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through belief in your teacher when he is a great Master. We never dared to think of skipping class or of not coming prepared. Our classes were one-on-one with him, but we didn't leave when they were over. We would stay on and listen to what went on with the next student. That's why there were always so many people in
Garayev's classes all the time despite how hard it was to enroll with him.
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There was almost no limit to
Garayev's scope of knowledge in all genres of music. In 1963, we traveled together to America. It amazed me how Garayev knew so many things about so many different genres of music. For example, I'd have to admit to being a bit elitist when it comes to jazz. But I couldn't
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He was very strict with his students. He had an encyclopedic knowledge of almost everything related to problems of life as well as problems of art regardless of whether it was in the field of science, music or literature. He was acquainted with so many intelligent people. You gain so much confidence
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I've been one who has been privileged in being able to reveal the private and mysterious ideas of Gara
Garayev to the audience. So I know the excitement the audience feels while listening to Garayev's music. It can't be characterized as either entertainment or relaxation. Rather, it exposes all the
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I must say that I indeed have been fortunate, not only because I had the chance to meet such a talented musical personality but because I got to know him through his music. This is the only way to get deep inside an artist-through music. Everything trivial and insignificant - the things one pays
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To me, Baku is the most beautiful city in the world. Every morning, when the city wakes whether it be to the sun or the rain and fog, every morning my city sings. Baku is meant for art. It gives me so much pleasure to write about this city no matter if you write music, verse or paint
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As a rule, Garayev would turn his lessons into a discussion of problems in contemporary music - analysis of techniques, language and styles of music. Garayev hated thoughtless attitudes toward folk music. He made his students learn the inner workings of folk
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in
Azerbaijani music. In 1948 Garayev also became the delegate to the First National USSR Congress of Soviet Composers. In the same year Garayev also headed the Music Department at the Azerbaijan Architecture and Art Institute.
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Garayev has a great and brilliant talent which is highly developed. He is extremely knowledgeable about instrumentation, polyphony and the other components that make up music. He surely has a great future.
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in the same year. Garayev conducted his cantata during the Decade of
Azerbaijani Art festival in the Bolshoi Theater, an event also attended by Stalin. In the same year, Garayev moved to the
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hide my admiration when he demonstrated competency in this field as well. He mentioned several names, compared one tendency in jazz to another and talked about things I had never heard of.
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Garayev has that rare ability to stay true to himself and not to imitate anyone. He maintains his own individuality even while changing with the times, regardless of genre.
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It seems like all civilization is in
Garayev's hands, not as simple encyclopedic data but in a profound way. He was an indisputable authority in music circles in the USSR.
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fire in one's heart and compels one to act. I'm grateful that I've had the chance to be in touch with his music and to be the first one to interpret most of his works.
245:. Due to his musical talents, Garayev was allowed to enroll simultaneously in two faculties at the Azerbaijan State Conservatoire in 1933. Among his teachers were
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The
International Festival of Contemporary Music has been held since 1986 with the support of the Ministry of Culture of Azerbaijan.
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In 1938, at the age of twenty, Garayev composed his first musical piece, a cantata "The Song of the Heart" to the poem by
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Garayev suffered from heart disease, which prevented him from attending his own 60th jubilee celebration held in
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were the only two Soviet composers who attended the first
International Los Angeles Music Festival held at
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ballet was staged at the
Azerbaijani Theater of Opera and Ballet. Based on Nizami Ganjavi's famous poem,
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Garayev died on May 13, 1982, in Moscow at the age of 64. His body was flown to Baku and buried at the
471:. Garayev spent the last five years of his life in Moscow, away from the public, although his love for
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Garayev's music is one of the greatest columns in the museum of
Azerbaijani music. His role in making
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attention to during mundane, everyday meetings - disappears. Only the essence of a man is left.
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985:," by Alla Bayramova, in Azerbaijan International, Vol. 11:1 (Spring 2003), pp. 16–17.
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In The 30th of February, the monument to Gara Garayev opened by President Ilham Aliyev in
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312:. In 1948, at the age of 30, Garayev was again awarded this prize for his symphonic poem
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In 1926, at the age of eight, Gara Garayev first entered the junior music school at the
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403:(born 1943), also became his student and went on to compose single-act ballets such as
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and visited the United States, Ethiopia, and Lebanon. In 1972 he visited Poland.
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In 1952, under the direction of the choreographer P. A. Gusev, Garayev's
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A memorial plaque installed on the wall of Gara Garayev's house in Baku.
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conducted the Festival Symphony Orchestra with a suite from Garayev's
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Soviet Music and Society Under Lenin and Stalin: The Baton and Sickle
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Garayev was born into a family of pediatricians, which was famous in
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List of Garayev’s works from Onno van Rijen's Soviet Composers Page.
