800:, Flaherty cast various locals in parts in the film, in the way that one would cast actors in a work of fiction. With the aim of showing traditional Inuit life, he also staged some scenes, including the ending, where Allakariallak (who acts the part of Nanook) and his screen family are supposedly at risk of dying if they could not find or build shelter quickly enough. The half-igloo had been built beforehand, with a side cut away for light so that Flaherty's camera could get a good shot. Flaherty insisted that the Inuit not use rifles to hunt, though their use had by that time become common. He also pretended at one point that he could not hear the hunters' pleas for help, instead continuing to film their struggle and putting them in greater danger.
160:
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1252:. The film explores the nature of "controlled actuality" and sheds new light on thinking about Flaherty. The argument is made that the impact of Flaherty's films on the indigenous peoples portrayed changes over time, as the films become valuable records for subsequent generations of now-lost ways of life. The film's title derives from Flaherty's statement that he had been accused, in the staged climactic sequence of
1086:(as well as the beginning of effective responses via improved soil conservation practices), mechanization and rural unemployment, and large-scale migration from the Great Plains to California. In the latter context, Flaherty highlighted competition for agricultural jobs between native-born Americans and migrants from Mexico and the Philippines.
1060:
recreation of anachronistic behaviors: in this case, a sequence showing the hunting of sharks from small boats with harpoons, which the islanders had by then not practiced for several decades. He also staged the film's climactic sequence, in which three men in a small boat strive to row back to shore through perilously high, rock-infested seas.
985:(1931). By comparison to Grierson and his unit, Flaherty's habitual working methods involved shooting relatively large amounts of film in relation to the planned length of the eventual finished movie, and the ensuing cost overruns obliged Grierson to take Flaherty off the project, which was edited by other hands into three shorter films.
770:
was ignited in a fire started from his cigarette in his editing room. His film was destroyed and his hands were burned. Although his editing print was saved and shown several times, Flaherty was not satisfied with the results. "It was utterly inept, simply a scene of this or that, no relation, no
889:
but
Flaherty had nothing to show because he had not filmed anything yet — his approach was to try to live with the community, becoming familiar with their way of life before writing a story about it to film. He was also concerned that there was no inherent conflict in the islanders' way of life,
792:
to shoot his film. He brought two Akeley motion-picture cameras which the Inuit referred to as "the aggie". He also brought full developing, printing, and projection equipment to show the Inuit his film, while he was still in the process of filming. He lived in an attached cabin to the
Revillon
1059:
showed human beings' efforts to survive under extreme conditions: in this case, an island whose soils were so thin that the inhabitants carried seaweed up from the sea to construct fields for cultivation. Flaherty again cast locals in the various fictionalized roles, and made use of dramatic
1936:
Flaherty (re)discovered the main island of the
Belcher group in Hudson Bay in 1914, and it was subsequently named for him. Flaherty often defined himself an explorer, and was proud of his induction into the Royal Geographic Society of England for this
1082:. Flaherty and his wife covered some 100,000 miles, shooting 25,000 feet of film, and captured a series of striking images of rural America. Among the themes raised by Flaherty's footage were the challenge of the erosion of agricultural land and the
814:, Flaherty had an affair with his lead actress, the young Inuk woman who played Nanook's wife. A few months after he left, she gave birth to his son, Josephie (December 25, 1921 – 1984), whom he never acknowledged. Josephie was one of the
765:
hand cranked motion picture camera. He was particularly intrigued by the life of the Inuit, and spent so much time filming them that he had begun to neglect his real work. When
Flaherty returned to Toronto with 30,000 feet of film, the
740:. In his Weetaltuk story, Flaherty published a detailed map of the Inuit region and shared information about the bay that Weetaltuk had told him. His writing about George Weetaltuk would go on to be published in his book,
1173:, was eager to secure his "good friend" Flaherty's endorsement of this pioneer film technology. Reportedly, Flaherty was very excited about Cinerama's promise, and for about a month, he tested the camera invented by
1097:) attempted to reconcile Flaherty's footage with rapidly changing official messages (including a reversal of concern from pre-war rural unemployment to wartime labor shortages). Following the
321:
1177:. But "just as he was to set forth round the world" to shoot Cinerama footage with Waller's camera, he died, which prompted Thomas to find and hire a new film crew and also join forces with
894:. Flaherty was in Samoa from April 1923 until December 1924, with the film completed in December 1925 and released the following month. The film, on its release, was not as successful as
1162:
and musical score onto a shorter edit of the existing film. The new credits include
Richard Lyford as director and Robert Snyder as producer. The film was edited by Richard Lyford.
