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The Pirates of Penzance

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apprenticeship, he will be forced to devote himself to the pirates' extermination. He also points out that they are not successful pirates: since they are all orphans, they allow their prey to go free if they too are orphans. Frederic notes that word of this has got about, so captured ships' companies routinely claim to be orphans. Frederic invites the pirates to give up piracy and go with him, so that he need not destroy them, but the Pirate King says that, contrasted with respectability, piracy is comparatively honest ("Oh! better far to live and die"). The pirates depart, leaving Frederic and Ruth. Frederic sees a group of beautiful young girls approaching the pirate lair, and realises that Ruth misled him about her appearance ("Oh false one! You have deceived me!"). Sending Ruth away, Frederic hides before the girls arrive.
1442:, a great favourite in Sullivan's formative years, may have been the model for Sullivan's trademark contrapuntal mingling of the rapid prattle of the women's chorus in Act I ("How beautifully blue the sky") in 2/4 time with the lovers' duet in waltz time. Jacobs writes that "the whole number with Schubertian ease from B to G and back again." In Act II, a double chorus combines the policemen's dogged tune, "When the foeman bares his steel" and the soaring line for the women, "Go, ye heroes, go to glory". In adapting the four-part chorus "Climbing over rocky mountain" from 3251: 3408:, combining aspects of the Papp production with the Disney design concepts. Not all of these revivals have generated the same enthusiasm as Papp's 1980s productions. A 1999 UK touring production received this critique: "No doubt when Papp first staged this show in New York and London it had some quality of cheek or chutzpah or pizzazz or irony or something that accounted for its success. But all that's left now ... is a crass Broadway-style musical arrangement ground out by a seven-piece band, and the worst kind of smutty send-up of a historic piece of art." 796:
truth"); Frederic departs. Mabel steels herself ("No, I'll be brave") and tells the police that they must go alone to face the pirates. The police muse that an outlaw might be just like any other man, and it is a shame to deprive him of "that liberty which is so dear to all" ("When a felon's not engaged in his employment"). The police hide on hearing the approach of the pirates ("A rollicking band of pirates we"), who have stolen onto the estate, intending to take revenge for the Major-General's lie ("With cat-like tread").
1492: 1363: 934: 816: 177:, achieved success in London in 1878, approximately 150 American companies quickly mounted unauthorised productions that often took considerable liberties with the text and paid no royalties to the creators. Gilbert and Sullivan hoped to forestall further "copyright piracy" by mounting the first production of their next opera in America, before others could copy it, and by delaying publication of the score and libretto. They succeeded in keeping for themselves the direct profits of the first American production of 3559: 32: 10658: 10670: 8073: 845: 3033: 6017:, ThisIsTheatre.com, accessed 17 November 2020. This production, directed by Steven Dexter and presented by Raymond Gubbay, used a new musical arrangement, because Papp's designs and musical arrangements created for the Papp production are protected by copyright; an unlicensed 1982 production mounted in Dublin in advance of Papp's own London production was enjoined from transferring to London by a successful lawsuit. See Bennetts, Leslie. 702: 548: 1865: 436: 750:
responds to his plea, chiding her sisters for their lack of charity ("Oh sisters deaf to pity's name for shame!"). She offers Frederic her pity ("Poor wand'ring one"), and the two quickly fall in love. The other girls discuss whether to eavesdrop or to leave the new couple alone ("What ought we to do?"), deciding to "talk about the weather," although they steal glances at the affectionate couple ("How beautifully blue the sky").
869: 725:'s reign, Frederic celebrates the completion of his twenty-first year and the end of his apprenticeship to a gentlemanly band of pirates ("Pour, oh pour the pirate sherry"). The pirates' maid of all work, Ruth, appears and reveals that, as Frederic's nursemaid long ago, she made a mistake "through being hard of hearing": Mishearing Frederic's father's instructions, she apprenticed him to a pirate, instead of to a ship's 7667: 8083: 9552: 758:"). He appeals to the pirates not to take his daughters, leaving him to face his old age alone. Having heard of the famous Pirates of Penzance, he pretends that he is an orphan to elicit their sympathy ("Oh, men of dark and dismal fate"). The soft-hearted pirates release the girls ("Hail, Poetry!"), making Major-General Stanley and his daughters honorary members of their band ("Pray observe the magnanimity"). 923: 911: 739: 771: 1380: 1653: 1504:
to and including the 1908 Savoy revival. For example, early versions depicted the Pirate King as the servant of the pirate band, and the words of the opening chorus were, "Pour, O King, the pirate sherry". In the original New York production the revelation by Ruth that the pirates are "all noblemen who have gone wrong" prompted the following exchange (recalling a famous passage in
889: 804:'s name"; the pirates, overcome with loyalty to their Queen, do so. Ruth appears and reveals that the pirates are "all noblemen who have gone wrong". The Major-General is impressed by this and all is forgiven. Frederic and Mabel are reunited, and the Major-General is happy to marry his daughters to the noble ex-pirates after all ("Poor Wand'ring Ones" (reprise)). 296:, "there was a wordful self-descriptive set-piece for Stanley , introducing himself much as Sir Joseph Porter had done ... a lugubrious comic number for the Sergeant of Police ... a song of confession for Ruth, the successor Little Buttercup", romantic material for Frederic and Mabel, and "ensemble and chorus music in turn pretty, parodic and atmospheric." 593:. The biographer Michael Ainger, however, doubts that Gilbert intended a caricature of Wolseley, identifying instead General Henry Turner, uncle of Gilbert's wife, as the pattern for the "modern Major-General". Gilbert disliked Turner, who, unlike the progressive Wolseley, was of the old school of officers. Nevertheless, in the original London production, 479:, might not have been accidental. In any case, on 10 December 1879, Sullivan wrote a letter to his mother about the new opera, upon which he was hard at work in New York. "I think it will be a great success, for it is exquisitely funny, and the music is strikingly tuneful and catching." As was his usual practice in his operas, Sullivan left the 3979: 1450:, Sullivan took less trouble: he wrote only a single vocal line, suitable for soprano voices. Despite this, the number ends with another example of Sullivan's counterpoint, with the chorus singing the second melody of the piece ("Let us gaily tread the measure") while the orchestra plays the first ("Climbing over rocky mountain"). 831: 426:
wrote, "we secretly marvelled at the naturalness and ease with which were said and done. For until then no living soul had seen upon the stage such weird, eccentric, yet intensely human beings .... conjured into existence a hitherto unknown comic world of sheer delight." Gilbert acted as stage
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The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born
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The Major-General sits in a ruined chapel on his estate, surrounded by his daughters. His conscience is tortured by the lie that he told the pirates, and the girls attempt to console him ("Oh dry the glist'ning tear"). The Sergeant of Police and his corps arrive to announce their readiness to arrest
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The girls burst exuberantly upon the secluded spot ("Climbing over rocky mountain"). Frederic reveals himself ("Stop, ladies, pray!"), startling them. He appeals to them to help him reform ("Oh! is there not one maiden breast?"). The girls are fascinated by him, but all reject him, except one: Mabel
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premiered on 31 December 1879 in New York and was an immediate hit. On 2 January 1880, Sullivan wrote, in another letter to his mother from New York, "The libretto is ingenious, clever, wonderfully funny in parts, and sometimes brilliant in dialogue – beautifully written for music, as is all Gilbert
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became a hit in London, the author, composer and producer had the financial resources to produce future shows themselves, and they executed a plan to free themselves from their financial backers in the "Comedy Opera Company". Carte formed a new partnership with Gilbert and Sullivan to divide profits
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than in other Gilbert and Sullivan works. Songs sent from New York to the D'Oyly Carte touring company in England for the Paignton premiere were then altered or omitted during Broadway rehearsals. Gilbert and Sullivan trimmed the work for the London premiere, and Gilbert made further alterations up
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Just then, Major-General Stanley appears, sleepless with guilt, and the pirates also hide ("Hush, hush! not a word"), while the Major-General listens to the soothing breeze ("Sighing softly to the river"). The girls come looking for him. The pirates leap out to seize them, and the Pirate King urges
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imitated Wolseley's mannerisms and appearance, particularly his large moustache, and the audience recognised the allusion. Wolseley himself, according to his biographer, took no offence at the caricature and sometimes sang "I am the very model of a modern Major-General" for the private amusement of
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in England. When he arrived in New York, however, he found that he had left the sketches for Act I behind, and he had to reconstruct the first act from memory, or compose new numbers. Gilbert told a correspondent many years later that Sullivan was unable to recall his setting of the entrance of the
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for his new libretto, including the businesslike bandits and the bumbling police. Gilbert and Sullivan also inserted into Act II an idea they first considered for a one-act opera parody in 1876 about burglars meeting police, while their conflict escapes the notice of the oblivious father of a large
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launched four companies that covered the United States on tours that lasted through the following summer. Gilbert and Sullivan themselves trained each of the touring companies through January and early February 1880, and each company's first performance – whether it was in Philadelphia, Newark, or
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in 1888 and in 1900, and for the Savoy's repertory season of 1908–09. In the British provinces, the D'Oyly Carte Opera Company toured it almost continuously from 1880 to 1884, and again in 1888. It re-entered the D'Oyly Carte touring repertory in 1893 and was never again absent until the company's
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Frederic meets Mabel ("All is prepared"), and she pleads with him to stay ("Stay Frederic, stay"), but he feels bound by his duty to the pirates until his 21st birthday – in 1940. They agree to be faithful to each other until then, though to Mabel "It seems so long" ("Oh, here is love, and here is
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has been regularly revived on both sides of the Atlantic – a British revival in 2000 transferred from the West Yorkshire Playhouse, Leeds, to the Open Air Theatre in Regents' Park – and has also become well established in the repertoire of amateur student societies. No other production has had as
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held that " policeman's lot is not so unhappy that he must choose between being charged with dereliction of duty if he does not arrest when he had probable cause, and being punished with damages if he does." State courts have cited the same song for other purposes: "Where does this extraordinary
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said of a new set with a mainly D'Oyly Carte cast, "This new recording represents the high-water mark so far as Gilbert and Sullivan opera is concerned. In each of the previous Savoy albums there have been occasional lapses which prevented one from awarding them unqualified praise; but with the
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there. Gilbert and Sullivan cast talented actors who were not well-known stars and did not command high fees. They then tailored their operas to the particular abilities of these performers. The skill with which Gilbert and Sullivan used their performers had an effect on the audience: as critic
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only five birthdays have passed ("When you had left our pirate fold"), and he will not reach his twenty-first birthday until he is in his eighties. Frederic is convinced by this logic and agrees to rejoin the pirates. He then sees it as his duty to inform the Pirate King of the Major-General's
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in acting, which was unusual at the time, just as he strove for realistic visual elements. He deprecated self-conscious interaction with the audience and insisted on a style of portrayal in which the characters were never aware of their own absurdity but were coherent internal wholes. Sullivan
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is richer, but more recondite. It demands a closer attention to the words there are great stores of wit and drollery ... which will well repay exploration. ... The music is fresh, bright, elegant and merry, and much of it belongs to a higher order of art than the most popular of the tunes of
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Frederic has never seen any woman other than Ruth, and he believes her to be beautiful. The pirates know better and suggest that Frederic take Ruth with him when he returns to civilisation. Frederic announces that, although it pains him, so strong is his sense of duty that, once free from his
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Frederic warns the young ladies that his old associates will soon return ("Stay, we must not lose our senses"), but before they can flee, the pirates arrive and capture the girls, intending to marry them ("Here's a first rate opportunity"). Mabel warns the pirates that the girls' father is a
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Left alone, Frederic, who is to lead the police, reflects on his opportunity to atone for a life of piracy ("Now for the pirates' lair"), at which point he encounters Ruth and the Pirate King. They have realised that Frederic's apprenticeship was worded so as to bind him to them until his
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score, with the vocal parts of this chorus altered from their original arrangement as a four-part chorus. Some scholars (e.g. Tillett and Spencer, 2000) have suggested that Gilbert and Sullivan had planned all along to re-use "Climbing over rocky mountain," and perhaps other parts of
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respectively, "yet on learning the truth one would kick oneself for not having recognised Sullivan's touch in all four." Hughes concluded by quoting the introductory bars of "When a felon's not engaged in his employment", adding, "There could never be any doubt as to who wrote
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is one upon which Mr. Sullivan must have bestowed earnest consideration, for independently of its constant flow of melody, it is written throughout for voices and instruments with infinite care, and the issue is a cabinet miniature of exquisitely defined proportions. ... That
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restored one of the original versions of the finale, which finishes with a variation of "I am the very model of a modern major-general", rather than with the customary reprise of "Poor wand'ring one", but in later revivals, it reverted to the more familiar text.
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style of singing and humour. It did not significantly change the libretto, but it used a new orchestration and arrangements that changed some keys, added repeats, lengthened dance music and made other minor changes in the score. The "Matter Patter" trio from
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ran for nearly two years each on Broadway and in the West End, boosting the opera's popularity. Professional and amateur productions of the opera continue with frequency. For example, in 2004, there was a West End production at the Savoy Theatre, and the
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with them and that he would withdraw his music from the Comedy Opera Company on 31 July. This followed a closure of the Opera Comique for repairs that Gilbert, Sullivan and Carte used to give them an argument that the original run of the production had
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replaced Estelle Parsons as Ruth. The minor roles used British actors miming to their Broadway counterparts. The film has been shown occasionally on television. Another film based loosely on the opera and inspired by the success of the Papp version,
354:. See Ainger, p. 170 and Jacobs, pp. 124–125. Stagehands and cast members managed to ward off their backstage attackers and protect the scenery. The police arrived to restore order, and the show continued. See Stedman, pp. 170–171 and Gillan, Don. 3086:
summer event. Musical direction and arrangements were by William Elliott. The show played for 10 previews and 35 performances. It then transferred to Broadway, opening on 8 January 1981 for a run of 20 previews and 787 regular performances at the
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specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Frederic's only solace is that Mabel agrees to wait for him faithfully.
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it is happily otherwise; from first to last, and in every bar, a simply delightful production." Of later recordings by the D'Oyly Carte Opera Company, the 1968 recording (with complete dialogue) is highly regarded: The online
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This figure assumes that Gilbert was ignoring the fact that there was no leap year in 1900. Otherwise, the action of the play would take place in 1873 instead of 1877, and the figure would be 67 years. See Bradley (1996), p.
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only two days beforehand. Having had only one rehearsal, they travelled to nearby Paignton for the matinee, where they read their parts from scripts carried onto the stage, making do with whatever costumes they had on hand.
570:– 'tunier' and more developed, of a higher class altogether. I think that in time it will be very popular." Shortly thereafter, Carte sent three touring companies around the United States East Coast and Midwest, playing 11083: 3752:
department store had a campaign sung to the tune of the Major-General's Song that began, "We are the very model of a modern big department store." George Washington, in the number "Right Hand Man" from the 2015 musical
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the pirates ("When the foeman bares his steel"). The girls loudly express their admiration of the police for facing likely slaughter by fierce and merciless foes. The police are unnerved by this and leave reluctantly.
3139:, two other Gilbert and Sullivan operas, were interpolated into the show. The production also restored Gilbert and Sullivan's original New York ending, with a reprise of the Major-General's song in the Act II finale. 501:
was a docile seaside resort in 1879, and not the place where one would expect to encounter pirates. On the other hand, the title was also a jab at the theatrical "pirates" who had staged unlicensed productions of
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be a coloratura because of 'Poor wand'ring one!', yet 'Dear father, why leave your bed' demands steady beauty of tone throughout the octave F to F, and 'Ah, leave me not to pine' goes a third lower still." In
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Overture (includes "With cat-like tread", "Ah, leave me not to pine", "Pray observe the magnanimity", "When you had left our pirate fold", "Climbing over rocky mountain", and "How beautifully blue the sky")
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were key sources for the romanticised, dashing pirate image and the idea of repentant pirates. Both Gilbert and Sullivan had parodied these ideas early in their careers. Sullivan had written a comic opera,
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said, "Of Mr. Sullivan's music we must speak in detail on some other occasion. Suffice it for the present to say that in the new style which he has marked out for himself it is the best he has written."
227:, in 1867, about a hapless British tourist who is captured by bandits and forced to become their chief. Gilbert had written several comic works that involved pirates or bandits. In Gilbert's 1876 opera 489:
opened in New York on 1 December 1879 and ran for the rest of December. After a reasonably strong first week, audiences quickly fell off, since most New Yorkers had already seen local productions of
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commercial in which a couple that wants to save money, but still listen to musicals, finds a roommate, dressed as the Major-General, who awkwardly begins the song while dancing on a coffee table.
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Because the work was premiered in three different places (the Paignton performance and the full productions in New York and London), there are more variations in the early libretto and score of
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situation leave the lower... Courts and State Courts in their required effort to apply the decisions of the Supreme Court of the United States...? Like the policeman in Gilbert and Sullivan's
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in London, Gilbert was eager to get started on his and Sullivan's next opera, and he began working on the libretto in December 1878. He re-used several elements of his 1870 one-act piece,
7018: 1175:, is a fact universally admitted. One might fancy that verse and music were of simultaneous growth, so closely and firmly are they interwoven. Away from this consideration, the score of 3463:
site also mentions the 1981 Papp recording as "excellent", despite its inauthentic 1980 re-orchestrations that "changed some of the timbres so as to appeal to a rock-oriented public".
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much lasting impact or influence. ... It also helped to promote G&S in places where it has been little performed and bring it to the attention of a much wider and younger audience.
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the captured Major-General to prepare for death. The police rush to their defence but are easily defeated. The Sergeant has one stratagem left: he demands that the pirates yield "in
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In the first night version of the libretto, the Sergeant of Police was named Edward, and the Pirate King was named Richard and was titled "A Pirate Chief". See Allen (1975), p. 112
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songs sung in the cartoon are "With cat-like tread", "Poor wand'ring one", "Climbing over rocky mountain" and the Major-General's song. "Poor wand'ring one" was used in the movie
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The following tables show the casts of the principal original productions and D'Oyly Carte Opera Company touring repertory at various times through to the company's 1982 closure:
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episode entitled "Pegfinger", Detective Sanchez's wife is a member of a community theatre that performs the opera. In a 1986 episode of the animated television adaptation of
6887: 4947: 3781:, where there are multiple references, including a scene where Leopold sings "I Am The Very Model of A Modern Major-General" while accompanying himself on the piano; and in 589:
The critics' notices were generally excellent in both New York and London. The character of Major-General Stanley was widely taken to be a caricature of the popular general
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has been recorded many times, and the critical consensus is that it has fared well on record. The first complete recording of the score was in 1921, under the direction of
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Original run in New York. The company toured the Eastern seaboard between 8 March and 15 May. Three other touring companies were launched in January and February 1880.
5638: 277:, which had introduced a pirate "chief", Captain Bang. Bang was mistakenly apprenticed to a pirate band as a child by his deaf nursemaid. Also, Bang, like Frederic in 3349:
as Mabel. The six-week limited season was followed by an Australian national tour from 1984 to 1986 and another tour with same cast in the mid-1990s. In 1985, Papp's
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The song is often used in film and on television, unchanged in many instances, as a character's audition piece, or seen in a "school play" scene. Examples include a
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The first non-D'Oyly Carte professional production in a country that had been subject to Gilbert's copyright (other than Williamsons' authorised productions) was in
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for the last moment, often sketching it out and entrusting completion of "the details" to an assistant, in this case the company's music director, Alfred Cellier.
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recommended the D'Oyly Carte recording of 1990: "a performance full of the kind of life that can only come from the experience of stage performances". The online
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Sullivan gave notice to the directors of the Comedy Opera Company in early July 1879 that he, Gilbert and Carte would not be renewing their contract to produce
370:, 13 August 1879, p. 8. The matter was eventually settled in court, where a judge ruled in Carte's favour about two years later. See Ainger, p. 175</ref> 9604: 5605: 1194:, cannot be denied; it contains more variety, marked character, careful workmanship, and is in fact a more finished artistic achievement … a brilliant success. 5218: 7959: 6988: 6826: 7949: 7108: 5543: 582:
opened in London on 3 April 1880, running for 363 performances there. It remains one of the most popular G&S works. The London sets were designed by
6845: 350:, but they had no scenery. On 31 July, they sent a group of thugs to the Opera Comique to seize the scenery and props during the evening performance of 5695: 4573: 1688:
Buffalo – was conducted by the composer. In Australia, its first authorised performance was on 19 March 1881 at the Theatre Royal, Sydney, produced by
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in 1934 contain a pirate dressed in Gilbert's original costuming, and Penzance had a rugby team called the Penzance Pirates, which is now called the
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11. "Stay, we must not lose our senses" ... "Here's a first-rate opportunity to get married with impunity" (Frederic and Chorus of Girls and Pirates)
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also praised the work, writing, "it would be impossible for a confirmed misanthrope to refrain from merriment over it", though the paper doubted if
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See NYGASP Theatre Programs, "Prime Time G&S: 20th Anniversary Celebration", 24 April 1994, Symphony Space, New York City; and Laxson, Erica.
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took place on 1 March 1873, or 1 March 1877 (depending on whether Gilbert took into account the fact that 1900 was not a leap year). The plot of
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describes the Major-General's Act II song, "Sighing softly to the river", "as plainly inspired by – and indeed worthy of – Sullivan's hero
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conducting. Mabel falls in love with the Pirate King, among other plot changes. A 2-CD set of the broadcast was issued by Gala Records in 2000.
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This opera contains two well-known examples of Sullivan's characteristic combination of two seemingly disparate melodies. Jacobs suggests that
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23. "No, I'll be brave" ... "Though in body and in mind" (Reprise of "When the foeman bares his steel") (Mabel, Sergeant, and Chorus of Police)
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The music from the chorus of "With cat-like tread", which begins "Come, friends, who plough the sea," was used in the popular American song, "
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has been one of Gilbert and Sullivan's most popular comic operas. After its unique triple opening in 1879–80, it was revived in London at the
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overtures: a lively opening (the melody of "With cat-like tread"), a slow middle section ("Ah, leave me not to pine alone"), and a concluding
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in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the
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wrote a short story called "The Gilbert & Sullivan Mystery" (later retitled "The Year of the Action"), concerning whether the action of
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by opening the production themselves on Broadway, prior to the London production, and they also operated profitable US touring companies of
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version in the episode "The Cold Open" (2006), where the cast performs "We'll be the very model of a modern network TV show"; and the
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site considers the Brent Walker better than the Papp version. More recent professional productions have been recorded on video by the
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thought both author and composer had drawn on the works of their predecessors: "Mr. Gilbert ... seems to have borrowed an idea from
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Prestige, Colin. "D'Oyly Carte and the Pirates: The Original New York Productions of Gilbert and Sullivan", pp. 113–148 at p. 118,
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deception. The outraged outlaw declares that the pirates' "revenge will be swift and terrible" ("Away, away, my heart's on fire").
