The Mikado - Knowledge

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Pooh-Bah, he graphically describes the supposed execution ("The criminal cried") and hands the Mikado the certificate of death, signed and sworn to by Pooh-Bah as coroner. Ko-Ko notes slyly that most of the town's important officers (that is, Pooh-Bah) were present at the ceremony. But the Mikado has come about an entirely different matter: he is searching for his son. When they hear that the Mikado's son "goes by the name of Nanki-Poo", the three panic, and Ko-Ko says that Nanki-Poo "has gone abroad". Meanwhile, Katisha is reading the death certificate and notes with horror that the person executed was Nanki-Poo. The Mikado, though expressing understanding and sympathy ("See How the Fates"), discusses with Katisha the statutory punishment "for compassing the death of the heir apparent" to the Imperial throne – something lingering, "with boiling oil ... or melted lead". With the three conspirators facing painful execution, Ko-Ko pleads with Nanki-Poo to reveal himself to his father. Nanki-Poo fears that Katisha will demand his execution if she finds he is alive, but he suggests that if Katisha could be persuaded to marry Ko-Ko, then Nanki-Poo could safely "come to life again", as Katisha would have no claim on him ("The flowers that bloom in the spring"). Though Katisha is "something appalling", Ko-Ko has no choice: it is marriage to Katisha or painful death for himself, Pitti-Sing and Pooh-Bah.

3191: 1190:, after praising the show generally, the critic noted that the show's humour nevertheless depends on "unsparing exposure of human weaknesses and follies – things grave and even horrible invested with a ridiculous aspect – all the motives prompting our actions traced back to inexhaustible sources of selfishness and cowardice... Decapitation, disembowelment, immersion in boiling oil or molten lead are the eventualities upon which attention (and that of the audience) is kept fixed with gruesome persistence... has unquestionably succeeded in imbuing society with his own quaint, scornful, inverted philosophy; and has thereby established a solid claim to rank amongst the foremost of those latter-day Englishmen who have exercised a distinct psychical influence upon their contemporaries." 846: 181:. As April 1884 wore on, Gilbert tried to modify his plot, but he could not satisfy Sullivan. The parties were at a stalemate, and Gilbert wrote, "And so ends a musical & literary association of seven years' standing – an association of exceptional reputation – an association unequaled in its monetary results, and hitherto undisturbed by a single jarring or discordant element." But by 8 May 1884, Gilbert was ready to back down, writing: "am I to understand that if I construct another plot in which no supernatural element occurs, you will undertake to set it? ... a consistent plot, free from anachronisms, constructed in perfect good faith & to the best of my ability." The stalemate was broken, and on 20 May, Gilbert sent Sullivan a sketch of the plot to 166:, had suffered a serious stroke in December 1883 that effectively ended his career. Reflecting on this, on his own precarious health, and on his desire to devote himself to more serious music, Sullivan replied to Carte that "it is impossible for me to do another piece of the character of those already written by Gilbert and myself". Gilbert, who had already started work on a new libretto in which people fall in love against their wills after taking a magic lozenge, was surprised to hear of Sullivan's hesitation. He wrote to Sullivan asking him to reconsider, but the composer replied on 2 April 1884 that he had "come to the end of my tether" with the operas: 129: 501:

beheading, since he was already under sentence of death ("I am so proud"). But Ko-Ko argues that it would be "extremely difficult, not to say dangerous", for someone to attempt to behead himself, and that suicide is a capital offence. Fortuitously, Ko-Ko discovers that Nanki-Poo, in despair over losing Yum-Yum, is preparing to commit suicide. After ascertaining that nothing would change Nanki-Poo's mind, Ko-Ko makes a bargain with him: Nanki-Poo may marry Yum-Yum for one month if, at the end of that time, he allows himself to be executed. Ko-Ko would then marry the young widow.

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Mikado, virtuous man"). As Ko-Ko was the next prisoner scheduled to be decapitated, the town authorities reasoned that he could "not cut off another's head until he cut his own off", and since Ko-Ko was not likely to execute himself, no executions could take place. But all the town officials, except the haughty nobleman Pooh-Bah, proved too proud to serve under an ex-tailor and resigned. Pooh-Bah now holds all their posts and collects all their salaries. He informs Nanki-Poo that Yum-Yum is scheduled to marry Ko-Ko on the very day that he has returned ("Young man, despair").

519:("Brightly dawns our wedding-day"), but soon Ko-Ko and Pooh-Bah enter to inform them of a twist in the law that states that when a married man is beheaded for flirting, his wife must be buried alive ("Here's a how-de-do"). Yum-Yum is unwilling to marry under these circumstances, and so Nanki-Poo challenges Ko-Ko to behead him on the spot. It turns out that the soft-hearted Ko-Ko has never executed anyone and cannot execute Nanki-Poo. Instead, he sends Nanki-Poo and Yum-Yum away to be wed (by Pooh-Bah, as Archbishop of Titipu), promising to present to the Mikado a false 1143: 2854: 1563: 2515: 566: 553:

agrees ("There is beauty in the bellow of the blast") and, once the ceremony is performed (by Pooh-Bah, the Registrar), she begs for the Mikado's mercy for him and his accomplices. Nanki-Poo and Yum-Yum then reappear, sparking Katisha's fury. The Mikado is astonished that Nanki-Poo is alive, as the account of his execution had been given with such "affecting particulars". Ko-Ko explains that when a royal command for an execution is given, the victim is, legally speaking, as good as dead, "and if he

670: 1168:, a drastic understatement of the situation. Other examples of this are when self-decapitation is described as "an extremely difficult, not to say dangerous, thing to attempt", and also as merely "awkward". When a discussion occurs of Nanki-Poo's life being "cut short in a month", the tone remains comic and only mock-melancholy. Burial alive is described as "a stuffy death". Finally, execution by boiling oil or by melted lead is described by the Mikado as a "humorous but lingering" punishment. 497:"). Pooh-Bah does not think that the girls have shown him enough respect ("So please you, sir"). Nanki-Poo arrives and informs Ko-Ko of his love for Yum-Yum. Ko-Ko sends him away, but Nanki-Poo manages to meet with his beloved and reveals his secret to Yum-Yum: he is the son and heir of the Mikado, but travels in disguise to avoid the amorous advances of Katisha, an elderly lady of his father's court. They lament that the law forbids them to flirt ("Were you not to Ko-Ko plighted"). 7740: 7368: 1331: 870:, Carte, Gilbert and Sullivan could do nothing to prevent them or to capture any license fees, since there was no international copyright treaty at the time. Gilbert, Sullivan and Carte tried various techniques for gaining an American copyright that would prevent unauthorised productions. The U.S. courts held, however, that the act of publication made the opera freely available for production by anyone. In Australia, 7750: 5054: 1217:(御門 or 帝 or みかど), literally meaning "the honourable gate" of the imperial palace, referring metaphorically to its occupant and to the palace itself. The term was commonly used by the English in the 19th century but became obsolete. To the extent that the opera portrays Japanese culture, style and government, it is a fictional version of Japan used to provide a picturesque setting and to capitalise on 736: 1449:... It should to avoid such things in the future, with a little sensitivity. ... G&S is about silliness, and fun, and ... mocking the powerful, and accepting the fundamental absurdity of life". Some commentators dismissed the criticism as political correctness but a public discussion of the issue in Seattle a month later drew a large crowd who nearly all agreed that, although works like 262:

later. His journalistic mind, always quick to seize on topicalities, turned to a Japanese Exhibition which had recently been opened in the neighbourhood. Gilbert had seen the little Japanese men and women from the Exhibition shuffling in their exotic robes through the streets of Knightsbridge. Now he sat at his writing desk and picked up the quill pen. He began making notes in his plot-book.

901:. Productions continued in German-speaking countries, both authorised and unauthorised by D'Oyly Carte, and productions were also seen in France, Holland, Hungary, Spain, Belgium, Scandinavia, Russia and elsewhere. Thousands of amateur productions have been mounted throughout the English-speaking world and beyond since the 1880s. One production during World War I was given in the 1498: 29: 1246:: "Gilbert pursued and persecuted the evils of modern England till they had literally not a leg to stand on, exactly as Swift did. ... I doubt if there is a single joke in the whole play that fits the Japanese. But all the jokes in the play fit the English. ... About England, Pooh-bah is something more than a satire; he is the truth." The opera's setting draws on 473: 253:: it did not open until 10 January 1885, eight months after Gilbert sent the outline of the plot to Sullivan and almost two months after Gilbert had completed Act I. Gilbert scholar Brian Jones, in his article "The Sword that Never Fell", notes that "the further removed in time the writer is from the incident, the more graphically it is recalled." 1516:". In "As some day it may happen", often called the "list song", Ko-Ko names "the nigger serenader and the others of his race". In the Mikado's song, "A more humane Mikado", the lady who modifies her appearance excessively is to be punished by being "blacked like a nigger with permanent walnut juice". These references are to white performers in 1444:"does not portray any of the characters as being 'racially inferior' or indeed fundamentally any different from British people. The point of the opera is to reflect British culture through the lens of an invented 'other', a fantasy Japan that has only the most superficial resemblance to reality." For example, the starting point for the plot of 3144: 1550:. In the 1908 revival Gilbert allowed substitutions for "the lady novelist". To avoid distracting the audience with references that have become offensive over time, lyrics are sometimes modified in modern productions. Changes are also often made, especially in the little list song, to take advantage of opportunities for topical jokes. 2537: 1461:

was withdrawn after its publicity materials ignited a similar protest in the Asian-American blogosphere. A Tokyo-based writer who was sympathetic to Gilbert and Sullivan's original setting of the opera later noted: "While as a Japanese residing in Japan I am not offended by the production photos , it

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Gilbert sought authenticity in the Japanese setting, costumes, movements and gestures of the actors. To that end, he engaged some of the Japanese at the Knightsbridge village to advise on the production and to coach the actors. "The Directors and Native Inhabitants" of the village were thanked in the

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Yum-Yum's friends are preparing her for her wedding ("Braid the raven hair"). She muses on her own beauty ("The sun whose rays"), but Pitti-Sing and Peep-Bo remind her of the limited duration of her approaching union with Nanki-Poo. Joined by Nanki-Poo and Pish-Tush, they try to keep their spirits up

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Everyone arrives to celebrate Nanki-Poo and Yum-Yum's union ("With aspect stern and gloomy stride"), but the festivities are interrupted by the arrival of Katisha, who has come to claim Nanki-Poo as her husband. But the townspeople are sympathetic to the young couple, and Katisha's attempts to reveal

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of late 19th century British institutions, society and politics. By setting the opera in a fantasy Japan, an exotic locale far away from contemporary Britain, Gilbert was able to satirise British politics more freely and soften the impact of his criticisms of British social institutions, in a similar

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The actor who originally played Pish-Tush proved unable satisfactorily to sing the low notes in the Act Two quartet, "Brightly dawns our wedding day". The Pish-Tush line in this quartet lies lower than the rest of the role and ends on a bottom F. Therefore, an extra bass character, called Go-To, was

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Death is treated as a businesslike event in Gilbert's topsy-turvy world. Pooh-Bah calls Ko-Ko, the Lord High Executioner, an "industrious mechanic". Ko-Ko also treats his bloody office as a profession, saying, "I can't consent to embark on a professional operation unless I see my way to a successful

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is a comedy, yet it deals with themes of death and cruelty. This juxtaposition works because Gilbert treats these themes as trivial, even lighthearted issues. For instance, in the song "Our great Mikado, virtuous man", Pish-Tush sings: "The youth who winked a roving eye / Or breathed a non-connubial

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Ko-Ko enters ("Behold the Lord High Executioner") and asserts himself by reading off a list of people "who would not be missed" if they were executed ("As some day it may happen"), such as people "who eat peppermint and puff it in your face". Yum-Yum appears with Ko-Ko's other two wards, Peep-Bo and

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of Ko-Ko (formerly a cheap tailor). One of the gentlemen, Pish-Tush, explains that when the Mikado decreed that flirting was a capital crime, the Titipu authorities frustrated the decree by appointing Ko-Ko, a prisoner condemned to death for flirting, to the post of Lord High Executioner ("Our great

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I have been continually keeping down the music in order that not one should be lost. ... I should like to set a story of human interest & probability where the humorous words would come in a humorous (not serious) situation, & where, if the situation were a tender or dramatic one the words

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is "an invented 'Japanese' law against flirting, which makes sense only as a reference to the sexual prudishness of British culture". Crowther noted that production design and other features of traditionally staged productions of the opera often "do look somewhat insensitive, not to say insulting.

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A day or so later Gilbert was striding up and down his library in the new house at Harrington Gardens, fuming at the impasse, when a huge Japanese sword decorating the wall fell with a clatter to the floor. Gilbert picked it up. His perambulations stopped. 'It suggested the broad idea,' as he said

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to Pooh-Bah because Mandelson held many offices of state, including Secretary of State for Business, First Secretary of State, Lord President of the Council, President of the Board of Trade, and Church Commissioner, and he sat on 35 cabinet committees and subcommittees. Mandelson replied, "Who is

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Ko-Ko finds Katisha mourning her loss ("Alone, and yet alive") and throws himself on her mercy. He begs for her hand in marriage, saying that he has long harboured a passion for her. Katisha initially rebuffs him, but is soon moved by his story of a bird who died of heartbreak ("Tit-willow"). She

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The Mikado and Katisha arrive in Titipu accompanied by a large procession ("Mi-ya Sa-Ma", "From Every Kind of Man"). The Mikado describes his system of justice ("A more humane Mikado"). Ko-Ko assumes that the ruler has come to see whether an execution has been carried out. Aided by Pitti-Sing and

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Gilbert, having determined to leave his own country alone for a while, sought elsewhere for a subject suitable to his peculiar humour. A trifling accident inspired him with an idea. One day an old Japanese sword that, for years, had been hanging on the wall of his study, fell from its place. This

302:"suggested the advisability of grouping them as three Japanese school-girls", the opera's "three little maids". He also recounted that a young Japanese lady, a tea server at the Japanese Village, came to rehearsals to coach the three women in Japanese dance. On 12 February 1885, one month before 280:

had built through the 1860s and 1870s. This made the time ripe for an opera set in Japan. Gilbert told a journalist, "I cannot give you a good reason for our ... piece being laid in Japan. It ... afforded scope for picturesque treatment, scenery and costume, and I think that the idea of a chief

3266:", as well as political manifestos. "Let the punishment fit the crime" is another often-used phrase from the Mikado's Act II song and has been mentioned in the course of British political debates. Both concepts predate Gilbert. Examples of later use include episode 80 of the television series 500:

Ko-Ko and Pooh-Bah receive news that the Mikado has just decreed that unless an execution is carried out in Titipu within a month, the town will be reduced to the rank of a village, which would bring "irretrievable ruin". Pooh-Bah and Pish-Tush point to Ko-Ko himself as the obvious choice for

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As soon as the opera premiered, Gilbert, Sullivan and Carte began to license numerous products that used the opera's name, characters, lyrics, lines and designs, not just for licensing fees, but to drive ticket sales; the show "was by far the most successful example in the 19th century".

1523:, a popular entertainment in the Victorian era, rather than to dark-skinned people. Until well into the 20th century, British people did not consider the word "nigger" offensive. Audience members objected to the word during the D'Oyly Carte Opera Company's 1948 American tour, however, and 527: 1414:

system, in which the name 秩父 appears as "Titibu". Thus, it is easy to surmise that "Titibu", found in the London press of 1884, became "Titipu" in the opera. Japanese researchers speculate that Gilbert may have heard of Chichibu silk, an important export in the 19th century. The town's

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realised that, for the first time since 1877, no new Gilbert and Sullivan work would be ready when the old one closed. On 22 March 1884, Carte gave Gilbert and Sullivan contractual notice that a new opera would be required within six months. Sullivan's close friend, the conductor

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for the entertainment of American troops and Japanese audiences. The set and costumes were opulent, and the principal players were American, Canadian, and British, as were the women's chorus, but the male chorus, the female dancing chorus and the orchestra were Japanese. General

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Gentlemen of the fictitious Japanese town of Titipu are gathered ("If you want to know who we are"). A handsome but poor minstrel, Nanki-Poo, arrives and introduces himself ("A wand'ring minstrel I"). He inquires about his beloved, a schoolgirl called Yum-Yum, who is a

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a recording of "A Wand'ring Minstrel I" is played on a gramophone at the beginning of the first episode, and a snatch of the song is also sung by Captain Blackadder in the episode involving "Speckled Jim". "There Is Beauty in the Bellow of the Blast" is performed by

889:, wrote that the opera's "unparalleled success" was attributable not only to the libretto and the music, but also to "the wholly original stage performance, unique of its kind, by Mr D'Oyly Carte's artists ... riveting the eye and ear with its exotic allurement." 1199: 3718:

continued generally to bifurcate the role, but vocal scores generally do not mention it. Other companies, however, have generally eliminated the role of Go-To and restored the material to Pish-Tush, when the role is played by someone with a sufficient vocal

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for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.

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banned a large-scale professional 1947 Tokyo production by an all-Japanese cast, but other productions have occurred in Japan. For example, the opera was performed at the Ernie Pyle Theatre in Tokyo in 1970, presented by the Eighth Army Special Service.

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is performed twice, first by Nanki-Poo in a new early scene in which he serenades Yum-Yum at her window, and later in the traditional spot. A new prologue which showed Nanki-Poo fleeing in disguise was also added, and much of the Act II music was cut.

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during his stay. A Japanese journalist covering the prince's stay attended a proscribed performance and confessed himself "deeply and pleasingly disappointed." Expecting "real insults" to his country, he had found only "bright music and much fun."

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and the other Gilbert and Sullivan operas in the U.K. until 1961. It usually required authorised productions to present the music and libretto exactly as shown in the copyrighted editions. Since 1961, Gilbert and Sullivan works have been in the

2535: 1186:. Ko-Ko's final speech affirms that death has been, throughout the opera, a fiction, a matter of words that can be dispelled with a phrase or two: being dead and being "as good as dead" are equated. In a review of the original production of 245:. In both interviews the sword was mentioned, and in one of them he said it was the inspiration for the opera, though he never said the sword had fallen. What puts the entire story in doubt is Cellier and Bridgeman's error concerning the 4622:. ... It originally meant not only the Sovereign, but also his house, the court, and even the State, and its use in historical writings causes many difficulties. ... The native Japanese employ the term neither in speech nor in writing." 2849:

with various changes to simplify language or make it more suitable for children. For example, in the "little list" song, the phrase "society offenders" is changed to "inconvenient people", and the second verse is largely rewritten.

