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Romantic comedy

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218:, part ways due to an argument or other obstacle, then ultimately realize their love for one another and reunite. Sometimes the two leads meet and become involved initially, then must confront challenges to their union. Sometimes they are hesitant to become romantically involved because they believe they do not like each other. After all, one of them already has a partner, or because of social pressures. However, the screenwriters leave clues that suggest that the characters are attracted to each other and that they would be a good love match. The characters often split or seek time apart in order to sort out their emotions or deal with external obstacles to their being together, which they eventually overcome. 586: 191: 523: 357: 43: 4778: 3882: 4788: 3892: 293: 229:. Even though it is implied that they live happily ever after, it does not always state what that happy ending will be. The couple does not necessarily get married or even live together for it to be a "happily ever after". The conclusion of a romantic comedy is meant to affirm the primary importance of the love relationship in its protagonists' lives, even if they physically separate in the end (e.g., 138: 225:) to find the other person and declare their love. This is not always the case, as sometimes there is a remarkable coincidental encounter where the two meet again. Alternatively, one plans a sweet romantic gesture to show that they still care. Then, perhaps with some comic friction or awkwardness, they declare their love for each other, and the 318:
and more complex topics. These films still follow the typical plot of "a light and humorous movie, play, etc., whose central plot is a happy love story" but with more complexity. These are a few ways romantic comedies are adding more subtlety and complexity into the genre. Two ways they are adding to
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defines romantic comedy as "a general term for comedies that deal mainly with the follies and misunderstandings of young lovers, in a light‐hearted and happily concluded manner which usually avoids serious satire". This reference states that the "best‐known examples are Shakespeare's comedies of the
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where the protagonist is a zombie who falls in love with a human girl after eating her boyfriend. The effect of their love towards each other is that it starts spreading to the other zombies and even starts to cure them. With the zombie cure, the two main characters can now be together since they do
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is able to surmount most obstacles. In a typical romantic comedy, the two lovers tend to be young, likeable, and seemingly meant for each other, yet they are kept apart by some complicating circumstance (e.g., class differences, parental interference, a previous girlfriend or boyfriend) until,
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The use of the meet-cute is less marked in television series and novels, because these formats have more time to establish and develop romantic relationships. In situation comedies, relationships are static and meet-cute is not necessary, though flashbacks may recall one
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There are many variations on this basic plotline. Sometimes, instead of the two lead characters ending up in each other's arms, another love match will be made between one of the principal characters and a secondary character (e.g.,
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Over the years, romantic comedies have slowly been becoming more popular to both men and women. They have begun to spread out of their conventional and traditional structure into other territory. This territory explores more
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Certain movies are entirely driven by the meet-cute situation, and contrived circumstances throw the couple together for much of the screenplay. However, movies in which the contrived situation is the main feature, such as
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Some romantic comedies use reversal of gender roles to add comedic effect. These films contain characters who possess qualities that diverge from the gender role that society has imposed upon them, as seen in
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or beliefs, an embarrassing situation, or by introducing a comical misunderstanding or mistaken identity situation. Sometimes the term is used without a hyphen (a "meet cute"), or as a verb ("to meet cute").
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One of the conventions of romantic comedy films is the entertainment factor in a contrived encounter of two potential romantic partners in unusual or comic circumstances, which film critics such as
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In the 20th century, as Hollywood grew, the romantic comedy in America mirrored other aspects of society in its rapid changes, developing many subgenres through the decades, such as the
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While the two protagonists are separated, one or both of them usually realizes that they love the other person. Then, one party makes some extravagant effort (sometimes called a
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running their cars into each other in Switzerland. Once recovered, they Meet Cute again when they run into each other while on skis. Eventually,... they fall in love."
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Other remakes of romantic comedies involve similar elements, but explore more adult themes such as marriage, responsibility, or even disability. Two films by
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In many romantic comedies, the potential couple comprises polar opposites, two people of different temperaments, situations, social statuses, or all three (
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the complexity are through the general obstacles that come between the couple and the general morals that the characters feel throughout the entire film.