624:(1922). The film made his reputation and nothing in his later life fully equaled its success, although he continued the development of this new genre of narrative documentary with
2503:
1356:
917:
306:
840:, set in the Aran Islands of Ireland. All these films employ the same rhetorical devices: the dangers of nature and the struggle of the communities to eke out an existence.
1249:
1073:
959:(1931). However, this combination proved even more volatile, and while Flaherty did contribute significantly to the story, the finished film, originally released by
2201:"Life Among The Eskimos: The Difficulties And Hardships Of The Arctic. how Motion Pictures Were Secured of Nanook Of The North And His Hardy And Generous People"
2543:
1078:
1101:, officials grew apprehensive that the film could project an unduly negative image of the US internationally, and although a prestige opening was held at the
1089:
The film encountered a series of obstacles. After production had begun, Congress abolished the United States Film
Service, and the project was shunted to the
1439:
1419:
981:
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Due to exposure from his father's work as an iron ore explorer, he developed a natural curiosity for people of other cultures. Flaherty was an acclaimed
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1218:
1047:
off the west coast of
Ireland. The film was a major critical success, and for decades was considered in some circles an even greater achievement than
219:
949:(1929), but the production was shut down, and subsequently Flaherty's footage was lost in a studio vault fire. He then agreed to collaborate with
2037:
1549:
2427:
2174:"How I Filmed "Nanook Of The North": Adventures With The Eskimos To Get Pictures Of Their Home Life And Their Battles With Nature To Get Food"
2355:(New York: Random House, 2007). The story of forced removal of Inuit in Canada in 1953, including Flaherty's illegitimate Inuit son Josephie.
530:
2614:
2594:
2465:
1371:
1229:
614:; February 16, 1884 – July 23, 1951) was an American filmmaker who directed and produced the first commercially successful feature-length
1129:
swamp. The film stresses the rig's peaceful and unproblematic coexistence with the surrounding environment, and it was in fact funded by
2609:
1151:
2550:
1508:
2604:
2144:
The
History of British Film (Volume 5): The History of the British Film 1929 - 1939: Documentary and Educational Films of the 1930's
2142:
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560:
29:
774:
Flaherty was determined to make a new film, one following a life of a typical Inuk and his family. In 1920, he secured funds from
2624:
2115:
1870:
688:. His portraits of American Indians and wild life during his travels are what led to the creation of his critically acclaimed
2634:
2152:
2125:
826:, in the extreme north. Corroboration of McGrath's account is not readily available and Flaherty never discussed the matter.
258:
717:. Following their marriage, Frances Flaherty became a crucial part of Robert's success in film. Frances took on the role of
2639:
2629:
265:
1835:"THE SCREEN IN REVIEW; 'The Titan--Story of Michelangelo,' an Imaginative Cinema Presentation, Opens at Little Carnegie"
2329:
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at times, and helped to edit and distribute her husband's films, even landing governmental film contracts for
England.
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2344:
2072:
1921:
1807:
1743:
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which was published in 1938 by
Scribner. This was presented on BBC Television in November that year, under the title
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354:
311:
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1834:
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thread of story or continuity whatever, and it must have bored the audience to distraction. Certainly it bored me."
2458:
2409:
1456:
1300:
1193:. He was one of the first to combine documentary subjects with a fiction-film-like narrative and poetic treatment.
