Puebla Cathedral - Knowledge

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majestic Cathedral of Puebla, which only a few people access. In it are the portraits of the bishops that Puebla has had throughout its history, such as: Rosendo Huesca y Pacheco. In the center is a statue of Saint John Nepomuk, who is there to remember the secrecy of the meetings. It has changed places several times, firstly it is the twin room of the sacristy, which was later inhabited as the Sagrario, remaining, as it has been until today, separated from the main enclosure, even in matters of worship. Later, the room that is currently the Hall of los Gobelinos was built, with its dome for greater solemnity, and then, in the 19th century, the construction of the room that today serves for the aforementioned purposes. The current Chapter House has the Hall of los Gobelinos as an antechamber, although it is somewhat narrower since it measures just 5.07 m. wide by 20 m. of length. It is covered with groin vaults, barely pointed, one of them with a skylight, oculus or "porthole", in the front wall.

3239: 2973: 2879: 2995: 2134: 1796: 3338: 1258: 890: 596: 142: 1239: 1224: 2116: 624:, in the place called Cuetlaxcoapan, It was necessary to build the first parish church in the city, for which it was decided to do it in front of the Plaza Mayor in what would be called Portal de Borja and from 1852 Portal Iturbide, it was located in the middle of the street bordering on both sides with the lots granted to the first residents of the city, the mayor Hernando de Elgueta and Alonso González, who were given a license to build portals. In the sacristy of this parish, a meeting was held on May 16, 1535, with fifty-seven people who signed before a clerk in order to start the construction of a new larger church, while Bishop 2261: 3280:

other equal jars with their bouquets although 1.20 m high, 25 oil lamps and 6 lamps hang from the vaults of the church, of which two stand out that hang on the sides of the tabernacle of more than 2 m high and 30 lights each. One of the beautiful lamps that hang from the largest dome, the second in size, is a masterpiece by the goldsmith Diego Larios, it was premiered on Corpus Christi in 1751, it is a work they call Mestiza because it is made of silver with gold overlays, he maintains 42 lights. It has other sets of candlesticks and lecterns, being one of exquisite workmanship, bronze candlesticks with their sets of pedestals,

1086: 1193: 3098:, an absence attributed to the fact that the older students advantaged of the Palafoxian Seminary was rewarded with an original signature of the prelate as a souvenir. In the same way it suffered other important mutilations such as the evident lack of complete files torn from volumes of lawsuits for tithes or for rights and prerogatives of the cathedral. With all this, the cathedral Chapter Archive is considered one of the most important of the New Spanish period and indispensable for regional history. The archive was rescued and organized by Support for the Development of Archives and Libraries of Mexico. 1345: 1209: 1962: 3060: 2249: 2964: 1580: 2147: 2107: 2237: 1710: 882: 2277: 682: 2982: 1808: 1459: 2750: 2084:, it is classified by means of a stepped plinth with eight sides that mark corner pilasters and have gilded doors in their openings, it is closed by a better half and culminates with the statue of the Immaculate Virgin who steps on the biblical serpent in the clouds, it was cast in bronze and weighs 920 kilograms. The base of the cypress, in a round shape and with a flat vault, where there are four small doors for access to the crypts of the bishops, are only opened on November 2, the 2198: 1568: 2095: 3891: 782: 2866: 4592: 25: 915: 2214:

is the largest in this cathedral it has been given the name "International" because three nations participated in its construction: the United States in 1958, in the city of Buffalo the electronic part with four keyboards was built, Germany the artistic and gilded pipes and Mexico the assembly of cedar wood and gold leaf decoration. It was assembled inside the cathedral by artists from Puebla.

728: 2505:, both by Master Lugardo. The three original Baroque-style altarpieces were removed by the architect José del Castillo to install Neoclassical ones in their place. There are also in small niches some heads carved in wood of Saint Peter and Saint Paul and a sculpture of "Christ the King of Mockery" anonymous painting and on the top of the grille a small "Divine Face". 665:“it is very solemn, and stronger and larger than all those built to date throughout New Spain. It has three naves and the pillars are made of very good black stone and of good grain, with its three doors, in which there are three very carved portals and a lot of work”. Because of the quality of its materials, it had to be repaired on several occasions in which the 806:(...) I found this temple built only up to half of the pillars and everything exposed, without any instruments and materials or effects ready to be bought, without having begun any arch or vault and without hope of continuing. Outlaws of justice were collected in it for being considered sacred. Married Indians lived in the chapels, and other indecencies. 1410:, born in 1746, describes them, but they no longer appear in the Plan of 1754. During the existence of the Major church in the 16th century, the chapel of the natives called the chapel of "San Pedro de los indios" was erected there, and next to it some priestly houses where the priests lived there being able to witness from their balcony the 2125: 1440:" and whose entrance was through the atrium. It was closed to worship in 1890, transferring the devotion to the Temple of Los Gozos. Its arches were canceled and today it is used as a cellar. In 1766, as in the old Major church, an underground place was built again in front of the chapel for the mortal remains of the natives. 716:, senior worker, who prepared the layout and model as well as the interior and exterior, showing them to the Dean and the Cathedral Chapter and, upon approval, they were given the land and instructions for laying foundations. At first the works received an important boost and the viceroy himself ordered that the Indians of 1122:, with two stone statues of Villería, one of Saint Peter with book and key; and that of Saint Paul with the sword, in the middle the Puerta del Perdón whose impost runs above the niches and between it and the cornice there are some shields of Villería with the shields of the cathedral: a vase of lilies, symbol of the 3089:, very small for the extensive amount of documents it keeps. It has documents dating back to 1539, such as volume number one of the branch "Actas de cabildo" and the "Asientos de diezmos arrendados" from the period 1539–1583, even before the third Mexican Council of 1585 ordered the establishment of archives for the 2230:. Of the three organs, the two old ones are no longer in service since they stopped working at the end of the 19th century and they were never sent to restore since the chapter wanted to preserve them as artistic relics or decorative jewels, testimonies of the historical and religious trajectory of the cathedral. 2003:, master Pedro Pablo Lezama in the work of marble and masonry, José Ramírez in stucco; The bronze and silver work was done in Mexico by Manuel Camaño, the chiseled Joaquín de Izunsa and the silversmith Simón Salmón who, among other works, cast the beautiful image of the Immaculate Conception of Tolsá. The 3050:

Also known as the Hall of Bishops, it was carved with a certain amount of stone, it was originally covered with “expensive moldings in the manner of those of Mexico, with ribs, an enclosure that was modified by groin vaults made of flagstone and brick. One of the areas less known by the public of the

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or right-hand processional nave, dates from the 18th century, was built from 1710 to 1719 by Félix Izaguirre, and is no longer in use today, the second old organ it was built by Inocencio Maldonado in 1737; The third organ that looks towards the front of the baldachin and towards the Altar del Perdón

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on each front, and thus these, like those on the first floor, are grooved and receive the cornice of the order to which they belong. This body, although it has almost the same height, was skillfully divided by its author into two parts in the middle, with an ergot with dentils, placing four arches on

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Since its foundation, the Spanish colony had been projected to form a set of rectangular blocks, in which a large central space was reserved for said plaza and another one was left next to it, which after the first years of uncertainty about its use became it would become a major church. Construction

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This chapel is better known as del Ochavo, it has a semicircular vault and an 8-sided lantern, its interior is covered by 3 altarpieces that are covered with small paintings and mirrors belonging mostly to historical religious series. This chapel is in the Baroque style of the 17th century, it was a

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The 14 isolated columns that form the middle nave are not round, but form a square post with a column embedded in each face, taking this conception into account, we have a total of 74 columns and six pilasters. These support 12 visible main arches and 4 hidden ones, adding those of the lateral naves

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that covers the third and last body, this breaks from the cornice of the second and is formed by two Corinthian columns on pedestals with their cornice and frontispiece. The architecture of this portal is considered a masterpiece due to its stonework, which is why it is not without reason that it is

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was celebrated with an innumerable turnout. The celebrations were intermingled with the sadness of the next departure of Bishop Palafox to Spain. The Jesuits with whom Palafox had had an open conflict for various reasons, finally managed to transfer him to March 6, 1647. The bishop not only left his

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in July 1640, who resumed the works with determined enthusiasm. The new reforms gave a higher elevation to the central nave above the processional ones, allowing the passage of natural light and giving it the appearance of a pyramidal structure. It was consecrated by Bishop Juan de Palafox y Mendoza

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The silverware of this cathedral church is superb, among other things it has a large silver lamp a little smaller than that of the Cathedral of Mexico but superior to it due to the excellence of the work with which it is made. It has 4 silver statues the height of a man. It stands out above all for

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The Choir is made up of three large walls that open in the shape of a horseshoe in the direction of the high altar, the space it creates is closed by a 17th-century wrought Pueblan iron gate by master Juan Mateo de la Cruz that ends with the Calvary in ivory and in the collaterals, the bell towers.

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who is patron, among other things, of all entrances and exits, since there was behind the door a gigantic statue made of wood of this saint since the inauguration of the cathedral (1649) until the times of the intendant Manuel de Flon Conde de la Cadena (1786-1811) when it was removed, today in its

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totaling ten, eight esquilas or smaller bells and a bell for the clock. The heaviest and most famous is the so-called "Campana María" the maximum registered weight of this with its clapper is 8 tons 572 kilos and 572 grams. The challenge and the tremendous difficulties involved in raising the María

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and later art due to the treasures it houses. Over the centuries it has been enriched in works of painting, sculpture, goldsmithing and carpentry of great artistic quality, as well as its decorations, the large boarded doors, aluminum and the treasures of the sacristy that protect the rich priestly

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style altarpiece, the side murals are covered with two paintings of the Passion, from the 17th century, The Descent and The Calvary, there is controversy about their authorship, on the one hand it is attributes it to the Spanish artist Rodrigo de la Piedra and on the other to Antonio de Santander.