514:), who would not meet or talk under normal circumstances, and the meet cute's contrived situation provides the opportunity for these two people to meet. 479:" situation. During a "meet-cute", scriptwriters often create a humorous sense of awkwardness between the two potential partners by depicting an initial 666:. Those adventures traditionally focused on a knight's feats on behalf of a lady, and so the modern themes of love were quickly woven into them, as in 1273: 159: 241:). Most of the time the ending gives the audience a sense that if it is true love, it will always prevail no matter what is thrown in the way. 53: 3700: 406:
in which the female bridesmaids are shown in a negative and somewhat masculine light in order to advance the likability of the male lead.
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period, though, that "romance" came to refer to "romantic love" situations, rather than the heroic adventures of medieval
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in response to the censorship of the Hays Code in the 1920s–1930s, the career woman comedy (such as George Stevens'
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have the two main interests end up separated but still content and pursuing other goals and love interests.
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surmounting all obstacles, they are finally united. A fairy-tale-style happy ending is a typical feature.
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Some romantic comedies have adopted extreme or strange circumstances for the main characters, as in
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Other romantic comedies flip the standard conventions of the romantic comedy genre. In films like
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that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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and class divisions of this period made cross-social class romances into tantalizing fantasies.
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together. Both these films take the typical story arc and then add strange circumstances to add
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of what romantic comedy has become as a genre. Yet the genre of romantic comedy is simply a
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The basic format of a romantic comedy film can be found in much earlier sources, such as
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films made heavy use of contrived romantic "meet cutes", perhaps because the more rigid
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not have that barrier between them anymore. Another strange set of circumstances is in
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where the two protagonists are building a relationship while trying to make a
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in which the male protagonist is especially in touch with his emotions, and
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addresses unintended pregnancy and the ensuing assuming of responsibility.
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deal primarily with the United States of America and do not represent a
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She has a Meet-Cute (three, actually) with Prince Charmont (Hugh Dancy)