582:, which includes "Mi-ya Sa-ma", "The Sun Whose Rays Are All Ablaze", "There is Beauty in the Bellow of the Blast", "Braid the Raven Hair" and "With Aspect Stern and Gloomy Stride"). This was arranged, under Sullivan's direction, by 2536: 1462:

is not difficult to imagine how Asian-Americans found the racial cross-dressing unbearable, as it may have reminded them of painful incidents of discrimination that they face as a minority in America." The company redesigned its

1478:, eliminating all references to Japan. Reviewers felt that the change resolved the issue. Among other productions that have experimented with varying the original setting, a 2022 staging by Gilbert & Sullivan Austin, titled 862:, the first productions were unauthorised, but once D'Oyly Carte's American production opened in August 1885, it was a success, earning record profits, and Carte formed several companies to tour the show in North America. 2584:

has been recorded more often than any other Gilbert and Sullivan opera. Of those by the D'Oyly Carte Opera Company, the 1926 recording is the best regarded. Of the modern recordings, the 1992 Mackerras/Telarc is admired.

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notions of the far east, gleaned by Gilbert from the glimpses of Japanese fashion and art that immediately followed the beginning of trade between the two island empires, and during rehearsals Gilbert visited the popular

6511: 6105:, p. vii: "But the evidence of never-failing popularity which recent revivals of the Savoy Operas have afforded suggests that this last literary work of Sir W. S. Gilbert should no longer be withheld from the public". 1259:, London. A critic wrote in 2016: "It has been argued that the theatricality of the show was ... a tribute on the part of Gilbert and Sullivan to the growing British appreciation of the Japanese aesthetic ." 833:

was not performed, as it was thought that visiting Japanese royalty might be offended by it. It was included, however, in Mrs. Carte's second repertory season, in 1908–09. New costume designs were created by

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Since the 1990s, some productions of the opera in the United States have drawn criticism from the Asian-American community as promoting "simplistic orientalist stereotypes". In 2014, after a production in

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should not be abandoned in their traditional form, there should be "some kind of contextualizing apparatus to show that the producers and performers are at least thinking about the problems in the work".

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and has been especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history.

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The original version of this number included Pish-Tush. His part in it was first reduced, and then eliminated. However, some vocal scores still include Pish-Tush in this number in his reduced role.

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was performed more than 200 times in Berlin alone by 1891 and 100 times in Vienna, of just one of the translations available, by 1894; Sullivan went to Berlin in 1900 to conduct the opera at the

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Gilbert wrote that Sullivan's letter caused him "considerable pain". Sullivan responded that he could not set the "lozenge plot", stating that it was too similar to the plot of their 1877 opera

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in the 1880s. Gilbert wrote, "The Mikado of the opera was an imaginary monarch of a remote period and cannot by any exercise of ingenuity be taken to be a slap on an existing institution."

932:. This production, which has been revived numerous times over three decades, is set in a swanky 1920s English seaside hotel, with sets and costumes in black and white "as an homage to the 1263:

programme that was distributed on the first night. Sullivan inserted into his score, as "Miya sama", a version of a Japanese military march song, called "Ton-yare Bushi", composed in the

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production (abridged). Opera Australia have released videos of their 1987 and 2011 productions. Since the 1990s, several professional productions have been recorded on video by the

4644: 3402:"As Someday It May Happen" to specify some groups to whom he objected, including "sponging socialists" and "young ladies who get pregnant just to jump the housing queue". Comedian 1621:

The following tables show the casts of the principal original productions and D'Oyly Carte Opera Company touring repertory at various times through to the company's 1982 closure:

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in Japanese. Locals believe that Chichibu was the town Gilbert had in mind when he named his setting "Titipu", but there is no contemporary evidence for this theory. Although the

4429:, they hired an American, George Lowell Tracy, to create the piano arrangement of each score, hoping that he would obtain rights that he could assign to them. See, Murrell, Pam. 213: 2565: 316:

interview, Gilbert also related that he and Sullivan had decided to cut the only solo sung by the opera's title character (who appears only in Act II, played by Savoy veteran

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was a constant presence on tour. From 1885 until the company's closure in 1982, there was no year in which a D'Oyly Carte company (or several of them) was not presenting it.

2726:, a former D'Oyly Carte music director, who was also the producer and was credited with the adaptation, which involved a number of cuts, additions and re-ordered scenes. 3075:

or its songs, and phrases from the libretto have entered popular usage in the English language. Some of the best-known of these cultural influences are described below.

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that closely reflected their traditional staging, although there are some minor cuts. It was filmed on enlarged stage sets rather than on location, much like the 1965

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Daniels also suggests that Gilbert, Sullivan and/or Carte may have been aware, for months in advance, that the exhibition was scheduled to open. See Daniels, pp. 21–22

3190: 3179:, at a high-society party, Marshall strikes an antique Chinese gong. The host rebukes him: "Young man, that gong is a 500-year-old relic that hasn't been struck since 2807:

will make on those not fortunate enough to have watched the company in the flesh. The cameras have captured everything about the company's acting except its magic."

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dead, why not say so?" The Mikado deems that "Nothing could possibly be more satisfactory", and everyone in Titipu celebrates ("For he's gone and married Yum-Yum").

5977: 3359: 3220:. He dons a Japanese mask and kills malefactors in appropriate ways – letting "the punishment fit the crime". In 1888, Ed J. Smith wrote a stage parody of 3843:

serenader" (Dover, p. 9; and Green, p. 416) and the Mikado's punishment for the lady was to be "painted with vigour" (Bradley (1996) p. 623; and Green p. 435).

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Authorised American production. Production was given at the Fifth Avenue Theatre, except for a one-month transfer to the Standard Theatre in February 1886.

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wrote about the opening of the Japanese Village noting, among other things, that "the graceful, fantastic dancing featured ... three little maids!" In the

6270: 320:), but that members of the company and others who had witnessed the dress rehearsal "came to us in a body and begged us to restore the excised 'number'". 5216: 3610:, Groucho Marx and Cavett sang the song. Groucho interrupted the song to quiz the audience on the meaning of the word "obdurate". A Season 1 episode of 3136:

of the opera premised on a fictional Asian American theatre company attempting to raise funds, while grappling with perceived racism in productions of

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criticised the filming technique and the orchestra and noted, "Knowing how fine this cast can be in its proper medium, one regrets the impression this

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regards as done those things that ought to have been done, an agreement for a lease is as good as a lease. See Lord Neuberger's 2011 Bentham lecture

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incident directed his attention to Japan. Just at that time a company of Japanese had arrived in England and set up a little village of their own in

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Christmas special called "Just Put it on the List", the twins, Bogg and Quagmire, describe what they'd like for Christmas to the tune of the song.

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Also included in the little list song are "the lady novelist" (referring to writers of fluffy romantic novels; these had been lampooned earlier by

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from London for six weeks, fearing that the play might offend him – a manoeuvre that backfired when the prince complained that he had hoped to see

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and parody productions, including political parodies, were mounted. More than 150 unauthorised versions cropped up, and, as had been the case with

6250: 1943:²For the 1896–97 revival, Temple returned to play The Mikado during January and February 1896, and again from November 1896 – February 1897. 1554:, a singer well known in the role of Ko-Ko, published a book containing a history of rewrites of the little list song, including many of his own. 7631: 6741: 5721: 3311:

and in other, often political, contexts. In December 2009 BBC presenter James Naughtie, on Radio 4's Today programme, compared UK cabinet member

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episode "The Minstrel's Shakedown", the villain identifies himself as "The Minstrel" by singing to the tune of "A wand'ring minstrel I". In the

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railroad locomotive was renamed "The Mikado" when a U.S. production run of these locomotives was shipped to Japan in 1893. Fans even decorated

1593:'s 2010 production noted that the opera "has been in constant production for the past 125 years", citing its "inherent humor and tunefulness". 199:(1875) played at the Savoy while Carte and their audiences awaited their next work. Gilbert eventually found a place for his "lozenge plot" in 4765: 7309: 4963: 4742: 3406:

also did a variant on the "Little List" song, presenting reasons one might want to seek psychiatric help, titled "You Need an Analyst". In a

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and has been translated into numerous languages. It is one of the most frequently played musical theatre pieces in history. A feature on

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products included figurines, fabrics, jewelry, perfumes, puzzles, toothpaste, soap, games, wallpaper, corsets, sewing thread and stoves.

1424: 4547: 797:, with several members of that company leaving in August to present the first authorised American production in New York. From then on, 7753: 7584: 6030: 3444: 3258:", from the Act 1 song "I am so proud" has entered the English language, appearing in titles of books and songs, such as in samples of 3187:

in 1885!" Marshall quips, "His wife's a 500-year-old relic that hasn't been struck since W. S. Gilbert hit it at the London premiere".

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with an all-black cast, using swing music and set in the South Pacific, that premiered in Chicago in 1938 and transferred to Broadway.

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was staged in Japan in a number of private performances. The first public production, given at three performances, was in 1946 in the

505:

Nanki-Poo's secret are drowned out by their shouting. Outwitted but not defeated, Katisha makes clear that she intends to be avenged.

7621: 4935: 2661:) of the performers singing and speaking with the silent footage of the performance. The first full-length film of the opera, called 5478: 3288:(1961), the camp director quotes the phrase before sentencing the twins to the isolation cabin together. In Season 5, Episode 20 of 2722:

as Yum-Yum. Many of the other leads and choristers were or had been members of the D'Oyly Carte company. The music was conducted by

4618:, Tokyo: Shueisha (1903), p. 25. Quote: "We purposely avoid, in spite of its wide usage in foreign literature, the misleading term 3729: 3523:

first sees his future wife dressed as one of the three little maids. Television programmes that have featured the song include the

4358: 4271: 3921: 2634:

A three-minute silent film of a scene from the opera was made in 1902. This was followed in 1906 by a silent film of the opera by

7966: 7606: 5099: 3363: 2715: 4668: 3316:

Pooh-Bah?" Mandelson was also described as "the grand Pooh-Bah of British politics" earlier the same week by the theatre critic

1410:(in which the name of the town appears as "Chichibu") is usually found today, it was very common in the 19th century to use the 1345:

for many years. Some Japanese critics saw the depiction of the title character as a disrespectful representation of the revered

885:

Carte toured the opera in 1886 and again in 1887 in Germany and elsewhere in Europe. In September 1886 Vienna's leading critic,

7996: 4134: 3071:

A wide variety of popular media, including films, television, theatre, and advertising have referred to, parodied or pastiched

6214: 5182: 5004: 7898: 7258: 7175: 7037: 6994: 6906: 6831: 6790: 6620: 6304: 5959: 5911: 5506: 4816: 4323: 3510: 2547:

recording of selections from the overture, "A wand'ring minstrel", "Three little maids", "Tit-willow", and the Act II finale.

1458: 625: 494: 7319: 7296: 6429: 6085: 5254: 4339: 3453:(pictured) parodies the song title "The Flowers that Bloom in the Spring, Tra la!", changing the word "bloom" to "kill". In 749:

had the longest original run of the Savoy Operas. It also had the quickest revival: after Gilbert and Sullivan's next work,

7786: 7599: 6231: 6157: 5930: 5843: 5557: 5300: 4876: 4772:. General Sasaki gives historical information about "Ton-yare Bushi" and includes Midi files and a translation. Here is a 1474:

of San Francisco planned a 2016 production, objections by the Asian-American community prompted them to reset the opera in

845: 281:

magistrate, who is ... judge and actual executioner in one, and yet would not hurt a worm, may perhaps please the public."

6066: 6001: 5984:, Cinegram No. 75, Pilot Press, London (souvenir programme), The Gilbert and Sullivan Archive, 1938, accessed 31 July 2016 5883: 5863: 5823: 5803: 5783: 5763: 5458: 5279: 6633: 3038:(1986) is a jazz and swing style adaptation that premiered in Washington, D.C. and has been played frequently since then. 5337: 697:

17. "A more humane Mikado" (Mikado, Chorus) (This song was nearly cut, but was restored shortly before the first night.)

681:

13. "The sun whose rays are all ablaze" (Yum-Yum) (Originally in Act I, moved to Act II shortly after the opening night)

8006: 7397: 6915: 6637: 6321: 5143: 1609:, adding: 'I think this is the best thing I've done, don't you?' and when truth compelled me to say that in my opinion 5970: 1232:

By setting the opera in a foreign land, Gilbert felt able to more sharply criticise British society and institutions.

7287: 7198: 7156: 7079: 6956: 6861: 6042: 5547: 3969: 1531:

to supply revised wording. These alterations have been incorporated into the opera's libretto and score since then.

241:

The story is an appealing one, but it is largely fictional. Gilbert was interviewed twice about his inspiration for

7971: 7863: 7098: 5411: 3561: 2915: 116:. Nevertheless, some 21st-century productions of the opera in the United States have drawn criticism for promoting 5375: 4534:, along with other musician internees, recreated the score from memory with the aid of a libretto. See MacMillan, 7360: 5233: 3897:

biography, in which there is a chapter called "The Pooh-Bah Years", when Butler held multiple cabinet portfolios.

1252: 246: 217: 2665:, was a 1918 silent film with a cast of children; theatres could show the film with live musical accompaniment. 6267: 3463:

begins his audition with Nanki-Poo's song, "A wand'ring minstrel I". He is quickly dismissed. In the 2006 film

1164:

sigh / Was thereupon condemned to die – / He usually objected." The term for this rhetorical technique is

317: 7215:

Beckerman, Michael (1989). "The Sword on the Wall: Japanese Elements and Their Significance in 'The Mikado'".

6377: 3830:

to drop the always-profitable show from her Gilbert and Sullivan repertory season. See Wilson and Lloyd, p. 83

7981: 7743: 7564: 7390: 6425: 3715: 3023: 2870: 1670: 1660: 1334: 4753:, December 2007, p. 3, that the song was composed in 1868 by Masujiro Omura, with words by Yajiro Shinagawa. 1176:. The plot conceit that Nanki-Poo may marry Yum-Yum if he agrees to die at the end of the month was used in 765:, just 17 months after its first run closed. On 4 September 1891, D'Oyly Carte's touring "C" company gave a 8001: 7336: 6696: 4710: 3317: 3301:

to mean a person who holds many titles, often a pompous or self-important person. Pooh-Bah is mentioned in

3294:, George quotes the phrase to Jerry after he and his acquaintances saw George's girlfriend, Jane, topless. 2815: 2381: 1613:

is his masterpiece, he cried out: 'O you wretch!' But though he laughed, I could see he was disappointed."

1440:, Washington, drew national attention to such criticism, the Gilbert biographer Andrew Crowther wrote that 786: 7764: 1482:, relocated the action to Scotland. A reviewer from CTX Live Theater praised the adaptation, writing that 1126:

Second Savoy repertory season; played with five other operas. Closing date shown is of the entire season.

4224: 3502: 3493: 3473:) performs a spoken-word version of "The Sun Whose Rays are All Ablaze" while playing piano. In the 1966 3284: 2759: 1605: 308: 272:. But although the 1885–87 Japanese exhibition in Knightsbridge had not opened when Gilbert conceived of 6243: 5117: 7594: 3579: 3449: 3383: 3354:, and in other media, as the title of a high-ranking official in a men's club, spoofing clubs like the 3121: 2882:

and frequently are adapted and performed in new ways. Notable adaptations have included the following:

2402: 1471: 1183: 1165: 6738: 4430: 3387:

parodying the song "The Flowers that Bloom in the Spring, Tra la!" changing the word "bloom" to "kill"

7991: 4793: 3678: 3630: 3455: 3263: 909: 766: 5034: 3739: 1146:

Ko-Ko reveals that when a man is beheaded, his wife is buried alive: from Gilbert's children's book

7779: 4762: 3788:"King Borriah Bungalee Boo" (1866) is the haughty "Pish-Tush-Pooh-Bah", which is split into two in 2595: 2098: 1378: 902: 6569: 4739: 7579: 7521: 7479: 7434: 7110:

The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961

6948:

Gänzl's Book of the Broadway Musical: 75 Favorite Shows, from H.M.S. Pinafore to Sunset Boulevard

6494: 5309: 3170: 2937: 2908: 2088: 2083: 1354: 1148: 826: 757: 201: 158: 128: 20: 7301: 6557: 6466: 4188: 4069: 2622:

1992 Mackerras/Telarc – Orchestra & Chorus of the Welsh National Opera, Conductor: Sir

706:

20. "The flowers that bloom in the spring" (Nanki-Poo, Ko-Ko, Yum-Yum, Pitti-Sing, and Pooh-Bah)

7836: 7820: 7574: 6662: 6102: 4535: 3942: 3644: 3545: 3425: 3243:

clubs were established across America, and in 1886 a Michigan town took the name of the opera.

3092: 2823: 2747: 2696: 2203: 1815: 1807: 1524: 1350: 1281:. The characters' names in the play are not Japanese names, but rather (in many cases) English 917: 5200:"Last Night's Polite But Necessary Discussion at the Seattle Rep About Race, Theater, and the 4806: 7656: 6721: 5720:

Morey is President of the Gilbert and Sullivan Society in London. See also Ffrench, Andrew.

4943: 4567: 3487: 3175: 3161: 2647: 1726: 1242: 955:

The following table shows the history of the D'Oyly Carte productions in Gilbert's lifetime:

6338: 6140: 5363: 7986: 7413: 6726: 5522: 5095: 5074: 4611: 4343: 3041: 3007: 2930: 2651: 2635: 995: 703:

19. "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko and Katisha)

631:

8. "So please you, Sir, we much regret" (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, and Girls)

136: 61: 6393: 4142: 8: 7772: 7688: 6596: 6409: 3408: 3322: 3203: 2727: 1590: 1142: 863: 7014: 6930: 4579: 225: 7945: 7712: 7664: 7279: 7135: 7087: 6884: 6811: 4355: 4006: 3974: 3918: 3740:"Swindlers (including the Master of the Rolls?) Not Wanted: Bentham and Justice Reform" 3475: 3255: 3140:, by producing a revisionist version of the opera. This was adapted as a film in 2010. 3108: 2819: 2668:

In 1926, the D'Oyly Carte Opera Company made a brief promotional film of excerpts from

2613: 2483: 2316: 2171: 2025: 1771: 1766: 1761: 1751: 1741: 1706: 1665: 1501: 1178: 952:

several times, first in 1963 and again in 1982 (revived in 1983 and 1984) and in 1993.