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who transformed the chapel, like the one in front, equipping it with an altarpiece identical to that of la Guadalupana. Artists from the Academy of Fine Arts made the busts that contain in their interior fragments of the bones of male and female saints, whose lists are written down in the boxes on

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was bishop, they tried to make a new one and it was thought to be made of silver, but this idea was discarded and later Manuel Tolsá, director of sculpture at the Academy of Mexico, was consulted who agreed to make the plan and model; once contracted, the demolition was carried out on September 1,

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The temple of 1535 was in the same space that the cathedral occupies today, however its exact position is still being discussed, but not its orientation, from north to south, that is, facing the Plaza Mayor. His factory, according to his contemporaries, was mediocre, however Motolina wrote in 1541

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The space it occupies is rectangular in shape, recharged in the corner of another larger floor, forming a large space for the atrium. The building is organized into five naves: a central one, two lateral ones and two niche chapels, its Renaissance-style façade stands out. Attached to its back is a

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or bouncers, silver with gold overlays, one meter high of exquisite workmanship, with their respective candles, and 8 silver bouncers with gold overlays, 4 beautiful burnished silver jugs with their bouquets silver cupella 1.80 m high are combined with the said bouncers and in the tabernacle four

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The building should be centered longitudinally on the large block that was assigned to it, loaded towards the east with an atrium in front that would have that of a cemetery among its functions, the latter over time would be the object of several construction projects to close it and encompass in

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cathedrals. Since its formation as a repository of documents, it remained in the same place through the centuries without great order or concert, only until 1952 did the Cabildo resolve its ordering, but not its classification, since it did not have indexes or catalogues. Without due control and

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commissioned by a chapter session who approved the work in the year 1674. It was designed on an octagonal floor plan then called Ochavada enclosed in a box of almost 10 m per side with walls of 7.30 m high to the base of the dome which is covered with bricks and finished off with a lantern with

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The chocolate room is located next to the Hall of los Gobelinos and its windows adjoin the old Calle del Obispado (now 5 Oriente). It was used by the prebendaries and canons to store their belongings in the narrow cabinets that each one was assigned, it was also provided with breakfast or snack

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The large space is surrounded by a large chest of drawers made of fine wood that houses the rich and abundant liturgical ornaments and in the middle a large table made of fine wood in the Renaissance style. The upper part of the sacristy is full of paintings. The large canvas in the background

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was moved to this chapel, which was in his chapel to one side of the high altar, so its numerous devotees interfered with the ceremonial of the Eucharist. In the same way as the other chapels, it was converted to the Neoclassical style; the sculpture of Saint Nicholas stands out, attributed to

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That same year in July, in a town hall session, the work for the construction of the "Ochavo" was approved, a place to store valuable religious ornaments, commissioning its construction to the renowned architect Carlos García Durango, who had intervened in the enclosure of some vaults and the

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The middle one, which protects the so-called "Puerta del Perdón", rises 34 meters and opens only on big occasions, the same as in the Mexico City Cathedral and others. It was finished in 1664. This portal is divided into three bodies: the first of the Doric order with four fluted half

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On the afternoon of May 5, 1862, when a tremendous downpour ended and the troops of the French army began to withdraw, according to the chronicles, "virtually no one slept that night in Puebla when the celebration for the victory began... with great ringing and fluttering of

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cathedral was built between the 16th and 17th centuries, and replaced the previous one that existed in what is now the atrium. Seventy-four years passed from the beginning of its construction in 1575 to its consecration, during the reigns of three successive kings of Spain,

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These neighbors did not make their portals of the same height, as a result of which, when this first temple was dismantled to regularize the square and continue the portal, it was left with the deformity that is still notable today, since a part is lower and its arches are

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ornaments embroidered with gold and silver thread, sacred vessels, chalices, ciboria, reliquaries and crosses bathed in gold inlaid with jewels and diamonds. Its historical archive has documents dating back to the founding of the city and many are waiting to be classified.

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The altarpiece inaugurated in the year 1830 is of a composite order with two columns, six pilasters and a niche where Saint Peter is placed and that of Saint Paul in another, the oil paintings of Jesus walking in the sea, Christ tied and Saint Francis of Assisi. works by

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To finish the cathedral, Palafox insisted that the tithes of the numerous properties of the Jesuits be paid, which represented their only income, in addition, what triggered an open confrontation with the society was the application by Palafox of the provisions of the

2171:, with fine wood, bone and ivory forming different grecados, on the backs of each chair. The two small doors that give access to the choir were inlaid on both sides and with reliefs of Saint Peter and Saint Paul; these stalls and doors were donated by the 14th bishop 826:, giving it a pyramidal appearance seen from the front, not as a whim or aesthetic, but to give more lighting to the interior, however when the cathedral was finally consecrated on Sunday, April 18, 1649, the towers were missing and the facade had not been completed. 705:(Huesca) recommended that they get down to work and even the help offered by the king in the year 1560 was not taken advantage of by lack of resources. It had to be bought from Alonso Martín Partidor himself, owner of the houses where the cathedral would be built. 1041:

bell through a narrow opening gave rise to the famous legend that it was the angels who raised it and held it in place. The reality is that it was raised on the day of Saint Mark in 1732 by the Indian Juan Bautista Santiago, major master in charge of the works.

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on each side, it was released on June 1, 1727. There is another gold one of about a meter high, it is made of gold of various shades and is mounted with pearls, emeralds, diamonds, topazes, amethysts and garnets, it was premiered in September 1803, the work of

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The city, in common agreement with the bishop, decided to hold a solemn novena with the concurrence of the religious communities and in which there would be a mass and a sermon and in the afternoon whatever the aldermen liked, who determined jousting games of

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with crystals, inside of which are placed the images of the saints to whom they are dedicated, on beautiful silver bases and four bouquets of the same metal. The image of the Archangel Michael has his cane and other silver decorations, and on the sides in the

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97.67 meters long, from the façade (Puerta del Perdón) to the sidewalk of Calle 2 Sur, from West to East, by 51 meters wide, from South to North; if we have to consider only the cathedral temple without the Miter, that is to say, from the

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The fourth body and auction is made up of the oil painting of the Coronation of the Virgin Mary by the Holy Trinity placed between paired columns of the compound order, the large central space is made up of the second and third body with

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from the 18th century. On the sides of the entrance doors are two ovals, one of Saint Joseph and the other of Archangel Michael, both by the painter Ibarra. In one corner of the large space is a 3 m high tecali marble fountain or ewer.

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are celebrated from Monday to Saturday, while on Sundays there is a great deal of activity, with up to ten masses being celebrated. The schedules are subject to changes or variations depending on the patron saint festivities,

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of Mary. The second body is of the Ionic order, with four half columns and in its intercolumns there are niches and shields like the first with the statues of Saint Joseph, holding the baby Jesus by the hand on the left, and

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In these circumstances, Palafox undertook a fundraising campaign that included the entire society of Puebla, contributing his own inheritance, asking for contributions to the secular Cabildo, the highest, and raising the

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based on turbines and electricity, the largest tube measures 12 m and the smallest 1 cm, it plays on big occasions such as weddings, graduations, concerts, etc. It was inaugurated on December 8, 1973, by Archbishop

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were not lacking. Its vaults are edge or handkerchief divided into several sections. Along its three walls are the oil portraits of distinguished canons of the Puebla cathedral who would later attain episcopal dignity.

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that starts from a very ornate pedestal, which constitutes four pilasters, two on each side, and in the center a window with a carved frame of good taste, and the intercolumns have niches and medals with the statues of

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The dome of the Chapel of the Kings is smaller, its shell has four windows and as many stairs, between each one it ends with a statuette of Saint Joseph. This dome shines a lot at night when the church is illuminated.

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began on August 29, 1535, with the financial help of Bishop Ojacastro and settlers from the city where the first stone was laid, with the assistance of Corregidor Hernández de Elgueta and Mayor Alonso Martín Partidor.

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dated January 19, 1640 that ordered the works to be finished and concluded, the new bishop of Puebla ordered its resumption, but not before visiting the cathedral that, seeing it in total carelessness, described it:

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since Garcés had died the previous year. Meanwhile, the space dedicated to the temple next to the Plaza Mayor had been occupied by primitive residents and there was a need to buy the houses recently built by them.

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The modest Major church did not correspond to the claims of the inhabitants of the city of los Angéles who had requested its expansion until they finally obtained the consent of the king to build a new cathedral.

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because it was considered a pile of old papers, the archive suffered the theft of documents, many times unconsciously and others self-interested, such as the fact that there is not a single signature of Bishop

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each front, two in the lower division with a balustrade, and the same number in the upper one without it, which is pleasing to the eye and avoided the many subdivisions so repeated in the architectural bodies.

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and clouds in white stucco finishes off, the lower part it was decorated in a very sumptuous way in keeping with the rest of the monument, the building leaves a large hollow space for the tabernacle and the

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took over the direction. They worked hard and without consideration of expenses until completing the splendid work that kept the people of Puebla in expectation for 20 years. The current main altar, called

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is topped with the arms of Spain, which from 1827 to 1930 was covered with mixture with the intention of putting the Mexican shield, however, and finally the place bears the Mary's monogram but keeping the

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finish off, followed by an octagonal plinth, three times higher than the balustrade, which in each angle has a merlon like the previous ones, leaving these higher than the others and in the middle of them.

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The plot where the cathedral or basilica floor is built comprises the same as any city block: 120 meters long by 80 meters wide. The cathedral measures 97.67 meters long by 51 meters wide, is traced in a

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The Choir that is located in front of the Puerta del Perdón, was built in the last decade of the 17th century and the beginning of the 18th century with the purpose that this place was destined for the

4219: 2858:, Mexico. The chapel called del Sagrario responded to the need to have a space apart from the cathedral to deal with matters related to the Sacraments and spiritual services originally imparted to the 1304:, life-size and of Villería; the impost of the arch runs to the sides, there are also medals with portraits of founding kings in low relief and white stone and of the same some children that adorn the 653: 3955: 1874:, achieving a large set of figures in bright colors in the manner of the great Italian masters of the seventeenth century. He himself decorated the pendentives with images of the four Jewish heroines 1498:

of the upper nave and 18 columns embedded in the side walls of 9.78 meters from plinth to capital, they support the vaults of the lower naves. All the pillars carry the weight of forty vaults and two

1666:. On the south side the patronage of Saint Joseph is represented and on the opposite side Stages of the Life of Saint John Nepomucene, martyr of the secret of confession, by the 19th century painter 579:

building for offices of the Mitra, its former headquarters, and the building of the chapel called Ochavo. With its little more than 70 meters high, it was the tallest church in the Spanish colonies.

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and worked in the eighteenth century by the master Pedro Muñoz, in the center of the choir on a tecali stone baluster there is a cedar lectern where it supports four books of the 16th century with

644:; therefore the bishop's cathedral would occupy small and provisional buildings until there was the definitive one. In 1543, the construction of a temple for the new episcopal seat was approved by 4463: 1386:, its octagonal basement with three Ionic pilasters at each angle and on its cornice on the four front walls there are as many windows, the exterior surface included a coating of yellow and green 5407: 3927: 1559:

The paving is of alternating red and black marble,'0 called Santo Tomás. The building is illuminated by 124 windows, of which 27 are round, using 2,215 panes that were originally placed in 1664.

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crowned by a white stone scotia called Villería (variety of opaque white marble) that supports a globe of the same stone approximately 1 meter in diameter, ending with a cross three meters high.

2493:, which according to legend was said to have been made in Europe and blessed by Pope Paul VI, said without support, since the piece is made of corn cane paste, a raw material from the state of 1985:, had collected the spoils of his predecessors in the year 1649, which were in other churches in Puebla and thus began the pantheon of bishops in the old tabernacle. Around the year 1798, when 4394: 3922: 1673:

In the second body of the crossing naves, the four evangelists, Saint Matthew, Saint Mark, Saint John and Saint Luke, are represented in 19th-century tempera paintings by the Pueblan painter

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in Rome, to the east the altar of the Kings, to the west the main entrance called del Perdón or Papal, to the north the portada real, and to the south a simple portal without any adornment.