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chronicles the mid-life crisis of a couple entering their 40s, and
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The contemporary romantic comedy genre was shaped by 18th-century
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Kuhn, Annette; Westwell, Guy (25 June 2020). "romantic comedy".
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It was not until the development of the literary tradition of
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Roger Ebert describes the "concept of a Meet Cute" as "when
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Comedies, rooted in the fertility rites and satyr plays of
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personal reflection, personal essay, or argumentative essay
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in a cute way." As an example, he cites "The Meet Cute in
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The Big romance of Something Wild?: romantic comedy today
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Market Performance of Romantic Comedies in United States
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Baldick, Chris (23 July 2015). "Restoration comedy".
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Oxford University Press. 1999. 4786: 4777: 4776: 3890: 3881: 3880: 790:"The Art of the Romantic Comedy" 673:Lancelot, the Knight of the Cart 136: 41: 32:Romantic comedy (disambiguation) 1351: 1265: 1229: 1193: 1134: 1121: 1074:Bermel, Albert (January 2005). 1067: 1041: 1017: 981: 955: 916: 907: 898: 859:The Art of the Romantic Comedy 849: 831: 814: 781: 127: 13: 1: 775: 765:List of romantic comedy films 518:Use of "meet cute" situations 1315:– Top 290 (1978–present) by 1168:A Dictionary of Film Studies 451:All of these go against the 7: 4828:Interpersonal relationships 1208:. Oxford University Press. 1172:. Oxford University Press. 1080:. Oxford University Press. 822:Writing the Romantic Comedy 733: 64:, discuss the issue on the 10: 4844: 3936: 3575:Classical Hollywood cinema 2764:Commedia sexy all'italiana 1672:Exploitation film template 1616:Commedia sexy all'italiana 683:and 19th-century romantic 580: 430:, deal with these issues. 337:Zack and Miri Make a Porno 29: 4772: 4637: 4545: 4451: 4316: 4234: 4198: 4191: 4182: 4085: 4054: 4045: 3944: 3876: 3479: 3397: 3142:German underground horror 3097:Documentary Film Movement 3005:American eccentric cinema 2990: 2236: 1362: 616:A Midsummer Night's Dream 471:or the Associated Press' 397:Forgetting Sarah Marshall 281:A Midsummer Night's Dream 227:film ends on a happy note 658:in the western European 589:Much of the filming for 248:My Best Friend's Wedding 4226:Theatre of ancient Rome 3077:Cinema of Transgression 2211:Cinema of Transgression 441:Silver Linings Playbook 288:Evolution and subgenres 214:is that two characters 3162:Hollywood on the Tiber 1313:Romantic Comedy Movies 1301:Romantic Comedy Movies 1131:Accessed June 20, 2011 969:. Deseret. Jun 1, 2011 913:Guys Are the New Girls 644:The Merchant of Venice 634:Much Ado About Nothing 598: 553:The Dick Van Dyke Show 536: 481:clash of personalities 389:Reversing gender roles 370: 310: 275:Much Ado About Nothing 254:My Super Ex-Girlfriend 204: 158:by rewriting it in an 4818:Romantic comedy films 4433:Theatre of the Absurd 3152:Grupo Cine LiberaciĂłn 