945: 894: 694:

16. "Mi-ya Sa-ma" "From every kind of man obedience I expect" (Mikado, Katisha, Chorus)

345: 3852:

Biographies of the cast members who are not blue-linked may be found at Stone, David.

1466:

production and debuted the new concept in December 2016, receiving a warm review from

228:

and Bridgeman first recorded the familiar story of how Gilbert found his inspiration:

7916: 7254: 7194: 7187: 7171: 7152: 7094: 7075: 7033: 7026: 6990: 6952: 6902: 6857: 6851: 6827: 6786: 6616: 6532: 6082: 5955: 5907: 5502: 5122: 4812: 3881: 3433: 3208: 3102: 2985: 2887: 2862: 2776: 2768: 2623: 2609:

1957 D'Oyly Carte – New Symphony Orchestra of London, Conductor: Isidore Godfrey

2421: 2341: 2336: 2331: 1395: 1387: 1324: 1153: 999: 898: 755:, closed relatively quickly, three operas were revived to fill the interregnum until 700:

18. "The criminal cried as he dropped him down" (Ko-Ko, Pitti-Sing, Pooh-Bah, Chorus)

579: 6567:, Grand Lodge Freemasonry site, 8 April 2004, accessed 14 September 2009. See also 4865:"Edward Gorey in Japan; Translation or Transformation: A Chat with Motoyuki Shibata" 2933:, in 1959, broadcast a 30-minute adaptation on his television show; he played Ko-Ko. 1489:

s "story is universalizing and could be set anywhere on the planet in any society".

7871: 7855: 7720: 7704: 7486: 7271: 7224: 7127: 5323: 5241: 5217:"New York City Production of 'The Mikado' Canceled Following Accusations of Racism" 5012: 4902: 4893:

Andrew, Goodman (1980). "The Fushimi incident: theatre censorship and The Mikado".

4785: 4531: 4130: 3515: 3106:, which credits Sullivan as the composer of most of its songs. The detective novel 2977: 2946: 2899: 2788: 2772: 2755: 2711: 2673: 2646:. Another production was released the same year by the Walturdaw Company, starring 2498: 2488: 2470: 2366: 2361: 2356: 2078: 2053: 2020: 2015: 2002: 1997: 1992: 1987: 1781: 1731: 1721: 1543: 1273: 1233: 1210: 1202: 879: 852:

as Yum-Yum in the New York cast, captioned "We're very wide awake, the moon and I."

835: 740: 685: 477: 341: 286: 7354: 6986: 6938: 6448: 6299: 6018: 4316: 3768: 2853: 2735: 1562: 1398:(秩父), Japan, under the name of "Tokyo Theatre Company", produced an adaptation of 1229:"was never a story about Japan but about the failings of the British government". 1031:

Production with some D'Oyly Carte personnel under the management of John Stetson.

7976: 7828: 7799: 7680: 7535: 7472: 7451: 7429: 6946: 6894: 6745: 6707: 6564: 6436: 6308: 6274: 6254: 6181: 6164:, The Gilbert & Sullivan Discography, 25 November 2001, accessed 31 July 2016 6161: 6089: 6070: 6005: 5981: 5934: 5887: 5867: 5847: 5827: 5807: 5787: 5767: 5561: 5551: 5382: 5083: 4769: 4746: 4648: 4362: 4327: 3952: 3925: 3746: 3684: 3635: 3612: 3588: 3584: 3520: 3344: 3331: 3312: 3307: 3302: 3213: 3143: 3113: 3019: 3003: 2961: 2796: 2792: 2601: 2493: 2446: 2134: 2129: 2068: 1982: 1927: 1922: 1914: 1840: 1835: 1797: 1756: 1736: 1701: 1696: 1407: 1268: 929: 886: 858: 849: 774: 688:, "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo and Pish-Tush) 583: 565: 106: 49: 6152: 5923: 5840: 5554: 4877:"London Greets Fushimi; He Visits King Edward – Wants to Hear "The Mikado"" 3272:, "Let the Punishment Fit the Crime", which features bits of several songs from 2672:. Some of the most famous Savoyards of the day are seen in this film, including 1349:; Japanese theatre was prohibited from depicting the emperor on stage. Japanese 7611: 7542: 7528: 7236: 6967: 6063: 5994: 5880: 5860: 5820: 5800: 5780: 5760: 4864: 4470: 3649: 3327: 3133: 3027: 2966: 2544: 2431: 2386: 2376: 1845: 1830: 1711: 1675: 1475: 1403: 1285:

or simply dismissive exclamations. For instance, a pretty young thing is named

1237: 1084: 941: 925: 809: 778: 291: 206: 112: 100: 5937:, The Gilbert & Sullivan Discography, 15 April 2009, accessed 31 July 2016 4906: 4773: 3877: 2734:

nomination for Best Cinematography. Art direction and costume designs were by

937: 874:'s first authorised performance was on 14 November 1885 at the Theatre Royal, 669: 7960: 7795: 7725: 7696: 7458: 7424: 6763: 6347: 6116:

The Public Domain: How to Find Copyright-Free Writings, Music, Art & More

5770:, Gilbert & Sullivan Discography, 24 December 2003, accessed 31 July 2016 3939: 3639: 3617: 3595: 3574: 3470: 3413: 3403: 3278: 3180: 3087: 3083: 3015: 2950: 2879: 2780: 2731: 2723: 2685: 2681: 2654: 2465: 2351: 2308: 2184: 2179: 2158: 2150: 2073: 1603:

wrote of Sullivan, "One day he presented me with a copy of the full score of

1551: 1528: 1520: 1346: 1256: 1247: 933: 426: 404: 349: 250: 234: 195: 163: 69: 57: 6636:. Mondo Musicals! 14 February 2008, accessed 6 April 2010; and Bord, Chris. 6221:, The Gilbert & Sullivan Very Light Opera Company, accessed 11 June 2017 5850:, Gilbert & Sullivan Discography, 24 October 2001, accessed 31 July 2016 4175:

Daniels, Vincent. "Some Thoughts on the Japanese Village at Knightsbridge",

3853: 3298: 2658: 2606:

1950 D'Oyly Carte – New Promenade Orchestra, Conductor: Isidore Godfrey

1932: 912:

mounted the first non-D'Oyly Carte professional production in England, with

813:

was in preparation. When it became clear that that opera was not a success,

276:, European trade with Japan had increased in recent decades, and an English 7940: 7794: 7500: 7465: 6979: 6380:, Baylor University Libraries Digital Collections, accessed 9 November 2012 6008:, The Gilbert and Sullivan Discography, 28 June 2009, accessed 31 July 2016 5952:

Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video

5743: 3735: 3624:

singing the song, with Sam clearly embarrassed at having to sing the word '

3551: 3465: 3429: 3396: 3339: 3268: 3129: 2954: 2942: 2784: 2764: 2707: 2689: 2677: 2441: 2285: 2280: 2231: 2226: 2221: 2211: 2106: 2058: 2048: 2043: 2038: 1792: 1691: 1681: 1535: 1370: 1306: 913: 839: 782: 332: 254: 177: 145: 94: 7228: 5544: 4009:, The Gilbert and Sullivan Archive, 28 June 1997, accessed 6 November 2007 3577:

performed a parody titled "Three Little Kurds from School Are We". On the

1357:

made a state visit in 1907, the British government banned performances of

7934: 7648: 7569: 7559: 6880: 6257:. Millennium-This Is Who We Are, Graham P. Smith, accessed 16 August 2010 5899: 5890:, Gilbert & Sullivan Discography, 12 July 2009, accessed 31 July 2016 5870:, Gilbert & Sullivan Discography, 12 July 2009, accessed 31 July 2016 5810:, Gilbert & Sullivan Discography, 11 July 2009, accessed 31 July 2016 5496: 5263:"New York Gilbert & Sullivan Players Reveals Concepts for Reimagined 3827: 3605: 3530: 3497: 3485:

episode "All That Jazz", Officer Dibble woefully sings the same song. In

3355: 3335: 3217: 3090:

Bay area in 1968 and 1969. A second-season (1998) episode of the TV show

3011: 2999: 2703: 2326: 2295: 2290: 2241: 2236: 2114: 1878: 1873: 1868: 1860: 1600: 1586: 1411: 1382: 1264: 882:. During 1886, Carte was touring five Mikado companies in North America. 822: 295: 268: 150: 80: 45: 5830:, Gilbert & Sullivan Discography, 8 July 2005, accessed 31 July 2016 5790:, Gilbert & Sullivan Discography, 11 May 2003, accessed 31 July 2016 5750:, Gilbert & Sullivan Discography, 13 July 2009, accessed 6 June 2012 5169: 4616:

The Early Institutional Life of Japan: A Study in the Reform of 645 A.D.

7879: 7382: 6232:"The Zodiac Killer's most uncrackable cipher has, at last, been solved" 6197: 3894: 3785: 3568: 3556: 3534: 3350: 3259: 3227: 3034: 2719: 2556: 2426: 1901: 1896: 1888: 1319: 609: 485: 299: 7139: 6062:

is one of the weakest in the Brent Walker series. See Shepherd, Marc.

3638:

as the title character sings the song just before she is murdered. In

2973:

in 1960s pop music style and reset as a comic Japanese gangster story.

7514: 6413: 6352: 5722:"Retired opera singer Cynthia Morey lands 'yum' film role in Quartet" 4983: 4584:, Web Opera, Gilbert and Sullivan Archive, accessed 20 September 2022 4477:, Oxford University Press, September 2004, accessed 12 September 2008 3714:

introduced for this song and the dialogue scene leading into it. The

3621: 2924: 1850: 1547: 1517: 1282: 921: 751: 520: 444: 4517:

Jellinek, Hedy and George. "The One World of Gilbert and Sullivan",

3806: 3800: 3794: 2642:

were produced in Britain and presented as programmes in 1907 titled

715:

23. "There is beauty in the bellow of the blast" (Katisha and Ko-Ko)

266:

The story was dramatised in more or less this form in the 1999 film

7493: 7377: 7323:: A website dedicated almost entirely to the character of Ko-Ko in 7297:

Description of production history and modern Australian productions

7131: 6853:

Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan

5234:"Cultural Appropriation or Swiftian Satire? Gilbert and Sullivan’s 3674: 3399: 3290: 1575:

trading cards were created that advertised various products. Other

1310: 1222: 1218: 794: 393: 382: 371: 357:

His Son, disguised as a wandering minstrel and in love with Yum-Yum

277: 53: 7251:

The Japan of Pure Invention: Gilbert & Sullivan's 'The Mikado'

7118:

Seeley, Paul (August 1985). "The Japanese March in 'The Mikado'".

6512:"Lord Mandelson likened to Pooh-Bah, Lord High Everything Else in 6092:, Musical Collectibles catalogue website, accessed 15 October 2012 3813: 3594:

References to "Tit-Willow" ("On a tree by a river") have included

2564: 1538:) and "the lady from the provinces who dresses like a guy", where 1419:

has been revived several times throughout Japan and, in 2006, the

7672: 7189:

Gilbert & Sullivan: The Official D'Oyly Carte Picture History

6609: 3728:

This was a topical British legal joke: In the 1882 court case of

3599: 3539: 3481: 1437: 1330: 916:

as Ko-Ko. Among the many professional revivals since then was an

649:"Your revels cease!" ... "Oh fool, that fleest my hallowed joys!" 526: 415: 6644:, Earlville Opera House, 9 August 2014, accessed 31 January 2016 6175:"Theatre: It Was 15 Years Ago Today; The great Ned and Ken show" 5118:"Pomona College Hears Call From Asians for More Ethnic Programs" 3648:(1973), the song is heard as Betjeman, looking over the lake at 6378:"The Capitalist; or, The City of Fort Worth (The Texas Mikado)" 4642:"Gilbert & Sullivan... the greatest show takes to the road" 3625: 3525: 3206:" is a villainous vigilante in the comic book superhero series 2845:, which was Gilbert's last literary work. It is a retelling of 1513: 1172:

result." Of course, joking about death does not originate with

875: 451: 212: 88: 65: 3602:-accented bird whose beautiful singing leads to a sad end. On 2981:(1975) was a jazzy, sexy production set on a Caribbean island. 1497: 1353:, who saw an 1886 production in London, took no offence. When 735: 5457:, 1 February 2013, accessed 13 May 2014; Tommasini, Anthony. 5183:"Who the Hell Put These People in Charge of Popular Culture?" 3970:"The top 10 Gilbert and Sullivan operettas, ranked and rated" 3840: 3771:'s Baron Factotum, the "Great-Grand-Lord-High-Everything" in 3377: 3232: 360: 28: 7071:

D'Oyly Carte Opera Company, 1875–1982: An Unofficial History

3276:. The phrase and the Mikado's song also are featured in the 3063: 472: 6870: 1508:

Modern productions update some of the words and phrases in

1198: 634:

9. "Were you not to Ko-Ko plighted" (Yum-Yum and Nanki-Poo)

605:

4. "Young man, despair" (Pooh-Bah, Nanki-Poo and Pish-Tush)

328: 6501:, vol. 24, no. 3, issue 186, January/February 1993, p. 28. 5172:, Andrew Crowther: Playwright and Biographer, 20 July 2014 4984:"Ernie Pyle Theater Tokyo presents Gilbert and Sullivan's 4923:

The Story of the Savoy Opera in Gilbert and Sullivan's Day

4340:

paper presented at the International Conference of G&S

3231:

to encourage capital investment in Fort Worth, Texas. The

612:, "And have I journey'd for a month" (Pooh-Bah, Nanki-Poo) 7047:

Jones, Brian (Spring 1985). "The sword that never fell".

3855:

Who Was Who in the D'Oyly Carte Opera Company (1875–1982)

2841:

was adapted as a children's book by W. S. Gilbert titled

712:

22. "On a tree by a river" ("Willow, tit-willow") (Ko-Ko)

7126:(1710). The Musical Times, Vol. 126, No. 1710: 454–456. 5521:. The Gilbert and Sullivan Archive. 2007. Archived from 3858:, Gilbert and Sullivan Archive, accessed 10 October 2023 2638:. Sound film versions of 12 of the musical numbers from 2619:

1990 New D'Oyly Carte – Conductor: John Pryce-Jones

6824:

The Gilbert & Sullivan Lexicon, 3rd Revised Edition

4570:, Stratford Festival website, accessed 15 February 2014 4552:

review at London Coliseum – 'still delivers the goods'"

3884:

in 1907 and included Tit-Willow, sung by George Thorne.

3628:' (also asking the meaning of "obdurate"). In the film 3424:

and the 20 years of little list parodies by Suart, the

3338:

might have been influenced by the character. The term "

691:

15. "Here's a how-de-do" (Yum-Yum, Nanki-Poo and Ko-Ko)

655:"The hour of gladness" ... "O ni! bikkuri shakkuri to!" 602:

3. "Our Great Mikado, virtuous man" (Pish-Tush and Men)

149:(1884), which ran for nine months, a short duration by 6977:

Gilbert, William Schwenck (1992). Philip Smith (ed.).

5164: 5162: 5160: 4282: 4280: 817:

was given at matinees, and the revival continued when

4486:

Turnbull, Stephen. "Arthur Sullivan in Deutschland",

4433:, In the Muse, US Library of Congress, 5 August 2020. 3673:

The longest-running piece of musical theatre was the

3067:

1886 advertisement featuring the "three little maids"

2927:, with an all-black cast, using jazz and swing music. 2818:; the 1982 Brent-Walker film; the well-regarded 1984 2695:

In 1939, Universal Pictures released a ninety-minute

1512:. For example, two songs in the opera use the word " 781:

and the Royal Family. The original set design was by

709:

21. Recit. and song, "Alone, and yet alive" (Katisha)

615:

5. "Behold the Lord High Executioner" (Ko-Ko and Men)

7184: 7107: 7060:

Jones, Brian (Winter 2007). "Japan in London 1885".

6073:, The Gilbert and Sullivan Discography, 5 April 2009 4089: 4087: 3369: 3096:, titled "The Mikado", is based on the Zodiac case. 1317:, is similar to that of the scheming Ko-Ko-Ri-Ko in 1082:

Performances at matinees during the original run of

6972:. London: Daniel O'Connor, 90 Great Russell Street. 5157: 4338:Prestige, Colin. "D'Oyly Carte and the Pirates", a 4277: 3867:

The production later moved to the Standard Theatre.

