7329:
7237:
7209:
7157:
7083:
6997:. National Portrait Gallery. 26 December 2016.
6960:
6948:
6910:
6823:
6789:(New European Publications, 2008) chapters 3–4.
6747:
6735:
6723:
6711:
6699:
6687:
6499:(Brentham Press for Guild of St George, 1990) .
6251:ed. Dinah Birch (Oxford University Press, 2009)
6147:
5558:Of Ideas of Relation (2) Of Invention Spiritual
5413:
4277:Society for the Protection of Ancient Buildings
4176:Ruskin's early work defended the reputation of
4037:Notable Ruskin enthusiasts include the writers
3696:
3335:Joan Severn, together with Ruskin's secretary,
2893:appeared as a witness for Whistler, and artist
2789:, and was keenly celebrated by the founders of
1782:(1860): Ruskin, Cook and Wedderburn, 7.422–423.
1038:). He drew inspiration from what he saw at the
750:From September 1837 to December 1838, Ruskin's
12243:
11816:"Price Competition and Expanding Alternatives"
11476:Charles T. Bainbridge's Sons (February 1965).
10979:
10977:
10715:"John Ruskin's marriage: what really happened"
10690:; Wedderburn, Alexander Dundas Ogilvy (eds.).
9543:Byrdcliffe: An American Arts and Crafts Colony
9111:Reno, Seth. "The Cradle of the Anthropocene".
8055:"Ruskin and the Orthodox Political Economists"
6486:. Vol. 36. John Wiley & Sons, 2010. p. 523
4543:with my person the first evening 10th April .
3905:Admirers and scholars of Ruskin can visit the
3742:The most prolific collector of Ruskiniana was
3359:Ruskin enthusiast, collector and memorialist,
3255:, in 1888. The emergence and dominance of the
2874:Nocturne in Black and Gold: The Falling Rocket
2596:on 'Modern Art', the Working Men's Institute,
1688:Ruskin had been in Venice when he heard about
14467:
13491:
13229:
13172:
12875:. New York: Harcourt Brace and Company, 1950.
12701:Freeman, Kelly; Hughes, Thomas, et al., eds.
12407:"Robin Brooks radio drama, plays – Diversity"
12026:
11733:
11699:
11401:. Euclid, Ohio: Shore High School. p. 41
10543:report on the discovery of Turner's drawings.
10419:Sociétés et conflit: enjeux et représentation
8437:Ruskin, John (1887). "Lecture I: Inaugural".
7602:"History of the Library - Somerville College"
7300:
7298:
7228:(Routledge and Kegan Paul, 1949), pp. 137–49.
6980:(Routledge and Kegan Paul, 1984), pp. 88–95.
5050:(Millais). The author played Ruskin's mother.
4650:(a major collection of Ruskiniana located at
3897:
3481:Ruskin's influence reached across the world.
3149:, would haunt him, described in the pages of
2773:and Ruskin's future secretary and biographer
2271:
1583:
568:Ruskin's childhood was spent from 1823 at 28
14715:Economic and Philosophic Manuscripts of 1844
14216:The Literary Mind and the Carving of Dragons
12562:Robert Hewison, "Ruskin, John (1819–1900)",
12139:
11978:
11963:
11213:
11162:"How an Old Masonry Arch Bridge Was Rebuilt"
11060:
9279:(Oxford University Press, 2011), pp. 246–48.
8979:(Ruskin Research Blog, 2024); Janet Barnes,
8829:(Anthem Press, 2014); and Edith Hope Scott,
8616:(Oxford University Press, 2011), pp. 103–09.
7651:(Cambridge Scholars Press, 2006), pp. 76–89.
7070:For the wider context, see Robert Brownell,
6937:Ruskin in Italy: Letters to His Parents 1845
6814:(Routledge and Kegan Paul, 1949), pp. 54–56.
6662:, ed. James S. Dearden (Frank Graham, 1969)
6403:(online ed.). Oxford University Press.
6110:The Pleasures of England: Lectures Given in
5648:on the Pre-Raphaelite Artists (1851, 1854) (
5554:Of Ideas of Relation (1) Of Invention Formal
4923:A collection of short stories that includes
3762:wrote about and appreciated Ruskin's ideas.
3735:, Essex, which was briefly a refuge for the
3540:, partly inspired by his teacher's beliefs.
3279:
3181:A Guide to the Principal Pictures in… Venice
2959:, Worcestershire, called Ruskin Land today;
2718:. It was originally accommodated within the
1639:, as represented by a hostile review in the
606:From 1834 to 1835 he attended the school in
367:which he taught to all his pupils including
14730:Outlines of a Critique of Political Economy
13157:"Archival material relating to John Ruskin"
12027:Hollingsworth, Cristopher (December 2009).
11953:. Vol. II. George Allen. pp. 6–7.
11667:"Pursuit of Excellence: A Forgotten Quest?"
11658:
11582:
11488:(2). New York: Syndicate Magazines, Inc.: 3
11469:
10974:
10934:
10932:
10138:on Ruskin, 6 February 2010. Stuart Eagles,
9596:Giovanni Cianci and Peter Nicholls (eds.),
9570:Rebecca Daniels and Geoff Brandwood (ed.),
9482:(2nd edn) (Guild of St George, 2016) p. 12.
8774:Cook and Wedderburn 29.469, the passage in
8414:(New York: Doubleday and Co.), 1970, p. 91.
6456:
6454:
6452:
5414:Cook, E. T.; Wedderburn, Alexander (eds.).
5020:series about the Pre-Raphaelites, starring
4505:
4248:Oxford University Museum of Natural History
4171:
3612:felt Ruskin's influence. The American poet
3435:, served to demonstrate Ruskin's charisma:
3231:His last great work was his autobiography,
2703:set her foot on…" It has been claimed that
2686:Ruskin was unanimously appointed the first
2604:on 'War.' Ruskin's widely admired lecture,
2358:. His ideas influenced the concept of the "
1999:Outlines of a Critique of Political Economy
1497:Oxford University Museum of Natural History
1362:Millais had painted a picture of Effie for
857:
14474:
14460:
13498:
13484:
13236:
13222:
13165:
12987:
12754:: CS1 maint: location missing publisher (
12628:: CS1 maint: location missing publisher (
11807:
11664:
11159:
11124:
9600:(Palgrave, 2001), and Toni Cerutti (ed.),
9508:(Ohio University Press, 1982), pp. 215–44.
8704:"Turner Whistler Monet: Ruskin v Whistler"
8427:(Yale University Press, 2000), pp. 165–68.
7826:, vol. IV, no. 1 (Spring 2003), pp. 15–46.
7417:J. Mordaunt Crook, "Ruskinian Gothic", in
7295:
6203:Selected editions of Ruskin still in print
5513:Of the Imaginative and Theoretic Faculties
4862:A novel about the marriage of John Ruskin.
3814:Politics and critique of political economy
3493:wrote of the "magic spell" cast on him by
2664:Oxford's first Slade Professor of Fine Art
2278:
2264:
1180:, led to the first work to bear his name,
1168:and was annulled six years later in 1854.
1092:
1030:he saw the Tomb of Ilaria del Carretto by
906:. It recalled an attack by the critic Rev
760:Transactions of the Meteorological Society
499:
363:Ruskin was heavily engaged by the work of
56:
37:. For the Canadian media personality, see
11993:
11682:
11565:
11524:
11333:
10556:, vol. IV, no. 1, Spring 2003, pp. 15–46.
9469:, Thornton Butterworth, 1926, pages 39–41
9461:
9459:
8825:On the origins of the Guild: Mark Frost,
8732:
8629:, vol. 4, no. 3 (Autumn 2008), pp. 19–29.
7590:. Oxford: Somerville College. p. 12.
7353:"Fitzwilliam Museum Collections Explorer"
6839:(Ohio University Press, 1982), pp. 32–59.
6676:Ruskin and Venice: The Paradise of Cities
6233:The Storm-Cloud of the Nineteenth-Century
4961:. A fictionalized account of the life of
4927:, about Ruskin and Effie's wedding night.
4880:
3739:, combined Ruskin's ideas and Tolstoy's.
3665:
3221:The Storm-Cloud of the Nineteenth-Century
2716:The Ruskin School of Drawing and Fine Art
2658:
1109:
894:, to whom the Ruskins were introduced by
527:. They shared a passion for the works of
464:). John James was born and brought up in
446:
27:English writer and art critic (1819–1900)
12879:
12873:The Captain’s Death Bed and Other Essays
12033:. University of Iowa Press. p. 70.
11781:"Paradise Lost Or, Baskin-Robbins Rated"
11705:
10929:
10746:. New York: Haskell House. p. 299.
10659:(George Allen & Unwin, 1950), p. 53.
10359:"Ruskin, Turner and The Pre-Raphaelites"
9787:
9428:(Hodder and Stoughton, 1925), pp. 30–31.
8885:(Guild of St George Publications, 2015).
8872:(Guild of St George Publications, 2017).
8846:(Guild of St George Publications, 2017).
8765:, vol. 38, no. 2 (Fall 2011), pp. 13–34.
8511:"Oxford University Archives | Home"
7839:, vol. 38, no. 2 (Fall 2011), pp. 35–64.
7277:Parallel Lives: Five Victorian Marriages
7048:Parallel Lives: Five Victorian Marriages
6449:
6217:intro. Andrew Hill (Pallas Athene, 2010)
4903:
4841:
4681:
4344:
4281:
4120:
3939:
3796:(which he founded at Oxford), is at the
3558:
3458:
3378:
3283:
3190:
3076:
2930:Ruskin founded his utopian society, the
2727:
2667:
2622:
2579:
2572:in September 1866, also reported in the
1623:, Manchester in 1857, were collected as
1287:
1096:
864:
633:
503:
486:
13073:Liverpool Museums audio files on Ruskin
12912:, vol. 1 of the second edition (1912);
12805:. New York: Pegasus Books, Ltd., 2023.
12564:Oxford Dictionary of National Biography
12435:
12254:
11778:
11712:. Avon, Massachusetts: Platinum Press.
11628:Gunning, J.G.; McCallion, E.M. (2007).
11541:
11447:"Air Conditioning for California Homes"
11413:
11308:
11278:Skoog, Charles V. Jr. (21 April 1958).
11240:
11226:Students' Handbook: Sweet Briar College
11094:Plymouth Cordage, Co. (December 1913).
10834:Ruskin on his sexuality: a lost source.
10712:
9816:
9772:
9266:, vol. 82, no. 1, Spring 2000 , 135–91.
8733:Lambourne, Lionel (1996). "Chapter 5".
8550:Ruskin and Oxford: The Art of Education
8461:
8182:(I.B. Tauris, 2007) and Stuart Eagles,
8005:
7537:Ruskin and Oxford: The Art of Education
6660:Iteriad, or Three Weeks Among the Lakes
6400:Oxford Dictionary of National Biography
6389:
6387:
6385:
6383:
6381:
6379:
6377:
5904:Volume III. Letters 73–96 (1877–1884) (
5625:Notes on the Construction of Sheepfolds
4788:
4116:
3785:, anticipated the establishment of the
3552:, and several Indian languages such as
3296:In August 1871, Ruskin purchased, from
2320:and competition drawn from the work of
1711:Controversies: Turner's Erotic Drawings
1656:(1859), five lectures given in London,
1506:
1197:
14:
14927:
13014:
12995:
12916:, vol. 2 of the second edition (1912))
12698:. New York: G. P. Putnam's Sons, 1910.
12293:
12169:
12167:
11948:
11739:
11547:
11271:
10983:
10878:, vol. 1, pp. 253–54; John Batchelor,
10681:
10646:(Chatto & Windus, 1988), pp. 11–12
10499:
10484:
10430:
9616:The Enduring Relevance of Octavia Hill
9456:
9042:from the original on 12 September 2012
8906:from the original on 29 September 2017
8527:from the original on 24 September 2015
8436:
7585:
7432:John Ruskin and Victorian Architecture
7182:
7173:(Faber and Faber, 1994) pp. 69–70, 87.
7001:from the original on 17 September 2017
6852:, 1500-1900 32, no. 4 (1992): 747–64.
6433:(University of Illinois Press, 1956) .
6365:
6082:The Art of England: Lectures Given in
5897:Volume II. Letters 37–72 (1874–1876) (
5832:Lectures on Art, Delivered before the
5407:
4965:, the inspiration for Lewis Carroll's
3874:, Ruskin was seen as an early British
3061:. The collection is now on display at
2592:in 1867, for example. He spoke at the
2499:: Cook and Wedderburn 7.207 and 17.25.
1814:, and in the following year he was in
1460:in Northumberland, home of his friend
443:, an organisation that endures today.
15085:Romantic critics of political economy
14455:
13479:
13217:
12974:The Eighth Lamp, Ruskin Studies Today
12846:Ruskin's Scottish Heritage: A Prelude
12828:Ruskin's Venice: The Stones Revisited
12476:
12047:from the original on 4 September 2021
11937:Theoria: Art and the Absence of Grace
11813:
11795:from the original on 4 September 2021
11760:from the original on 4 September 2021
11609:from the original on 4 September 2021
11588:
11363:
11296:from the original on 27 December 2014
11277:
11176:from the original on 4 September 2021
11141:from the original on 4 September 2021
11106:from the original on 4 September 2021
11033:
10962:from the original on 4 September 2021
10814:from the original on 4 September 2021
10786:
10739:
10644:Theoria: Art and the Absence of Grace
10565:
10327:from the original on 26 February 2019
10294:(J. Nisbet & Co., 1898), p. viii.
10269:from the original on 4 September 2021
10096:(V2_NAI Publishers, 2011), pp. 65–68.
10066:John Ruskin and the Victorian Theatre
10064:Katherine Newey and Jeffrey Richards
10033:from the original on 4 September 2021
10003:from the original on 4 September 2021
9973:from the original on 26 December 2019
9960:
9860:from the original on 4 September 2021
9829:from the original on 4 September 2021
9539:
9406:from the original on 4 September 2021
9375:from the original on 4 September 2021
9344:from the original on 26 February 2021
9252:ed. Rachel Dickinson (Legenda, 2008).
8714:from the original on 2 September 2021
8195:Cook and Wedderburn 27.167 and 35.13.
7929:from the original on 14 December 2019
7898:from the original on 14 December 2019
7114:"Ruskin's Venetian Notebooks 1849–50"
6446:(University of Illinois Press, 1956)
6431:Ruskin's Scottish Heritage: A Prelude
6116:(delivered 1884, published 1884–85) (
5469:(written 1840–1845; published 1894) (
5445:(written 1835–1846; collected 1850) (
3794:Ruskin School of Drawing and Fine Art
3145:, a vision of which, associated with
2925:
1114:During 1847, Ruskin became closer to
729:
716:Sketches Made in Flanders and Germany
14828:
13091:
12891:The Life and Work of John Ruskin 1–2
12767:John Ruskin: The Argument of the Eye
12327:from the original on 3 February 2019
12182:from the original on 19 October 2017
12173:
12152:from the original on 19 October 2017
12121:from the original on 3 February 2019
12008:from the original on 3 February 2019
11994:Macdonald, Marianne (25 June 1995).
11419:
11369:
11039:
10917:from the original on 23 January 2019
10598:from the original on 19 October 2017
10239:from the original on 3 December 2020
10157:Omnibus. Ruskin: The Last Visionary
9817:Bunting, Madeleine (30 March 2010).
9792:Victorian Prose: A Guide to Research
9635:
9445:(James Nisbet, 1923), pp. 53–55 and
9141:(Manchester University Press, 1995).
8855:See Peter Wardle and Cedric Quayle,
8594:from the original on 19 October 2017
8465:(2000). "Oxford and the Empire". In
8052:
7864:(Cambridge University Press, 1999) .
7455:from the original on 29 October 2012
7045:
6926:(Yale University Press, 1985) p. 73.
6600:"King's College London – John Keats"
6374:
6275:Athena: Queen of the Air (Annotated)
6198:ed. Rachel Dickinson (Legenda, 2008)
5890:Volume I. Letters 1–36 (1871-1873) (
5418:. (39 vols.). George Allen, 1903–12.
4867:Brantwood: The Story of an Obsession
4624:age of consent in the United Kingdom
4458:Cook and Wedderburn, 17.V.34 (1860).
4063:Chris Smith, Baron Smith of Finsbury
4025:. Similarly, architectural theorist
3375:Note on Ruskin's personal appearance
3028:Home Arts and Industries Association
1251:vol. II: Cook and Wedderburn 10.201.
979:with extraordinary verbal felicity.
798:) and a private tutor, the Reverend
508:Ruskin as a young child, painted by
14629:Abstract labour and concrete labour
12164:
11996:"Who was who in Alice's Wonderland"
11315:Lehman Sprayshield Company (1938).
11015:"On the present economic situation"
10992:from the original on 8 January 2013
10226:
9819:"Red Tory intrigues and infuriates"
8346:"Moral Taste in Ruskin's "Traffic""
7148:see Cook and Wedderburn vols. 9–11.
7124:from the original on 8 October 2012
6939:(Clarendon Press, 1972), pp.200–01.
6393:
6291:(Creative Media Partners LLC, 2015)
6235:preface by Clive Wilmer and intro.
5770:1864–64, incorporated (revised) in
4909:The Woman Who Gave Birth to Rabbits
3818:Ruskin was an inspiration for many
3466:was inspired by Ruskin's 1860 work
2943:Ruskin purchased land initially in
2734:), the relation of science to art (
2391:", a notion which Ruskin seconded.
1610:peasants living in the lower Alps.
1376:During April 1854, Effie filed her
610:run by the progressive evangelical
24:
15100:Critics of work and the work ethic
15045:English people of Scottish descent
13021:Works by John Ruskin in eBook form
12667:(1964) 13 no. 3 (autumn): 335–339.
12584:
12436:Marlowe, Sam (20 September 2003).
12413:. 15 February 2014. Archived from
12216:from the original on 10 March 2007
12085:from the original on 3 August 2020
11983:. Dover Publications. p. 396.
11968:. Dover Publications. p. 210.
11646:from the original on 2 August 2020
11595:. Palgrave Macmillan. p. 92.
10984:Landow, George P. (27 July 2007).
10891:Wolfgang Kemp and Jan Van Heurck,
10713:Prodger, Michael (29 March 2013).
10217:on BBC Radio 4 on 20 January 2019.
10055:(Channel View Publications, 2010).
9890:from the original on 12 March 2013
9453:(Cassell & Co., 1927), p. 192.
9089:(Channel View Publications, 2010).
8356:from the original on 23 March 2011
8012:The Quarterly Journal of Economics
7434:(Thames and Hudson, 1991), p. 127.
7099:(John Murray, 1965); reprinted as
7023:. Perthshire Diary. Archived from
6892:from the original on 18 March 2013
6510:"Edward Andrews (1787–1841) | ERM"
6160:The Brantwood Diary of John Ruskin
5502:Of General Principles and of Truth
5436:
4143:Bottom: John Ruskin in old age by
3842:such as the future civil servants
3339:, and his eminent American friend
3159:, the furthest he ever travelled.
1613:
1338:Christ in the House of His Parents
1283:
25:
15121:
14955:19th-century British philosophers
13078:The Complete Works of John Ruskin
12985:National Portrait Gallery, London
12961:
12494:from the original on 24 June 2015
10721:. Guardian News and Media Limited
10528:Ruskin and the Dawn of the Modern
10459:(John Murray, 1964) (reissued as
10433:The History of English Literature
10369:from the original on 5 April 2017
10308:Unto This Last and Other Writings
10051:Keith Hanley and John K. Walton,
9961:House, Barony (23 January 2019).
9761:Ruskin and the Dawn of the Modern
8008:"Ruskin as a Political Economist"
7917:George P. Landow (25 July 2005).
7886:George P. Landow (25 July 2005).