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was inspired by the Papp version. The Papp version also inspired foreign-language productions in Germany and elsewhere in Europe.
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thought Gilbert's wit outran his dramatic invention, and Sullivan's music for the new work was not quite as good as his score for
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includes "Poor Wand'ring One" and "Oh Dry the Glistening Tear". A nonsense pastiche of the Major-General's song in the 2017 film
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vocal score was revised accordingly. For the 1908 revival Gilbert had the pirates yielding "in good King Edward's name". Despite
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and used in advertising. Parody versions have been used in political commentary as well as entertainment media. Its challenging
7544: 590: 555: 7614: 6806: 4818: 10156: 8169: 8112: 7585: 7470: 4710: 4171: 3835: 3658: 1771: 7627: 6455: 6215: 5410:, The Oxford Companion to the American Musical. Oxford University Press 2009. Oxford Reference Online, accessed 2 July 2010 4377: 4357: 362:, 1 September 1879, reprinted at the Stage Beauty website, accessed 6 May 2009. See also "The Fracas at the Opera Comique", 11430: 10832: 10482: 8522: 7932: 6506: 5989: 303:
and the new opera in America. Carte travelled to New York in the summer of 1879 and made arrangements with theatre manager
7136: 6431: 6403: 6375: 6347: 6323: 6295: 6267: 6239: 6168: 6113: 9395: 8625: 8420: 8187: 6945: 5808: 4096: 3906: 4912: 4039:." "With cat-like tread" is also part of the soundtrack, along with other Gilbert and Sullivan songs, in the 1981 film, 1051:
22. "Stay, Fred'ric, stay" ... "Ah, leave me not to pine" ... "Oh, here is love, and here is truth" (Mabel and Frederic)
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absurdly treats stealing as a professional career path, with apprentices and tools of the trade such as the crowbar and
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and other Gilbert and Sullivan operas are mentioned in several episodes, especially by Deputy Communications Director,
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version, for male as well as female voices, the men would have sung the first theme while the women sang the second.
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Why are pirates depicted with a parrot on their shoulder? What's the origin of the skull and crossbones pirate flag?
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setting and new orchestrations. The fully staged production of the concept, by the same team, is set to run at the
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in Paignton, with a production at the Palace Avenue Theatre (situated a few metres from the former Bijou Theatre).
7101: 11170: 11099: 10715: 10612: 8584: 8567: 8217: 7688: 7081: 1214:; Mr. Sullivan's music is sprightly, tuneful and full of 'go', although it is certainly lacking in originality." 4324:
From medieval times and in later centuries, however, Penzance was subject to frequent raiding by Turkish pirates
1347:
speaks of the song's "Schubertian water-rippling accompaniment", but adds that it simultaneously spoofs Verdi's
346:
set." See Rees, p. 89. The Comedy Opera Company directors engaged another theatre to play a rival production of
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The following table shows the history of the D'Oyly Carte productions in Gilbert's lifetime (excluding tours):
915: 373:
In November 1879, Gilbert, Sullivan and Carte sailed to America with a company of singing actors, to play both
328:... and said, 'They are yours, as our run is over....' Now will you please let me have them, and the parts of 116: 99:
in Britain and by many other opera companies and repertory companies worldwide. Modernized productions include
20: 9400: 7704: 3515:
1982 Brent Walker Productions (with dialogue) – Ambrosian Opera Chorus, London Symphony Orchestra; Conductor:
1818:
played Frederic. A concert of the opera was presented on Broadway in October 2022 by, and for the benefit of,
1731:
branch of the Gilbert and Sullivan Society presented a centenary tribute to the world premiere performance of
11425: 11390: 11271: 10409: 10047: 9881: 9876: 9753: 9745: 9714: 9405: 9107: 8076: 7897: 7723: 6842: 5502: 5493:: Introduction by Dorothy Raedler, Producer-Director, The American Savoyards, Schocken Books: New York (1975) 4443:"The Twilight of the Opera Pirates: A Prehistory of the Right of Public Performance for Musical Compositions" 3872: 3634: 2200: 1640: 742: 96: 2033:
Second Savoy repertory season; played with five other operas. (Closing date shown is of the entire season.)
11380: 11043: 10295: 10176: 9370: 8546: 8509: 8310: 5704: 5058: 3730: 3711: 9769: 5147: 3525:
1993 Mackerras/Telarc – Orchestra and Chorus of the Welsh National Opera; Conductor: Sir Charles Mackerras
11186: 10872: 10856: 9938: 9584: 9177: 4062: 3701:, sings the song with a 7-foot-tall (2.1 m) talking carrot (Parodying the pilot/pirate confusion in 3104: 316:
equally among themselves after the expenses of each of their shows. Sullivan wrote to a former producer,
108: 10840: 6866:
and then quotes the opening lines of "Oh dry the glist'ning tear", up to "... to see their father weep".
4896: 1328:". In a scene in Act II, Mabel addresses the police, who chant their response in the manner of an 1098:
The notices from critics were generally excellent in both New York and London in 1880. In New York, the
452:
women's chorus, so they substituted the chorus "Climbing over rocky mountain" from their earlier opera,
11163: 11134: 11011: 10708: 10622: 10011: 9825: 9579: 8685: 8579: 8320: 8251: 7927: 6794: 4297:
Ford had been one of the few managers who had paid Gilbert and Sullivan any kind of fee for performing
4146: 3850: 3628: 2872: 2809: 1819: 1738:
New York has seen over forty major revivals since the premiere. One of these, produced and directed by
1697: 1229: 583: 11126: 10351: 10083: 10060: 9761: 9659: 9574: 9569: 8967: 8302: 3937: 3801:
was so good that she almost "peed pants", by saying that she had said that she liked it better than
3423:, but with established recording singers rather than D'Oyly Carte Opera Company performers. In 1929, 3270: 2562: 2499: 1823: 1810:
produced a British touring production co-produced by the trustees of the D'Oyly Carte Opera Company.
1743: 1669: 1205: 156:, 1886: Gilbert is seen as one of the British authors whose works are stolen by the pirate publisher. 8927: 3715:, Al Borland begins to sing the song when tricked into thinking he is in a soundproof booth. In the 1304:. However, another musicologist, Nicholas Temperley, writes, "The choral outburst 'Hail, Poetry' in 11027: 10864: 10607: 10055: 9963: 9944: 9894: 9808: 9390: 8532: 4134: 3956: 3404: 3171:, and Kline and Azito won Drama Desk Awards. Notable replacements during the Broadway run included 2491: 1767: 1453:
Sullivan set a particular vocal challenge for the soprano who portrays Mabel. The Sullivan scholar
193:, failed in their efforts, over the next decade, to control the American performance copyrights to 9914: 6010: 10963: 10880: 10632: 10617: 10514: 9971: 9904: 9654: 9629: 9589: 9486: 9192: 8517: 8237: 8193: 7912: 7854: 7767: 7494:
The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961
6490: 3941: 3846: 3726: 3570: 3553: 3188: 3088: 3083: 2862: 1684: 1387: 1309: 1276:, in which the themes of "How beautifully blue the sky" and "A paradox, a paradox" are combined. 1200: 1036:
17. "When the foeman bares his steel" (Mabel, Edith, Sergeant, and Chorus of Policemen and Girls)
997: 755: 190: 92: 9037: 8782: 7189:
Gilbert and Sullivan in America, The Story of the First D'Oyly Carte Opera Company American Tour
6039: 578:. Sullivan's prediction was correct. After a strong run in New York and several American tours, 10394: 10337: 9934: 9871: 9699: 9644: 9599: 9594: 9564: 9375: 7907: 7344: 4201: 3894: 3889: 3439:
says, "This recording is one of the best D'Oyly Carte sets of all time, and certainly the best
3420: 3273:, London, on 26 May 1982, to generally warm reviews, for a run of 601 performances, earning an 2663: 1791: 1344: 1069:
27. "Hush, hush, not a word!" (Frederic, King, Major-General, and Chorus of Police and Pirates)
1003:
14. Finale Act I (Mabel, Kate, Edith, Ruth, Frederic, Samuel, King, Major-General, and Chorus)
321: 167:
opera to have its official premiere in the United States. At the time, American law offered no
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at Booth's Theatre in September of that year. The opera premiered in a German translation by
1438: 1156: 788: 511: 440: 211: 6752:"Resistance is futile: Why the ubiquity of the Minions cannot (and will never) be contained" 5746:
The first performance was by invitation only. The official opening was on 26 December 1884.
3502:
1968 D'Oyly Carte (with dialogue) – Royal Philharmonic Orchestra; Conductor: Isidore Godfrey
11375: 11003: 10700: 10365: 10024: 9816: 9785: 9732: 9639: 9559: 9458: 8942: 8772: 8767: 8605: 8452: 8363: 8358: 8315: 7746: 7619: 7402: 7152: 6476: 6068: 4381: 4178: 4142: 4138: 3925: 3616:
version, "I am the very model of a cartoon individual", in the episode "H.M.S. Yakko"; the
3529: 3364: 3095:
Theatres, the longest run for any Gilbert and Sullivan production in history. This take on
1917: 1746:, ran for 128 performances and gained good notices. A brief 1952 Broadway staging starring 1300: 1154:, was that the new work marked a distinct advance on Gilbert and Sullivan's earlier works. 1066:
26. "With cat-like tread, upon our prey we steal" (Samuel and Chorus of Pirates and Police)
428: 308: 164: 88: 61: 9052: 8922: 5383: 4422: 4384:, May 1970, edited by James Helyar. Lawrence, Kansas: University of Kansas Libraries, 1971 3357:
in Brisbane, setting attendance records that were not surpassed until many years later by
3325:
as Isabel. The Australian production opened in Melbourne in January 1984, opening the new
3250: 8: 11330: 11263: 11209: 11059: 10979: 10426: 10271: 10181: 10029: 9803: 9704: 9514: 8787: 8675: 8574: 8373: 8211: 8021: 7502: 6929: 6701: 5024: 4693: 4161:, Missouri, in 2012. Other Gilbert and Sullivan numbers, such as the Nightmare song from 3806: 3595: 3586: 3282: 3168: 3160: 2190: 1855: 1803: 1787: 1713: 1632:'s repeated urging, Gilbert did not prepare an authorised version of the libretti of the 1220:
noted, "It doesn't appear to have struck any of the critics yet that the central idea in
1150: 282: 233:, the title character is eager to be captured by a brigand chief. Gilbert had translated 8762: 8680: 8650: 8127: 7640: 7221:
The Life and Reminiscences of Jessie Bond, the Old Savoyard (as told to Ethel MacGeorge)
6652: 5466: 4333:
Performances had to be given in Britain before publication in order to secure copyright.
4095:
by Al Grand that continues to be performed in North America. The 2006 production at the
414: 11107: 11075: 10920: 10586: 10576: 10543: 10288: 10196: 10151: 10141: 10034: 9998: 9989: 9919: 9856: 9790: 9669: 9619: 9609: 9137: 9122: 8987: 8972: 8892: 8832: 8797: 8045: 7997: 7426: 7045: 6892: 4058: 3760: 3755: 3741: 3496: 3152: 3003: 2605: 2542: 2422: 2237: 2232: 2117: 1763: 1724: 1216: 1133: 942: 223: 206: 9207: 11420: 11035: 10944: 10928: 10896: 10684: 10521: 10456: 10316: 10256: 10251: 10146: 10101: 10006: 9899: 9886: 9843: 9684: 9507: 9332: 9327: 9307: 9147: 9087: 9002: 8937: 8757: 7581: 7529: 7510: 7466: 7460: 7445: 7439: 7409:
to Porter: United States–United Kingdom Interactions in Musical Theater, 1879–1929".
7388: 7354: 7348: 7318: 7312: 7297: 7290: 7271: 7265: 7250: 7201: 7173: 6212: 4986: 4685: 4407: 3849:, was termed "amusing" and "the film's finest moment"; it was uploaded to YouTube by 3777: 3590: 3452: 3290: 3075: 3048: 2900: 2759: 2754: 2530: 2525: 2257: 2085: 1835: 1815: 1673: 1625: 1471: 1416: 1325: 1210: 640: 382: 317: 234: 7557: 4252:
Several other television adaptations of the opera have been made, beginning in 1939.
4233:, a German-language version, was premiered on German television in 1968 and starred 3853:
as a singalong challenge, which has garnered more than 19 million views as of 2023.
1269: 148:
The Pirate Publisher – An International Burlesque that has the Longest Run on Record
10987: 10936: 10637: 10436: 10358: 10344: 10231: 10211: 10106: 9949: 9909: 9727: 9709: 9664: 9521: 9493: 9451: 9297: 9282: 9247: 9232: 9212: 9197: 9132: 9102: 9062: 8947: 8912: 8897: 8482: 8390: 8271: 8153: 8053: 8037: 7819: 7418: 6959: 5223: 4509: 4215: 4129:
curse that makes the pirates "landsick". It was first presented 1 November 2006 at
4116: 4105: 4041: 3829: 3678: 3510: 3385: 3298: 3236: 3216: 3176: 3167:
as the Sergeant of Police. Kline won a Tony Award for his performance. Smith won a
3108: 3092: 3071: 3016: 2935: 2867: 2774: 2557: 2520: 2474: 2469: 2464: 2442: 2122: 2100: 2095: 1858:
on Broadway starting in April 2025 with Karimloo and Pierce reprising their roles.
1689: 1425: 1148:
After the London premiere, the critical consensus, led by the theatrical newspaper
1106: 594: 551: 406: 299:
Gilbert, Sullivan and Carte met by 24 April 1879 to make plans for a production of
252: 104: 6905: 6735: 6719: 4704: 4181:
produced an adapted version in 1994 in Australia and New Zealand. Their producer,
1701: 1491: 1060:
24. "When a felon's not engaged in his employment" (Sergeant and Chorus of Police)
11415: 11322: 11019: 10786: 10762: 10673: 10627: 10591: 10566: 10389: 10309: 10302: 10221: 10216: 10186: 10171: 10136: 9983: 9979: 9975: 9967: 9472: 9312: 9267: 9262: 9242: 9117: 9092: 9067: 8747: 8742: 8695: 8665: 8492: 8410: 8368: 8353: 8244: 8230: 8132: 8013: 7868: 7805: 7784: 7762: 7631: 7624: 7140: 7112: 7065: 6948:, Manchester Universities Gilbert and Sullivan Society, accessed 30 November 2011 6849: 6813: 6660: 6639: 6543: 6510: 6459: 6452: 6435: 6407: 6379: 6351: 6327: 6299: 6271: 6243: 6219: 6196: 6172: 6117: 6050: 5993: 5684:"Ramin Karimloo, Lilli Cooper, David Hyde Pierce, More Will Star in Roundabout's 5649: 5609: 5552: 5530: 5474: 5394: 4714: 4700: 4429: 4361: 4354: 4263: 4246: 4009: 3978: 3856:
Television references, in addition to those mentioned above, included the series
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In the original London production, this exchange was shortened to the following:
1506: 1470:, saying that if hearing each out of context one might attribute it to Schubert, 1171:
That no composer can meet the requirements of Mr. Gilbert like Mr. Sullivan, and
1100: 1063:
25. "A rollicking band of pirates we" (Sergeant and Chorus of Pirates and Police)
454: 330: 273: 173: 152: 131: 49: 9007: 7606: 6503: 5986: 4000:
article on 29 February 1940, memorialising that Frederic was finally out of his
1312:
string quartet." Another well-known parody number from the work is the song for
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performance in Paignton a good review: see "Gilbert and Sullivan's New Opera",
4238: 4182: 4053: 4021: 3996: 3951: 3946: 3870:, who was recording secretary of his school's Gilbert and Sullivan society. In 3378:, with the original Broadway principal cast reprising their roles, except that 3334: 3262: 3228: 3224: 3212: 3196: 3140: 3123: 3059: 3040: 3032: 2910: 2895: 2877: 2832: 1839: 1831: 1807: 1799: 1705: 1454: 1433: 1391: 1340: 1317: 1285: 1261: 1033:
16. "Then, Frederic, let your escort lion-hearted" (Frederic and Major-General)
825: 801: 727: 722: 410: 11155: 10201: 7655: 6790: 6675: 6616: 6571: 6559: 6523: 5422: 4242: 3960:, the title character is chosen to understudy Mabel in a school production of 1288:. "Come, friends, who plough the sea" and "You triumph now" are burlesques of 11369: 11346: 11295: 11279: 10754: 10662: 10446: 10166: 10161: 10121: 9430: 9385: 9365: 9337: 9222: 9172: 9152: 9072: 8917: 8872: 8827: 8722: 8645: 8610: 8462: 8128: 8058: 8029: 7791: 7757: 7635: 7380: 6756: 5506: 4185:(Frederic in the Australian Papp production), produced another adaptation of 4126: 3954:
quotes "Oh dry the glist'ning tear". In the 1992 episode "The Understudy" of
3933: 3929: 3858: 3820: 3819:
that becomes the setting for the climactic battle between the Musketeers and
3792: 3683: 3640: 3506: 3338: 3310: 3306: 3302: 3294: 3274: 3204: 3067: 2958: 2842: 2620: 2615: 2588: 2580: 2552: 2486: 2363: 2152: 1964: 1945: 1847: 1811: 1739: 1664: 1475: 1336: 1295: 1186: 1018:"Pray observe the magnanimity" (reprise of "Here's a first-rate opportunity") 754:
Major-General ("Hold, monsters!"), who soon arrives and introduces himself ("
665: 615: 526:, who would later marry Richard D'Oyly Carte. The cast, which was performing 390: 386: 339: 268: 229: 216: 65: 57: 7332: 7030: 7005: 5804: 5397:, The Gilbert and Sullivan Society (Torbay Branch), accessed 23 January 2014 3569:
is one of the most frequently referenced works of Gilbert and Sullivan. The
3558: 3398:
The Papp production design has been widely imitated in later productions of
3122:
featured a more swashbuckling Pirate King and Frederic, and a broader, more
2678: 1717: 1122:
called it "a brilliant and complete success", commenting, "The humor of the
1057:
23a. "Sergeant, approach!" (Mabel, Sergeant of Police, and Chorus of Police)
11255: 10526: 10451: 10241: 10191: 10131: 10126: 10116: 9722: 9649: 9528: 9479: 9465: 9380: 9342: 9317: 9272: 9257: 9237: 9157: 9057: 9047: 8997: 8992: 8982: 8962: 8952: 8867: 8727: 8635: 8527: 8442: 8395: 7833: 7798: 7480: 7143:, Gilbert and Sullivan Discography, 13 April 2009, accessed 13 October 2015 6189: 6055: 4505: 4234: 4013: 3885: 3788: 3783: 3737: 3698: 3673: 3645: 3604: 3346: 3342: 3232: 3220: 3184: 3172: 3079: 2950: 2925: 2837: 2784: 2779: 2744: 2693: 2688: 2683: 2610: 2454: 2437: 2432: 2427: 2348: 2292: 2227: 2210: 2137: 2105: 1759: 1751: 1747: 1677: 1290: 1240: 938: 547: 523: 423: 355: 304: 287: 239: 201: 9187: 4109:
wrote in 2009, "Grand's adaptation is a delightfully whimsical treatment".
1351:, with the soloist unaware of a concealed male chorus singing behind him. 1118:, the text more humorous, the music more elegant and more elaborate." The 518:
the afternoon before the New York premiere, at the Royal Bijou Theatre in
311:, the authorised productions. He then returned to London. Meanwhile, once 31: 11287: 10441: 10416: 10404: 10266: 9252: 9182: 8977: 8957: 8907: 8822: 8812: 8589: 7981: 7902: 7892: 7285: 7215: 5955: 4616:
Stedman, pp. 170–172; Ainger, pp. 165–167 and 194–195; and Jacobs, p. 126
4193: 3867: 3797: 3653: 3578: 3330: 3322: 3208: 3192: 3148: 3055: 3044: 2998: 2850: 2814: 2794: 2789: 2749: 2698: 2600: 2297: 2287: 2262: 2195: 2173: 2090: 1851: 1843: 1827: 1778: 1633: 1629: 1412: 1298:, a burlesque of the prayer scene, "La Vergine degli Angeli", in Verdi's 1273: 1265: 1163: 987:
10. "How beautifully blue the sky" (Mabel, Frederic, and Chorus of Girls)
705: 398: 394: 378: 100: 45: 1692:. There was still no international copyright law in 1880, and the first 1390:
sings the "I am the very model of a modern Major-General", conducted by
10538: 10472: 10236: 10096: 10016: 9959: 9679: 9360: 9322: 9287: 9082: 8902: 8882: 8852: 8847: 8807: 8752: 8690: 8670: 8655: 8467: 8425: 7840: 7715: 7696: 7430: 7242: 5928: 4047: 3966: 3920: 3900: 3881: 3618: 3612: 3607:
which, as of September 2021, had garnered more than 1.9 million views.
3600: 3582: 3456: 3314: 3200: 3180: 3164: 3100: 2905: 2272: 1403: 1313: 1048:
21. "All is prepar'd; your gallant crew await you" (Mabel and Frederic)
978:
7. "Oh, is there not one maiden breast?" (Frederic and Chorus of Girls)
966:
3. "Oh, better far to live and die" (Pirate King and Chorus of Pirates)
926: 902: 701: 493:. In the meantime, Gilbert and Sullivan raced to complete and rehearse 125: 5176: 4449:, Vol. 24, 2007, pp. 1157–1218, 5 March 2007, accessed 24 October 2012 435: 72:
on 29 February, and so, technically, he has a birthday only once each
10904: 10421: 9500: 9112: 9017: 8887: 8857: 8430: 8385: 7847: 6584: 5612:, Opera Australia Annual Report 2007, p. 11, accessed 22 October 2013 4158: 4001: 3717: 3623: 3278: 3244: 3144: 3129: 3036: 1234: 1114:
took the view that "the new work is in every respect superior to the
784: 686: 507: 200:
Fiction and plays about pirates were ubiquitous in the 19th century.