637:

10. "I am so proud" (Pooh-Bah, Ko-Ko and Pish-Tush)

596:

1. "If you want to know who we are" (Chorus of Men)

7186: 7086: 7025: 6978: 6810: 6683:Jean, Al. (2004). Commentary for "Cape Feare", in 6131:, Integrity Press, Westerville, Ohio (1984), p. 71 5259:Too Politically Incorrect to Be Fixed? Maybe Not." 3246: 908:After the Gilbert copyrights expired in 1962, the 4920: 4084: 3839:In Ko-ko's song the nigger serenader became "the 3598:'s comedy song "The Bronx Bird Watcher", about a 739:Political parody celebrating the bicentennial of 678:12. "Braid the raven hair" (Pitti-Sing and Girls) 7958: 6879: 6871:Cellier, François; Cunningham Bridgeman (1914). 3652:, laments W. S. Gilbert's sudden death in 1911. 3416:and A.S.H. Smyth released a book in 2008 called 7006:Martyn Green's Treasury of Gilbert and Sullivan 6659:BeesWeb – the official site of Richard Thompson 6634:"Little Shop of Horrors – Screen to Stage" 6400:, 20 September 2004, accessed 30 September 2009 6311:, LodestoneTheatre.org, accessed 2 October 2010 5738: 5736: 5734: 4442:Jacobs, p. 214 and Ainger, pp. 247, 248 and 251 3342:" has been used on television shows, including 3116:is set against a background of a production of 1546:, meaning a tasteless woman who dresses like a 1492: 1221:and the British fascination with Japan and the 1105:Continuation of revival after early closure of 829:, mounted a repertory season at the Savoy, but 618:5a. "As some day it may happen" (Ko-Ko and Men) 599:2. "A Wand'ring Minstrel I" (Nanki-Poo and Men) 493:Pitti-Sing ("Comes a train of little ladies", " 157:showed early signs of flagging, the impresario 5950:, in Henry Keazor and Thorsten Wübbena (eds.) 4954:magazine, 9 September 1946, vol. 21, pp. 42–43 2919:(1939) was a competing Broadway adaptation of 838:for the 1926 season and were used until 1982. 7780: 7398: 7003: 6826:. Ann Arbor, Michigan: The Queensbury Press. 4065: 4063: 3120:. In 2007 the Asian American theatre company 2873:controlled the copyrights to performances of 2746:In 1966, the D'Oyly Carte Opera Company made 2657:system to synchronize phonograph recordings ( 92:way that he used other "foreign" settings in 6215:"Gilbert & Sullivan in Popular Culture: 6141:"Notable Gilbert & Sullivan adaptations" 5954:, transcript Verlag (2010), pp. 45 et seq., 5906:, Columbia University Press (2005), p. 159, 5731: 4663: 4661: 4249:Seeley, Paul. (1985) "The Japanese March in 4072:, English Heritage, accessed 29 January 2013 4053: 4051: 3391:Politicians often use phrases from songs in 3165:, which takes place during a performance of 2650:as Ko-Ko. Both of these programmes used the 821:closed after just three months. In 1906–07, 7617:People associated with Gilbert and Sullivan 7590:International Gilbert and Sullivan Festival 7168:Gilbert and Sullivan: Gender, Genre, Parody 6843:The Complete Annotated Gilbert and Sullivan 6277:, Common Sense Media, accessed 12 June 2020 6118:, Ch. 1, § A.4.a, Nolo Press, 3rd ed, 2006. 4317:Photos of, and information about, the 1926 4162: 4160: 3086:, who murdered at least five people in the 2965:is a 1962 British musical film directed by 2828:International Gilbert and Sullivan Festival 2730:directed, and William V. Skall received an 1566:D'Oyly Carte Opera Company production, 1962 1425:International Gilbert and Sullivan Festival 628:" (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls) 621:6. "Comes a train of little ladies" (Girls) 450:Chorus of School-Girls, Nobles, Guards and 7787: 7773: 7585:Cultural influence of Gilbert and Sullivan 7405: 7391: 7114:Also, five supplements, privately printed. 6928: 6916:Fink, Robert. "Rhythm and Text Setting in 6489: 6487: 6210: 6208: 4272:A History of the Royal Command Performance 4202: 4200: 4198: 4196: 4060: 3709: 3707: 3082:were used in letters to the police by the 3059:Cultural influence of Gilbert and Sullivan 1599:has been admired by other composers. Dame 257:, for instance, told it this way in 1952: 16:1885 comic opera by Gilbert & Sullivan 7283:"Web Opera" with libretto and MIDI files. 7214: 7084: 6388: 6386: 6058:According to discographer Marc Shepherd, 4658: 4048: 3935: 3933: 2763:, and was directed by the same director, 1132: 523:in evidence of the fictitious execution. 290:, Gilbert said that the short stature of 189:to reach the stage. A revised version of 7412: 7165: 7146: 6322:"The Mikado Project (Trouble In Titipu)" 5711:Rollins and Witts, 4th Supplement, p. 42 5702:Rollins and Witts, 3rd Supplement, p. 28 5069: 5067: 4431:"Gilbert & Sullivan's American Ally" 4406:madness: The first franchise in showbiz" 4396: 4394: 4392: 4390: 4274:, StageBeauty.net, accessed 16 June 2009 4157: 4129: 3376: 3189: 3142: 3128:, an original play by Doris Baizley and 3062: 2852: 2563: 1561: 1496: 1329: 1197: 1141: 844: 734: 668: 569:Nanki-Poo as a wand'ring minstrel, from 564: 525: 471: 327: 211: 127: 27: 7607:List of compositions by Arthur Sullivan 7170:. New York: Columbia University Press. 6976: 6965: 6929:Fitzgerald, Percy Hetherington (1899). 6849: 6840: 6821: 6701:, March 17, 1963 (Season 7, episode 7)" 6685:The Simpsons: The Complete Fifth Season 6525: 6484: 6426:Knowledge List of Magnum, P.I. episodes 6328:, 21 April 2011, accessed 14 March 2012 6205: 6049:, 15 March 1967, accessed 22 March 2010 5693:Rollins and Witts, 1st Supplement, p. 7 5469:, 10 January 1998, accessed 20 May 2014 5397: 5395: 5347: 5267:; Kelvin Moon Loh Joins Creative Team!" 4925:. D. Appleton and Company. p. 212. 4721:, Grand Rapids, Michigan, 22 April 2016 4475:Oxford Dictionary of National Biography 4388: 4386: 4384: 4382: 4380: 4378: 4376: 4374: 4372: 4370: 4245: 4243: 4193: 3919:Longest runs in the theatre up to 1920. 3749:, UCL Bentham Association, 2 March 2011 3704: 3655: 1236:compared the opera's satire to that in 468:Courtyard of Ko-Ko's Official Residence 441:An Elderly lady, in love with Nanki-Poo 185:. It would take another ten months for 79:is the most internationally successful 7959: 7253:. University of Minnesota Press, 2010 7185:Wilson, Robin; Frederic Lloyd (1984). 7117: 7108:Rollins, Cyril; R. John Witts (1962). 7068: 7023: 7012: 6875:. London: Sir Isaac Pitman & Sons. 6783:Gilbert and Sullivan, a Dual Biography 6780: 6383: 6290:, Grayson & Grayson (London: 1934) 6083:"Professional Shows from the Festival" 5841:Review of the 1984 Stratford recording 5368: 5356: 4892: 4356:Information about American productions 3930: 1557: 1271:later incorporated the same song into 724:"The threatened cloud has passed away" 646:"The threatened cloud has passed away" 412:A Ward of Ko-Ko, also engaged to Ko-Ko 7899:Three Little Maids from School Are We 7768: 7386: 7275:at The Gilbert & Sullivan Archive 7059: 7046: 7028:Arthur Sullivan: A Victorian Musician 6944: 6939:available online at Internet Archive. 6893: 6856:. New York: Oxford University Press. 6808: 6799: 6143:, Grim's Dyke Hotel, 29 December 2016 5115: 5064: 5045:, 3 April 2003, accessed 15 July 2014 4715:raises questions on theatre and race" 4264: 3616:(aired on 22 November 1976) featured 3511:Three Little Maids from School Are We 3052: 3048:in 1995 in Australia and New Zealand. 1616: 1585:became the most frequently performed 1459:New York Gilbert and Sullivan Players 789:. The first provincial production of 643:"With aspect stern and gloomy stride" 626:Three little maids from school are we 6817:. London: Cassell & Company Ltd. 6802:The First Night Gilbert and Sullivan 6355:, 10 May 2010, accessed 19 June 2016 5630:George Byron Browne later in the run 5434:Gilbert and Sullivan and their world 5392: 4997: 4854:discussing reception by the Japanese 4786:"A Study Guide to the production of 4774:YouTube version of the Japanese song 4488:Sir Arthur Sullivan Society Magazine 4367: 4286:Rollins and Witts, Appendix, p. VIII 4240: 4177:Sir Arthur Sullivan Society Magazine 3447:. For example, the movie poster for 3436:" a robot recites some of the song. 3159:include the climax of the 1978 film 2833: 2616: – Conductor: Berthold Carrière 2600:1936 D'Oyly Carte – Conductor: 2594:1926 D'Oyly Carte – Conductor: 1940:Role of Go-To added from April 1885 1542:refers to the dummy that is part of 1457:In 2015 a planned production by the 1341:The Japanese were ambivalent toward 8012:Race-related controversies in opera 7749: 7151:(2nd ed.). London: Routledge. 7089:MacMillan on music: essays on music 7032:. Oxford: Oxford University Press. 6886:W. S. Gilbert: His Life and Letters 6873:Gilbert, Sullivan, and D'Oyly Carte 6785:. Oxford: Oxford University Press. 6748:, Britmovie.co.uk, 21 December 2009 5313:, 8 August 2016; and Hurwitt, Sam. 5269:, BroadwayWorld.com, 6 October 2016 4521:, 26 October 1968, pp. 69–72 and 94 4471:"Carte, Richard D'Oyly (1844–1901)" 3565:episode "Lost in Translation", and 3297:The name of the character Pooh-Bah 3282:episode "A Soldier's Farewell". In 2738:. There were some revisions – 2629: 2576: 1381:in Tokyo, conducted by the pianist 1193: 721:"For he's gone and married Yum-Yum" 368:The Lord High Executioner of Titipu 13: 7239:, on the historical background of 7208: 7193:. New York: Alfred A. Knopf, Inc. 6268:"VeggieTales: 'Sumo of the Opera'" 5344:, CTXLiveTheatre.com, 11 June 2023 5007:The Mikado in the Town of Chichibu 4673:promises to be as rousing as ever" 4070:"The Japanese exhibition, 1885–87" 3573:episode "Hello Nice Warners". The 3155:Film and television references to 3147:Wallpaper showing characters from 2513: 1137: 560: 41:The Mikado; or, The Town of Titipu 14: 8023: 7333:at The Victoria and Albert Museum 7265: 6932:The Savoy Opera and the Savoyards 6804:. London: Chappell & Co. Ltd. 6757: 6739:"Whoever Slew Auntie Roo? (1971)" 6638:"The Atlantic.com article on the 6610:Suart, Richard and Smyth, A.S.H. 6537:Merriam-Webster Online Dictionary 6430:TV.com Magnum, P.I. Episode Guide 5519:"Mikado-themed advertising cards" 5436:(1973), Thames and Hudson, p. 117 5387:The Chronicle of Higher Education 5342:by Gilbert & Sullivan Austin" 5206:, TheStranger.com, 19 August 2014 5116:Chang, Irene (22 November 1990). 4921:Adair Fitz-Gerald, S. J. (1925). 4490:, No. 114, Spring 2024, pp. 27–35 4206:Gilbert, W. S. "The Evolution of 4179:, No. 114, Spring 2024, pp. 21–24 3734:, 21 ChD 9, it was held that, as 3562:The Suite Life of Zack & Cody 3445:films, television and other media 3183:hit it at the London premiere of 2740:The Sun Whose Rays Are All Ablaze 2714:as Pooh-Bah, the American singer 1289:; the beautiful heroine is named 856:In America, as had happened with 652:"For he's going to marry Yum-Yum" 193:coupled with their one-act piece 153:standards. When ticket sales for 64:. It opened on 14 March 1885, in 7748: 7739: 7738: 7622:Works about Gilbert and Sullivan 7366: 6751: 6731: 6713: 6710:, TV.com, accessed 21 April 2012 6690: 6677: 6655:"Song-o-matic – There is Beauty" 6647: 6626: 6603: 6588: 6558:"Loyal Order of Water Buffaloes" 6551: 6504: 6459: 6441: 6418: 6403: 6370: 6358: 6331: 6314: 6293: 6280: 6260: 6248:Episode Profile of 'The Mikado'" 6237: 6224: 6191: 6167: 6146: 6134: 6121: 6108: 6095: 6076: 6064:"The Brent Walker Mikado (1982)" 6052: 6035: 6024: 6011: 5987: 5964: 5940: 5916: 5893: 5873: 5853: 5833: 5813: 5793: 5773: 5753: 5714: 5705: 5696: 5687: 5678: 5669: 5660: 5651: 5642: 5633: 5624: 5615: 5606: 5597: 5588: 5579: 5566: 5538: 5529: 5511: 5489: 5472: 5439: 5426: 5417: 5412:"Silly Novels by Lady Novelists" 4612:"Institutions before the Reform" 4189:Quoted at Lyricoperasandiego.com 3887: 3870: 3861: 3846: 3817:are all expressions of contempt. 3529:episode "Simon Says" (for which 3459:, an auditioner for the musical 3299:has entered the English language 3226:The Capitalist; or, The City of 2998:, a political satire adapted by 2555:Problems playing this file? See 2533: 1415:Japanese-language adaptation of 7341:from the English National Opera 6813:The Gilbert & Sullivan Book 5576:, 1923, Quoted in Baily, p. 292 5404: 5330: 5293: 5272: 5247: 5226: 5209: 5192: 5175: 5137: 5109: 5089: 5048: 5027: 4977: 4957: 4929: 4914: 4886: 4870: 4858: 4843: 4834: 4821: 4799: 4779: 4756: 4733: 4724: 4703: 4694: 4682: 4634: 4625: 4604: 4587: 4573: 4561: 4540: 4524: 4511: 4502: 4493: 4480: 4463: 4454: 4445: 4436: 4415: 4349: 4332: 4310: 4298: 4289: 4231: 4217: 4182: 4169: 4123: 4114: 4105: 4096: 4075: 4039: 4030: 3833: 3820: 3778: 3775:(1840). Williams (2010), p. 267 3773:The Sleeping Beauty in the Wood 3767:This character is derived from 3761: 3752: 3722: 3695: 3543:episode "Leapin' Lizards", the 3513:" is featured in the 1981 film 3044:produced an adapted version of 2953:as Katisha. It was directed by 718:24. "Finale Act II" (Ensemble) 673:Theatre poster, Edinburgh, 1885 476:Ko-Ko – 1926 costume design by 139:'s opera immediately preceding 7967:Operas by Gilbert and Sullivan 7149:Operetta: a theatrical history 6935:. London: Chatto & Windus. 6129:The Works of John Philip Sousa 5253:Fonseca-Wollheim, Corinna da. 4021: 4012: 4007:"The Carpet Quarrel Explained" 3999: 3990: 3981: 3962: 3911: 3667: 2992:by the "Tokyo Theatre Company" 1019:Fifth Avenue Theatre, New York 730: 495:Three little maids from school 284:In an 1885 interview with the 171:would be of similar character. 1: 7997:Japan in non-Japanese culture 7062:W. S. Gilbert Society Journal 7049:W. S. Gilbert Society Journal 6924:, vol. XIV No. 1, Summer 1990 6901:. London: Faber & Faber. 