6610:from the original on 1 April 2020
6580:from the original on 1 April 2020
6221:Unto This Last And Other Writings
5459:1837–38; authorised book, 1893) (
5252:Self Portrait with Blue Neckcloth
5082:(1995), an opera about Ruskin by
5042:(Ruskin), Bridget McCann (Gray),
4987:
4765:Ruskin's concept of theoria, see
4596:and for you – And to and for me.
4578:Ruskin's later relationship with
4229:, resulting in buildings such as
3854:), and the future Prime Minister
3186:
3072:
2871:. He found particular fault with
1683:
1637:"Manchester School" of economists
14995:Arts and Crafts movement artists
14950:19th-century British journalists
14907:
14888:
14871:
14854:
14837:
14434:
13310:
13177:The Life and Work of John Ruskin
13065:
12681:(1968)17 no 2 (summer): 151–167.
12655:Dictionary of National Biography
12571:John Ruskin (Pocket Biographies)
12523:
12506:
12470:
12429:
12399:
12369:
12339:
12309:
12294:Morgan, Elizabeth (2 May 1983).
12287:
12228:
12194:
12133:
12097:
12059:
12020:
11987:
11972:
11957:
11942:
11929:
11899:
11890:
11877:
11864:
11848:
11772:
11318:Shower Bath Enclosures by Lehman
11153:
11118:
11096:"Mississippi River Improvements"
11087:
10898:
10885:
10868:
10851:
10826:
10780:
10767:
10733:
10706:
10675:
10662:
10649:
10636:
10623:
10610:
10566:Lyall, Sarah (13 January 2005).
10559:
10533:
10520:
10504:. London: George Allen editions.
10493:
10478:
10466:
10449:
10424:
10411:
10394:
10381:
10351:
10313:
10297:
10281:
10251:
10220:
10196:
10193:(Pallas Athene, 2010), pp. 9–16.
10179:
10163:
10149:
10125:
10099:
10086:
10071:
10058:
10045:
10015:
9985:
9954:
9928:
9902:
9872:
9841:
9810:
9781:
9766:
9763:(Oxford University Press, 1999).
9749:
9736:
9693:
9667:
9654:
9629:
9607:
9590:
9577:
9564:
9548:Herbert F. Johnson Museum of Art
9533:
9511:
9498:
9485:
9472:
9431:
9418:
9387:
9356:
9325:
9295:
9282:
9269:
9255:
9242:
9214:
9186:
9169:
9156:
9131:
9110:
9104:
9079:
9054:
9024:
9012:from the original on 6 July 2017
8998:
8969:
8956:
8951:John Ruskin's Guild of St George
8943:
8930:
8888:
8875:
8862:
8849:
8836:
8819:
8802:
8793:
8768:
8755:
8726:
8696:
8685:, January 1993, by Wendy Steiner
8670:
8645:
8632:
8619:
8606:
8580:
8567:
8503:
8455:
8430:
8417:
8404:
8338:
8325:
8288:
8270:Dictionary of National Biography
8252:
8198:
8189:
8186:(Oxford University Press, 2011).
8172:
8149:Cate, George Allen, ed. (1982).
8143:
8118:
8103:(Harvard University Press, 1972
8093:
8046:
7999:
7990:
7676:, no. 25 (January 2001), pp. 6–8
7539:(Clarendon Press, 1996), p. 226.
7390:Malcolm Low & Julie Graham,
6463:(2004) "Childhood and education"
6223:ed. Clive Wilmer (Penguin, 1986)
5481:(written 1841; published 1850) (
5391:
5375:
5353:
5337:
5316:
5302:
5288:
5274:
5258:
5244:
5230:
5216:
5000:about Ruskin, Effie and Millais.
4968:Alice's Adventures in Wonderland
4808:Ruskin figures as Mr Herbert in
4802:Alice's Adventures in Wonderland
4793:
4510:Until 2005, biographies of both
4500:
4288:Study of Gneiss Rock, Glenfinlas
3568:Art, architecture and literature
3476:
3300:, the then somewhat dilapidated
3128:
3090:Louisa, Marchioness of Waterford
2887:Attorney General Sir John Holker
2602:Royal Military Academy, Woolwich
2412:and many of the founders of the
1704:was published. He persuaded the
1214:Doge's Palace, or Palazzo Ducale
936:What became the first volume of
323:
207:
14975:Alumni of King's College London
14970:Alumni of Christ Church, Oxford
14960:19th-century British economists
14919:44 (no 4) Winter 1995: 543-573.
14755:Who cooked Adam Smith's dinner?
13276:The Seven Lamps of Architecture
13243:
13004:at Cornucopia.org.uk. Retrieved
12945:John Ruskin: No Wealth But Life
12691:(1969) 18.no.1 (spring): 45-56.
11981:The Seven Lamps of Architecture
11966:The Seven Lamps of Architecture
10880:John Ruskin: No Wealth but Life
9938:. Ruskin Museum. Archived from
9309:. 14 April 2017. Archived from
7941:
7879:
7854:
7829:
7816:
7807:
7746:
7704:
7691:
7666:
7641:
7620:
7594:
7579:
7566:
7542:
7529:
7517:
7467:
7437:
7424:
7411:
7384:
7375:
7345:
7335:
7310:
7307:: "Critic of Contemporary Art".
7282:
7269:
7256:
7243:
7215:
7176:
7163:
7136:
7106:
7089:
7064:
7039:
7013:
6983:
6970:
6935:Q. in Harold I. Shapiro (ed.),
6929:
6916:
6874:
6858:
6842:
6829:
6801:
6792:
6779:
6753:
6665:
6652:
6622:
6592:
6562:
6532:
5571:The Seven Lamps of Architecture
5500:Vol. I (1843) (Parts I and II)
5126:dealing with Ruskin's marriage.
4731:titude, symbolised by the key (
4353:The Seven Lamps of Architecture
3522:Ruskin Commonwealth Association
3396:Ruskin in the eyes of a student
3052:something, and to tell what it
2416:credited them as an influence.
1698:Notes on the Turner Gallery at
1183:The Seven Lamps of Architecture
1171:
203:
145:The Seven Lamps of Architecture
14664:Socially necessary labour time
13505:
13263:(written 1842, published 1851)
13173:Lewin, Walter (15 July 1893).
11913:. 7 April 2009. Archived from
11548:Walker, J. (5 December 2014).
11513:British Journal of Anaesthesia
7975:, 14.288, 24.347, 34.355, 590.
6678:(Yale University Press, 2009)
6502:
6489:
6476:
6466:
6436:
6423:
6397:. "Ruskin, John (1819–1900)".
6368:An appraisal of Viollet le Duc
6359:
6271:(George Allen and Unwin, 1963)
4739:tune, symbolised by the nail (
4677:
4640:common law of business balance
4630:Common law of business balance
4604:on 15 May 1886, Ruskin wrote:
3806:, the innovator of the modern
3508:A number of utopian socialist
3371:the bicentenary of his birth.
3343:, were executors to his will.
2519:(1862–63) (later collected as
2394:Ruskin's political ideas, and
2364:non-governmental organisations
2312:political economy espoused by
1910:Socially necessary labour time
13:
1:
14965:19th-century English painters
14634:Capitalist mode of production
14483:Critique of political economy
13049:Works by or about John Ruskin
12823:. GSG & Associates, 1966.
12347:"Modern Painters (the Opera)"
11779:Falcone, Marc (3 July 1973).
11198:Permaflector Lighting Catalog
10848:, Fall, 2007 by Van Akin Burd
10463:, Penguin, 1991), pp. 133–34.
9614:Download Samuel Jones (ed.),
9540:Green, Nancy E., ed. (2004).
9467:Experiences of a Literary Man
9451:Life, Journalism and Politics
8212:. 6 July 2002. Archived from
8126:Ruskin: The Critical Heritage
7699:Ruskin: The Critical Heritage
7398:Ref: section Fareham, hants;
6978:Ruskin: The Critical Heritage
6850:Studies in English Literature
6482:Lemon, Rebecca, et al., eds.
6353:
6088:(delivered 1883, book 1884) (
5878:in , 1871 (1898) ("Works" 22)
5024:(Ruskin), Anne Kidd (Effie),
4701:: Ruskin coined this term in
4646:, a blog associated with the
4600:In a letter to his physician
4410:critique of political economy
4404:Critique of political economy
4302:Ruskin's views on art, wrote
4273:National Art Collections Fund
4194:Ruskin's strong rejection of
4133:
4126:
3447:Experiences of a Literary Man
3412:Experiences of a Literary Man
2305:: Cook and Wedderburn, 17.105
1963:Critique of Political Economy
1875:Capitalist mode of production
1859:Critique of political economy
1642:Manchester Examiner and Times
881:
573:
539:. They visited Scott's home,
472:and a father originally from
468:, Scotland, to a mother from
15095:Critics of political economy
15020:English architecture writers
14346:Aestheticization of politics
13260:The King of the Golden River
12938:John Ruskin: The Later Years
12931:John Ruskin: The Early Years
12926:(Routledge & Kegan Paul)
12850:University of Illinois Press
12317:"The Passion of John Ruskin"
11665:Wertheimer, Mark B. (2018).
11166:Railway Maintenance Engineer
10775:John Ruskin: The Later Years
10655:Q. in J. Howard Whitehouse,
10292:John Ruskin: Social Reformer
9585:Life and Work of John Ruskin
9230:. 26 January 1900. p. 7
9202:. 21 January 1900. p. 7
8983:(Guild of St Georgel, 2018).
8966:(Merton Priory Press, 2004)
8940:(Ashgate, 2011), pp. 151–64.
8640:John Ruskin: The Later Years
8469:; Curthoys, Mark C. (eds.).
8425:John Ruskin: The Later Years
7318:Life and Work of John Ruskin
6924:John Ruskin: The Early Years
6417:UK public library membership
6148:Selected diaries and letters
5209:
4832:, was the first in the 1924
4529:
4422:The Political Economy of Art
4306:, "cannot be made to form a
3697:Society, education and sport
3659:Cook and Wedderburn, 24.357.
3644:, and the war correspondent
2634:The lectures that comprised
1760:Social critic and reformer:
1625:The Political Economy of Art
1387:Ruskin continued to support
1121:The King of the Golden River
847:The King of the Golden River
451:
7:
14990:Architectural theoreticians
14740:Critique of Economic Reason
13064:(public domain audiobooks)
12924:Ruskin: The Great Victorian
12906:The Life of John Ruskin 1–2
11829:(8): 467–76. Archived from
11814:North, Gary (August 1974).
11671:APOS Trends in Orthodontics
11247:F.E.C. (8 February 1933).
10945:The Yale Book of Quotations
10310:(Penguin, 1985), pp. 36–37.
10068:(Palgrave Macmillan, 2010).
9662:Ruskin's Educational Ideals
9495:(Summa Publications, 2002)
8953:(Guild of St George, 2010).
8938:Ruskin's Educational Ideals
8831:Ruskin's Guild of St George
7475:"The Working Men's College"
7292:(John Murray, 1968) p. 192.
7253:(John Murray, 1968) p. 236.
7226:Ruskin: The Great Victorian
7050:. . pp. 52–71, 82–89.
6812:Ruskin: The Great Victorian
6295:
5467:Letters to a College Friend
5330:
5266:River Seine and its Islands
5058:(1994), a film directed by
3956:in Grantham, Lincolnshire;
3880:William Montgomery McGovern
3746:, who saved Ruskin's home,
3030:and similar organisations.
2857:In the July 1877 letter of
2829:as his sole publisher (see
2811:and the Whistler libel case
2783:Alexander Robertson MacEwen
2688:Slade Professor of Fine Art
2517:Essays on Political Economy
2477:is Ruskin's "Law of Help":
2437:: Cook and Wedderburn 17.34
2381:William Makepeace Thackeray
1969:Critique of Economic Reason
1885:Concrete and abstract labor
1600:were published in 1856. In
1594:Both volumes III and IV of
1470:Little Church of St Francis
1140:, where Ruskin admired the
754:was serialised in Loudon's
745:Magazine of Natural History
429:, where he established the
423:Slade Professor of Fine Art
371:, notably Viollet-le-Duc's
10:
15126:
15110:English children's writers
13430:Pre-Raphaelite Brotherhood
13352:The Passion of John Ruskin
12789:Cambridge University Press
12589:
12556:
12531:"The Works of John Ruskin"
11939:(Chatto and Windus, 1988).
11706:Mariotti, John L. (2008).
11395:Shore High School (1934).
11249:"Progress of Kansas Press"
11125:Anonymous. (August 1917).
10861:Letters to M. G. and H. G.
10489:. Columbia University, NY.
10160:, tx. BBC1, 13 March 2000.
9604:(Edizioni Mercurio, 2000).
9166:(Ruskin Foundation, 2009).
8627:Ruskin Review and Bulletin
8588:"John Ruskin green plaque"
7445:"John Ruskin on education"
6444:Ruskin's Scottish Heritage
6154:The Diaries of John Ruskin
5940:, in Michaelmas Term, 1872
5522:Vol. III (1856) (Part IV)
5511:Vol. II (1846) (Part III)
5457:The Architectural Magazine
5453:The Poetry of Architecture
5424:, sometimes called simply
5204:
5140:Pre-Raphaelite Brotherhood
5055:The Passion of John Ruskin
4719:, symbolised by the club (
4412:of orthodox, 19th-century
3898:Ruskin in the 21st century
3433:University College, Oxford
2903:Nocturne in Black and Gold
2511:, under the editorship of
1447:, and a further 25 to the
1365:The Order of Release, 1746
1326:Pre-Raphaelite Brotherhood
752:The Poetry of Architecture
601:Pre-Raphaelite Brotherhood
521:St Pancras railway station
29:
15030:English environmentalists
14763:
14682:
14621:
14530:
14489:
14414:
14338:
14187:
13960:
13667:
13579:
13513:
13386:
13319:
13308:
13251:
12957:(Oxford University Press)
12839:Columbia University Press
12796:The Worlds of John Ruskin
12662:John Ruskin's Bookplates.
12576:James S. Dearden (2004),
12569:Francis O'Gorman (1999),
12273:10.1080/14714780903509847
12261:Visual Culture in Britain
11589:Miles, Edward W. (2016).
11195:Pittsburgh Reflector Co.
11054:10.1080/01457639208939784
11042:Heat Transfer Engineering
10487:The great flaw in the man
10431:Fowler, Alastair (1989).
9675:"The Elements of Drawing"
9636:Lang, Michael H. (1999).
9194:"JOHN RUSKIN PASSES AWAY"
8927:, 28.417–38 and 28.13–29.
8481:. pp. 689–716, 691.
8155:Stanford University Press
8059:Southern Economic Journal
8053:Fain, John Tyree (1943).
7674:Ruskin Programme Bulletin
7405:30 September 2007 at the
6976:See J. L. Bradley (ed.),
6056:1880–81, incorporated in
5918:to Art, Given before the
5162:with Ruskin portrayed by
4974:Through the Looking Glass
4939:(2007), a short story by
4656:Heat Transfer Engineering
3954:The Priory Ruskin Academy
3530:Ralph Radcliffe Whitehead
3526:Dickson County, Tennessee
3454:
3427:had aroused the anger of
3288:Grave of John Ruskin, in
3280:Brantwood and final years
2781:, Leonard Montefiore and
2529:Sunderland, Tyne and Wear
2024:We Have Never Been Modern
1802:), botany and mythology (
1534:Frederick Denison Maurice
1530:Frederick James Furnivall
1480:Duntisbourne Abbots near
782:, taking up residence at
765:
629:
352:, literature, education,
322:
317:
313:
290:
259:
241:
231:
221:
217:
185:
126:
105:
86:
67:
55:
48:
15005:British male journalists
15000:British anti-capitalists
14720:The Mirror of Production
13455:Ruskin School of Drawing
13394:Arts and Crafts movement
13195:Leeds University Library
13142:18 November 2009 at the
13115:13 December 2013 at the
13103:13 December 2013 at the
12981:Portraits of John Ruskin
12305:– via Archive.org.
11567:10.1038/sj.bdj.2014.1059
11160:Anonymous. (July 1919).
10839:27 November 2021 at the
10692:The works of John Ruskin
10548:4 September 2021 at the
10485:Travis, Kennedy (2018).
10402:New Approaches to Ruskin
10146:no. 10 (2010), pp. 7–10.
10023:"Ruskin Community Mural"
9775:The Carlyle Encyclopedia
9334:"The Guild of St George"
9036:Museums-sheffield.org.uk
8900:Utopia-britannica.org.uk
8763:Nineteenth-Century Prose
8653:Nineteenth-Century Prose
8552:(Clarendon Press, 1996)
8153:. Stanford, California:
7837:Nineteenth-Century Prose
7739:12 February 2011 at the
7728:14 February 2011 at the
7717:14 February 2011 at the
6570:"UCL Bloomsbury Project"
6497:John Ruskin's Camberwell
6100:, 4 and 11 February 1884
6072:Our Fathers Have Told Us
5980:(first published 1906) (
5978:in Michaelmas Term, 1874
5964:in Michaelmas Term, 1873
5544:Vol. V (1860) (Part VI)
5533:Vol. IV (1856) (Part V)
5416:The Works of John Ruskin
5100:(1998), a radio play by
5068:(1994), a radio play by
5034:(1983), a radio play by
4963:Alice Liddell Hargreaves
4686:John Ruskin in the 1850s
4669:For many years, various
4518:, who was Keeper of the
4506:Turner's erotic drawings
4265:Arts and Crafts Movement
4172:Art and design criticism
3986:University of Pittsburgh
3962:Anglia Ruskin University
3679:Arts and Crafts movement
3518:Ruskin, British Columbia
3304:house, on the shores of
3022:, in other parts of the
2087:20th–21st-century people
2074:Carl Jonas Love Almqvist
2037:18th–19th-century people
2014:The Mirror of Production
1826:(where he was joined by
1818:(studying tombs for the
1750:Evangelical Christianity
1717:Religious "unconversion"
1650:Anglia Ruskin University
1621:Art Treasures Exhibition
622:, where he prepared for
431:Ruskin School of Drawing
15105:English fantasy writers
15055:English watercolourists
14786:Criticism of capitalism
14745:Discourse on Inequality
14366:Evolutionary aesthetics
14316:The Aesthetic Dimension
12940:(Yale University Press)
12933:(Yale University Press)
12914:The Life of John Ruskin
12910:The Life of John Ruskin
12896:The Life of John Ruskin
12781:Encyclopædia Britannica
12204:The Love of John Ruskin
11911:Fortnightlyreview.co.uk
11420:Lamb, George N (1947).
11341:"Don't You be the Goat"
10631:Millais and the Ruskins
10618:Millais and the Ruskins
9587:(Methuen, 1900) p. 260.
9572:Ruskin and Architecture
9222:"BURIAL OF JOHN RUSKIN"
9137:Michael Wheeler (ed.),
8859:(Brentham Press, 2007).
8778:printed in "blood-red".
8335:67 no.1 (spring):79-82.
8310:, 18.xlv–xlvi, 550–554.
8006:Stimson, F. J. (1888).
7949:The Life of John Ruskin
7320:(Methuen, 1900) p. 402.
7290:Millais and the Ruskins
7251:Millais and the Ruskins
7185:The Burlington Magazine
6335:Charles Augustus Howell
6325:, a bridleway in Oxford
6129:(3 vols.) (1885–1889) (
5676:The Harbours of England
5493:(5 vols.) (1843–1860) (
5138:drama serial about the
4994:The Love of John Ruskin
4572:William Ewart Gladstone
4356:, (1849) Ruskin wrote:
4111:post-industrial society
4087:and Andrew Hill at the
3084:, as sketched by Ruskin
2618:The Crown of Wild Olive
2590:University of Cambridge
2316:, based on theories of
2239:Post-autistic economics
1979:Discourse on Inequality
1694:The Harbours of England
1093:Middle life (1847–1869)
977:Dulwich Picture Gallery
871:Henry Sigismund Uhlrich
869:Engraving of Ruskin by
626:under Dale's tutelage.