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The place was probably occupied by the Major church, antecedent to the current one, which later, when it was demolished, the rubble remained for a time while the cathedral was being built,

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The cathedral bells have rung on special occasions such as coronations of kings and births of the crown's first-born, however, history records the peals in independent Mexico as memorable:

2851: 2639:. On the altar there is a copy of the Dolorosa de Acatzingo and under it is the Roman wax figure of Saint Florence martyr, with his relics inside. Among the relics are the femur of Beato 1421:

Once these buildings disappeared according to a plan of 1754, a new chapel was built for the natives and at their expense, this time on one side of the south tower, it had the shape of a

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Between 1618 and 1640 the works were suspended at the height of the walls and cornices, missing the altar, chapels, vaults and the floor that at that time was made of dirt floor, however

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The resumption of the factory required the workforce of 1,500 officers and peons that Palafox supervised every week. Gómez de Trasmonte's project gave more elevation to the central

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The main dome, which from the floor to its lantern is 43 m high, shows the evangelists and major prophets in the niches next to the windows, it is adorned with caissons and in its

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to the counterpoint of straight lines and curves, in this monument there is a wide variety of materials such as Tecali marble, stucco, bronze, brass and cedar wood in the crypts.

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In the 18th century, the entire atrium was paved with stairways for access and was surrounded by attic posts on whose cusps there were statues of saints and between the posts 17

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The Norte and Sur portals are similar in architecture although they vary in details, the Sur being simpler without statues or decorations, the latter is located in front of the

2701: 2533: 1612: 4162: 3970: 3880: 2404: 1244: 1156: 3647: 2537: 2227: 1599:. These two altars are equally gilded and Corinthian order. They are made up of four large columns in the first body and two small ones in the second. Each altar has a large 2630:. At the end of the 17th century, the council decided that the relics be moved here, so that the celebrant could admire them from the high altar. It was again the architect 2331: 1667: 1407: 2914:. Other canvases on the Revelations of the Apocalypse, also by Echave Rioja, crown the midpoints of the side panels. All these paintings are framed in gilt altarpieces of 2429:

style by removing the Baroque altarpieces and thus consecrating it to (María Salus Infirmorum) "Mary health of the sick" whose painting was the work of the Pueblan master

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Adjoining the Puerta del Perdón, on both sides, are two posts that end in a semicircular point and ergot. When the archbishopric of Puebla was erected in 1904 by bull of

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front of the feet of the temple the cathedral Tabernacle. The direction of the building would be east–west, so the Plaza Mayor of the city would be on its north side.

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small oratory and deposit, today reduced to its minimum expression and disuse, the oil paintings alternate with framed and embroidered reliquaries, they are works by

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of terracotta in whose three quarters shine the same number of stars distributed at equal distances, and ends with a graceful cusp and a statuette of the Conception.

1238: 1223: 3313: 2862:-Spanish population and their servants, as it was also that the interior of the cathedral as an episcopal see should not, for practical reasons, serve as a parish. 2172: 1502:, all of which are made of gray quarry stone that was brought from the neighboring towns of the city and carved with such precision that the work seems error-free. 1324:. It continues upwards with a cornice, this yes, its frieze adorned with triglyphs, next to it run two magnificent posts that give the whole a majestic appearance. 1076:

On Sunday, January 28, 1979, for the arrival of Pope John Paul II in the center of the city, passing in an open car, to one side of the north side of the cathedral.

3179:: seven sets of Christmas carols belonging to the years 1551, 1552, 1553, 1555, 1556 and 1557 for eight voices, in addition to the one from 1559 for seven voices. 2793: 2366:, who was in charge of transforming the Baroque decoration of some spaces of the cathedral into the Neoclassical style, placed the painting of the famous Oaxacan 1674: 4629: 1450:

The current trellis began to be built in 1878, being financed in each section by private donors according to the red stone inscriptions that can be seen today.

542:. It has the prerogative of being the first sumptuous temple that under fine architectural designs was built in the Americas, consecrated in 1649, ahead of the 3505:

VI Encuentro Internacional de investigadores de la Red Latinoamericana de Cooperación Universitaria - Puebla Patrimonial: Los Tesoros Pictóricos de La Catedral

2593: 762:

had already been working since 1634 on reforming the Becerra project, since he had been designated as major master, but it was not until the arrival of Bishop

4023: 523: 174: 3965: 1941:

on a base and silver column, in the collaterals of this tabernacle there are two oil paintings: the birth of the Child Jesus where the 9th bishop of Puebla

4437: 4239: 1611:

The altar table has a silver front and supports a tabernacle more than a meter high made of the same metal, with a niche in the middle where a Christ by

713: 2310:

stands out, patron saint of maids or lawyer to find honest servitude, it is the work of the 19th century artist Rafael Morante, in the other niches are

1192: 5422: 5173: 2693: 2497:, possibly brought by Bishop Antonio Ruíz de Morales y Molina, who ruled the diocese from 1572 to 1576, the sculpture is accompanied on the sides by a 1571:

The processional nave of the Gospel, in the background the altar dedicated to Saint Joseph, on the left paintings of the Stations of the Cross made by

829:

On the afternoon of the Tuesday following the consecration, the remains of five bishops of the eight that the diocese had had were transferred and the

4095: 2319: 5387: 5257: 3503: 3238: 2652: 2490: 1131:

on the right with a gourd on a staff and above a pine. The third body consists of two fluted Doric half-columns on pedestals and its cornice without

5417: 3210:

The cathedral in Puebla had a distinguished musical tradition, dating from the late sixteenth century. One of the most distinguished musicians was

2498: 2399:, in front of the altarpiece of the Virgin, a cartouche says: (Non Fecit Taliter Omni Nationi), "He did not the same with all nations" phrase that 1012:

This cornice is crowned by a sober balustrade intersected with pedestals in the corners and in the median of the fronts, in which round pyramidal

3899: 2953: 2938: 2907: 2887: 1663: 4955: 4748: 3565: 2765: 2631: 2422: 2363: 1991: 686: 3835: 2972: 2878: 2180: 5262: 5056: 4358: 2636: 1689:

and the architect Francisco Gutiérrez intervened in the regency of the work, highlighting three reliefs on the main gates: in the center the

1618:

The altar of Saint Joseph, to the right of the Altar of the Kings, has the same silver decoration and the statues between the columns are of

5072: 5402: 5086: 5001: 2133: 494: 5142: 4473: 3034:

Generalissimo of the Hellenes. The last gobelin is the embarkation of the Argonauts in search of the golden belloniso, they come from the

2994: 5392: 5079: 5065: 4622: 4069: 2421:, which is why his sculpture and his X-shaped cross, symbol of his martyrdom, are still preserved in the middle of the fence. Here again 2260: 1208: 1151:, two commemorative plaques were installed on the poles with Latin inscriptions, one of them (on the left) referring to the first bishop 789:

in Puebla meant the resumption of work that had been interrupted for years, as he soon became an enthusiastic promoter of its completion.

3765: 5093: 157: 5011: 2753:

One of the two gigantic wall paintings on the sides of the Chapel of Nuestra Señora de la Soledad, attributed to Rodrigo de la Piedra.

241: 3329:

its wealth, the monstrance of solid gold adorned with precious stones, among which there is a diamond valued, it is said, at 10,000

2167:

The interior is made up of 52 chairs in two exclusive rows for the ecclesiastical council, the stalls are made of beautiful Pueblan

1626:. The one of Saint Joseph is by Cora. Another Holy Christ with the Virgin and Saint John is placed in the tabernacle of this altar. 5168: 4429: 4363: 3860: 3656: 2796:, which is why many call this chapel in her name, the patron saint of Puebla and Tlaxcala. It is a replica of the original made by 5178: 3942: 4615: 3852: 2894:

The access to the Sacristy is through the first chapel on the side of the epistle, its measurements are 17 m and 10.40 m wide.

89: 5361: 5051: 3995: 3748: 61: 937:

at the front of the temple are equal and square, whose cubes are at the same height as the main façade, finished off with a

3620: 2334:. The remains are found, under a large bronze tombstone, of the first constitutional governor of the state of Puebla Gral. 3214:, active as chapel master from 1629 to 1664. His wrote extended and complex works, including polychoral masses as well as 2248: 2163:

de Puebla, for which the installation was required, in successive periods, of organs for the harmonization of ceremonies.

5199: 5122: 2660: 1093:

The cathedral has five portals with access to the interior, one on both sides, three on the front, and all obey a sober

847:

At later dates, covers and facades were completed, such as the main one, called the Puerta del Perdón, finished in 1664.

68: 5412: 4188: 3828: 3593: 2433:. The emphasis on the heart of the Virgin caused people to call it the "Sweet Heart of Mary". On the sides there is an 1795: 1583:

Cancellation of the door of San Cristóbal and painting of the saint, by the author Lara and the Christ by the sculptor

770: 543: 2819:, it was brought to Mexico by Archdeacon Fernando Gutiérrez Pacheco. Accompanying the sides are two paintings, one of 2635:

the fence. Inside the central niche, reliquaries of different shapes and materials are kept, along with paintings by

993:, being all of this first body eight, the space between these and the cornice, is divided by a strip, the rest being 108: 42: 4494: 4018: 3252: 1871: 5366: 5245: 5127: 4991: 4565: 1686: 872:

brought from the Tepozuchil hill, placed instead of the original brickwork called petatillo left by Bishop Palafox.

4843: 4131: 2544:

and the miracles that were performed in his tomb. This chapel is the last of the processional nave of the gospel.

1949:. All the paintings on this altar, with the exception of the dome, were made by the Spanish architect and painter 922:

The north tower, the only one that has bells, also called the Old Tower, was finished in 1678 during the reign of

751:, leaving the works on the cathedral unfinished, which were resumed between 1587 and 1590 by order of the viceroy 75: 5397: 5137: 5106: 5031: 5016: 4971: 4883: 4342: 3111:

Briefs of certificates and trades, episcopal governments of Fabián y Fuero, López Gonzalo and Pérez de Echeverría

1907: 3798: 5315: 5041: 5021: 4986: 4773: 3603: 3218:(for the Christmas season). His music shows between others the evidence of New Spain's non-white population in 2094: 1280:

The portal facing North (Norte) is approximately 30 meters high, consists of three bodies, the first is of the

743:

In 1580 Francisco Becerra left Mexico called by the viceroy of Peru to carry out the works on the cathedral of

46: 4509: 4301: 3890: 2017:

The height of the Cypress, from the ground to the head of the statue of Saint Peter, is 17.50 meters. It is a

1840: 1533:

hang on each one along the temple and turning it. With the exception of the shell of the largest dome made of

5194: 5101: 5006: 4976: 4828: 4693: 4638: 4549: 4003: 3821: 3303:

that serves the day of Corpus and circular jubilee, is made of gold, almost a meter high with a multitude of

1990:

1799, beginning the new work with enormous expenses, after some changes in the administration, the architect

57: 5351: 2921:

The walls of the following vault are also covered with large-format canvases: In the front interspace, in a

640:

requested, among other things, his transfer, which occurred on October 3, 1539, with the consent of Viceroy

5356: 5283: 5036: 5026: 4788: 4049: 3844: 3674:"Archivo Histórico del Venerable Cabildo Metropolitano de Puebla. Inventario y Guía de series documentales" 1490:

It has 14 colossal Doric style columns almost 15 meters high from the plinth to the capital, all fluted, 6

1056: 744: 649: 613: 234: 4074: 3535: 3512: 3211: 3176: 2302:, the Baroque altarpieces were removed to make way for a Doric Neoclassical one, which has a sculpture of 4981: 4903: 4285: 3875: 3690:

Alice Ray Catalyne, "Music of the Sixteenth to Eighteenth Centuries in the Cathedral of Puebla, Mexico."