6394:"Ballads, songs and speeches" 5948:The Genealogy of Clip Culture 5376:"The Politics of Taboo Words" 5152:Asian American Theatre Review 5039:, Long-Banned Imperial Spoof" 4499:Joseph (1994), pp. 81 and 163 4295:Cellier and Bridgeman, p. 192 4081:Cellier and Bridgeman, p. 186 3904: 3688:opened in 1886, which pushed 3682:, which held the title until 3549:episode "Hole in the World", 3418:They'd none of 'em be missed, 3330:speculated that invention of 2814:include a 1972 offering from 2506: 1504:: "Lord-high everything else" 1209:The opera is named after the 897:as a command performance for 640:11. Finale Act I (Ensemble) 278:craze for all things Japanese 132:Cover of vocal score, c. 1895 7016:The Music of Arthur Sullivan 6612:They'd none of 'em be missed 6365:Who's Who in the DC Universe 6266:Shulgasser-Parker, Barbara. 5881:Review of the 1992 recording 5861:Review of the 1990 recording 5821:Review of the 1957 recording 5801:Review of the 1950 recording 5781:Review of the 1936 recording 5761:Review of the 1926 recording 5498:They'd None of 'em Be Missed 5353:Gilbert (1992) p. 41, note 1 5301:"Lamplighters' transplanted 5104:Stir Controversy in Seattle" 4460:Rollins and Witts, pp. 59–64 3880:in the UK were presented at 3395:. For example, Conservative 2816:Gilbert and Sullivan for All 1493:Modernised words and phrases 1430: 1293:; the pompous officials are 1122: 1101: 1078: 1061: 1044: 1027: 1010: 986: 7: 7376:public domain audiobook at 7004:Green, Martyn, ed. (1961). 6600:(1964) Warner Bros. Records 6412:, referring to the Code of 6367:, update 1987, vol. 4, p. 8 6198:Information about Essgee's 6101:Gilbert (1921), preface by 5501:. Pallas Athene Arts, 2008 4225:The Illustrated London News 3583:, Shore sang the song with 3503:1000 Years of Popular Music 842:designed new sets in 1952. 664: 573:. Art by Alice B. Woodward. 457: 309:The Illustrated London News 48:in two acts, with music by 10: 8028: 7595:W. S. Gilbert bibliography 7565:D'Oyly Carte Opera Company 7302:Article on the genesis of 7166:Williams, Carolyn (2010). 7147:Traubner, Richard (2003). 7085:Macmillan, Ernest (1997). 7073:. London: Bunthorne Books. 6845:. Oxford University Press. 6774: 6699:The Dinah Shore Chevy Show 6234:, SFGate, 11 December 2020 5451:by Gilbert & Sullivan" 4829:"For Tricks that Are Dark" 4749:. Daniel Kravetz wrote in 4593:Beatty-Kingston, William. 4228:, 12 February 1885, p. 143 3716:D'Oyly Carte Opera Company 3450:The Little Shop of Horrors 3384:The Little Shop of Horrors 3122:Lodestone Theatre Ensemble 3056: 2871:D'Oyly Carte Opera Company 2644:Highlights from The Mikado 2568:Cover of re-issue of 1907 1472:Lamplighters Music Theatre 793:opened on 27 July 1885 in 590: 544:(Cartoon by W. S. Gilbert) 436:(soprano or mezzo-soprano) 123: 118:stereotypes of East Asians 60:, their ninth of fourteen 18: 8007:Operas adapted into films 7926: 7908: 7890: 7847: 7812: 7734: 7640: 7552: 7443: 7420: 7331:D'Oyly Carte Prompt Books 7112:. London: Michael Joseph. 7093:. London: Dundurn Press. 6180:11 September 2018 at the 6031:Photos from the 1966 film 5684:Rollins and Witts, p. 180 5675:Rollins and Witts, p. 176 5666:Rollins and Witts, p. 170 5657:Rollins and Witts, p. 160 5648:Rollins and Witts, p. 148 5639:Rollins and Witts, p. 132 5574:Impressions that Remained 5319:unveiled by Lamplighters" 5055:"The Mikado – Diary" 4907:10.1080/01440368008530722 4794:Pittsburgh Public Theater 4601:in Fitzgerald, pp. 165–66 4326:22 September 2008 at the 3951:24 September 2008 at the 3924:23 September 2015 at the 3679:Les Cloches de Corneville 3264:The Dark Side of the Moon 2589:Selected audio recordings 1182:, a 17th-century play by 920:production in 1986, with 785:, with men's costumes by 767:Royal Command Performance 508: 379:Lord High Everything Else 7013:Hughes, Gervase (1960). 6941:Retrieved on 2007-06-10. 6889:. Methuen & Co. Ltd. 6800:Allen, Reginald (1975). 6781:Ainger, Michael (2002). 6615:, (2008) Pallas Athene. 6539:. Merriam-Webster Online 6021:, DVDTalk, 27 March 2011 5621:Rollins and Witts, p. 22 5612:Rollins and Witts, p. 15 5603:Rollins and Witts, p. 11 5585:Rollins and Witts, p. 10 5261:, 30 December 2016; and 5144:"History of Yellowface: 5106:, NBC news, 17 July 2014 4895:Journal of Legal History 4808:Queen Victoria's Secrets 4451:Rollins and Witts, p. 59 4361:10 December 2008 at the 4166:Jones (2007), pp. 688–93 3893:Another such example is 3745:15 February 2013 at the 3660: 3631:Whoever Slew Auntie Roo? 3443:have been referenced in 2941:version (1960) featured 928:as Yum-Yum, directed by 903:Ruhleben internment camp 807:was revived again while 532:His teeth, I've enacted, 462: 323: 7972:English-language operas 7796:W. S. Gilbert 7522:The Yeomen of the Guard 7480:The Pirates of Penzance 7356:The Story of the Mikado 7024:Jacobs, Arthur (1984). 6969:The Story of the Mikado 6966:Gilbert, W. S. (1921). 6883:; Rowland Grey (1923). 6822:Benford, Harry (1999). 6706:13 January 2015 at the 6533:"pooh-bah – Definition" 6435:3 February 2009 at the 6343:'Robots Vs. Wrestlers'" 5924:"The 1926 D'Oyly Carte 5560:29 January 2017 at the 5535:Wilson and Lloyd, p. 37 5463:Survives Some Updating" 5310:San Francisco Chronicle 5284:, Minus the Yellowface" 5170:"The Mikado and Racism" 5154:, accessed 13 July 2019 4936:Article about the 1946 4745:11 January 2008 at the 4700:Jones (1985), pp. 22–25 4691:, Lyric Opera San Diego 3370:References to songs in 3171:Robots Versus Wrestlers 3169:. In the 2010 episode " 2938:The Bell Telephone Hour 2909:Federal Theatre Project 2886:Mikado March (1885) by 2859:The Story of the Mikado 2843:The Story of The Mikado 1355:Prince Fushimi Sadanaru 1279:Yamadori, ancor le pene 1277:as the introduction to 1149:The Story of the Mikado 1065:Second London revival. 1055: 1041: 977: 758:The Yeomen of the Guard 571:The Story of the Mikado 62:operatic collaborations 6809:Baily, Leslie (1952). 6737:Shimon, Darius Drewe. 6253:6 October 2010 at the 6069:22 August 2009 at the 6019:"The Mikado (Blu-ray)" 6017:Galbraith IV, Stuart. 5980:20 August 2016 at the 5550:5 January 2010 at the 5482:review of 2004 London 5401:Bradley (1996) p. 572. 5336:Robinson, David Glen. 4768:5 January 2015 at the 4212:New York Daily Tribune 3469:, femme fatale Laura ( 3426:English National Opera 3388: 3239:rooms in their homes, 3199: 3152: 3151:and other Savoy operas 3068: 2866: 2824:English National Opera 2573: 2518: 2204:Elizabeth Nickell-Lean 1567: 1505: 1351:Prince Komatsu Akihito 1338: 1206: 1157: 1133:Analysis and reception 1048:First London revival. 918:English National Opera 853: 743: 674: 574: 545: 540:By terrified amateurs. 536:Shall all be extracted 480: 336: 287:New-York Daily Tribune 264: 239: 221: 220:taken by W. S. Gilbert 173: 133: 68:, where it ran at the 36: 7657:The Sapphire Necklace 7217:The Musical Quarterly 7069:Joseph, Tony (1994). 6850:Bradley, Ian (2005). 6841:Bradley, Ian (1996). 6722:My Son, the Celebrity 6563:15 March 2010 at the 6341:How I Met Your Mother 6004:2 August 2016 at the 5886:3 August 2016 at the 5826:1 August 2016 at the 5806:12 March 2016 at the 5096:Kai-Hwa Wang, Frances 5082:22 March 2011 at the 4867:, Goreyography (2008) 4711:"Local production of 4631:Dark and Grey, p. 101 4508:Bradley (2005), p. 25 3957:Baltimore Evening Sun 3488:Blackadder Goes Forth 3461:Springtime for Hitler 3420:about the history of 3380: 3247:Popular phrases from 3193: 3176:How I Met Your Mother 3146: 3066: 3006:, first performed at 2903:was an adaptation of 2856: 2795:and was conducted by 2567: 2517: 1565: 1500: 1476:Renaissance-era Milan 1423:was performed at the 1394:In 2001, the town of 1333: 1301:; the hero is called 1201: 1145: 848: 761:was ready, including 738: 672: 568: 529: 475: 331: 259: 230: 215: 168: 131: 31: 7982:English comic operas 7580:Bridget D'Oyly Carte 7435:Richard D'Oyly Carte 7414:Gilbert and Sullivan 7235:Clements, Jonathan. 7019:. London: Macmillan. 6945:Gänzl, Kurt (1995). 6760:The Best of Betjeman 6744:9 April 2010 at the 6727:Warner Bros. Records 6307:25 July 2011 at the 6273:12 June 2020 at the 6088:26 June 2012 at the 5866:6 March 2016 at the 5846:31 July 2016 at the 5786:6 March 2016 at the 5572:Smythe, Dame Ethel. 5315:"Review: Guilt-free 5086:, The Japan Society. 4647:26 July 2014 at the 4568:"Production History" 4344:University of Kansas 4133:(27 December 1999). 4102:Jones (2007), p. 687 3692:down to third place. 3656:Notes and references 3642:'s documentary film 3042:Essgee Entertainment 3008:Queen Elizabeth Hall 2931:Tennessee Ernie Ford 2822:video; and the 1986 2810:Video recordings of 2636:Gaumont Film Company 2525:"Favorite airs from 910:Sadler's Wells Opera 827:Richard D'Oyly Carte 159:Richard D'Oyly Carte 137:Gilbert and Sullivan 19:For other uses, see 8002:Operas set in Japan 7575:Rupert D'Oyly Carte 7337:An Introduction to 7229:10.1093/mq/73.3.303 6758:Guest, John (ed.). 6597:Allan in Wonderland 6570:"The Grand Poo-Bah" 6520:The Daily Telegraph 6410:Keith Wiley webpage 6326:The Huffington Post 6160:26 May 2016 at the 6103:Rupert D'Oyly Carte 6043:"The Mikado (1967)" 5933:24 May 2016 at the 5766:26 May 2016 at the 5447:"The opera novice: 5423:Benford, Chapter IX 5381:20 May 2014 at the 5280:"Building a Better 5244:, November 22, 2019 5223:, 18 September 2015 5215:Nguyen, Michael D. 5076:The Chichibu Mikado 5015:on 20 February 2012 4763:"Historia Miya San" 4304:Rollins and Witts, 4111:Jones (1985), p. 25 4093:Jones (1985), p. 22 3784:A character in the 3428:'s usual Ko-Ko. In 3323:The Daily Telegraph 3173:" of the TV sitcom 3014:, Simon Butteriss, 2996:Metropolitan Mikado 2728:Victor Schertzinger 2697:film adaptation of 1591:Chicago Lyric Opera 1558:Enduring popularity 1525:Rupert D'Oyly Carte 1253:Japanese exhibition 658:"Ye torrents roar!" 32:Theatre poster for 7946:Short, sharp shock 7713:The Rose of Persia 7665:The Contrabandista 7314:in "The Entr'acte" 7292:at Musicals101.com 6922:19th Century Music 6687:. 20th Century Fox 6510:Beckford, Martin. 6493:Safire, William. 6471:Collins Dictionary 6301:The Mikado Project 6288:Death at the Opera 6286:Mitchell, Gladys. 6114:Fishman, Stephen. 6047:The New York Times 5467:The New York Times 5374:Pullum, Geoffrey. 5305:retains its charm" 5232:Morisawa, Masaki. 5168:Crowther, Andrew. 5043:The New York Times 4881:The New York Times 4805:Munich, Adrienne. 4679:, 6 December 2010. 4667:Steinberg, Neil. 4610:Kan'ichi Asakawa. 4558:, 23 November 2015 4261:(1710) pp. 454–56. 4237:Hughes, pp. 131–32 4145:on 5 February 2013 4005:Crowther, Andrew. 3975:BBC Music Magazine 3959:, 29 November 1910 3792: – the terms 3389: 3256:short, sharp shock 3200: 3153: 3126:The Mikado Project 3109:Death at the Opera 3069: 3053:In popular culture 2867: 2820:Stratford Festival 2801:The New York Times 2614:Stratford Festival 2574: 2519: 2484:Ann Drummond-Grant 2317:Geoffrey Shovelton 2172:Nellie Briercliffe 2163:Margaret Mitchell 2030:Neville Griffiths 1893:Geraldine St. Maur 1772:Rutland Barrington 1767:Rutland Barrington 1762:Rutland Barrington 1752:Rutland Barrington 1742:Charles H. Workman 1707:Charles Kenningham 1666:Frederick Federici 1617:Historical casting 1568: 1506: 1468:The New York Times 1379:Ernie Pyle Theatre 1339: 1243:Gulliver's Travels 1207: 1205:"made up" as Ko-Ko 1179:A Wife for a Month 1158: 990:First London run. 946:Stratford Festival 854: 744: 675: 575: 546: 481: 337: 222: 134: 37: 7954: 7953: 7917:Sumo of the Opera 7762: 7761: 7632:Performing groups 7259:978-0-8166-6580-8 7249:Lee, Josephine. 7177:978-0-231-14804-7 7120:The Musical Times 7039:978-0-19-315443-8 7008:. Michael Joseph. 6996:978-0-486-27268-9 6985:. Dover. p. 6908:978-0-571-11147-3 6899:Jacques Offenbach 6833:978-0-9667916-1-7 6792:978-0-19-514769-8 6762:(2000 ed.). 6621:978-1-84368-036-9 6576:. Coldfront L.L.C 6522:, 3 December 2009 6320:Heymont, George. 6127:Bierley, Paul E. 5995:"The Technicolor 5960:978-3-8376-1185-4 5946:Schmitt, Thomas. 5912:978-0-231-11662-6 5904:Silent Film Sound 5728:, 2 February 2013 5507:978-1-84368-036-9 5495:Suart, Richard. 5123:Los Angeles Times 5005:"Sumiko Enbutsu: 4994:, 5 February 1970 4817:978-0-231-10481-4 4751:The Palace Peeper 4677:Chicago Sun-Times 4412:, 16 October 2020 4255:The Musical Times 4131:Schickel, Richard 4120:Baily, pp. 235–36 3882:Buckingham Palace 3731:Walsh v. Lonsdale 3103:Sumo of the Opera 2949:as Pooh-Bah, and 2888:John Philip Sousa 2863:Alice B. Woodward 2834:Other adaptations 2777:Valerie Masterson 2718:as Nanki-Poo and 2706:, the film stars 2624:Charles Mackerras 2538: 2504: 2503: 2454:Lorraine Daniels 2422:Valerie Masterson 2342:James Conroy-Ward 2305:Neville Griffiths 2247: 2246: 1938: 1937: 1606:The Golden Legend 1388:Douglas MacArthur 1325:Jacques Offenbach 1305:, baby-talk for " 1154:Alice B. Woodward 1130: 1129: 1042:29 September 1888 1000:Standard Theatres 899:Kaiser Wilhelm II 8019: 7992:Japan in fiction 7872:The Black Mikado 7856:The Swing Mikado 7789: 7782: 7775: 7766: 7765: 7752: 7751: 7742: 7741: 7721:The Emerald Isle 7705:The Beauty Stone 7407: 7400: 7393: 7384: 7383: 7370: 7369: 7346:Page linking to 7245: 7232: 7204: 7192: 7181: 7162: 7143: 7113: 7104: 7092: 7074: 7065: 7056: 7043: 7031: 7020: 7009: 7000: 6984: 6973: 6962: 6936: 6912: 6895:Faris, Alexander 6890: 6876: 6867: 6846: 6837: 6818: 6816: 6805: 6796: 6768: 6767: 6755: 6749: 6735: 6729: 6719:Sherman, Allan. 