579:), near the village of
500:Childhood and education
226:19th-century philosophy
14296:Avant-Garde and Kitsch
14246:Lectures on Aesthetics
13205:John Ruskin Collection
13146:. Retrieved 2010-10-19
12943:John Batchelor (2000)
12798:. Pallas Athene, 2010.
12239:British Film Institute
11874:27.27–44 and 28.106–7.
11740:Philip, Bruce (2011).
11684:10.4103/apos.apos_3_18
11554:British Dental Journal
10846:Philological Quarterly
10672:(Pallas Athene, 2013).
10176:(Ruskin To-Day, 2006).
9728:19 August 2020 at the
9712:17 August 2020 at the
9338:guildofstgeorge.org.uk
9288:See James S. Dearden,
8735:The Aesthetic Movement
8690:27 August 2006 at the
7074:(Pallas Athene, 2013).
7046:Rose, Phyllis (1984).
6540:"Andrews Family | ERM"
6409:10.1093/ref:odnb/24291
6366:Barker, James (1992).
6289:Mary Augusta Wakefield
6245:(Pallas Athene, 2011)
6048:Fiction, Fair and Foul
6040:(1877–84, book 1884) (
5142:. Ruskin is played by
4886:The Invention of Truth
4842:McDonald, Eva (1979).
4687:
4611:
4598:
4554:
4545:
4516:Ralph Nicholson Wornum
4454:
4447:
4382:
4342:
4299:
4267:, the founders of the
4223:Classical architecture
4148:
4045:, and the politicians
3949:
3944:John Ruskin Street in
3844:Hubert Llewellyn Smith
3744:John Howard Whitehouse
3707:Thomas Coglan Horsfall
3666:Craft and conservation
3655:
3564:
3473:
3452:
3419:An incident where the
3417:
3384:
3361:John Howard Whitehouse
3293:
3213:Fiction, Fair and Foul
3196:
3085:
2983:in Hertfordshire; and
2865:James McNeill Whistler
2841:
2787:university settlements
2683:
2659:Later life (1869–1900)
2631:
2558:'s suppression of the
2503:
2441:
2385:Smith, Elder & Co.
2338:, Ruskin rejected the
2295:
1771:
1670:labour theory of value
1554:The Ethics of the Dust
1518:Dante Gabriel Rossetti
1322:Dante Gabriel Rossetti
1310:
1309:, Scotland, (1853–54).
1276:pioneer and socialist
1254:
1110:Marriage to Effie Gray
1106:
1101:Effie Gray painted by
944:Smith, Elder & Co.
887:
756:Architectural Magazine
687:, and in 1835 visited
647:(his first long poem,
639:
616:King's College, London
566:
512:
496:
447:Early life (1819–1846)
251:Continental philosophy
15040:English male painters
14796:Economic anthropology
14522:Erik Johan Stagnelius
14441:Philosophy portal
13193:Archival material at
13179:by W. G. Collingwood"
12947:(Chatto & Windus)
12880:Biographies of Ruskin
12844:Viljoen, Helen Gill.
12801:Murphy, Paul Thomas.
12696:Ruskin and His Circle
11979:Ruskin, John (1989).
11964:Ruskin, John (1989).
11949:Ruskin, John (1872).
11131:Northwestern Druggist
10986:"A Ruskin Quotation?"
10682:Ruskin, John (1909).
10668:See Robert Brownell,
10657:Vindication of Ruskin
10500:Ruskin, John (1903).
9180:24 March 2012 at the
9008:. Ruskin at Walkley.
8842:See Sally Goldsmith,
8813:24 March 2012 at the
7697:J. L. Bradley (ed.),
7586:Manuel, Anne (2013).
7396:Westbury Manor Museum
6239:(Pallas Athene, 2012)
5872:Lectures on Landscape
5754:1862–63, book 1872) (
5384:Aiguille de Blaitière
5282:Falls of Schaffhausen
4865:Peter Hoyle's novel,
4685:
4606:
4593:
4549:
4540:
4478:had led, through the
4475:The Wealth of Nations
4466:industrial capitalist
4449:
4434:
4390:Eugène Viollet-le-Duc
4358:
4345:Historic preservation
4312:
4285:
4227:Industrial Revolution
4124:
4107:Fair Oaks, California
3960:, South Croydon; and
3943:
3884:From Luther to Hitler
3830:, and the positivist
3775:Working Men's College
3760:Michael Ernest Sadler
3651:
3562:
3462:
3437:
3402:
3382:
3287:
3264:illustrators such as
3194:
3080:
2836:
2671:
2626:
2580:Lectures in the 1860s
2479:
2422:
2332:. In his four essays
2290:
2249:Market fundamentalism
2189:Economic anthropology
1961:A Contribution to the
1832:industrial capitalism
1767:
1524:, established by the
1522:Working Men's College
1409:John William Inchbold
1291:
1270:Working Men's College
1262:industrial capitalism
1239:
1116:Euphemia "Effie" Gray
1100:
942:(1843), published by
868:
825:came second). He met
808:Charles Thomas Newton
794:(later the father of
696:Friendship's Offering
637:
597:Emily Augusta Patmore
553:
507:
490:
118:King's College London
113:Christ Church, Oxford
15070:Painters from London
15050:English philosophers
14806:Mainstream economics
14700:The Right to Be Lazy
14386:Philosophy of design
14266:In Praise of Shadows
14256:The Critic as Artist
13284:The Stones of Venice
13161:UK National Archives
13086:Lancaster University
13058:Works by John Ruskin
13039:Works by John Ruskin
13030:Works by John Ruskin
12776:Hugh, Chriholm, ed.
12580:(Shire Publications)
12321:Canadian Film Centre
12212:. 20 February 1912.
11917:on 29 September 2017
11526:10.1093/bja/33.5.239
11370:Lamb, Geo N (1940).
11253:Kansas Industrialist
11127:"Ain't it the Truth"
11069:"Construction Costs"
10740:Evans, Joan (1970).
10389:The Stones of Venice
9681:on 14 September 2017
9640:. Black Rose Books.
9622:18 June 2012 at the
9598:Ruskin and Modernism
9574:(Spire Books, 2003)
9369:theruskinsociety.com
9365:"The Ruskin Society"
8981:Ruskin and Sheffield
8710:. 2 September 2021.
8573:Francis O' Gorman,
8548:See Robert Hewison,
8352:. 13 November 2006.
8296:Octavia Hill: A Life
7663:, 5.385–417, 418–68.
7357:Fitzmuseum.cam.ac.uk
7145:The Stones of Venice
6442:Helen Gill Viljoen,
6429:Helen Gill Viljoen,
6243:The Nature of Gothic
6139:(1886, 1887, 1900) (
6018:Bibliotheca Pastorum
5976:University of Oxford
5962:University of Oxford
5938:University of Oxford
5920:University of Oxford
5856:University of Oxford
5834:University of Oxford
5762:The Cestus of Aglaia
5583:The Stones of Venice
5154:(2014), a biopic of
5098:The Order of Release
4789:Fictional portrayals
4652:Lancaster University
4418:The Stones of Venice
4236:The Stones of Venice
4201:The Stones of Venice
4117:Theory and criticism
3911:Lancaster University
3864:British Labour Party
3820:Christian socialists
3715:garden city movement
3341:Charles Eliot Norton
3169:Mornings in Florence
3164:The Stones of Venice
3102:occurred in 1871 at
2993:Bibliotheca Pastorum
2895:William Powell Frith
2560:Morant Bay rebellion
2513:James Anthony Froude
2414:British Labour party
1808:The Queen of the Air
1800:The Cestus of Aglaia
1735:Presentation of the
1526:Christian socialists
1507:Ruskin and education
1466:stained glass window
1324:had established the
1314:John Everett Millais
1303:John Everett Millais
1249:The Stones of Venice
1222:The Stones of Venice
1199:The Stones of Venice
1032:Jacopo della Quercia
1022:among others at the
919:Before Ruskin began
913:Blackwood's Magazine
780:University of Oxford
427:University of Oxford
206: 1848;
153:The Stones of Venice
98:Coniston, Lancashire
15025:English art critics
14776:Classical economics
14771:Assume a can opener
14603:Claus Peter Ortlieb
14578:Hans-Georg Backhaus
14396:Philosophy of music
14371:Mathematical beauty
13368:Desperate Romantics
13015:Electronic editions
12996:Library collections
12573:(Sutton Publishing)
12174:Randolph, Octavia.
10876:John Ruskin: A Life
10554:British Art Journal
10515:Cook and Wedderburn
10346:Cook and Wedderburn
10259:"Ruskin MP I Notes"
9993:"The Ruskin Museum"
9583:W. G. Collingwood,
9491:Cynthia J. Gamble,
9443:Changes and Chances
9151:Cook and Wedderburn
9126:Cook and Wedderburn
9099:Cook and Wedderburn
9074:Cook and Wedderburn
9006:"Ruskin at Walkley"
8993:Cook and Wedderburn
8925:Cook and Wedderburn
8881:See Stuart Eagles,
8788:Cook and Wedderburn
8665:Cook and Wedderburn
8562:Cook and Wedderburn
8399:Cook and Wedderburn
8387:Cook and Wedderburn
8375:Cook and Wedderburn
8320:Cook and Wedderburn
8308:Cook and Wedderburn
8283:Cook and Wedderburn
8247:Cook and Wedderburn
8235:Cook and Wedderburn
8206:"Ruskin MP I Notes"
8167:Cook and Wedderburn
8138:Cook and Wedderburn
8113:Cook and Wedderburn
7985:Cook and Wedderburn
7973:Cook and Wedderburn
7961:Cook and Wedderburn
7874:Cook and Wedderburn
7849:Cook and Wedderburn
7824:British Art Journal
7802:Cook and Wedderburn
7790:Cook and Wedderburn
7778:Cook and Wedderburn
7766:Cook and Wedderburn
7686:Cook and Wedderburn
7661:Cook and Wedderburn
7636:Cook and Wedderburn
7561:Cook and Wedderburn
7512:Cook and Wedderburn
7500:Cook and Wedderburn
7363:on 3 September 2014
7330:Cook and Wedderburn
7316:W. G. Collingwood,
7262:Sir William James,
7238:Cook and Wedderburn
7210:Cook and Wedderburn
7158:Cook and Wedderburn
7084:Cook and Wedderburn
6961:Cook and Wedderburn
6949:Cook and Wedderburn
6911:Cook and Wedderburn
6824:Cook and Wedderburn
6748:Cook and Wedderburn
6736:Cook and Wedderburn
6724:Cook and Wedderburn
6712:Cook and Wedderburn
6700:Cook and Wedderburn
6688:Cook and Wedderburn
6303:John Henry Devereux
6070:(the first part of
6068:The Bible of Amiens
5586:(3 vols) (1851–53)
5426:Cook and Wedderburn
5408:Select bibliography
5134:(2009), a six-part
5131:Desperate Romantics
4644:Ruskin Library News
4196:Classical tradition
3958:John Ruskin College
3836:settlement movement
3804:Pierre de Coubertin
3538:Woodstock, New York
3195:John Ruskin in 1882
3173:The Bible of Amiens
3104:Matlock, Derbyshire
3005:Francesca Alexander
2987:, Gloucestershire.
2791:Ruskin Hall, Oxford
2728:Select Bibliography
2594:British Institution
2184:Classical economics
2179:Assume a can opener
2139:Claus Peter Ortlieb
1828:William Holman Hunt
1585:Modern Painters III
1538:Elements of Drawing
1368:, exhibited at the
1318:William Holman Hunt
1266:Christian socialist
1260:in particular, and
1142:Gothic architecture
1134:Revolutions of 1848
1072:Scuola di San Rocco
1064:St Mark's Cathedral
178:3 vols. (1885–1889)
156:3 vols. (1851–1853)
140:5 vols. (1843–1860)
15060:Guild of St George
15010:Burials in Cumbria
14916:The Book Collector
14750:The Accursed Share
14391:Philosophy of film
14381:Patterns in nature
14351:Applied aesthetics
14326:Why Beauty Matters
14112:Life imitating art
13973:Art for art's sake
13410:Guild of St George
12936:Tim Hilton (2000)
12929:Tim Hilton (1985)
12689:The Book Collector
12679:The Book Collector
12665:The Book Collector
12660:Dearden, James S.
12519:TCM Movie Database
12480:(7 October 2014).
12458:on 3 February 2019
12387:on 19 October 2017
12357:on 19 October 2017
12142:"Sesame and Roses"
12140:Grace Andreacchi.
10575:The New York Times
10365:. 7 January 2000.
10227:Bernick, Michael.
10215:Broadcasting House
10113:on 12 October 2011
9550:. pp. 16–33.
9480:Ruskin and Tolstoy
9227:The New York Times
9199:The New York Times
8868:See Liz Mitchell,
8857:Ruskin and Bewdley
8333:The Book Collector
8298:(Constable, 1990)
7027:on 19 October 2017
6965:Modern Painters II
6767:on 17 October 2011
6237:Peter Brimblecombe
6098:London Institution
6053:Nineteenth Century
5738:1860, book 1862) (
5122:(2003), a play by
4925:Come, Gentle Night
4846:John Ruskin's Wife
4735:) of Ulysses; and
4688:
4489:In the preface to
4480:division of labour
4300:
4231:The Crystal Palace
4153:literary criticism
4149:
4065:, Raficq Abdulla,
3950:
3931:Guild of St George
3876:National Socialist
3787:Net Book Agreement
3689:to help found the
3687:Hardwicke Rawnsley
3582:Frank Lloyd Wright
3565:
3474:
3385:
3368:Guild of St George
3294:
3257:Aesthetic movement
3197:
3086:
3067:Millennium Gallery
2997:Shepherd's Library
2932:Guild of St George
2926:Guild of St George
2883:Edward Burne-Jones
2755:Ferry Hinksey Road
2732:Ariadne Florentina
2700:Sheldonian Theatre
2684:
2632:
2600:on "Work" and the
2340:division of labour
2204:Orthodox economics
2199:Feminist economics
2009:The Accursed Share
1994:Hard Times (novel)
1570:Somerville College
1558:Whitelands College
1478:St. Peter's Church
1474:Fareham, Hampshire
1449:Fitzwilliam Museum
1413:Edward Burne-Jones
1311:
1258:division of labour
1107:
996:Modern Painters II
962:(Gaspar Poussin),
888:
827:William Wordsworth
823:Arthur Hugh Clough
788:gentleman-commoner
730:First publications
640:
513:
497:
441:Guild of St George
236:Western philosophy
15035:English essayists
14985:Anti-consumerists
14819:
14818:
14568:Neue Marx-LektĂĽre
14531:20th–21st-century
14490:18th–19th-century
14449:
14448:
14401:Psychology of art
14276:Art as Experience
13473:
13472:
13371:(2009 miniseries)
13347:(1975 miniseries)
13092:Archival material
13034:Project Gutenberg
13008:John Ruskin texts
12908:. George Allen. (
12886:W. G. Collingwood
12863:Harper's magazine
12833:Rosenberg, J. G.
12811:978-1-63936-491-6
12771:Thames and Hudson
12733:978-1-78188-301-3
12717:978-1-907485-13-8
12636:Conner, Patrick.
12607:978-0-300-24641-4
12600:. New Haven, CT.
12411:Suttonelms.org.uk
12067:Brewer, E. Cobham
11423:The Mahogany Book
11100:Plymouth Products
10988:. Victorian Web.
10688:Cook, Edward Tyas
10461:Selected Writings
10408:, 1981, pp. 33–50
10136:Art Workers Guild
9557:978-0-9646042-0-9
8776:Sesame and Lilies
8681:. – book review,
8467:Brock, Michael G.
8216:on 8 October 2012
7923:The Victorian Web
7892:The Victorian Web
7860:Michael Wheeler,
7608:on 8 January 2015
7191:(1117): 228–234.
7169:Fiona MacCarthy,
7120:. 20 March 2008.
6640:on 14 August 2017
6415:(Subscription or
6341:The English House
6329:Trenton, Missouri
6269:John D. Rosenberg
6255:Selected Writings
6249:Selected Writings
5751:Fraser's Magazine
5735:Cornhill Magazine
5361:Sunset seen from
5198:Light, Descending
4981:Light, Descending
4951:Alice I Have Been
4947:Benjamin, Melanie
4620:Winnington school
4459:
4414:political economy
4408:Ruskin wielded a
4379:
4145:Frederick Hollyer
4043:Charles Tomlinson
4032:parametric design
3913:, Ruskin's home,
3870:or the Bible. In
3848:William Beveridge
3832:Frederic Harrison
3783:Allen & Unwin
3660:
3630:John William Hill
3626:Wilhelm Worringer
3534:Byrdcliffe Colony
3337:W. G. Collingwood
3308:, in the English
3109:Ruskin turned to
2899:Frederic Leighton
2869:Grosvenor Gallery
2867:exhibited at the
2852:
2831:Allen & Unwin
2817:Oxford University
2775:W. G. Collingwood
2738:) and sculpture (
2692:Oxford University
2636:Sesame and Lilies
2629:Sesame and Lilies
2508:Fraser's Magazine
2500:
2438:
2372:Cornhill Magazine
2344:political economy
2306:
2288:
2287:
2244:Time-use research
2044:August Strindberg
1840:political economy
1783:
1700:Marlborough House
1501:Benjamin Woodward
1462:Pauline Trevelyan
1357:Ruskin's portrait
1272:and later by the
988:Elizabeth Gaskell
859:Modern Painters I
593:Congregationalist
358:political economy
331:
330:
282:political economy
16:(Redirected from
15117:
14920:
14911:
14901:
14893:
14892:
14891:
14884:
14876:
14875:
14874:
14867:
14859:
14858:
14857:
14850:
14842:
14841:
14840:
14830:
14791:Critique of work
14608:Georges Bataille
14588:Michael Heinrich
14538:Jean Baudrillard
14497:Friedrich Engels
14476:
14469:
14462:
14453:
14452:
14439:
14438:
14437:
14331:
14321:
14311:
14301:
14291:
14281:
14271:
14261:
14251:
14241:
14231:
14221:
14211:
14201:
13500:
13493:
13486:
13477:
13476:
13425:Pathetic fallacy
13314:
13238:
13231:
13224:
13215:
13214:
13190:
13169:
13164:
13069:
13068:
13053:Internet Archive
12991:
12977:. Ruskin journal
12830:. Ashgate, 2000.
12817:Quigley, Carroll
12794:Jackson, Kevin.
12759:
12753:
12745:
12686:Wise and Ruskin.
12633:
12627:
12619:
12551:
12550:
12548:
12546:
12537:. Archived from
12527:
12521:
12510:
12504:
12503:
12501:
12499:
12474:
12468:
12467:
12465:
12463:
12454:. Archived from
12433:
12427:
12426:
12424:
12422:
12403:
12397:
12396:
12394:
12392:
12383:. Archived from
12377:"Gregory Murphy"
12373:
12367:
12366:
12364:
12362:
12353:. Archived from
12351:Victorianweb.org
12343:
12337:
12336:
12334:
12332:
12313:
12307:
12306:
12304:
12302:
12291:
12285:
12284:
12252:
12241:
12232:
12226:
12225:
12223:
12221:
12198:
12192:
12191:
12189:
12187:
12171:
12162:
12161:
12159:
12157:
12146:Sites.google.com
12137:
12131:
12130:
12128:
12126:
12117:. 1 March 1999.