2789: 2489:

The chapel "del Cristo", as it was formerly called because of the magnificent life-size sculpture of the

1270:

place there is a large-format canvas of the same saint and the statue is kept in the Temple of Santiago.

815:, the latter action that caused him a confrontation with the religious orders and in particular with the 3703:

Robert M. Stevenson, "Puebla chapelmasters and Organists: sixteenth and seventeenth centuries." Part I.

3248: 2735: 2385: 2335: 2236: 1867: 1800: 927: 302: 5046: 4996: 3317: 2524: 2022: 1911: 1137: 4054: 3960: 3808: 2667:

called in his time The Mexican Murillo of the 19th century. The crossing continues after this chapel.

2000: 865:, the one that surrounds it and those of the chancel of the Altar of the Kings were added around 1691. 5320: 4939: 4873: 4447: 4214: 3337: 3095: 2934: 2906:" and on the right another of the "Triumph of the religion", all by the 17th-century Mexican painter 2838: 2823:

and the other of the dead Christ, whose origin is unknown but they are presumed to have been made by

2769: 2615: 2426: 2067:

The cornice is interrupted in each section of the pillars to house in its gaps large gleams with the

2036:

This cypress is placed on a stone pedestal 2.61 meters high in square and sits on a circular plan of

2018: 1982: 1942: 1852: 1698: 1257: 1070:

On May 5, 1962, at noon, in commemoration of the First Centenary of the Battle of Loreto y Guadalupe.

889: 794: 786: 763: 595: 571: 527: 443: 319: 141: 4853: 4607: 2115: 1851:, and inspired by a sketch by Sebastián de Arteaga, it was consecrated on April 18, 1649. by Bishop 5325: 4039: 3737:

Un siglo de platería en la Catedral de Puebla. A través de sus inventarios de Alhajas (siglo XVIII)

2743: 2389: 2367: 1903: 1641: 1572: 472: 3791: 2640: 2552:

The following chapels correspond to the right processional nave known as the nave of the Epistle:

2298:(Tabernacle), the symbols on the fan of the grille indicate that it was originally consecrated to 2044:, 5.66 meters high, grouped by four at each angle that enclose the doctors of the church in white 1073:

On October 30, 1964, the fall of Governor Nava Castillo due to the unpopularity of his government.

4863: 4753: 3865: 3803: 3281: 2619: 2541: 2463:, which had its respective ordinance, and the altarpiece consists of a statue of the Immaculate, 2417:

Originally it housed the relics of saints and other sacred objects, then it was dedicated to the

2403:

said on la Guadalupana; On the floor are the mortuary remains of the first Archbishop of Puebla,

1662:

carrying the Child Jesus and in front of it is the archangel Michael by the 18th-century painter

1584: 1514: 1383: 903: 169: 35: 5215: 4265: 4172: 1296:

there are ledges with well-defined niches topped with shells and in it there are two statues of

685:

Processional nave of the gospel of the cathedral of Puebla, early-19th century, oil painting by

4838: 4823: 4419: 4234: 3950: 3870: 2941:, and in the blades of its half point, the apparitions of Our Lady of Pilar to Saint James and 2323: 2311: 2209:

that make up the choral ensemble are three: the first, whose main decoration faces the epistle

1526: 1344: 1285: 835: 708:

Finally, on November 18, 1575, construction work began. The initial architect was the Spaniard

4514: 4141: 2824: 1950: 1898:, it is occupied by the oil painting of the Assumption of Mary, on the left side intercolumns 1848: 1553: 1060: 297: 82: 5310: 4858: 4545: 4524: 4059: 3085:

is a space of 14 m by 4 m adjacent to the sidewalk of 5 Oriente with only access through the

2777: 2372: 2081: 1974: 1799:

The tempera painting of the dome of the Altar of the Kings is the work of the Baroque artist

1690: 1640:

located along both processional naves is the work of the famous 18th-century Oaxacan painter

1637: 1123: 1085: 982: 689:, who transformed some of the Baroque altarpieces of the chapels into the Neoclassical style. 636:

In 1537, once the new city had the minimum conditions for Bishop Garcés to reside there, the

515: 181: 5132: 4100: 2927:

Immaculate Conception stands out under the patronage of the bishops of the Diocese of Puebla

4868: 4778: 4663: 4442: 4177: 4105: 3735: 3035: 2731: 2472: 2306:

in the central niche, which must have come from the destroyed altarpieces. The painting of

1961: 1930: 1899: 1816: 1600: 1591:

Each collateral nave has its altar at its head: the one on the Gospel side is dedicated to

1552:

are found in the drum of the main dome. Its creator was the Spanish architect and sculptor

1545: 1426: 1288:

with carved ovos in its fourth bocel, finished off with well-proportioned cornices without

1119: 609: 3059: 8: 5303: 4833: 4803: 4683: 4337: 4229: 4224: 3394:

7 a.m., 8 a.m., 9 a.m., 10 a.m., 11 a.m., 12 a.m., 13 p.m., 18 p.m., 19 p.m. and 20 p.m.

3199:

Manuscripts of an indeterminate number of authors: Eguiranta, Palafox, Clavijero, Alegre,

3031: 2963: 2678: 1596: 1365: 1357: 1301: 1297: 923: 563: 535: 431: 310: 4044: 3724:, Michael S. Werner, editor. Chicago: Fitzroy Dearborn Publishers 1997, volume 2, p.977. 1579: 1162:

The side portals both show a relief with its Villería frames, on the left it represents

628:

announced, in a general meeting with the people, their intention to build a new temple.

5298: 4718: 4653: 4596: 4316: 4244: 4136: 3561: 2930: 2648: 2623: 2520: 2515:

The space of this chapel was used as access to the stairs of the old tower and later a

2438: 2434: 2418: 2350: 2146: 2106: 2057: 1926: 1694: 1229: 1152: 989:

and bands that garnish them, breaking these on the pedestal and secured with stonework

748: 698: 641: 625: 567: 559: 547: 4743: 3813: 1215: 1171: 755:

on the basis of a new trace and in which natives of Tlaxcala and Cholula had to work.

5335: 5252: 5225: 4723: 4698: 4658: 4499: 4414: 4275: 4249: 3744: 3673: 3599: 3082: 2911: 2785: 2713: 2705: 2567: 2464: 2442: 2400: 2295: 2160: 2156: 2085: 2041: 2025:

of its time of decline, which involves volumetric searches breaking into complicated

1934: 1836: 1659: 1605: 1538: 1293: 1266: 1175: 958: 830: 717: 709: 637: 283: 2734:, Puebla, on the side walls are covered by two large chrome oil paintings signed by 2664: 2601: 2276: 1709: 1487:: the main nave, the crossing nave, two processional naves and two for the chapels. 693:

The orders to carry out the projects and preparatory matters took many years, and a

681: 4918: 4878: 4529: 4198: 4126: 3912: 3582:

that forced the Jesuits to present licenses to preach and confess in the bishopric.

3579: 3479: 3264: 2781: 2709: 2502: 2376:, already made in 1756 in her new altarpiece, accompanied by images of the Blessed 2037: 1895: 1141: 930:. Both are 70 meters high, being at the time the highest in the American colonies. 732: 2536:

and the paintings on the genealogy of the Virgin Mary by the 17th century painter

2124: 881: 773:, adapted the project, giving it a more classical appearance and a basilica plan. 5293: 4908: 4703: 4678: 4569: 4079: 3011: 2981: 2922: 2915: 2808: 2717: 2697: 2686: 2644: 2540:, the other paintings on the sides refer to the action of the Holy Bishop in the 2381: 2327: 2299: 2184: 2176: 2004: 1807: 1458: 1429:, its measurements are 6 m. high, 7.5 wide, and 15 m. long and was dedicated to " 1128: 554: 315: 162: 4798: 3629: 2527:. At the beginning of the 20th century, by decision of the chapter, the cult of 1970: 292: 5288: 4923: 4893: 3407: 3362: 2859: 2820: 2811:, which is perhaps the oldest work in the cathedral, since it has the legend: " 2749: 2682: 2528: 2303: 2284:

The left processional nave known as the Gospel nave has the following chapels:

2049: 2040:

forming an open tower with four fronts. The first body is made up of 16 fluted

1883: 1875: 854:

The side facade called San Cristóbal, which faces north, was completed in 1690.

617: 519: 190: 2716:. The lateral walls are adorned with two paintings in each one with scenes of 1682: 798: 694: 645: 5381: 5220: 4818: 4813: 3678:

Support for the Development of Archives and Libraries of Mexico, A.C. website

3086: 3026:, the chariot of the aurora excels as a nurse of nature and the encounter of 2937:

to conclude the works of the cathedral, this beautiful canvas was painted by

2855: 2807:

the canopy is crossed and the altarpiece is opened revealing the copy of the

2656: 1946: 1922: 1619: 1467: 1444: 1436: 531: 256: 243: 226: 3595:

La creación del imaginario del indio en la literatura mexicana del siglo XIX

2730:

This statue of the Señor de los Azotes (Lord of the Whips) was brought from

2197: 1567: 1513:, one over the Altar of the Kings without a dome and another with it in the 4848: 3428: 3349:, made by José Inzunza. An elegant tenebrio of 5 and a half meters high in 3276: 3101:

Among the most important branches of the archive, the following stand out:

2597: 2579: 2575: 2476: 2007:

for the readings and the pulpit were the work of Joseph de Medina in 1719.

1879: 1592: 1422: 1199: 1163: 1025: 857:

The iron dressing: the bars of the chapels, the railing that runs from the

834:

cathedral to Puebla but also the San Pedro Colleges and the nucleus of the

197: 132:

Basílica Catedral Metropolitana de Nuestra Señora de la Purísima Concepción

2494: 4793: 4733: 4559: 3019: 2804: 2468: 2446: 2395: 2330:

who offers the language that was cut as a tribute to the Virgin; work of

2072: 2026: 1815:

It gets its name from the images of holy kings and queens in the lateral

1518: 1484: 1312: 1281: 1094: 1001: 942: 899: 1174:

in the moments in which an angel wounds her with an arrow in the heart (

781: 4768: 4728: 4708: 3649:

El Archivo del Cabildo Metropolitano de Puebla y sus Papeles de Diezmos

3346: 3300: 3170:

Music: series containing 145 files, 86 choral books and 21 minor books.