6717: 6711: 6694: 6688: 6681: 6675: 6674: 6672: 6670: 6661:. Archived from 6651: 6645: 6630: 6624: 6607: 6601: 6594:Sherman, Allan. 6592: 6586: 6585: 6583: 6581: 6555: 6549: 6548: 6546: 6544: 6529: 6523: 6508: 6502: 6495:"Whence Poo-Bah" 6491: 6482: 6481: 6479: 6477: 6463: 6457: 6456: 6453:Seinfeld Scripts 6445: 6439: 6422: 6416: 6407: 6401: 6390: 6381: 6374: 6368: 6362: 6356: 6335: 6329: 6318: 6312: 6297: 6291: 6284: 6278: 6264: 6258: 6241: 6235: 6228: 6222: 6212: 6203: 6195: 6189: 6171: 6165: 6154:The Black Mikado 6150: 6144: 6138: 6132: 6125: 6119: 6112: 6106: 6099: 6093: 6080: 6074: 6056: 6050: 6039: 6033: 6028: 6022: 6015: 6009: 5993:Shepherd, Marc. 5991: 5985: 5968: 5962: 5944: 5938: 5922:Shepherd, Marc. 5920: 5914: 5897: 5891: 5879:Shepherd, Marc. 5877: 5871: 5859:Shepherd, Marc. 5857: 5851: 5839:Shepherd, Marc. 5837: 5831: 5819:Shepherd, Marc. 5817: 5811: 5799:Shepherd, Marc. 5797: 5791: 5779:Shepherd, Marc. 5777: 5771: 5759:Shepherd, Marc. 5757: 5751: 5742:Shepherd, Marc. 5740: 5729: 5718: 5712: 5709: 5703: 5700: 5694: 5691: 5685: 5682: 5676: 5673: 5667: 5664: 5658: 5655: 5649: 5646: 5640: 5637: 5631: 5628: 5622: 5619: 5613: 5610: 5604: 5601: 5595: 5592: 5586: 5583: 5577: 5570: 5564: 5542: 5536: 5533: 5527: 5526: 5515: 5509: 5493: 5487: 5476: 5470: 5443: 5437: 5430: 5424: 5421: 5415: 5408: 5402: 5399: 5390: 5372: 5366: 5362:Gilbert (1992), 5360: 5354: 5351: 5345: 5334: 5328: 5324:The Mercury News 5299:Kosman, Joshua. 5297: 5291: 5288:American Theatre 5276: 5270: 5251: 5245: 5230: 5224: 5213: 5207: 5198:Kiley, Brendan. 5196: 5190: 5189:, 16 August 2014 5181:Levin, Michael. 5179: 5173: 5166: 5155: 5141: 5135: 5134: 5132: 5130: 5113: 5107: 5100:"Stereotypes in 5093: 5087: 5071: 5062: 5052: 5046: 5031: 5025: 5024: 5022: 5020: 5011:. Archived from 5001: 4995: 4981: 4975: 4961: 4955: 4933: 4927: 4926: 4918: 4912: 4910: 4890: 4884: 4874: 4868: 4862: 4856: 4847: 4841: 4838: 4832: 4831:, Pamphlet Press 4825: 4819: 4803: 4797: 4783: 4777: 4760: 4754: 4740:this translation 4737: 4731: 4728: 4722: 4707: 4701: 4698: 4692: 4689:"Mikado Genesis" 4686: 4680: 4665: 4656: 4638: 4632: 4629: 4623: 4608: 4602: 4597:, 1 April 1885, 4591: 4585: 4577: 4571: 4565: 4559: 4544: 4538: 4532:Ernest MacMillan 4528: 4522: 4515: 4509: 4506: 4500: 4497: 4491: 4484: 4478: 4469:Jacobs, Arthur. 4467: 4461: 4458: 4452: 4449: 4443: 4440: 4434: 4419: 4413: 4398: 4365: 4353: 4347: 4336: 4330: 4321:costume designs. 4314: 4308: 4302: 4296: 4293: 4287: 4284: 4275: 4268: 4262: 4247: 4238: 4235: 4229: 4221: 4215: 4204: 4191: 4186: 4180: 4173: 4167: 4164: 4155: 4154: 4152: 4150: 4141:. Archived from 4127: 4121: 4118: 4112: 4109: 4103: 4100: 4094: 4091: 4082: 4079: 4073: 4067: 4058: 4055: 4046: 4043: 4037: 4034: 4028: 4025: 4019: 4016: 4010: 4003: 3997: 3994: 3988: 3987:Traubner, p. 162 3985: 3979: 3966: 3960: 3937: 3928: 3915: 3898: 3891: 3885: 3874: 3868: 3865: 3859: 3850: 3844: 3837: 3831: 3824: 3818: 3782: 3776: 3765: 3759: 3756: 3750: 3726: 3720: 3711: 3702: 3699: 3693: 3671: 3580:Dinah Shore Show 3516:Chariots of Fire 3494:Richard Thompson 3432:'s short story " 3409:Eureeka's Castle 3381:Film poster for 3010:(1985) starring 2978:The Black Mikado 2947:Stanley Holloway 2900:The Swing Mikado 2789:Christene Palmer 2773:Kenneth Sandford 2756:Laurence Olivier 2712:Sydney Granville 2688:as Yum-Yum, and 2674:Darrell Fancourt 2630:Films and videos 2577:Audio recordings 2540: 2539: 2516: 2499:Patricia Leonard 2489:Christene Palmer 2475:Roberta Morrell 2471:Patricia Leonard 2367:Kenneth Sandford 2362:Kenneth Sandford 2357:Kenneth Sandford 2249: 2248: 2189:Joan Gillingham 2155:Kathleen Frances 2079:Sydney Granville 2054:Grahame Clifford 2021:Charles Goulding 2016:Charles Goulding 2003:Darrell Fancourt 1998:Darrell Fancourt 1993:Darrell Fancourt 1988:Darrell Fancourt 1946: 1945: 1906:Beatrice Boarer 1789:Richard Cummings 1786:Charles Richards 1782:Frederick Bovill 1732:George Grossmith 1722:George Grossmith 1624: 1623: 1544:Guy Fawkes Night 1488: 1274:Madama Butterfly 1234:G. K. Chesterton 1211:Emperor of Japan 1194:Japanese setting 1099:17 February 1897 1025:20 November 1886 958: 957: 880:J. C. Williamson 836:Charles Ricketts 741:Albany, New York 478:Charles Ricketts 247:Japanese Village 218:Japanese village 8027: 8026: 8022: 8021: 8020: 8018: 8017: 8016: 7957: 7956: 7955: 7950: 7922: 7904: 7886: 7843: 7829:The Cool Mikado 7808: 7800:Arthur Sullivan 7793: 7763: 7758: 7730: 7641:Sullivan operas 7636: 7548: 7536:Utopia, Limited 7473:H.M.S. Pinafore 7439: 7430:Arthur Sullivan 7416: 7411: 7367: 7310:1885 review of 7268: 7243: 7211: 7209:Further reading 7201: 7178: 7159: 7101: 7040: 6997: 6959: 6909: 6864: 6834: 6793: 6777: 6772: 6771: 6756: 6752: 6746:Wayback Machine 6736: 6732: 6718: 6714: 6708:Wayback Machine 6695: 6691: 6682: 6678: 6668: 6666: 6665:on 10 June 2011 6653: 6652: 6648: 6632:Stone, Martin. 6631: 6627: 6608: 6604: 6593: 6589: 6579: 6577: 6568: 6565:Wayback Machine 6556: 6552: 6542: 6540: 6531: 6530: 6526: 6509: 6505: 6492: 6485: 6475: 6473: 6465: 6464: 6460: 6447: 6446: 6442: 6437:Wayback Machine 6423: 6419: 6408: 6404: 6392:Green, Edward. 6391: 6384: 6375: 6371: 6363: 6359: 6337:Bowman, Donna. 6336: 6332: 6319: 6315: 6309:Wayback Machine 6298: 6294: 6285: 6281: 6275:Wayback Machine 6265: 6261: 6255:Wayback Machine 6242: 6238: 6229: 6225: 6213: 6206: 6196: 6192: 6186:The Independent 6182:Wayback Machine 6172: 6168: 6162:Wayback Machine 6151: 6147: 6139: 6135: 6126: 6122: 6113: 6109: 6100: 6096: 6090:Wayback Machine 6081: 6077: 6071:Wayback Machine 6057: 6053: 6041:Sullivan, Dan. 6040: 6036: 6029: 6025: 6016: 6012: 6006:Wayback Machine 5992: 5988: 5982:Wayback Machine 5969: 5965: 5945: 5941: 5935:Wayback Machine 5921: 5917: 5898: 5894: 5888:Wayback Machine 5878: 5874: 5868:Wayback Machine 5858: 5854: 5848:Wayback Machine 5838: 5834: 5828:Wayback Machine 5818: 5814: 5808:Wayback Machine 5798: 5794: 5788:Wayback Machine 5778: 5774: 5768:Wayback Machine 5758: 5754: 5744:"Recordings of 5741: 5732: 5719: 5715: 5710: 5706: 5701: 5697: 5692: 5688: 5683: 5679: 5674: 5670: 5665: 5661: 5656: 5652: 5647: 5643: 5638: 5634: 5629: 5625: 5620: 5616: 5611: 5607: 5602: 5598: 5593: 5589: 5584: 5580: 5571: 5567: 5562:Wayback Machine 5552:Wayback Machine 5543: 5539: 5534: 5530: 5525:on 7 June 2008. 5517: 5516: 5512: 5494: 5490: 5480:The Independent 5477: 5473: 5445:Rahim, Sameer. 5444: 5440: 5432:Baily, Lesley. 5431: 5427: 5422: 5418: 5410:Eliot, George. 5409: 5405: 5400: 5393: 5383:Wayback Machine 5373: 5369: 5361: 5357: 5352: 5348: 5335: 5331: 5327:, 8 August 2016 5298: 5294: 5290:, 20 April 2016 5277: 5273: 5252: 5248: 5231: 5227: 5214: 5210: 5197: 5193: 5187:Huffington Post 5180: 5176: 5167: 5158: 5142: 5138: 5128: 5126: 5114: 5110: 5094: 5090: 5084:Wayback Machine 5072: 5065: 5053: 5049: 5035:"Japanese Hail 5033:Brooke, James. 5032: 5028: 5018: 5016: 5003: 5002: 4998: 4982: 4978: 4962: 4958: 4934: 4930: 4919: 4915: 4911:Cass; Routledge 4891: 4887: 4875: 4871: 4863: 4859: 4848: 4844: 4839: 4835: 4827:Seay, James L. 4826: 4822: 4804: 4800: 4784: 4780: 4770:Wayback Machine 4761: 4757: 4747:Wayback Machine 4738: 4734: 4729: 4725: 4708: 4704: 4699: 4695: 4687: 4683: 4666: 4659: 4653:Your Canterbury 4649:Wayback Machine 4639: 4635: 4630: 4626: 4609: 4605: 4592: 4588: 4578: 4574: 4566: 4562: 4545: 4541: 4529: 4525: 4519:Saturday Review 4516: 4512: 4507: 4503: 4498: 4494: 4485: 4481: 4468: 4464: 4459: 4455: 4450: 4446: 4441: 4437: 4421:In the case of 4420: 4416: 4399: 4368: 4363:Wayback Machine 4354: 4350: 4337: 4333: 4328:Wayback Machine 4315: 4311: 4303: 4299: 4294: 4290: 4285: 4278: 4269: 4265: 4248: 4241: 4236: 4232: 4222: 4218: 4214:, 9 August 1885 4205: 4194: 4187: 4183: 4174: 4170: 4165: 4158: 4148: 4146: 4128: 4124: 4119: 4115: 4110: 4106: 4101: 4097: 4092: 4085: 4080: 4076: 4068: 4061: 4056: 4049: 4044: 4040: 4035: 4031: 4026: 4022: 4017: 4013: 4004: 4000: 3995: 3991: 3986: 3982: 3968:Jaffé, Daniel. 3967: 3963: 3953:Wayback Machine 3938: 3931: 3926:Wayback Machine 3916: 3912: 3907: 3902: 3901: 3892: 3888: 3875: 3871: 3866: 3862: 3851: 3847: 3838: 3834: 3826:The ban forced 3825: 3821: 3783: 3779: 3766: 3762: 3757: 3753: 3747:Wayback Machine 3727: 3723: 3712: 3705: 3700: 3696: 3672: 3668: 3663: 3658: 3636:Shelley Winters 3613:The Muppet Show 3589:Ella Fitzgerald 3585:Joan Sutherland 3521:Harold Abrahams 3439:Other songs in 3375: 3345:The Flintstones 3332:Winnie-the-Pooh 3318:Charles Spencer 3313:Peter Mandelson 3308:Something Fresh 3303:P. G. Wodehouse 3285:The Parent Trap 3252: 3114:Gladys Mitchell 3100:is parodied in 3061: 3055: 3020:Robert Meadmore 3004:Alistair Beaton 2962:The Cool Mikado 2893:The Jazz Mikado 2836: 2797:Isidore Godfrey 2793:Peggy Ann Jones 2676:as The Mikado, 2632: 2602:Isidore Godfrey 2579: 2562: 2561: 2553: 2551: 2550: 2549: 2548: 2541: 2534: 2531: 2520: 2514: 2509: 2494:Lyndsie Holland 2447:Peggy Ann Jones 2410:Thomas Scholey 2271: 2266: 2261: 2256: 2200:Beatrice Elburn 2135:L. Radley Flynn 2130:L. Radley Flynn 2126:T. Penry Hughes 2099:Frederick Hobbs 2069:Fred Billington 1983:Leicester Tunks 1973: 1968: 1963: 1958: 1953: 1928:Rosina Brandram 1923:Rosina Brandram 1915:Rosina Brandram 1841:Geraldine Ulmar 1836:Geraldine Ulmar 1798:Leicester Tunks 1757:Fred Billington 1737:Walter Passmore 1702:J. G. Robertson 1697:Courtice Pounds 1651: 1646: 1641: 1636: 1631: 1619: 1560: 1495: 1486: 1433: 1421:Chichibu Mikado 1408:transliteration 1269:Giacomo Puccini 1213:using the term 1196: 1140: 1138:Themes of death 1135: 1056:6 November 1895 1022:1 November 1886 984:19 January 1887 930:Jonathan Miller 887:Eduard Hanslick 859:H.M.S. Pinafore 850:Geraldine Ulmar 825:, the widow of 775:Balmoral Castle 733: 667: 593: 584:Hamilton Clarke 563: 561:Musical numbers 543: 538: 534: 511: 465: 460: 434:A Ward of Ko-Ko 423:A Ward of Ko-Ko 326: 205:, written with 202:The Mountebanks 126: 107:Utopia, Limited 50:Arthur Sullivan 24: 17: 12: 11: 5: 8025: 8015: 8014: 8009: 8004: 7999: 7994: 7989: 7984: 7979: 7974: 7969: 7952: 7951: 7949: 7948: 7943: 7938: 7930: 7928: 7924: 7923: 7921: 7920: 7912: 7910: 7906: 7905: 7903: 7902: 7894: 7892: 7888: 7887: 7885: 7884: 7876: 7868: 7864:The Hot Mikado 7860: 7851: 7849: 7845: 7844: 7842: 7841: 7833: 7825: 7816: 7814: 7810: 7809: 7792: 7791: 7784: 7777: 7769: 7760: 7759: 7757: 7756: 7746: 7735: 7732: 7731: 7729: 7728: 7717: 7709: 7701: 7693: 7685: 7677: 7669: 7661: 7653: 7644: 7642: 7638: 7637: 7635: 7634: 7629: 7624: 7619: 7614: 7609: 7604: 7603: 7602: 7600:dramatic works 7592: 7587: 7582: 7577: 7572: 7567: 7562: 7556: 7554: 7550: 7549: 7547: 7546: 7543:The Grand Duke 7539: 7532: 7529:The Gondoliers 7525: 7518: 7511: 7504: 7497: 7490: 7483: 7476: 7469: 7462: 7455: 7447: 7445: 7441: 7440: 7438: 7437: 7432: 7427: 7421: 7418: 7417: 7410: 7409: 7402: 7395: 7387: 7381: 7380: 7364: 7352: 7343: 7334: 7328: 7317: 7307: 7299: 7294: 7288:Discussion of 7285: 7277: 7267: 7266:External links 7264: 7263: 7262: 7247: 7233: 7223:(3): 303–319. 7210: 7207: 7206: 7205: 7199: 7182: 7176: 7163: 7157: 7144: 7132:10.2307/964306 7115: 7105: 7099: 7082: 7066: 7057: 7044: 7038: 7021: 7010: 7001: 6995: 6974: 6963: 6957: 6942: 6926: 6913: 6907: 6891: 6877: 6868: 6862: 6847: 6838: 6832: 6819: 6806: 6797: 6791: 6776: 6773: 6770: 6769: 6766:. p. 227. 6750: 6730: 6712: 6689: 6676: 6646: 6625: 6602: 6587: 6550: 6524: 6503: 6483: 6458: 6449:"The Hamptons" 6440: 6417: 6402: 6382: 6369: 6357: 6330: 6313: 6292: 6279: 6259: 6236: 6223: 6204: 6190: 6188:, 25 July 1999 6173:Walsh, Maeve. 6166: 6145: 6133: 6120: 6107: 6094: 6075: 6051: 6034: 6023: 6010: 5986: 5963: 5939: 5915: 5892: 5872: 5852: 5832: 5812: 5792: 5772: 5752: 5730: 5713: 5704: 5695: 5686: 5677: 5668: 5659: 5650: 5641: 5632: 5623: 5614: 5605: 5596: 5594:Gänzl, p. 275. 5587: 5578: 5565: 5537: 5528: 5510: 5488: 5471: 5438: 5425: 5416: 5403: 5391: 5367: 5355: 5346: 5329: 5292: 5271: 5246: 5225: 5208: 5191: 5174: 5156: 5136: 5108: 5088: 5063: 5061:, 23 July 1992 5047: 5026: 4996: 4976: 4974:, 16 June 1947 4968:, Much Regret" 4956: 4928: 4913: 4901:(3): 297–302. 4885: 4869: 4857: 4842: 4833: 4820: 4798: 4778: 4755: 4732: 4723: 4702: 4693: 4681: 4657: 4633: 4624: 4603: 4586: 4572: 4560: 4546:Hall, George. 