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Raymond Roussel

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130:(looter). Then I added to it words similar but taken in two different directions, and I obtained two almost identical sentences thus. The two sentences found, it was a question of writing a tale which can start with the first and finish by the second. Amplifying the process then, I sought new words reporting itself to the word billiards, always to take them in a different direction than that which was presented first of all, and that provided me each time a creation moreover. The process evolved/moved and I was led to take an unspecified sentence, of which I drew from the images by dislocating it, a little as if it had been a question of extracting some from the drawings of rebus." For example, 176:: "A prominent scientist and inventor, Martial Canterel, has invited a group of colleagues to visit the park of his country estate, Locus Solus. As the group tours the estate, Canterel shows them inventions of ever-increasing complexity and strangeness. Again, exposition is invariably followed by explanation, the cold hysteria of the former giving way to the innumerable ramifications of the latter. After an aerial pile driver which is constructing a mosaic of teeth and a huge glass diamond filled with water in which float a dancing girl, a hairless cat, and the preserved head of 734: 20: 89:. In subsequent years, his inherited fortune allowed him to publish his own works and mount luxurious productions of his plays. He wrote and published some of his most important work between 1900 and 1914, and then from 1920 to 1921 traveled around the world. He continued to write for the next decade, but when his fortune finally gave out, he made his way to a hotel in 191:
is a 1,274-line poem, consisting of four long cantos in rhymed alexandrines, each a single sentence with parenthetical asides that run up to five levels deep. From time to time, a footnote refers to a further poem containing its own depths of brackets. This impressive nest of brackets carries an
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taking place inside an enormous glass cage. We learn that the actors are actually dead people whom Canterel has revived with 'resurrectine,' a fluid of his invention which if injected into a fresh corpse causes it continually to act out the most important incident of its life."
204: : considering each bracket as a dot and the included text as a dash. But due to the missing spaces which separate letters the ensemble of dots and dashes as well as a concealed message remained an hypothesis... until it was deciphered by 208:(another painter), revealing (at least partially) the rousselienne formula, which can't be fortuitous : « RELIVE YOUR DREAMS AWAKE  » ( Revis tes rêves en éveil). 338: 71:
for piano. A year later, he inherited a substantial fortune from his deceased father and began to write poetry to accompany his musical compositions. At age 17, he wrote
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Perhaps not surprisingly, Roussel was unpopular during his life and critical reception of his works was almost unanimously negative. Nevertheless, he was admired by the
474:), translated by Trevor Winkfield, contains a cross-section of his major writings, including Roussel's essay on how he composed his books, the first chapter of each of 524: 622: 67:
Roussel was born in Paris, the third and last child in his family, with a brother Georges and sister Germaine. In 1893, at age 15, he was admitted to the
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when he suffered a mental crisis. After the poem was published on 10 June 1897 and was completely unsuccessful, Roussel began to see the psychiatrist
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suggested the notion of a hidden message and transcribed the succession of brackets of Cantos II into the alphabet invented by the painter
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A comprehensive exhibition of Roussel's achievements entitled "Locus Solus" was exhibited within the Fundação de Serralves in
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that “it was fundamentally Roussel who was responsible for my large glass The Bride Stripped Bare by Her Bachelors, Even”.
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and Marcel Duchamp, who observed that Roussel was "he who pointed the way". Indeed, Duchamp claims in his writings
136:…les lettres du blanc sur les bandes du vieux pillard/letters a white man about the hordes of the old plunderer. 132:
Les lettres du blanc sur les bandes du vieux billard/The white letters on the cushions of the old billiard table…
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enthusiast. Through his novels, poems, and plays he exerted a profound influence on certain groups within
763: 773: 284: 118:. Roussel kept this compositional method a secret until the publication of his posthumous text, 758: 192:
assertion — or a recommendation ? — buried by Roussel within a 644 alexandrine poem. In
788: 753: 247:. His most direct influence in the Anglophonic world was on the New York School of poets; 8: 319: 295:
opening on 24 March 2012. Special attention was granted to his personal connections with
244: 68: 39:; 20 January 1877 – 14 July 1933) was a French poet, novelist, playwright, musician, and 579: 486:
and all 59 of its drawings, and the outline for a novel Roussel apparently never wrote.