1146:
2511:
1411:
1137:
boy. The poetry of childhood and nature, some critics argue, is used to make exploration for oil look beautiful.
931:
436:
1276:
The wife of Robert Joseph Flaherty's grandson, Louise Flaherty, is the co-founder of Canada's first independent
1609:
1389:
1221:
is an annual international forum for independent filmmakers and film-lovers, held in rural upstate New York at
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832:
began a series of films that Flaherty made on the same theme of humanity against the elements. Others included
421:
301:
694:. It was his enthusiasm and interests in these people that sparked his need to create a new genre of film.
516:
2432:
701:. Hubbard came from a highly educated family, her father being a distinguished geologist. A graduate from
2451:
2257:"Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty"
359:
1911:
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1307:
1197:
316:
296:
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939:, but their talents proved an uncomfortable fit, and Flaherty resigned from the production. Moving to
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providing further incentive not to shoot anything. Eventually he decided to build the film around the
2422:
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from 1914 until his death in 1951. Frances worked on several of her husband's films, and received an
461:
224:
116:
2439:
Finding aid to Robert J. Flaherty papers at Columbia University. Rare Book & Manuscript Library.
885:
where he lived with his wife and family for more than a year. The studio heads repeatedly asked for
2438:
2318:
2200:
2173:
1604:. Flaherty, Frances Hubbard; Flaherty, Robert Joseph. Montreal : McGill-Queen's University Press.
272:
67:
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1093:(USDA). With America's entry to World War II approaching, USDA officials (and the film's editor
2399:
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1245:
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of the Empire Marketing Board Film Unit in London, who assigned Flaherty to the documentary
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184:
1893:
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8:
2535:
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2054:
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1378:
1333:
1233:
1043:(1934), which portrayed the harsh traditional lifestyle of the occupants of the isolated
1021:
926:
855:) was a successful film, and Flaherty was in great demand afterwards. On a contract with
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714:
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1158:(1938), directed by Curt Oertel. The re-edited version put a new English narration by
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2148:
2121:
2096:
2068:
1927:
1917:
1866:
1803:
1774:
1739:
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1615:
1605:
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1568:
1348:
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911:
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819:
702:
645:
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344:
339:
1228:
Flaherty's contribution to the advent of the documentary is scrutinized in the 2010
988:
767:
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Robert Henry Flaherty (an Irish Protestant) and Susan Klockner (a German Catholic).
159:
2386:
2268:
1998:
1427:
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1094:
955:
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567:
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189:
2012:
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hired Flaherty to film a documentary about US agriculture, a project which became
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2310:
2205:
2178:
2055:
Christopher, Robert J.; Frances Hubbard Flaherty; Robert Joseph Flaherty (2005).
1830:
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publishing house, Inhabit Media. She is also an author, educator and politician.
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1207:
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1016:
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39:
1967:
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in mid June. The festival was founded in Flaherty's honor by his widow in 1955.
975:, Flaherty was considered finished in Hollywood, and Frances Flaherty contacted
1138:
1034:
1009:
936:
179:
1154:. The film was a re-edited version of the German/Swiss film originally titled
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1443:
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of England for his (re)discovery of the main island of the Belcher group in
2551:
2394:
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1949:
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1432:
1130:
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1114:
1069:
1044:
950:
886:
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641:
471:
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2233:
1478:
1363:
1174:
1039:
943:, Flaherty spent eight months working on the Native American documentary
823:
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441:
349:
229:
2337:
The Long Exile: A Tale of Inuit Betrayal and Survival in the High Arctic
2013:"Flaherty, Louise | Inuit Literatures ᐃᓄᐃᑦ ᐊᓪᓚᒍᓯᖏᑦ Littératures inuites"
1728:
The Long Exile: A Tale of Inuit Betrayal and Survival in the High Arctic
2418:
Hand drawn map by an Inuk man named Wetalltok given to Flaherty in 1919
2377:
2296:
2244:
1201:
909:, Flaherty made two short films in New York City with private backing,
882:
733:
486:
456:
411:
379:
2273:
2256:
2363:
1265:
1178:
1126:
1083:
761:, suggested that he take a motion picture camera along. He brought a
631:
194:
644:. Flaherty is considered the father of both the documentary and the
1657:
1449:"The Glassmakers of England" (1935; co-producer with John Grierson)
1292:
presents the Robert J. Flaherty Award for best one-off documentary.