3027: 2942: 2865: 2627: 2592:

At the foot of this altarpiece is the image on canvas of a portrait of

2523:

in 1700, adorning it with three altarpieces and paintings, the work of

2516: 2222: 2218: 2206: 1832: 1828: 1623: 1525:

ordered from largest to smallest towards the vertices that are covered

1433:". It was known at the end of the 18th century and during the 19th as " 1349: 1321: 1317: 990: 966: 4808: 3457:

Combination of stones and slaked lime with which some walls are built.

2075:

and stucco finials of angels, on the dome a Saint Peter surrounded by

1937:

with four Solomonic columns, in the glass niche there is the image of

1862:

paintings preserved in Mexico and that consecrates the triumph of the

868:

The entire cathedral was paved in 1772 with the so-called Santo Tomás

4688: 4637: 3511:. Puebla: University of the Americas. 30 October 2009. Archived from 3371: 3090: 3069: 3015: 2307: 2168: 1890:, strong women decked out in the elitist manner of the 17th century. 1863: 1530: 1411: 1000:

The second body follows, slightly narrowed in width, which is of the

583: 484: 278: 186: 4673: 3720:

Craig H. Russell, "Music: Mesoamerica through seventeenth century",

3406:(On Mondays, at 12:00 p.m., the mass is celebrated in honor of 3353:

wood richly adorned with silver, the work of José Mariano Castillo.

1472: 702: 620:, the foundation of a town of Spanish Christians in the province of 24: 5240: 5230: 5158: 4668: 4591: 3293: 3023: 2773: 2563: 2030: 1918: 1655: 1491: 1305: 1289: 1132: 1111: 974: 962: 946: 721: 621: 1265:

The door that leads to the Plaza Mayor is called San Cristóbal by

5235: 4898: 4783: 4763: 3591: 3308: 3304: 3289: 3285: 3039: 3007: 2999: 2571: 2315: 2068: 2053: 1996: 1966: 1859: 1847:

style was the work of master Lucas Méndez under the direction of

1844: 1820: 1415: 1387: 1374: 1361: 1115: 1021: 994: 938: 858: 816: 582:

The cathedral is considered one of the most important museums of

323: 3345:

Among the sacred vessels, two gold ones stand out, as well as a

2904:

The Triumph of the faith of Jesus Christ over the pagan theogony

2187:

martyr of the secret of confession and patron saint of priests.

5408:

Roman Catholic Ecclesiastical Province of Puebla de los Angeles

5330: 4758: 4738: 3692:

Yearbook of the Inter-American Institute for Musical Research 2

3367: 3330: 2902:, the lateral panels cover them, on the left, the painting of " 2596:, an image that miraculously appeared on the cuff of a Mexican 2076: 2061: 2045: 1678: 1549: 1534: 1522: 1353: 1148: 1107: 1013: 1005: 978: 970: 869: 812: 727: 539: 1418:

for the bones that were taken from the Hospital de San Pedro.

1155:

and the other (right) to the last bishop and first Archbishop

969:

and carved friezes-rosettes on the cornice propecture, in the

914: 5267: 4913: 4888: 4713: 3628:. Meritorious Autonomous University of Puebla. Archived from 3375: 3350: 2460: 1476: 1466:

As has been said, the interior plan of the cathedral forms a

1369: 934: 862: 407: 2800:. Above the altar there is a magnificent "Catalan calvary". 1506:

are a total of 30 visible and 4 embedded in the main walls.

1462:

Section of the Basilica Cathedral and Sagrario (Tabernacle).

1447:

topped with lions and shields of white stone from Villería.

735:

defeating the French, painting of 1863 (cathedral pictured).

575:

on April 18, 1649, without having been completely finished.

3733: 2210: 1887: 1824: 1510: 1499: 1495: 1480: 1328: 1037: 986: 954: 950: 823: 526:(Mexico). It is one of the most important buildings in the 396: 769:

Gómez de Trasmonte, who had served as Major Master of the

3184:

Palafox y Mendoza: about 50 volumes of his printed works.

2393:

and on the opposite side repeats Miguel Cabrera with the

1548:

with sculptures of the prophets and evangelists in white

1004:

and has three pilasters without a pedestal, but rather a

2869:

Access portal to the Capilla del Sagrario Metropolitano.

1615:

is placed, and others on the sides with various relics.

1166:

receiving roses from the Virgin and a shield that says (

965:

and receive the corresponding cornice, highlighting the

3843: 2854:

of Puebla is a chapel of the cathedral, of the city of

1562: 902:

and is placed in the same cardinal position as that of

5428:

17th-century Roman Catholic church buildings in Mexico

3533: 2459:

This chapel was entrusted to the Puebla silversmiths'

2217:

The so-called International organ has a total of 3376

616:

authorized on January 18, 1531, at the request of the

3233: 3068:

during the long sessions of chapter in which cups of

2519:

with a baptismal font. The Jesuits consecrated it to

1858:

The sumptuous painting of the dome is one of the few

1693:, in the lateral ones that of the first bishop Friar 1339: 766:

that his plan could pass from the plan to the works.

3743:. ADABI de México A.C. Fundación Alfredo Harp Helú. 3042:

of the fifteenth century, brought by the Spaniards.

3014:

shine in all their magnificence, representing Queen

2837:

The last chapel next to the door of this nave has a

2183:, this beautiful lectern finishes off the statue of 1232:

first bishop of the diocese of Puebla de los Ángeles

2746:in the passage of the metal serpent of the desert. 1378:, the work of the Frenchman Georges Clere, in 1892. 941:, above this rises the first body, which is of the 49:. Unsourced material may be challenged and removed. 3645: 3550:Bishop Palafox arrived in Puebla on July 22, 1640. 1382:It is half orange and rises majestically over the 918:North tower of the cathedral called the Old Tower. 724:participate in the construction of the cathedral. 590: 3763: 3251:. It was built under the episcopal government of 2566:, in the altarpiece is the representation of the 1479:of the Kings, the measurement is 82 meters. Five 1118:, in the intercolumns there are two well-crafted 981:. The arches are of double proportion with their 5379: 3322:Description of the City of Puebla de los Ángeles 2900:The Triumph of the Catholic Church over paganism 2813:copied from the original of Turin, April 8, 1594 2768:intervened in this one to transform it into the 3618: 2471:, on the side walls two oil paintings of Friar 776: 2384:, martyred in Japan. On the side, the work of 1953:, a close relative of Bishop Juan de Palafox. 1870:made in the year 1688, commissioned by Bishop 1494:of the same height, supporting the vaults and 1182:) you hurt my heart and the one on her right ( 1100: 546:that was dedicated in 1653. It was founded by 4623: 3829: 3471: 3404:7 a.m., 8 a.m., 9 a.m., 9.45 a.m., y 19 p.m. 3258:Its factory is due to the renowned architect 2681:, it was decided to consecrate it in 1678 to 1925:and in each intercolumnium the sculptures of 1252: 599:The cathedral from the Plaza Mayor or Zócalo. 130: 2604:and the journalist Trinidad Sánchez Santos. 2407:. The crossing continues after this chapel. 1708: 1654:Through the access on the north side of the 1414:that took place opposite, there was also an 1020:The towers are topped by domes of brick and 3709:Inter-American Music Review 6:1 (Fall 1984) 3267:decorations ending in an iron weathervane. 3155:Building of the churches from 1570 to 1829. 3133:Francisco Pablo Vászquez y Sánchez Vizcayno 2692:On the altar you can see a painting of the 1969:, built between 1799 and 1819, the work of 4630: 4616: 3836: 3822: 3592:Conrado Gilberto Cabrera Quintero (2005). 3480:"City of Puebla Shines as Mexican 'Jewel'" 3165:Books of payments to the Holy Inquisition. 2318:of stupendous workmanship by the sculptor 1977:, 2 meters high and weighing almost a ton. 1839:. The chapel was designed by the Spaniard 1327:The top of the posts serves to receive an 1247:last bishop and first archbishop of Puebla 140: 16:Roman Catholic cathedral of Puebla, Mexico 5423:Roman Catholic churches completed in 1690 5258:Colonial universities in Hispanic America 3529: 3527: 3525: 2815:" thus like a sign with capital letters: 2792:bronze baldachin houses the image of the 2657:adoration of the kings to the child Jesus 2547: 1933:, in the middle part of this body is the 1636:The series of paintings that recount the 712:, designated major master, together with 109:Learn how and when to remove this message 5388:Roman Catholic churches in Puebla (city) 5263:Colonial universities in the Philippines 4639:Spanish / Hispanic Colonial architecture 3336: 3237: 3058: 2993: 2989: 2877: 2864: 2748: 2275: 2196: 2145: 1960: 1945:is represented and the adoration of the 1866:, it is the work of the Baroque painter 1806: 1794: 1747:Chapel of Nuestra Señora de los Dolores. 1658:there is a large-format oil painting of 1578: 1566: 1457: 1343: 1256: 1084: 1055:On August 2, 1821 with the entry of the 913: 888: 880: 780: 726: 680: 667:Temple of Nuestra Señora de la Concordia 594: 5418:Spanish Colonial architecture in Mexico 3242:Altarpiece inside the Chapel del Ochavo 2845: 2651:from the Sumaya brush by the Valencian 2425:intervened for the redecoration in the 1765:Chapel of Nuestra Señora de la Soledad. 1741:Chapel del Señor de la Preciosa Sangre. 1685:that were completed by the 10th Bishop 1509:The main body of the cathedral has two 1036:The Old Tower is the only one that has 631: 182:Ecclesiastical or organizational status 5380: 3522: 3361:In the cathedral basilica, five daily 2832:Chapel of Nuestra Señora de la Soledad 2484:Chapel del Señor de la Preciosa Sangre 1973:, focuses on the bronze figure of the 1406:, who was born in 1718, saw them, and 514:, as the Cathedral of Our Lady of the 4611: 3817: 3707:5:2 (Spring-Summer 1983) and Part 2, 3477: 3341:Puebla Cathedral illuminated at night 2614:Chapel of the Relics. The 9th bishop 2021:style building with the influence of 1910:, mother of Emperor Constantine, and 1843:and its main altarpiece in Solomonic 1790: 1677:, the doors' gates were assembled in 1170:) Rose of my heart, and on the right 3734:María Leticia Garduño Pérez (2014). 2704:from the 18th century. On the sides 2600:, as well as the remains of General 1917:The first body is made up of square 1855:and its factory lasted seven years. 1750:Chapel del Sagrado Corazón de Jesús. 1735:Chapel del Sagrado Corazón de María. 1563:Altars of the Gospel and the Epistle 1483:rise in this space in the form of a 676: 652:which received the new bishop Friar 524:Archdiocese of Puebla de los Ángeles 175:Archdiocese of Puebla de los Ángeles 47:adding citations to reliable sources 18: 5403:Roman Catholic cathedrals in Mexico 5123:Baroque Churches of the Philippines 3845:Roman Catholic cathedrals in Mexico 3054: 3018:of the Amazons on the banks of the 2827:, a relative of Palafox y Mendoza. 2661:Presentation of Jesus at the Temple 2587:Chapel del Sagrado Corazón de Jesús 2454:Chapel of the Immaculate Conception 2412:Chapel del Sagrado Corazón de María 1786:Chapel del Espíritu Santo (Ochavo). 1738:Chapel of la Inmaculada Concepción. 1541:and stone were used in the others. 603: 13: 5393:Baroque church buildings in Puebla 5352:California Churrigueresque Revival 3234:Chapel del Espíritu Santo (Ochavo) 2852:Capilla del Sagrario Metropolitano 2562:This chapel communicates with the 2294:This chapel communicates with the 2266:The organ and grille of the Choir. 1811:Reredos of the Altar of the Kings. 1720:High altar or baldachin (Cypress). 1340:Domes: Major and that of the Kings 841: 771:Mexico City Metropolitan Cathedral 14: 5439: 3804:Puebla Cathedral - Puebla, Mexico 3783: 3622:Rodrigo de la Piedra y su familia 3478:Crowe, Gretchen R. (2006-12-14). 3275:The cypress is decorated with 48 3121:Cédulas Reales from 1540 to 1796. 3106:Acts of council from 1539 to 1558 2271: 2100:Cypress of the cathedral in 1900. 1931:Saint Elizabeth, Queen of Hungary 1284:with four fluted columns and its 5246:Haciendas in the Valley of Ameca 4590: 3889: 3424:List of buildings in Puebla City 3324:speaks of some of these pieces: 3045: 2980: 2971: 2962: 2910:that were copied from prints by 2884:"Triumph of the Catholic Church" 2259: 2247: 2235: 2132: 2123: 2114: 2105: 2093: 1732:Chapel of Our Lady of Guadalupe. 1687:Diego Osorio de Escobar y Llamas 1237: 1222: 1207: 1191: 1178:), the shield on her left says ( 1089:The Cathedral of Puebla in 1873. 23: 5138:Mendicant monasteries in Mexico 3757: 3727: 3714: 3697: 3684: 3666: 3639: 3612: 3534:Melitón Salazar Monroy (1946). 2441:and the anonymous paintings of 2431:Francisco Morales Van den Eyden 2358:Chapel of Our Lady of Guadalupe 2150:The second organ built in 1737. 1762:Chapel of la Virgen de Ocotlán. 1759:Chapel del Señor de la Columna. 1753:Chapel of las Santas Reliquias. 1717:Altar of the Catholic Monarchs. 591:The foundation of the cathedral 495:Latin America and the Caribbean 34:needs additional citations for 3585: 3571: 3553: 3544: 3496: 3451: 3441: 3292:, salvillas, pitchforks, gold 3253:Manuel Fernández de Santa Cruz 2725:Chapel del Señor de la Columna 2437:painted by the Italian artist 1872:Manuel Fernández de Santa Cruz 1823:. The complex is made up of a 1756:Chapel of San Juan Nepomuceno. 1744:Chapel of San Nicolás De Bari. 1595:and the one on the Epistle to 851:conclusion of the north tower. 522:, is the episcopal see of the 1: 5195:Camino Real de Tierra Adentro 4550:Melkite Greek Catholic Church 3900:Province of Antequera, Oaxaca 3464: 3002:in the Hall of los Gobelinos. 2817:Extractu ab originali Taurini 2788:, famous Marian Jesuits. The 2672:Chapel of San Juan Nepomuceno 2620:Saint Catherine of Alexandria 2557:Chapel of Our Lady of Sorrows 2510:Chapel of San Nicolás de Bari 2254:The Choir from the baldachin. 1987:Salvador Bienpica y Sotomayor 1956: 1780:Hall of the Cathedral Chapter 1537:stone to lighten its weight, 961:: these pilasters have their 885:The Puebla Cathedral in 1875. 654:Martín Sarmiento de Ojacastro 4457:Province of Tuxtla Gutiérrez 3928:San Pedro y San Pablo Ayutla 3356: 3150:Edicts and pastoral letters. 3081:The physical Archive of the 3006:In this room, 4 tapestries ( 2655:, on the sides those of the 1726:Chapel del Apóstol Santiago. 1556:, nephew of Bishop Palafox. 1057:Army of the Three Guarantees 777:The era of Palafox y Mendoza 650:Carlos V, Holy Roman Emperor 614:Carlos V, Holy Roman Emperor 512:Basilica Cathedral of Puebla 353:; 287 years ago 124:Cathedral Basilica of Puebla 7: 4586:no longer used as cathedral 4326:Province of San Luis Potosí 4147:Santiago Apóstol, Querétaro 3705:Inter-American Music Review 3417: 2918:of great aesthetic appeal. 2873: 2643:. In paintings you can see 2289:Chapel del Apóstol Santiago 1835:, two side reredos and the 1697:and that of the 9th bishop 1681:in the 17th century in the 1575:and on the right the Choir. 1453: 1372:. The main lamp is made of 1101:Puerta del Perdón and sides 876: 10: 5444: 4464:San Cristóbal de las Casas 4390:Chalco de Díaz Covarrubias 3923:San Juan Bautista Tuxtepec 3887: 3318:Francisco Javier Clavijero 3270: 3201:among many other branches. 