4539: 4530:The conductor 4523: 4510: 4501: 4492: 4479: 4462: 4453: 4444: 4435: 4414: 4400:Tiarks, Mark. 4366: 4348: 4331: 4309: 4297: 4288: 4276: 4263: 4239: 4230: 4216: 4192: 4181: 4168: 4156: 4122: 4113: 4104: 4095: 4083: 4074: 4059: 4057:Ainger, p. 233 4047: 4045:Ainger, p. 232 4038: 4036:Ainger, p. 231 4029: 4027:Ainger, p. 230 4020: 4018:Ainger, p. 226 4011: 3998: 3996:Jacobs, p. 187 3989: 3980: 3978:, 9 March 2022 3961: 3940:Mencken, H. L. 3929: 3909: 3908: 3906: 3903: 3900: 3899: 3895:R. A. Butler's 3886: 3869: 3860: 3845: 3832: 3819: 3777: 3760: 3751: 3721: 3703: 3694: 3665: 3664: 3662: 3659: 3657: 3654: 3374: 3368: 3334:by the author 3328:William Safire 3254:The phrase "A 3251: 3245: 3196:The Capitalist 3134:deconstruction 3057:Main article: 3054: 3051: 3050: 3049: 3039: 3031: 3028:Raymond Gubbay 3026:, produced by 2993: 2988:production of 2982: 2974: 2967:Michael Winner 2958: 2934: 2928: 2916:The Hot Mikado 2912: 2896: 2895:(1927, Berlin) 2890: 2835: 2832: 2748:a film version 2631: 2628: 2627: 2626: 2620: 2617: 2610: 2607: 2604: 2598: 2591: 2590: 2578: 2575: 2552: 2545:Edison Records 2542: 2532: 2523: 2522: 2521: 2512: 2511: 2510: 2508: 2505: 2502: 2501: 2496: 2491: 2486: 2481: 2477: 2476: 2473: 2468: 2463: 2460: 2456: 2455: 2452: 2449: 2444: 2439: 2435: 2434: 2432:Vivian Tierney 2429: 2424: 2419: 2416: 2412: 2411: 2408: 2405: 2400: 2397: 2393: 2392: 2389: 2387:Michael Rayner 2384: 2379: 2377:Jeffrey Skitch 2374: 2370: 2369: 2364: 2359: 2354: 2349: 2345: 2344: 2339: 2334: 2329: 2324: 2320: 2319: 2314: 2311: 2306: 2303: 2299: 2298: 2293: 2288: 2283: 2278: 2274: 2273: 2268: 2263: 2258: 2253: 2245: 2244: 2239: 2234: 2229: 2224: 2219: 2215: 2214: 2209: 2206: 2201: 2198: 2195: 2191: 2190: 2187: 2182: 2177: 2174: 2169: 2165: 2164: 2161: 2156: 2153: 2148: 2147:Elsie McDermid 2145: 2141: 2140: 2139:Donald Harris 2137: 2132: 2127: 2124: 2122: 2118: 2117: 2112: 2109: 2104: 2103:Henry Millidge 2101: 2096: 2092: 2091: 2089:Richard Watson 2086: 2084:Richard Walker 2081: 2076: 2071: 2066: 2062: 2061: 2056: 2051: 2046: 2041: 2036: 2032: 2031: 2028: 2023: 2018: 2013: 2010: 2006: 2005: 2000: 1995: 1990: 1985: 1980: 1976: 1975: 1970: 1965: 1960: 1955: 1950: 1936: 1935: 1930: 1925: 1920: 1917: 1912: 1908: 1907: 1904: 1899: 1894: 1891: 1886: 1882: 1881: 1876: 1871: 1866: 1863: 1858: 1854: 1853: 1848: 1846:Florence Perry 1843: 1838: 1833: 1831:Leonora Braham 1828: 1824: 1823: 1822:Fred Drawater 1820: 1818: 1813: 1810: 1805: 1801: 1800: 1795: 1790: 1787: 1784: 1779: 1775: 1774: 1769: 1764: 1759: 1754: 1749: 1745: 1744: 1739: 1734: 1729: 1724: 1719: 1715: 1714: 1712:Strafford Moss 1709: 1704: 1699: 1694: 1689: 1685: 1684: 1679: 1676:R. Scott Fishe 1673: 1671:Richard Temple 1668: 1663: 1661:Richard Temple 1658: 1654: 1653: 1648: 1643: 1638: 1633: 1628: 1618: 1615: 1559: 1556: 1521:minstrel shows 1494: 1491: 1432: 1429: 1404:Hepburn system 1238:Jonathan Swift 1195: 1192: 1139: 1136: 1134: 1131: 1128: 1127: 1124: 1121: 1118: 1115: 1111: 1110: 1107:The Grand Duke 1103: 1100: 1097: 1094: 1090: 1089: 1085:The Grand Duke 1080: 1077: 1074: 1071: 1067: 1066: 1063: 1060: 1057: 1054: 1050: 1049: 1046: 1043: 1040: 1037: 1033: 1032: 1029: 1026: 1023: 1020: 1016: 1015: 1012: 1009: 1006: 1005:19 August 1885 1003: 992: 991: 988: 985: 982: 979: 975: 974: 971: 968: 965: 962: 942:Busby Berkeley 926:Lesley Garrett 878:, produced by 819:The Grand Duke 810:The Grand Duke 779:Queen Victoria 732: 729: 728: 727: 726: 725: 722: 716: 713: 710: 707: 704: 701: 698: 695: 692: 689: 682: 679: 666: 663: 662: 661: 660: 659: 656: 653: 650: 647: 644: 638: 635: 632: 629: 622: 619: 616: 613: 606: 603: 600: 597: 592: 589: 588: 587: 562: 559: 516: 515: 514:Ko-Ko's Garden 510: 507: 470: 469: 464: 461: 459: 456: 455: 454: 448: 437: 430: 419: 408: 397: 386: 375: 364: 353: 325: 322: 318:Richard Temple 292:Leonora Braham 249:exhibition in 207:Alfred Cellier 125: 122: 113:The Grand Duke 101:The Gondoliers 15: 9: 6: 4: 3: 2: 8024: 8013: 8010: 8008: 8005: 8003: 8000: 7998: 7995: 7993: 7990: 7988: 7985: 7983: 7980: 7978: 7975: 7973: 7970: 7968: 7965: 7964: 7962: 7947: 7944: 7942: 7939: 7937: 7936: 7932: 7931: 7929: 7925: 7918: 7914: 7913: 7911: 7907: 7900: 7896: 7895: 7893: 7889: 7882: 7881: 7877: 7874: 7873: 7869: 7866: 7865: 7861: 7858: 7857: 7853: 7852: 7850: 7846: 7839: 7838: 7834: 7831: 7830: 7826: 7823: 7822: 7818: 7817: 7815: 7811: 7807: 7806: 7801: 7797: 7790: 7785: 7783: 7778: 7776: 7771: 7770: 7767: 7755: 7747: 7745: 7737: 7736: 7733: 7727: 7723: 7722: 7718: 7715: 7714: 7710: 7707: 7706: 7702: 7699: 7698: 7697:The Chieftain 7694: 7691: 7690: 7686: 7683: 7682: 7678: 7675: 7674: 7670: 7667: 7666: 7662: 7659: 7658: 7654: 7651: 7650: 7646: 7645: 7643: 7639: 7633: 7630: 7628: 7625: 7623: 7620: 7618: 7615: 7613: 7610: 7608: 7605: 7601: 7598: 7597: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7578: 7576: 7573: 7571: 7568: 7566: 7563: 7561: 7558: 7557: 7555: 7551: 7545: 7544: 7540: 7538: 7537: 7533: 7531: 7530: 7526: 7524: 7523: 7519: 7517: 7516: 7512: 7510: 7509: 7505: 7503: 7502: 7498: 7496: 7495: 7491: 7489: 7488: 7484: 7482: 7481: 7477: 7475: 7474: 7470: 7468: 7467: 7463: 7461: 7460: 7459:Trial by Jury 7456: 7454: 7453: 7449: 7448: 7446: 7442: 7436: 7433: 7431: 7428: 7426: 7425:W. S. Gilbert 7423: 7422: 7419: 7415: 7408: 7403: 7401: 7396: 7394: 7389: 7388: 7385: 7379: 7375: 7374: 7365: 7362: 7358: 7357: 7353: 7351: 7350:song parodies 7349: 7344: 7342: 7340: 7335: 7332: 7329: 7327: 7326: 7322: 7321:Koko's Korner 7318: 7315: 7313: 7308: 7306: 7305: 7300: 7298: 7295: 7293: 7291: 7286: 7284: 7282: 7278: 7276: 7274: 7270: 7269: 7260: 7256: 7252: 7248: 7242: 7238: 7234: 7230: 7226: 7222: 7218: 7213: 7212: 7202: 7200:9780394541136 7196: 7191: 7190: 7183: 7179: 7173: 7169: 7164: 7160: 7158:0-415-96641-8 7154: 7150: 7145: 7141: 7137: 7133: 7129: 7125: 7121: 7116: 7111: 7106: 7102: 7096: 7091: 7090: 7083: 7081: 7080:0-9507992-1-1 7077: 7072: 7067: 7064:(22): 686–96. 7063: 7058: 7054: 7050: 7045: 7041: 7035: 7030: 7029: 7022: 7018: 7017: 7011: 7007: 7002: 6998: 6992: 6988: 6983: 6982: 6975: 6971: 6970: 6964: 6960: 6958:0-02-870832-6 6954: 6950: 6949: 6943: 6940: 6937:This book is 6934: 6933: 6927: 6925: 6923: 6919: 6914: 6910: 6904: 6900: 6896: 6892: 6888: 6887: 6882: 6878: 6874: 6869: 6865: 6863:0-19-516700-7 6859: 6855: 6854: 6848: 6844: 6839: 6835: 6829: 6825: 6820: 6815: 6814: 6807: 6803: 6798: 6794: 6788: 6784: 6779: 6778: 6765: 6764:Penguin Books 6761: 6754: 6747: 6743: 6740: 6734: 6728: 6724: 6723: 6716: 6709: 6705: 6702: 6700: 6693: 6686: 6680: 6664: 6660: 6656: 6650: 6643: 6641: 6635: 6629: 6622: 6618: 6614: 6613: 6606: 6599: 6598: 6591: 6575: 6571: 6566: 6562: 6559: 6554: 6538: 6534: 6528: 6521: 6517: 6515: 6507: 6500: 6496: 6490: 6488: 6472: 6468: 6462: 6454: 6450: 6444: 6438: 6434: 6431: 6427: 6421: 6415: 6411: 6406: 6399: 6395: 6389: 6387: 6379: 6373: 6366: 6361: 6354: 6350: 6349: 6348:The A.V. Club 6344: 6342: 6334: 6327: 6323: 6317: 6310: 6306: 6303: 6302: 6296: 6289: 6283: 6276: 6272: 6269: 6263: 6256: 6252: 6249: 6247: 6240: 6233: 6230:Dowd, Katie. 6227: 6220: 6218: 6211: 6209: 6202: 6201: 6194: 6187: 6183: 6179: 6176: 6170: 6163: 6159: 6156: 6155: 6149: 6142: 6137: 6130: 6124: 6117: 6111: 6104: 6098: 6091: 6087: 6084: 6079: 6072: 6068: 6065: 6061: 6055: 6048: 6044: 6038: 6032: 6027: 6020: 6014: 6007: 6003: 6000: 5998: 5990: 5983: 5979: 5976: 5974: 5967: 5961: 5957: 5953: 5949: 5943: 5936: 5932: 5929: 5927: 5919: 5913: 5909: 5905: 5901: 5896: 5889: 5885: 5882: 5876: 5869: 5865: 5862: 5856: 5849: 5845: 5842: 5836: 5829: 5825: 5822: 5816: 5809: 5805: 5802: 5796: 5789: 5785: 5782: 5776: 5769: 5765: 5762: 5756: 5749: 5747: 5739: 5737: 5735: 5727: 5723: 5717: 5708: 5699: 5690: 5681: 5672: 5663: 5654: 5645: 5636: 5627: 5618: 5609: 5600: 5591: 5582: 5575: 5569: 5563: 5559: 5556: 5553: 5549: 5546: 5541: 5532: 5524: 5520: 5514: 5508: 5504: 5500: 5499: 5492: 5486: 5485: 5481: 5475: 5468: 5464: 5462: 5456: 5455:The Telegraph 5452: 5450: 5442: 5435: 5429: 5420: 5413: 5407: 5398: 5396: 5389:, 19 May 2014 5388: 5384: 5380: 5377: 5371: 5365: 5359: 5350: 5343: 5341: 5333: 5326: 5325: 5320: 5318: 5312: 5311: 5306: 5304: 5296: 5289: 5285: 5283: 5275: 5268: 5266: 5260: 5258: 5250: 5243: 5239: 5237: 5229: 5222: 5218: 5212: 5205: 5203: 5195: 5188: 5184: 5178: 5171: 5165: 5163: 5161: 5153: 5149: 5147: 5140: 5125: 5124: 5119: 5112: 5105: 5103: 5097: 5092: 5085: 5081: 5078: 5077: 5073:Sean Curtin. 5070: 5068: 5060: 5056: 5051: 5044: 5040: 5038: 5030: 5014: 5010: 5008: 5000: 4993: 4989: 4987: 4980: 4973: 4972:Time Magazine 4969: 4967: 4960: 4953: 4949: 4947: 4941: 4939: 4932: 4924: 4917: 4908: 4904: 4900: 4896: 4889: 4882: 4878: 4873: 4866: 4861: 4855: 4853: 4846: 4837: 4830: 4824: 4818: 4814: 4810: 4809: 4802: 4795: 4791: 4789: 4782: 4775: 4771: 4767: 4764: 4759: 4752: 4748: 4744: 4741: 4736: 4730:Allen, p. 239 4727: 4720: 4716: 4714: 4706: 4697: 4690: 4685: 4678: 4674: 4672: 4664: 4662: 4655:, 2 June 2014 4654: 4650: 4646: 4643: 4640:Mairs, Dave. 4637: 4628: 4621: 4617: 4613: 4607: 4600: 4596: 4590: 4583: 4582: 4576: 4569: 4564: 4557: 4553: 4551: 4543: 4537: 4533: 4527: 4520: 4514: 4505: 4496: 4489: 4483: 4476: 4472: 4466: 4457: 4448: 4439: 4432: 4428: 4424: 4418: 4411: 4407: 4405: 4397: 4395: 4393: 4391: 4389: 4387: 4385: 4383: 4381: 4379: 4377: 4375: 4373: 4371: 4364: 4360: 4357: 4352: 4345: 4341: 4335: 4329: 4325: 4322: 4320: 4313: 4307: 4301: 4292: 4283: 4281: 4273: 4270:Gillan, Don. 4267: 4260: 4256: 4252: 4246: 4244: 4234: 4227: 4226: 4220: 4213: 4209: 4203: 4201: 4199: 4197: 4190: 4185: 4178: 4172: 4163: 4161: 4144: 4140: 4136: 4135:"Topsy-Turvy" 4132: 4126: 4117: 4108: 4099: 4090: 4088: 4078: 4071: 4066: 4064: 4054: 4052: 4042: 4033: 4024: 4015: 4008: 4002: 3993: 3984: 3977: 3976: 3971: 3965: 3958: 3954: 3950: 3947: 3946: 3941: 3936: 3934: 3927: 3923: 3920: 3917:Gillan, Don. 3914: 3910: 3896: 3890: 3883: 3879: 3873: 3864: 3857: 3856: 3849: 3842: 3836: 3829: 3823: 3816: 3815: 3810: 3808: 3804: 3802: 3798: 3796: 3791: 3787: 3781: 3774: 3770: 3769:James Planché 3764: 3755: 3748: 3744: 3741: 3737: 3733: 3732: 3725: 3717: 3710: 3708: 3698: 3691: 3687: 3686: 3681: 3680: 3676: 3670: 3666: 3653: 3651: 3647: 3646: 3641: 3640:John Betjeman 3637: 3633: 3632: 3627: 3623: 3619: 3618:Rowlf the Dog 3615: 3614: 3609: 3607: 3601: 3597: 3596:Allan Sherman 3592: 3590: 3586: 3582: 3581: 3576: 3575:Capitol Steps 3572: 3570: 3564: 3563: 3558: 3554: 3553: 3548: 3547: 3542: 3541: 3536: 3532: 3528: 3527: 3522: 3518: 3517: 3512: 3507: 3505: 3504: 3500:on the album 3499: 3495: 3490: 3489: 3484: 3483: 3478: 3477: 3472: 3471:Nora Zehetner 3468: 3467: 3462: 3458: 3457: 3456:The Producers 3452: 3451: 3446: 3442: 3437: 3435: 3431: 3427: 3423: 3419: 3415: 3414:Richard Suart 3411: 3410: 3405: 3404:Allan Sherman 3401: 3398: 3394: 3386: 3385: 3379: 3373: 3367: 3365: 3361: 3357: 3353: 3352: 3347: 3346: 3341: 3337: 3333: 3329: 3325: 3324: 3319: 3314: 3310: 3309: 3304: 3300: 3295: 3293: 3292: 3287: 3286: 3281: 3280: 3275: 3271: 3270: 3265: 3261: 3257: 3250: 3244: 3242: 3238: 3234: 3230: 3229: 3223: 3219: 3215: 3211: 3210: 3205: 3197: 3192: 3188: 3186: 3182: 3181:W. S. Gilbert 3178: 3177: 3172: 3168: 3164: 3163: 3158: 3150: 3145: 3141: 3139: 3135: 3131: 3127: 3123: 3119: 3115: 3111: 3110: 3105: 3104: 3099: 3095: 3094: 3089: 3088:San Francisco 3085: 3084:Zodiac Killer 3081: 3076: 3074: 3065: 3060: 3047: 3043: 3040: 3037: 3036: 3032: 3029: 3025: 3021: 3017: 3016:Rosemary Ashe 3013: 3009: 3005: 3001: 2997: 2994: 2991: 2987: 2983: 2980: 2979: 2975: 2972: 2968: 2964: 2963: 2959: 2956: 2952: 2951:Helen Traubel 2948: 2944: 2940: 2939: 2935: 2932: 2929: 2926: 2922: 2918: 2917: 2913: 2910: 2906: 2902: 2901: 2897: 2894: 2891: 2889: 2885: 2884: 2883: 2881: 2880:public domain 2876: 2872: 2864: 2860: 2855: 2851: 2848: 2844: 2840: 2831: 2829: 2825: 2821: 2817: 2813: 2808: 2806: 2802: 2798: 2794: 2790: 2786: 2782: 2781:Philip Potter 2778: 2774: 2770: 2766: 2762: 2761: 2757: 2753: 2749: 2744: 2741: 2737: 2736:Marcel Vertès 2733: 2732:Academy Award 2729: 2725: 2724:Geoffrey Toye 2721: 2717: 2713: 2709: 2705: 2701: 2700: 2693: 2691: 2687: 2686:Elsie Griffin 2684:as Pooh-Bah, 2683: 2682:Leo Sheffield 2679: 2675: 2671: 2666: 2664: 2660: 2656: 2655:sound-on-disc 2653: 2652:Cinematophone 2649: 2648:George Thorne 2645: 2641: 2637: 2625: 2621: 2618: 2615: 2611: 2608: 2605: 2603: 2599: 2597: 2593: 2592: 2588: 2587: 2586: 2583: 2571: 2566: 2560: 2558: 2546: 2530: 2528: 2500: 2497: 2495: 2492: 2490: 2487: 2485: 2482: 2479: 2478: 2474: 2472: 2469: 2467: 2466:Pauline Wales 2464: 2461: 2458: 2457: 2453: 2450: 2448: 2445: 2443: 2440: 2437: 2436: 2433: 2430: 2428: 2425: 2423: 2420: 2418:Cynthia Morey 2417: 2414: 2413: 2409: 2406: 2404: 2401: 2398: 2395: 2394: 2390: 2388: 2385: 2383: 2382:Thomas Lawlor 2380: 2378: 2375: 2372: 2371: 2368: 2365: 2363: 2360: 2358: 2355: 2353: 2352:Fisher Morgan 2350: 2347: 2346: 2343: 2340: 2338: 2335: 2333: 2330: 2328: 2325: 2322: 2321: 2318: 2315: 2312: 2310: 2309:Philip Potter 2307: 2304: 2301: 2300: 2297: 2294: 2292: 2289: 2287: 2284: 2282: 2279: 2276: 2275: 2269: 2264: 2259: 2254: 2251: 2250: 2243: 2240: 2238: 2235: 2233: 2230: 2228: 2225: 2223: 2220: 2217: 2216: 2213: 2210: 2207: 2205: 2202: 2199: 2196: 2193: 2192: 2188: 2186: 2185:Marjorie Eyre 2183: 2181: 2180:Marjorie Eyre 2178: 2176:Aileen Davies 2175: 2173: 2170: 2167: 2166: 2162: 2160: 2159:Helen Roberts 2157: 2154: 2152: 2151:Elsie Griffin 2149: 2146: 2143: 2142: 2138: 2136: 2133: 2131: 2128: 2125: 2123: 2120: 2119: 2116: 2113: 2110: 2108: 2105: 2102: 2100: 2097: 2094: 2093: 2090: 2087: 2085: 2082: 2080: 2077: 2075: 2074:Leo Sheffield 2072: 2070: 2067: 2064: 2063: 2060: 2057: 2055: 2052: 2050: 2047: 2045: 2042: 2040: 2037: 2034: 2033: 2029: 2027: 2024: 2022: 2019: 2017: 2014: 2011: 2008: 2007: 2004: 2001: 1999: 1996: 1994: 1991: 1989: 1986: 1984: 1981: 1978: 1977: 1971: 1966: 1961: 1956: 1951: 1948: 1947: 1944: 1941: 1934: 1931: 1929: 1926: 1924: 1921: 1919:Elsie Cameron 1918: 1916: 1913: 1910: 1909: 1905: 1903: 1900: 1898: 1895: 1892: 1890: 1887: 1884: 1883: 1880: 1877: 1875: 1872: 1870: 1867: 1864: 1862: 1859: 1856: 1855: 1852: 1849: 1847: 1844: 1842: 1839: 1837: 1834: 1832: 1829: 1826: 1825: 1821: 1819: 1817: 1816:Rudolph Lewis 1814: 1811: 1809: 1808:Rudolph Lewis 