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This did not prevent the cognitive sciences from making a significant impact on musical theory, however, as was shown, in addition to the theory of
Lerdahl and Jackendoff, by Narmour's exceptionally detailed theory of melodic structure (1992), and Robert Gjerdingen's application of schema theory to
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Music in the Galant Style: Being an Essay on
Various Schemata Characteristic of Eighteenth-Century Music for Courtly Chambers, Chapels, and Theaters, Including Tasteful Passages of Music Drawn from Most Excellent Chapel Masters in the Employ of Noble and Noteworthy Personages, Said Music All
306:, Paul Moravitz Sherill writes that the book "is a work that needs little introduction. In 2009, it received the Society for Music Theory's Wallace Berry Award, and papers extending the project of have garnered attention at several regional and national conferences".
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in 2009 and has become influential in the field of music theory. Gjerdingen was also editor of the journal
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In addition to these monographs, Gjerdingen has also edited two volumes of historical
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European music of the eighteenth century. Gjerdingen received his PhD from the
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Child
Composers in the Old Conservatories: How Orphans Became Elite Musicians.
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A Classic Turn of Phrase: Music and the
Psychology of Convention
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from the article and its talk page, especially if potentially
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Collected for the Reader’s
Delectation on the World Wide Web
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by
Italian composers who taught at the conservatories in
228:(Philadelphia: University of Pennsylvania Press, 1988).
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222:(Princeton: Princeton University Press, 1990).
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