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109:. She later said that at the time she had no thought of taking up singing as a career, but she had, in the words of one obituarist, "a very thorough musical education in Italy and England". In 1864, aged 19, she married Champnays Charles Butcher, an auctioneer. By the 1880s they were living apart; he died in 1884 aged 49. They had no children.
231:
693:
Sarah
Gosling was separated from her first husband, after whose death in 1850 she married Moult, with whom she had been living for six years. Moult was a cab-driver, although in later life Brandram spoke of growing up "surrounded by every luxury that wealthy parents could
647:
In her final years, suffering from pulmonary disease, Brandram was too ill to attend the dinner in
December 1906 at the O.P. Club celebrating the first London repertory season of the Gilbert and Sullivan operas, at which she had been scheduled to speak, along with
660:
rolls down – Rosina whose dismal doom it was to represent undesirable old ladies of 65, but who, with all the resources of the perruquier and the make-up box, could never succeed in looking more than an attractive eight-and-twenty – it was her only failure."
59:
Brandram joined the D'Oyly Carte company in 1877 as a chorister and understudy. By 1879, she was originating roles with the company, and she became its principal contralto in 1884, creating roles in seven of the famous
221:
wrote of her in his 1908 memoir, "I have never heard a contralto singer who gave me so much pleasure as Rosina; she sang without any effort, and her voice had a fullness and mellifluous quality which were unrivalled."
130:, performing the role briefly in December of that year. She played Lady Sangazure on a provincial tour in 1878, and the next year deputised at the Opera Comique as Little Buttercup in
72:, and she performed with the company until 1903, when it left the Savoy. After leaving D'Oyly Carte, she played a few more roles with other companies before retiring from the stage.
93:, London. She was the elder child and only daughter of William Moult and his partner (later wife), Sarah Gosling. By her own account, she was educated at a boarding school in
672:
reported that though she had recovered from a dangerous attack of bronchitis, she was critically ill with heart trouble. She died in
Southend the following month, aged 61.
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1744:
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369:(1894, touring in this role in 1895), during the run of which Sullivan composed a new "characteristically Spanish" song expressly for her. A revival of
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424:, later in 1901, she originated the role of the Countess of Newtown. Following this, she created the role of Wee-Ping in the original version of
101:
in
Normandy. She recalled being taken to Italy by her parents and being introduced to Gaetano Nava, a singing teacher whose pupils had included
656:. In his remarks on that occasion, W. S. Gilbert gave this tribute to Brandram: "Rosina of the glorious voice that rolled out as full-bodied
644:. In September of that year, she sustained injuries in a carriage accident and in December 1904, her health obliged her to leave the cast.
21:
307:, by Lady Monckton and Harriet Young. She toured as the Duchess briefly in 1890 before returning to the Savoy to complete the run of
245:
roles in every
Sullivan opera at the Savoy, the only principal to achieve that distinction. The first of these was Lady Blanche in
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44:(2 July 1845 – 28 February 1907) was an English opera singer and actress primarily known for creating many of the
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The D'Oyly Carte Opera
Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961
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for a few months, when the company disbanded. This was
Brandram's last production with D'Oyly Carte.
267:(1887). She played Little Buttercup, Ruth and Katisha, respectively, in the first London revivals of
154:. She toured with Carte's companies in America as Kate (and possibly, at times, as Edith and Ruth) in
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291:(1889). Also in 1889, she appeared in one-off performances of two new operettas: in May she was in
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379:(1896), she created the role of Baroness von Krakenfeldt, followed by another Katisha in 1896.