168: 77: 73: 7422: 7314:
Oh Joy! Oh Rapture!: The Enduring Phenomenon of Gilbert and Sullivan
4192:
All-male versions of the opera include a long-running adaptation by
3898:, a police officer and his partner sing the policeman's song. In an 1864: 1727:, Canada, in September 1961, as the copyright expired. In 1979, the 975:
6. "Stop, ladies, pray" (Edith, Kate, Frederic, and Chorus of Girls)
960:
1. "Pour, oh pour, the pirate sherry" (Samuel and Chorus of Pirates)
738: 405:
cast in London. To these, he added some American singers, including
11303: 10995: 10399: 10246: 10226: 10091: 9077: 9027: 8932: 8817: 8400: 7826: 7676: 6914:(1984); first published as "The Gilbert & Sullivan Mystery" in 6862: 4442: 4163: 4154: 4125:(2006), is a musical comedy set on a Caribbean island, involving a 4005: 3574: 1329: 1042:
19. "When you had left our pirate fold" (Ruth, Frederic, and King)
718: 608: 519: 498: 480: 53: 6222:, Musical Collectibles catalogue website, accessed 15 October 2012 3687:
episode "Moody Blues", where Paul directs a charity production of
1335:
Sullivan even managed to parody two composers at once. The critic
135:
as one of the most frequently played Gilbert and Sullivan operas.
11247: 10746: 9535: 9142: 8477: 8457: 8005: 6009:
A Papp-style production played at the Savoy Theatre in 2004. See
5623:"The Happy Return of the Pirate King and His Loyal Swashbucklers" 5154:, Grove Music Online, Oxford Music Online, accessed 30 June 2010 4219:, a 1982 musical romantic comedy film loosely based on the opera. 4088: 3749: 3663: 3489:
1957 D'Oyly Carte – New Symphony Orchestra of London; Conductor:
1754:
a Tony Award as conductor. Repertory companies that have mounted
1419:, chose for the lists of accomplishments of the Major-General in 658: 531: 7556:. Sullivan Society Festival weekend. Cirencester. Archived from 3562:
The Major-General carries an encyclopedia in this "Bab" drawing.
1683:
In America, after the New York opening on New Year's Eve, 1879,
1316:, "Poor wand'ring one", which is generally thought to burlesque 1045:
20. "Away, away! My heart's on fire!" (Ruth, Frederic, and King)
824:
Excerpts from the 1920 HMV recording of the opera, conducted by
783:– and, because that birthday happens to be on 29 February (in a 10533: 10431: 9410: 9292: 8777: 8472: 8447: 8294: 4899:
Grove Music Online. Oxford Music Online, accessed 30 June 2010
4769:, Vol. XX, No. 1 (March 1981), p. 25; and Stedman, p. 95, n. 52 4150: 1728: 993:
12. "Hold, monsters" (Mabel, Major-General, Samuel, and Chorus)
922: 910: 566:
does. ... The music is infinitely superior in every way to the
9551: 3581:
has proved interesting to comedians; notable examples include
3499:, Glyndebourne Festival Chorus; Conductor: Sir Malcolm Sargent 770: 366:, 10 August 1879, p. 5 and "The Fracas at the Opera Comique", 10261: 9277: 9217: 8660: 8487: 3745: 1030:
15. "Oh, dry the glist'ning tear" (Mabel and Chorus of Girls)
633: 497:. The work's title is a multi-layered joke. On the one hand, 10730: 7526:
Shaw's Music: The Complete Musical Criticism of Bernard Shaw
7507:
Shaw's Music: The Complete Musical Criticism of Bernard Shaw
6957:
Schwartz, Joanna C. (2017). "How Qualified Immunity Fails",
6537:"Gilbert and Sullivan spoof: A Modern US President. (Fun!!)" 4406:, pp. 204–205, Fairleigh Dickinson University Press (1982), 1483:, and it is as English as our wonderful police themselves." 984:
9. "What ought we to do?" (Edith, Kate, and Chorus of Girls)
969:
4. "Oh! false one, you have deceiv'd me" (Frederic and Ruth)
471:. They argue that Sullivan's having brought the unpublished 8862: 7710: 4845:
The Profession of the Playwright: British Theatre 1800–1900
4378:
Papers Presented at the International Conference of G&S
3118:
Compared with traditional productions of the opera, Papp's
3107:
and for Leach as director. It was also nominated for eight
1652: 1039:
18. "Now for the pirates' lair!" (Frederic, Ruth, and King)
171:
protection to foreigners. After the pair's previous opera,
6488:
Hinkle, A. Barton. "Hinkle: The Attorney General's Song",
5436:
Hurley, G. M. "Gilbert and Sullivan – and Winthrop Ames",
3705:, Radner had requested a 6-foot-tall (1.8 m) talking 1624:
Gilbert deleted the exchange in the 1900 revival, and the
1582:
Oh spare them! They are all noblemen who have gone wrong.
1354: 338:, so that the directors shall not take them away from the 8263: 7267:
American Operetta: From H. M. S. Pinafore to Sweeney Todd
4301:
in America, and his reward for a small gesture was great.
3223:
as Ruth. The Los Angeles cast of the production featured
1284:
The score parodies several composers, most conspicuously
692:
Chorus of Pirates, Police and General Stanley's Daughters
7543:
Tillett, Selwyn; Spencer, Roderick (21 September 2002).
6574:, YouTube, accessed 15 February 2010. Other songs, from 3740:'s pastiche of the song listing all of the varieties of 3603:
released a YouTube pastiche of the song in character as
1559:. . . They are nearly all noblemen who have gone wrong. 1110:
both dedicated considerable space to their reviews. The
107:
production, which ran for 787 performances, winning the
4364:, Savoy Operas, 27 November 2000, accessed 25 July 2009 4227:, a 1983 film adaptation of Papp's Broadway production. 3736:
Examples of the use of the song in advertising include
10689: 7059:"The Pirates of Penzance, Wilton's Music Hall, London" 5962:, Internet Broadway Database, accessed 24 October 2013 5456:, Internet Broadway Database, accessed 25 October 2013 5427:, Internet Broadway Database, accessed 25 October 2013 3648:
sings: "I am the very model of a scientist Salarian".
3505:
1981; 1983 Papp's Pirates (with dialogue) – Director:
475:
score to New York, when there were no plans to revive
4045:, and it was pastiched in the "HMS Yakko" episode of 95:". The opera was performed for over a century by the 7491: 7224:. London: John Lane, The Bodley Head. Archived from 5009: 5007: 4520:, Vol. 55, No. 859 (1 September 1914), pp. 1–12 3964:
and is unprepared when she must go on; a scene from
3691:
starring his father, Burt, as the Major-General. In
3509:; Musical Director: William Elliott; Choreographer: 3103:
nominations, winning three, including the award for
1308:
would need very little alteration to turn it into a
542: 510:, a D'Oyly Carte touring company gave a perfunctory 6676:"Roommate – Easier Way to Save – GEICO Commercial," 3791:) covers a social gaffe by prostitute Vivian Ward ( 3522:
1990 New D'Oyly Carte – Conductor: John Pryce-Jones
1260:was composed by Sullivan and his musical assistant 981:
8. "Poor wand'ring one" (Mabel and Chorus of Girls)
972:
5. "Climbing over rocky mountain" (Chorus of Girls)
123:remains popular today, taking its place along with 7289: 6059:, 31 October 2001, p. 11, accessed 11 October 2014 4204:in London in 2010 and toured in Australia in 2012. 3277:nomination as Outstanding Musical and another for 189:. However, Gilbert, Sullivan, and their producer, 6726:. Internet Movie Database, accessed 22 April 2010 5509:, Musicals101.com, 2002, accessed 26 October 2013 5004: 4578:: Comic opera in 2 acts by Gilbert & Sullivan 427:director for his own plays and operas. He sought 11367: 6878:. Episode Summary, TV.com, accessed 26 July 2011 6775:finds a loopy series finally running out of gas" 6741:. Internet Movie Database, accessed 21 June 2010 6691:on 27 October 1953 as a full-page advertisement. 6524:"Obama! A Modern U.S. President (musical spoof)" 4847:, Cambridge University Press (1992), pp. 104–115 4004:. Six years previously, the arms granted to the 3281:as the Pirate King. Notable among the cast were 1794:each also staged the work. From 2006 to 2007 an 91:collaboration and introduced the much-parodied " 11185: 7337:The British Musical Theatre—Volume I, 1865–1914 7019:"Pirates! (Or, Gilbert and Sullivan Plunder'd)" 6190:List and assessments of recordings of the opera 5288:Rees, pp. 62–63 suggested that in the original 4979:See Ainger, pp. 181–182, and Kochanski, Halik. 3884:'s office wall. Both TV series were created by 1668:closure in 1982. New costumes were designed by 1565:For the twenty noblemen who have gone wrong.... 342:tomorrow, and I base my claim on the precedent 7542: 7524:Shaw, Bernard (1981). Laurence, Dan H. (ed.). 6791:"#DespicableMeChallenge – In Theaters June 30" 41:The Pirates of Penzance; or, The Slave of Duty 11171: 10716: 8279: 8113: 7731: 7462:The Penguin Guide to Recorded Classical Music 6963:, Yale Law School. Retrieved 26 February 2020 6664:Who Was Who in the D'Oyly Carte Opera Company 5915: 5913: 5911: 5909: 5907: 5478:Who Was Who in the D'Oyly Carte Opera Company 4962: 4960: 4576:The Pirates of Penzance, or The Slave of Duty 4474: 4472: 4051:in a song about surfing a whale. In the case 4028:centers on a 1924 silent movie adaptation of 1676:in 1929 (who also executed a new Act I set). 1562:Then give three cheers, both loud and strong, 1184:is a clear advance upon its precursors, from 998:I am the very model of a modern Major-General 756:I am the very model of a modern Major-General 401:as Cousin Hebe, some of whom had been in the 10324:Jim Hawkins and the Curse of Treasure Island 7317:. Oxford, England: Oxford University Press. 6973:Wagonheim v. Maryland State Board of Censors 6513:, SNL transcripts, accessed 15 February 2010 4640: 4638: 4628: 4626: 4624: 4622: 4447:Cardozo Arts & Entertainment Law Journal 4355:Information from the Savoyoperas.org website 3914:, several characters put on a production of 1084:"Away with them, and place them at the bar!" 7950:People associated with Gilbert and Sullivan 7923:International Gilbert and Sullivan Festival 7578:Gilbert and Sullivan: Gender, Genre, Parody 7441:The Penguin Guide to Opera on Compact Discs 4580:", Operetta Research Center, 5 October 2016 4554:, 1 August 1879, p. 3, accessed 22 May 2012 4123:Pirates! Or, Gilbert and Sullivan Plunder'd 3812:Mickey, Donald, Goofy: The Three Musketeers 3697:(season 3, episode 4) guest host, comedian 3472:International Gilbert and Sullivan Festival 3062:of New York City produced a new version of 1982:– series of matinĂ©es with a juvenile cast. 1320:'s waltz-songs, though the music critic of 413:came to assist Sullivan, while his brother 11178: 11164: 10723: 10709: 8286: 8272: 8120: 8106: 7918:Cultural influence of Gilbert and Sullivan 7738: 7724: 7646:at the Music Theatre International website 7417:(1). University of Illinois Press: 34–49. 7048:, DavidSpicer.com. Retrieved 23 April 2022 6596: 6594: 6029:, 18 August 1982, accessed 11 October 2011 5904: 5331:Anderson W. R., Changes in the "Pirates". 5235: 5233: 4957: 4868: 4469: 4372: 4370: 3940:", Peter gives a garbled rendition of the 3543:Cultural influence of Gilbert and Sullivan 963:2. "When Fred'ric was a little lad" (Ruth) 334:also at once. I am detaining the parts of 16:1879 comic opera by Gilbert & Sullivan 9955:Paris Declaration Respecting Maritime Law 7498:Also, five supplements, privately printed 7485:Thespis – A Gilbert & Sullivan Enigma 7296:. Harmondsworth, England: Penguin Books. 6442:, 8 September 2008, accessed 30 July 2016 6386:, 11 November 2009, accessed 30 July 2016 6334:, 7 September 2008, accessed 30 July 2016 6124:, 7 September 2008, accessed 30 July 2016 5629:, 26 November 2006, accessed 30 June 2010 5572:, 12 December 2004, accessed 30 June 2010 5065:, 1 January 1880, accessed 27 August 2010 4943: 4941: 4719: 4635: 4619: 4601: 4267:, one of the sources of the libretto for 3990:Other notable instances of references to 3573:, in particular, is frequently parodied, 3449:Penguin Guide to Recorded Classical Music 1466:(1959), Hughes quoted four extracts from 10732:Drama Desk Award for Outstanding Musical 10582:List of ships attacked by Somali pirates 7745: 7575: 7200:(2nd ed.). Chappell & Co. Ltd. 7191:. New York: The Pierpont Morgan Library. 6989:"The Pirates of Penzance... in Yiddish?" 6833:, 21 March 2012, accessed 29 August 2013 6710:, 9 February 2015 Issue, 2 December 2015 6681: 6414:, 2 December 2001, accessed 30 July 2016 6309: 6253: 6250:, 29 March 2009, accessed 20 August 2009 6000:, 3 September 2008, accessed 2 July 2010 5951: 5949: 5901:Rollins and Witts, 4th Supplement, p. 42 5892:Rollins and Witts, 3rd Supplement, p. 28 5883:Rollins and Witts, 2nd Supplement, p. 15 5227:, 20 February 2008, accessed 2 July 2010 4985:, p. 73, London, Hambledon Press, 1999. 4931: 4929: 4891: 4889: 4101:Drama Desk Award for Outstanding Revival 3977: 3644:video game version, where the character 3557: 3466:Of the available commercial videos, the 3389:, was released during the Broadway run. 3249: 3031: 3024: 2177: 1928: 1863: 1762:and on tour in the US have included the 1651: 1490: 932: 921: 909: 769: 737: 700: 546: 447:Sullivan had sketched out the music for 434: 142: 113:Drama Desk Award for Outstanding Musical 30: 7940:List of compositions by Arthur Sullivan 7580:. New York: Columbia University Press. 7487:. London: Dillon's University Bookshop. 7310: 7284: 7263: 7170:Gilbert and Sullivan – A Dual Biography 7153:List of television and film adaptations 7036:, Simon Gallaher, accessed 25 July 2009 6591: 5318: 5316: 5230: 4819:"Title Deed: How the Book Got its Name" 4432:, Edward Samuels, accessed 25 July 2009 4367: 4189:that toured Australia from 2001 to 2003 3547: 3235:as the Major-General, Dawber as Mabel, 1355:Patter, counterpoint, and vocal writing 1141:could repeat the prodigious success of 285:believed that Gilbert drew on ideas in 11368: 11068:A Gentleman's Guide to Love and Murder 7528:. Vol. 2. London: Max Reinhardt. 7509:. Vol. 1. London: Max Reinhardt. 7492:Rollins, Cyril; R. John Witts (1962). 7379: 7367: 7343: 7167: 6939: 6936:, Goodreads.com, accessed 13 July 2013 6550:, 18 October 2010, accessed 7 May 2012 6278:, 29 March 2009, accessed 30 July 2016 6213:"Professional Shows from the Festival" 6179:, 7 July 2010, accessed 20 August 2009 6099: 5943:, 9 January 1981, accessed 2 July 2010 5811:, Kurt of Gerolstein, 2 September 2016 5696:"Inside a Broadway Benefit Reading of 5533:, DCMetroTheaterArts.com, 30 June 2012 5362:Rollins and Witts, pp. 11, 18, 22, 35 4938: 4568: 4566: 4564: 4562: 4560: 3766: 3709:, but was misheard). In an episode of 3445:Penguin Guide to Opera on Compact Disc 3329:, directed by John Feraro. It starred 3099:earned enthusiastic reviews and seven 1198:There were a few dissenting comments: 11159: 10704: 10688: 9741:Capture of John "Calico Jack" Rackham 8267: 8101: 7719: 7615:Sullivan's autograph manuscript, 1879 7610:at The Gilbert & Sullivan Archive 7458: 7437: 7385:Arthur Sullivan: A Victorian Musician 7331: 7241: 7195: 7186: 6306:, 12 July 2009, accessed 30 July 2016 5946: 5177:"Mozart's Influence on English Music" 5140: 4926: 4905: 4886: 3659:The Wonderful World of Auto-Tainment! 2039: 1868:Drawing from programme of children's 1798:production toured Australia starring 1772:New York Gilbert and Sullivan Players 1696:New York production was given by the 1647: 1093: 1078:"Now what is this, and what is that?" 115:, and spawning many imitations and a 68:, where it ran for 363 performances. 10483:International Talk Like a Pirate Day 7523: 7501: 7479: 7401: 7214: 7198:The First Night Gilbert and Sullivan 6588:, are also parodied in the recording 6562:, YouTube, accessed 15 February 2010 6466:, 9 July 2009, accessed 30 July 2016 6358:, 7 July 2010, accessed 30 July 2016 6203:, 9 July 2009, accessed 30 July 2016 5976:, 19 May 1982 to 2 June 1982, p. 278 5750:announcement, 20 December 1884, p. 8 5567:"Leave the laughs to us, you swabs!" 5313: 4057:, which established the doctrine of 3447:also recommends it. So too does the 3374:The Papp production was turned into 3297:and Peter Noone as Frederic; Curry, 731:("When Frederic was a little lad"). 8082: 7387:. Oxford: Oxford University Press. 7270:. Oxford: Oxford University Press. 7172:. Oxford: Oxford University Press. 5639:"Scottish Opera Sails into Town on 5068: 4982:Sir Garnet Wolseley: Victorian hero 4935:Rollins and Witts, Appendix, p. VII 4662:Jacobs, p. 111; Ainger, pp. 133–134 4557: 4097:National Yiddish Theater Folksbiene 4070:, their 'lot is not a happy one.'" 3973: 3936:'s assistance. In a 2012 episode, " 3888:. In the pilot episode of the 2008 1806:mounted a new production. In 2013, 1680:created a new touring set in 1957. 