Répertoire International de Littérature Musicale

618: 614:. The second edition introduces material not included in the 2005 publication as well as revisions based on suggestions from readers. The manual differs significantly from the generalized style guides such as MLA or APA by explicating the matters of gender-neutral language, dead language, and punctuation (from the serial comma to the em dash) through the lens of music. The manual is specifically suited for students. 495:) is the only digital finding aid for searching specific musical works contained in printed collections, sets, and series. It indexes individual pieces of music printed in the complete works of composers, in anthologies containing pieces from disparate historical periods, and in other scholarly editions. It provides a granular level of detail about each piece, including performing forces, language, multiple clefs or 592:, is an annotated bibliography catalogue of 574 Festschriften, totaling 118 pages and 715 entries. The next part of the volume (totaling 355 pages and 3881 entries) documents all of the articles pertaining to music found in the listed Festschriften, preceded by an introductory history of Festschriften. All volumes are principally devoted to research materials published before RILM issued its first volume in 1967. 588:(2004), an annotated bibliography of 5948 papers on musical topics presented at 447 conferences. While building on the previous efforts, the volume stays true to Brook's original vision while expanding upon it as well: it covers more than 130 years of conference proceedings and has a worldwide scope, though Western Europe remains in focus. The subsequent volume, 167:. Its mission is "to make this knowledge accessible to research and performance communities worldwide….to include the music scholarship of all countries, in all languages, and across all disciplinary and cultural boundaries, thereby fostering research in the arts, humanities, sciences, and social sciences." Central to RILM's work and mission is the international 224:., for the distribution of its data through the telephone lines. Later on, this agreement was transferred to DIALOG Information Retrieval Services. Although available online already before the advent of the Internet, until the end of the twentieth century the primary medium for distribution for its bibliographic records were printed volumes. 411:

with 41 titles. Librarian Laurie Sampsel asserts that "cross searching the full text of so many titles yields results impossible (or highly unlikely) to find using the print versions of these encyclopaedias." Stephen Henry mentions RME's "ability to provide access to some excellent European resources

353:

was published only in print, its subject thesaurus and name equivalencies, which led users to the preferred terms, were translated into seventeen languages and alphabetically integrated with the subject index. This practice allowed users to find the desired English-language term or the spelling of a

339:

indexed, and added to the online database. Another 35,000 records per year are produced by editors at the International Office. Bibliographic information and abstracts—as well as journals that have not yet been covered by RILM—can also be submitted directly to the International Center in New York.

338:

was conceived as a cooperative of national committees responsible for contributing bibliographic citations and abstracts for the publications issued in their respective countries to the International Office in New York. Today committees contribute about 15,000 records annually, which are edited,

370:

appeared from 1967 to 1983 in triannual printed volumes with indexes corresponding to annual volumes as well as cumulative indexes corresponding to five-year periods; from 1984 to 1999 in annual volumes with corresponding indexes; and since 2000 it is available exclusively online through

522:

for works that are otherwise difficult to distinguish from each other; easy toggling between collections and the individual works contained therein; and expanded search filters to enable refined searching by place and date of publication, document type, genre, and language of text.

391:

offers access to 250 music periodicals from many countries. Coverage also includes reviews as well as obituaries, editorials, correspondence, advertisements, and news, published from the early twentieth century to the present. In addition to metadata, abstracts, and indexing,

765:

648:

and others, as well as an interface compatible with mobile and tablet devices. The search function is hailed as a powerful but easy-to-use tool, with different options available for limiting search results. Specific search results can be easily located in a preview section.

326:. It differs from other music periodical indexes through its coverage of books, abstracts, indexing, and broad international yet selective coverage. Each entry provides the title in the original language, an English translation of the title, full bibliographic data, and an 309:

covers significant international scholarship in both printed and digital media, and in any language. Published since August 1967, it consists of citations of articles, single-author books and collections of essays, bibliographies, catalogues, master's theses and doctoral

330:

with a detailed index, all of which help to convey the "aboutness" of the record (amplified online by the relevance-based order of display in the individual record. Many of the non-English entries also include an abstract in the language of the publication.

212:

for twenty years, from 1969 to 1988. RILM's development of procedures for computerized data processing was immediately adopted by Répertoire International de Littérature d’Art (RILA), founded upon RILM's model, which started publishing abstracts in 1975.