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171:(1881–82), she was given the leading roles in two one-act companion pieces: Margery Daw in
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followed in 1895, in which she played
Katisha. In Gilbert and Sullivan's last opera,
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68:. She was the only principal to appear in every original Sullivan production at the
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in 1897, and in 1898, she played the
Duchess of Plaza Toro in the first revival of
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Later in 1880, on her return to
England, she played Kate during the London run of
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The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel
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at the Savoy (1892). She then originated the roles of Lady Vernon in Sullivan's
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255:(1884) she played Lady Sangazure. She next originated the roles of Katisha in
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430:, which ran briefly during November 1901. She then appeared in a revival of
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410:(1899–1900), after which she appeared as Ruth and Lady Jane in revivals of
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Rutland Barrington: A Record of 35 Years' Experience on the English Stage
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49:
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442:
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at the Savoy, but she appeared as Widow Jackson in the curtain-raiser,
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33:
718:, Oxford Music Online (subscription required), accessed 1 January 2010
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followed, in which Brandram created the roles of Queen Elizabeth I in
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and other members of the Savoy company, and in June she starred with
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and Carte took to New York, where she created the role of Kate in
279:(both in 1888). She next created the roles of Dame Carruthers in
491:
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Next, Brandram played Dame Carruthers in the first revival of
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at the Gilbert and Sullivan Archive, accessed 1 January 2010
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at the Gilbert and Sullivan Archive, accessed 1 January 2010
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at the Gilbert and Sullivan Archive, accessed 1 January 2010
207:, repeating as Mrs. Bowcher and then as Mrs. Frumpington in
124:
in the role of Lady Sangazure in the original production of
136:
in August 1879. At the end of 1879 she was a member of the
1289:"'The Rose of Persia; or, the Story-Teller and the Slave'"
404:
in 1899. She then created the role of Dancing Sunbeam in
165:
at the Opera Comique. During the original production of
668:, Essex, for the good of her health. In February 1907
1638:(fourth ed.). London: Cassell & Company Ltd.
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1552:. No. 38249. London. 6 February 1907. p. 10
1524:. No. 38217. London. 31 December 1906. p. 9
586:
Brandram's final role: Ermerance de Champ d'Azur, in
326:(1891–92). She played Widow Merton in the revival of
1669:
664:In June 1906 Brandram moved to the seaside town of
802:
768:
618:, together with former Savoy colleagues including
241:From 1884 to 1901, Brandram created the principal
1499:The Penny Illustrated Paper and Illustrated Times
199:(1882–84), played at the company's new home, the
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675:
577:
1574:Southend-on-Sea and district: historical notes
1707:Several reviews of Brandram's performance in
120:in 1877 as a chorus member and understudy to
1745:Singers from the London Borough of Southwark
213:. In September 1883, she replaced an unwell
1740:Actors from the London Borough of Southwark
728:
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604:as the Sea Witch and the Queen in Hood and
25:Rosina Brandram, from an advertisement for
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1451:, Rowman & Littlefield (2014), p. 165
158:. She also appeared as Little Buttercup.
1735:19th-century British women opera singers
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930:
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770:"An Interview with Miss Rosina Brandram"
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630:. The following year, she appeared with
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400:(1898), followed by Little Buttercup in
285:(1888) and the Duchess of Plaza-Toro in
251:(1884). In the first London revival of
229:
183:. She also occasionally substituted for
105:. After that she studied in London with
20:
1594:Gilbert and Sullivan – A Dual Biography
1505:
893:Who Was Who in the D'Oyly Carte Company
883:
881:
879:
800:
64:operas, as well as many other Sullivan
1717:
1670:Rollins, Cyril; R. John Witts (1962).
1591:
1577:. John H. Burrows and Sons. p. 9.
1560:– via The Times Digital Archive.
1532:– via The Times Digital Archive.
1433:– via The Times Digital Archive.
1144:. London. 27 September 1891. p. 6
995:
993:
952:– via The Times Digital Archive.
870:, Ancestry UK. Retrieved 30 July 2021
824:– via British Newspaper Archive.
810:Illustrated Sporting and Dramatic News
790:– via British Newspaper Archive.