1251: 837:Oh, false one, you have deceived me 60:. Its official premiere was at the 13: 9550: 7339:. Oxford: Oxford University Press. 7292:The Annotated Gilbert and Sullivan 6572:"Doctor Who Gallifreyan Buccaneer" 6464:A Gilbert and Sullivan Discography 6440:A Gilbert and Sullivan Discography 6412:A Gilbert and Sullivan Discography 6384:A Gilbert and Sullivan Discography 6356:A Gilbert and Sullivan Discography 6332:A Gilbert and Sullivan Discography 6304:A Gilbert and Sullivan Discography 6276:A Gilbert and Sullivan Discography 6248:A Gilbert and Sullivan Discography 6201:A Gilbert and Sullivan Discography 6177:A Gilbert and Sullivan Discography 6122:A Gilbert and Sullivan Discography 5998:A Gilbert and Sullivan Discography 4948:"Amusements; Fifth-Avenue Theatre" 3982:Wallpaper showing characters from 3833:. The soundtrack of the 1992 film 3815:(2004), there is a performance of 3536: 1361: 901:Problems playing these files? See 814: 807: 506:in America. To secure the British 19:For the 1983 film adaptation, see 14: 11442: 11386:Drama Desk Award-winning musicals 10373:Silver: Return to Treasure Island 8170:Pirates of Penzance – The Ballet! 7701:at The Internet Broadway Database 7693:. Production list at Floormic.com 7652:at The Victoria and Albert Museum 7595: 7375:. London: Macmillan & Co Ltd. 6560:"Animaniacs – Cartoon Individual" 5667:, Theatre Royal, Glasgow, review" 5219:"These pirates have real swagger" 5152:The New Grove Dictionary of Opera 5100:"From Our London Correspondent", 4172:Pirates of Penzance – The Ballet! 3733:crazy on a long journey to Mars. 3355:Queensland Performing Arts Centre 1814:played Major-General Stanley and 1264:. It follows the pattern of most 1015:"Oh, happy day, with joyous glee" 1006:"Oh, men of dark and dismal fate" 745:, the original Frederic in London 543:Original production and aftermath 534:, received some of the music for 356:"The Fracas at the Opera Comique" 10669: 10668: 10656: 10509:A General History of the Pyrates 10331:Castaways of the Flying Dutchman 9852:Operation Enduring Freedom – HOA 8081: 8072: 8071: 7955:Works about Gilbert and Sullivan 7665: 7505:(1981). Laurence, Dan H. (ed.). 7465:. Harmondsworth: Penguin Books. 7444:. Harmondsworth: Penguin Books. 7373:The Music of Sir Arthur Sullivan 7146: 7122: 7095: 7074: 7051: 7039: 7024: 7011: 7008:CurtainUp, accessed 13 June 2009 7006:CurtainUp New Jersey Review 2007 6998: 6982: 6966: 6951: 6946:"G&S Pop culture references" 6923: 6899: 6881: 6869: 6836: 6819: 6816:. TV.com, accessed 14 March 2011 6800: 6784: 6763: 6744: 6729: 6713: 6694: 6669: 6666:, 2003, accessed 2 December 2011 6645: 6626: 6610: 6565: 6553: 6529: 6516: 6497: 6482: 6469: 6445: 6417: 6389: 6361: 6337: 6281: 6225: 6206: 6182: 6154: 6145: 6136: 6127: 6087: 6078: 6062: 6032: 6003: 5979: 5965: 5922: 5895: 5886: 5877: 5868: 5859: 5850: 5841: 5832: 5823: 5814: 5798: 5789: 5780: 5771: 5762: 5753: 5740: 5711: 5676: 5491:Handbook of Gilbert and Sullivan 5489:Moore, Frank Ledlie (compiler). 5480:, 2003, accessed 25 October 2013 5204:"Guthrie's Irreverent Pirates", 5022:The London theatrical newspaper 4423:International copyright pirating 3622:audio "I am the very model of a 3519:; Stage Director: Michael Geliot 3437:Gilbert and Sullivan Discography 1802:as the Pirate King, and in 2007 1402:Problems playing this file? See 1377: 886: 866: 857:Oh, sisters, deaf to pity's name 842: 432:conducted the music rehearsals. 8224:Hail, Hail, the Gang's All Here 8218:The Paisley Pirates of Penzance 6975:, 255 Md. 297, 321 (1969); and 6917:Ellery Queen's Mystery Magazine 6678:Geico, accessed 2 December 2011 6642:, TV.com, accessed 25 July 2009 6504:"David Hyde Pierce's Monologue" 6477:"Modern Major General Parodies" 6040:"Sinking a Victorian classic – 5655: 5632: 5615: 5595: 5575: 5559: 5536: 5512: 5496: 5483: 5459: 5443: 5430: 5416: 5400: 5377: 5368: 5356: 5353:See Bradley (1982), pp. 158–159 5347: 5338: 5325: 5304: 5295: 5282: 5273: 5264: 5255: 5246: 5211: 5198: 5189: 5169: 5160: 5131: 5119: 5107: 5094: 5081: 5052: 5039: 5016: 4995: 4973: 4877: 4859: 4850: 4837: 4828: 4811: 4799: 4790: 4781: 4772: 4755: 4746: 4737: 4728: 4674: 4665: 4656: 4647: 4610: 4592: 4583: 4541: 4532: 4523: 4499: 4490: 4481: 4327: 4318: 4304: 4291: 4037:Hail, Hail, the Gang's All Here 3795:), who comments that the opera 3483:1929 D'Oyly Carte – Conductor: 1720:, Germany, on 1 December 1936. 881:When the foeman bares his steel 11406:Operas by Gilbert and Sullivan 10819:Sunday in the Park with George 9867:Operation Dawn 8: Gulf of Aden 9862:Operation Dawn of Gulf of Aden 9615:Anti-piracy in the West Indies 6911:Banquets of the Black Widowers 6737:The Hand That Rocks the Cradle 5239:"Putting the Jolly in Roger", 4452: 4435: 4416: 4396: 4387: 4347: 4281: 4200:in 2009, which transferred to 4073: 3836:The Hand That Rocks the Cradle 3610:Pastiche examples include the 3345:as the Sergeant of Police and 3257:'s 2007 touring production of 1072:28. Finale, Act II (Ensemble) 1009:"I'm telling a terrible story" 833:Oh, better far to live and die 462:contains pages removed from a 417:remained in London to conduct 1: 9723:Blockade of Charleston (Vane) 7620:1880 London theatre programme 6827:"Episode 16 – 'Killer Queen'" 6602:"Dress British, Sing Yiddish" 6071:. "The Pirates of Penzance", 4682:W. S. Gilbert: Stage Director 4340: 4006:municipal borough of Penzance 3950:episode "The Slave of Duty", 3932:sings "Sighing Softly", with 3873:Studio 60 on the Sunset Strip 3635:Studio 60 on the Sunset Strip 3411: 3269:The production opened at the 2016:Second professional revival. 1248:critic called a masterpiece. 1075:"Sighing softly to the river" 607:Major-General Stanley (comic 377:and the new opera, including 138: 10296:The Pilot: A Tale of the Sea 9546:Pirate battles and incidents 7660:, D'Oyly Carte Opera Company 5987:"The G&S Operas on Film" 5652:, Scottish Opera, April 2013 5592:. Retrieved 29 December 2023 3495:1961 Sargent/Glyndebourne – 3455:recording. The opera critic 3159:for the Broadway transfer), 2029: 2012: 1999:First professional revival. 1995: 1974: 1955: 1904: 1850:adapted the libretto with a 1639:In its 1989 production, the 1536:GENERAL, POLICE & GIRLS: 1516:GENERAL, POLICE & GIRLS: 1464:The Music of Arthur Sullivan 1000:" (Major-General and Chorus) 683:a Piratical Maid of all work 554:as General Stanley, wearing 458:. Sullivan's manuscript for 267:was running strongly at the 7: 11431:Tony Award-winning musicals 11187:Tony Award for Best Revival 9695:Battle of the Tiger's Mouth 9178:Rahmah ibn Jabir al-Jalhami 7675:public domain audiobook at 7625:Review of the opening night 7021:edgeboston.com, 8 June 2009 6453:"The Essgee Pirates (1994)" 5809:"Miss La Rue! Who Are You?" 5582:"Opera Australia presents: 5074:"The Pirates of Penzance", 5045:"The Pirates of Penzance", 4692:. See also Gilbert, W. S., 4404:Gilbert and Sullivan at Law 4256: 4099:was nominated for the 2007 4063:United States Supreme Court 3313:as the Sergeant of Police; 1486: 696: 650:General Stanley's daughters 109:Tony Award for Best Revival 48:in two acts, with music by 35:Drawing of the Act I finale 10: 11447: 10833:The Mystery of Edwin Drood 10572:Pirate films and TV series 10012:African Slave Trade Patrol 9580:Action of 11 November 2008 8369:Barbary pirates (corsairs) 8293: 8252:Doctor Who and the Pirates 7928:W. S. Gilbert bibliography 7898:D'Oyly Carte Opera Company 7576:Williams, Carolyn (2010). 7161: 6795:Illumination Entertainment 6623:, YouTube, 23 January 2010 6526:, YouTube, 11 October 2010 5603:"Chief Executive's Report" 5424:The Pirates of Penzanzance 5408:"Pirates of Penzance, The" 4548:"A Talk With Mr. Sullivan" 4147:Huntington Theatre Company 3851:Illumination Entertainment 3629:Doctor Who and the Pirates 3551: 3540: 3219:as the Major-General; and 3163:as the Major-General, and 3111:, winning five, including 1820:Roundabout Theatre Company 1698:Boston Ideal Opera Company 1641:D'Oyly Carte Opera Company 1555: 1228:, which was played by the 258: 97:D'Oyly Carte Opera Company 18: 11401:Operas adapted into films 11314: 11223: 11193: 10955: 10738: 10698: 10650: 10600: 10559: 10552: 10500: 10465: 10382: 10280: 10082: 10069: 10061:Trans-Saharan slave trade 9997: 9928: 9660:Battle off Minicoy Island 9635:Battle of Cape Fear River 9605:Anti-piracy in the Aegean 9575:Action of 28 October 2007 9570:Action of 9 November 1822 9545: 9443: 9351: 8715: 8708: 8634: 8598: 8555: 8508: 8501: 8346: 8301: 8203: 8180: 8145: 8067: 7973: 7885: 7776: 7753: 7650:D'Oyly Carte Prompt Books 7496:. London: Michael Joseph. 7459:March, Ivan, ed. (2007). 7438:March, Ivan, ed. (1993). 7353:. London: Penguin Books. 7139:20 September 2015 at the 6896:, 29 February 1940, p. 18 6702:"All About the Hamiltons" 6133:March (1993), pp. 437–438 5919:Bradley (2005), pp. 76–77 5874:Rollins and Witts, p. 183 5865:Rollins and Witts, p. 175 5856:Rollins and Witts, p. 170 5847:Rollins and Witts, p. 160 5838:Rollins and Witts, p. 148 5829:Rollins and Witts, p. 132 5694:, September 6, 2022; and 5507:"A Brief History of LOOM" 5322:Bradley (1982) pp. 90–159 5208:, 16 February 1962, p. 15 5148:"The Pirates of Penzance" 5059:"The Pirates of Penzance" 4883:Bradley (1982), pp. 86–87 4699:30 September 2009 at the 4061:for police officers, the 3771:Other film references to 3593:'s monologue, as host of 3271:Theatre Royal, Drury Lane 3133:and "Sorry her lot" from 1931: 1916: 1824:American Airlines Theatre 1279: 761: 11028:Billy Elliot the Musical 10972:Thoroughly Modern Millie 10889:Kiss of the Spider Woman 10857:Jerome Robbins' Broadway 10056:Indian Ocean slave trade 9945:International piracy law 9882:Pirate attacks in Borneo 9754:Capture of the schooner 9746:Capture of the schooner 9680:Battle of Ocracoke Inlet 9406:Pedro MenĂ©ndez de AvilĂ©s 7264:Bordman, Gerald (1981). 7196:Allen, Reginald (1975). 7187:Allen, Reginald (1979). 7168:Ainger, Michael (2002). 6906:"The Year of the Action" 6687:One of these ads ran in 6659:5 September 2006 at the 6350:25 November 2009 at the 6195:12 December 2010 at the 6171:25 November 2009 at the 5820:Rollins and Witts, p. 22 5795:Rollins and Witts, p. 18 5786:Rollins and Witts, p. 11 5768:Rollins and Witts, p. 32 5759:Rollins and Witts, p. 30 5548:, Savoy Theatre, London" 5473:5 September 2006 at the 4843:Stephens, John Russell. 4274: 4153:, Massachusetts, and at 4135:East Haddam, Connecticut 3957:Clarissa Explains it All 3405:Pirates of the Caribbean 3360:The Phantom of the Opera 1768:Light Opera of Manhattan 1716:on 1 March 1889, and in 941:denounces Major-General 712: 601: 598:his family and friends. 197:and their other operas. 11396:English-language operas 11240:The Pirates of Penzance 10795:The Pirates of Penzance 10692:The Pirates of Penzance 10515:Captain Charles Johnson 9939:1717–1718 Acts of Grace 9650:Battle of Mandab Strait 9630:Battle of Boca Teacapan 9625:Balanguingui Expedition 9590:Action of 23 March 2010 8238:The Abduction of Figaro 8162:The Pirates of Penzance 8138:The Pirates of Penzance 8129:W. S. Gilbert 7855:The Yeomen of the Guard 7813:The Pirates of Penzance 7706:The Pirates of Penzance 7698:The Pirates of Penzance 7690:The Pirates of Penzance 7672:The Pirates of Penzance 7643:The Pirates of Penzance 7630:7 February 2012 at the 7608:The Pirates of Penzance 7350:The Penguin Opera Guide 7249:. London: Kyle Cathie. 7117:Arts Projects Australia 7084:The Pirates of Penzance 7031:Essgee Entertainment's 6858:The Pirates of Penzance 6542:8 November 2011 at the 6491:Richmond Times-Dispatch 6345:"Papp's Pirates (1980)" 6317:"The 1968 D'Oyly Carte 6261:"The 1957 D'Oyly Carte 6233:"The 1929 D'Oyly Carte 6107:"The 1968 D'Oyly Carte 6096:, September 1929, p. 25 6084:Rollins and Witts, p. x 6075:, November 1993, p. 162 6049:17 October 2014 at the 6042:The Pirates of Penzance 6021:The Pirates of Penzance 6013:The Pirates of Penzance 5958:The Pirates of Penzance 5777:Rollins and Witts, p. 7 5731:Join Roundabout Season" 5698:The Pirates of Penzance 5686:The Pirates of Penzance 5665:The Pirates of Penzance 5648:22 October 2013 at the 5608:22 October 2013 at the 5584:The Pirates of Penzance 5546:The Pirates of Penzance 5529:29 October 2013 at the 5522:The Pirates of Penzance 5452:The Pirates of Penzance 5412:(subscription required) 5386:The Pirates of Penzance 5185:(subscription required) 5156:(subscription required) 5102:The Manchester Guardian 5091:, 10 April 1880, p. 371 5049:, 15 January 1880, p. 6 4901:(subscription required) 4897:"Sullivan, Sir Arthur." 4761:March, Jerry. "Part of 4428:28 October 2008 at the 4360:7 February 2012 at the 4241:as the Pirate King and 4224:The Pirates of Penzance 4068:The Pirates of Penzance 4030:The Pirates of Penzance 3907:The Wind in the Willows 3803:The Pirates of Penzance 3729:uses the song to drive 3417:The Pirates of Penzance 3084:Shakespeare in the Park 2020: 1901: 1898: 1896:Bijou Theatre, Paignton 1842:as the Pirate King and 1661:The Pirates of Penzance 1501:The Pirates of Penzance 1306:The Pirates of Penzance 1258:The Pirates of Penzance 1222:The Pirates of Penzance 1201:The Manchester Guardian 1177:The Pirates of Penzance 943:C. H. Workman 495:The Pirates of Penzance 397:as Ralph Rackstraw and 292:family of girls. As in 279:The Pirates of Penzance 249:The Pirates of Penzance 179:The Pirates of Penzance 161:The Pirates of Penzance 58:W. S. Gilbert 22:The Pirates of Penzance 10811:Little Shop of Horrors 9872:Operation Ocean Shield 9700:Battle of Tonkin River 9645:Battle of Doro Passage 9600:Action of 5 April 2010 9595:Action of 1 April 2010 9585:Action of 9 April 2009 9565:1985 Lahad Datu ambush 9555: 9391:Jose Campuzano-Polanco 9376:Duarte Pacheco Pereira 8523:British Virgin Islands 7656:Televised scenes from 6425:"The Mackerras/Telarc 6397:"The New D'Oyly Carte 5723:, David Henry Hwang's 5146:Hulme, David Russell. 5036:, 4 January 1880, p. 5 5001:Bradley (1982), p. 118 4954:, 1 January 1880, p. 5 4137:, then in 2007 at the 3987: 3986:and other Savoy operas 3563: 3396: 3289:as the Major-General; 3266: 3051: 2664:Elizabeth Nickell-Lean 1873: 1838:as the Major General, 1792:English National Opera 1657: 1496: 1366: 1196: 1087:"Poor wandering ones!" 946: 930: 919: 819: 775: 746: 709: 674:Isabel (speaking role) 559: 558:'s trademark moustache 522:, Devon, organised by 444: 326:Merry Wives of Windsor 157: 36: 11411:Operas set in England 11100:SpongeBob SquarePants 10488:Pirates versus Ninjas 9915:Slave raid of SuĂ°uroy 9877:Persian Gulf Campaign 9762:Capture of the sloop 9690:Battle of the Leotung 9675:Battle of New Orleans 9554: 9416:Richard Avery Hornsby 9168:Piet Pieterszoon Hein 9128:Moses Cohen Henriques 9098:Manuel Ribeiro Pardal 8843:Christina Anna Skytte 8381:Brethren of the Coast 8364:Baltic Slavic pirates 8311:Ancient Mediterranean 7990:The Sapphire Necklace 7405:(Spring 1986). "From 7311:Bradley, Ian (2005). 6509:20 March 2012 at the 6479:, accessed 7 May 2012 6142:March (2007), p. 1338 5727:, New Orleans-Themed 5374:Bradley (1982), p. 86 5175:Temperley, Nicholas. 5116:, 10 April 1880, p. 1 5078:, 6 April 1880, p. 12 5076:The Pall Mall Gazette 4806:Canon Diggens Archive 4713:21 April 2012 at the 4538:Shaw (Vol. 1), p. 784 4487:Williams, pp. 131–132 4131:Goodspeed Opera House 3981: 3561: 3451:, alongside the 1993 3391: 3327:Victorian Arts Centre 3253: 3155:as Ruth (replaced by 3070:and choreographed by 3035: 1959:Original London run. 1910:copyright performance 1867: 1830:with choreography by 1655: 1494: 1439:La damnation de Faust 1365: 1232:some ten years ago." 1169: 1157:The Pall Mall Gazette 936: 925: 913: 818: 773: 741: 704: 630:the Pirate Apprentice 550: 512:copyright performance 441:copyright performance 438: 409:as Captain Corcoran. 