274:

RILM has a staff of over 40 employees: editors, technology experts, and administrators. It is governed and guided by a board of directors and an advisory committee, the Commission Mixte International, which consists of appointed members of the

640:). Egret facilitates automatic translation of content to over 100 languages via Google Translate integration, user accounts where annotations and notes can be created, saved, and shared, cross references linking related content throughout 363:

began to expand its coverage of Asian publications, with music scholarship published in Chinese periodicals. Concurrently, all elements of bibliographic records for publications issued in non-roman writing systems were offered bilingual.

396:

offers searching and browsing tools for each full-text issue, cover to cover. The database is updated monthly. Details of each title's current coverage can be found in the title list at rilm.org/fulltext. New titles are added over time.

748:

The program was developed in Fortran and BAL by Solomon D. Gongola, James E. Korenthal, and Jonathan L. Marz, under the supervision of Laurence H. Heimrath. Its documentation was later worked out by Philip J. Drummond and published as

358:

expanded its multilingual environment and the database now includes, besides standard English-language abstracts, also abstracts in the language of publication and in other languages whenever available. In the mid-2000s

203:

at the computing center of The City University of New York. The S/360 was delivered by IBM in 1964 and it was at that time the most advanced computing machine. The original IBM S/360 software was later migrated to

349:(ACLS) as the pilot project for the development of a computerized, bibliographical system in the humanities to serve as a model for the more than 30 constituent scholarly societies of the ACLS. At the time when 280: 198:

During 1967 and 1968, RILM developed its first set of computer programs for the automated processing and sorting of bibliographic records and author/subject indexes. They ran first on the mainframe IBM computer

188: 629:

RILM has developed a stand-alone platform with the most advanced search and browse capabilities to host and distribute music reference works, beginning with the authoritative German-language music encyclopedia

659:, but it includes continuous updates, revisions, and additions. Egret allows the user to access earlier versions of revised articles. In February 2020 RILM Music Encyclopedias was launched on Egret. 322:, commentaries included with critical editions of music, ethnographic recordings, conference proceedings, reviews, web resources as well as over 3500 periodicals that dovetail with the coverage of 929:

The languages were Croatian, Czech, Danish, Dutch, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spanish, and Swedish. Published as

1550:

Jenkins, Martin D., "A Descriptive Study of Subject Indexing and Abstracting in International Index to Music Periodicals, RILM Abstracts of Music Literature, and The Music Index Online",

1003: 1612: 38: 739:

Since RILM’s foundation, the editors-in-chief have written summaries of yearly activities, which offer a concise overview of the history and development of the organization.

227:

From 1993 onward RILM was no longer available on DIALOG Information Retrieval Service, but in 1989 the National Information Service Corporation (NISC) in Baltimore released

677: 576:

Since 1972, RILM has also published print volumes in the RILM Retrospectives series. These topical bibliographies commenced with the first edition of Barry S. Brook's

1536:

Green, Alan, "Keeping up with the Times: Evaluating Currency of Indexing, Language Coverage and Subject Area Coverage in the Three Music Periodical Index Databases,"

801:

Alan Green, "Keeping up with the Times: Evaluating Currency of Indexing, Language Coverage and Subject Area Coverage in the Three Music Periodical Index Databases,"

604: 600: 101: 1456: 466:, which is the first single comprehensive volume of its kind. The collection expands annually with additions of four titles in average. One of the titles, 448: 937:(New York: Répertoire International de Littérature Musicale, 1990). The integral thesaurus was also published in the Russian language: Jerzy Gołos, 323: 934: 1004:

https://www.prweb.com/releases/rilm_abstracts_of_music_literature_with_full_text_now_available_from_ebsco_information_services/prweb13545489.htm

595:

The RILM Perspectives series of conference proceedings explores topics related to the organization's global mission. The inaugural volume,

557:. New posts appear every week, many of which celebrate round birthdays of musical figures and anniversaries. Since its inception in 2009, 1481: 284: 259: 192: 1091:

Anna-Lise P. Santella, "The Ideal Dictionary: Impossible Tasks, Frank Adjustments, and Lexicographical Innovations in the Creation of

518:

offers new features, among them biographical facts identifying composers, editors, and lyricists; hyperlinks to open-access editions;

654: 751:

Reference Manual for the RILM Automated Bibliographic System, including a User Guide, Reference Information and Program Listings

607:, is based on papers presented at the conference on music historiography, held at The Graduate Center, CUNY, 16–19 March 2005. 507:, by George R. Hill and Norris L. Stephens (Berkeley: Fallen Leaf Press, 1997), which, in turn, was based upon Anna H. Heyer's 632: 346: 151:(International Repertory of Music Literature; Internationales Repertorium der Musikliteratur), commonly known by its acronym 969: 573:

in print, first quarterly and later annually. The 1999 volume, the last print volume, is the largest, with 19,619 records.