1806: 1803: 1802: 1799: 1796: 1794: 1791: 1788: 1785: 1783: 1780: 1777: 1776: 1773: 1770: 1768: 1765: 1763: 1760: 1758: 1755: 1753: 1750: 1747: 1746: 1743: 1740: 1738: 1735: 1733: 1730: 1728: 1727:George Thorne 1725: 1723: 1720: 1717: 1716: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1687: 1686: 1683: 1680: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1656: 1655: 1650:Savoy Theatre 1649: 1645:Savoy Theatre 1644: 1640:Savoy Theatre 1639: 1634: 1630:Savoy Theatre 1629: 1626: 1625: 1622: 1614: 1612: 1608: 1607: 1602: 1598: 1594: 1592: 1588: 1584: 1580: 1578: 1574: 1564: 1555: 1553: 1552:Richard Suart 1549: 1545: 1541: 1537: 1532: 1530: 1529:A. P. Herbert 1526: 1522: 1519: 1515: 1511: 1503: 1499: 1490: 1485: 1481: 1477: 1473: 1469: 1465: 1460: 1455: 1452: 1447: 1443: 1439: 1428: 1426: 1422: 1418: 1413: 1409: 1405: 1401: 1397: 1392: 1389: 1384: 1380: 1376: 1372: 1367: 1364: 1360: 1356: 1352: 1348: 1347:Meiji Emperor 1344: 1337:as the Mikado 1336: 1332: 1328: 1326: 1322: 1321: 1316: 1312: 1308: 1304: 1300: 1296: 1292: 1288: 1284: 1280: 1276: 1275: 1270: 1266: 1260: 1258: 1257:Knightsbridge 1254: 1249: 1245: 1244: 1239: 1235: 1230: 1228: 1224: 1220: 1216: 1212: 1204: 1200: 1191: 1189: 1185: 1184:John Fletcher 1181: 1180: 1175: 1169: 1167: 1162: 1155: 1151: 1150: 1144: 1125: 1120:27 March 1909 1119: 1117:28 April 1908 1116: 1114:Savoy Theatre 1113: 1112: 1108: 1104: 1098: 1095: 1093:Savoy Theatre 1092: 1091: 1087: 1086: 1081: 1075: 1072: 1070:Savoy Theatre 1069: 1068: 1064: 1058: 1053:Savoy Theatre 1052: 1051: 1047: 1038: 1036:Savoy Theatre 1035: 1034: 1030: 1024: 1021: 1018: 1017: 1013: 1008:17 April 1886 1007: 1004: 1001: 997: 994: 993: 989: 983: 981:14 March 1885 980: 978:Savoy Theatre 976: 972: 969: 966: 963: 960: 959: 956: 953: 951: 948:has produced 947: 943: 939: 935: 934:Marx Brothers 931: 927: 924:as Ko-Ko and 923: 919: 915: 911: 906: 904: 900: 896: 892: 888: 883: 881: 877: 873: 869: 865: 861: 860: 851: 847: 843: 841: 837: 832: 828: 824: 820: 816: 812: 811: 806: 802: 800: 796: 792: 788: 784: 780: 776: 772: 768: 764: 760: 759: 754: 753: 748: 742: 737: 723: 720: 719: 717: 714: 711: 708: 705: 702: 699: 696: 693: 690: 687: 683: 680: 677: 676: 671: 657: 654: 651: 648: 645: 642: 641: 639: 636: 633: 630: 627: 623: 620: 617: 614: 611: 607: 604: 601: 598: 595: 594: 585: 581: 577: 576: 572: 567: 558: 556: 550: 541: 537: 533: 528: 524: 522: 513: 512: 506: 502: 498: 496: 490: 487: 479: 474: 467: 466: 453: 449: 446: 442: 438: 435: 431: 428: 427:mezzo-soprano 424: 420: 417: 413: 409: 406: 405:bass-baritone 402: 398: 395: 391: 387: 384: 380: 376: 373: 369: 365: 362: 358: 354: 351: 350:bass-baritone 347: 343: 339: 338: 334: 330: 321: 319: 315: 311: 310: 305: 301: 297: 293: 289: 288: 282: 279: 275: 271: 270: 263: 258: 256: 252: 251:Knightsbridge 248: 244: 238: 236: 235:Knightsbridge 229: 227: 219: 216:Photo at the 214: 210: 208: 204: 203: 198: 197: 196:Trial by Jury 192: 188: 184: 180: 179: 172: 167: 165: 164:Frederic Clay 160: 156: 152: 148: 147: 142: 138: 130: 121: 119: 115: 114: 109: 108: 103: 102: 97: 96: 90: 86: 82: 78: 74: 71: 70:Savoy Theatre 67: 63: 59: 58:W. 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It stars 2765:Stuart Burge 2758: 2751: 2745: 2739: 2708:Martyn Green 2698: 2694: 2692:as Katisha. 2690:Bertha Lewis 2678:Henry Lytton 2669: 2667: 2662: 2643: 2639: 2633: 2596:Harry Norris 2581: 2580: 2569: 2554: 2526: 2442:Joyce Wright 2313:Colin Wright 2286:Donald Adams 2281:Donald Adams 2270:D'Oyly Carte 2265:D'Oyly Carte 2260:D'Oyly Carte 2255:D'Oyly Carte 2232:Dorothy Gill 2227:Bertha Lewis 2222:Bertha Lewis 2212:Joyce Wright 2197:Betty Grylls 2107:Leslie Rands 2059:Martyn Green 2049:Martyn Green 2044:Henry Lytton 2039:Henry Lytton 2012:Dewey Gibson 1972:D'Oyly Carte 1967:D'Oyly Carte 1962:D'Oyly Carte 1957:D'Oyly Carte 1952:D'Oyly Carte 1942: 1939: 1865:Kate Forster 1793:Jones Hewson 1692:Durward Lely 1682:Henry Lytton 1635:Fifth Avenue 1620: 1610: 1604: 1596: 1595: 1582: 1581: 1576: 1572: 1569: 1539: 1536:George Eliot 1533: 1509: 1507: 1483: 1479: 1467: 1463: 1456: 1450: 1445: 1441: 1434: 1427:in England. 1420: 1416: 1399: 1393: 1374: 1371:World War II 1368: 1362: 1358: 1342: 1340: 1318: 1314: 1307:handkerchief 1302: 1298: 1294: 1290: 1286: 1278: 1272: 1261: 1241: 1231: 1226: 1214: 1208: 1187: 1177: 1173: 1170: 1160: 1159: 1147: 1106: 1096:11 July 1896 1083: 1059:4 March 1896 996:Fifth Avenue 967:Closing Date 964:Opening Date 954: 949: 944:". Canada's 914:Clive Revill 907: 905:in Germany. 890: 884: 871: 867: 857: 855: 840:Peter Goffin 830: 818: 814: 808: 804: 803: 798: 790: 783:Hawes Craven 770: 762: 756: 750: 746: 745: 578:Overture (a 570: 554: 551: 547: 539: 535: 531: 517: 503: 499: 491: 482: 440: 433: 422: 421:Pitti-Sing, 411: 401:A Noble Lord 400: 390:A Noble Lord 389: 378: 367: 356: 335:as Nanki-Poo 333:Durward Lely 313: 307: 303: 285: 283: 273: 267: 265: 260: 255:Leslie Baily 242: 240: 231: 223: 200: 194: 191:The Sorcerer 190: 186: 182: 178:The Sorcerer 176: 174: 169: 155:Princess Ida 154: 146:Princess Ida 144: 140: 135: 111: 105: 99: 95:Princess Ida 93: 84: 76: 75: 40: 39: 38: 33: 25: 7987:1885 operas 7935:Topsy-Turvy 7754:WikiProject 7689:Haddon Hall 7649:Cox and Box 7627:Adaptations 7612:Grim's Dyke 7570:Helen Carte 7560:Savoy opera 7055:(1): 22–25. 6376:Smith, Ed. 6353:Onion, Inc. 5726:Oxford Mail 4992:Japan Times 4964:"Japan: No 4595:The Theatre 3943:Article on 3878:phonoscènes 3828:Helen Carte 3650:Grim's Dyke 3606:Dick Cavett 3531:John Cleese 3498:Judith Owen 3336:A. A. Milne 3218:Denys Cowan 3132:. It was a 3012:Louise Gold 3000:Ned Sherrin 2716:Kenny Baker 2704:Technicolor 2462:Beryl Dixon 2403:George Cook 2391:Peter Lyon 2327:Peter Pratt 2296:John Ayldon 2291:John Ayldon 2242:Ella Halman 2237:Ella Halman 2115:Alan Styler 1879:Jessie Rose 1874:Jessie Bond 1869:Jessie Bond 1861:Jessie Bond 1812:R. H. Edgar 1601:Ethel Smyth 1587:Savoy Opera 1412:Nihon-shiki 1383:Jorge Bolet 1076:4 July 1896 1073:27 May 1896 1039:7 June 1888 938:Noël Coward 895:Royal Opera 823:Helen Carte 731:Productions 388:Pish-Tush, 355:Nanki-Poo, 296:Jessie Bond 269:Topsy-Turvy 151:Savoy opera 81:Savoy opera 46:comic opera 7961:Categories 7880:Hot Mikado 7837:The Mikado 7821:The Mikado 7805:The Mikado 7724:(1901) w/ 7508:The Mikado 7373:The Mikado 7361:Faded Page 7339:The Mikado 7325:The Mikado 7312:The Mikado 7304:The Mikado 7290:The Mikado 7273:The Mikado 7241:The Mikado 6981:The Mikado 6918:The Mikado 6669:15 January 6514:The Mikado 6467:"Pooh-Bah" 6246:Millennium 6217:The Mikado 6060:The Mikado 5973:The Mikado 5746:The Mikado 5449:The Mikado 5265:The Mikado 5257:The Mikado 5236:The Mikado 5146:The Mikado 5129:19 October 5102:The Mikado 5037:The Mikado 4986:The Mikado 4944:"GIs play 4852:The Mikado 4850:Review of 4788:The Mikado 4713:The Mikado 4581:The Mikado 4550:The Mikado 4427:The Mikado 4410:Pasatiempo 4346:, May 1970 4251:The Mikado 4208:The Mikado 3945:The Mikado 3905:References 3876:The first 3790:The Mikado 3786:Bab Ballad 3690:The Mikado 3645:Metro-Land 3569:Animaniacs 3557:Cape Feare 3535:Emmy Award 3509:The song " 3441:The Mikado 3422:The Mikado 3393:The Mikado 3372:The Mikado 3362:, and the 3356:Freemasons 3351:Happy Days 3279:Dad's Army 3274:The Mikado 3260:Pink Floyd 3249:The Mikado 3228:Fort Worth 3222:The Mikado 3204:The Mikado 3185:The Mikado 3167:The Mikado 3157:The Mikado 3149:The Mikado 3138:The Mikado 3118:The Mikado 3112:(1934) by 3098:The Mikado 3093:Millennium 3080:The Mikado 3073:The Mikado 3046:The Mikado 3035:Hot Mikado 2990:The Mikado 2971:The Mikado 2945:as Ko-Ko, 2921:The Mikado 2905:The Mikado 2875:The Mikado 2847:The Mikado 2839:The Mikado 2812:The Mikado 2752:The Mikado 2720:Jean Colin 2710:as Ko-Ko, 2702:. Made in 2699:The Mikado 2680:as Ko-Ko, 2670:The Mikado 2659:Phonoscène 2640:The Mikado 2582:The Mikado 2557:media help 2527:The Mikado 2507:Recordings 2451:Judi Merri 2438:Pitti-Sing 2427:Julia Goss 2407:John Broad 2399:John Banks 2277:The Mikado 2272:1982 Tour 2208:June Field 2168:Pitti-Sing 2111:Wynn Dyson 1979:The Mikado 1974:1951 Tour 1933:Louie René 1902:Emmie Owen 1897:Sybil Grey 1889:Sybil Grey 1857:Pitti-Sing 1657:The Mikado 1611:The Mikado 1597:The Mikado 1583:The Mikado 1510:The Mikado 1502:Barrington 1484:The Mikado 1451:The Mikado 1446:The Mikado 1442:The Mikado 1417:The Mikado 1400:The Mikado 1375:The Mikado 1363:The Mikado 1359:The Mikado 1343:The Mikado 1320:Ba-ta-clan 1287:Pitti-Sing 1227:The Mikado 1188:The Mikado 1174:The Mikado 1161:The Mikado 1002:, New York 950:The Mikado 891:The Mikado 872:The Mikado 831:The Mikado 815:The Mikado 805:The Mikado 799:The Mikado 791:The Mikado 787:C. Wilhelm 771:The Mikado 763:The Mikado 747:The Mikado 377:Pooh-Bah, 344:of Japan ( 304:The Mikado 300:Sybil Grey 274:The Mikado 243:The Mikado 187:The Mikado 183:The Mikado 141:The Mikado 85:The Mikado 77:The Mikado 34:The Mikado 7515:Ruddigore 7246:s setting 6414:Hammurabi 5340:The McAdo 5059:The Times 4948:in Tokyo" 4669:"Updated 4556:The Stage 4536:pp. 25–27 3622:Sam Eagle 3591:in 1963. 3555:episode " 3434:Runaround 3400:pastiched 3364:Elks Club 3305:'s novel 3162:Foul Play 3124:produced 2925:Mike Todd 2861:. Art by 2857:Cover of 2769:John Reed 2572:recording 2373:Pish-Tush 2337:John Reed 2332:John Reed 2302:Nanki-Poo 2267:1975 Tour 2262:1965 Tour 2257:1955 Tour 2095:Pish-Tush 2026:John Dean 2009:Nanki-Poo 1969:1945 Tour 1964:1935 Tour 1959:1925 Tour 1954:1915 Tour 1851:Clara Dow 1778:Pish-Tush 1688:Nanki-Poo 1548:scarecrow 1518:blackface 1480:The McAdo 1431:Criticism 1313:'s name, 1303:Nanki-Poo 1299:Pish-Tush 1283:baby-talk 1265:Meiji era 1248:Victorian 1203:Grossmith 1152:. Art by 922:Eric Idle 864:Burlesque 752:Ruddigore 580:potpourri 521:affidavit 445:contralto 439:Katisha, 432:Peep-Bo, 410:Yum-Yum, 224:In 1914, 209:in 1892. 7744:Category 7494:Iolanthe 7487:Patience 7378:LibriVox 7363:(Canada) 7237:"Titipu" 6897:(1980). 6742:Archived 6704:Archived 6561:Archived 6433:Archived 6398:BBC News 6305:Archived 6271:Archived 6251:Archived 6178:Archived 6158:Archived 6086:Archived 6067:Archived 6002:Archived 5978:Archived 5931:Archived 5884:Archived 5864:Archived 5844:Archived 5824:Archived 5804:Archived 5784:Archived 5764:Archived 5558:Archived 5555:and here 5548:Archived 5545:See here 5379:Archived 5221:NBC News 5080:Archived 4940:in Japan 4811:, 1998, 4766:Archived 4743:Archived 4645:Archived 4359:Archived 4324:Archived 3949:Archived 3922:Archived 3743:Archived 3675:operetta 3519:, where 3360:Shriners 3291:Seinfeld 2986:Chichibu 2348:Pooh-Bah 2065:Pooh-Bah 1748:Pooh-Bah 1470:. After 1396:Chichibu 1311:headsman 1295:Pooh-Bah 1223:Far East 1219:Japonism 973:Details 868:Pinafore 795:Brighton 686:Madrigal 458:Synopsis 394:baritone 383:baritone 372:baritone 306:opened, 54:libretto 7927:Related 7681:Ivanhoe 7673:The Zoo 7553:Related 7452:Thespis 6775:Sources 6725:(1963) 6543:14 June 5414:(1896). 5019:9 March 4796:, p. 13 4149:16 July 3685:Dorothy 3600:Yiddish 3540:Frasier 3537:), the 3533:won an 3482:Top Cat 3224:called 2907:by the 2760:Othello 2663:Fan Fan 2543:A 1914 2480:Katisha 2459:Peep-Bo 2415:Yum-Yum 2218:Katisha 2194:Peep-Bo 2144:Yum-Yum 1911:Katisha 1885:Peep-Bo 1827:Yum-Yum 1438:Seattle 1309:". The 1291:Yum-Yum 1166:meiosis 961:Theatre 777:before 452:Coolies 416:soprano 399:Go-To, 370:(comic 366:Ko-Ko, 314:Tribune 226:Cellier 124:Origins 7977:Operas 7909:Parody 7883:(1986) 7875:(1975) 7867:(1939) 7859:(1938) 7840:(1967) 7832:(1962) 7824:(1939) 7726:German 7716:(1899) 7708:(1898) 7700:(1894) 7692:(1892) 7684:(1891) 7676:(1875) 7668:(1867) 7660:(1867) 7652:(1866) 7444:Operas 7348:Mikado 7281:Mikado 7257: 7197: 7174: 7155: 7140:964306 7138: 7097: 7078: 7036: 6993: 6955: 6905: 6860: 6830: 6789: 6640:Mikado 6619: 6499:GASBAG 6476:1 June 6200:Mikado 5997:Mikado 5958: 5926:Mikado 5910: 5505: 5484:Mikado 5461:Mikado 5317:Mikado 5303:Mikado 5282:Mikado 5202:Mikado 4966:Mikado 4946:Mikado 4938:Mikado 4815: 4671:Mikado 4620:Mikado 4599:quoted 4404:Mikado 4319:Mikado 4306:passim 3736:equity 3719:range. 3571:Vol. 1 3526:Cheers 3476:Batman 3358:, the 3241:Mikado 3237:Mikado 3198:, 1888 2805:Mikado 2570:Mikado 1577:Mikado 1573:Mikado 1527:asked 1514:nigger 1464:Mikado 1369:After 1335:Temple 1215:mikado 970:Perfs. 940:, and 876:Sydney 665:Act II 610:Recit. 509:Act II 342:Mikado 89:satire 66:London 21:Mikado 7891:Songs 7848:Stage 7813:Films 7244:' 7136:JSTOR 6580:5 May 5928:Film" 3841:banjo 3661:Notes 3546:Angel 3466:Brick 3348:and 3233:2-8-2 3212:, by 3194:From 2612:1984 2396:Go-To 2323:Ko-Ko 2121:Go-To 2035:Ko-Ko 1804:Go-To 1718:Ko-Ko 1652:1908 1487:' 1315:Ko-Ko 1028:3 wks 591:Act I 463:Act I 361:tenor 324:Roles 87:is a 44:is a 7798:and 7255:ISBN 7195:ISBN 7172:ISBN 7153:ISBN 7095:ISBN 7076:ISBN 7034:ISBN 6991:ISBN 6953:ISBN 6903:ISBN 6858:ISBN 6828:ISBN 6787:ISBN 6671:2011 6617:ISBN 6582:2010 6545:2009 6478:2022 6428:and 6424:See 5956:ISBN 5908:ISBN 5503:ISBN 5255:"Is 5242:Gale 5131:2021 5021:2009 4952:Life 4813:ISBN 4425:and 4151:2011 4139:Time 3811:and 3807:pooh 3801:tush 3795:pish 3620:and 3608:Show 3604:The 3587:and 3567:The 3496:and 3262:'s " 3216:and 3022:and 3002:and 2984:The 2869:The 2791:and 2252:Role 1949:Role 1647:1895 1642:1888 1637:1885 1632:1885 1627:Role 1297:and 998:and 684:14. 624:7. 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