3092:Czechoslovak New Wave 3087:Commedia all'italiana 1434:Commedia all'italiana 1127:Cited in Answers.com 718:) post-WWII, and the 588: 533:It Happened One Night 525: 511:It Happened One Night 359: 323:Extreme circumstances 295: 193: 4408:Shakespearean comedy 4206:Ancient Greek comedy 3679:Guerrilla filmmaking 3342:Kitchen sink realism 3297:PraĆĄka filmska ĆĄkola 3227:New French Extremity 3137:German Expressionist 3045:Kitchen sink realism 2910:Contemporary Western 2690:Environmental issues 2221:New French Extremity 2179:New French Extremity 2004:Softcore pornography 1999:Hardcore pornography 1866:New French Extremity 1274:"Defining Screwball" 1142:The Allegory of Love 808:"Comedy and Tragedy" 730:in the 1950s–1960s. 352:Flipping conventions 207:The basic plot of a 70:create a new article 62:improve this article 30:For other uses, see 3415:Children and family 3389:Yugoslav Black Wave 3262:Nuevo Cine Mexicano 3147:Nigerian Golden Age 3112:European art cinema 3015:Australian New Wave 575:class consciousness 232:Shakespeare in Love 111:) is a subgenre of 4396:ComĂ©die larmoyante 4391:Sentimental comedy 4386:Restoration comedy 4349:Commedia dell'arte 4221:Corral de comedias 3713:Major film studios 3307:Pure Film Movement 3287:Polish Film School 3187:Italian neorealist 3167:Hong Kong New Wave 2769:Mexican sex comedy 1826:German underground 1053:World Encyclopedia 681:Restoration comedy 668:ChrĂ©tien de Troyes 599: 537: 376:500 Days of Summer 371: 311: 205: 160:encyclopedic style 147:is written like a 4800: 4799: 4578:Musical comedians 4541: 4540: 4339:Comedy of manners 4334:Comedy of humours 4324:Boulevard theatre 4312: 4311: 4216:ComĂ©die-Italienne 4211:ComĂ©die-Française 4178: 4177: 3904: 3903: 3843:Socialist realist 3555:Behind-the-scenes 3332:Socialist realist 3327:Spaghetti Western 3317:Romanian New Wave 3192:Japanese New Wave 2858:Sword and sorcery 2774:Nazi exploitation 2356:Mumbai underworld 2112:Planetary romance 1251:978-0-19-924543-7 1215:978-0-19-871544-3 1179:978-0-19-883209-6 1087:978-0-19-860174-6 926:(18 April 2004). 712:Katharine Hepburn 707:Woman of the Year 689:William Wycherley 639:comedy of manners 200:Seven Sweethearts 188: 187: 180: 98: 97: 90: 72:, as appropriate. 16:(Redirected from 4835: 4790: 4780: 4779: 4727:Self-referential 4344:Comedy of menace 4196: 4195: 4189: 4188: 4052: 4051: 3931: 3924: 3917: 3908: 3907: 3894: 3884: 3883: 3863:Vulgar auteurism 3691:Interstitial art 3669:Hyperlink cinema 3384:Vulgar auteurism 3379:Toronto New Wave 3369:Telefoni Bianchi 3364:Sword-and-sandal 3182:Italian futurist 3177:Iranian New Wave 3040:British New Wave 2853:Sword-and-sandal 2734:Rape and revenge 2675:Mouth of Garbage 2521:Tentacle erotica 2469:Goona-goona epic 2449:Extraterrestrial 2336:Heroic bloodshed 1970:Occult detective 1801:Christmas horror 1653:Sword-and-sandal 1385:Hong Kong action 1380:Heroic bloodshed 1346: 1339: 1332: 1323: 1322: 1289: 1288: 1286: 1284: 1272:Gehring, Wes D. 1269: 1263: 1262: 1260: 1258: 1243: 1233: 1227: 1226: 1224: 1222: 1207: 1197: 1191: 1190: 1188: 1186: 1171: 1161: 1152: 1138: 1132: 1125: 1119: 1118: 1112: 1108: 1106: 1098: 1096: 1094: 1071: 1065: 1064: 1062: 1060: 1045: 1039: 1038: 1036: 1035: 1029:European Studios 1021: 1015: 1014: 1012: 1010: 993:"Lost and Found" 991:(28 June 1979). 985: 979: 978: 976: 974: 959: 953: 952: 947: 945: 928:"Ella Enchanted" 920: 914: 911: 905: 902: 896: 895: 889: 885: 883: 875: 873: 871: 862:. 