865:

8, no. 1 (January 2001): 39–51; and Alan Green, "The RILM Project: Charting the Seas of Modern Musicological Literature,"

457: 276: 221: 184: 1646: 955:

Michelle Hahn, "As Advertised: A Preliminary Look at Compiling and Comparing Title Lists from Music Article Indexes."

291:, details the deliberations of the Commission Mixte as it worked to establish the procedures and functioning of RILM. 916:

Barry S. Brook, "Music Literature and Modern Communication: Revolutionary Potentials of the ACLS/CUNY/RILM Project."

243:(2002–2010), and Cambridge Scientific Abstracts/ProQuest (2002–2010) platforms. RILM databases are available through 861:

journal coverage, see Leslie Anne Troutman, "Comprehensiveness of Indexing in Three Music Periodical Databases."

82: 1600:

Schuursma, Ann May Briegleb, "Summary Report of activities IAML Project Group on Classification and Indexing",

1583:, "Répertoire International de Littérature Musicale (RILM): Immutable Mission amidst Continual Change," in 484:. Previously, it was owned by the James Adrian Music Company, which was founded in 2000 by George R. Hill. 1666: 1516: 1465:, "Music Literature and Modern Communication: Revolutionary Potentials of the ACLS/CUNY/RILM project", 244: 1671: 1224:

Jean Harden, "Index to Printed Music (IPM): Collections & Series by James Adrian Music Company,"

1207: 468: 1142:

Markus Bandur, "Musikalisches Wissen und seine Geschichte als lexicographische Herausforderung: Das

426:, was published in 1775. There is also the first edition of "The Grove," in an edition published by 1676: 545: 427: 407: 113: 1475:, "Music Literature and Modern Communication: Some Revolutionary Potentials of the RILM Project", 844:

Kristin Dougan, "Dissertations in the Electronic Age: Tapping into Emerging Musicology Research,"

1661: 1418: 1345: 156: 412:

that might not otherwise be available to libraries with less than comprehensive collections."

419: 263: 217: 1202: 17: 354:

personal name by initiating the search from the language most familiar to them. Gradually

8: 1015:"EBSCO Information Services released RILM Abstracts of Music Literature with Full Text." 505:

Collected Editions, Historical Series & Sets & Monuments of Music: A Bibliography

970:

http://newsbreaks.infotoday.com/Digest/EBSCO-Expands-Music-Research-Resources-112296.asp

430:

in 1895. The largest amount of titles date from 2000 onward. Among them are Ken Bloom's

1543:

Green, Alan, "The RILM Project: Charting the Seas of Modern Musicological Literature,"

327: 112:

RILM Abstracts of Music Literature, RILM Abstracts of Music Literature with Full Text,

509:

Historical Sets, Collected Editions, and Monuments of Music: A Guide to Their Contents

471:(KDG), is being regularly updated with new articles or additions to existing articles. 1580: 1570: 1560: 1028: 990: 266:

has provided an institutional context for RILM's International Center since 1968.

1607: 1552: 581: 942:Русский путеводитель по международному тезаурусу РИЛМ и по кумулятивному индексу 753:(New York: Répertoire International de Littérature International, 1976), 4 vols. 281:

International Association of Music Libraries, Archives and Documentation Centres

189:

International Association of Music Libraries, Archives and Documentation Centres

1508: 1498: 1488: 1472: 1462: 891:

Martin D. Jenkins, "A Descriptive Study of Subject Indexing and Abstracting in

205: 200: 180: 72: 345:

was the first abstracted bibliography in the humanities and designated by the

1655: 1035:: The Definitive Global Repository of Music Encyclopedias and Dictionaries," 315: 240: 86: 590:

Liber Amicorum: Festschriften for Music Scholars and Nonmusicians, 1840–1966

1586: 1295:

of Liber Amicorum: Festschriften for Music Scholars and Nonmusicians, 1840–

496: 311: 168: 1593:

Schiødt, Nanna, "RILM: Répertoire International de Littérature Musicale",

702: 519: 287:(ICTM). Barry Brook's second report, published in the March 1968 issue of 1635: 319: 1189:

Laurie J. Sampsel, "Digital Resource Review: RILM Music Encyclopedias,"

318:, films, videos, technical drawings of instruments, facsimile editions, 1519:(Stuyvesant, Pendragon Press; Kassel: Bärenreiter Verlag, 1989), 85–94. 939:

Russian Guide to the RILM International Thesaurus and Cumulative Index/

920:. 40 (January 2000): 31–41. A reprint of the visionary article of 1969. 216:

In 1979 RILM entered an agreement with Lockheed Research Laboratory in

561:

has published over 1500 posts and has been viewed over 600,000 times.

617: 946:(New York: Répertoire International de Littérature Musicale, 1976). 418:’s titles stem from different periods and countries: The earliest, 160: 1374:

Christiane Tewinkel, "Mozart und Madonna: Die große Enzyklopädie

1491:, "Musikliteratur und moderne Kommunikation: Zum Projekt RILM", 159:

that offers digital collections and advanced tools for locating

1575:

Ictus: Periódico Do Programa de Pós-Graduação Em Música Da UFBA

610:

RILM has issued two editions of its comprehensive style guide,

464:

Biographical Dictionary of Afro-American and African Musicians

387:

expanded with the addition of music periodicals in full-text.

1346:

http://www.operatoday.com/content/2015/03/how_to_write_ab.php

164: 1457:

RILM Abstracts of Music Literature in its Global Environment

597:

Music’s Intellectual History: Founders, Followers & Fads

1524:

Careers in Music Librarianship III: Reality and Reinvention

1503:

Computers in Humanistic Research: Readings and Perspectives

980:, 2nd ed. (New York: Oxford University Press, 2017), 68–70. 931:

RILM Abstracts of Music Literature: International Thesaurus

835:, 2nd ed. (New York: Oxford University Press, 2017), 49–50. 236: 37: 535:

whose posts have direct relationships to content found in

456:

holds important titles for ethnomusicologists, among them

1641: 1080:

Notes: Quarterly Journal of the Music Library Association

905:

Notes: Quarterly Journal of the Music Library Association

882:, 2nd ed. (New York: Oxford University Press, 2017), 157. 777:

Notes: Quarterly Journal of the Music Library Association

728:

Notes: Quarterly Journal of the Music Library Association

171:

of scholarship relating to all facets of music research.

1267:, 2nd ed. (New York: Oxford University Press, 2017), 48. 818:, 2nd ed. (New York: Oxford University Press, 2017), 47. 788:

Raymond Ericson, "Who’s Writing about Music and Where,"

726:

Barry S. Brook, "RILM, Inaugural Report, January 1967,"

584:, 1972). Recent volumes published in the series include 389:

RILM Abstracts of Music Literature with Full Text (RAFT)

1628: 578:

Thematic Catalogues in Music: An Annotated Bibliography

235:

became available online through NISC Muse (1993–2010),

135: 1585:

Music, Libraries, and the Academy: Essays in Honor of

179:

RILM was founded in 1966 by the American musicologist

1513:

Modern Music Librarianship: In Honor of Ruth Watanabe

1459:: The Past and Vision for the Future (Lecture, 2014). 452:, conceived between 1972 bis 2006, is also included. 1555:: Quarterly Journal of the Music Library Association 1533:, 2nd ed. (New York: Oxford University Press, 2017). 1052:, 2nd ed. (New York: Oxford University Press, 2017). 1610:, "A New Journal of Abstracts for Musicologists", 1359:How to Write About Music: The RILM Manual of Style 1342:How to Write About Music: The RILM Manual of Style 1325:How to Write About Music: The RILM Manual of Style 1237:Pamela E. Pagels, "Index to Printed Music (IPM)," 827:For a detailed survey of dissertations covered in 612:How to Write About Music: The RILM Manual of Style 195:(ICTM) joined as a third sponsoring organization. 1505:(Englewood Cliffs: Prentice-Hall, 1967), 204–211. 991:https://librarytechnology.org/news/pr.pl?id=21749 541:RILM Abstracts of Music Literature with Full Text 379:RILM Abstracts of Music Literature with Full Text 258:RILM's first editorial office was located at the 1653: 775:Barry S. Brook, "Report No. 2: September 1967," 149:Répertoire International de Littérature Musicale 31:Répertoire International de Littérature Musicale 1479:42, nos. 3–4 (1970): 205–17; also published in 183:(1918–1997) under the joint sponsorship of the 1278:Speaking of Music: Music Conferences 1835–1966 586:Speaking of Music: Music Conferences 1835–1966 324:Répertoire International de la Presse Musicale 1590:(Middleton, WI: A-R Editions, 2007), 129–142. 1393:Journal of the American Musicological Society 1172:Laurie J. Sampsel, "Digital Resource Review: 1125:Laurie J. Sampsel, "Digital Resource Review: 1108:Laurie J. Sampsel, "Digital Resource Review: 1061:Laurie J. Sampsel, "Digital Resource Review: 940: 678:"On the Importance of RILM to the Discipline" 449:Handwörterbuch der musikalischen Terminologie 1522:Cleveland, Susannah and Joe C. Clark, eds., 1205:, "Paper is Patient: The Loose-Leaf Lexicon 1573:, "RILM as a Starting Point for Research," 1501:, "Some New Paths for Music Bibliography", 1482:Journal of the Indian Musicological Society 511:(American Library Association, 1957–1980). 285:International Council for Traditional Music 260:Queens College, City University of New York 193:International Council for Traditional Music 480:On 1 July 2018, RILM assumed ownership of 36: 436:Encyclopedia of Music in the 20th Century 1563:, "RILM at 40: A View from the Bridge," 1314:(Lanham, MD: Scarecrow Press, 2008), 58. 893:International Index to Music Periodicals 624: 616: 222:Lockheed Missiles and Space Company, Inc 1404:Nina Eichholz, "Review of MGG Online," 1391:Andreas Janke, "Review of MGG Online," 1250:Barbara Dobbs Mackenzie, "Bibliolore," 459:The Garland Encyclopedia of World Music 14: 1654: 1431:Allan Badley, "Review of MGG Online," 569:Between 1967 and 1999, RILM published 294: 1376:Die Musik in Geschichte und Gegenwart 656:Die Musik in Geschichte und Gegenwart 633:Die Musik in Geschichte und Gegenwart 564: 347:American Council of Learned Societies 1452:(Lanham, MD: Scarecrow Press, 2008). 1450:A Guide to Library Research in Music 1435:64/3 (July–September 2017), 312–314. 1357:Leonard, Kendra Preston, "Review of 1312:A Guide to Library Research in Music 1301:67, no. 1 (September 2010): 136–138. 1078:Stephen Henry, "New Media Reviews," 1284:52, no. 1 (January–March 2005): 65. 