12101:
12095:
12094:
12092:
12090:
12063:
12057:
12056:
12054:
12052:
12024:
12018:
12017:
12015:
12013:
11991:
11985:
11984:
11976:
11970:
11969:
11961:
11955:
11954:
11946:
11940:
11933:
11927:
11926:
11924:
11922:
11903:
11897:
11894:
11888:
11881:
11875:
11868:
11862:
11852:
11846:
11845:
11843:
11841:
11835:
11820:
11811:
11805:
11804:
11802:
11800:
11776:
11770:
11769:
11767:
11765:
11737:
11731:
11730:
11728:
11726:
11703:
11697:
11696:
11686:
11662:
11656:
11655:
11653:
11651:
11645:
11634:
11625:
11619:
11618:
11616:
11614:
11586:
11580:
11579:
11569:
11545:
11539:
11538:
11528:
11504:
11498:
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11495:
11493:
11473:
11467:
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11464:
11462:
11442:
11436:
11435:
11433:
11431:
11417:
11411:
11410:
11408:
11406:
11392:
11386:
11385:
11383:
11381:
11367:
11361:
11360:
11358:
11356:
11337:
11331:
11330:
11328:
11326:
11312:
11306:
11305:
11303:
11301:
11295:
11284:
11275:
11269:
11268:
11266:
11264:
11244:
11238:
11237:
11235:
11233:
11217:
11211:
11210:
11208:
11206:
11192:
11186:
11185:
11183:
11181:
11157:
11151:
11150:
11148:
11146:
11122:
11116:
11115:
11113:
11111:
11091:
11085:
11084:
11082:
11080:
11064:
11058:
11057:
11037:
11031:
11030:
11028:
11026:
11011:
11002:
11001:
10999:
10997:
10981:
10972:
10971:
10969:
10967:
10936:
10927:
10926:
10924:
10922:
10902:
10896:
10889:
10883:
10872:
10866:
10865:
10855:
10849:
10830:
10824:
10823:
10821:
10819:
10790:(20 July 1998).
10784:
10778:
10771:
10765:
10764:
10762:
10760:
10737:
10731:
10730:
10728:
10726:
10710:
10704:
10703:
10679:
10673:
10666:
10660:
10653:
10647:
10640:
10634:
10627:
10621:
10614:
10608:
10607:
10605:
10603:
10571:
10563:
10557:
10537:
10531:
10524:
10518:
10512:
10506:
10505:
10497:
10491:
10490:
10482:
10476:
10470:
10464:
10453:
10447:
10446:
10428:
10422:
10415:
10409:
10398:
10392:
10385:
10379:
10378:
10376:
10374:
10355:
10349:
10343:
10337:
10336:
10334:
10332:
10317:
10311:
10301:
10295:
10285:
10279:
10278:
10276:
10274:
10255:
10249:
10248:
10246:
10244:
10224:
10218:
10209:in John Ruskin,
10200:
10194:
10189:in John Ruskin,
10183:
10177:
10167:
10161:
10153:
10147:
10129:
10123:
10122:
10120:
10118:
10109:. Archived from
10103:
10097:
10092:Lars Spuybroek,
10090:
10084:
10075:
10069:
10062:
10056:
10049:
10043:
10042:
10040:
10038:
10029:. 4 March 2009.
10019:
10013:
10012:
10010:
10008:
9997:www.facebook.com
9989:
9983:
9982:
9980:
9978:
9958:
9952:
9951:
9949:
9947:
9942:on 9 August 2006
9932:
9926:
9925:
9923:
9921:
9906:
9900:
9899:
9897:
9895:
9880:"Ruskin Library"
9876:
9870:
9869:
9867:
9865:
9845:
9839:
9838:
9836:
9834:
9814:
9808:
9807:
9795:
9785:
9779:
9778:
9770:
9764:
9753:
9747:
9740:
9734:
9697:
9691:
9690:
9688:
9686:
9677:. Archived from
9671:
9665:
9664:(Ashgate, 2011).
9658:
9652:
9651:
9633:
9627:
9611:
9605:
9594:
9588:
9581:
9575:
9568:
9562:
9561:
9537:
9531:
9530:
9521:. 1 April 2017.
9515:
9509:
9502:
9496:
9489:
9483:
9476:
9470:
9463:
9454:
9435:
9429:
9422:
9416:
9415:
9413:
9411:
9391:
9385:
9384:
9382:
9380:
9360:
9354:
9353:
9351:
9349:
9329:
9323:
9322:
9320:
9318:
9307:Brantwood.org.uk
9299:
9293:
9286:
9280:
9273:
9267:
9259:
9253:
9246:
9240:
9239:
9237:
9235:
9218:
9212:
9211:
9209:
9207:
9190:
9184:
9173:
9167:
9160:
9154:
9148:
9142:
9135:
9129:
9123:
9117:
9116:
9108:
9102:
9096:
9090:
9083:
9077:
9071:
9065:
9058:
9052:
9051:
9049:
9047:
9028:
9022:
9021:
9019:
9017:
9002:
8996:
8990:
8984:
8973:
8967:
8962:Sara E. Haslam,
8960:
8954:
8947:
8941:
8934:
8928:
8922:
8916:
8915:
8913:
8911:
8892:
8886:
8879:
8873:
8866:
8860:
8853:
8847:
8840:
8834:
8833:(Methuen, 1931).
8823:
8817:
8806:
8800:
8797:
8791:
8785:
8779:
8772:
8766:
8759:
8753:
8752:
8730:
8724:
8723:
8721:
8719:
8700:
8694:
8674:
8668:
8662:
8656:
8649:
8643:
8636:
8630:
8623:
8617:
8610:
8604:
8603:
8601:
8599:
8590:. Open Plaques.
8584:
8578:
8571:
8565:
8559:
8553:
8546:
8537:
8536:
8534:
8532:
8526:
8515:
8507:
8501:
8500:
8463:Symonds, Richard
8459:
8453:
8452:
8450:
8448:
8434:
8428:
8421:
8415:
8408:
8402:
8396:
8390:
8384:
8378:
8372:
8366:
8365:
8363:
8361:
8350:Victorianweb.org
8342:
8336:
8329:
8323:
8317:
8311:
8305:
8299:
8294:Gillian Darley,
8292:
8286:
8280:
8274:
8256:
8250:
8244:
8238:
8232:
8226:
8225:
8223:
8221:
8202:
8196:
8193:
8187:
8176:
8170:
8164:
8158:
8147:
8141:
8135:
8129:
8122:
8116:
8110:
8104:
8097:
8091:
8090:
8050:
8044:
8043:
8003:
7997:
7994:
7988:
7982:
7976:
7970:
7964:
7958:
7952:
7945:
7939:
7938:
7936:
7934:
7914:
7908:
7907:
7905:
7903:
7883:
7877:
7871:
7865:
7858:
7852:
7846:
7840:
7833:
7827:
7820:
7814:
7811:
7805:
7799:
7793:
7787:
7781:
7775:
7769:
7763:
7757:
7750:
7744:
7708:
7702:
7695:
7689:
7683:
7677:
7670:
7664:
7658:
7652:
7645:
7639:
7633:
7627:
7624:
7618:
7617:
7615:
7613:
7604:. Archived from
7598:
7592:
7591:
7583:
7577:
7570:
7564:
7558:
7552:
7546:
7540:
7535:Robert Hewison,
7533:
7527:
7521:
7515:
7509:
7503:
7497:
7491:
7490:
7488:
7486:
7481:on 5 August 2011
7477:. Archived from
7471:
7465:
7464:
7462:
7460:
7441:
7435:
7430:Michael Brooks,
7428:
7422:
7415:
7409:
7388:
7382:
7379:
7373:
7372:
7370:
7368:
7359:. Archived from
7349:
7343:
7339:
7333:
7327:
7321:
7314:
7308:
7302:
7293:
7286:
7280:
7273:
7267:
7260:
7254:
7247:
7241:
7235:
7229:
7219:
7213:
7207:
7201:
7200:
7180:
7174:
7167:
7161:
7155:
7149:
7140:
7134:
7133:
7131:
7129:
7110:
7104:
7093:
7087:
7081:
7075:
7068:
7062:
7061:
7043:
7037:
7036:
7034:
7032:
7017:
7011:
7010:
7008:
7006:
6987:
6981:
6974:
6968:
6958:
6952:
6946:
6940:
6933:
6927:
6920:
6914:
6908:
6902:
6901:
6899:
6897:
6888:. 28 June 2002.
6878:
6872:
6871:(Cassell, 1990)
6869:Ruskin on Turner
6862:
6856:
6846:
6840:
6833:
6827:
6821:
6815:
6805:
6799:
6796:
6790:
6785:Cynthia Gamble,
6783:
6777:
6776:
6774:
6772:
6763:. Archived from
6757:
6751:
6745:
6739:
6733:
6727:
6721:
6715:
6709:
6703:
6697:
6691:
6685:
6679:
6669:
6663:
6656:
6650:
6649:
6647:
6645:
6636:. Archived from
6626:
6620:
6619:
6617:
6615:
6596:
6590:
6589:
6587:
6585:
6566:
6560:
6559:
6557:
6555:
6550:on 19 April 2021
6546:. Archived from
6536:
6530:
6529:
6527:
6525:
6520:on 24 April 2021
6516:. Archived from
6506:
6500:
6493:
6487:
6480:
6474:
6470:
6464:
6458:
6447:
6440:
6434:
6427:
6421:
6420:
6412:
6391:
6372:
6371:
6363:
6313:Ruskin's diggers
6308:Ruskin, Nebraska
5850:Aratra Pentelici
5635:Pre-Raphaelitism
5419:
5395:
5379:
5357:
5341:
5320:
5306:
5292:
5278:
5262:
5248:
5234:
5220:
5182:, and featuring
5066:Parrots and Owls
5046:(Old Mr Ruskin)
5036:Elizabeth Morgan
4941:Grace Andreacchi
4937:Sesame and Roses
4922:
4899:
4882:Morazzoni, Marta
4861:
4849:
4811:The New Republic
4699:Pathetic fallacy
4520:National Gallery
4460:
4457:
4445:
4380:
4374:
4350:left to die. In
4316:as economic man.
4292:Ashmolean Museum
4157:Edward Tyas Cook
4138:
4135:
4131:
4128:
4079:Jonathan Glancey
4067:Jonathon Porritt
4011:cultural tourism
3798:Ashmolean Museum
3768:Charles A. Beard
3752:Bembridge School
3729:Edward Carpenter
3661:
3658:
3594:G. K. Chesterton
3450:
3415:
3270:Darwinian theory
3179:(1877–1884) and
3123:life after death
2915:Fine Art Society
2853:
2844:
2748:Ashmolean Museum
2740:Aratra Pentelici
2736:The Eagle's Nest
2720:Ashmolean Museum
2556:Edward John Eyre
2515:, cut short his
2501:
2486:
2439:
2430:
2314:John Stuart Mill
2307:
2298:
2280:
2273:
2266:
2104:Jean Baudrillard
2099:Georges Bataille
2054:Friedrich Engels
1890:Critique of work
1860:
1845:
1844:
1784:
1774:
1742:Galleria Sabauda
1706:National Gallery
1627:and later under
1578:women's colleges
1439:drawings to the
1397:Elizabeth Siddal
1333:Coventry Patmore
1268:founders of the
1252:
984:Charlotte Brontë
973:National Gallery
886:
883:
879:
804:William Buckland
578:
575:
564:
517:Brunswick Square
327:
300:Pathetic fallacy
211:
209:
205:
129:
93:
77:
75:
60:
46:
45:
21:
15125:
15124:
15120:
15119:
15118:
15116:
15115:
15114:
14925:
14924:
14923:
14912:
14908:
14904:
14894:
14889:
14887:
14883:from Wikisource
14877:
14872:
14870:
14860:
14855:
14853:
14843:
14838:
14836:
14833:
14829:sister projects
14826:at Knowledge's
14820:
14815:
14759:
14678:
14617:
14598:Roman Rozdolsky
14573:Helmut Reichelt
14563:Étienne Balibar
14526:
14485:
14480:
14450:
14445:
14435:
14433:
14410:
14334:
14329:
14319:
14309:
14306:Critical Essays
14299:
14289:
14279:
14269:
14259:
14249:
14239:
14229:
14219:
14209:
14199:
14183:
13956:
13870:Ortega y Gasset
13663:
13575:
13509:
13504:
13474:
13469:
13445:Ruskin Monument
13382:
13344:The Love School
13336:Dante's Inferno
13331:(1854 painting)
13315:
13306:
13268:Modern Painters
13247:
13242:
13155:
13144:Wayback Machine
13117:Wayback Machine
13105:Wayback Machine
13094:
13066:
13025:Standard Ebooks
13017:
12998:
12964:
12882:
12871:, "Ruskin", in
12869:Woolf, Virginia
12763:Hewison, Robert
12747:
12746:
12734:
12684:Dearden, J. S.
12670:Dearden, J. S.
12642:Macmillan Press
12621:
12620:
12608:
12592:
12587:
12585:Further reading
12559:
12554:
12544:
12542:
12541:on 29 July 2013
12529:
12528:
12524:
12511:
12507:
12497:
12495:
12475:
12471:
12461:
12459:
12434:
12430:
12420:
12418:
12417:on 18 July 2017
12405:
12404:
12400:
12390:
12388:
12375:
12374:
12370:
12360:
12358:
12345:
12344:
12340:
12330:
12328:
12315:
12314:
12310:
12300:
12298:
12296:"Dear Countess"
12292:
12288:
12253:
12244:
12235:Dante's Inferno
12233:
12229:
12219:
12217:
12200:
12199:
12195:
12185:
12183:
12172:
12165:
12155:
12153:
12138:
12134:
12124:
12122:
12109:by Ann Harries"
12103:
12102:
12098:
12088:
12086:
12081:. p. 616.
12071:"New Republic (
12064:
12060:
12050:
12048:
12041:
12025:
12021:
12011:
12009:
12001:The Independent
11992:
11988:
11977:
11973:
11962:
11958:
11947:
11943:
11934:
11930:
11920:
11918:
11905:
11904:
11900:
11895:
11891:
11882:
11878:
11869:
11865:
11853:
11849:
11839:
11837:
11836:on 29 July 2013
11833:
11818:
11812:
11808:
11798:
11796:
11777:
11773:
11763:
11761:
11754:
11738:
11734:
11724:
11722:
11720:
11704:
11700:
11663:
11659:
11649:
11647:
11643:
11632:
11626:
11622:
11612:
11610:
11603:
11587:
11583:
11546:
11542:
11505:
11501:
11491:
11489:
11478:"Advertisement"
11474:
11470:
11460:
11458:
11443:
11439:
11429:
11427:
11418:
11414:
11404:
11402:
11393:
11389:
11379:
11377:
11368:
11364:
11354:
11352:
11339:
11338:
11334:
11324:
11322:
11313:
11309:
11299:
11297:
11293:
11282:
11276:
11272:
11262:
11260:
11245:
11241:
11231:
11229:
11222:"Advertisement"
11218:
11214:
11204:
11202:
11193:
11189:
11179:
11177:
11158:
11154:
11144:
11142:
11123:
11119:
11109:
11107:
11092:
11088:
11078:
11076:
11065:
11061:
11038:
11034:
11024:
11022:
11021:on 15 June 2013
11013:
11012:
11005:
10995:
10993:
10982:
10975:
10965:
10963:
10956:
10940:Fred R. Shapiro
10937:
10930:
10920:
10918:
10911:victoriaweb.com
10905:
10903:
10899:
10890:
10886:
10873:
10869:
10858:
10856:
10852:
10841:Wayback Machine
10831:
10827:
10817:
10815:
10808:
10785:
10781:
10772:
10768:
10758:
10756:
10754:
10738:
10734:
10724:
10722:
10711:
10707:
10680:
10676:
10667:
10663:
10654:
10650:
10641:
10637:
10628:
10624:
10615:
10611:
10601:
10599:
10578:. pp. E1.
10564:
10560:
10550:Wayback Machine
10538:
10534:
10525:
10521:
10513:
10509:
10498:
10494:
10483:
10479:
10471:
10467:
10454:
10450:
10443:
10429:
10425:
10416:
10412:
10399:
10395:
10386:
10382:
10372:
10370:
10357:
10356:
10352:
10344:
10340:
10330:
10328:
10319:
10318:
10314:
10302:
10298:
10286:
10282:
10272:
10270:
10257:
10256:
10252:
10242:
10240:
10225:
10221:
10201:
10197:
10184:
10180:
10168:
10164:
10154:
10150:
10130:
10126:
10116:
10114:
10105:
10104:
10100:
10091:
10087:
10078:David Gauntlett
10076:
10072:
10063:
10059:
10050:
10046:
10036:
10034:
10021:
10020:
10016:
10006:
10004:
9991:
9990:
9986:
9976:
9974:
9959:
9955:
9945:
9943:
9936:"Ruskin Museum"
9934:
9933:
9929:
9919:
9917:
9908:
9907:
9903:
9893:
9891:
9878:
9877:
9873:
9863:
9861:
9848:
9846:
9842:
9832:
9830:
9815:
9811:
9804:
9786:
9782:
9771:
9767:
9755:Stuart Eagles,
9754:
9750:
9746:(Tauris, 2007)
9741:
9737:
9730:Wayback Machine
9714:Wayback Machine
9698:
9694:
9684:
9682:
9673:
9672:
9668:
9659:
9655:
9648:
9634:
9630:
9624:Wayback Machine
9612:
9608:
9595:
9591:
9582:
9578:
9569:
9565:
9558:
9538:
9534:
9517:
9516:
9512:
9503:
9499:
9490:
9486:
9478:Stuart Eagles,
9477:
9473:
9465:Stephen Gwynn,
9464:
9457:
9436:
9432:
9423:
9419:
9409:
9407:
9394:
9392:
9388:
9378:
9376:
9363:
9361:
9357:
9347:
9345:
9332:
9330:
9326:
9316:
9314:
9301:
9300:
9296:
9292:(Ryburn, 1994).
9287:
9283:
9275:Stuart Eagles,
9274:
9270:
9260:
9256:
9247:
9243:
9233:
9231:
9220:
9219:
9215:
9205:
9203:
9192:
9191:
9187:
9182:Wayback Machine
9174:
9170:
9161:
9157:
9149:
9145:
9136:
9132:
9124:
9120:
9109:
9105:
9097:
9093:
9084:
9080:
9072:
9068:
9060:Robert Dunlop,
9059:
9055:
9045:
9043:
9030:
9029:
9025:
9015:
9013:
9004:
9003:
8999:
8991:
8987:
8975:Stuart Eagles,
8974:
8970:
8961:
8957:
8948:
8944:
8935:
8931:
8923:
8919:
8909:
8907:
8894:
8893:
8889:
8880:
8876:
8867:
8863:
8854:
8850:
8841:
8837:
8824:
8820:
8815:Wayback Machine
8807:
8803:
8798:
8794:
8786:
8782:
8773:
8769:
8760:
8756:
8749:
8731:
8727:
8717:
8715:
8702:
8701:
8697:
8692:Wayback Machine
8677:Linda Merrill,
8675:
8671:
8663:
8659:
8650:
8646:
8637:
8633:
8624:
8620:
8612:Stuart Eagles,
8611:
8607:
8597:
8595:
8586:
8585:
8581:
8572:
8568:
8560:
8556:
8547:
8540:
8530:
8528:
8524:
8513:
8509:
8508:
8504:
8489:
8479:Clarendon Press
8460:
8456:
8446:
8444:
8440:Lectures on Art
8435:
8431:
8422:
8418:
8412:Sexual Politics
8409:
8405:
8397:
8393:
8385:
8381:
8373:
8369:
8359:
8357:
8344:
8343:
8339:
8330:
8326:
8318:
8314:
8306:
8302:
8293:
8289:
8281:
8277:
8257:
8253:
8245:
8241:
8233:
8229:
8219:
8217:
8204:
8203:
8199:
8194:
8190:
8177:
8173:
8165:
8161:
8148:
8144:
8136:
8132:
8123:
8119:
8111:
8107:
8098:
8094:
8071:10.2307/1053391
8051:
8047:
8024:10.2307/1879386
8004:
8000:
7995:
7991:
7983:
7979:
7971:
7967:
7959:
7955:
7946:
7942:
7932:
7930:
7915:
7911:
7901:
7899:
7884:
7880:
7872:
7868:
7859:
7855:
7847:
7843:
7834:
7830:
7821:
7817:
7812:
7808:
7800:
7796:
7788:
7784:
7776:
7772:
7764:
7760:
7751:
7747:
7741:Wayback Machine
7730:Wayback Machine
7719:Wayback Machine
7709:
7705:
7696:
7692:
7684:
7680:
7671:
7667:
7659:
7655:
7646:
7642:
7634:
7630:
7625:
7621:
7611:
7609:
7600:
7599:
7595:
7584:
7580:
7571:
7567:
7559:
7555:
7547:
7543:
7534:
7530:
7522:
7518:
7510:
7506:
7498:
7494:
7484:
7482:
7473:
7472:
7468:
7458:
7456:
7443:
7442:
7438:
7429:
7425:
7416:
7412:
7407:Wayback Machine
7389:
7385:
7380:
7376:
7366:
7364:
7351:
7350:
7346:
7340:
7336:
7328:
7324:
7315:
7311:
7303:
7296:
7287:
7283:
7274:
7270:
7261:
7257:
7248:
7244:
7236:
7232:
7220:
7216:
7208:
7204:
7181:
7177:
7168:
7164:
7156:
7152:
7141:
7137:
7127:
7125:
7112:
7111:
7107:
7097:Effie in Venice
7094:
7090:
7082:
7078:
7069:
7065:
7058:
7044:
7040:
7030:
7028:
7019:
7018:
7014:
7004:
7002:
6989:
6988:
6984:
6975:
6971:
6959:
6955:
6947:
6943:
6934:
6930:
6921:
6917:
6909:
6905:
6895:
6893:
6880:
6879:
6875:
6863:
6859:
6847:
6843:
6834:
6830:
6822:
6818:
6806:
6802:
6797:
6793:
6784:
6780:
6770:
6768:
6759:
6758:
6754:
6746:
6742:
6734:
6730:
6722:
6718:
6710:
6706:
6702:, Introduction.