776:Illustrated Sporting and Dramatic News
750:, Ancestry UK. Retrieved 30 July 2021
735:, Ancestry UK. Retrieved 30 July 2021
396:(1898) and reprised Lady Sangazure in
225:
1631:
1425:. London. 23 December 1903. p. 5
1297:. London. 2 December 1899. p. 14
1042:
925:
763:
761:
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418:(1900–01). In Sullivan's last opera,
203:, she continued to take roles in the
1699:Review of Brandram's performance in
1614:The Gilbert & Sullivan Companion
1610:
1172:. London. 31 January 1892. p. 6
876:
835:
833:
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357:(1893), the Marquise de Montigny in
1596:. Oxford: Oxford University Press.
990:
13:
779:. 16 February 1895. pp. 842,
756:
75:
14:
1781:
1687:
1324:Walters, Michael and George Low.
1260:. London. 4 June 1898. p. 13
1107:. London. 16 June 1889. p. 6
1018:. London. 7 April 1883. p. 7
979:Walters, Michael and George Low.
962:Walters, Michael and George Low.
944:. London. 2 March 1907. p. 8
828:
638:as Ermerance de Champ d'Azur, in
600:In 1903 Brandram appeared at the
1079:. London. 12 May 1889. p. 6
936:"Obituary: Miss Rosina Brandram"
558:
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16:British opera singer and actress
1635:The Gilbert & Sullivan Book
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801:Edwards, G. S. (5 March 1904).
733:"Rosina Moult (alias Brandram)"
390:. She was the original Joan in
116:'s Comedy Opera Company at the
1760:19th-century English actresses
1571:Burrows, John William (1909).
1380:"New Comic Opera at the Savoy"
794:
708:
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451:(1902–03) and Nell Reddish in
1:
1516:"Savoyard Celebration Dinner"
1360:. 25 November 1902. p. 6
701:
676:Notes, references and sources
434:as the Queen of the Fairies.
363:(1894), and Inez de Roxas in
261:(1885–87) and Dame Hannah in
97:, North London, and later at
80:
1651:Barrington, Rutland (1908).
1388:. 23 January 1903. p. 6
1315:Rollins and Witts, pp. 18–19
1278:Rollins and Witts, pp. 17–18
804:"Concerning Rosina Brandram"
578:Later years and last illness
7:
1478:– via Newspapers.com.
1396:– via Newspapers.com.
1368:– via Newspapers.com.
1352:"Our London Correspondence"
1305:– via Newspapers.com.
1268:– via Newspapers.com.
1222:– via Newspapers.com.
1206:"Our London Correspondence"
1180:– via Newspapers.com.
1152:– via Newspapers.com.
1115:– via Newspapers.com.
1087:– via Newspapers.com.
1051:Rollins and Witts, pp. 9–20
1026:– via Newspapers.com.
895:, accessed 31 December 2009
868:"Champnays Charles Butcher"
857:– via Newspapers.com.
457:(1903). She then toured in
303:in a single performance of
10:
1786:
1674:. London: Michael Joseph.
1585:
1502:, 31 December 1904, p. 438
1214:. 11 March 1895. p. 5
1071:"Mr. Goldbeck's 'Newport'"
138:D'Oyly Carte Opera Company
54:D'Oyly Carte Opera Company
1470:. 19 May 1904. p. 12
849:. 2 March 1907. p. 6
295:by Robert Goldbeck, with
1592:Ainger, Michael (2002).
1406:Rollins and Witts, p. 20
1341:Rollins and Witts, p. 19
1241:Rollins and Witts, p. 17
1232:Rollins and Witts, p. 16
1195:, 1 October 1892, p. 601
1125:Rollins and Witts, p. 73
922:Rollins and Witts, p. 32
904:Rollins and Witts, p. 29
680:
467:Some of Brandram's roles
459:A Princess of Kensington
454:A Princess of Kensington
314:Brandram had no role in
193:. While the next opera,
1765:English stage actresses
1657:. London: G. Richards.
1617:. London: W. H. Allen.