277:International Musicological Society 185:International Musicological Society 24: 1647:State Institute for Music Research 1538:Music Reference Services Quarterly 1239:Music Reference Services Quarterly 957:Music Reference Services Quarterly 897:RILM Abstracts of Music Literature 863:Music Reference Services Quarterly 846:Music Reference Services Quarterly 803:Music Reference Services Quarterly 763:RILM Abstracts of Music Literature 675: 653:is based on the second edition of 646:RILM Abstracts of Music Literature 571:RILM Abstracts of Music Literature 537:RILM Abstracts of Music Literature 503:includes the complete contents of 385:RILM Abstracts of Music Literature 368:RILM Abstracts of Music Literature 343:RILM Abstracts of Music Literature 307:RILM Abstracts of Music Literature 301:RILM Abstracts of Music Literature 229:RILM Abstracts of Music Literature 99:Tina Frühauf (Executive Director) 25: 1688: 1620: 1531:Music Library and Research Skills 1419:"MGG Online | CMU Libraries" 1363:Journal of Music History Pedagogy 1265:Music Library and Research Skills 1050:Music Library and Research Skills 978:Music Library and Research Skills 880:Music Library and Research Skills 833:Music Library and Research Skills 816:Music Library and Research Skills 440:Das Gothic- und Dark Wave-Lexikon 434:, Lol Henderson and Lee Stacey's 247:; RILM's platform, Egret, offers 1604:37, no. 1 (Jan–Mar 1990): 46–48. 1526:(Milwaukee: A-R Editions, 2014). 1331:55, no. 2 (April 2008), 393–394. 1144:Handwörterbuch der musikalischen 1082:72, no. 1 (September 2016): 149. 972:. For a detailed description of 730:23, no. 3 (March 1967): 462–467. 405:In December 2015, RILM launched 1540:8, no. 1 (January 2001): 53–68. 1442: 1425: 1411: 1398: 1385: 1368: 1351: 1344:," Opera Today, 11 March 2015, 1334: 1317: 1304: 1287: 1270: 1257: 1244: 1231: 1228:67, no. 4 (June 2011): 793–798. 1218: 1196: 1191:Nineteenth-Century Music Review 1183: 1178:Nineteenth-Century Music Review 1166: 1153: 1136: 1131:Nineteenth-Century Music Review 1119: 1114:Nineteenth-Century Music Review 1102: 1085: 1072: 1067:Nineteenth-Century Music Review 1055: 1042: 1022: 1009: 996: 983: 962: 949: 923: 910: 885: 872: 851: 848:14, no. 3 (July 2011): 109–130. 838: 821: 808: 269: 239:First Search (1994–2010), Ovid/ 116:, RILM Index to Printed Music, 83:The City University of New York 1493:Beiträge zur Musikwissenschaft 1380:Frankfurter Allgemeine Zeitung 1213:Fontes Artis Musicae 63, no. 3 1148:Fontes Artis Musicae 63, no. 3 1097:Fontes Artis Musicae 63, no. 3 795: 782: 769: 756: 742: 733: 720: 695: 669: 644:, links to related content in 444:Dictionary of the Avant-Gardes 408:RILM Music Encyclopedias (RME) 208:and used in the production of 13: 1: 959:11, no. 1 (January 2008): 36. 662: 1613:Computers and the Humanities 1395:71/2 (Summer 2018), 551–560. 1340:Rebecca Lentjes, "Review of 1193:15, no. 1 (April 2018): 149. 1180:15, no. 1 (April 2018): 149. 1133:15, no. 1 (April 2018): 149. 1116:15, no. 1 (April 2018): 149. 1069:15, no. 1 (April 2018): 153. 1019:(September–October 2016): 7. 805:8, no. 1 (January 2001): 66. 442:, and Richard Kostelanetz's 334:Following the UNESCO model, 231:on CD-ROM. During the 1990s 7: 1323:Laurel Tarulli, "Review of 907:57, no. 4 (June 2001): 859. 10: 1693: 1638:(list of included sources) 1597:45, no. 4 (1970): 168–173. 1567:54, no. 4 (2007): 421–439. 1557:57, no. 4 (2001): 834–863. 1276:Mark McKnight, "Review of 1241:16, no. 4 (2013): 243–248. 1163:130 (January 2016): 34–35. 779:24, no. 3 (1968): 457–466. 245:EBSCO Information Services 174: 1642:Bibliolore: The RILM Blog 1616:2, no. 3 (1968): 120–124. 1547:40 (January 2000): 42–54. 1511:, "The Road to RILM", in 1211:and the Digital Future," 1208:Komponisten der Gegenwart 1159:Tina Frühauf, "Reports," 941: 469:Komponisten der Gegenwart 163:on all topics related to 130: 120: 108: 93: 78: 68: 60: 52: 44: 35: 1636:RILM Music Encyclopedias 1581:Mackenzie, Barbara Dobbs 1571:Mackenzie, Barbara Dobbs 1561:Mackenzie, Barbara Dobbs 1495:13, no. 1 (1971): 18–20. 1408:38/2 (July 2017), 63–64. 