6698:
6694:
6686:
6682:
6670:
6666:
6657:
6653:
6643:
6641:
6634:Pookpress.co.uk
6628:
6627:
6623:
6613:
6611:
6598:
6597:
6593:
6583:
6581:
6568:
6567:
6563:
6553:
6551:
6538:
6537:
6533:
6523:
6521:
6508:
6507:
6503:
6495:J. S. Dearden,
6494:
6490:
6481:
6477:
6471:
6467:
6459:
6450:
6441:
6437:
6428:
6424:
6414:
6395:Hewison, Robert
6392:
6375:
6364:
6360:
6356:
6351:
6298:
6285:Ruskin on Music
6205:
6150:
6058:On the Old Road
5916:Natural science
5874:, Delivered at
5860:Michaelmas term
5772:On the Old Road
5644:Letters to the
5602:The Sea–Stories
5591:The Foundations
5550:Of Cloud Beauty
5535:Mountain Beauty
5490:Modern Painters
5439:
5437:Works by Ruskin
5422:Library Edition
5410:
5403:
5396:
5387:
5380:
5371:
5367:J. M. W. Turner
5358:
5349:
5342:
5333:
5326:
5321:
5312:
5310:Fribourg Suisse
5307:
5298:
5296:Rocks in Unrest
5293:
5284:
5279:
5268:
5263:
5254:
5249:
5240:
5235:
5226:
5221:
5212:
5207:
5156:J. M. W. Turner
5112:) and Millais (
5080:Modern Painters
5074:O'Shea brothers
5013:The Love School
5005:Dante's Inferno
4990:
4919:
4896:
4858:
4816:William Mallock
4796:
4791:
4703:Modern Painters
4680:
4632:
4532:
4512:J. M. W. Turner
4508:
4503:
4472:, expressed in
4462:
4456:
4446:
4440:
4406:
4381:
4373:
4347:
4252:O'Shea brothers
4183:Modern Painters
4178:J. M. W. Turner
4174:
4142:
4140:
4136:
4129:
4119:
4099:Marc Turtletaub
4090:Financial Times
4071:Nicholas Wright
4047:Patrick Cormack
4019:David Gauntlett
3996:Ruskin Colleges
3992:Ruskin, Florida
3925:in the English
3900:
3850:(author of the
3816:
3719:Ebenezer Howard
3699:
3668:
3663:
3657:
3570:
3514:Ruskin, Florida
3510:Ruskin Colonies
3479:
3457:
3451:
3445:Stephen Gwynn,
3444:
3421:Arts and Crafts
3416:
3410:Stephen Gwynn,
3409:
3398:
3377:
3349:Library Edition
3282:
3189:
3131:
3075:
3059:Meersbrook Park
3045:Modern Painters
3003:, he supported
2977:North Yorkshire
2928:
2855:
2843:
2813:
2674:Adriano Cecioni
2666:
2661:
2582:
2565:Daily Telegraph
2521:Munera Pulveris
2502:
2490:Modern Painters
2485:
2468:Modern Painters
2446:Modern Painters
2440:
2429:
2406:Mohandas Gandhi
2309:
2297:
2284:
2255:
2254:
2253:
2224:Status quo bias
2173:
2165:
2164:
2163:
2094:Étienne Balibar
2088:
2080:
2079:
2078:
2038:
2030:
2029:
2028:
1965:
1962:
1949:
1941:
1940:
1939:
1925:Value criticism
1869:
1858:
1820:Arundel Society
1786:
1778:Modern Painters
1773:
1765:
1729:, where he saw
1719:
1686:
1666:Tunbridge Wells
1616:
1614:Public lecturer
1597:Modern Painters
1592:
1549:Winnington Hall
1509:
1458:Wallington Hall
1422:with the title
1378:suit of nullity
1297:painted by the
1286:
1284:Pre-Raphaelites
1274:Arts and Crafts
1253:
1246:
1202:
1174:
1158:Modern Painters
1112:
1103:Thomas Richmond
1095:
1083:Joshua Reynolds
1079:Modern Painters
1000:
939:Modern Painters
922:Modern Painters
892:George Richmond
884:
873:
863:
819:Newdigate Prize
768:
737:Spiritual Times
732:
720:Copley Fielding
708:J. M. W. Turner
632:
576:
565:
559:
535:and especially
510:James Northcote
502:
454:
449:
413:Pre-Raphaelites
409:J. M. W. Turner
404:Modern Painters
388:First World War
309:
293:
286:
262:
255:
213:
210: 1854)
201:
197:
194:
181:
137:Modern Painters
127:
122:
106:Alma mater
101:
95:
91:
90:20 January 1900
82:
81:London, England
79:
78:8 February 1819
73:
71:
63:
51:
42:
28:
23:
22:
15:
12:
11:
5:
15123:
15113:
15112:
15107:
15102:
15097:
15092:
15087:
15082:
15077:
15072:
15067:
15065:Male essayists
15062:
15057:
15052:
15047:
15042:
15037:
15032:
15027:
15022:
15017:
15012:
15007:
15002:
14997:
14992:
14987:
14982:
14977:
14972:
14967:
14962:
14957:
14952:
14947:
14942:
14937:
14922:
14921:
14905:
14903:
14902:
14885:
14868:
14866:from Wikiquote
14851:
14822:
14817:
14816:
14814:
14813:
14808:
14803:
14798:
14793:
14788:
14783:
14778:
14773:
14767:
14765:
14761:
14760:
14758:
14757:
14752:
14747:
14742:
14737:
14732:
14727:
14722:
14717:
14712:
14707:
14702:
14697:
14692:
14690:Unto This Last
14686:
14684:
14680:
14679:
14677:
14676:
14671:
14666:
14661:
14656:
14651:
14649:Dismal Science
14646:
14641:
14636:
14631:
14625:
14623:
14619:
14618:
14616:
14615:
14613:Katrine Marçal
14610:
14605:
14600:
14595:
14590:
14585:
14580:
14575:
14570:
14565:
14560:
14558:Moishe Postone
14555:
14550:
14548:Mahatma Gandhi
14545:
14540:
14534:
14532:
14528:
14527:
14525:
14524:
14519:
14514:
14509:
14507:Thomas Carlyle
14504:
14499:
14493:
14491:
14487:
14486:
14479:
14478:
14471:
14464:
14456:
14447:
14446:
14444:
14443:
14431:
14426:
14421:
14415:
14412:
14411:
14409:
14408:
14403:
14398:
14393:
14388:
14383:
14378:
14376:Neuroesthetics
14373:
14368:
14363:
14358:
14356:Arts criticism
14353:
14348:
14342:
14340:
14336:
14335:
14333:
14332:
14322:
14312:
14302:
14292:
14282:
14272:
14262:
14252:
14242:
14232:
14226:On the Sublime
14222:
14212:
14202:
14191:
14189:
14185:
14184:
14182:
14181:
14176:
14171:
14166:
14161:
14156:
14151:
14146:
14139:
14134:
14129:
14124:
14119:
14114:
14109:
14104:
14097:
14092:
14090:Interpretation
14087:
14082:
14077:
14072:
14067:
14062:
14057:
14052:
14047:
14042:
14037:
14032:
14027:
14022:
14017:
14012:
14007:
14006:
14005:
14000:
13990:
13985:
13983:Artistic merit
13980:
13975:
13970:
13964:
13962:
13958:
13957:
13955:
13954:
13947:
13942:
13937:
13932:
13927:
13922:
13917:
13912:
13907:
13902:
13897:
13892:
13887:
13882:
13877:
13872:
13867:
13862:
13857:
13852:
13847:
13842:
13837:
13832:
13827:
13822:
13817:
13812:
13807:
13802:
13797:
13792:
13787:
13782:
13777:
13772:
13767:
13762:
13757:
13752:
13747:
13742:
13737:
13732:
13727:
13722:
13717:
13712:
13707:
13702:
13697:
13692:
13687:
13682:
13677:
13671:
13669:
13665:
13664:
13662:
13661:
13654:
13649:
13644:
13639:
13634:
13632:Psychoanalysis
13629:
13624:
13619:
13614:
13609:
13604:
13599:
13594:
13589:
13583:
13581:
13577:
13576:
13574:
13573:
13568:
13563:
13558:
13553:
13548:
13543:
13538:
13533:
13528:
13523:
13517:
13515:
13511:
13510:
13503:
13502:
13495:
13488:
13480:
13471:
13470:
13468:
13467:
13462:
13457:
13452:
13447:
13442:
13440:Ruskin Gallery
13437:
13435:Rose La Touche
13432:
13427:
13422:
13417:
13412:
13407:
13401:
13396:
13390:
13388:
13384:
13383:
13381:
13380:
13372:
13364:
13356:
13348:
13340:
13332:
13323:
13321:
13317:
13316:
13309:
13307:
13305:
13304:
13300:Fors Clavigera
13296:
13292:Unto This Last
13288:
13280:
13272:
13264:
13255:
13253:
13249:
13248:
13241:
13240:
13233:
13226:
13218:
13212:
13211:
13208:
13202:
13197:
13191:
13189:(1106): 45–46.
13170:
13153:
13147:
13134:
13119:
13107:
13093:
13090:
13089:
13088:
13075:
13070:
13055:
13046:
13036:
13027:
13016:
13013:
13012:
13011:
13005:
12997:
12994:
12993:
12992:
12978:
12970:
12963:
12962:External links
12960:
12959:
12958:
12951:Robert Hewison
12948:
12941:
12934:
12927:
12917:
12899:
12881:
12878:
12877:
12876:
12866:
12855:Waldstein, C.
12853:
12842:
12831:
12826:Quill, Sarah.
12824:
12814:
12799:
12792:
12774:
12760:
12732:
12719:
12699:
12694:Earland, Ada.
12692:
12682:
12668:
12658:
12645:
12634:
12606:
12591:
12588:
12586:
12583:
12582:
12581:
12574:
12567:
12558:
12555:
12553:
12552:
12522:
12505:
12469:
12428:
12398:
12368:
12338:
12308:
12286:
12242:
12227:
12193:
12163:
12132:
12114:Kirkus Reviews
12107:Manly Pursuits
12096:
12058:
12039:
12019:
11986:
11971:
11956:
11941:
11935:Peter Fuller,
11928:
11898:
11889:
11885:Fors Clavigera
11876:
11863:
11855:Modern Painter
11847:
11806:
11771:
11752:
11732:
11718:
11698:
11657:
11620:
11601:
11581:
11540:
11499:
11468:
11437:
11412:
11387:
11362:
11332:
11307:
11270:
11239:
11212:
11187:
11152:
11117:
11086:
11059:
11032:
11003:
10973:
10954:
10928:
10907:"victoriaweb0"
10897:
10884:
10867:
10850:
10825:
10806:
10779:
10766:
10753:978-0838310533
10752:
10732:
10705:
10684:"Introduction"
10674:
10661:
10648:
10642:Peter Fuller,
10635:
10622:
10616:Mary Lutyens,
10609:
10558:
10532:
10519:
10507:
10492:
10477:
10465:
10448:
10441:
10423:
10410:
10406:Robert Hewison
10393:
10380:
10350:
10338:
10312:
10296:
10280:
10250:
10219:
10195:
10191:Unto This Last
10178:
10170:Robert Hewison
10162:
10148:
10124:
10098:
10085:
10070:
10057:
10044:
10014:
9984:
9953:
9927:
9916:on 4 July 2017
9901:
9871:
9840:
9809:
9802:
9780:
9765:
9748:
9742:Gill Cockram,
9735:
9692:
9666:
9653:
9646:
9628:
9606:
9589:
9576:
9563:
9556:
9532:
9510:
9497:
9484:
9471:
9455:
9439:H. W. Nevinson
9430:
9417:
9386:
9355:
9324:
9313:on 4 July 2017
9294:
9281:
9268:
9254:
9241:
9213:
9185:
9168:
9155:
9143:
9130:
9118:
9103:
9091:
9078:
9066:
9053:
9023:
8997:
8985:
8968:
8955:
8942:
8929:
8917:
8887:
8874:
8861:
8848:
8835:
8818:
8801:
8792:
8780:
8767:
8754:
8747:
8725:
8695:
8683:Art in America
8669:
8657:
8644:
8631:
8618:
8605:
8579:
8566:
8554:
8538:
8502:
8487:
8454:
8429:
8416:
8410:Kate Millett,
8403:
8391:
8379:
8367:
8337:
8324:
8312:
8300:
8287:
8275:
8251:
8239:
8227:
8197:
8188:
8171:
8159:
8142:
8130:
8117:
8105:
8092:
8045:
8018:(4): 414–445.
7998:
7989:
7977:
7965:
7953:
7940:
7909:
7878:
7866:
7853:
7841:
7828:
7815:
7806:
7794:
7782:
7770:
7758:
7745:
7703:
7690:
7678:
7665:
7653:
7640:
7628:
7619:
7593:
7578:
7572:Malcolm Cole,
7565:
7553:
7541:
7528:
7516:
7504:
7492:
7466:
7436:
7423:
7410:
7383:
7374:
7344:
7334:
7322:
7309:
7294:
7288:Mary Lutyens,
7281:
7275:Phyllis Rose,
7268:
7266:, 1946, p. 237
7255:
7249:Mary Lutyens,
7242:
7230:
7214:
7202:
7175:
7171:William Morris
7162:
7150:
7135:
7105:
7095:Mary Lutyens,
7088:
7076:
7063:
7056:
7038:
7021:"May 7th 1828"
7012:
6982:
6969:
6953:
6941:
6928:
6915:
6903:
6873:
6857:
6841:
6828:
6826:, 1.VI.305-54.
