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During the last few decades of the nineteenth century, academic painting in France was in crisis, eclipsed by the new artistic movements of impressionism and symbolism. Collin's friendship with members of the impressionists provided him with insights into the new direction contemporary painting was
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Around 1873 he began successfully exhibiting at the Salon. He won a number of prizes that helped launch his career, and before long he was receiving increasingly prestigious commissions to paint large scale murals in major public buildings around Paris, including some of the most prominent cultural
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modifications to the accepted academic style, introducing elements of the impressionist technique into his allegorical scenes. Such formal techniques as formal composition and bright color evoked the light filled landscapes of impressionism rather than the dark chiaroscuro of
Renaissance painting.
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Collin's early work closely followed the essential tenets of French academism. Like the
Renaissance painters they admired, the nineteenth-century academicians used historical, religious, or allegorical painting to communicate an idea. Within the parameters of this literary art, Collin made subtle
476:, where Collin was associated. Kuroda and Kume, who subsequently assumed professorships at the Tokyo Fine Arts School (Tokyo Bijutsu Gakkō), were especially instrumental in introducing to Japan Collin's academic teaching methods as well as the lighter palette, brushwork, and
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approach he espoused. This mentorship of the first generation of
Japanese oil painters contributed to the special respect he continues to enjoy in Japan.
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Japan & Paris: Impressionism, Postimpressionism, and the
Moderne Era
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Collin figured prominently in artistic exchanges between Paris and
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taking. He adapted his work accordingly and in such paintings as
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Edition: Guth, Christine M.E., Volk, Alicia, Yamanashi, Emiko,
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The John G. Johnson
Collection: A History and Selected Works
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Collin studied at the school of Saint-Louis, then went to
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472:, among others, studied in his studio and at the
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87:but its sources remain unclear because it lacks
690:, Honolulu Academy of Arts, 15 September 2004;
511:Chevalier of the order of St Michael of Bavaria
590:The Light Song, decoration for the comic opera
483:Collin also illustrated many books, notably
392:'s atelier where they both worked alongside
53:Learn how and when to remove these messages
731:by Louis-Joseph-Raphaël Collin (inv. 2956)
828:Recipients of the Order of the Rising Sun
238:Learn how and when to remove this message
220:Learn how and when to remove this message
118:Learn how and when to remove this message
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502:1889 Grand Prix, Exposition Universelle
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833:19th-century French male artists
818:Officers of the Legion of Honour
813:20th-century French male artists
803:20th-century French illustrators
798:19th-century French illustrators
718:Works by or about Raphaël Collin
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614:Portrait of the artist’s father
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42:or discuss these issues on the
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638:Petits portraits en plein air
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357:[lwiʒozɛfʁafaɛlkɔlɛ̃]
808:20th-century French painters
778:19th-century French painters
380:where he was at school with
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349:Louis-Joseph-Raphaël Collin
276:Louis-Joseph-Raphaël Collin
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388:and then joined Lepage at
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706:Links with Japanese Art
515:Order of the Rising Sun
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417:centers of Paris: the
620:Portrait of M S Hayem
543:Musée du Petit Palais
505:1894 Officier of the
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353:French pronunciation:
783:French male painters
668:Plafond pour l’Odéon
559:decorated by Collin,
557:Théodore Deck plate,
540:decorated by Collin,
382:Jules Bastien-Lepage
154:improve this article
823:Painters from Paris
608:Daphnis & Chloé
490:Chansons de Bilitis
626:Portrait of Mlle C
474:Académie Colarossi
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75:list of references
674:Au bord de la mer
577:L'Estampe Moderne
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306:(1916-10-21)
286:17 June 1850
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152:Please help
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758:1916 deaths
753:1850 births
487:(1890) and
439:Young Woman
323:Nationality
100:introducing
747:Categories
681:References
632:La Musique
398:Aimé Morot
386:Bouguereau
372:Early life
282:1850-06-17
180:newspapers
39:improve it
478:plein air
210:June 2015
108:June 2015
45:talk page
701:Obituary
517:of Japan
493:(1906).
366:ceramics
341:Ceramics
337:Painting
729:Morning
720:at the
656:Floréal
545:, Paris
522:Gallery
497:Honours
312:Brionne
194:scholar
96:improve
733:,” in
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676:, 1892
670:, 1891
664:, 1889
658:, 1886
652:, 1884
646:, 1882
644:Idylle
640:, 1881
634:, 1880
628:, 1880
622:, 1879
616:, 1887
604:, 1875
602:Idylle
538:plate,
468:, and
412:Career
378:Verdun
327:French
316:France
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362:Paris
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201:JSTOR
187:books
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301:Died
272:Born
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650:Été
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