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904:, in Azerbaijan International, Vol. 6:3 (Autumn 1998), pp. 24-32
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in 1948, Garayev became the Chair of the Union of Composers of
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composer. Garayev wrote nearly 110 musical pieces, including
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308:("Vətən") opera, for which they were awarded a prestigious
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161:Кара́ Абульфа́зович Кара́ев (Kara Abulfazovich Karayev)
983:"Garayev: Forgotten Music Scores from Famous Composers
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A memorial board installed at Gara Garayev's house in
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Azerbaijani postage stamp featuring Gara Garayev, 1998
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Concerts of the Los Angeles Music Festival, 1947-1966
257:. In 1937, Garayev joined the Union of Composers of
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Recipients of the Order of the Red Banner of Labour
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289:, where he became a student and a good friend of
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706:A Story About the Oil Workers of the Caspian Sea
366:A Story About the Oil Workers of the Caspian Sea
882:List of People's Artistes of the Azerbaijan SSR
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859:Honoured Artist of the Azerbaijani SSR (1955)
620:, Azerbaijani composer and Garayev's student:
593:, Azerbaijani composer and Garayev's student:
296:In 1941 Garayev returned to Baku to teach at
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1005:, Music Section of Azerbaijan International
234:, became a surgeon and Doctor of Medicine.
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316:, based on the same-titled famous work of
230:Music Society. Garayev's younger brother,
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937:, in Azerbaijan International, Vol. 11:1
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508:, Russian composer and Garayev's mentor:
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467:, where he was awarded the title of the
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682:. Where he lived between 1973 and 1982.
451:In 1962 Garayev became a member of the
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863:People's Artiste of the Azerbaijan SSR
757:1950 - Six children's pieces for piano
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521:, Azerbaijani conductor and composer:
298:Azerbaijan State Philharmonic Society
585:'s music known worldwide is immense.
30:For the Azerbaijani footballer, see
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794:1960 - Sonata for violin and piano
379:During his teaching career at the
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1273:Recipients of the Lenin Prize
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407:("Qobustanın kölgələri") and
399:among others. Garayev's son,
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1223:Azerbaijani ballet composers
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869:People's Artist of the USSR
724:, premiered in Baku in 1945
639:In memory of Gara Garayev:
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1248:Heroes of Socialist Labour
993:http://www.musigi-dunya.az
854:Azerbaijan SSR State Prize
453:Supreme Soviet of the USSR
422:in June 1961, Garayev and
287:Moscow State Conservatoire
145:Gara Abulfaz oghlu Garayev
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1298:Burials at Alley of Honor
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1283:Male film score composers
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817:Hero of Socialist Labour
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469:Hero of Socialist Labor
300:. In 1945, both he and
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806:1967 - Violin Concerto
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727:1947 - Symphonic poem
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273:. It was performed in
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56:Background information
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631:Tribute to his memory
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939:(Spring 2003), p. 14
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320:. Upon the death of
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506:Dmitri Shostakovich
405:Shadows of Qobustan
291:Dmitri Shostakovich
281:in the presence of
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811:Honours and awards
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762:Albanian Rhapsody
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826:(1967, 1978)
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131:Years active
91:(1982-05-13)
89:May 13, 1982
41:Gara Garayev
18:Qara Qarayev
1213:1982 deaths
1208:1918 births
848:Lenin Prize
789:Don Quixote
687:Major works
418:During the
413:avant-garde
198:for piano,
176:Azerbaijani
149:Azerbaijani
1202:Categories
1144:Azerbaijan
1091:Symphonies
888:References
718:Motherland
583:Azerbaijan
492:Appraisals
459:Later life
306:Motherland
304:wrote the
214:Early life
67:1918-02-05
1156:Biography
782:nocturnes
735:'s opera
731:. Edited
374:Oil Rocks
271:Rasul Rza
188:symphonic
135:1938–1982
124:conductor
110:Classical
1117:Category
953:Archived
876:See also
780:, three
747:, ballet
675:of Baku.
420:Cold War
328:and the
200:cantatas
194:pieces,
120:Composer
1130:Portals
1056:Ballets
800:1964 -
787:1960 -
767:1957 -
760:1952 -
750:1949 -
741:1948 –
720:, with
710:1943 -
699:ballet.
480:images.
332:of the
228:Russian
204:marches
192:chamber
180:ballets
157:Russian
1100:(1964)
1083:(1969)
1075:(1958)
1067:(1952)
921:
871:(1959)
865:(1958)
856:(1965)
850:(1967)
838:(1961)
832:(1971)
819:(1978)
773:ballet
680:Moscow
663:a ship
659:Moscow
599:music.
519:Niyazi
330:rector
275:Moscow
265:Career
253:, and
232:Mursal
184:operas
173:Soviet
106:Genres
96:Moscow
76:Origin
1192:Opera
1180:Music
401:Faraj
196:solos
1013:IMDb
919:ISBN
822:Two
644:Baku
473:Baku
465:Baku
434:and
428:UCLA
395:and
338:jazz
224:Sona
220:Baku
190:and
100:USSR
86:Died
80:Baku
61:Born
1011:at
991:at
277:'s
167:or
1204::
488:.
448:.
391:,
387:,
376:.
293:.
261:.
249:,
186:,
182:,
159::
155:,
151::
122:,
98:,
1132::
1041:e
1034:t
1027:v
147:(
69:)
65:(
34:.
20:)
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