6816:
6800:
6791:
6778:
6752:
6740:
6728:
6716:
6704:
6692:
6680:
6672:Robert Hewison
6664:
6651:
6621:
6591:
6561:
6531:
6501:
6488:
6475:
6465:
6448:
6435:
6422:
6373:
6357:
6355:
6352:
6350:
6349:
6344:
6337:
6332:
6326:
6320:
6310:
6305:
6299:
6297:
6294:
6293:
6292:
6282:
6272:
6262:
6252:
6246:
6240:
6230:
6224:
6218:
6212:
6204:
6201:
6200:
6199:
6193:
6187:
6181:
6175:
6169:
6163:
6157:
6149:
6146:
6145:
6144:
6134:
6121:
6107:
6093:
6079:
6065:
6045:
6038:St Mark's Rest
6035:
6025:
6015:
6005:
5995:
5985:
5971:
5957:
5947:
5933:
5911:
5910:
5909:
5902:
5895:
5883:Fors Clavigera
5879:
5869:
5847:
5829:
5819:
5809:
5799:
5789:
5779:
5759:
5743:
5728:Unto This Last
5724:
5714:
5704:
5699:(1857, 1880) (
5693:
5683:
5673:
5663:
5653:
5642:
5632:
5622:
5621:
5620:
5609:
5598:
5579:
5567:
5566:
5565:
5546:Of Leaf Beauty
5542:
5531:
5524:Of Many Things
5520:
5509:
5486:
5474:
5464:
5450:
5438:
5435:
5434:
5433:
5409:
5406:
5405:
5404:
5397:
5390:
5388:
5381:
5374:
5372:
5359:
5352:
5350:
5343:
5336:
5332:
5329:
5328:
5327:
5322:
5315:
5313:
5308:
5301:
5299:
5294:
5287:
5285:
5280:
5273:
5270:
5269:
5264:
5257:
5255:
5250:
5243:
5241:
5238:View of Amalfi
5236:
5229:
5227:
5224:Lion's profile
5222:
5215:
5211:
5208:
5206:
5203:
5202:
5201:
5195:
5188:Dakota Fanning
5180:Richard Laxton
5178:, directed by
5167:
5164:Joshua McGuire
5147:
5127:
5117:
5104:about Ruskin (
5095:
5087:
5077:
5063:
5051:
5048:Michael Fenner
5029:
5022:David Collings
5009:
5001:
4989:
4988:In other media
4986:
4985:
4984:
4978:
4944:
4934:
4931:Manly Pursuits
4928:
4918:978-1860499548
4917:
4905:Donoghue, Emma
4901:
4895:978-0880013765
4894:
4878:
4863:
4857:978-0745113005
4856:
4839:
4819:
4806:
4795:
4792:
4790:
4787:
4786:
4785:
4778:Gothic Revival
4774:
4770:
4762:
4756:
4713:Fors Clavigera
4710:
4679:
4676:
4671:Baskin-Robbins
4648:Ruskin Library
4636:Unto This Last
4631:
4628:
4589:Kate Greenaway
4580:Rose La Touche
4531:
4528:
4507:
4504:
4502:
4499:
4491:Unto This Last
4448:
4443:Unto This Last
4438:
4430:Unto This Last
4426:A Joy for Ever
4405:
4402:
4371:
4346:
4343:
4341:
4340:
4337:
4334:
4330:
4327:
4324:
4321:
4317:
4308:logical system
4286:John Ruskin's
4269:National Trust
4173:
4170:
4161:John A. Hobson
4118:
4115:
4027:Lars Spuybroek
3980:, Croydon and
3974:Ruskin Pottery
3907:Ruskin Library
3899:
3896:
3862:. More of the
3856:Clement Attlee
3815:
3812:
3764:Ruskin College
3711:Patrick Geddes
3698:
3695:
3691:National Trust
3671:William Morris
3667:
3664:
3650:
3646:H. W. Nevinson
3614:Marianne Moore
3598:Hilaire Belloc
3586:Walter Gropius
3578:Louis Sullivan
3569:
3566:
3532:, founded the
3524:, a colony in
3496:Unto This Last
3478:
3475:
3469:Unto This Last
3464:Mahatma Gandhi
3456:
3453:
3442:
3425:William Morris
3407:
3397:
3394:
3376:
3373:
3306:Coniston Water
3281:
3278:
3266:Kate Greenaway
3188:
3187:Final writings
3185:
3177:St Mark's Rest
3147:Rose La Touche
3130:
3127:
3113:. He attended
3094:Rose La Touche
3082:Rose La Touche
3074:
3073:Rose La Touche
3071:
2937:Fors Clavigera
2927:
2924:
2860:Fors Clavigera
2848:Fors Clavigera
2835:
2822:Fors Clavigera
2812:
2809:Fors Clavigera
2806:
2802:Drawing School
2779:Arnold Toynbee
2672:Caricature by
2665:
2662:
2660:
2657:
2652:women's rights
2581:
2578:
2549:British Museum
2496:Unto This Last
2483:
2474:Unto This Last
2434:Unto This Last
2427:
2410:John A. Hobson
2397:Unto This Last
2360:social economy
2356:social justice
2335:Unto This Last
2330:Thomas Malthus
2302:Unto This Last
2289:
2286:
2285:
2283:
2282:
2275:
2268:
2260:
2257:
2256:
2252:
2251:
2246:
2241:
2236:
2231:
2226:
2221:
2219:Socioeconomics
2216:
2211:
2206:
2201:
2196:
2191:
2186:
2181:
2175:
2174:
2172:Related topics
2171:
2170:
2167:
2166:
2162:
2161:
2156:
2154:Katrine Marçal
2151:
2149:Mahatma Gandhi
2146:
2144:Moishe Postone
2141:
2136:
2131:
2126:
2121:
2116:
2111:
2106:
2101:
2096:
2090:
2089:
2086:
2085:
2082:
2081:
2077:
2076:
2071:
2066:
2064:Thomas Carlyle
2061:
2056:
2051:
2046:
2040:
2039:
2036:
2035:
2032:
2031:
2027:
2026:
2021:
2019:Unto This Last
2016:
2011:
2006:
2001:
1996:
1991:
1986:
1981:
1976:
1971:
1959:
1958:
1957:
1951:
1950:
1947:
1946:
1943:
1942:
1938:
1937:
1932:
1927:
1922:
1917:
1912:
1907:
1902:
1897:
1895:Dismal Science
1892:
1887:
1882:
1877:
1871:
1870:
1867:
1866:
1863:
1862:
1854:
1853:
1796:Thomas Carlyle
1791:Unto This Last
1766:
1764:
1762:Unto This Last
1758:
1737:Queen of Sheba
1731:Paolo Veronese
1718:
1715:
1685:
1684:Turner Bequest
1682:
1652:has grown. In
1633:A Joy For Ever
1615:
1612:
1591:
1582:
1508:
1505:
1299:Pre-Raphaelite
1285:
1282:
1278:William Morris
1244:
1201:
1196:
1192:A. W. N. Pugin
1173:
1170:
1111:
1108:
1094:
1091:
1036:Rose La Touche
999:
994:1845 tour and
992:
960:Gaspard Dughet
954:" of the post-
898:, a friend of
862:
856:
842:Leamington Spa
800:Osborne Gordon
767:
764:
731:
728:
631:
628:
620:King's College
557:
501:
498:
453:
450:
448:
445:
436:Fors Clavigera
418:Unto This Last
392:sustainability
369:William Morris
365:Viollet-le-Duc
329:
328:
320:
319:
315:
314:
311:
310:
308:
307:
302:
296:
294:
291:
288:
287:
285:
284:
279:
274:
271:
265:
263:
261:Main interests
260:
257:
256:
254:
253:
247:
245:
239:
238:
233:
229:
228:
223:
219:
218:
215:
214:
199:
195:
190:
189:
187:
183:
182:
180:
179:
173:
169:Fors Clavigera
165:
161:Unto This Last
157:
149:
141:
132:
130:
124:
123:
121:
120:
115:
109:
107:
103:
102:
96:
94:(aged 80)
88:
84:
83:
80:
69:
65:
64:
62:Ruskin in 1863
61:
53:
52:
49:
26:
9:
6:
4:
3:
2:
15122:
15111:
15108:
15106:
15103:
15101:
15098:
15096:
15093:
15091:
15088:
15086:
15083:
15081:
15078:
15076:
15073:
15071:
15068:
15066:
15063:
15061:
15058:
15056:
15053:
15051:
15048:
15046:
15043:
15041:
15038:
15036:
15033:
15031:
15028:
15026:
15023:
15021:
15018:
15016:
15015:Conchologists
15013:
15011:
15008:
15006:
15003:
15001:
14998:
14996:
14993:
14991:
14988:
14986:
14983:
14981:
14978:
14976:
14973:
14971:
14968:
14966:
14963:
14961:
14958:
14956:
14953:
14951:
14948:
14946:
14943:
14941:
14938:
14936:
14933:
14932:
14930:
14918:
14917:
14910:
14906:
14900:from Wikidata
14899:
14898:
14886:
14882:
14881:
14869:
14865:
14864:
14852:
14848:
14847:
14835:
14834:
14831:
14825:
14812:
14811:Occam's razor
14809:
14807:
14804:
14802:
14799:
14797:
14794:
14792:
14789:
14787:
14784:
14782:
14781:Chrematistics
14779:
14777:
14774:
14772:
14769:
14768:
14766:
14762:
14756:
14753:
14751:
14748:
14746:
14743:
14741:
14738:
14736:
14733:
14731:
14728:
14726:
14723:
14721:
14718:
14716:
14713:
14711:
14708:
14706:
14703:
14701:
14698:
14696:
14693:
14691:
14688:
14687:
14685:
14683:Written works
14681:
14675:
14672:
14670:
14667:
14665:
14662:
14660:
14657:
14655:
14652:
14650:
14647:
14645:
14644:Chrematistics
14642:
14640:
14637:
14635:
14632:
14630:
14627:
14626:
14624:
14620:
14614:
14611:
14609:
14606:
14604:
14601:
14599:
14596:
14594:
14591:
14589:
14586:
14584:
14581:
14579:
14576:
14574:
14571:
14569:
14566:
14564:
14561:
14559:
14556:
14554:
14551:
14549:
14546:
14544:
14541:
14539:
14536:
14535:
14533:
14529:
14523:
14520:
14518:
14517:Paul Lafargue
14515:
14513:
14510:
14508:
14505:
14503:
14500:
14498:
14495:
14494:
14492:
14488:
14484:
14477:
14472:
14470:
14465:
14463:
14458:
14457:
14454:
14442:
14432:
14430:
14427:
14425:
14422:
14420:
14417:
14416:
14413:
14407:
14406:Theory of art
14404:
14402:
14399:
14397:
14394:
14392:
14389:
14387:
14384:
14382:
14379:
14377:
14374:
14372:
14369:
14367:
14364:
14362:
14359:
14357:
14354:
14352:
14349:
14347:
14344:
14343:
14341:
14337:
14328:
14327:
14323:
14318:
14317:
14313:
14308:
14307:
14303:
14297:
14293:
14287:
14283:
14278:
14277:
14273:
14268:
14267:
14263:
14257:
14253:
14248:
14247:
14243:
14238:
14237:
14233:
14228:
14227:
14223:
14218:
14217:
14213:
14208:
14207:
14203:
14198:
14197:
14196:Hippias Major
14193:
14192:
14190:
14186:
14180:
14177:
14175:
14172:
14170:
14167:
14165:
14162:
14160:
14157:
14155:
14152:
14150:
14147:
14145:
14144:
14140:
14138:
14135:
14133:
14130:
14128:
14125:
14123:
14120:
14118:
14115:
14113:
14110:
14108:
14105:
14103:
14102:
14098:
14096:
14093:
14091:
14088:
14086:
14083:
14081:
14078:
14076:
14073:
14071:
14068:
14066:
14063:
14061:
14058:
14056:
14055:Entertainment
14053:
14051:
14048:
14046:
14043:
14041:
14038:
14036:
14033:
14031:
14028:
14026:
14023:
14021:
14018:
14016:
14013:
14011:
14008:
14004:
14001:
13999:
13996:
13995:
13994:
13991:
13989:
13986:
13984:
13981:
13979:
13978:Art manifesto
13976:
13974:
13971:
13969:
13968:Appropriation
13966:
13965:
13963:
13959:
13953:
13952:
13948:
13946:
13943:
13941:
13938:
13936:
13933:
13931:
13928:
13926:
13923:
13921:
13918:
13916:
13913:
13911:
13908:
13906:
13903:
13901:
13898:
13896:
13893:
13891:
13888:
13886:
13883:
13881:
13878:
13876:
13873:
13871:
13868:
13866:
13863:
13861:
13860:Merleau-Ponty
13858:
13856:
13853:
13851:
13848:
13846:
13843:
13841:
13838:
13836:
13833:
13831:
13828:
13826:
13823:
13821:
13818:
13816:
13813:
13811:
13808:
13806:
13803:
13801:
13798:
13796:
13793:
13791:
13788:
13786:
13783:
13781:
13778:
13776:
13773:
13771:
13768:
13766:
13763:
13761:
13758:
13756:
13753:
13751:
13748:
13746:
13743:
13741:
13738:
13736:
13733:
13731:
13728:
13726:
13723:
13721:
13718:
13716:
13713:
13711:
13708:
13706:
13703:
13701:
13698:
13696:
13693:
13691:
13688:
13686:
13683:
13681:
13678:
13676:
13675:Abhinavagupta
13673:
13672:
13670:
13666:
13660:
13659:
13655:
13653:
13650:
13648:
13645:
13643:
13640:
13638:
13635:
13633:
13630:
13628:
13627:Postmodernism
13625:
13623:
13620:
13618:
13615:
13613:
13610:
13608:
13605:
13603:
13600:
13598:
13595:
13593:
13590:
13588:
13585:
13584:
13582:
13578:
13572:
13569:
13567:
13564:
13562:
13559:
13557:
13554:
13552:
13549:
13547:
13544:
13542:
13539:
13537:
13534:
13532:
13529:
13527:
13524:
13522:
13519:
13518:
13516:
13512:
13508:
13501:
13496:
13494:
13489:
13487:
13482:
13481:
13478:
13466:
13463:
13461:
13458:
13456:
13453:
13451:
13450:Ruskin Museum
13448:
13446:
13443:
13441:
13438:
13436:
13433:
13431:
13428:
13426:
13423:
13421:
13418:
13416:
13413:
13411:
13408:
13405:
13402:
13400:
13397:
13395:
13392:
13391:
13389:
13385:
13378:
13377:
13373:
13370:
13369:
13365:
13362:
13361:
13357:
13354:
13353:
13349:
13346:
13345:
13341:
13338:
13337:
13333:
13330:
13329:
13325:
13324:
13322:
13318:
13313:
13302:
13301:
13297:
13294:
13293:
13289:
13286:
13285:
13281:
13278:
13277:
13273:
13270:
13269:
13265:
13262:
13261:
13257:
13256:
13254:
13250:
13246:
13239:
13234:
13232:
13227:
13225:
13220:
13219:
13216:
13209:
13206:
13203:
13201:
13198:
13196:
13192:
13188:
13184:
13180:
13178:
13171:
13168:
13162:
13158:
13154:
13151:
13148:
13145:
13141:
13138:
13135:
13133:
13129:
13128:
13123:
13120:
13118:
13114:
13111:
13108:
13106:
13102:
13099:
13096:
13095:
13087:
13083:
13079:
13076:
13074:
13071:
13063:
13059:
13056:
13054:
13050:
13047:
13044:
13040:
13037:
13035:
13031:
13028:
13026:
13022:
13019:
13018:
13009:
13006:
13003:
13000:
12999:
12990:
12986:
12982:
12979:
12976:
12975:
12971:
12969:
12968:Ruskin To-Day
12966:
12965:
12956:
12952:
12949:
12946:
12942:
12939:
12935:
12932:
12928:
12925:
12921:
12918:
12915:
12911:
12907:
12903:
12900:
12897:
12893:
12892:
12887:
12884:
12883:
12874:
12870:
12867:
12864:
12860:
12859:
12854:
12851:
12847:
12843:
12840:
12836:
12832:
12829:
12825:
12822:
12818:
12815:
12812:
12808:
12804:
12800:
12797:
12793:
12790:
12786:
12782:
12779:
12778:Ruskin, John.
12775:
12772:
12768:
12764:
12761:
12757:
12751:
12743:
12739:
12735:
12729:
12726:. Cambridge.
12725:
12720:
12718:
12714:
12710:
12709:The Courtauld
12706:
12705:
12700:
12697:
12693:
12690:
12687:
12683:
12680:
12677:
12673:
12669:
12666:
12663:
12659:
12656:
12653:
12651:
12646:
12643:
12639:
12638:Savage Ruskin
12635:
12631:
12625:
12617:
12613:
12609:
12603:
12599:
12594:
12593:
12579:
12575:
12572:
12568:
12565:
12561:
12560:
12540:
12536:
12532:
12526:
12520:
12516:
12515:
12509:
12493:
12489:
12488:
12483:
12479:
12478:Hoare, Philip
12473:
12457:
12453:
12449:
12445:
12444:
12439:
12432:
12416:
12412:
12408:
12402:
12386:
12382:
12378:
12372:
12356:
12352:
12348:
12342:
12326:
12322:
12318:
12312:
12297:
12290:
12282:
12278:
12274:
12270:
12266:
12262:
12258:
12251:
12249:
12247:
12240:
12236:
12231:
12215:
12211:
12207:
12205:
12197:
12181:
12177:
12170:
12168:
12151:
12147:
12143:
12136:
12120:
12116:
12115:
12110:
12108:
12100:
12084:
12080:
12076:
12074:
12068:
12062:
12046:
12042:
12040:9781587298196
12036:
12032:
12031:
12023:
12007:
12003:
12002:
11997:
11990:
11982:
11975:
11967:
11960:
11952:
11945:
11938:
11932:
11916:
11912:
11908:
11902:
11893:
11886:
11880:
11873:
11867:
11860:
11856:
11851:
11832:
11828:
11824:
11817:
11810:
11794:
11790:
11786:
11782:
11775:
11759:
11755:
11753:9780771070068
11749:
11745:
11744:
11736:
11721:
11719:9781605508535
11715:
11711:
11710:
11702:
11694:
11690:
11685:
11680:
11676:
11672:
11668:
11661:
11642:
11638:
11631:
11624:
11608:
11604:
11602:9783319336398
11598:
11594:
11593:
11585:
11577:
11573:
11568:
11563:
11559:
11555:
11551:
11544:
11536:
11532:
11527:
11522:
11519:(5): 239–57.
11518:
11514:
11510:
11503:
11487:
11483:
11479:
11472:
11456:
11452:
11448:
11441:
11425:
11424:
11416:
11400:
11399:
11391:
11375:
11374:
11366:
11350:
11346:
11342:
11336:
11320:
11319:
11311:
11292:
11288:
11281:
11274:
11258:
11254:
11250:
11243:
11227:
11223:
11216:
11200:
11199:
11191:
11175:
11172:(7): 228–30.
11171:
11167:
11163:
11156:
11140:
11136:
11132:
11128:
11121:
11105:
11101:
11097:
11090:
11074:
11070:
11063:
11055:
11051:
11047:
11043:
11036:
11020:
11016:
11010:
11008:
10991:
10987:
10980:
10978:
10961:
10957:
10955:9780300107982
10951:
10947:
10946:
10941:
10935:
10933:
10916:
10912:
10908:
10901:
10894:
10888:
10881:
10877:
10871:
10863:
10862:
10854:
10847:
10843:
10842:
10838:
10835:
10829:
10813:
10809:
10807:9780316246255
10803:
10799:
10798:Little, Brown
10795:
10794:
10789:
10788:Lurie, Alison
10783:
10776:
10770:
10755:
10749:
10745:
10744:
10736:
10720:
10716:
10709:
10701:
10697:
10693:
10689:
10685:
10678:
10671:
10665:
10658:
10652:
10645:
10639:
10632:
10629:Lutyens, M.,
10626:
10619:
10613:
10597:
10593:
10589:
10585:
10581:
10577:
10576:
10570:
10562:
10555:
10551:
10547:
10544:
10542:
10536:
10529:
10523:
10516:
10511:
10503:
10496:
10488:
10481:
10474:
10469:
10462:
10458:
10452:
10444:
10442:0-674-39664-2
10438:
10434:
10427:
10420:
10414:
10407:
10403:
10397:
10390:
10384:
10368:
10364:
10360:
10354:
10347:
10342:
10326:
10322:
10316:
10309:
10305:
10300:
10293:
10289:
10284:
10268:
10264:
10260:
10254:
10238:
10234:
10230:
10223:
10216:
10212:
10208:
10204:
10199:
10192:
10188:
10185:Andrew Hill,
10182:
10175:
10171:
10166:
10159:
10158:
10152:
10145:
10144:The Companion
10141:
10137:
10134:spoke at the
10133:
10128:
10112:
10108:
10102:
10095:
10089:
10082:
10079:
10074:
10067:
10061:
10054:
10048:
10032:
10028:
10024:
10018:
10002:
9998:
9994:
9988:
9972:
9968:
9964:
9957:
9941:
9937:
9931:
9915:
9911:
9905:
9889:
9885:
9881:
9875:
9859:
9855:
9854:ruskin200.com
9851:
9844:
9828:
9824:
9820:
9813:
9805:
9803:9780873522502
9799:
9794:
9793:
9784:
9776:
9769:
9762:
9758:
9752:
9745:
9739:
9732:
9731:
9727:
9724:
9719:
9715:
9711:
9708:
9707:, 1996 Vol. V
9706:
9701:
9696:
9680:
9676:
9670:
9663:
9657:
9649:
9643:
9639:
9632:
9625:
9621:
9618:
9617:
9610:
9603:
9599:
9593:
9586:
9580:
9573:
9567:
9559:
9553:
9549:
9545:
9544:
9536:
9528:
9524:
9520:
9514:
9507:
9501:
9494:
9488:
9481:
9475:
9468:
9462:
9460:
9452:
9448:
9447:J. A. Spender
9444:
9440:
9434:
9427:
9421:
9405:
9401:
9400:ruskin200.com
9397:
9390:
9374:
9370:
9366:
9359:
9343:
9339:
9335:
9328:
9312:
9308:
9304:
9298:
9291:
9285:
9278:
9272:
9265:
9258:
9251:
9245:
9229:
9228:
9223:
9217:
9201:
9200:
9195:
9189:
9183:
9179:
9176:
9172:
9165:
9159:
9152:
9147:
9140:
9134:
9127:
9122:
9114:
9107:
9101:, 34.265–397.
9100:
9095:
9088:
9082:
9075:
9070:
9063:
9057:
9041:
9037:
9033:
9027:
9011:
9007:
9001:
8994:
8989:
8982:
8978:
8972:
8965:
8959:
8952:
8946:
8939:
8936:Sara Atwood,
8933:
8926:
8921:
8905:
8901:
8897:
8891:
8884:
8878:
8871:
8865:
8858:
8852:
8845:
8839:
8832:
8828:
8822:
8816:
8812:
8809:
8805:
8796:
8789:
8784:
8777:
8771:
8764:
8758:
8750:
8744:
8740:
8739:Phaidon Press
8736:
8729:
8713:
8709:
8705:
8699:
8693:
8689:
8686:
8684:
8680:
8673:
8666:
8661:
8654:
8648:
8641:
8635:
8628:
8622:
8615:
8609:
8593:
8589:
8583:
8576:
8570:
8563:
8558:
8551:
8545:
8543:
8523:
8519:
8512:
8506:
8498:
8494:
8490:
8484:
8480:
8476:
8472:
8468:
8464:
8458:
8442:
8441:
8433:
8426:
8420:
8413:
8407:
8400:
8395:
8389:, 18.383–533.
8388:
8383:
8376:
8371:
8355:
8351:
8347:
8341:
8334:
8328:
8321:
8316:
8309:
8304:
8297:
8291:
8284:
8279:
8272:
8271:
8265:
8261:
8255:
8249:, 17.309–484.
8248:
8243:
8237:, 17.129–298.