389:as Little Buttercup, 212:James Fenimore Cooper 146: 34: 11426:Fiction about piracy 11391:English comic operas 11004:The Drowsy Chaperone 10410:skull and crossbones 10366:Mistress of the Seas 10048:Capture of the brig 10025:Atlantic slave trade 9786:Falklands Expedition 9640:Battle of Cape Lopez 9560:1582 Cagayan battles 9487:Queen Anne's Revenge 9038:JosĂ© Joaquim Almeida 9023:John Newland Maffitt 8943:Hayreddin Barbarossa 8783:Bartolomeu PortuguĂŞs 8773:Artemisia I of Caria 8768:Alexandre Exquemelin 8606:Baltic Slavic piracy 8359:Anglo-Turkish piracy 8194:Major-General's Song 7913:Bridget D'Oyly Carte 7768:Richard D'Oyly Carte 7747:Gilbert and Sullivan 7683:Lists of productions 7111:8 April 2013 at the 7064:4 March 2016 at the 6888:"Frederic Goes Free" 6848:25 June 2015 at the 6812:29 June 2011 at the 6600:Schillinger, Liesl: 6548:Chicago Theatre Beat 6458:5 March 2016 at the 6434:5 March 2016 at the 6406:6 March 2016 at the 6378:5 March 2016 at the 6326:3 March 2016 at the 6298:5 March 2016 at the 6242:5 March 2016 at the 6218:26 June 2012 at the 6116:3 March 2016 at the 5688:Concert on Broadway" 5440:, 6 June 1931, p. 70 5393:4 March 2016 at the 5344:Bradley (1982), p. 7 5261:Shaw (Vol. 2) p. 492 5128:, 5 April 1880, p. 4 5104:, 5 April 1880, p. 4 4970:, 11 April 1880 p. 5 4703:, and Bond, Jessie, 4512:. Extra Supplement: 4382:University of Kansas 4179:Essgee Entertainment 4143:Millburn, New Jersey 4139:Paper Mill Playhouse 4113:The Parson's Pirates 3942:Major-General's Song 3599:. In 2010, comedian 3571:Major-General's Song 3554:Major-General's Song 3548:Major-General's Song 3530:Essgee Entertainment 3365:Essgee Entertainment 3333:as the Pirate King, 3309:as the Pirate King; 3227:as the Pirate King, 3211:as the Pirate King; 3151:as the Pirate King, 1918:Fifth Avenue Theatre 1777:As discussed below, 1712:) in Austria at the 1685:Richard D'Oyly Carte 1656:1881 programme cover 1590:What, all noblemen? 1519:What, all noblemen? 1373:Major-General's Song 1301:La forza del destino 1081:"You/We triumph now" 708:: "Yes, 'tis Mabel!" 671:Kate (mezzo-soprano) 639:Sergeant of Police ( 309:Fifth Avenue Theatre 191:Richard D'Oyly Carte 165:Gilbert and Sullivan 117:1983 film adaptation 93:Major-General's Song 89:Gilbert and Sullivan 62:Fifth Avenue Theatre 11381:Cornwall in fiction 11331:Fiddler on the Roof 11264:Death of a Salesman 11060:Matilda the Musical 10427:No purchase, no pay 10395:Davy Jones's locker 10338:The Angel's Command 10182:Guybrush Threepwood 10030:Barbary slave trade 10007:African slave trade 9804:Jiajing wokou raids 9705:Battle of Ty-ho Bay 8928:François l'Olonnais 8788:Bartholomew Roberts 8676:Republic of Pirates 7908:Rupert D'Oyly Carte 7228:on 6 September 2015 7104:Pirates of Penzance 6843:"The Slave of Duty" 6270:26 May 2016 at the 5992:6 June 2010 at the 5935:Pirates of Penzance 5729:Pirates of Penzance 5671:The Daily Telegraph 5542:Seckerson, Edward. 5181:Music & Letters 4915:Pirates of Penzance 4796:Jacobs, pp. 130–132 4765:Score Discovered", 4644:Ainger, pp. 182–183 4202:Wilton's Music Hall 3767:Film and television 3731:Dr Stephen Franklin 3596:Saturday Night Live 3478:Selected recordings 3421:Rupert D'Oyly Carte 3169:Theatre World Award 3113:Outstanding Musical 2191:Llewellyn Cadwaladr 1856:Todd Haimes Theatre 1804:New York City Opera 1788:Chicago Lyric Opera 1714:Theater an der Wien 1524:KING & PIRATES: 774:"Have mercy on us!" 591:Sir Garnet Wolseley 530:in the evenings in 307:to present, at the 11232:Morning's at Seven 11044:The Book of Mormon 10587:Timeline of piracy 10544:Piracy kidnappings 10197:Jacquotte Delahaye 10152:Charlotte de Berry 10142:Captain Sabertooth 10035:Blockade of Africa 9990:Piracy Law of 1820 9920:Turkish Abductions 9857:Operation Atalanta 9791:Great Lakes Patrol 9670:Battle of Nam Quan 9620:Attack on Veracruz 9556: 9138:Nicholas van Hoorn 9123:Michel de Grammont 8988:Jacquotte Delahaye 8973:Hippolyte Bouchard 8893:Elise Eskilsdotter 8833:Charlotte de Berry 8798:Benjamin Hornigold 8046:The Rose of Persia 7998:The Contrabandista 7641:Papp's version of 7238:(Chapters 5 and 6) 6893:The New York Times 6807:"A Producer's Lot" 6689:The New York Times 6638:8 May 2008 at the 6605:The New York Times 6369:"The Brent Walker 6027:The New York Times 5941:The New York Times 5708:, October 18, 2022 5705:Town & Country 5627:The New York Times 5601:Collette, Adrian. 5335:, June 1950, p. 14 5114:The Sporting Times 4952:The New York Times 4856:Ainger, pp. 180–81 4680:Cox-Ife, William. 4552:The New York Times 4393:Allen (1979), p. 2 4119:premiered in 1995. 4059:qualified immunity 3988: 3778:Kate & Leopold 3761:Lin-Manuel Miranda 3657:episode entitled " 3564: 3497:Pro Arte Orchestra 3267: 3265:as the Pirate King 3153:Patricia Routledge 3143:starred as Mabel, 3052: 3004:Ann Drummond-Grant 2985:Rosalind Griffiths 2606:Nellie Briercliffe 2543:Rutland Barrington 2423:Charles H. Workman 2238:Rutland Barrington 2233:Rutland Barrington 2118:Frederick Federici 2040:Historical casting 1874: 1770:(1968–89) and the 1764:American Savoyards 1725:Stratford, Ontario 1658: 1648:Production history 1618:Well, nearly all! 1547:Well, nearly all! 1497: 1457:wrote, "Mabel ... 1423:or the Colonel in 1367: 1217:The Sporting Times 1134:The New York Times 1094:Critical reception 947: 931: 920: 918:as the Pirate King 861:Poor wand'ring one 820: 776: 747: 710: 560: 445: 224:The Contrabandista 158: 37: 11363: 11362: 11357: 11356: 11153: 11152: 10873:The Secret Garden 10771:Ain't Misbehavin' 10682: 10681: 10663:Piracy portal 10646: 10645: 10623:Fictional pirates 10522:Truce of Ratisbon 10496: 10495: 10457:Walking the plank 10317:On Stranger Tides 10257:Tony Tony Chopper 10147:Captain Stingaree 10084:Fictional pirates 9900:Sack of Baltimore 9895:Raid on Cartagena 9837:Moscow University 9716:Beluga Nomination 9685:Battle of Pianosa 9610:Antelope incident 9501:Marquis of Havana 9439: 9438: 9148:Olivier Levasseur 9088:Louis-Michel Aury 9053:Klaus Störtebeker 9003:Jeanne de Clisson 8923:François Le Clerc 8758:Anne Dieu-le-Veut 8704: 8703: 8621:South China Coast 8585:Strait of Malacca 8261: 8260: 8095: 8094: 7965:Performing groups 7587:978-0-231-14804-7 7472:978-0-14-103336-5 7057:Church, Michael. 7004:Saltzman, Simon: 6860:. He quotes from 6607:, 22 October 2006 6289:"The Sargent/EMI 6038:McMillan, Joyce. 5661:Nickalls, Susan. 5590:About the Artists 5556:, 12 January 2004 5310:Hughes, pp. 50–51 5301:Hughes, pp. 92–93 5217:Maddocks, Fiona. 4966:"Opera Comique", 4921:The Baltimore Sun 4466:, 12 October 2007 4464:The Straight Dope 4402:Goodman, Andrew. 4175:premiered in 1991 4167:are interpolated. 4145:, in 2009 at the 3926:Peter's Got Woods 3591:David Hyde Pierce 3291:Pamela Stephenson 3239:as the Sergeant, 3215:as the Sergeant; 3109:Drama Desk Awards 3076:Delacorte Theatre 3049:Delacorte Theatre 3022: 3021: 2901:Valerie Masterson 2760:James Conroy-Ward 2704: 2703: 2382: 2381: 2258:Blanche Roosevelt 2086:Richard Mansfield 2037: 2036: 1836:David Hyde Pierce 1816:Nicholas Sharratt 1674:George Sheringham 1622: 1621: 1571: 1570: 1551: 1550: 1382: 891: 871: 847: 787:), it means that 614:The Pirate King ( 393:as Dick Deadeye, 383:Blanche Roosevelt 368:The Leeds Mercury 318:John Hollingshead 243:, in 1871. As in 235:Jacques Offenbach 11438: 11180: 11173: 11166: 11157: 11156: 11135:Some Like It Hot 11012:Spring Awakening 10725: 10718: 10711: 10702: 10701: 10686: 10685: 10672: 10671: 10661: 10660: 10659: 10557: 10556: 10359:Pirate Latitudes 10352:Long John Silver 10345:Voyage of Slaves 10212:Long John Silver 10107:Captain Birdseye 10080: 10079: 9950:Letter of marque 9910:Salvador Pirates 9905:Sack of Campeche 9728:Chepo Expedition 9710:Battle of Tysami 9665:Battle off Mukah 9655:Battle of Manila 9494:Quedagh Merchant 9452:Adventure Galley 9298:Victual Brothers 9283:Thomas Cavendish 9248:Sayyida al Hurra 9233:Samuel Hall Lord 9213:Roche Braziliano 9198:Robert Culliford 9133:Nathaniel Gordon 9103:Martin Frobisher 9063:Laurens de Graaf 9033:Jørgen Jørgensen 8968:Henry Strangways 8948:Hendrick Lucifer 8898:Eustace the Monk 8763:AntĂłnio de Faria 8713: 8712: 8681:Republic of SalĂ© 8651:ĂŽle Sainte-Marie 8506: 8505: 8483:Victual Brothers 8391:Cilician pirates 8288: 8281: 8274: 8265: 8264: 8154:The Pirate Movie 8122: 8115: 8108: 8099: 8098: 8085: 8084: 8075: 8074: 8054:The Emerald Isle 8038:The Beauty Stone 7740: 7733: 7726: 7717: 7716: 7669: 7668: 7591: 7572: 7570: 7568: 7562: 7555: 7539: 7520: 7497: 7488: 7476: 7455: 7434: 7398: 7376: 7364: 7340: 7328: 7307: 7295: 7281: 7260: 7237: 7235: 7233: 7211: 7192: 7183: 7155: 7150: 7144: 7128:Shepherd, Marc. 7126: 7120: 7099: 7093: 7078: 7072: 7055: 7049: 7046:"Simon Gallaher" 7043: 7037: 7028: 7022: 7015: 7009: 7002: 6996: 6993:Montreal Express 6986: 6980: 6970: 6964: 6960:Yale Law Journal 6955: 6949: 6943: 6937: 6927: 6921: 6920:, 1 January 1981 6903: 6897: 6885: 6879: 6876:"The Understudy" 6873: 6867: 6840: 6834: 6825:Pierson, Robin. 6823: 6817: 6804: 6798: 6788: 6782: 6767: 6761: 6748: 6742: 6733: 6727: 6722:An American Tail 6720:"Soundtrack for 6717: 6711: 6698: 6692: 6685: 6679: 6673: 6667: 6649: 6643: 6630: 6624: 6614: 6608: 6598: 6589: 6569: 6563: 6557: 6551: 6535:Zacher, Scotty. 6533: 6527: 6520: 6514: 6501: 6495: 6486: 6480: 6473: 6467: 6451:Shepherd, Marc. 6449: 6443: 6423:Shepherd, Marc. 6421: 6415: 6395:Shepherd, Marc. 6393: 6387: 6367:Shepherd, Marc. 6365: 6359: 6343:Shepherd, Marc. 6341: 6335: 6315:Shepherd, Marc. 6313: 6307: 6287:Shepherd, Marc. 6285: 6279: 6259:Shepherd, Marc. 6257: 6251: 6231:Shepherd, Marc. 6229: 6223: 6210: 6204: 6188:Shepherd, Marc. 6186: 6180: 6160:Shepherd, Marc. 6158: 6152: 6149: 6143: 6140: 6134: 6131: 6125: 6105:Shepherd, Marc. 6103: 6097: 6091: 6085: 6082: 6076: 6066: 6060: 6036: 6030: 6007: 6001: 5985:Shepherd, Marc. 5983: 5977: 5969: 5963: 5953: 5944: 5926: 5920: 5917: 5902: 5899: 5893: 5890: 5884: 5881: 5875: 5872: 5866: 5863: 5857: 5854: 5848: 5845: 5839: 5836: 5830: 5827: 5821: 5818: 5812: 5802: 5796: 5793: 5787: 5784: 5778: 5775: 5769: 5766: 5760: 5757: 5751: 5744: 5738: 5737:, 9 January 2024 5719:"Sanaz Toossi's 5717:Harms, Talaura. 5715: 5709: 5680: 5674: 5659: 5653: 5636: 5630: 5619: 5613: 5599: 5593: 5579: 5573: 5563: 5557: 5540: 5534: 5516: 5510: 5500: 5494: 5487: 5481: 5463: 5457: 5447: 5441: 5434: 5428: 5420: 5414: 5413: 5406:Hischak, Thomas 5404: 5398: 5381: 5375: 5372: 5366: 5360: 5354: 5351: 5345: 5342: 5336: 5329: 5323: 5320: 5311: 5308: 5302: 5299: 5293: 5286: 5280: 5277: 5271: 5268: 5262: 5259: 5253: 5250: 5244: 5237: 5228: 5224:Evening Standard 5215: 5209: 5202: 5196: 5193: 5187: 5186: 5173: 5167: 5164: 5158: 5157: 5144: 5138: 5135: 5129: 5123: 5117: 5111: 5105: 5098: 5092: 5085: 5079: 5072: 5066: 5063:New York Tribune 5056: 5050: 5043: 5037: 5020: 5014: 5011: 5002: 4999: 4993: 4977: 4971: 4964: 4955: 4945: 4936: 4933: 4924: 4909: 4903: 4902: 4895:Jacobs, Arthur. 4893: 4884: 4881: 4875: 4872: 4866: 4863: 4857: 4854: 4848: 4841: 4835: 4834:Williams, p. 125 4832: 4826: 4815: 4809: 4803: 4797: 4794: 4788: 4785: 4779: 4776: 4770: 4759: 4753: 4750: 4744: 4741: 4735: 4732: 4726: 4723: 4717: 4678: 4672: 4669: 4663: 4660: 4654: 4651: 4645: 4642: 4633: 4630: 4617: 4614: 4608: 4605: 4599: 4596: 4590: 4587: 4581: 4570: 4555: 4545: 4539: 4536: 4530: 4527: 4521: 4510:Shapcott Wensley 4503: 4497: 4494: 4488: 4485: 4479: 4478:Williams, p. 130 4476: 4467: 4456: 4450: 4439: 4433: 4420: 4414: 4400: 4394: 4391: 4385: 4374: 4365: 4351: 4334: 4331: 4325: 4322: 4316: 4308: 4302: 4295: 4289: 4285: 4216:The Pirate Movie 4117:Opera della Luna 4106:Montreal Express 4042:Chariots of Fire 3974:Other references 3912:A Producer's Lot 3876:, a poster from 3830:An American Tail 3787:, Edward Lewis ( 3712:Home Improvement 3679:Deep Space Homer 3669:Fathers and Sons 3511:Graciela Daniele 3386:The Pirate Movie 3299:Timothy Bentinck 3237:Paxton Whitehead 3217:George S. Irving 3177:Maureen McGovern 3072:Graciela Daniele 3017:Patricia Leonard 3008:Christene Palmer 2966:Helene Witcombe 2936:Patricia Leonard 2868:Kenneth Sandford 2775:Darrell Fancourt 2764:Alistair Donkin 2706: 2705: 2585:Kathleen Frances 2558:Sydney Granville 2521:Charles Goulding 2475:Darrell Fancourt 2470:Darrell Fancourt 2465:Darrell Fancourt 2443:Grahame Clifford 2384: 2383: 2160:Richard Cummings 2101:George Grossmith 2096:George Grossmith 2047: 2046: 1972:14 February 1885 1969:23 December 1884 1923:31 December 1879 1902:30 December 1879 1899:30 December 1879 1876: 1875: 1774:(1976–present). 1744:Plymouth Theatre 1690:J. C. Williamson 1576: 1575: 1553: 1552: 1513: 1512: 1384: 1383: 1364: 1332:church service. 1324:called it "mock- 1272:in a compressed 1256:The overture to 1252:Musical analysis 893: 892: 873: 872: 849: 848: 817: 717:On the coast of 595:George Grossmith 552:George Grossmith 415:François Cellier 407:Signor Brocolini 11446: 11445: 11441: 11440: 11439: 11437: 11436: 11435: 11366: 11365: 11364: 11359: 11358: 11353: 11310: 11219: 11216:No Award (1979) 11189: 11184: 11154: 11149: 11127:Kimberly Akimbo 11122:No Award (2021) 11020:Passing Strange 10951: 10734: 10729: 10694: 10683: 10678: 10657: 10655: 10642: 10608:Barbary pirates 10596: 10592:Women in piracy 10548: 10492: 10461: 10390:Buried treasure 10378: 10310:Facing the Flag 10303:Treasure Island 10276: 10222:Vaas Montenegro 10217:Monkey D. Luffy 10187:Hector Barbossa 10172:Elizabeth Swann 10137:Captain Pugwash 10074: 10072: 10065: 10042:Veloz Passagera 10040:Capture of the 9993: 9924: 9733:Capture of the 9541: 9473:Flying Dutchman 9435: 9401:Miguel EnrĂ­quez 9353: 9347: 9313:William Dampier 9268:Simon Mascarino 9263:Shirahama Kenki 9243:Samuel Pallache 9208:Roberto CofresĂ­ 9118:Mary Wolverston 9093:Mansel Alcantra 9068:Lawrence Prince 8748:Albert W. Hicks 8700: 8638: 8630: 8594: 8551: 8497: 8493:Women in piracy 8458:Sindhi corsairs 8411:French corsairs 8401:Cossack pirates 8354:Albanian piracy 8347:Types of pirate 8342: 8297: 8292: 8262: 8257: 8245:Our Island Home 8231:The Celtic Song 8199: 8176: 8141: 8133:Arthur Sullivan 8126: 8096: 8091: 8063: 7974:Sullivan operas 7969: 7881: 7869:Utopia, Limited 7806:H.M.S. Pinafore 7772: 7763:Arthur Sullivan 7749: 7744: 7666: 7632:Wayback Machine 7598: 7588: 7566: 7564: 7563:on 19 June 2007 7560: 7553: 7546:Forty Years of 7536: 7517: 7473: 7452: 7423:10.2307/3052183 7395: 7369:Hughes, Gervase 7361: 7325: 7304: 7278: 7257: 7231: 7229: 7208: 7180: 7164: 7159: 7158: 7151: 7147: 7141:Wayback Machine 7127: 7123: 7113:Wayback Machine 7100: 7096: 7082:"Sasha Regan's 7080:Spicer, David. 7079: 7075: 7071:, 14 April 2010 7069:The Independent 7066:Wayback Machine 7056: 7052: 7044: 7040: 7029: 7025: 7017:Nesti, Robert: 7016: 7012: 7003: 6999: 6987: 6983: 6971: 6967: 6956: 6952: 6944: 6940: 6928: 6924: 6904: 6900: 6886: 6882: 6874: 6870: 6850:Wayback Machine 6841: 6837: 6824: 6820: 6814:Wayback Machine 6805: 6801: 6789: 6785: 6773:Despicable Me 3 6768: 6764: 6749: 6745: 6734: 6730: 6718: 6714: 6700:Mead, Rebecca. 6699: 6695: 6686: 6682: 6674: 6670: 6661:Wayback Machine 6650: 6646: 6640:Wayback Machine 6633:The Muppet Show 6631: 6627: 6621:Mordin Singing" 6615: 6611: 6599: 6592: 6570: 6566: 6558: 6554: 6544:Wayback Machine 6534: 6530: 6521: 6517: 6511:Wayback Machine 6502: 6498: 6487: 6483: 6475:Zetland, Earl. 6474: 6470: 6460:Wayback Machine 6450: 6446: 6436:Wayback Machine 6422: 6418: 6408:Wayback Machine 6394: 6390: 6380:Wayback Machine 6366: 6362: 6352:Wayback Machine 6342: 6338: 6328:Wayback Machine 6314: 6310: 6300:Wayback Machine 6286: 6282: 6272:Wayback Machine 6258: 6254: 6244:Wayback Machine 6230: 6226: 6220:Wayback Machine 6211: 6207: 6197:Wayback Machine 6187: 6183: 6173:Wayback Machine 6159: 6155: 6150: 6146: 6141: 6137: 6132: 6128: 6118:Wayback Machine 6104: 6100: 6092: 6088: 6083: 6079: 6067: 6063: 6051:Wayback Machine 6037: 6033: 6008: 6004: 5994:Wayback Machine 5984: 5980: 5970: 5966: 5954: 5947: 5927: 5923: 5918: 5905: 5900: 5896: 5891: 5887: 5882: 5878: 5873: 5869: 5864: 5860: 5855: 5851: 5846: 5842: 5837: 5833: 5828: 5824: 5819: 5815: 5803: 5799: 5794: 5790: 5785: 5781: 5776: 5772: 5767: 5763: 5758: 5754: 5745: 5741: 5716: 5712: 5681: 5677: 5660: 5656: 5650:Wayback Machine 5637: 5633: 5620: 5616: 5610:Wayback Machine 5600: 5596: 5580: 5576: 5570:The Independent 5564: 5560: 5553:The Independent 5541: 5537: 5531:Wayback Machine 5517: 5513: 5501: 5497: 5488: 5484: 5475:Wayback Machine 5464: 5460: 5448: 5444: 5435: 5431: 5421: 5417: 5411: 5405: 5401: 5395:Wayback Machine 5382: 5378: 5373: 5369: 5361: 5357: 5352: 5348: 5343: 5339: 5330: 5326: 5321: 5314: 5309: 5305: 5300: 5296: 5287: 5283: 5278: 5274: 5269: 5265: 5260: 5256: 5251: 5247: 5243:, 26 April 2001 5238: 5231: 5216: 5212: 5203: 5199: 5194: 5190: 5184: 5174: 5170: 5165: 5161: 5155: 5145: 5141: 5136: 5132: 5124: 5120: 5112: 5108: 5099: 5095: 5086: 5082: 5073: 5069: 5057: 5053: 5044: 5040: 5021: 5017: 5012: 5005: 5000: 4996: 4978: 4974: 4965: 4958: 4946: 4939: 4934: 4927: 4910: 4906: 4900: 4894: 4887: 4882: 4878: 4874:Stedman, p. 175 4873: 4869: 4864: 4860: 4855: 4851: 4842: 4838: 4833: 4829: 4816: 4812: 4804: 4800: 4795: 4791: 4787:Stedman, p. 174 4786: 4782: 4777: 4773: 4760: 4756: 4751: 4747: 4742: 4738: 4733: 4729: 4724: 4720: 4715:Wayback Machine 4701:Wayback Machine 4684:. Dobson, 1978 4679: 4675: 4670: 4666: 4661: 4657: 4652: 4648: 4643: 4636: 4631: 4620: 4615: 4611: 4606: 4602: 4598:Stedman, p. 169 4597: 4593: 4588: 4584: 4571: 4558: 4546: 4542: 4537: 4533: 4528: 4524: 4514:Our Island Home 4504: 4500: 4495: 4491: 4486: 4482: 4477: 4470: 4458:Adams, Cecil, " 4457: 4453: 4440: 4436: 4430:Wayback Machine 4421: 4417: 4401: 4397: 4392: 4388: 4375: 4368: 4362:Wayback Machine 4352: 4348: 4343: 4338: 4337: 4332: 4328: 4323: 4319: 4309: 4305: 4296: 4292: 4286: 4282: 4277: 4264:Our Island Home 4259: 4247:Franz Marszalek 4085:Di Yam Gazlonim 4076: 4010:Cornish Pirates 3976: 3970:is also heard. 