3076: 2929:", beside it stands Friar 2740:The descent from the Cross 2702:José Antonio Villegas Cora 2534:José Antonio Villegas Cora 2023:ancient Roman architecture 1912:Margaret Queen of Scotland 1613:José Antonio Villegas Cora 1529:with nail and in turn the 1356:reliefs of the archangels 1332:engraved on the pedestal ( 1253:Norte and Sur side portals 1080: 518:is known according to its 432:UNESCO World Heritage Site 382:97.67 m (320 ft) 5413:Historic centre of Puebla 5344: 5276: 5208: 5187: 5164:Caribbean coast of Panama 5151: 5115: 4964: 4948: 4932: 4646: 4579: 4539:Non-Latin rite Cathedrals 4538: 4482: 4456: 4428: 4400:Ecatepec de Morelos (New) 4395:Ecatepec de Morelos (Old) 4382: 4351: 4325: 4294: 4258: 4207: 4155: 4119: 4088: 4032: 3994: 3941: 3933:Santo Domingo Tehuantepec 3898: 3851: 3568:, Puebla Cathedral, p.12. 3212:Juan Gutiérrez de Padilla 3177:Juan Gutiérrez de Padilla 3145:Tithes from 1539 to 1856. 3131:Correspondence of Bishop 2935:Juan de Palafox y Mendoza 2798:Bernardo Olivares Iriarte 2759:Chapel of la Sábana Santa 2679:Saint John the Evangelist 2616:Juan de Palafox y Mendoza 2609:Chapel of the Holy Relics 2280:Chapels of the cathedral. 2228:Octaviano Márquez y Toriz 2221:or musical sounds, it is 1983:Juan de Palafox y Mendoza 1943:Juan de Palafox y Mendoza 1699:Juan de Palafox y Mendoza 1521:in the middle and golden 1431:Las Lágrimas de San Pedro 1397: 1302:Saint Matthew the Apostle 1298:Saint John the Evangelist 909: 787:Juan de Palafox y Mendoza 764:Juan de Palafox y Mendoza 753:Álvaro Manrique de Zúñiga 697:of 1552 signed by Prince 572:Juan de Palafox y Mendoza 504: 500: 490: 480: 465: 457: 449: 444:Historic Centre of Puebla 438: 429: 425: 417: 406: 394: 386: 378: 370: 365: 347: 329: 309: 277: 272: 233: 222: 217: 196: 180: 168: 156: 151: 139: 128: 123: 5362:Spanish Colonial Revival 5116:Churches and monasteries 4940:List of Spanish missions 4647:Notable historic centers 4520:Túxpam de Rodríguez Cano 4383:Province of Tlalnepantla 4189:Mexico City Metropolitan 3646:Arístides Medina Rubio. 3434: 3249:Cristóbal de Villalpando 3205: 2908:Baltasar de Echave Rioja 2772:style, who also painted 2744:Transfiguration of Jesus 2736:Cristóbal de Villalpando 2677:Originally dedicated to 2649:Saint Ignatius of Loyola 2521:Saint Ignatius of Loyola 2386:Cristóbal de Villalpando 2332:Miguel Jerónimo Zendejas 2141: 1908:Helena of Constantinople 1904:Ferdinand III of Castile 1868:Cristóbal de Villalpando 1801:Cristóbal de Villalpando 1668:Miguel Jerónimo Zendejas 1031: 928:Francisco Fabián y Fuero 303:Cristóbal de Villalpando 4864:Santa Cruz de la Sierra 4194:Tenancingo de Degollado 4156:Province of Mexico City 4033:Province of Guadalajara 3764:Archdiocese of Puebla. 2786:Saint Stanislaus Kostka 2764:As in several chapels, 2706:Saint Francis of Assisi 2465:Saint Louis of Toulouse 2443:Saint Alphonsus Liguori 2405:Ramón Ibarra y González 2373:The Virgin of Guadalupe 2001:Pedro Patiño Ixtolinque 1704: 1245:Ramón Ibarra y González 1186:) consumes me of love. 1157:Ramón Ibarra y González 949:on each front, and two 760:Juan Gómez de Trasmonte 421:70 m (230 ft) 402:82 m (270 ft) 390:51 m (170 ft) 335:; 448 years ago 288:Juan Gómez de Trasmonte 204:; 375 years ago 5398:Herrerian architecture 4597:Catholicism portal 4430:Province of Tulancingo 4089:Province of Hermosillo 3722:Encyclopedia of Mexico 3540:. pp. 12, 13, 31. 3408:Saint Nicholas of Bari 3374:, or depending on the 3342: 3335: 3243: 3222:(Nahua influence) and 3160:Cathedral inventories. 3064: 3003: 2925:-style painting, the " 2891: 2870: 2782:Saint Aloysius Gonzaga 2754: 2710:Saint Francis of Paola 2683:Saint Nicholas of Bari 2548:Chapels of the Epistle 2529:Saint Nicholas of Bari 2503:Saint John the Baptist 2390:The Coronation of Mary 2281: 2202: 2151: 1978: 1841:Juan Martínez Montañés 1812: 1804: 1774:Hall of los Gobelinos. 1713: 1588: 1576: 1463: 1379: 1311:The second body is of 1262: 1090: 919: 894: 886: 808: 790: 785:The arrival of Bishop 736: 690: 600: 544:Metropolitan of Mexico 235:Geographic coordinates 131: 5345:Modern Revival styles 4859:San Miguel de Allende 4410:Teotihuacán de Arista 4208:Province of Monterrey 4070:San Juan de los Lagos 3943:Province of Chihuahua 3619:Viela Morales Pérez. 3340: 3326: 3260:Carlos García Durango 3241: 3062: 2997: 2990:Hall of los Gobelinos 2881: 2868: 2752: 2718:Saint John of Nepomuk 2698:Saint John of Nepomuk 2696:, and a sculpture of 2687:Saint John of Nepomuk 2641:Sebastián de Aparicio 2525:Juan Rodríguez Juárez 2382:Saint Philip of Jesus 2328:Saint John of Nepomuk 2300:Saint James the Great 2279: 2200: 2185:Saint John of Nepomuk 2149: 2082:Immaculate Conception 1975:Immaculate Conception 1964: 1810: 1798: 1712: 1691:coat of arms of Spain 1638:Stations of the Cross 1631:Stations of the Cross 1582: 1570: 1461: 1347: 1260: 1216:Saint Teresa of Ávila 1214:Religious ecstasy of 1202:in stone of Villerías 1172:Saint Teresa of Ávila 1129:Saint James the Great 1124:Immaculate Conception 1088: 1046:Some memorable chimes 917: 892: 884: 804: 784: 730: 684: 669:served as cathedral. 598: 516:Immaculate Conception 333:18 November 1575 257:19.04278°N 98.19833°W 5209:Other building types 3853:Province of Acapulco 3598:. BUAP. p. 73. 3314:Antonio de Villafañe 3296:among other things. 3022:who was defeated by 2846:Sagrario (Sanctuary) 2594:Our Lady of La Manga 2538:José Rubí de Marimón 2473:John Scotus Eriugena 2419:apostle Saint Andrew 2304:Saint James the Less 2173:Pedro Nogales Dávila 1900:Edward the Confessor 1729:Chapel of San Pedro. 1695:Julián Garcés Romano 904:St. Peter's Basilica 632:The old major church 610:Isabella of Portugal 300:(Altar of the Kings) 43:improve this article 5367:Territorial Revival 4684:Cartagena de Indias 4352:Province of Tijuana 4259:Province of Morelia 3996:Province of Durango 3981:Nuevo Casas Grandes 3399:Monday to Saturday 3032:Alexander the Great 2825:Pedro García Ferrer 2378:Bartolomé Gutiérrez 2343:Chapel of San Pedro 2336:José María Calderón 1951:Pedro García Ferrer 1939:Our Lady of Defense 1849:Pedro García Ferrer 1554:Pedro García Ferrer 1334:Hoc opus, Hic labor 1061:Agustín de Iturbide 924:Charles II of Spain 536:World Heritage Site 371:Direction of façade 298:Pedro García Ferrer 262:19.04278; -98.19833 253: / 5277:Architecture types 5002:Dominican Republic 4949:Lists of buildings 4556:San José de Gracia 4505:Papantla de Olarte 4483:Province of Xalapa 4295:Province of Puebla 3971:Hidalgo del Parral 3908:Huautla de Jiménez 3881:Tlapa de Comonfort 3809:Puebla's Cathedral 3799:Cathedral Interior 3562:Moros y cristianos 3537:Catedral de Puebla 3343: 3244: 3065: 3036:French manufacture 3004: 2892: 2888:Baltasar de Echave 2871: 2755: 2618:consecrated it to 2580:Saint John Vianney 2576:Saint Rose of Lima 2439:Vincenzo Camuccini 2435:Assumption of Mary 2351:Vincenzo Camuccini 2282: 2203: 2179:and engravings by 2152: 2042:Corinthian columns 1981:The ninth bishop, 1979: 1927:Louis IX of France 1906:on the right side 1813: 1805: 1791:Altar of the Kings 1714: 1589: 1585:José Zacarías Cora 1577: 1464: 1408:Bermúdez de Castro 1380: 1275:Casa de la Cultura 1263: 1200:Saint Rose of Lima 1180:Vulnerasti cor meu 1164:Saint Rose of Lima 1091: 920: 895: 887: 836:Palafoxian Library 791: 737: 731:Image showing the 699:Philip II of Spain 691: 642:Antonio de Mendoza 601: 548:Philip II of Spain 481:Reference no. 351:(South tower) 1737 227:Puebla de Zaragoza 202:18 April 1649 58:"Puebla Cathedral" 5375: 5374: 5316:Monterey Colonial 5226:Balconies of Lima 5188:Bridges and roads 5096: 5089: 5082: 5075: 5068: 4874:Santiago de Chile 4659:Antigua Guatemala 4605: 4604: 4510:San Andrés Tuxtla 4302:Huajuapan de León 4286:Zamora de Hidalgo 4168:Atlacomulco (New) 4163:Atlacomulco (Old) 3956:Ciudad Cuauhtémoc 3876:Ciudad Altamirano 3750:978-607-416-297-4 3415: 3414: 3411: 3288:, 6 rods for the 3083:Cathedral Chapter 2952:" of the painter 2948:On the sides is " 2933:first bishop and 2794:Virgin of Ocotlán 2738:in the year 1683 2714:Bernardo Guerrero 2574:and on the sides 2568:Virgin of Sorrows 2542:Council of Nicaea 2469:Saint Bonaventure 2447:Saint Bonaventure 2401:Pope Benedict XIV 2223:electro-pneumatic 2161:cathedral chapter 1947:Saints Magi Kings 1896:Solomonic columns 1723:Choir and organs. 1660:Saint Christopher 1597:Archangel Michael 1267:Saint Christopher 1176:religious ecstasy 831:Blessed Sacrament 714:Juan de Cigorondo 710:Francisco Becerra 677:The new cathedral 520:Marian invocation 508: 507: 284:Francisco Becerra 119: 118: 111: 93: 5435: 5092: 5085: 5078: 5071: 5064: 4933:Spanish missions 4879:Santiago de Cuba 4632: 4625: 4618: 4609: 4608: 4595: 4594: 4474:Tuxtla Gutiérrez 4120:Province of León 3918:Puerto Escondido 3893: 3838: 3831: 3824: 3815: 3814: 3795: 3794: 3792:Official website 3777: 3776: 3774: 3772: 3761: 3755: 3754: 3742: 3731: 3725: 3718: 3712: 3701: 3695: 3688: 3682: 3681: 3670: 3664: 3663: 3661: 3655:. Archived from 3654: 3643: 3637: 3636: 3634: 3627: 3616: 3610: 3609: 3589: 3583: 3580:Council of Trent 3575: 3569: 3557: 3551: 3548: 3542: 3541: 3531: 3520: 3519: 3517: 3510: 3500: 3494: 3493: 3491: 3490: 3475: 3458: 3455: 3449: 3445: 3405: 3381: 3380: 3189:Poor and widows. 3140:Council Decrees. 3126:Confraternities. 3063:Chocolatier hall 3055:Chocolatier hall 2998:One of the four 2984: 2975: 2966: 2943:Saint Ildefonsus 2890:in the Sacristy. 