8236:
8231:
8215:
8211:
8207:
8201:
8192:
8185:
8181:
8175:
8168:
8163:
8156:
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8025:
8021:
8017:
8013:
8009:
8002:
7993:
7986:
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7974:
7969:
7962:
7957:
7950:
7944:
7928:
7924:
7920:
7913:
7897:
7893:
7889:
7882:
7875:
7870:
7863:
7857:
7850:
7845:
7838:
7832:
7825:
7819:
7810:
7803:
7798:
7791:
7786:
7779:
7774:
7768:, 16.251–426.
7767:
7762:
7755:
7754:The Companion
7749:
7742:
7738:
7735:
7731:
7727:
7724:
7720:
7716:
7713:
7707:
7700:
7694:
7687:
7682:
7675:
7669:
7662:
7657:
7650:
7644:
7637:
7632:
7623:
7607:
7603:
7597:
7589:
7582:
7575:
7569:
7563:, 18.197–372.
7562:
7557:
7550:
7545:
7538:
7532:
7525:
7520:
7513:
7508:
7501:
7496:
7480:
7476:
7470:
7454:
7450:
7446:
7440:
7433:
7427:
7420:
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7408:
7404:
7401:
7397:
7393:
7387:
7378:
7362:
7358:
7354:
7348:
7342:
7338:
7331:
7326:
7319:
7313:
7306:
7301:
7299:
7291:
7285:
7279:, 1983, p. 87
7278:
7272:
7265:
7259:
7252:
7246:
7240:, 12.319–335.
7239:
7234:
7227:
7223:
7218:
7211:
7206:
7198:
7194:
7190:
7186:
7179:
7172:
7166:
7160:, 10.180–269.
7159:
7154:
7147:
7146:
7139:
7123:
7119:
7115:
7109:
7102:
7098:
7092:
7085:
7080:
7073:
7067:
7059:
7057:0-394-52432-2
7053:
7049:
7042:
7026:
7022:
7016:
7000:
6996:
6992:
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6979:
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6756:
6749:
6744:
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6732:
6725:
6720:
6713:
6708:
6701:
6696:
6689:
6684:
6677:
6673:
6668:
6661:
6658:John Ruskin,
6655:
6639:
6635:
6631:
6625:
6609:
6605:
6601:
6595:
6579:
6575:
6571:
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6362:
6358:
6348:
6345:
6343:
6342:
6338:
6336:
6333:
6330:
6327:
6324:
6323:Ruskin's Ride
6321:
6318:
6317:Ferry Hinksey
6314:
6311:
6309:
6306:
6304:
6301:
6300:
6290:
6286:
6283:
6280:
6276:
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6115:
6113:
6108:
6105:
6101:
6099:
6094:
6091:
6087:
6085:
6080:
6077:
6074:) (1880–85) (
6073:
6069:
6066:
6063:
6059:
6055:
6054:
6049:
6046:
6043:
6039:
6036:
6033:
6029:
6026:
6023:
6019:
6016:
6013:
6010:(1875–1886) (
6009:
6006:
6003:
6000:(1875–1883) (
5999:
5996:
5993:
5990:(1875–1877) (
5989:
5986:
5983:
5979:
5977:
5972:
5969:
5965:
5963:
5958:
5955:
5952:(1873–1881) (
5951:
5948:
5945:
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5939:
5934:
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5925:
5921:
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5912:
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5790:
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5718:
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5712:
5708:
5705:
5702:
5698:
5694:
5691:
5687:
5684:
5681:
5677:
5674:
5671:
5667:
5666:Academy Notes
5664:
5661:
5657:
5654:
5651:
5647:
5643:
5640:
5636:
5633:
5630:
5626:
5623:
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5603:
5599:
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5568:
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5547:
5543:
5540:
5536:
5532:
5529:
5525:
5521:
5518:
5514:
5510:
5507:
5503:
5499:
5498:
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5492:
5491:
5487:
5484:
5480:
5479:
5475:
5472:
5468:
5465:
5462:
5458:
5454:
5451:
5448:
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5441:
5440:
5431:
5427:
5423:
5417:
5412:
5411:
5402:
5401:
5394:
5389:
5386:
5385:
5378:
5373:
5370:
5368:
5364:
5356:
5351:
5348:
5347:
5340:
5335:
5334:
5325:
5319:
5314:
5311:
5305:
5300:
5297:
5291:
5286:
5283:
5277:
5272:
5271:
5267:
5261:
5256:
5253:
5247:
5242:
5239:
5233:
5228:
5225:
5219:
5214:
5213:
5199:
5196:
5193:
5192:Tom Sturridge
5189:
5185:
5181:
5177:
5176:Emma Thompson
5173:
5172:
5168:
5165:
5161:
5157:
5153:
5152:
5148:
5145:
5144:Tom Hollander
5141:
5137:
5133:
5132:
5128:
5125:
5124:Kim Morrissey
5121:
5118:
5115:
5114:David Tennant
5111:
5107:
5103:
5099:
5096:
5093:
5092:
5088:
5085:
5081:
5078:
5075:
5071:
5067:
5064:
5061:
5057:
5056:
5052:
5049:
5045:
5041:
5037:
5033:
5032:Dear Countess
5030:
5027:
5023:
5019:
5015:
5014:
5010:
5007:
5006:
5002:
4999:
4995:
4992:
4991:
4982:
4979:
4976:
4975:
4970:
4969:
4964:
4960:
4956:
4952:
4948:
4945:
4942:
4938:
4935:
4932:
4929:
4926:
4920:
4914:
4910:
4906:
4902:
4897:
4891:
4887:
4883:
4879:
4876:
4875:9780856356377
4872:
4868:
4864:
4859:
4853:
4848:
4847:
4840:
4837:
4836:
4831:
4830:Edith Wharton
4828:a novella by
4827:
4823:
4820:
4817:
4813:
4812:
4807:
4804:
4803:
4798:
4797:
4794:In literature
4783:
4779:
4775:
4771:
4768:
4763:
4760:
4757:
4754:
4753:Julius Caesar
4750:
4746:
4742:
4738:
4734:
4730:
4726:
4722:
4718:
4714:
4711:
4708:
4704:
4700:
4697:
4696:
4695:
4693:
4684:
4675:
4672:
4667:
4663:
4659:
4657:
4653:
4649:
4645:
4641:
4637:
4627:
4625:
4621:
4617:
4610:
4605:
4603:
4597:
4592:
4590:
4584:
4581:
4576:
4573:
4568:
4564:
4559:
4553:
4548:
4544:
4539:
4537:
4527:
4525:
4521:
4517:
4513:
4501:Controversies
4498:
4496:
4495:welfare state
4492:
4487:
4483:
4481:
4477:
4476:
4471:
4467:
4461:
4453:
4444:
4437:
4433:
4431:
4427:
4423:
4419:
4415:
4411:
4401:
4399:
4395:
4391:
4386:
4377:
4370:
4368:
4363:
4357:
4355:
4354:
4338:
4335:
4331:
4328:
4325:
4322:
4318:
4314:
4313:
4311:
4309:
4305:
4304:Kenneth Clark
4297:
4293:
4289:
4284:
4280:
4278:
4274:
4270:
4266:
4262:
4261:
4260:laissez-faire
4255:
4253:
4249:
4245:
4240:
4238:
4237:
4232:
4228:
4224:
4220:
4216:
4212:
4206:
4203:
4202:
4197:
4192:
4190:
4185:
4184:
4179:
4169:
4166:
4162:
4158:
4154:
4147:. 1894 print.
4146:
4132:, print made
4123:
4114:
4112:
4108:
4104:
4100:
4096:
4092:
4091:
4086:
4085:
4080:
4076:
4072:
4068:
4064:
4060:
4056:
4052:
4048:
4044:
4040:
4039:Geoffrey Hill
4035:
4033:
4028:
4024:
4020:
4016:
4012:
4008:
4004:
3999:
3997:
3993:
3989:
3987:
3983:
3979:
3975:
3971:
3967:
3963:
3959:
3955:
3947:
3942:
3938:
3936:
3935:rural economy
3932:
3928:
3927:Lake District
3924:
3920:
3919:Ruskin Museum
3916:
3912:
3908:
3903:
3895:
3893:
3889:
3888:Phillip Blond
3885:
3881:
3877:
3873:
3869:
3865:
3861:
3860:welfare state
3857:
3853:
3849:
3845:
3841:
3837:
3833:
3829:
3825:
3824:William Smart
3821:
3811:
3809:
3808:Olympic Games
3805:
3801:
3799:
3795:
3790:
3788:
3784:
3780:
3776:
3771:
3769:
3765:
3761:
3757:
3756:Isle of Wight
3753:
3749:
3745:
3740:
3738:
3734:
3730:
3726:
3724:
3723:Raymond Unwin
3720:
3716:
3712:
3708:
3704:
3703:town planning
3694:
3692:
3688:
3684:
3680:
3676:
3672:
3662:
3654:
3649:
3647:
3643:
3642:J. A. Spender
3639:
3636:. Aside from
3635:
3631:
3627:
3623:
3619:
3615:
3611:
3607:
3603:
3599:
3595:
3591:
3587:
3583:
3579:
3575:
3561:
3557:
3555:
3551:
3547:
3541:
3539:
3535:
3531:
3527:
3523:
3519:
3515:
3511:
3506:
3504:
3503:
3498:
3497:
3492:
3488:
3484:
3477:International
3471:
3470:
3465:
3461:
3448:
3441:
3436:
3434:
3430:
3426:
3422:
3413:
3406:
3401:
3393:
3391:
3381:
3372:
3369:
3364:
3362:
3356:
3354:
3350:
3346:
3342:
3338:
3333:
3331:
3330:Joanna's Care
3327:
3323:
3317:
3315:
3314:Jumping Jenny
3311:
3310:Lake District
3307:
3303:
3299:
3291:
3286:
3277:
3275:
3271:
3267:
3262:
3261:Impressionism
3258:
3254:
3250:
3246:
3240:
3238:
3234:
3229:
3226:
3222:
3218:
3214:
3210:
3206:
3202:
3193:
3184:
3182:
3178:
3174:
3171:(1875–1877),
3170:
3165:
3160:
3158:
3154:
3153:
3148:
3144:
3140:
3136:
3129:Travel guides
3126:
3124:
3120:
3116:
3112:
3107:
3105:
3100:
3099:Royal Academy
3095:
3091:
3083:
3079:
3070:
3068:
3064:
3060:
3055:
3051:
3047:
3046:
3041:
3037:
3031:
3029:
3025:
3024:Lake District
3021:
3017:
3013:
3008:
3006:
3002:
2998:
2994:
2988:
2986:
2982:
2978:
2974:
2970:
2967:, north-west
2966:
2962:
2958:
2954:
2950:
2946:
2941:
2939:
2938:
2933:
2923:
2920:
2916:
2912:
2908:
2904:
2900:
2896:
2892:
2888:
2884:
2880:
2876:
2875:
2870:
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796:Alice Liddell
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792:Henry Liddell
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784:Christ Church
781:
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774:1836, Ruskin
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746:
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724:J. D. Harding
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19:
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14849:from Commons
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14823:
14669:Valorisation
14659:Law of value
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14274:
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14244:
14234:
14224:
14214:
14204:
14194:
14141:
14117:Magnificence
14099:
13949:
13915:Schopenhauer
13899:
13750:Coomaraswamy
13668:Philosophers
13656:
13587:Aestheticism
13420:Mount Ruskin
13374:
13366:
13360:The Countess
13358:
13350:
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13334:
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12923:
12920:Derrick Leon
12913:
12909:
12905:
12895:
12894:. Methuen. (
12889:
12872:
12857:
12845:
12834:
12827:
12820:
12802:
12795:
12777:
12766:
12723:
12703:
12695:
12685:
12675:
12671:
12661:
12650:Ruskin, John
12648:
12647:Cook, E. T.
12640:. New York:
12637:
12597:
12577:
12570:
12563:
12543:. Retrieved
12539:the original
12534:
12525:
12513:
12508:
12496:. Retrieved
12487:The Guardian
12485:
12472:
12460:. Retrieved
12456:the original
12441:
12438:"Mrs Ruskin"
12431:
12419:. Retrieved
12415:the original
12410:
12401:
12389:. Retrieved
12385:the original
12380:
12371:
12359:. Retrieved
12355:the original
12350:
12341:
12329:. Retrieved
12320:
12311:
12299:. Retrieved
12289:
12264:
12260:
12259:Romantics".
12256:
12230:
12218:. Retrieved
12209:
12203:
12196:
12184:. Retrieved
12154:. Retrieved
12145:
12135:
12123:. Retrieved
12112:
12106:
12099:
12087:. Retrieved
12078:
12072:
12061:
12049:. Retrieved
12029:
12022:
12010:. Retrieved
11999:
11989:
11980:
11974:
11965:
11959:
11950:
11944:
11936:
11931:
11919:. Retrieved
11915:the original
11910:
11901:
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11884:
11879:
11871:
11866:
11858:
11854:
11850:
11838:. Retrieved
11831:the original
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11809:
11797:. Retrieved
11788:
11784:
11774:
11762:. Retrieved
11742:
11735:
11723:. Retrieved
11708:
11701:
11674:
11670:
11660:
11648:. Retrieved
11636:
11623:
11611:. Retrieved
11591:
11584:
11557:
11553:
11550:"See Ruskin"
11543:
11516:
11512:
11502:
11490:. Retrieved
11485:
11481:
11471:
11459:. Retrieved
11454:
11450:
11440:
11428:. Retrieved
11422:
11415:
11403:. Retrieved
11397:
11390:
11378:. Retrieved
11372:
11365:
11353:. Retrieved
11348:
11345:The Carleton
11344:
11335:
11323:. Retrieved
11317:
11310:
11298:. Retrieved
11286:
11273:
11261:. Retrieved
11256:
11252:
11242:
11230:. Retrieved
11225:
11215:
11203:. Retrieved
11197:
11190:
11178:. Retrieved
11169:
11165:
11155:
11143:. Retrieved
11134:
11130:
11120:
11108:. Retrieved
11099:
11089:
11077:. Retrieved
11072:
11062:
11045:
11041:
11035:
11023:. Retrieved
11019:the original
10994:. Retrieved
10964:. Retrieved
10944:
10919:. Retrieved
10910:
10900:
10892:
10887:
10879:
10875:
10874:Tim Hilton,
10870:
10860:
10853:
10845:
10832:
10828:
10818:24 September
10816:. Retrieved
10792:
10782:
10774:
10773:Tim Hilton,
10769:
10757:. Retrieved
10742:
10735:
10723:. Retrieved
10718:
10708:
10691:
10677:
10669:
10664:
10656:
10651:
10643:
10638:
10630:
10625:
10617:
10612:
10600:. Retrieved
10573:
10561:
10553:
10541:The Guardian
10540:
10535:
10527:
10522:
10510:
10501:
10495:
10486:
10480:
10472:
10468:
10460:
10457:Ruskin Today
10456:
10451:
10432:
10426:
10418:
10413:
10401:
10396:
10388:
10383:
10371:. Retrieved
10362:
10353:
10341:
10329:. Retrieved
10315:
10307:
10304:Clive Wilmer
10299:
10291:
10288:J. A. Hobson
10283:
10271:. Retrieved
10262:
10253:
10241:. Retrieved
10232:
10222:
10214:
10210:
10206:
10203:Melvyn Bragg
10198:
10190:
10187:Introduction
10186:
10181:
10173:
10165:
10156:
10151:
10143:
10139:
10127:
10115:. Retrieved
10111:the original
10101:
10093:
10088:
10080:
10073:
10065:
10060:
10052:
10047:
10035:. Retrieved
10017:
10005:. Retrieved
9996:
9987:
9975:. Retrieved
9966:
9956:
9944:. Retrieved
9940:the original
9930:
9918:. Retrieved
9914:the original
9904:
9892:. Retrieved
9883:
9874:
9862:. Retrieved
9853:
9843:
9831:. Retrieved
9823:The Guardian
9822:
9812:
9791:
9783:
9774:
9768:
9760:
9756:
9751:
9743:
9738:
9721:
9717:
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9683:. Retrieved
9679:the original
9669:
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9442:
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9425:
9420:
9408:. Retrieved
9399:
9389:
9377:. Retrieved
9368:
9358:
9346:. Retrieved
9337:
9327:
9315:. Retrieved
9311:the original
9306:
9297:
9289:
9284:
9276:
9271:
9263:
9257:
9249:
9244:
9232:. Retrieved
9225:
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9204:. Retrieved
9197:
9188:
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9138:
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9121:
9112:
9106:
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9086:
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9069:
9061:
9056:
9044:. Retrieved
9035:
9026:
9014:. Retrieved
9000:
8988:
8980:
8976:
8971:
8963:
8958:
8950:
8945:
8937:
8932:
8920:
8908:. Retrieved
8899:
8896:"Ruskinland"
8890:
8882:
8877:
8869:
8864:
8856:
8851:
8843:
8838:
8830:
8826:
8821:
8804:
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8783:
8775:
8770:
8762:
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8734:
8728:
8716:. Retrieved
8707:
8698:
8682:
8678:
8672:
8660:
8652:
8647:
8639:
8638:Tim Hilton,
8634:
8626:
8621:
8613:
8608:
8596:. Retrieved
8582:
8574:
8569:
8557:
8549:
8529:. Retrieved
8518:Oua.ox.ac.uk
8517:
8505:
8470:
8457:
8445:. Retrieved
8439:
8432:
8424:
8423:Tim Hilton,
8419:
8411:
8406:
8401:, 18.19-187.
8394:
8382:
8370:
8358:. Retrieved
8349:
8340:
8327:
8322:, 19.163-94.
8315:
8303:
8295:
8290:
8285:, 17.lxxvii.
8278:
8267:
8263:
8259:
8254:
8242:
8230:
8218:. Retrieved
8214:the original
8209:
8200:
8191:
8183:
8179:
8174:
8162:
8150:
8145:
8133:
8125:
8120:
8115:, 17.15–118.
8108:
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8095:
8062:
8058:
8048:
8015:
8011:
8001:
7992:
7980:
7968:
7956:
7948:
7947:E. T. Cook,
7943:
7931:. Retrieved
7922:
7912:
7900:. Retrieved
7891:
7881:
7869:
7862:Ruskin's God
7861:
7856:
7844:
7836:
7831:
7823:
7818:
7809:
7804:, 13.95–186.
7797:
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7698:
7693:
7681:
7673:
7668:
7656:
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7631:
7622:
7612:15 September
7610:. Retrieved
7606:the original
7596:
7587:
7581:
7573:
7568:
7556:
7548:
7544:
7536:
7531:
7523:
7519:
7514:, 15.23-232.