3842:Despicable Me 3 3769: 3742:Campbell's Soup 3694:The Muppet Show 3605:President Obama 3556: 3550: 3545: 3539: 3537:Cultural impact 3517:Alexander Faris 3491:Isidore Godfrey 3485:Malcolm Sargent 3414: 3380:Angela Lansbury 3353:opened the new 3319:Bonnie Langford 3255:Opera Australia 3241:Caroline Peyton 3189:Patrick Cassidy 3157:Estelle Parsons 3136:H.M.S. Pinafore 3030: 3012:Lyndsie Holland 2988:Alexandra Hann 2931:Peggy Ann Jones 2922:Joan Gillingham 2822:Michael Buchan 2733: 2728: 2723: 2718: 2713: 2632:Beatrice Boarer 2548:Fred Billington 2504:Hilton Layland 2492:Frederick Hobbs 2460:Leicester Tunks 2411: 2406: 2401: 2396: 2391: 2377:Rosina Brandram 2372:Rosina Brandram 2345:Nellie Lawrence 2323:Nellie Kavanagh 2316:Rosina Brandram 2268:Geraldine Ulmar 2254:Emilie Petrelli 2243:Walter Passmore 2223:Fred Billington 2206:J. G. Robertson 2179:role eliminated 2074: 2069: 2064: 2059: 2054: 2042: 2024:1 December 1908 2010:5 November 1900 1796:Opera Australia 1766:(1953–67), the 1758:numerous times 1742:in 1926 at the 1650: 1507:H.M.S. Pinafore 1489: 1409: 1408: 1400: 1398: 1397: 1396: 1395: 1385: 1378: 1375: 1368: 1362: 1357: 1282: 1254: 1226:Our Island Home 1192:H.M.S. Pinafore 1096: 908: 907: 899: 897: 896: 895: 894: 887: 884: 876: 875: 874: 867: 864: 852: 851: 850: 843: 840: 828: 821: 815: 810: 808:Musical numbers 764: 715: 699: 604: 545: 504:H.M.S. Pinafore 439:Poster for the 381:as Sir Joseph, 274:Our Island Home 261: 174:H.M.S. Pinafore 141: 132:H.M.S. Pinafore 50:Arthur Sullivan 27: 17: 12: 11: 5: 11444: 11434: 11433: 11428: 11423: 11418: 11413: 11408: 11403: 11398: 11393: 11388: 11383: 11378: 11361: 11360: 11355: 11354: 11352: 11351: 11343: 11339:Guys and Dolls 11335: 11327: 11318: 11316: 11312: 11311: 11309: 11308: 11300: 11292: 11284: 11276: 11268: 11260: 11252: 11244: 11236: 11227: 11225: 11221: 11220: 11218: 11217: 11214: 11206: 11202:Porgy and Bess 11197: 11195: 11191: 11190: 11183: 11182: 11175: 11168: 11160: 11151: 11150: 11148: 11147: 11139: 11131: 11123: 11120: 11116:A Strange Loop 11112: 11104: 11096: 11092:Come from Away 11088: 11080: 11072: 11064: 11056: 11048: 11040: 11032: 11024: 11016: 11008: 11000: 10992: 10984: 10976: 10968: 10959: 10957: 10953: 10952: 10950: 10949: 10941: 10933: 10925: 10917: 10909: 10901: 10893: 10885: 10877: 10869: 10865:City of Angels 10861: 10853: 10849:Into the Woods 10845: 10841:Les Miserables 10837: 10829: 10823: 10815: 10807: 10799: 10791: 10783: 10775: 10767: 10759: 10751: 10742: 10740: 10736: 10735: 10728: 10727: 10720: 10713: 10705: 10699: 10696: 10695: 10680: 10679: 10677: 10676: 10666: 10651: 10648: 10647: 10644: 10643: 10641: 10640: 10635: 10633:Piracy by year 10630: 10625: 10620: 10618:Female pirates 10615: 10613:By nationality 10610: 10604: 10602: 10598: 10597: 10595: 10594: 10589: 10584: 10579: 10574: 10569: 10563: 10561: 10554: 10550: 10549: 10547: 10546: 10541: 10536: 10530: 10529: 10524: 10519: 10518: 10517: 10504: 10502: 10498: 10497: 10494: 10493: 10491: 10490: 10485: 10480: 10475: 10469: 10467: 10463: 10462: 10460: 10459: 10454: 10449: 10444: 10439: 10434: 10429: 10424: 10419: 10414: 10413: 10412: 10402: 10397: 10392: 10386: 10384: 10380: 10379: 10377: 10376: 10369: 10362: 10355: 10348: 10341: 10334: 10327: 10320: 10313: 10306: 10299: 10292: 10284: 10282: 10278: 10277: 10275: 10274: 10269: 10264: 10259: 10254: 10249: 10244: 10239: 10234: 10229: 10224: 10219: 10214: 10209: 10207:Joshamee Gibbs 10204: 10199: 10194: 10189: 10184: 10179: 10174: 10169: 10164: 10159: 10154: 10149: 10144: 10139: 10134: 10129: 10124: 10119: 10114: 10109: 10104: 10099: 10094: 10088: 10086: 10077: 10067: 10066: 10064: 10063: 10058: 10053: 10045: 10037: 10032: 10027: 10022: 10014: 10009: 10003: 10001: 9995: 9994: 9992: 9987: 9957: 9952: 9947: 9942: 9932: 9930: 9926: 9925: 9923: 9922: 9917: 9912: 9907: 9902: 9897: 9892: 9884: 9879: 9874: 9869: 9864: 9859: 9854: 9849: 9841: 9832: 9823: 9814: 9810:Maersk Alabama 9806: 9801: 9793: 9788: 9783: 9775: 9767: 9759: 9751: 9743: 9738: 9730: 9725: 9720: 9712: 9707: 9702: 9697: 9692: 9687: 9682: 9677: 9672: 9667: 9662: 9657: 9652: 9647: 9642: 9637: 9632: 9627: 9622: 9617: 9612: 9607: 9602: 9597: 9592: 9587: 9582: 9577: 9572: 9567: 9562: 9549: 9547: 9543: 9542: 9540: 9539: 9532: 9525: 9518: 9511: 9504: 9497: 9490: 9483: 9476: 9469: 9462: 9455: 9447: 9445: 9441: 9440: 9437: 9436: 9434: 9433: 9428: 9423: 9421:Robert Maynard 9418: 9413: 9408: 9403: 9398: 9393: 9388: 9383: 9378: 9373: 9368: 9363: 9357: 9355: 9349: 9348: 9346: 9345: 9340: 9335: 9330: 9325: 9320: 9315: 9310: 9305: 9303:Vincenzo Gambi 9300: 9295: 9290: 9285: 9280: 9275: 9270: 9265: 9260: 9255: 9250: 9245: 9240: 9235: 9230: 9228:Samuel Bellamy 9225: 9220: 9215: 9210: 9205: 9203:Robert Surcouf 9200: 9195: 9193:Richard Glover 9190: 9185: 9180: 9175: 9170: 9165: 9163:Pierre Lafitte 9160: 9155: 9150: 9145: 9140: 9135: 9130: 9125: 9120: 9115: 9110: 9105: 9100: 9095: 9090: 9085: 9080: 9075: 9070: 9065: 9060: 9055: 9050: 9045: 9040: 9035: 9030: 9025: 9020: 9015: 9010: 9005: 9000: 8995: 8990: 8985: 8980: 8975: 8970: 8965: 8960: 8955: 8950: 8945: 8940: 8938:Grace O'Malley 8935: 8930: 8925: 8920: 8915: 8910: 8905: 8900: 8895: 8890: 8885: 8880: 8878:Edward England 8875: 8870: 8865: 8860: 8855: 8850: 8845: 8840: 8838:Cheung Po Tsai 8835: 8830: 8825: 8820: 8815: 8810: 8805: 8800: 8795: 8793:Benito de Soto 8790: 8785: 8780: 8775: 8770: 8765: 8760: 8755: 8750: 8745: 8740: 8738:Abraham Samuel 8735: 8733:Adam Baldridge 8730: 8725: 8719: 8717: 8710: 8706: 8705: 8702: 8701: 8699: 8698: 8693: 8688: 8686:Saint Augustin 8683: 8678: 8673: 8668: 8663: 8658: 8653: 8648: 8642: 8640: 8632: 8631: 8629: 8628: 8623: 8618: 8613: 8608: 8602: 8600: 8596: 8595: 8593: 8592: 8587: 8582: 8577: 8572: 8571: 8570: 8563:Horn of Africa 8559: 8557: 8553: 8552: 8550: 8549: 8547:Gulf of Guinea 8544: 8543: 8542: 8537: 8536: 8535: 8533:Lake Nicaragua 8525: 8514: 8512: 8510:Atlantic World 8503: 8499: 8498: 8496: 8495: 8490: 8485: 8480: 8475: 8470: 8465: 8460: 8455: 8450: 8445: 8440: 8439: 8438: 8428: 8423: 8418: 8416:Jewish pirates 8413: 8408: 8403: 8398: 8393: 8388: 8383: 8378: 8377: 8376: 8366: 8361: 8356: 8350: 8348: 8344: 8343: 8341: 8340: 8339: 8338: 8333: 8328: 8318: 8313: 8307: 8305: 8299: 8298: 8291: 8290: 8283: 8276: 8268: 8259: 8258: 8256: 8255: 8248: 8241: 8234: 8227: 8220: 8215: 8207: 8205: 8201: 8200: 8198: 8197: 8190: 8184: 8182: 8178: 8177: 8175: 8174: 8166: 8158: 8149: 8147: 8143: 8142: 8125: 8124: 8117: 8110: 8102: 8093: 8092: 8090: 8089: 8079: 8068: 8065: 8064: 8062: 8061: 8050: 8042: 8034: 8026: 8018: 8010: 8002: 7994: 7986: 7977: 7975: 7971: 7970: 7968: 7967: 7962: 7957: 7952: 7947: 7942: 7937: 7936: 7935: 7933:dramatic works 7925: 7920: 7915: 7910: 7905: 7900: 7895: 7889: 7887: 7883: 7882: 7880: 7879: 7876:The Grand Duke 7872: 7865: 7862:The Gondoliers 7858: 7851: 7844: 7837: 7830: 7823: 7816: 7809: 7802: 7795: 7788: 7780: 7778: 7774: 7773: 7771: 7770: 7765: 7760: 7754: 7751: 7750: 7743: 7742: 7735: 7728: 7720: 7714: 7713: 7702: 7694: 7680: 7679: 7663: 7653: 7647: 7638: 7622: 7617: 7612: 7597: 7596:External links 7594: 7593: 7592: 7586: 7573: 7540: 7534: 7521: 7515: 7499: 7489: 7477: 7471: 7456: 7450: 7435: 7411:American Music 7399: 7393: 7381:Jacobs, Arthur 7377: 7365: 7359: 7345:Holden, Amanda 7341: 7329: 7323: 7308: 7302: 7282: 7276: 7261: 7255: 7239: 7212: 7206: 7193: 7184: 7178: 7163: 7160: 7157: 7156: 7145: 7121: 7094: 7090:Stage Whispers 7073: 7050: 7038: 7023: 7010: 6997: 6981: 6965: 6950: 6938: 6922: 6898: 6880: 6868: 6854:Criminal Minds 6835: 6818: 6799: 6783: 6781:, 26 June 2017 6769:Prigge, Matt. 6762: 6760:, 29 June 2017 6750:Marsh, Calum. 6743: 6728: 6712: 6707:The New Yorker 6693: 6680: 6668: 6653:"Martyn Green" 6651:Stone, David. 6644: 6625: 6609: 6590: 6564: 6552: 6528: 6515: 6496: 6481: 6468: 6444: 6416: 6388: 6360: 6336: 6308: 6280: 6252: 6224: 6205: 6181: 6153: 6144: 6135: 6126: 6098: 6094:The Gramophone 6086: 6077: 6061: 6031: 6002: 5978: 5973:Theatre Record 5964: 5945: 5921: 5903: 5894: 5885: 5876: 5867: 5858: 5849: 5840: 5831: 5822: 5813: 5797: 5788: 5779: 5770: 5761: 5752: 5739: 5710: 5682:Gans, Andrew. 5675: 5654: 5631: 5621:Gates, Anita. 5614: 5594: 5574: 5565:Hall, George. 5558: 5535: 5511: 5495: 5482: 5467:"Martyn Green" 5465:Stone, David. 5458: 5442: 5438:The New Yorker 5429: 5415: 5399: 5376: 5367: 5355: 5346: 5337: 5324: 5312: 5303: 5294: 5281: 5272: 5263: 5254: 5252:Holden, p. 402 5245: 5229: 5210: 5197: 5195:Hughes, p. 151 5188: 5168: 5166:Jacobs, p. 135 5159: 5139: 5137:Hughes, p. 134 5130: 5118: 5106: 5093: 5080: 5067: 5051: 5047:The Daily News 5038: 5028:even gave the 5015: 5003: 4994: 4972: 4956: 4937: 4925: 4923:, 16 July 2009 4913:"A consistent 4904: 4885: 4876: 4867: 4865:Jacobs, p. 133 4858: 4849: 4836: 4827: 4817:Dexter, Gary. 4810: 4798: 4789: 4780: 4778:Ainger, p. 180 4771: 4754: 4752:Ainger, p. 179 4745: 4743:Jacobs, p. 130 4736: 4734:Ainger, p. 177 4727: 4725:Ainger, p. 157 4718: 4708:, Introduction 4694:"A Stage Play" 4673: 4671:Jacobs, p. 113 4664: 4655: 4653:Jacobs, p. 127 4646: 4634: 4632:Jacobs, p. 129 4618: 4609: 4607:Ainger, p. 169 4600: 4591: 4589:Ainger, p. 168 4582: 4556: 4540: 4531: 4522: 4498: 4496:Ainger, p. 166 4489: 4480: 4468: 4451: 4441:Rosen, Zvi S. 4434: 4415: 4395: 4386: 4366: 4353:Perry, Helga. 4345: 4344: 4342: 4339: 4336: 4335: 4326: 4317: 4303: 4290: 4279: 4278: 4276: 4273: 4272: 4271: 4258: 4255: 4254: 4253: 4250: 4245:as Ruth, with 4239:Gerd Nienstedt 4228: 4220: 4211: 4210: 4206: 4205: 4190: 4183:Simon Gallaher 4176: 4168: 4120: 4110: 4091:adaptation of 4081: 4080: 4075: 4072: 4054:Pierson v. Ray 4024:'s 2011 novel 4022:Laurie R. King 3997:New York Times 3975: 3972: 3947:Criminal Minds 3944:. In the 2009 3768: 3765: 3626:buccaneer" in 3552:Main article: 3549: 3546: 3541:Main article: 3538: 3535: 3534: 3533: 3526: 3523: 3520: 3513: 3503: 3500: 3493: 3487: 3426:The Gramophone 3413: 3410: 3376:a film in 1983 3335:Simon Gallaher 3263:Anthony Warlow 3229:Jo Anne Worley 3225:Barry Bostwick 3213:David Garrison 3197:Treat Williams 3141:Linda Ronstadt 3124:musical comedy 3115:and director. 3066:, directed by 3060:Public Theater 3029: 3025:Joseph Papp's 3023: 3020: 3019: 3014: 3009: 3006: 3001: 2996: 2990: 2989: 2986: 2983: 2980: 2977: 2974: 2968: 2967: 2964: 2963:Caroline Baker 2961: 2956: 2953: 2948: 2942: 2941: 2938: 2933: 2928: 2923: 2920: 2914: 2913: 2911:Vivian Tierney 2908: 2903: 2898: 2896:Jean Hindmarsh 2893: 2892:Muriel Harding 2890: 2884: 2883: 2880: 2878:Michael Rayner 2875: 2870: 2865: 2863:Richard Watson 2860: 2854: 2853: 2848: 2845: 2840: 2835: 2833:Leonard Osborn 2830: 2824: 2823: 2820: 2817: 2812: 2807: 2804: 2798: 2797: 2792: 2787: 2782: 2777: 2772: 2766: 2765: 2762: 2757: 2752: 2747: 2742: 2736: 2735: 2730: 2725: 2720: 2715: 2710: 2702: 2701: 2696: 2691: 2686: 2681: 2676: 2670: 2669: 2666: 2661: 2658: 2655: 2652: 2646: 2645: 2642: 2639: 2636: 2633: 2630: 2624: 2623: 2618: 2613: 2608: 2603: 2598: 2592: 2591: 2586: 2583: 2578: 2577:Elsie McDermid 2575: 2572: 2566: 2565: 2563:Richard Walker 2560: 2555: 2550: 2545: 2540: 2534: 2533: 2528: 2523: 2518: 2515: 2512: 2506: 2505: 2502: 2500:Richard Walker 2497: 2496:Joseph Griffin 2494: 2489: 2484: 2478: 2477: 2472: 2467: 2462: 2457: 2452: 2446: 2445: 2440: 2435: 2430: 2425: 2420: 2414: 2413: 2408: 2403: 2398: 2393: 2388: 2380: 2379: 2374: 2369: 2366: 2361: 2360:Fanny Harrison 2358: 2352: 2351: 2346: 2343: 2340: 2337: 2334: 2328: 2327: 2326:Alice Coleman 2324: 2321: 2318: 2313: 2310: 2304: 2303: 2300: 2295: 2290: 2285: 2282: 2276: 2275: 2270: 2265: 2260: 2255: 2252: 2246: 2245: 2240: 2235: 2230: 2225: 2220: 2214: 2213: 2208: 2203: 2198: 2193: 2188: 2182: 2181: 2176: 2171: 2165: 2164: 2161: 2158: 2155: 2150: 2147: 2141: 2140: 2135: 2133:Richard Temple 2130: 2128:Richard Temple 2125: 2123:Sgr. Brocolini 2120: 2115: 2109: 2108: 2103: 2098: 2093: 2088: 2083: 2077: 2076: 2071: 2066: 2061: 2056: 2051: 2041: 2038: 2035: 2034: 2031: 2028: 2025: 2022: 2018: 2017: 2014: 2011: 2008: 2005: 2001: 2000: 1997: 1994: 1991: 1988: 1984: 1983: 1976: 1973: 1970: 1967: 1961: 1960: 1957: 1954: 1951: 1948: 1942: 1941: 1938: 1934: 1933: 1930: 1927: 1924: 1921: 1914: 1913: 1906: 1903: 1900: 1897: 1893: 1892: 1889: 1886: 1883: 1880: 1840:Ramin Karimloo 1832:Warren Carlyle 1826:, directed by 1808:Scottish Opera 1800:Anthony Warlow 1706:Camillo Walzel 1670:Percy Anderson 1649: 1646: 1620: 1619: 1616: 1612: 1611: 1608: 1604: 1603: 1596: 1592: 1591: 1588: 1584: 1583: 1580: 1569: 1568: 1567: 1566: 1563: 1557: 1549: 1548: 1545: 1541: 1540: 1537: 1533: 1532: 1525: 1521: 1520: 1517: 1488: 1485: 1455:Gervase Hughes 1446:for re-use in 1411:Writing about 1399: 1392:George W. Byng 1386: 1376: 1371: 1370: 1369: 1360: 1359: 1358: 1356: 1353: 1281: 1278: 1262:Alfred Cellier 1253: 1250: 1224:is taken from 1095: 1092: 1091: 1090: 1089: 1088: 1085: 1082: 1079: 1076: 1070: 1067: 1064: 1061: 1058: 1055: 1052: 1049: 1046: 1043: 1040: 1037: 1034: 1031: 1022: 1021: 1020: 1019: 1016: 1013: 1012:"Hail, Poetry" 1010: 1007: 1001: 994: 991: 988: 985: 982: 979: 976: 973: 970: 967: 964: 961: 952: 951: 916:Richard Temple 898: 885: 878: 877: 865: 854: 853: 841: 830: 829: 826:George W. Byng 823: 822: 813: 812: 811: 809: 806: 802:Queen Victoria 763: 760: 723:Queen Victoria 714: 711: 698: 695: 694: 693: 690: 678: 677: 676: 675: 672: 669: 662: 654: 653: 651: 645: 644: 637: 626: 623:his Lieutenant 619: 612: 603: 600: 544: 541: 411:Alfred Cellier 385:as Josephine, 322:Gaiety Theatre 260: 257: 253:life preserver 140: 137: 87:was the fifth 15: 9: 6: 4: 3: 2: 11443: 11432: 11429: 11427: 11424: 11422: 11419: 11417: 11414: 11412: 11409: 11407: 11404: 11402: 11399: 11397: 11394: 11392: 11389: 11387: 11384: 11382: 11379: 11377: 11374: 11373: 11371: 11349: 11348: 11347:Anna Christie 11344: 11341: 11340: 11336: 11333: 11332: 11328: 11325: 11324: 11320: 11319: 11317: 11313: 11306: 11305: 11301: 11298: 11297: 11296:Anything Goes 11293: 11290: 11289: 11285: 11282: 11281: 11280:Sweet Charity 11277: 11274: 11273: 11269: 11266: 11265: 11261: 11258: 11257: 11253: 11250: 11249: 11245: 11242: 11241: 11237: 11234: 11233: 11229: 11228: 11226: 11222: 11215: 11212: 11211: 11207: 11204: 11203: 11199: 11198: 11196: 11192: 11188: 11181: 11176: 11174: 11169: 11167: 11162: 11161: 11158: 11145: 11144: 11140: 11137: 11136: 11132: 11129: 11128: 11124: 11121: 11118: 11117: 11113: 11110: 11109: 11105: 11102: 11101: 11097: 11094: 11093: 11089: 11086: 11085: 11084:Shuffle Along 11081: 11078: 11077: 11073: 11070: 11069: 11065: 11062: 11061: 11057: 11054: 11053: 11049: 11046: 11045: 11041: 11038: 11037: 11033: 11030: 11029: 11025: 11022: 11021: 11017: 11014: 11013: 11009: 11006: 11005: 11001: 10998: 10997: 10993: 10990: 10989: 10985: 10982: 10981: 10977: 10974: 10973: 10969: 10966: 10965: 10964:The Producers 10961: 10960: 10958: 10954: 10947: 10946: 10942: 10939: 10938: 10934: 10931: 10930: 10926: 10923: 10922: 10918: 10915: 10914: 10910: 10907: 10906: 10902: 10899: 10898: 10894: 10891: 10890: 10886: 10883: 10882: 10881:Crazy for You 10878: 10875: 10874: 10870: 10867: 10866: 10862: 10859: 10858: 10854: 10851: 10850: 10846: 10843: 10842: 10838: 10835: 10834: 10830: 10827: 10824: 10821: 10820: 10816: 10813: 10812: 10808: 10805: 10804: 10800: 