1170:
737:
401:
383:
2404:
1985:
807:
685:
2315:
The Vision of Robert Flaherty: The Artist As Myth and Filmmaker
1865:(First ed.). New York: Alfred A. Knopf. pp. 145–146.
1025:(1937), re-editing it into a commercial entertainment picture.
878:
789:
1322:
Nyla, who played the role of the wife of Nanook, and her child
724:
In 1909 he shared stories about information he was told by an
585:
1289:
1277:
1134:
864:
725:
710:
606:
1798:. Vol. 1–Films (4 ed.). St. James Press. pp.
1105:
in 1942, the film was never authorized for general release.
2326:
Robert & Frances Flaherty: A Documentary Life 1883-1922
1452:"The English Potter" (1935; co-producer with John Grierson)
1196:
A self-proclaimed explorer, Flaherty was inducted into the
1133:, a petroleum company. The main character of the film is a
591:
2059:
Robert and Frances Flaherty: a documentary life, 1883-1922
1600:
Robert and Frances Flaherty: a documentary life, 1883-1922
778:, a French fur trade company to shoot what was to become
579:
2473:
898:
domestically, but it did very well in Europe, inspiring
1509:"Mrs. Robert Flaherty, Widow Of Documentary Filmmaker"
600:
573:
2291:
Robert Flaherty: A Guide to References and Resources
1634:"Arctic Profiles - George Weetaltuk (ca. 1862-1956)"
1256:, of "trying to drown a boatload of wild Irishmen".
818:
in the 1950s to very difficult living conditions in
732:. Flaherty said he met Weetaltuk while visiting the
603:
588:
576:
2400:
Senses of Cinema: Great Directors Critical Database
2230:
The Odyssey of a Filmmaker: Robert Flaherty's Story
1528:"The Long Exile - Melanie McGrath - Books - Review"
597:
570:
2056:
1597:
753:In 1913, on Flaherty's expedition to prospect the
1916:(2nd ed.). New York: Continuum. p. 21.
1169:, an investor and the most prominent promotor of
1117:) was a Flaherty documentary shot by himself and
1015:Flaherty's career in Britain ended when producer
2576:
2241:The Innocent Eye; The Life of Robert J. Flaherty
1795:International Dictionary of Films and Filmmakers
2048:
1792:. In Pendergast, Tom; Pendergast, Sara (eds.).
1984:can be viewed online. Accessed on 4/23/11 at:
1710:
1708:
2459:
2251:(New York: Harcourt, Brace & World, 1966)
1230:British Universities Film & Video Council
524:
1550:Random House Webster's Unabridged Dictionary
1372:Oidhche Sheanchais (A Night of Storytelling)
1000:Flaherty wrote a novel about the sea called
1705:
1595:
728:man named George Weetaltuk, grandfather of
673:Flaherty was one of seven children born to
582:
2466:
2452:
1905:
1903:
1152:Academy Award for Best Documentary Feature
784:. On August 15, 1920, Flaherty arrived in
531:
517:
38:
2620:Fellows of the Royal Geographical Society
2272:
742:My Eskimo Friends: "Nanook of the North".
2198:
2171:
1990:
1829:
1317:
1298:Oscar - Best Documentary Feature 1950 -
987:
859:to produce another film on the order of
542:
2206:The World's Work: A History of Our Time
2179:The World's Work: A History of Our Time
1900:
1863:Hollywood and the Movies of the Fifties
659:nomination for Best Original Story for
2577:
2433:Robert J. Flaherty Photogravure Prints
2293:(Boston: G. K. Hall and Company, 1978)
2113:
1909:
1860:
1854:
1562:
1214:in Hudson Bay, is named in his honor.