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Archived from 785: 750:Screwball comedy 740:Bromantic comedy 722:made popular by 702:screwball comedy 694:The Country Wife 571:screwball comedy 567:Great Depression 543:Some Like It Hot 410:Serious elements 183: 176: 172: 169: 163: 140: 139: 132: 93: 86: 82: 79: 73: 45: 44: 37: 21: 4843: 4842: 4838: 4837: 4836: 4834: 4833: 4832: 4813:Romantic comedy 4803: 4802: 4801: 4796: 4768: 4633: 4615:Animated sitcom 4537: 4503:Musical theatre 4453: 4447: 4423:Stand-up comedy 4369:One-person show 4359:Improvisational 4308: 4230: 4174: 4128:Science fiction 4081: 4041: 3962:Comedy festival 3940: 3935: 3905: 3900: 3872: 3813:Semidocumentary 3738:Minimalist film 3728:Message picture 3723:Maximalist film 3617:Database cinema 3600:Computer screen 3560:Black-and-white 3485: 3483: 3481: 3475: 3393: 3349:Soviet parallel 3272:Parallel cinema 3267:Pan-Indian film 3197:Kammerspielfilm 3132:French New Wave 3052:Budapest school 3035:Brighton School 3010:New Objectivity 2992: 2986: 2955:Science fiction 2587:Bruceploitation 2496:Girls with guns 2442:Turksploitation 2316:Gentleman thief 2232: 2067:Science fiction 1913:Minimalist film 1908:Maximalist film 1886:Science fiction 1846:Japanese horror 1643:Social guidance 1358: 1350: 1317:Box Office Mojo 1297: 1292: 1282: 1280: 1270: 1266: 1256: 1254: 1252: 1235: 1234: 1230: 1220: 1218: 1216: 1198: 1194: 1184: 1182: 1180: 1162: 1155: 1139: 1135: 1126: 1122: 1110: 1109: 1100: 1099: 1092: 1090: 1088: 1072: 1068: 1058: 1056: 1047: 1046: 1042: 1033: 1031: 1023: 1022: 1018: 1008: 1006: 986: 982: 972: 970: 961: 960: 956: 943: 941: 921: 917: 912: 908: 903: 899: 887: 886: 877: 876: 869: 867: 866:on 6 March 2012 856:Johnson, Bill. 854: 850: 837: 836: 832: 820:Mernit, Billy. 819: 815: 806: 805: 801: 788:Johnson, Bill. 786: 782: 778: 736: 637:approaches the 595:Portobello Road 583: 520: 475:have called a " 465: 412: 391: 361:Montauk station 354: 325: 306:Seven Year Itch 290: 195:Kathryn Grayson 184: 173: 167: 164: 156:help improve it 153: 141: 137: 130: 117:romance fiction 103:(also known as 101:Romantic comedy 94: 83: 77: 74: 59: 46: 42: 35: 28: 23: 22: 15: 12: 11: 5: 4841: 4831: 4830: 4825: 4820: 4815: 4798: 4797: 4795: 4794: 4784: 4773: 4770: 4769: 4767: 4766: 4761: 4756: 4751: 4750: 4749: 4739: 4734: 4729: 4724: 4719: 4714: 4709: 4704: 4699: 4690: 4685: 4679: 4674: 4669: 4664: 4659: 4654: 4649: 4643: 4641: 4635: 4634: 4632: 4631: 4630: 4629: 4628: 4627: 4622: 4617: 4607: 4602: 4592: 4587: 4582: 4581: 4580: 4575: 4570: 4565: 4560: 4549: 4547: 4543: 4542: 4539: 4538: 4536: 4535: 4530: 4525: 4520: 4515: 4510: 4505: 4500: 4495: 4490: 4485: 4483:ComĂ©die-ballet 4480: 4479: 4478: 4473: 4463: 4457: 4455: 4449: 4448: 4446: 4445: 4440: 4435: 4430: 4428:Street theatre 4425: 4420: 4415: 4410: 4405: 4400: 4399: 4398: 4388: 4383: 4382: 4381: 4371: 4366: 4361: 4356: 4351: 4346: 4341: 4336: 4331: 4326: 4320: 4318: 4314: 4313: 4310: 4309: 4307: 4306: 4305: 4304: 4299: 4294: 4289: 4284: 4276: 4275: 4274: 4269: 4261: 4260: 4259: 4251: 4250: 4249: 4238: 4236: 4232: 4231: 4229: 4228: 4223: 4218: 4213: 4208: 4202: 4200: 4193: 4186: 4180: 4179: 4176: 4175: 4173: 4172: 4167: 4162: 4157: 4152: 4151: 4150: 4145: 4135: 4130: 4125: 4120: 4115: 4110: 4105: 4100: 4095: 4089: 4087: 4083: 4082: 4080: 4079: 4074: 4069: 4064: 4058: 4056: 