10797: 10796: 10792: 10789: 10788: 10784: 10781: 10780: 10776: 10773: 10772: 10768: 10765: 10764: 10760: 10757: 10756: 10755:A Chorus Line 10752: 10749: 10748: 10744: 10743: 10741: 10737: 10733: 10726: 10721: 10719: 10714: 10712: 10707: 10706: 10703: 10697: 10693: 10687: 10675: 10667: 10665: 10664: 10653: 10652: 10649: 10639: 10636: 10634: 10631: 10629: 10626: 10624: 10621: 10619: 10616: 10614: 10611: 10609: 10606: 10605: 10603: 10599: 10593: 10590: 10588: 10585: 10583: 10580: 10578: 10575: 10573: 10570: 10568: 10565: 10564: 10562: 10558: 10555: 10551: 10545: 10542: 10540: 10537: 10535: 10532: 10531: 10528: 10525: 10523: 10520: 10516: 10513: 10512: 10511: 10510: 10506: 10505: 10503: 10501:Miscellaneous 10499: 10489: 10486: 10484: 10481: 10479: 10476: 10474: 10471: 10470: 10468: 10466:Miscellaneous 10464: 10458: 10455: 10453: 10450: 10448: 10447:Pirate utopia 10445: 10443: 10440: 10438: 10435: 10433: 10430: 10428: 10425: 10423: 10420: 10418: 10415: 10411: 10408: 10407: 10406: 10403: 10401: 10398: 10396: 10393: 10391: 10388: 10387: 10385: 10381: 10375: 10374: 10370: 10368: 10367: 10363: 10361: 10360: 10356: 10354: 10353: 10349: 10347: 10346: 10342: 10340: 10339: 10335: 10333: 10332: 10328: 10326: 10325: 10321: 10319: 10318: 10314: 10312: 10311: 10307: 10305: 10304: 10300: 10298: 10297: 10293: 10291: 10290: 10286: 10285: 10283: 10279: 10273: 10270: 10268: 10265: 10263: 10260: 10258: 10255: 10253: 10250: 10248: 10245: 10243: 10240: 10238: 10235: 10233: 10230: 10228: 10225: 10223: 10220: 10218: 10215: 10213: 10210: 10208: 10205: 10203: 10200: 10198: 10195: 10193: 10190: 10188: 10185: 10183: 10180: 10178: 10175: 10173: 10170: 10168: 10167:Elaine Marley 10165: 10163: 10162:Edward Kenway 10160: 10158: 10155: 10153: 10150: 10148: 10145: 10143: 10140: 10138: 10135: 10133: 10130: 10128: 10125: 10123: 10122:Captain Flint 10120: 10118: 10117:Captain Crook 10115: 10113: 10112:Captain Blood 10110: 10108: 10105: 10103: 10100: 10098: 10095: 10093: 10090: 10089: 10087: 10085: 10081: 10078: 10076: 10068: 10062: 10059: 10057: 10054: 10052: 10051: 10046: 10044: 10043: 10038: 10036: 10033: 10031: 10028: 10026: 10023: 10021: 10019: 10015: 10013: 10010: 10008: 10005: 10004: 10002: 10000: 9996: 9991: 9988: 9985: 9981: 9977: 9973: 9969: 9965: 9961: 9958: 9956: 9953: 9951: 9948: 9946: 9943: 9940: 9936: 9935:Acts of grace 9933: 9931: 9927: 9921: 9918: 9916: 9913: 9911: 9908: 9906: 9903: 9901: 9898: 9896: 9893: 9891: 9889: 9885: 9883: 9880: 9878: 9875: 9873: 9870: 9868: 9865: 9863: 9860: 9858: 9855: 9853: 9850: 9848: 9846: 9842: 9840: 9838: 9833: 9831: 9829: 9828:Orkim Harmony 9824: 9822: 9820: 9815: 9813: 9811: 9807: 9805: 9802: 9800: 9798: 9794: 9792: 9789: 9787: 9784: 9782: 9780: 9776: 9774: 9772: 9771:CarrĂ© d'As IV 9768: 9766: 9765: 9760: 9758: 9757: 9752: 9750: 9749: 9744: 9742: 9739: 9737: 9736: 9735:Ambrose Light 9731: 9729: 9726: 9724: 9721: 9719: 9717: 9713: 9711: 9708: 9706: 9703: 9701: 9698: 9696: 9693: 9691: 9688: 9686: 9683: 9681: 9678: 9676: 9673: 9671: 9668: 9666: 9663: 9661: 9658: 9656: 9653: 9651: 9648: 9646: 9643: 9641: 9638: 9636: 9633: 9631: 9628: 9626: 9623: 9621: 9618: 9616: 9613: 9611: 9608: 9606: 9603: 9601: 9598: 9596: 9593: 9591: 9588: 9586: 9583: 9581: 9578: 9576: 9573: 9571: 9568: 9566: 9563: 9561: 9558: 9557: 9553: 9548: 9544: 9538: 9537: 9533: 9531: 9530: 9526: 9524: 9523: 9519: 9517: 9516: 9515:Royal Fortune 9512: 9510: 9509: 9505: 9503: 9502: 9498: 9496: 9495: 9491: 9489: 9488: 9484: 9482: 9481: 9477: 9475: 9474: 9470: 9468: 9467: 9463: 9461: 9460: 9459:Ambrose Light 9456: 9454: 9453: 9449: 9448: 9446: 9442: 9432: 9431:Woodes Rogers 9429: 9427: 9426:Thomas Warren 9424: 9422: 9419: 9417: 9414: 9412: 9409: 9407: 9404: 9402: 9399: 9397: 9394: 9392: 9389: 9387: 9386:Julius Caesar 9384: 9382: 9379: 9377: 9374: 9372: 9369: 9367: 9366:Chaloner Ogle 9364: 9362: 9359: 9358: 9356: 9350: 9344: 9341: 9339: 9338:Zheng Zhilong 9336: 9334: 9331: 9329: 9326: 9324: 9321: 9319: 9316: 9314: 9311: 9309: 9306: 9304: 9301: 9299: 9296: 9294: 9291: 9289: 9286: 9284: 9281: 9279: 9276: 9274: 9271: 9269: 9266: 9264: 9261: 9259: 9256: 9254: 9251: 9249: 9246: 9244: 9241: 9239: 9236: 9234: 9231: 9229: 9226: 9224: 9223:Sadie Farrell 9221: 9219: 9216: 9214: 9211: 9209: 9206: 9204: 9201: 9199: 9196: 9194: 9191: 9189: 9186: 9184: 9181: 9179: 9176: 9174: 9173:Princess Sela 9171: 9169: 9166: 9164: 9161: 9159: 9156: 9154: 9153:Pedro Gilbert 9151: 9149: 9146: 9144: 9141: 9139: 9136: 9134: 9131: 9129: 9126: 9124: 9121: 9119: 9116: 9114: 9111: 9109: 9106: 9104: 9101: 9099: 9096: 9094: 9091: 9089: 9086: 9084: 9081: 9079: 9076: 9074: 9073:Liang Daoming 9071: 9069: 9066: 9064: 9061: 9059: 9056: 9054: 9051: 9049: 9046: 9044: 9041: 9039: 9036: 9034: 9031: 9029: 9026: 9024: 9021: 9019: 9016: 9014: 9011: 9009: 9006: 9004: 9001: 8999: 8996: 8994: 8991: 8989: 8986: 8984: 8981: 8979: 8976: 8974: 8971: 8969: 8966: 8964: 8961: 8959: 8956: 8954: 8951: 8949: 8946: 8944: 8941: 8939: 8936: 8934: 8931: 8929: 8926: 8924: 8921: 8919: 8918:Francis Drake 8916: 8914: 8911: 8909: 8906: 8904: 8901: 8899: 8896: 8894: 8891: 8889: 8886: 8884: 8881: 8879: 8876: 8874: 8873:Dominique You 8871: 8869: 8866: 8864: 8861: 8859: 8856: 8854: 8851: 8849: 8846: 8844: 8841: 8839: 8836: 8834: 8831: 8829: 8828:Charles Gibbs 8826: 8824: 8821: 8819: 8816: 8814: 8811: 8809: 8806: 8804: 8801: 8799: 8796: 8794: 8791: 8789: 8786: 8784: 8781: 8779: 8776: 8774: 8771: 8769: 8766: 8764: 8761: 8759: 8756: 8754: 8751: 8749: 8746: 8744: 8741: 8739: 8736: 8734: 8731: 8729: 8726: 8724: 8723:Abduwali Muse 8721: 8720: 8718: 8714: 8711: 8709:Major figures 8707: 8697: 8694: 8692: 8689: 8687: 8684: 8682: 8679: 8677: 8674: 8672: 8669: 8667: 8664: 8662: 8659: 8657: 8654: 8652: 8649: 8647: 8646:Barataria Bay 8644: 8643: 8641: 8637: 8636:Pirate havens 8633: 8627: 8624: 8622: 8619: 8617: 8614: 8612: 8611:Barbary Coast 8609: 8607: 8604: 8603: 8601: 8597: 8591: 8588: 8586: 8583: 8581: 8578: 8576: 8573: 8569: 8566: 8565: 8564: 8561: 8560: 8558: 8554: 8548: 8545: 8541: 8538: 8534: 8531: 8530: 8529: 8526: 8524: 8521: 8520: 8519: 8516: 8515: 8513: 8511: 8507: 8504: 8500: 8494: 8491: 8489: 8486: 8484: 8481: 8479: 8476: 8474: 8471: 8469: 8466: 8464: 8463:Timber pirate 8461: 8459: 8456: 8454: 8451: 8449: 8446: 8444: 8441: 8437: 8434: 8433: 8432: 8429: 8427: 8424: 8422: 8419: 8417: 8414: 8412: 8409: 8407: 8404: 8402: 8399: 8397: 8394: 8392: 8389: 8387: 8384: 8382: 8379: 8375: 8372: 8371: 8370: 8367: 8365: 8362: 8360: 8357: 8355: 8352: 8351: 8349: 8345: 8337: 8334: 8332: 8329: 8327: 8324: 8323: 8322: 8319: 8317: 8314: 8312: 8309: 8308: 8306: 8304: 8300: 8296: 8289: 8284: 8282: 8277: 8275: 8270: 8269: 8266: 8254: 8253: 8249: 8247: 8246: 8242: 8240: 8239: 8235: 8232: 8228: 8225: 8221: 8219: 8216: 8213: 8209: 8208: 8206: 8202: 8195: 8191: 8189: 8186: 8185: 8183: 8179: 8173:(1991 ballet) 8172: 8171: 8167: 8164: 8163: 8159: 8156: 8155: 8151: 8150: 8148: 8144: 8140: 8139: 8134: 8130: 8123: 8118: 8116: 8111: 8109: 8104: 8103: 8100: 8088: 8080: 8078: 8070: 8069: 8066: 8060: 8056: 8055: 8051: 8048: 8047: 8043: 8040: 8039: 8035: 8032: 8031: 8030:The Chieftain 8027: 8024: 8023: 8019: 8016: 8015: 8011: 8008: 8007: 8003: 8000: 7999: 7995: 7992: 7991: 7987: 7984: 7983: 7979: 7978: 7976: 7972: 7966: 7963: 7961: 7958: 7956: 7953: 7951: 7948: 7946: 7943: 7941: 7938: 7934: 7931: 7930: 7929: 7926: 7924: 7921: 7919: 7916: 7914: 7911: 7909: 7906: 7904: 7901: 7899: 7896: 7894: 7891: 7890: 7888: 7884: 7878: 7877: 7873: 7871: 7870: 7866: 7864: 7863: 7859: 7857: 7856: 7852: 7850: 7849: 7845: 7843: 7842: 7838: 7836: 7835: 7831: 7829: 7828: 7824: 7822: 7821: 7817: 7815: 7814: 7810: 7808: 7807: 7803: 7801: 7800: 7796: 7794: 7793: 7792:Trial by Jury 7789: 7787: 7786: 7782: 7781: 7779: 7775: 7769: 7766: 7764: 7761: 7759: 7758:W. S. Gilbert 7756: 7755: 7752: 7748: 7741: 7736: 7734: 7729: 7727: 7722: 7721: 7718: 7712: 7708: 7707: 7703: 7700: 7699: 7695: 7692: 7691: 7687: 7686: 7685: 7684: 7678: 7674: 7673: 7664: 7661: 7659: 7654: 7651: 7648: 7645: 7644: 7639: 7637: 7636:Clement Scott 7633: 7629: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7609: 7605: 7604: 7603: 7602: 7589: 7583: 7579: 7574: 7559: 7552: 7551: 7547: 7541: 7537: 7535:0-370-31271-6 7531: 7527: 7522: 7518: 7516:0-370-31270-8 7512: 7508: 7504: 7503:Shaw, Bernard 7500: 7495: 7490: 7486: 7482: 7481:Rees, Terence 7478: 7474: 7468: 7464: 7463: 7457: 7453: 7451:0-14-046957-5 7447: 7443: 7442: 7436: 7432: 7428: 7424: 7420: 7416: 7412: 7408: 7404: 7400: 7396: 7394:0-19-282033-8 7390: 7386: 7382: 7378: 7374: 7370: 7366: 7362: 7356: 7352: 7351: 7346: 7342: 7338: 7334: 7330: 7326: 7324:0-19-516700-7 7320: 7316: 7315: 7309: 7305: 7303:0-14-070848-0 7299: 7294: 7293: 7287: 7283: 7279: 7277:0-19-502869-4 7273: 7269: 7268: 7262: 7258: 7256:1-85626-103-4 7252: 7248: 7244: 7240: 7227: 7223: 7222: 7217: 7213: 7209: 7207:0-903443-10-4 7203: 7199: 7194: 7190: 7185: 7181: 7179:0-19-514769-3 7175: 7171: 7166: 7165: 7154: 7149: 7142: 7138: 7135: 7133: 7125: 7118: 7114: 7110: 7107: 7105: 7102:"Sasha Regan 7098: 7091: 7087: 7085: 7077: 7070: 7067: 7063: 7060: 7054: 7047: 7042: 7035: 7034: 7027: 7020: 7014: 7007: 7001: 6995:, 25 May 2009 6994: 6990: 6985: 6978: 6977:In re Stevens 6974: 6969: 6962: 6961: 6954: 6947: 6942: 6935: 6933: 6926: 6919: 6918: 6913: 6912: 6907: 6902: 6895: 6894: 6889: 6884: 6877: 6872: 6865: 6864: 6859: 6855: 6851: 6847: 6844: 6839: 6832: 6831:The TV Critic 6828: 6822: 6815: 6811: 6808: 6803: 6797:, 4 July 2019 6796: 6792: 6787: 6780: 6776: 6774: 6766: 6759: 6758: 6757:National Post 6753: 6747: 6740: 6738: 6732: 6725: 6723: 6716: 6709: 6708: 6703: 6697: 6690: 6684: 6677: 6672: 6665: 6662: 6658: 6654: 6648: 6641: 6637: 6634: 6629: 6622: 6620: 6619:Mass Effect 2 6613: 6606: 6603: 6597: 6595: 6587: 6586: 6581: 6577: 6573: 6568: 6561: 6556: 6549: 6545: 6541: 6538: 6532: 6525: 6522:Butler, Ron. 6519: 6512: 6508: 6505: 6500: 6494:, 10 May 2010 6493: 6492: 6485: 6478: 6472: 6465: 6461: 6457: 6454: 6448: 6441: 6437: 6433: 6430: 6428: 6420: 6413: 6409: 6405: 6402: 6400: 6392: 6385: 6381: 6377: 6374: 6372: 6364: 6357: 6353: 6349: 6346: 6340: 6333: 6329: 6325: 6322: 6320: 6312: 6305: 6301: 6297: 6294: 6292: 6284: 6277: 6273: 6269: 6266: 6264: 6256: 6249: 6245: 6241: 6238: 6236: 6228: 6221: 6217: 6214: 6209: 6202: 6198: 6194: 6191: 6185: 6178: 6174: 6170: 6167: 6165: 6157: 6151:Blyth, p. 109 6148: 6139: 6130: 6123: 6119: 6115: 6112: 6110: 6102: 6095: 6090: 6081: 6074: 6070: 6065: 6058: 6057: 6052: 6048: 6045: 6043: 6035: 6028: 6024: 6022: 6019:"Pirating of 6016: 6014: 6006: 5999: 5995: 5991: 5988: 5982: 5975: 5974: 5968: 5961: 5959: 5952: 5950: 5942: 5938: 5936: 5930: 5925: 5916: 5914: 5912: 5910: 5908: 5898: 5889: 5880: 5871: 5862: 5853: 5844: 5835: 5826: 5817: 5810: 5806: 5801: 5792: 5783: 5774: 5765: 5756: 5749: 5743: 5736: 5732: 5730: 5726: 5722: 5714: 5707: 5706: 5701: 5699: 5693: 5689: 5687: 5679: 5672: 5668: 5666: 5658: 5651: 5647: 5644: 5642: 5635: 5628: 5624: 5618: 5611: 5607: 5604: 5598: 5591: 5587: 5585: 5578: 5571: 5568: 5562: 5555: 5554: 5549: 5547: 5539: 5532: 5528: 5525: 5524:at Wolf Trap" 5523: 5515: 5508: 5504: 5503:Kenrick, John 5499: 5492: 5486: 5479: 5476: 5472: 5468: 5462: 5455: 5453: 5446: 5439: 5433: 5426: 5425: 5419: 5409: 5403: 5396: 5392: 5389: 5387: 5380: 5371: 5365: 5359: 5350: 5341: 5334: 5328: 5319: 5317: 5307: 5298: 5291: 5285: 5279:Hughes, p. 88 5276: 5270:Hughes, p. 80 5267: 5258: 5249: 5242: 5236: 5234: 5226: 5225: 5220: 5214: 5207: 5201: 5192: 5182: 5178: 5172: 5163: 5153: 5149: 5143: 5134: 5127: 5122: 5115: 5110: 5103: 5097: 5090: 5084: 5077: 5071: 5064: 5060: 5055: 5048: 5042: 5035: 5031: 5027: 5026: 5019: 5010: 5008: 4998: 4992: 4991:1-85285-188-0 4988: 4984: 4983: 4976: 4969: 4963: 4961: 4953: 4949: 4944: 4942: 4932: 4930: 4922: 4918: 4916: 4908: 4898: 4892: 4890: 4880: 4871: 4862: 4853: 4846: 4840: 4831: 4825:, 7 July 2010 4824: 4823:The Telegraph 4820: 4814: 4807: 4802: 4793: 4784: 4775: 4768: 4764: 4758: 4749: 4740: 4731: 4722: 4716: 4712: 4709: 4707: 4706:Reminiscences 4702: 4698: 4695: 4691: 4690:0-234-77206-9 4687: 4683: 4677: 4668: 4659: 4650: 4641: 4639: 4629: 4627: 4625: 4623: 4613: 4604: 4595: 4586: 4579: 4577: 4572:Gänzl, Kurt. 4569: 4567: 4565: 4563: 4561: 4553: 4549: 4544: 4535: 4526: 4519: 4518:Musical Times 4515: 4511: 4507: 4506:Faning, Eaton 4502: 4493: 4484: 4475: 4473: 4465: 4461: 4455: 4448: 4444: 4438: 4431: 4427: 4424: 4419: 4413: 4409: 4405: 4399: 4390: 4383: 4379: 4373: 4371: 4363: 4359: 4356: 4350: 4346: 4330: 4321: 4313: 4307: 4300: 4294: 4284: 4280: 4270: 4266: 4265: 4261: 4260: 4251: 4248: 4244: 4240: 4236: 4232: 4229: 4226: 4225: 4221: 4218: 4217: 4213: 4212: 4208: 4207: 4203: 4199: 4198:Union Theatre 4195: 4191: 4188: 4184: 4180: 4177: 4174: 4173: 4169: 4166: 4165: 4160: 4156: 4152: 4148: 4144: 4140: 4136: 4132: 4128: 4124: 4121: 4118: 4114: 4111: 4108: 4107: 4102: 4098: 4094: 4090: 4086: 4083: 4082: 4078: 4077: 4071: 4069: 4064: 4060: 4056: 4055: 4050: 4049: 4044: 4043: 4038: 4033: 4031: 4027: 4023: 4019: 4015: 4011: 4007: 4003: 3999: 3998: 3993: 3985: 3980: 3971: 3969: 3968: 3963: 3959: 3958: 3953: 3949: 3948: 3943: 3939: 3935: 3934:Peter Griffin 3931: 3930:Brian Griffin 3927: 3923: 3922: 3917: 3913: 3909: 3908: 3903: 3902: 3897: 3896: 3891: 3887: 3883: 3879: 3875: 3874: 3869: 3865: 3861: 3860: 3859:The West Wing 3854: 3852: 3848: 3844: 3843: 3838: 3837: 3832: 3831: 3826: 3822: 3818: 3814: 3813: 3808: 3807:Walt Disney's 3804: 3800: 3799: 3794: 3793:Julia Roberts 3790: 3786: 3785: 3780: 3779: 3774: 3764: 3762: 3758: 3757: 3751: 3747: 3743: 3739: 3734: 3732: 3728: 3724: 3720: 3719: 3714: 3713: 3708: 3704: 3700: 3696: 3695: 3690: 3686: 3685: 3684:Mad About You 3680: 3676: 3675: 3670: 3666: 3665: 3660: 3656: 3655: 3649: 3647: 3643: 3642: 3641:Mass Effect 2 3637: 3636: 3631: 3630: 3625: 3621: 3620: 3615: 3614: 3608: 3606: 3602: 3598: 3597: 3592: 3588: 3584: 3580: 3576: 3572: 3568: 3560: 3555: 3544: 3531: 3527: 3524: 3521: 3518: 3514: 3512: 3508: 3507:Wilford Leach 3504: 3501: 3498: 3494: 3492: 3488: 3486: 3482: 3481: 3480: 3479: 3475: 3473: 3469: 3464: 3462: 3458: 3454: 3450: 3446: 3442: 3438: 3433: 3428: 3427: 3422: 3418: 3409: 3407: 3406: 3401: 3395: 3390: 3388: 3387: 3381: 3377: 3372: 3370: 3366: 3363:. Gallaher's 3362: 3361: 3356: 3352: 3348: 3344: 3340: 3339:June Bronhill 3337:as Frederic, 3336: 3332: 3328: 3324: 3321:as Kate; and 3320: 3316: 3312: 3311:Chris Langham 3308: 3307:Paul Nicholas 3304: 3303:Oliver Tobias 3300: 3296: 3295:Michael Praed 3292: 3288: 3287:Ronald Fraser 3284: 3280: 3276: 3275:Olivier Award 3272: 3264: 3260: 3256: 3252: 3248: 3247:as Frederic. 3246: 3243:as Edith and 3242: 3238: 3234: 3230: 3226: 3222: 3218: 3214: 3210: 3206: 3205:James Belushi 3202: 3198: 3195:as Frederic; 3194: 3190: 3186: 3182: 3178: 3174: 3170: 3166: 3162: 3158: 3154: 3150: 3147:as Frederic, 3146: 3142: 3138: 3137: 3132: 3131: 3125: 3121: 3116: 3114: 3110: 3106: 3102: 3098: 3094: 3090: 3085: 3081: 3077: 3073: 3069: 3068:Wilford Leach 3065: 3061: 3057: 3050: 3046: 3042: 3038: 3034: 3028: 3018: 3015: 3013: 3010: 3007: 3005: 3002: 3000: 2997: 2995: 2992: 2991: 2987: 2984: 2981: 2978: 2975: 2973: 2970: 2969: 2965: 2962: 2960: 2959:Pauline Wales 2957: 2955:Marian Martin 2954: 2952: 2949: 2947: 2944: 2943: 2939: 2937: 2934: 2932: 2929: 2927: 2924: 2921: 2919: 2916: 2915: 2912: 2909: 2907: 2904: 2902: 2899: 2897: 2894: 2891: 2889: 2886: 2885: 2881: 2879: 2876: 2874: 2871: 2869: 2866: 2864: 2861: 2859: 2856: 2855: 2852: 2849: 2846: 2844: 2843:Philip Potter 2841: 2839: 2836: 2834: 2831: 2829: 2826: 2825: 2821: 2818: 2816: 2813: 2811: 2808: 2806:Donald Harris 2805: 2803: 2800: 2799: 2796: 2793: 2791: 2788: 2786: 2783: 2781: 2778: 2776: 2773: 2771: 2768: 2767: 2763: 2761: 2758: 2756: 2753: 2751: 2748: 2746: 2743: 2741: 2740:Major-General 2738: 2737: 2731: 2726: 2721: 2716: 2711: 2708: 2707: 2700: 2697: 2695: 2692: 2690: 2687: 2685: 2682: 2680: 2677: 2675: 2672: 2671: 2668:Rosalie Dyer 2667: 2665: 2662: 2660:Hilary Davies 2659: 2656: 2653: 2651: 2648: 2647: 2643: 2641:Maisie Baxter 2640: 2638:Aileen Davies 2637: 2634: 2631: 2629: 2626: 2625: 2622: 2621:Marjorie Eyre 2619: 2617: 2616:Marjorie Eyre 2614: 2612: 2609: 2607: 2604: 2602: 2599: 2597: 2594: 2593: 2590: 2589:Helen Roberts 2587: 2584: 2582: 2581:Elsie Griffin 2579: 2576: 2574:Dorothy Court 2573: 2571: 2568: 2567: 2564: 2561: 2559: 2556: 2554: 2553:Leo Sheffield 2551: 2549: 2546: 2544: 2541: 2539: 2536: 2535: 2532: 2529: 2527: 2524: 2522: 2519: 2516: 2514:Henry Herbert 2513: 2511: 2508: 2507: 2503: 2501: 2498: 2495: 2493: 2490: 2488: 2487:Leo Sheffield 2485: 2483: 2480: 2479: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2451: 2448: 2447: 2444: 2441: 2439: 2436: 2434: 2431: 2429: 2426: 2424: 2421: 2419: 2418:Major-General 2416: 2415: 2409: 2404: 2399: 2394: 2390:Savoy Theatre 2389: 2386: 2385: 2378: 2375: 2373: 2370: 2367: 2365: 2364:Alice Barnett 2362: 2359: 2357: 2354: 2353: 2350: 2347: 2344: 2341: 2339:Billie Barlow 2338: 2335: 2333: 2330: 2329: 2325: 2322: 2320:Lilian La Rue 2319: 2317: 2314: 2312:Lena Monmouth 2311: 2309: 2306: 2305: 2301: 2299: 2296: 2294: 2291: 2289: 2286: 2283: 2281: 2278: 2277: 2274: 2271: 2269: 2266: 2264: 2261: 2259: 2256: 2253: 2251: 2248: 2247: 2244: 2241: 2239: 2236: 2234: 2231: 2229: 2226: 2224: 2221: 2219: 2216: 2215: 2212: 2209: 2207: 2204: 2202: 2199: 2197: 2194: 2192: 2189: 2187: 2184: 2183: 2180: 2175: 2172: 2170: 2167: 2166: 2162: 2159: 2157:George Temple 2156: 2154: 2153:Furneaux Cook 2151: 2149:G. 