746:
709:, Hubbard studied music and poetry in
2447:
2387:Robert Flaherty biography and credits
2095:(VHS). Film Preservation Associates.
1787:
1781:
1567:(2nd ed.). New York: Continuum.
1556:
1525:
2254:
1777:. November 1, 1938 – via IMDb.
1189:Flaherty is considered a pioneer of
713:and was also secretary of the local
2615:American documentary film directors
2595:People from Iron Mountain, Michigan
2236:, 1960). Beta Phi Mu chapbook no. 4
2140:
2117:Nonfiction Film: A Critical History
1269:, a dramatization of the making of
1259:In 1994, Flaherty was portrayed by
266:Incidents of Travel in Chichen Itza
13:
2255:Kodó, Krisztina (April 17, 2023).
2165:
2038:"BAFTA's Robert J. Flaherty Award"
1775:"The Last Voyage of Captain Grant"
1650:
1526:Royte, Elizabeth (April 8, 2007).
1144:Flaherty was one of the makers of
892:ritual of a boy's entry to manhood
834:Moana: A Romance of the Golden Age
14:
2651:
2610:American people of German descent
2371:
2090:Released as a VHS videotape; see
2063:. McGill-Queen's Press. pp.
1913:A New History of Documentary Film
1565:A new history of documentary film
1141:composed the music for the film.
312:Museum of Indian Arts and Culture
307:Museum of Anthropology, Cambridge
292:National Anthropological Archives
2605:American people of Irish descent
2423:Literature on Robert J. Flaherty
2361:, "Flaherty, Great Adventurer,"
2243:. Based on research material by
1996:"Kabloonak captures the North".
1457:The Titan: Story of Michelangelo
1301:The Titan: Story of Michelangelo
1147:The Titan: Story of Michelangelo
1019:removed him from the production
1006:The Last Voyage of Captain Grant
994:The Last Voyage of Captain Grant
902:to coin the word "documentary".
697:In 1914, he married his fiancée
566:
259:Nǃai, the Story of a ǃKung Woman
158:
2600:People from Dummerston, Vermont
2512:White Shadows in the South Seas
2347:(London: Fourth Estate, 2006).
2330:McGill-Queen's University Press
2141:Low, Rachael (March 27, 2020).
2134:
2107:
2084:
2030:
2005:
1986:http://www.blip.tv/file/4246118
1974:
1960:
1942:
1823:
1767:
1749:
1746:(New York: Random House, 2007).
1738:(London: Fourth Estate, 2006).
1720:
1596:Christopher, Robert J. (2005).
1412:White Shadows in the South Seas
1121:, about the installation of an
953:on another South Seas picture,
932:White Shadows in the South Seas
651:Flaherty was married to writer
2625:American silent film directors
2114:Barsam, Richard Meran (1992).
1690:
1678:
1626:
1589:
1538:
1519:
1501:
1390:U.S. Department of Agriculture
1313:
1091:U.S. Department of Agriculture
547:R.J. Flaherty taking a movie,
16:American documentary filmmaker
1:
2504:The Twenty-four Dollar Island
2428:Robert Flaherty by Amos Vogel
1726:Throughout Melanie McGrath's
1494:
1404:
1156:Michelangelo: Life of a Titan
1063:
935:(1928) in collaboration with
918:The Twenty-Four Dollar Island
806:writes that, while living in
668:
302:Museum of Anthropology at UBC
2635:Film directors from Michigan
2435:at Dartmouth College Library
2405:Robert Flaherty Film Seminar
2120:. Indiana University Press.
1685:The World of Robert Flaherty
1236:award-nominated documentary
843:
640:(1934), filmed in Ireland's
7:
2640:Film directors from Vermont
2630:Upper Canada College alumni
1982:A Boatload of Wild Irishmen
1969:A Boatload of Wild Irishmen
1472:
1273:from an Inuit perspective.