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that "It goes without saying that this method was nowhere employed in my other works
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in 1975). Roussel (or a version of him) is a major character in the novel
426: 323: 221: 110: 94: 702: 371: 217: 197: 77: 48: 532: 114:, both written according to formal constraints based on homonymic 19: 296: 90: 240: 52: 271:'s only book-length work of literary criticism is on Roussel. 292: 40: 16:
French poet, novelist, playwright, and musician(1877–1933)
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uses Raymond Roussel's works as one of many examples of
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Death and the Labyrinth: The World of Raymond Roussel
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He began to be rediscovered in the late 1950s by the
138:Although Roussel does state in his posthumous book 578: 81:. By 1896, he had commenced editing his long poem 745: 482:, the fifth act of a play, the third canto of 75:, a long poem published three years later in 605:Atti relativi alla morte di Raymond Roussel 97:overdose in 1933, aged 56. He is buried in 621: 607:. Palermo, Italy: Edizioni Esse Sellerio. 556:Raymond Roussel and the Republic of Dreams 499:Comment j'ai écrit certains de mes livres 460:Comment j'ai écrit certains de mes livres 455:), a poem of four cantos with 59 drawings 314:are central to the science-fiction novel 150:"; and here could be added the two plays 599: 573: 370:, a poem – published on 12 July 1897 in 18: 523: 211: 746: 629:. Palermo, Italy: Nuova Ipsa Editore. 690:Fulcanelli et le cabinet du chat noir 34: 549: 421:), a novel, later turned into a play 13: 704:Raymond Roussel: Le Jour de Gloire 14: 800: 769:Burials at Père Lachaise Cemetery 735:Works by or about Raymond Roussel 719: 645:Raymond Roussel: Le Jour de Goire 360: 267:after his novel. French theorist 263:briefly edited a magazine called 679:, Mercure de France, Paris 1994. 140:How I Wrote Certain of My Novels 104:Roussel's most famous works are 513:) with an essay by Ron Padgett. 464:How I Wrote Certain of my Books 449:Nouvelles Impressions d'Afrique 148:Nouvelles Impressions d'Afrique 134:must somehow reach the phrase, 120:How I Wrote Certain of My Books 695: 692:, Editions Ramuel, Paris 1997. 682: 669: 660: 497:), a story first published in 45:20th century French literature 1: 643:Bofill-Amargós, Joan (2016). 517: 784:Drug-related deaths in Italy 168:thus in his introduction to 62: 7: 779:Barbiturates-related deaths 503:Among the Blacks: Two Works 341:was founded in New York by 339:The Raymond Roussel Society 10: 805: 305:The Trouble with Great Art 194:A study on Raymond Roussel 484:New Impressions of Africa 453:New Impressions of Africa 312:New Impressions of Africa 285:Difference and Repetition 189:New Impressions of Africa 55:, and the authors of the 726:Works by Raymond Roussel 666:Ed. Arcanes, Paris, 1953 654: 650:Documentary film 69 min. 627:Morte d'autore a Palermo 501:, has been republished ( 535:. London: Atlas Press. 374:(revision of 1894 work) 349:, Joan Bofill-Amargós, 174:Death and the Labyrinth 442:La Poussière de soleil 224:writers, particularly 156:La Poussière de soleil 24: 23:Raymond Roussel (1895) 476:Impressions d'Afrique 419:Impressions of Africa 415:Impressions d'Afrique 106:Impressions of Africa 93:, where he died of a 32:French pronunciation: 22: 357:and Hermes Salceda. 212:Criticism and legacy 36:[ʁɛmɔ̃ʁusɛl] 688:Richard Khaitzine, 623:Fiasconaro, Antonio 274:French philosopher 245:Alain Robbe-Grillet 144:La Doublure, La Vue 101:cemetery in Paris. 69:Paris Conservatoire 764:Writers from Paris 601:Sciascia, Leonardo 388:, a novel in verse 381:, a novel in verse 25: 774:French male poets 730:Project Gutenberg 677:Albert et Roussel 559:. London: Faber. 