4049: 4043: 4042: 4040: 4039: 4034: 4029: 4024: 4019: 4014: 4009: 4004: 3999: 3994: 3989: 3984: 3979: 3974: 3969: 3964: 3959: 3957:Comedic device 3954: 3948: 3946: 3942: 3941: 3934: 3933: 3926: 3919: 3911: 3902: 3901: 3899: 3898: 3888: 3877: 3874: 3873: 3871: 3870: 3865: 3860: 3855: 3850: 3845: 3840: 3835: 3830: 3825: 3820: 3815: 3810: 3805: 3800: 3798:Reverse motion 3795: 3790: 3785: 3780: 3775: 3770: 3765: 3760: 3755: 3750: 3748:Modernist film 3745: 3740: 3735: 3730: 3725: 3720: 3715: 3710: 3705: 3704: 3703: 3693: 3688: 3687: 3686: 3681: 3671: 3666: 3661: 3656: 3651: 3646: 3641: 3640: 3639: 3629: 3624: 3619: 3614: 3613: 3612: 3610:midnight movie 3602: 3597: 3592: 3587: 3582: 3577: 3572: 3567: 3562: 3557: 3552: 3547: 3542: 3537: 3536: 3535: 3530: 3525: 3520: 3515: 3510: 3500: 3495: 3489: 3487: 3477: 3476: 3474: 3473: 3472: 3471: 3466: 3456: 3455: 3454: 3449: 3439: 3438: 3437: 3432: 3424: 3423: 3422: 3412: 3407: 3401: 3399: 3398:By demographic 3395: 3394: 3392: 3391: 3386: 3381: 3376: 3371: 3366: 3361: 3356: 3351: 3346: 3345: 3344: 3337:Social realist 3334: 3329: 3324: 3319: 3314: 3309: 3304: 3299: 3294: 3292:Poliziotteschi 3289: 3284: 3282:Poetic realist 3279: 3274: 3269: 3264: 3259: 3254: 3249: 3244: 3239: 3237:New generation 3234: 3229: 3224: 3219: 3214: 3212:Modernist film 3209: 3204: 3202:L.A. Rebellion 3199: 3194: 3189: 3184: 3179: 3174: 3169: 3164: 3159: 3154: 3149: 3144: 3139: 3134: 3129: 3124: 3119: 3114: 3109: 3104: 3099: 3094: 3089: 3084: 3079: 3074: 3069: 3067:CinĂ©ma du look 3064: 3059: 3054: 3049: 3048: 3047: 3037: 3032: 3027: 3022: 3017: 3012: 3007: 3002: 2996: 2994: 2988: 2987: 2985: 2984: 2983: 2982: 2980:Zapata Western 2977: 2972: 2967: 2962: 2960:Singing cowboy 2957: 2952: 2947: 2942: 2937: 2932: 2927: 2922: 2917: 2915:Dacoit Western 2912: 2907: 2897: 2896: 2895: 2890: 2885: 2875: 2870: 2865: 2860: 2855: 2850: 2845: 2840: 2835: 2834: 2833: 2823: 2818: 2813: 2808: 2803: 2798: 2796:Shoshimin-eiga 2793: 2792: 2791: 2786: 2784:Nunsploitation 2781: 2779:Pornochanchada 2776: 2771: 2766: 2761: 2751: 2746: 2741: 2736: 2731: 2726: 2725: 2724: 2714: 2709: 2704: 2699: 2694: 2693: 2692: 2682: 2677: 2672: 2667: 2666: 2665: 2664: 2663: 2653: 2648: 2643: 2638: 2628: 2627: 2626: 2616: 2615: 2614: 2609: 2604: 2599: 2594: 2589: 2579: 2574: 2569: 2568: 2567: 2562: 2552: 2547: 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767: 762: 757: 752: 747: 742: 735: 732: 628:As You Like It 603:ancient Greece 593:took place on 582: 579: 569:in the 1930s; 519: 516: 494:Lost and Found 489:boy meets girl 473:Christy Lemire 464: 461: 446:mental illness 411: 408: 390: 387: 353: 350: 324: 321: 309:(1955) trailer 297:Marilyn Monroe 289: 286: 186: 185: 144: 142: 135: 129: 126: 96: 95: 56:of the subject 54:worldwide view 49: 47: 40: 26: 9: 6: 4: 3: 2: 4840: 4829: 4826: 4824: 4821: 4819: 4816: 4814: 4811: 4810: 4808: 4793: 4789: 4785: 4783: 4775: 4774: 4771: 4765: 4762: 4760: 4759:Ventriloquism 4757: 4755: 4752: 4748: 4745: 4744: 4743: 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4715: 4713: 4712:Observational 4710: 4708: 4705: 4703: 4700: 4698: 4694: 4691: 4689: 4686: 4683: 4680: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4658: 4655: 4653: 4650: 4648: 4645: 4644: 4642: 4640: 4636: 4626: 4623: 4621: 4618: 4616: 4613: 4612: 4611: 4608: 4606: 4603: 4601: 4598: 4597: 4596: 4593: 4591: 4588: 4586: 4583: 