1467:The Manchester Guardian
1385:The Manchester Guardian
1357:The Manchester Guardian
1211:The Manchester Guardian
999:Rollins and Witts, p. 8
913:Rollins and Witts, p. 6
872:(subscription required)
846:The Manchester Guardian
752:(subscription required)
737:(subscription required)
551:The Yeomen of the Guard
483:The Pirates of Penzance
282:The Yeomen of the Guard
151:The Pirates of Penzance
1632:Baily, Leslie (1956).
841:"Miss Rosina Brandram"
597:
437:Two original works by
351:(1893), Lady Sophy in
238:
38:
1770:People from Southwark
1750:Actresses from London
1611:Ayre, Leslie (1972).
1252:"The New Savoy Opera"
585:
345:(1892), Miss Sims in
233:
140:touring company that
24:
1326:"The Willow Pattern"
615:Little Hans Andersen
177:and Mrs. Bowcher in
114:Richard D'Oyly Carte
62:Gilbert and Sullivan
548:Dame Carruthers in
226:Principal contralto
1755:English contraltos
1694:Photos of Brandram
1488:Ainger, pp. 405–06
716:"Brandram, Rosina"
654:Rutland Barrington
598:
427:The Willow Pattern
407:The Rose of Persia
239:
219:Rutland Barrington
85:Brandram was born
39:
1624:978-0-491-00832-7
1603:978-0-19-514769-8
1462:"London Theatres"
1417:"Adelphi Theatre"
1192:The Musical Times
889:"Rosina Brandram"
336:The Vicar of Bray
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317:The Nautch Girl
301:Courtice Pounds
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205:curtain raisers
146:Arthur Sullivan
133:H.M.S. Pinafore
122:Mrs Howard Paul
103:Charles Santley
83:
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76:Life and career
42:Rosina Brandram
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1730:1907 deaths
1725:1845 births
1556:19 December
1528:19 December
1474:19 December
1429:19 December
1392:19 December
1364:19 December
1301:19 December
1264:19 December
1218:19 December
1176:19 December
1148:19 December
1111:19 December
1083:19 December
1060:Ayre, p. 62
1022:19 December
1010:"The Savoy"
948:19 December
853:19 December
820:19 December
786:19 December
531:Katisha in
414:(1900) and
342:Haddon Hall
215:Jessie Bond
107:Frank Romer
95:Cricklewood
1719:Categories
1701:The Mikado
702:References
534:The Mikado
443:Basil Hood
371:The Mikado
348:Jane Annie
297:Sybil Grey
277:The Mikado
258:The Mikado
81:Beginnings
34:The Sketch
1680:504581419
1663:905855307
1644:254534938
1549:The Times
1521:The Times
1422:The Times
1038:Chapter 3
941:The Times
694:command".
670:The Times
641:Véronique
610:pantomime
608:'s fairy
589:Véronique
332:Solomon's
264:Ruddigore
243:contralto
91:Southwark
52:with the
46:contralto
658:Burgundy
517:Iolanthe
500:Patience
480:Ruth in
432:Iolanthe
416:Patience
402:Pinafore
271:(1887),
269:Pinafore
196:Iolanthe
190:Patience
168:Patience
99:Le Havre
1586:Sources
1294:The Era
1257:The Era
1015:The Era
634:at the
592:, with
412:Pirates
360:Mirette
293:Newport
273:Pirates
163:Pirates
156:Pirates
1678:
1661:
1642:
1621:
1600:
596:, 1904
384:Yeomen
328:Grundy
37:, 1901
681:Notes
1676:OCLC
1659:OCLC
1640:OCLC
1619:ISBN
1598:ISBN
1558:2023
1530:2023
1476:2023
1431:2023
1394:2023
1366:2023
1303:2023
1266:2023
1220:2023
1178:2023
1150:2023
1113:2023
1085:2023
1024:2023
950:2023
855:2023
822:2023
788:2023
652:and
626:and
441:and
330:and
275:and
781:844
89:in
31:in
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