7507:
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7483:. Retrieved
7479:the original
7469:
7457:. Retrieved
7448:
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7365:. Retrieved
7361:the original
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7144:
7138:
7126:. Retrieved
7117:
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7041:
7029:. Retrieved
7025:the original
7015:
7003:. Retrieved
6994:
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6956:
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6931:
6923:
6922:Tim Hilton,
6918:
6906:
6894:. Retrieved
6885:
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6849:
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6836:
6831:
6819:
6811:
6808:Derrick Leon
6803:
6794:
6786:
6781:
6769:. Retrieved
6765:the original
6755:
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6707:
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6683:
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6667:
6659:
6654:
6642:. Retrieved
6638:the original
6633:
6624:
6612:. Retrieved
6603:
6594:
6582:. Retrieved
6573:
6564:
6552:. Retrieved
6548:the original
6544:erm.selu.edu
6543:
6534:
6522:. Retrieved
6518:the original
6514:erm.selu.edu
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6347:Mount Ruskin
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6277:(originally
6274:
6264:
6259:Ruskin Today
6258:
6257:(originally
6254:
6248:
6242:
6232:
6226:
6220:
6214:
6208:
6195:
6189:
6183:
6177:
6171:
6165:
6159:
6153:
6140:
6136:
6130:
6123:
6117:
6109:
6103:
6095:
6089:
6081:
6075:
6071:
6067:
6061:
6057:
6052:
6050:(serialised
6047:
6041:
6037:
6031:
6027:
6021:
6017:
6011:
6007:
6001:
5997:
5991:
5987:
5981:
5973:
5967:
5959:
5953:
5949:
5943:
5935:
5929:
5913:
5905:
5898:
5891:
5881:
5871:
5865:
5853:
5849:
5843:
5831:
5825:
5821:
5815:
5811:
5805:
5801:
5795:
5791:
5785:
5781:
5775:
5771:
5766:
5764:(serialised
5761:
5755:
5749:
5748:(serialised
5745:
5739:
5733:
5732:(serialised
5726:
5720:
5716:
5710:
5706:
5700:
5696:
5689:
5685:
5679:
5675:
5669:
5665:
5659:
5655:
5649:
5645:
5638:
5634:
5628:
5624:
5616:
5612:
5605:
5601:
5594:
5590:
5581:
5575:
5569:
5561:
5557:
5553:
5552:(Part VIII)
5549:
5545:
5538:
5534:
5527:
5523:
5516:
5512:
5505:
5501:
5494:
5488:
5482:
5476:
5470:
5466:
5460:
5456:
5455:(serialised
5452:
5446:
5442:
5429:
5425:
5421:
5415:
5400:Lauffenbourg
5398:
5382:
5360:
5344:
5323:
5309:
5295:
5281:
5265:
5251:
5237:
5223:
5197:
5169:
5158:directed by
5149:
5129:
5119:
5110:Sharon Small
5102:Robin Brooks
5097:
5091:The Countess
5089:
5079:
5065:
5060:Alex Chapple
5053:
5044:Timothy West
5040:Derek Jacobi
5031:
5011:
5003:
4998:silent movie
4993:
4980:
4972:
4966:
4950:
4936:
4930:
4924:
4908:
4885:
4866:
4845:
4835:Old New York
4833:
4825:
4821:
4818:(1849–1923).
4809:
4800:
4767:Peter Fuller
4752:
4740:
4736:
4732:
4728:
4720:
4716:
4706:
4702:
4689:
4668:
4664:
4660:
4655:
4643:
4635:
4633:
4616:nympholeptic
4612:
4607:
4599:
4594:
4585:
4577:
4563:Peter Fuller
4558:Mary Lutyens
4555:
4550:
4546:
4541:
4533:
4524:Tate Britain
4509:
4490:
4488:
4484:
4473:
4463:
4455:
4450:
4442:
4435:
4429:
4425:
4421:
4417:
4407:
4397:
4393:
4387:
4383:
4375:
4366:
4361:
4359:
4351:
4348:
4301:
4287:
4258:
4256:
4243:
4241:
4234:
4207:
4199:
4193:
4181:
4175:
4165:Clive Wilmer
4150:
4102:
4095:Melvyn Bragg
4088:
4084:The Guardian
4082:
4074:
4036:
4007:Oliver Lodge
4003:John Lubbock
4000:
3990:
3978:Ruskin House
3951:
3904:
3901:
3883:
3872:Nazi Germany
3840:Toynbee Hall
3828:J. A. Hobson
3817:
3802:
3791:
3779:George Allen
3772:
3741:
3727:
3701:Pioneers of
3700:
3683:Octavia Hill
3675:C. R. Ashbee
3669:
3656:
3652:
3618:Herbert Read
3574:Le Corbusier
3571:
3542:
3507:
3500:
3494:
3480:
3467:
3446:
3438:
3431:, Master of
3418:
3411:
3403:
3399:
3386:
3365:
3357:
3352:
3351:of Ruskin's
3348:
3334:
3329:
3318:
3313:
3298:W. J. Linton
3295:
3276:personally.
3241:
3232:
3230:
3224:
3220:
3217:Anthropocene
3212:
3198:
3180:
3176:
3172:
3168:
3163:
3161:
3150:
3138:
3132:
3111:spiritualism
3108:
3087:
3081:
3053:
3049:
3043:
3038:district of
3032:
3009:
3000:
2996:
2992:
2989:
2942:
2935:
2929:
2902:
2891:Albert Moore
2873:
2858:
2856:
2846:
2842:
2837:
2827:George Allen
2820:
2814:
2808:
2795:
2752:
2744:Michelangelo
2739:
2735:
2731:
2725:
2709:
2705:Cecil Rhodes
2696:Henry Acland
2685:
2677:
2635:
2633:
2628:
2617:
2613:
2605:
2586:Rede lecture
2583:
2573:
2564:
2553:
2537:Octavia Hill
2533:
2524:
2520:
2516:
2506:
2504:
2494:
2488:
2480:
2472:
2466:
2444:
2442:
2432:
2423:
2418:
2395:
2393:
2388:
2376:
2370:
2368:
2333:
2310:
2300:
2296:
2291:
2209:Mercantilism
2129:Bruno Latour
2068:
1900:Exploitation
1838:theories of
1807:
1803:
1799:
1789:
1787:
1776:
1772:
1768:
1761:
1754:Henry Acland
1734:
1720:
1697:
1693:
1687:
1653:
1647:
1640:
1632:
1624:
1617:
1606:
1601:
1595:
1593:
1588:
1584:
1553:
1546:
1542:George Allen
1537:
1510:
1493:Henry Acland
1489:Gothic style
1486:
1477:
1469:
1434:
1427:
1423:
1417:
1401:Henry Acland
1386:
1375:
1363:
1361:
1349:Glen Finglas
1342:
1336:
1330:
1312:
1307:Glen Finglas
1305:standing at
1292:
1255:
1248:
1240:
1234:
1232:
1226:
1221:
1218:
1203:
1198:
1187:
1181:
1175:
1172:Architecture
1163:
1156:
1146:
1119:
1113:
1078:
1076:
1056:Fra Angelico
1001:
995:
981:
937:
935:
931:Denmark Hill
927:Samuel Prout
920:
918:
911:
889:
858:
845:
835:
831:
821:for poetry (
816:
812:Henry Acland
776:matriculated
769:
759:
755:
751:
749:
744:
736:
733:
715:
712:Samuel Prout
703:
695:
693:
669:Schaffhausen
648:
641:
605:
588:
585:South London
572:(demolished
567:
560:
554:
537:Walter Scott
514:
482:
457:
455:
434:
416:
402:
400:
385:
381:a fairy tale
372:
362:
333:
332:
175:
167:
164:(1860, 1862)
159:
151:
143:
135:
128:Notable work
92:(1900-01-20)
43:
32:
14980:Anglo-Scots
14945:1900 deaths
14940:1819 births
14935:John Ruskin
14824:John Ruskin
14705:Das Kapital
14593:Mark Fisher
14583:Robert Kurz
14512:John Ruskin
14210:(c. 335 BC)
14200:(c. 390 BC)
14179:Work of art
14132:Picturesque
13988:Avant-garde
13945:Winckelmann
13820:Kierkegaard
13745:Collingwood
13715:Baudrillard
13642:Romanticism
13612:Historicism
13546:Mathematics
13379:(2014 film)
13363:(1999 play)
13355:(1994 film)
13339:(1967 film)
13328:John Ruskin
13287:(1851–1853)
13271:(1843–1860)
13245:John Ruskin
13183:The Academy
13175:"Review of
13127:In Our Time
13122:John Ruskin
12955:John Ruskin
12578:John Ruskin
12535:Lancs.ac.uk
12381:Doollee.com
12051:14 November
11823:The Freeman
11560:(11): 612.
11482:Today's Art
11073:Town Topics
10759:20 December
10743:John Ruskin
10725:20 December
10517:, 17.17–24.
10473:Seven Lamps
10363:Tate.org.uk
10331:24 February
10263:Lancs.ac.uk
10132:Frank Field
10107:"Lord Judd"
10007:26 December
9977:26 December
9884:Lancs.ac.uk
9850:"Ruskin200"
9833:11 December
9700:Arnd KrĂĽger
9396:"Ruskin200"
9153:, 35.5-562.
9115:. Palgrave.
8718:2 September
8575:John Ruskin
8264:John Ruskin
8260:John Ruskin
8210:Lancs.ac.uk
8065:(1): 1–13.
7933:15 December
7902:15 December
7688:, 16.9-174.
7485:5 September
7118:Lancs.ac.uk
6951:, 4.25-218.
6886:Lancs.ac.uk
6865:Dinah Birch
6771:5 September
6750:, 1.206-10.
6030:(1877–78) (
5838:Hilary term
5767:Art Journal
5548:(Part VII)
5190:(Gray) and
5070:John Purser
4888:. Ecco Pr.
4850:. Chivers.
4749:Shakespeare
4678:Definitions
4376:Seven Lamps
4362:restoration
4137: 1895
4130: 1845
4061:. In 2006,
4055:Frank Field
4015:Thomas Cook
3982:Ruskin Hall
3606:W. B. Yeats
3602:T. S. Eliot
3590:Oscar Wilde
3225:Storm-Cloud
3016:Isle of Man
3001:Bibliotheca
2985:Sheepscombe
2953:Wyre Forest
2919:Tite Street
2798:vivisection
2767:Oscar Wilde
2679:Vanity Fair
2655:household.
2449:focused on
2134:Robert Kurz
2119:Mark Fisher
2069:John Ruskin
1974:Das Kapital
1920:Wage labour
1836:utilitarian
1723:Switzerland
1678:Switzerland
1631:'s phrase,
1482:Cirencester
1294:John Ruskin
1188:Seven Lamps
1166:consummated
1040:Campo Santo
956:Renaissance
952:Old Masters
908:John Eagles
885: 1860
874: [
612:Thomas Dale
577: 1912
545:evangelical
533:Shakespeare
525:Romanticism
350:ornithology
334:John Ruskin
172:(1871–1884)
50:John Ruskin
33:John Ruskin
14929:Categories
14863:Quotations
14710:Grundrisse
14674:Value-form
14553:André Gorz
14543:Guy Debord
14149:Recreation
14127:Perception
14020:Creativity
13720:Baumgarten
13710:Baudelaire
13592:Classicism
13507:Aesthetics
13404:Effie Gray
13376:Effie Gray
13320:Depictions
13043:Faded Page
12902:E. T. Cook
12742:1096234806
12616:1089484724
12514:Effie Gray
12490:. London.
12462:2 February
12331:2 February
12301:2 February
12125:2 February
12089:2 February
12012:2 February
11861:5.201–220.
11840:23 January
11799:22 January
11764:1 February
11725:6 February
11180:23 January
11145:23 January
11025:28 January
10921:23 January
10700:1097357632
10502:Praeterita
9864:21 January
9647:1551641313
9410:23 January
9379:23 January
9348:23 January
9234:17 October
9206:17 October
9128:, 34.7–80.
8748:0714830003
8737:. London:
8488:0191559660
7792:, 13.9–80.
7332:, vol. 14.
7212:, 12.357n.
7086:, 8.3-274.
6995:Npg.org.uk
6738:, 1.4-188.
6726:, 1.191-6.
6714:, 2.265-8.
6690:, 1.453n2.
6419:required.)
6354:References
6209:Praeterita
5611:Vol. III.
5556:(Part IX)
5194:(Millais).
5186:(Ruskin),
5171:Effie Gray
5160:Mike Leigh
5151:Mr. Turner
5120:Mrs Ruskin
5108:), Effie (
5084:David Lang
5028:(Millais).
5026:Peter Egan
5016:(1975), a
4996:(1912), a
4959:0385344139
4911:. Virago.
4822:False Dawn
4602:John Simon
4567:Tim Hilton
4536:Effie Gray
4470:Adam Smith
4367:impossible
4320:illusions.
4298:, England.
4275:, and the
4215:grotesques
4051:Frank Judd
3966:Chelmsford
3921:, both in
3917:, and the
3894:movement.
3737:Doukhobors
3638:E. T. Cook
3610:Ezra Pound
3390:frock coat
3345:E. T. Cook
3292:churchyard
3249:Sallanches
3237:Herne Hill
3233:Praeterita
3209:Wordsworth
3119:Broadlands
2644:Manchester
2598:Camberwell
2545:Paddington
2541:Marylebone
2379:s editor,
2322:Adam Smith
2159:E. K. Hunt
2124:André Gorz
2109:Guy Debord
1989:Grundrisse
1930:Value-form
1834:, and the
1804:Proserpina
1746:Waldensian
1658:Manchester
1405:John Brett
1126:Bowerswell
1068:Tintoretto
838:Effie Gray
772:Michaelmas
665:Strasbourg
589:Praeterita
581:Camberwell
570:Herne Hill
563:, XXXV, 40
561:Praeterita
541:Abbotsford
373:Dictionary
338:art critic
269:Aesthetics
192:Effie Gray
176:Praeterita
74:1819-02-08
14801:Economics
14695:Sarvodaya
14639:Commodity
14502:Karl Marx
14154:Reverence
14060:Eroticism
14030:Depiction
14003:Masculine
13905:Santayana
13865:Nietzsche
13810:Hutcheson
13800:Heidegger
13785:Greenberg
13740:Coleridge
13705:Balthasar
13690:Aristotle
13652:Theosophy
13647:Symbolism
13622:Modernism
13607:Formalism
13460:Sarvodaya
13399:Brantwood
12750:cite book
12624:cite book
12452:0140-0460
12443:The Times
12281:194023142
12267:: 67–92.
12257:Desperate
11677:(1): 12.
11492:2 January
11461:2 January
11430:2 January
11405:2 January
11380:2 January
11355:2 January
11325:2 January
11300:2 January
11263:2 January
11232:2 January
11205:2 January
11137:(8): 53.
11110:7 January
11079:2 January
10996:7 January
10966:7 January
10895:, p. 288.
10882:, p. 202.
10584:0362-4331
10243:22 August
10211:On Genius
9076:, 27.344.
9032:"eMuseum"
8667:, 29.160.
8497:893971998
8377:, 18.433.
8140:, 36.415.
8079:0038-4038
8032:0033-5533
7987:, 12.507.
7963:, 17.lxx.
7876:, 36.115.
7780:, 16.251.
7502:, 13.553.
7449:Infed.org
6604:Kcl.ac.uk
6574:Ucl.ac.uk
6125:Præterita
6060:(1885)) (
5924:Lent term
5600:Vol. II.
5210:Paintings
5184:Greg Wise
4707:Jane Eyre
4530:Sexuality
4219:gargoyles
4059:Tony Benn
3970:Cambridge
3915:Brantwood
3868:Karl Marx
3754:, on the
3748:Brantwood
3634:Eric Gill
3622:Roger Fry
3546:Esperanto
3502:Sarvodaya
3429:Dr Bright
3322:influenza
3302:Brantwood
3139:St Ursula
3135:Carpaccio
3063:Sheffield
3036:Sheffield
2973:Cloughton
2949:Sheffield
2574:Telegraph
2570:Pall Mall
2451:Giorgione
2377:Cornhill'
2214:Mathiness
2194:Economics
2059:Karl Marx
2004:Sarvodaya
1880:Commodity
1812:Abbeville
1572:, one of
1562:May Queen
1520:) at the
1472:Funtley,
1453:Cambridge
1441:Ashmolean
1382:impotency
1344:The Times
1210:Ca' d'Oro
1046:, and in
495:, Croydon
466:Edinburgh
452:Genealogy
377:treatises
318:Signature
277:education
100:, England
35:(Millais)
18:Ruskinian
14622:Concepts
14429:Category
14361:Axiology
14230:(c. 500)
14220:(c. 100)
14095:Judgment
14050:Emotions
14045:Elegance
14025:Cuteness
13998:Feminine
13961:Concepts
13930:Tanizaki
13910:Schiller
13895:Richards
13885:Rancière
13855:Maritain
13790:Hanslick
13730:Benjamin
13602:Feminism
13571:Theology
13551:Medieval
13541:Japanese
13536:Internet
13140:Archived
13113:Archived
13101:Archived
13062:LibriVox
13045:(Canada)
12785:11th ed.
12711:, 2021.
12492:Archived
12325:Archived
12214:Archived
12210:IMDb.com
12180:Archived
12150:Archived
12119:Archived
12083:Archived
12069:(1909).
12045:Archived
12006:Archived
11793:Archived
11785:New York
11758:Archived
11693:79704514
11641:Archived
11607:Archived
11576:25476615
11535:13723251
11451:Bulletin
11291:Archived
11174:Archived
11139:Archived
11104:Archived
11048:(4): 5.
10990:Archived
10960:Archived
10942:(2006).
10915:Archived
10837:Archived
10812:Archived
10719:Guardian
10633:, p. 156
10620:, p. 191
10596:Archived
10592:92999604
10588:ProQuest
10546:Archived
10387:Ruskin,
10367:Archived
10348:, 3.624.
10325:Archived
10267:Archived
10237:Archived
10207:Foreword
10031:Archived
10001:Archived
9971:Archived
9888:Archived
9858:Archived
9827:Archived
9726:Archived
9710:Archived
9705:Olympika
9685:4 August
9620:Archived
9527:56923207
9404:Archived
9373:Archived
9342:Archived
9178:Archived
9040:Archived
9010:Archived
8995:, 5.333.
8904:Archived
8811:Archived
8790:, 27–29.
8712:Archived
8688:Archived
8592:Archived
8564:, 29.86.
8522:Archived
8354:Archived
8157:. p. 89.
7927:Archived
7896:Archived
7851:, 29.89.
7737:Archived
7726:Archived
7715:Archived
7453:Archived
7403:Archived
7122:Archived
6999:Archived
6963:, 4.47 (
6913:, 3.104.
6890:Archived
6608:Archived
6578:Archived
6554:24 April
6524:24 April
6296:See also
6102:(1884) (
5966:(1874) (
5942:(1876) (
5928:(1872) (
5864:(1872) (
5824:(1869) (
5814:(1867) (
5794:(1866) (
5774:(1882) (
5719:(1859) (
5709:(1859) (
5688:(1857) (
5678:(1856) (
5658:(1854) (
5637:(1851) (
5627:(1851) (
5615:(1853) (
5613:The Fall
5604:(1853) (
5593:(1851) (
5589:Vol. I.
5574:(1849) (
5331:Drawings
5106:Bob Peck
4949:(2010),
4907:(2002).
4884:(1995).
4869:(1986),
4745:Lycurgus
4725:Hercules
4441:Ruskin,
4439:—
4372:—
4333:society.
4189:Whistler
4103:Meristem
4101:founded
3948:, London
3946:Walworth
3923:Coniston
3892:Red Tory
3890:and the
3733:Purleigh
3705:such as
3520:and the
3443:—
3408:—
3326:Coniston
3290:Coniston
3245:Beauvais
3183:(1877).
3020:Langdale
2981:Westmill
2961:Barmouth
2911:farthing
2640:Rusholme
2620:(1866).
2610:Bradford
2484:—
2455:Veronese
2428:—
2402:Gujarati
2352:Xenophon
1868:Concepts
1850:a series
1848:Part of
1690:Turner's
1662:Bradford
1393:Rossetti
1245:—
1212:and the
1138:Normandy
1048:Florence
1020:Perugino
1016:Veronese
1004:Chamonix
714:, whose
702:'s poem
558:—
470:Glenluce
458:de facto
342:polymath
39:Nardwuar
14764:Related
14424:Outline
14339:Related
14206:Poetics
14174:Tragedy
14164:Sublime
14137:Quality
14122:Mimesis
14080:Harmony
14065:Fashion
14040:Ecstasy
14035:Disgust
13951:more...
13920:Scruton
13845:Lyotard
13780:Goodman
13760:Deleuze
13695:Aquinas
13685:Alberti
13658:more...
13637:Realism
13617:Marxism
13597:Fascism
13580:Schools
13566:Science
13521:Ancient
13387:Related
13303:(1870s)
13130:at the
13051:at the
12983:at the
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