1263:in the Canadian drama film
1238:A Boatload of Wild Irishmen
1068:Back in the United States,
1037:took Flaherty on to direct
963:, is essentially Murnau's.
360:Margaret Mead Film Festival
10:
2656:
2305:University of Pennsylvania
2261:Open Library of Humanities
2199:— (September 1922).
1892:value: invalid character (
1442:" (1933; co-producer with
1415:(1928; uncredited footage)
1308:Royal Geographical Society
1074:United States Film Service
1028:
1008:, adapted and directed by
966:
355:List of ethnographic films
317:Robert Hull Fleming Museum
297:Centro Cultural Mexiquense
2482:
2239:Calder-Marshall, Arthur,
1910:McLane, Betsy A. (2012).
1563:McLane, Betsy A. (2012).
1382:(1937; with Zoltan Korda)
1357:Twenty-Four-Dollar Island
1283:
1184:
1165:Also in the early 1950s,
929:invited Flaherty to film
225:Indigenous Australian art
117:Monica Flaherty Frassetto
112:
102:
94:
75:
49:
37:
23:
2324:Christopher, Robert J.,
2319:Indiana University Press
2289:Murphy, William Thomas,
1658:"Map of Belcher Islands"
1460:(1950; co-producer with
1326:
1198:Royal Geographic Society
816:Inuit who were relocated
810:for the year of filming
2367:, May 1928, p. 58.
2172:— (August 1922).
1861:Hirsch, Foster (2023).
1431:(1931; screenplay with
1423:(1929; unfinished film)
1240:, written by Professor
877:). He shot the film in
273:The Doon School Quintet
128:Part of a series on the
107:Frances Johnson Hubbard
68:Iron Mountain, Michigan
2410:Revisiting Flaherty's
1980:A preview/trailer for
1872:ISBN 9780307958921
1788:Starr, Cecile (2000).
1701:Arthur Calder-Marshall
1323:
1248:, UK, and directed by
1150:(1950), which won the
1099:attack on Pearl Harbor
997:
992:BBC publicity shot of
905:Before the release of
556:Robert Joseph Flaherty
552:
54:Robert Joseph Flaherty
2303:Edited b y Jay Ruby.(
2301:Flaherty: A Biography
2002:, September 16, 1994.
1757:"BBC Programme Index"
1663:World Digital Library
1321:
1250:Mac Dara Ó Curraidhín
1246:University of Lincoln
991:
793:Frères trading post.
759:Sir William Mackenzie
546:
507:cultural anthropology
1833:(January 23, 1950).
1388:(1942; made for the
1103:Museum of Modern Art
941:Fox Film Corporation
836:, set in Samoa, and
482:Hortense Powdermaker
2488:Nanook of the North
2226:Frances H. Flaherty
1763:. November 9, 1938.
1761:genome.ch.bbc.co.uk
1334:Nanook of the North
1271:Nanook of the North
1234:FOCAL International
1002:The Captain's Chair
927:Metro-Goldwyn-Mayer
896:Nanook of the North
849:Nanook of the North
781:Nanook of the North
748:Nanook of the North
715:Suffragette Society
691:Nanook of the North
653:Frances H. Flaherty
630:(1926), set in the
621:Nanook of the North
452:Claude Lévi-Strauss
375:Salvage ethnography
370:Museum anthropology
245:Nanook of the North
220:Art of the Americas
134:Anthropology of art
87:Dummerston, Vermont
2528:Oidhche Sheanchais
2476:Robert J. Flaherty
2474:Films directed by
2378:Robert J. Flaherty
2335:McGrath, Melanie,
2317:(Bloomington, IN:
2044:on March 25, 2010.
