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Rafael Antonio Castellanos

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104:, Pedro Cortés y Larraz, and only left with his musicians, the clergy, and the religious orders when they were forced to do so, arriving at the new site in November 1779. Despite the hardship of his new life, Castellanos kept up his work, composing four or five works every year. Among his pupils, several became able composers, such as 182:, "The Villancicos of the Guatemalan Composer Rafael Antonio Castellanos (d. 1791): A Selective Edition and Critical Commentary." Ph.D. dissertation, Washington, D.C.: The Catholic University of America, 1990. 143:
One hundred seventy-six of his works are extant and have been catalogued. Some of them have been transcribed into modern score for performance and recording. All of his output is vocal, with
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services, along with those of his uncle. When Quirós died in 1765, Castellanos was appointed his successor as chapel master, with the duties of conducting cathedral music during matins,
109: 105: 30:. His style is that of the late Spanish baroque, pre-classical, and classical periods, with frequent reference to Guatemalan folk music idioms. 256: 261: 266: 246: 271: 127: 251: 42:, chapelmaster of the cathedral of Santiago de Guatemala. In 1740, the young Rafael signed a composition for voice and 276: 216: 131: 39: 51: 205: 61:
In 1745 he became a journeyman and was admitted as a member of the cathedral orchestra as first
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After the earthquake of 1773 life changed dramatically in the City of Santiago de
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Guatemala City: Universidad Rafael Landívar, Instituto de Musicología, 1995.
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From an early age, Castellanos trained as an apprentice under his uncle
145: 101: 69:. During the 1750s he produced various of his own compositions for the 81:, and of composing suitable music for different liturgical occasions. 85: 23: 154: 27: 202:
Rafael Antonio Castellanos: vida y obra de un músico guatemalteco.
150: 74: 55: 213:. South Woodstock, Vermont: Plumsock Mesoamerican Studies, 1984. 70: 62: 164:
Several of his compositions are available on CD, performed by
158: 47: 66: 88:, which would shortly move to the site of present-day 228: 192:. Guatemala: Editorial Galería Guatemala, 2005. 157:liturgical calendar, as well as sacred works on 58:writing and an unusual expressive talent. 128:Free scores by Rafael Antonio Castellanos 96:. After 1775 the city would be known as 211:Music from Eighteenth-Century Guatemala 229: 54:. This piece reflects his mastery of 100:. Castellanos remained loyal to the 262:Classical composers of church music 257:People from Sacatepéquez Department 13: 14: 288: 219:, "Guatemala Cathedral to 1803." 121: 267:18th-century classical composers 223:II/2 (Spring-Summer 1980):27-72. 110:Pedro Nolasco Estrada Aristondo 1: 190:Creación musical en Guatemala 173: 168:and the Millennium Ensemble. 16:Guatemalan classical composer 247:Guatemalan Baroque composers 153:for different feasts of the 132:Choral Public Domain Library 112:, his eventual successor as 7: 272:18th-century male musicians 221:Inter-American Music Review 106:Manuel Silvestre Pellegeros 10: 293: 252:Classical-period composers 20:Rafael Antonio Castellanos 65:, sometimes also playing 277:Male classical composers 138: 52:Lamentation of Jeremiah 33: 209:Alfred E. Lemmon, ed. 40:Manuel José de Quirós 22:(c. 1725–1791) was a 94:Charles III of Spain 50:text of the Second 115:maestro de capilla 166:Cristina Altamira 98:Antigua Guatemala 92:by order of King 284: 217:Robert Stevenson 292: 291: 287: 286: 285: 283: 282: 281: 227: 226: 198:Dieter Lehnhoff 186:Dieter Lehnhoff 180:Dieter Lehnhoff 176: 141: 124: 36: 17: 12: 11: 5: 290: 280: 279: 274: 269: 264: 259: 254: 249: 244: 239: 225: 224: 214: 207: 195: 183: 175: 172: 140: 137: 136: 135: 123: 122:External links 120: 90:Guatemala City 44:basso continuo 35: 32: 15: 9: 6: 4: 3: 2: 289: 278: 275: 273: 270: 268: 265: 263: 260: 258: 255: 253: 250: 248: 245: 243: 240: 238: 235: 234: 232: 222: 218: 215: 212: 208: 206: 203: 199: 196: 194: 191: 187: 184: 181: 178: 177: 171: 170: 167: 162: 160: 156: 152: 148: 147: 133: 129: 126: 125: 119: 118: 116: 111: 107: 103: 99: 95: 91: 87: 82: 80: 76: 72: 68: 64: 59: 57: 53: 49: 45: 41: 31: 29: 25: 21: 237:1720s births 220: 210: 201: 189: 163: 144: 142: 134:(ChoralWiki) 113: 83: 60: 37: 19: 18: 242:1791 deaths 146:villancicos 231:Categories 174:References 102:Archbishop 26:classical 24:Guatemalan 86:Guatemala 46:, on the 155:Catholic 151:cantatas 28:composer 161:texts. 130:in the 75:vespers 56:baroque 77:, and 71:matins 63:violin 159:Latin 139:Works 48:Latin 149:and 108:and 79:Mass 67:harp 34:Life 233:: 200:, 188:, 117:.

Index

Guatemalan
composer
Manuel José de Quirós
basso continuo
Latin
Lamentation of Jeremiah
baroque
violin
harp
matins
vespers
Mass
Guatemala
Guatemala City
Charles III of Spain
Antigua Guatemala
Archbishop
Manuel Silvestre Pellegeros
Pedro Nolasco Estrada Aristondo
maestro de capilla
Free scores by Rafael Antonio Castellanos
Choral Public Domain Library
villancicos
cantatas
Catholic
Latin
Cristina Altamira

Dieter Lehnhoff
Dieter Lehnhoff

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