525:Caradec, François 435:L'étoile au front 282:in his 1968 work 152:L'étoile au front 796: 739:Internet Archive 714: 713: 712: 711: 699: 693: 686: 680: 673: 667: 664: 640: 636:978-88-7676554-4 618: 596: 584: 575:Foucault, Michel 570: 546: 495:Among the Blacks 220:group and other 182:tableaux vivants 47:, including the 38: 33: 804: 803: 799: 798: 797: 795: 794: 793: 744: 743: 722: 717: 709: 707: 701: 700: 696: 687: 683: 675:Digraphe N°67, 674: 670: 665: 661: 657: 637: 615: 593: 567: 543: 529:Raymond Roussel 520: 491:Parmi les noirs 363: 355:Thor Halvorssen 322:(winner of the 269:Michel Foucault 214: 206:Jean-Max Albert 170:Michel Foucault 126:(billiard) and 65: 31: 28:Raymond Roussel 17: 12: 11: 5: 802: 792: 791: 786: 781: 776: 771: 766: 761: 756: 742: 741: 732: 721: 720:External links 718: 716: 715: 694: 681: 668: 658: 656: 653: 652: 651: 641: 635: 619: 613: 597: 591: 571: 565: 547: 541: 519: 516: 515: 514: 487: 456: 445: 438: 431: 422: 411: 396: 389: 382: 375: 362: 361:Selected works 359: 351:Miquel Barceló 310:References to 276:Gilles Deleuze 257:James Schuyler 234:Marcel Duchamp 213: 210: 64: 61: 15: 9: 6: 4: 3: 2: 801: 790: 787: 785: 782: 780: 777: 775: 772: 770: 767: 765: 762: 760: 759:1933 suicides 757: 755: 752: 751: 749: 740: 736: 733: 731: 727: 724: 723: 706: 705: 698: 691: 685: 678: 672: 663: 659: 649: 646: 642: 638: 632: 628: 624: 620: 616: 614:88-389-0139-2 610: 606: 602: 598: 594: 592:0-385-27854-3 588: 583: 582: 576: 572: 568: 566:0-571-17409-4 562: 558: 557: 552: 548: 544: 542:1-900565-11-0 538: 534: 530: 526: 522: 521: 512: 511:0-939691-02-7 508: 504: 500: 496: 492: 488: 485: 481: 477: 473: 472:1-878972-14-6 469: 465: 461: 457: 454: 450: 446: 443: 439: 436: 432: 429: 428: 423: 420: 416: 412: 409: 405: 401: 397: 394: 390: 387: 383: 380: 376: 373: 369: 365: 364: 358: 356: 352: 348: 344: 340: 335: 333: 329: 325: 321: 317: 316:The Embedding 313: 308: 306: 302: 301:Salvador Dalí 298: 294: 289: 287: 286: 281: 277: 272: 270: 266: 262: 258: 254: 253:Harry Mathews 250: 246: 242: 237: 235: 231: 227: 226:Michel Leiris 223: 219: 209: 207: 203: 199: 195: 190: 186: 183: 179: 175: 171: 167: 163: 159: 157: 153: 149: 145: 141: 137: 133: 129: 125: 121: 117: 113: 112: 107: 102: 100: 99:Père-Lachaise 96: 92: 88: 84: 80: 79: 74: 70: 60: 58: 57:nouveau roman 54: 50: 46: 42: 37: 29: 21: 708:, retrieved 703: 697: 689: 684: 676: 671: 662: 647: 644: 626: 604: 580: 555: 528: 502: 498: 494: 490: 483: 479: 475: 463: 459: 452: 448: 441: 434: 425: 418: 414: 407: 403: 399: 392: 385: 378: 367: 347:Michel Butor 343:John Ashbery 336: 327: 315: 311: 309: 304: 290: 283: 279: 273: 264: 261:Kenneth Koch 249:John Ashbery 238: 230:André Breton 215: 202:Samuel Morse 193: 188: 187: 173: 165: 162:John Ashbery 160: 155: 151: 147: 143: 139: 135: 131: 127: 123: 119: 109: 105: 103: 87:Pierre Janet 82: 76: 72: 66: 27: 26: 789:1933 deaths 754:1877 births 480:Locus Solus 427:Locus Solus 393:Chiquenaude 379:La Doublure 324:Prix Apollo 265:Locus Solus 222:avant-garde 166:Locus Solus 164:summarized 111:Locus Solus 95:barbiturate 83:La Doublure 49:Surrealists 748:Categories 710:2020-07-17 551:Ford, Mark 518:References 404:Le concert 372:Le Gaulois 332:B. Catling 320:Ian Watson 280:repetition 218:Surrealist 198:Jean Ferry 78:Le Gaulois 531:. trans. 527:(2001) . 430:, a novel 408:La source 395:, a novel 337:In 2016, 328:The Vorrh 63:Biography 625:(2013). 603:(1971). 577:(1986). 553:(2000). 533:Ian Monk 466:, 1995, 444:, a play 437:, a play 386:La Seine 737:at the 505:(1988, 410:, poems 368:Mon âme 297:Man Ray 128:pillard 124:billard 91:Palermo 73:Mon Âme 633:  611:  589:  563:  539:  509:  470:  400:La vue 241:Oulipo 232:, and 178:Danton 53:Oulipo 655:Notes 489:1935 458:1935 447:1932 440:1926 433:1925 424:1914 413:1910 398:1904 391:1900 384:1900 377:1897 366:1897 293:Porto 41:chess 631:ISBN 609:ISBN 587:ISBN 561:ISBN 537:ISBN 507:ISBN 478:and 468:ISBN 406:and 259:and 243:and 154:and 146:and 116:puns 108:and 728:at 330:by 318:by 172:'s 750:: 402:, 353:, 345:, 334:. 299:, 288:. 255:, 251:, 236:. 228:, 196:, 158:. 59:. 51:, 648:. 639:. 617:. 595:. 569:. 545:. 493:( 462:( 451:( 417:( 30:(

Index


[ʁɛmɔ̃ʁusɛl]
chess
20th century French literature
Surrealists
Oulipo
nouveau roman
Paris Conservatoire
Le Gaulois
Pierre Janet
Palermo
barbiturate
Père-Lachaise
Locus Solus
puns
John Ashbery
Michel Foucault
Danton
tableaux vivants
Jean Ferry
Samuel Morse
Jean-Max Albert
Surrealist
avant-garde
Michel Leiris
André Breton
Marcel Duchamp
Oulipo
Alain Robbe-Grillet
John Ashbery

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