1840:The New York Times
1715:Year of the Hunter
1687:, Richard Griffith
1532:The New York Times
1513:The New York Times
1440:Industrial Britain
1420:Acoma the Sky City
1324:
1232:award-winning and
1223:Colgate University
998:
982:Industrial Britain
961:Paramount Pictures
946:Acoma the Sky City
768:nitrate film stock
730:Mini Aodla Freeman
682:still-photographer
553:
447:Robert Hugh Layton
432:Robert J. Flaherty
25:Robert J. Flaherty
2572:
2571:
2274:10.16995/olh.8866
2154:978-1-136-20661-0
2127:978-0-253-20706-7
1956:. August 3, 2022.
1342:The Pottery Maker
912:The Pottery Maker
881:on the island of
703:Bryn Mawr College
646:ethnographic film
541:
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345:Video ethnography
340:Ethnographic film
123:
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64:February 16, 1884
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1515:. June 24, 1972.
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1489:Ó Flaithbertaigh
1219:Flaherty Seminar
1191:documentary film
1095:Helen van Dongen
616:documentary film
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1110:Louisiana Story
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923:Irving Thalberg
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808:Northern Quebec
804:Melanie McGrath
776:Revillon Frères
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755:Belcher Islands
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2395:Screenonline
2362:
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2307:Press, 1984)
2300:
2290:
2264:
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2249:Basil Wright
2240:
2229:
2215:. Retrieved
2210:
2204:
2188:. Retrieved
2183:
2177:
2143:
2136:
2116:
2109:
2092:
2086:
2078:
2058:
2050:
2042:the original
2032:
2020:. Retrieved
2016:
2007:
1997:
1992:
1981:
1976:
1968:
1962:
1954:The Flaherty
1953:
1944:
1935:
1912:
1862:
1856:
1844:. Retrieved
1838:
1825:
1813:. Retrieved
1794:
1783:
1769:
1760:
1751:
1727:
1722:
1714:
1696:
1692:
1684:
1680:
1668:. Retrieved
1661:
1652:
1640:. Retrieved
1628:
1599:
1591:
1564:
1558:
1548:
1540:
1531:
1521:
1512:
1503:
1484:Ethnofiction
1455:
1433:F. W. Murnau
1426:
1418:
1410:
1395:
1385:
1379:Elephant Boy
1377:
1362:
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1032:
1022:Elephant Boy
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887:daily rushes
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773:
757:, his boss,
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723:
707:Pennsylvania
696:
689:
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672:
660:
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642:Aran Islands
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625:
619:
555:
554:
472:Alan Merriam
431:
422:John Collier
365:Cantometrics
271:
264:
257:
252:The Ax Fight
250:
243:
207:Case studies
185:Body culture
81:(1951-07-23)
18:
2590:1951 deaths
2585:1884 births
2549: [
2520:Man of Aran
2328:(Montreal:
2234:Beta Phi Mu
1890:|isbn=
1479:Docufiction
1364:Man of Aran
1314:Filmography
1254:Man of Aran
1175:Fred Waller
1057:Man of Aran
1040:Man of Aran
996:BBC TV 1938
915:(1925) and
838:Man of Aran
824:Grise Fiord
637:Man of Aran
477:Bruno Nettl
442:Alfred Gell
350:Ethnocinema
230:Oceanic art
2579:Categories
2297:Paul Rotha
2245:Paul Rotha
1937:discovery.
1790:"The Land"
1642:August 25,
1611:0773528768
1545:"Flaherty"
1495:References
1405:Other work
1202:Hudson Bay
1064:Last years
1051:. As with
796:In making
734:Hudson Bay
675:prospector
669:Early life
632:South Seas
487:Jean Rouch
457:Alan Lomax
412:Franz Boas
380:Tribal art
119:, 3 others
95:Occupation
60:1884-02-16
2364:Photoplay
2283:2056-6700
2217:August 4,
2213:: 632–640
2190:August 4,
2186:: 553–560
2022:March 28,
1932:758646930
1881:cite book
1846:April 26,
1620:191819179
1583:758646930
1266:Kabloonak
1204:in 1914.
1179:Mike Todd
1127:Louisiana
1084:Dust Bowl
1033:Producer
857:Paramount
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195:New media
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2093:The Land
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