1174:RILM Music Encyclopedias 1127:RILM Music Encyclopedias 1110:RILM Music Encyclopedias 1063:RILM Music Encyclopedias 1033:RILM Music Encyclopedias 974:RILM Music Encyclopedias 546:RILM Music Encyclopedias 401:RILM Music Encyclopedias 249:RILM Music Encyclopedias 114:RILM Music Encyclopedias 56:Music Research Resources 1577:9, no. 2 (2008): 48–58. 1545:College Music Symposium 1467:College Music Symposium 918:College Music Symposium 901:The Music Index Online, 867:College Music Symposium 605:Barbara Dobbs Mackenzie 438:, Peter Matzke et al., 424:Dictionnaire de musique 1485:2, no. 1 (1971): 9–19. 869:40 (January 2000): 51. 621: 555:Index to Printed Music 489:Index to Printed Music 476:Index to Printed Music 462:and Eileen Southern's 157:nonprofit organization 48:Nonprofit organization 27:Nonprofit organization 1595:Dansk musiktidsskrift 1455:Blažeković, Zdravko, 1448:Bayne, Pauline Shaw, 1406:Forum Musikbibliothek 1365:2, no. 1 (2011), 116. 1293:Allen Scott, "Review 1039:30, no. 7 (2016): 40. 976:, see Jane Gottlieb, 831:, see Jane Gottlieb, 625:RILM's platform Egret 620: 539:and its enhancement, 420:Jean-Jacques Rousseau 264:Graduate Center, CUNY 1602:Fontes Artis Musicae 1565:Fontes Artis Musicae 1433:Fontes Artis Musicae 1329:Fontes Artis Musicae 1310:Pauline Shaw Bayne, 1282:Fontes Artis Musicae 1254:6, no. 1 (2019): 14. 1203:Hanns-Werner Heister 1161:Bulletin of the ICTM 531:RILM hosts the blog 446:. The comprehensive 191:(IAML). In 2007 the 599:of 2009, edited by 295:Online publications 122:Number of employees 32: 1667:Music publications 1093:Grove Music Online 792:, 5 November 1967. 790:The New York Times 676:Seaton, Douglass. 622: 601:Zdravko Blažeković 565:Print publications 104:(Executive Editor) 102:Zdravko Blažeković 30: 1477:Acta Musicologica 1382:, 2 January 2019. 1037:Reference Reviews 1029:Bradford Lee Eden 580:(Stuyvesant, NY: 146: 145: 16:(Redirected from 1684: 1672:Music literature 1632: 1631: 1629:Official website 1608:Spivacke, Harold 1529:Gottlieb, Jane, 1469:40 (2000) 31–41. 1436: 1429: 1423: 1422: 1415: 1409: 1402: 1396: 1389: 1383: 1372: 1366: 1355: 1349: 1338: 1332: 1321: 1315: 1308: 1302: 1291: 1285: 1274: 1268: 1261: 1255: 1248: 1242: 1235: 1229: 1222: 1216: 1200: 1194: 1187: 1181: 1170: 1164: 1157: 1151: 1140: 1134: 1123: 1117: 1106: 1100: 1089: 1083: 1076: 1070: 1059: 1053: 1046: 1040: 1026: 1020: 1013: 1007: 1000: 994: 987: 981: 966: 960: 953: 947: 944: 943: 927: 921: 914: 908: 889: 883: 876: 870: 859:RILM Abstracts's 855: 849: 842: 836: 825: 819: 812: 806: 799: 793: 786: 780: 773: 767: 760: 754: 746: 740: 737: 731: 724: 718: 717: 715: 713: 699: 693: 692: 690: 688: 673: 428:Theodore Presser 283:(IAML), and the 220:, a division of 142: 139: 137: 40: 33: 29: 21: 1692: 1691: 1687: 1686: 1685: 1683: 1682: 1681: 1677:Music libraries 1652: 1651: 1627: 1626: 1623: 1509:Brook, Barry S. 1499:Brook, Barry S. 1489:Brook, Barry S. 1473:Brook, Barry S. 1463:Brook, Barry S. 1445: 1440: 1439: 1430: 1426: 1417: 1416: 1412: 1403: 1399: 1390: 1386: 1373: 1369: 1356: 1352: 1339: 1335: 1322: 1318: 1309: 1305: 1292: 1288: 1275: 1271: 1263:Jane Gottlieb, 1262: 1258: 1249: 1245: 1236: 1232: 1223: 1219: 1201: 1197: 1188: 1184: 1171: 1167: 1158: 1154: 1146:Terminologie," 1141: 1137: 1124: 1120: 1107: 1103: 1090: 1086: 1077: 1073: 1060: 1056: 1048:Jane Gottlieb, 1047: 1043: 1027: 1023: 1017:Online Searcher 1014: 1010: 1001: 997: 988: 984: 967: 963: 954: 950: 928: 924: 915: 911: 890: 886: 878:Jane Gottlieb, 877: 873: 856: 852: 843: 839: 826: 822: 814:Jane Gottlieb, 813: 809: 800: 796: 787: 783: 774: 770: 761: 757: 747: 743: 738: 734: 725: 721: 711: 709: 703:"RILM About Us" 701: 700: 696: 686: 684: 674: 670: 665: 627: 582:Pendragon Press 567: 297: 272: 262:(1967–68). 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