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Lackner 2148: 2146: 2143: 2142: 2139: 2136: 2134: 2131: 2129: 2126: 2124: 2121: 2119: 2116: 2114: 2111: 2110: 2107: 2104: 2102: 2099: 2097: 2094: 2092: 2089: 2087: 2084: 2082: 2081:Major-General 2079: 2078: 2073:Savoy Theatre 2072: 2068:Savoy Theatre 2067: 2063:Opera Comique 2062: 2057: 2052: 2049: 2048: 2045: 2032: 2027:27 March 1909 2026: 2023: 2021:Savoy Theatre 2019: 2015: 2009: 2006: 2004:Savoy Theatre 2003: 2002: 1998: 1992: 1990:17 March 1888 1989: 1987:Savoy Theatre 1986: 1985: 1981: 1977: 1971: 1968: 1966: 1965:Savoy Theatre 1963: 1962: 1958: 1952: 1949: 1947: 1946:Opera Comique 1944: 1943: 1939: 1936: 1935: 1925: 1922: 1919: 1915: 1911: 1907: 1895: 1894: 1890: 1887: 1884: 1881: 1878: 1877: 1871: 1866: 1862: 1859: 1857: 1853: 1849: 1848:Rupert Holmes 1846:as Frederic; 1845: 1841: 1837: 1834:and starring 1833: 1829: 1825: 1821: 1817: 1813: 1812:Richard Suart 1809: 1805: 1801: 1797: 1793: 1789: 1784: 1780: 1775: 1773: 1769: 1765: 1761: 1757: 1753: 1749: 1745: 1741: 1740:Winthrop Ames 1736: 1734: 1730: 1726: 1721: 1719: 1715: 1711: 1707: 1703: 1702:Richard GenĂ©e 1699: 1695: 1691: 1686: 1681: 1679: 1675: 1671: 1666: 1665:Savoy Theatre 1662: 1654: 1645: 1642: 1637: 1635: 1631: 1627: 1617: 1614: 1613: 1609: 1606: 1605: 1601: 1597: 1594: 1593: 1589: 1586: 1585: 1581: 1578: 1577: 1574: 1564: 1561: 1560: 1558: 1554: 1546: 1543: 1542: 1538: 1535: 1534: 1530: 1526: 1523: 1522: 1518: 1515: 1514: 1511: 1509: 1508: 1502: 1493: 1484: 1482: 1477: 1473: 1469: 1465: 1460: 1456: 1451: 1449: 1445: 1441: 1440: 1435: 1430: 1428: 1427: 1422: 1418: 1414: 1407: 1405: 1393: 1389: 1374: 1352: 1350: 1346: 1345:Amanda Holden 1342: 1338: 1337:Rodney Milnes 1333: 1331: 1327: 1323: 1319: 1315: 1311: 1307: 1303: 1302: 1297: 1296:Arthur Jacobs 1293: 1292: 1287: 1277: 1275: 1271: 1267: 1263: 1259: 1249: 1247: 1243: 1242: 1237: 1236: 1231: 1227: 1223: 1219: 1218: 1213: 1212: 1207: 1203: 1202: 1195: 1193: 1189: 1188: 1187:Trial by Jury 1183: 1178: 1174: 1168: 1166: 1165: 1159: 1158: 1153: 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420: 416: 412: 408: 404: 400: 396: 392: 391:Furneaux Cook 388: 387:Alice Barnett 384: 380: 376: 371: 369: 365: 361: 357: 353: 349: 345: 341: 337: 333: 332: 327: 323: 319: 314: 310: 306: 302: 297: 295: 290: 289: 284: 280: 276: 275: 270: 269:Opera Comique 266: 256: 254: 250: 246: 242: 241: 236: 232: 231: 230:Princess Toto 226: 225: 219: 218: 217:The Red Rover 213: 209: 208: 203: 198: 196: 192: 188: 184: 180: 176: 175: 170: 166: 163:was the only 162: 155: 154: 149: 145: 136: 134: 133: 128: 127: 122: 118: 114: 110: 106: 102: 98: 94: 90: 86: 82: 79: 75: 69: 67: 66:Opera Comique 63: 59: 55: 51: 47: 43: 42: 33: 29: 25: 23: 11345: 11337: 11329: 11321: 11302: 11294: 11286: 11278: 11270: 11262: 11256:On Your Toes 11254: 11246: 11239: 11238: 11230: 11208: 11200: 11141: 11133: 11125: 11114: 11106: 11098: 11090: 11082: 11074: 11066: 11058: 11050: 11042: 11034: 11026: 11018: 11010: 11002: 10994: 10986: 10978: 10970: 10962: 10956:2001–present 10943: 10935: 10927: 10919: 10911: 10903: 10895: 10887: 10879: 10871: 10863: 10855: 10847: 10839: 10831: 10825: 10817: 10809: 10801: 10794: 10793: 10785: 10779:Sweeney Todd 10777: 10769: 10761: 10753: 10745: 10691: 10654: 10527:Pirate Round 10507: 10478:Space pirate 10452:Treasure map 10371: 10364: 10357: 10350: 10343: 10336: 10329: 10322: 10315: 10308: 10301: 10294: 10287: 10242:Roronoa Zoro 10192:Jack Sparrow 10132:Captain Nemo 10127:Captain Hook 10049: 10041: 10017: 9887: 9844: 9836: 9827: 9818: 9809: 9796: 9779:Dai Hong Dan 9778: 9770: 9763: 9755: 9747: 9734: 9715: 9534: 9529:Whydah Gally 9527: 9520: 9513: 9506: 9499: 9492: 9485: 9480:Ganj-i-Sawai 9478: 9471: 9464: 9457: 9450: 9444:Pirate ships 9396:Luis Fajardo 9381:James Brooke 9371:David Porter 9343:Zheng Yi Sao 9318:William Kidd 9273:Stede Bonnet 9258:Shap-ng-tsai 9238:Samuel Mason 9158:Peter Easton 9108:Mary Lindsey 9058:Lai Choi San 9048:Joseph Barss 9043:Joseph Baker 9013:John Hawkins 9008:Johanna HĂĄrd 8998:Jean Lafitte 8993:Jan Janszoon 8983:Israel Hands 8963:Henry Morgan 8953:Henri Caesar 8868:Dirk Chivers 8803:Black Caesar 8728:Abshir Boyah 8599:Other waters 8580:Persian Gulf 8568:Somali Coast 8556:Indian Ocean 8528:Spanish Main 8443:River pirate 8421:Moro pirates 8396:Child pirate 8321:21st century 8250: 8243: 8236: 8212:The Elements 8168: 8160: 8152: 8137: 8136: 8052: 8044: 8036: 8028: 8020: 8012: 8004: 7996: 7988: 7980: 7874: 7867: 7860: 7853: 7846: 7839: 7834:Princess Ida 7832: 7825: 7818: 7812: 7811: 7804: 7799:The Sorcerer 7797: 7790: 7783: 7705: 7697: 7689: 7682: 7681: 7671: 7657: 7642: 7607: 7600: 7599: 7577: 7565:. Retrieved 7558:the original 7549: 7545: 7525: 7506: 7493: 7484: 7461: 7440: 7414: 7410: 7406: 7403:Lamb, Andrew 7384: 7372: 7349: 7336: 7313: 7291: 7286:Bradley, Ian 7266: 7246: 7230:. Retrieved 7226:the original 7220: 7216:Bond, Jessie 7197: 7188: 7169: 7148: 7131: 7124: 7116: 7103: 7097: 7089: 7083: 7076: 7068: 7053: 7041: 7032: 7026: 7013: 7000: 6992: 6984: 6976: 6972: 6968: 6958: 6953: 6941: 6931: 6925: 6915: 6909: 6901: 6891: 6883: 6871: 6861: 6857: 6853: 6838: 6830: 6821: 6802: 6786: 6778: 6772: 6765: 6755: 6746: 6736: 6731: 6721: 6715: 6705: 6696: 6688: 6683: 6671: 6663: 6647: 6628: 6618: 6612: 6604: 6583: 6579: 6575: 6567: 6555: 6547: 6531: 6518: 6499: 6489: 6484: 6471: 6463: 6447: 6439: 6426: 6419: 6411: 6398: 6391: 6383: 6370: 6363: 6355: 6339: 6331: 6318: 6311: 6303: 6290: 6283: 6275: 6262: 6255: 6247: 6234: 6227: 6208: 6200: 6184: 6176: 6163: 6156: 6147: 6138: 6129: 6121: 6108: 6101: 6093: 6089: 6080: 6072: 6069:Lamb, Andrew 6064: 6056:The Scotsman 6054: 6041: 6034: 6026: 6020: 6012: 6005: 5997: 5981: 5971: 5967: 5957: 5940: 5937:on Broadway" 5934: 5924: 5897: 5888: 5879: 5870: 5861: 5852: 5843: 5834: 5825: 5816: 5800: 5791: 5782: 5773: 5764: 5755: 5747: 5742: 5734: 5728: 5724: 5720: 5713: 5703: 5697: 5691: 5685: 5678: 5670: 5664: 5657: 5640: 5634: 5626: 5617: 5597: 5589: 5583: 5577: 5569: 5561: 5551: 5545: 5538: 5521: 5514: 5498: 5490: 5485: 5477: 5461: 5451: 5445: 5437: 5432: 5423: 5418: 5402: 5385: 5379: 5370: 5363: 5358: 5349: 5340: 5332: 5327: 5306: 5297: 5289: 5284: 5275: 5266: 5257: 5248: 5240: 5222: 5213: 5205: 5200: 5191: 5180: 5171: 5162: 5151: 5142: 5133: 5125: 5121: 5113: 5109: 5101: 5096: 5088: 5083: 5075: 5070: 5062: 5054: 5046: 5041: 5033: 5029: 5023: 5018: 4997: 4981: 4975: 4967: 4951: 4920: 4914: 4911:Smith, Tim. 4907: 4879: 4870: 4861: 4852: 4844: 4839: 4830: 4822: 4813: 4805: 4801: 4792: 4783: 4774: 4767:The Savoyard 4766: 4762: 4757: 4748: 4739: 4730: 4721: 4705: 4681: 4676: 4667: 4658: 4649: 4612: 4603: 4594: 4585: 4575: 4551: 4543: 4534: 4529:Gänzl, p. 29 4525: 4517: 4513: 4501: 4492: 4483: 4463: 4454: 4446: 4437: 4418: 4403: 4398: 4389: 4380:held at the 4349: 4329: 4320: 4311: 4306: 4298: 4293: 4283: 4268: 4262: 4235:Arleen Auger 4230: 4222: 4214: 4186: 4170: 4162: 4122: 4112: 4104: 4092: 4084: 4067: 4052: 4046: 4040: 4034: 4029: 4025: 4017: 4014:Isaac Asimov 3995: 3991: 3989: 3983: 3965: 3961: 3955: 3945: 3938:Killer Queen 3919: 3918:. In a 2005 3915: 3911: 3905: 3899: 3893: 3886:Aaron Sorkin 3877: 3871: 3863: 3857: 3855: 3840: 3834: 3828: 3824: 3821:Captain Pete 3816: 3810: 3802: 3796: 3789:Richard Gere 3784:Pretty Woman 3782: 3776: 3772: 3770: 3754: 3738:Martyn Green 3735: 3716: 3710: 3706: 3702: 3699:Gilda Radner 3692: 3688: 3682: 3674:The Simpsons 3672: 3662: 3652: 3650: 3646:Mordin Solus 3639: 3633: 3627: 3617: 3611: 3609: 3594: 3587:The Elements 3566: 3565: 3477: 3476: 3467: 3465: 3460: 3448: 3444: 3440: 3436: 3431: 3424: 3416: 3415: 3403: 3399: 3397: 3392: 3384: 3373: 3368: 3358: 3350: 3347:Marina Prior 3343:David Atkins 3268: 3258: 3233:Clive Revill 3221:Kaye Ballard 3185:Robby Benson 3173:Karla DeVito 3134: 3128: 3119: 3117: 3105:Best Revival 3096: 3080:Central Park 3063: 3053: 3026: 2993: 2982:Susan Maisey 2971: 2951:Joyce Wright 2945: 2926:Joyce Wright 2917: 2887: 2882:Clive Harre 2857: 2847:Colin Wright 2838:Thomas Round 2827: 2801: 2785:Donald Adams 2780:Donald Adams 2769: 2745:Martyn Green 2739: 2732:D'Oyly Carte 2727:D'Oyly Carte 2722:D'Oyly Carte 2717:D'Oyly Carte 2712:D'Oyly Carte 2694:Dorothy Gill 2689:Bertha Lewis 2684:Bertha Lewis 2673: 2649: 2644:Ivy Sanders 2635:Betty Grylls 2627: 2611:Eileen Sharp 2595: 2569: 2537: 2517:Dewey Gibson 2509: 2481: 2455:Henry Lytton 2449: 2438:Martyn Green 2433:Henry Lytton 2428:Henry Lytton 2417: 2410:D'Oyly Carte 2405:D'Oyly Carte 2400:D'Oyly Carte 2395:D'Oyly Carte 2355: 2349:Agnes Fraser 2336:Kate Neville 2331: 2307: 2293:Julia Gwynne 2279: 2249: 2228:Fred Clifton 2217: 2211:Robert Evett 2201:George Power 2185: 2178: 2168: 2144: 2138:Jones Hewson 2112: 2106:Henry Lytton 2080: 2043: 2007:30 June 1900 1979: 1953:2 April 1881 1950:3 April 1880 1940:5 June 1880 1926:6 March 1880 1885:Closing date 1882:Opening date 1869: 1860: 1782: 1776: 1760:Off-Broadway 1755: 1752:Lehman Engel 1748:Martyn Green 1737: 1732: 1722: 1709: 1694:unauthorised 1693: 1682: 1678:Peter Goffin 1672:in 1919 and 1660: 1659: 1638: 1634:Savoy operas 1623: 1599: 1572: 1528: 1505: 1500: 1498: 1480: 1474:, Gounod or 1467: 1463: 1458: 1452: 1447: 1443: 1437: 1431: 1424: 1420: 1413:patter songs 1410: 1401: 1388:George Baker 1349:Il trovatore 1348: 1334: 1321: 1305: 1299: 1291:Il trovatore 1289: 1283: 1257: 1255: 1245: 1244:, which the 1241:The Sorcerer 1239: 1233: 1230:German Reeds 1225: 1221: 1215: 1209: 1199: 1197: 1191: 1185: 1181: 1176: 1172: 1170: 1162: 1155: 1149: 1147: 1142: 1138: 1132: 1128: 1123: 1119: 1115: 1111: 1105: 1099: 1097: 1024: 1023: 954: 953: 939:Henry Lytton 937:Pirate King 900: 880: 860: 856: 836: 832: 798: 794: 780: 777: 765: 752: 748: 743:George Power 733: 726: 716: 682: 629: 622: 588: 579: 575: 571: 567: 562: 561: 535: 527: 524:Helen Lenoir 515: 503: 494: 490: 486: 485: 476: 472: 468: 463: 459: 453: 448: 446: 424:Herman Klein 418: 402: 374: 372: 367: 363: 359: 351: 347: 343: 335: 329: 325: 312: 305:John T. Ford 300: 298: 293: 288:Les brigands 286: 283:Bernard Shaw 278: 272: 264: 262: 248: 245:Les brigands 244: 240:Les brigands 238: 237:'s operetta 228: 222: 215: 205: 202:Walter Scott 199: 194: 186: 182: 178: 172: 160: 159: 151: 147: 130: 124: 120: 84: 83: 70: 40: 39: 38: 28: 21: 11376:1879 operas 11288:All My Sons 11143:Dead Outlaw 10690:Awards for 10442:Pirate code 10417:Keelhauling 10405:Jolly Roger 10267:Will Turner 10202:JosĂ© Gaspar 10102:Barbe Rouge 9999:Slave trade 9253:Sister Ping 9183:Rachel Wall 8978:Huang Bamei 8958:Henry Every 8913:FĹ«ma KotarĹŤ 8908:Flying Gang 8823:Calico Jack 8813:Bully Hayes 8616:Falcon Lake 8590:Nosy Boraha 8448:Sea Beggars 8436:Confederate 8406:Filibusters 8188:discography 8165:(1983 film) 8157:(1982 film) 8087:WikiProject 8022:Haddon Hall 7982:Cox and Box 7960:Adaptations 7945:Grim's Dyke 7903:Helen Carte 7893:Savoy opera 7550:Scholarship 7333:Gänzl, Kurt 7247:Opera on CD 7243:Blyth, Alan 7132:Die Piraten 6932:Pirate King 6793:, YouTube, 6739:soundtrack" 5929:Rich, Frank 5805:Gänzl, Kurt 5725:Yellow Face 5673:17 May 2013 5089:The Graphic 4243:Martha Mödl 4231:Die Piraten 4209:Film and TV 4194:Sasha Regan 4074:Adaptations 4026:Pirate King 4012:. In 1980, 3868:Sam Seaborn 3798:La traviata 3744:and a 2011 3727:Marcus Cole 3681:"; and the 3654:VeggieTales 3624:Gallifreyan 3468:Discography 3461:Discography 3443:", and the 3367:version of 3331:Jon English 3323:Louise Gold 3283:George Cole 3209:Wally Kurth 3193:Peter Noone 3161:George Rose 3149:Kevin Kline 3056:Joseph Papp 2999:Ella Halman 2873:George Cook 2851:Meston Reid 2819:Jon Ellison 2815:Alan Styler 2810:George Cook 2795:John Ayldon 2790:John Ayldon 2770:Pirate King 2750:Peter Pratt 2699:Ella Halman 2657:Kitty Twinn 2654:Ethel Lewis 2601:Jessie Rose 2450:Pirate King 2368:Emily Cross 2302:Lulu Evans 2298:Jessie Bond 2288:Jessie Bond 2263:Marion Hood 2196:Hugh Talbot 2174:John Le Hay 2163:W. H. Leon 2113:Pirate King 2091:J. H. Ryley 1993:6 June 1888 1978:Children's 1937:17 May 1880 1852:New Orleans 1844:Colton Ryan 1828:Scott Ellis 1781:'s 1980–83 1779:Joseph Papp 1710:Die Piraten 1630:Helen Carte 1610:What, all? 1539:What, all? 1495:1880 poster 1472:Mendelssohn 1421:The Pirates 1274:sonata form 1266:Savoy opera 1182:the Pirates 1164:The Graphic 914:Drawing of 789:technically 706:Marion Hood 443:at Paignton 399:Jessie Bond 395:Hugh Talbot 379:J. H. Ryley 360:The Theatre 210:(1822) and 101:Joseph Papp 46:comic opera 11370:Categories 10826:(no award) 10601:Categories 10577:Privateers 10539:Matelotage 10473:Air pirate 10437:Pet parrot 10289:The Pirate 10237:Nico Robin 10157:Davy Jones 10097:Tom Ayrton 10071:Pirates in 9960:Piracy Act 9929:Piracy law 9845:North Star 9508:My Revenge 9361:Angelo Emo 9323:Zheng Jing 9288:Thomas Tew 9083:Lo Hon-cho 8903:Flora Burn 8883:Edward Low 8853:Dan Seavey 8848:Chui A-poo 8808:Blackbeard 8753:Anne Bonny 8691:Saint-Malo 8671:Port Royal 8656:Libertatia 8468:Ushkuyniks 8431:Privateers 8426:Narentines 8386:Buccaneers 8316:Golden Age 8057:(1901) w/ 7841:The Mikado 7360:014051385X 7232:22 October 6073:Gramophone 5643:Adventure" 5333:Gramophone 4412:0838631797 4341:References 4237:as Mabel, 4048:Animaniacs 4002:indentures 3994:include a 3967:The Mikado 3921:Family Guy 3901:Assy McGee 3895:Flashpoint 3882:Matt Albie 3845:, sung by 3619:Doctor Who 3613:Animaniacs 3601:Ron Butler 3583:Tom Lehrer 3457:Alan Blyth 3412:Recordings 3315:Annie Ross 3293:as Mabel; 3201:Gary Sandy 3183:as Mabel; 3181:Pam Dawber 3165:Tony Azito 3101:Tony Award 2979:Jane Fyffe 2976:Enid Walsh 2940:Jill Pert 2906:Julia Goss 2734:1981 Tour 2679:Louie RenĂ© 2412:1945 Tour 2284:Marian May 2273:Isabel Jay 1920:, New York 1718:DĂĽsseldorf 1602:noblemen! 1531:noblemen! 1404:media help 1314:coloratura 1211:The Critic 1173:vice versa 927:Isabel Jay 903:media help 628:Frederic, 625:(baritone) 429:naturalism 207:The Pirate 139:Background 126:The Mikado 10980:Hairspray 10905:Show Boat 10739:1975–2000 10422:Marooning 10050:Brillante 9839:hijacking 9830:hijacking 9821:hijacking 9812:hijacking 9113:Mary Read 9018:John Hoar 8888:Eli Boggs 8858:Diabolito 8639:and bases 8575:Indonesia 8540:Venezuela 8518:Caribbean 7848:Ruddigore 6585:Ruddigore 5956:"Awards: 5748:The Times 5364:et passim 5241:The Times 5206:The Times 5126:The Times 5087:"Music", 4315:"closed". 4159:St. Louis 3924:episode " 3910:entitled 3880:hangs on 3723:Atonement 3721:episode " 3718:Babylon 5 3677:episode " 3667:episode " 3585:'s song " 3575:pastiched 3453:Mackerras 3341:as Ruth, 3317:as Ruth; 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Index

The Pirates of Penzance (film)

comic opera
Arthur Sullivan
libretto
W. S. Gilbert
Fifth Avenue Theatre
Opera Comique
leap year
indenture
Gilbert and Sullivan
Major-General's Song
D'Oyly Carte Opera Company
Joseph Papp
Broadway
Tony Award for Best Revival
Drama Desk Award for Outstanding Musical
1983 film adaptation
The Mikado
H.M.S. Pinafore

Puck
Gilbert and Sullivan
copyright
H.M.S. Pinafore
Richard D'Oyly Carte
Walter Scott
The Pirate
James Fenimore Cooper
The Red Rover

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