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1851:Korean horror 1849: 1847: 1844: 1842: 1839: 1837: 1834: 1832: 1829: 1827: 1824: 1822: 1821:Found footage 1819: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1787: 1784: 1782: 1779: 1778: 1777: 1774: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1746: 1745: 1742: 1738: 1735: 1733: 1730: 1728: 1725: 1724: 1723: 1720: 1716: 1713: 1711: 1710:Magic realism 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1682: 1681: 1678: 1674: 1673: 1668: 1667: 1666: 1663: 1661: 1658: 1654: 1651: 1650: 1649: 1646: 1644: 1641: 1639: 1636: 1632: 1629: 1627: 1626:Sexploitation 1624: 1622: 1619: 1617: 1614: 1613: 1612: 1609: 1603: 1600: 1599: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1580: 1578: 1577:Calligrafismo 1575: 1574: 1573: 1570: 1566: 1563: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 1541: 1538: 1536: 1533: 1531: 1530:City symphony 1528: 1526: 1523: 1522: 1521: 1518: 1514: 1511: 1510: 1509: 1506: 1502: 1499: 1497: 1494: 1492: 1489: 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4620:Black sitcom 4600:Mockumentary 4508:OpĂ©ra bouffe 4476:CafĂ©-thĂ©Ăątre 4461:Ballad opera 4379:Harlequinade 4329:Comedy-drama 4122: 4108:Mockumentary 3992:Impersonator 3972:Comic timing 3632:Experimental 3627:Ethnofiction 3374:Third Cinema 3277:Persian Film 3020:Auteur films 2991:By movement 2848:Swashbuckler 2707:Ozploitation 2702:Outlaw biker 2582:Martial arts 2577:Magical girl 2427:Exploitation 2422:Ethnographic 2351:Mafia comedy 2032: 1994:Pornographic 1871:Psycho-biddy 1856:Lovecraftian 1690:Contemporary 1671: 1665:Exploitation 1660:Experimental 1540:Mockumentary 1480: 1409:Biographical 1281:. 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660:medieval 261:'s film 209:romantic 60:You may 4754:Surreal 4682:Deadpan 4568:Hip hop 4466:Cabaret 4192:Country 4184:Theatre 4148:Mexican 4143:Italian 4123:Romance 4098:Fantasy 4077:Italian 4067:British 4055:Country 3868:Z movie 3644:Feature 3580:Collage 3550:B movie 3518:Cartoon 3257:No wave 2925:Florida 2920:Fantasy 2900:Western 2843:Surfing 2831:Eurospy 2801:Slavery 2651:Vampire 2631:Monster 2602:Kung fu 2543:Samurai 2511:Lolicon 2479:Romance 2326:Gong'an 2296:Concert 2281:Chicano 2244:Animals 2132:Western 2087:Fantasy 2045:Fantasy 2023:Reality 1960:Mystery 1938:Jukebox 1923:Musical 1901:Satanic 1891:Slasher 1861:Natural 1841:Holiday 1749:Romance 1715:Science 1680:Fantasy 1582:Dramedy 1446:Dramedy 1283:10 July 1257:10 July 1221:10 July 1185:10 July 1144:, p 19 664:Romance 581:History 499:Jackson 303:in the 154:Please 109:rom-com 4792:Portal 4764:Zombie 4747:Topics 4707:Insult 4702:Horror 4677:Cringe 4610:Sitcom 4573:Parody 4297:Rakugo 4292:Owarai 4287:Manzai 4282:Kyƍgen 4278:Japan 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Index

Romcom
Romantic comedy (disambiguation)
worldwide view
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comedy
romance fiction
true love
personal reflection, personal essay, or argumentative essay
help improve it
encyclopedic style
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Kathryn Grayson
Seven Sweethearts
romantic
comedy
meet
film ends on a happy note
Shakespeare in Love
Roman Holiday
My Best Friend's Wedding
My Super Ex-Girlfriend
Woody Allen
Annie Hall
Shakespeare
Much Ado About Nothing
A Midsummer Night's Dream

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