2694:Virgin of la Luz 2663:by the brush of 2312:John the Baptist 2263: 2251: 2239: 2201:Retrochoir door. 2136: 2127: 2118: 2109: 2097: 2038:Corinthian order 1425:made up of four 1241: 1226: 1211: 1195: 733:Battle of Puebla 604:The first church 476: 361: 359: 354: 343: 341: 336: 268: 267: 265: 264: 263: 258: 254: 251: 250: 249: 246: 212: 210: 205: 198:Year consecrated 146:Puebla Cathedral 144: 134: 121: 120: 114: 107: 103: 100: 94: 92: 51: 27: 19: 5443: 5442: 5438: 5437: 5436: 5434: 5433: 5432: 5378: 5377: 5376: 5371: 5357:Mission Revival 5340: 5294:Churrigueresque 5272: 5204: 5183: 5169:Coasts of Chile 5147: 5111: 4960: 4944: 4928: 4854:San Luis Potosí 4824:Saint Augustine 4642: 4636: 4606: 4601: 4589: 4575: 4570:Maronite Church 4560:Anglican Church 4534: 4478: 4452: 4448:Tula de Allende 4424: 4378: 4347: 4321: 4290: 4271:Lázaro Cárdenas 4254: 4215:Ciudad Victoria 4203: 4151: 4115: 4084: 4075:San Luis Potosí 4028: 3990: 3937: 3894: 3885: 3847: 3842: 3790: 3789: 3786: 3781: 3780: 3770: 3768: 3766:"Mass Schedule" 3762: 3758: 3751: 3740: 3732: 3728: 3719: 3715: 3702: 3698: 3689: 3685: 3672: 3671: 3667: 3659: 3652: 3644: 3640: 3632: 3625: 3617: 3613: 3606: 3590: 3586: 3576: 3572: 3558: 3554: 3549: 3545: 3532: 3523: 3515: 3508: 3502: 3501: 3497: 3488: 3486: 3484:Catholic Herald 3476: 3472: 3467: 3462: 3461: 3456: 3452: 3446: 3442: 3437: 3420: 3359: 3273: 3236: 3208: 3079: 3057: 3048: 3012:Greek mythology 2992: 2985: 2976: 2967: 2923:Churrigueresque 2916:composite order 2876: 2848: 2653:Baltasar Echave 2645:Saint Sebastian 2598:Hieronymite nun 2550: 2491:crucified Jesus 2308:Saint Philomena 2274: 2267: 2264: 2255: 2252: 2243: 2240: 2177:Gregorian music 2144: 2137: 2128: 2119: 2110: 2101: 2098: 2058:Saint Augustine 1959: 1793: 1707: 1565: 1456: 1435:Capilla de los 1400: 1342: 1255: 1248: 1242: 1233: 1227: 1218: 1212: 1203: 1198:High relief of 1196: 1168:Cordis mei rosa 1103: 1083: 1034: 912: 879: 844: 842:Later additions 779: 679: 634: 606: 593: 555:Herrerian-style 528:historic center 470: 434: 357: 355: 352: 339: 337: 334: 316:Herrerian style 301: 296: 291: 261: 259: 255: 252: 247: 244: 242: 240: 239: 213: 208: 206: 203: 147: 135: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 5441: 5431: 5430: 5425: 5420: 5415: 5410: 5405: 5400: 5395: 5390: 5373: 5372: 5370: 5369: 5364: 5359: 5354: 5348: 5346: 5342: 5341: 5339: 5338: 5333: 5328: 5323: 5318: 5313: 5308: 5307: 5306: 5301: 5296: 5291: 5280: 5278: 5274: 5273: 5271: 5270: 5265: 5260: 5255: 5250: 5249: 5248: 5238: 5233: 5228: 5223: 5218: 5212: 5210: 5206: 5205: 5203: 5202: 5197: 5191: 5189: 5185: 5184: 5182: 5181: 5176: 5171: 5166: 5161: 5155: 5153: 5152:Fortifications 5149: 5148: 5146: 5145: 5140: 5135: 5130: 5125: 5119: 5117: 5113: 5112: 5110: 5109: 5104: 5099: 5098: 5097: 5090: 5083: 5076: 5069: 5061:United States 5059: 5054: 5049: 5044: 5039: 5034: 5029: 5024: 5019: 5014: 5009: 5004: 4999: 4994: 4989: 4984: 4979: 4974: 4968: 4966: 4962: 4961: 4959: 4958: 4952: 4950: 4946: 4945: 4943: 4942: 4936: 4934: 4930: 4929: 4927: 4926: 4921: 4916: 4911: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4871: 4866: 4861: 4856: 4851: 4846: 4841: 4836: 4831: 4826: 4821: 4816: 4811: 4806: 4801: 4796: 4791: 4786: 4781: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4741: 4736: 4731: 4726: 4721: 4716: 4711: 4706: 4701: 4696: 4691: 4686: 4681: 4676: 4671: 4666: 4661: 4656: 4650: 4648: 4644: 4643: 4635: 4634: 4627: 4620: 4612: 4603: 4602: 4600: 4599: 4587: 4584: 4580: 4577: 4576: 4574: 4573: 4563: 4553: 4542: 4540: 4536: 4535: 4533: 4532: 4527: 4522: 4517: 4512: 4507: 4502: 4497: 4492: 4486: 4484: 4480: 4479: 4477: 4476: 4471: 4466: 4460: 4458: 4454: 4453: 4451: 4450: 4445: 4440: 4434: 4432: 4426: 4425: 4423: 4422: 4417: 4412: 4407: 4405:Nezahualcóyotl 4402: 4397: 4392: 4386: 4384: 4380: 4379: 4377: 4376: 4371: 4366: 4361: 4355: 4353: 4349: 4348: 4346: 4345: 4340: 4335: 4329: 4327: 4323: 4322: 4320: 4319: 4314: 4309: 4304: 4298: 4296: 4292: 4291: 4289: 4288: 4283: 4278: 4273: 4268: 4262: 4260: 4256: 4255: 4253: 4252: 4247: 4242: 4240:Piedras Negras 4237: 4232: 4227: 4222: 4217: 4211: 4209: 4205: 4204: 4202: 4201: 4196: 4191: 4186: 4180: 4175: 4170: 4165: 4159: 4157: 4153: 4152: 4150: 4149: 4144: 4139: 4134: 4129: 4123: 4121: 4117: 4116: 4114: 4113: 4108: 4103: 4098: 4096:Ciudad Obregón 4092: 4090: 4086: 4085: 4083: 4082: 4077: 4072: 4067: 4062: 4057: 4052: 4047: 4042: 4040:Aguascalientes 4036: 4034: 4030: 4029: 4027: 4026: 4021: 4016: 4011: 4006: 4000: 3998: 3992: 3991: 3989: 3988: 3983: 3978: 3973: 3968: 3963: 3958: 3953: 3947: 3945: 3939: 3938: 3936: 3935: 3930: 3925: 3920: 3915: 3910: 3904: 3902: 3896: 3895: 3888: 3886: 3884: 3883: 3878: 3873: 3868: 3863: 3857: 3855: 3849: 3848: 3841: 3840: 3833: 3826: 3818: 3812: 3811: 3806: 3801: 3796: 3785: 3784:External links 3782: 3779: 3778: 3756: 3749: 3726: 3713: 3696: 3683: 3665: 3662:on 2015-06-10. 3638: 3635:on 2013-05-12. 3611: 3604: 3584: 3570: 3552: 3543: 3521: 3518:on 2011-08-16. 3495: 3469: 3468: 3466: 3463: 3460: 3459: 3450: 3439: 3438: 3436: 3433: 3432: 3431: 3426: 3419: 3416: 3413: 3412: 3401: 3400: 3396: 3395: 3391: 3390: 3386: 3385: 3384:Mass schedule 3358: 3355: 3272: 3269: 3235: 3232: 3207: 3204: 3203: 3202: 3196: 3191: 3186: 3181: 3172: 3167: 3162: 3157: 3152: 3147: 3142: 3137: 3128: 3123: 3118: 3113: 3108: 3078: 3075: 3056: 3053: 3047: 3044: 2991: 2988: 2987: 2986: 2979: 2977: 2970: 2968: 2961: 2875: 2872: 2847: 2844: 2835: 2834: 2821:Saint Veronica 2762: 2761: 2728: 2727: 2675: 2674: 2665:José de Ibarra 2612: 2611: 2602:Miguel Miramón 2590: 2589: 2560: 2559: 2549: 2546: 2513: 2512: 2499:Virgin of Hope 2487: 2486: 2457: 2456: 2415: 2414: 2368:Miguel Cabrera 2361: 2360: 2346: 2345: 2292: 2291: 2273: 2272:Gospel chapels 2270: 2269: 2268: 2265: 2258: 2256: 2253: 2246: 2244: 2241: 2234: 2195: 2194: 2143: 2140: 2139: 2138: 2131: 2129: 2122: 2120: 2113: 2111: 2104: 2102: 2099: 2092: 2086:All Souls' Day 2015: 2014: 1958: 1955: 1923:Ionic capitals 1792: 1789: 1788: 1787: 1784: 1781: 1778: 1775: 1772: 1769: 1766: 1763: 1760: 1757: 1754: 1751: 1748: 1745: 1742: 1739: 1736: 1733: 1730: 1727: 1724: 1721: 1718: 1706: 1703: 1675:Julián Ordóñez 1652: 1651: 1642:Miguel Cabrera 1634: 1633: 1606:intercolumnios 1573:Miguel Cabrera 1564: 1561: 1455: 1452: 1445:Tuscan columns 1399: 1396: 1341: 1338: 1294:intercolumnios 1254: 1251: 1250: 1249: 1243: 1236: 1234: 1228: 1221: 1219: 1213: 1206: 1204: 1197: 1190: 1140:and the royal 1102: 1099: 1082: 1079: 1078: 1077: 1074: 1071: 1068: 1064: 1049: 1048: 1033: 1030: 1024:topped with a 959:intercolumnium 957:, one in each 911: 908: 878: 875: 874: 873: 866: 855: 852: 848: 843: 840: 778: 775: 678: 675: 633: 630: 618:Real Audiencia 605: 602: 592: 589: 506: 505: 502: 501: 498: 497: 492: 488: 487: 482: 478: 477: 467: 463: 462: 459: 455: 454: 451: 447: 446: 440: 436: 435: 430: 427: 426: 423: 422: 419: 415: 414: 411: 404: 403: 400: 392: 391: 388: 384: 383: 380: 376: 375: 372: 368: 367: 366:Specifications 363: 362: 349: 345: 344: 331: 330:Groundbreaking 327: 326: 313: 307: 306: 281: 275: 274: 270: 269: 237: 231: 230: 224: 220: 219: 215: 214: 200: 194: 193: 191:Minor basilica 184: 178: 177: 172: 166: 165: 163:Roman Catholic 160: 154: 153: 149: 148: 145: 137: 136: 129: 126: 125: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 5440: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5385: 5383: 5368: 5365: 5363: 5360: 5358: 5355: 5353: 5350: 5349: 5347: 5343: 5337: 5334: 5332: 5329: 5327: 5324: 5322: 5319: 5317: 5314: 5312: 5309: 5305: 5302: 5300: 5297: 5295: 5292: 5290: 5287: 5286: 5285: 5282: 5281: 5279: 5275: 5269: 5266: 5264: 5261: 5259: 5256: 5254: 5251: 5247: 5244: 5243: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5221:Bahay na bato 5219: 5217: 5214: 5213: 5211: 5207: 5201: 5198: 5196: 5193: 5192: 5190: 5186: 5180: 5179:Santo Domingo 5177: 5175: 5172: 5170: 5167: 5165: 5162: 5160: 5157: 5156: 5154: 5150: 5144: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5121: 5120: 5118: 5114: 5108: 5105: 5103: 5100: 5095: 5091: 5088: 5084: 5081: 5077: 5074: 5070: 5067: 5063: 5062: 5060: 5058: 5055: 5053: 5050: 5048: 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5028: 5025: 5023: 5020: 5018: 5015: 5013: 5010: 5008: 5005: 5003: 5000: 4998: 4995: 4993: 4990: 4988: 4985: 4983: 4980: 4978: 4975: 4973: 4970: 4969: 4967: 4963: 4957: 4954: 4953: 4951: 4947: 4941: 4938: 4937: 4935: 4931: 4925: 4922: 4920: 4917: 4915: 4912: 4910: 4907: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4884:Santo Domingo 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4865: 4862: 4860: 4857: 4855: 4852: 4850: 4847: 4845: 4844:San Francisco 4842: 4840: 4837: 4835: 4832: 4830: 4827: 4825: 4822: 4820: 4817: 4815: 4812: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4790: 4787: 4785: 4782: 4780: 4777: 4775: 4772: 4770: 4767: 4765: 4762: 4760: 4757: 4755: 4752: 4750: 4747: 4745: 4742: 4740: 4737: 4735: 4732: 4730: 4727: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4690: 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4670: 4667: 4665: 4662: 4660: 4657: 4655: 4652: 4651: 4649: 4645: 4640: 4633: 4628: 4626: 4621: 4619: 4614: 4613: 4610: 4598: 4593: 4588: 4585: 4582: 4581: 4578: 4571: 4567: 4564: 4561: 4557: 4554: 4551: 4547: 4544: 4543: 4541: 4537: 4531: 4528: 4526: 4523: 4521: 4518: 4516: 4513: 4511: 4508: 4506: 4503: 4501: 4498: 4496: 4493: 4491: 4490:Coatzacoalcos 4488: 4487: 4485: 4481: 4475: 4472: 4470: 4467: 4465: 4462: 4461: 4459: 4455: 4449: 4446: 4444: 4441: 4439: 4436: 4435: 4433: 4431: 4427: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4398: 4396: 4393: 4391: 4388: 4387: 4385: 4381: 4375: 4372: 4370: 4367: 4365: 4362: 4360: 4357: 4356: 4354: 4350: 4344: 4341: 4339: 4336: 4334: 4333:Ciudad Valles 4331: 4330: 4328: 4324: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4299: 4297: 4293: 4287: 4284: 4282: 4279: 4277: 4274: 4272: 4269: 4267: 4264: 4263: 4261: 4257: 4251: 4248: 4246: 4243: 4241: 4238: 4236: 4233: 4231: 4228: 4226: 4223: 4221: 4218: 4216: 4213: 4212: 4210: 4206: 4200: 4197: 4195: 4192: 4190: 4187: 4185:(Mexico City) 4184: 4181: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4160: 4158: 4154: 4148: 4145: 4143: 4140: 4138: 4135: 4133: 4130: 4128: 4125: 4124: 4122: 4118: 4112: 4109: 4107: 4104: 4102: 4099: 4097: 4094: 4093: 4091: 4087: 4081: 4078: 4076: 4073: 4071: 4068: 4066: 4063: 4061: 4058: 4056: 4055:Ciudad Guzmán 4053: 4051: 4048: 4046: 4043: 4041: 4038: 4037: 4035: 4031: 4025: 4022: 4020: 4017: 4015: 4014:Gómez Palacio 4012: 4010: 4007: 4005: 4002: 4001: 3999: 3997: 3993: 3987: 3984: 3982: 3979: 3977: 3974: 3972: 3969: 3967: 3964: 3962: 3961:Ciudad Juárez 3959: 3957: 3954: 3952: 3949: 3948: 3946: 3944: 3940: 3934: 3931: 3929: 3926: 3924: 3921: 3919: 3916: 3914: 3911: 3909: 3906: 3905: 3903: 3901: 3897: 3892: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3858: 3856: 3854: 3850: 3846: 3839: 3834: 3832: 3827: 3825: 3820: 3819: 3816: 3810: 3807: 3805: 3802: 3800: 3797: 3793: 3788: 3787: 3767: 3760: 3752: 3746: 3739: 3738: 3730: 3723: 3717: 3710: 3706: 3700: 3693: 3687: 3679: 3675: 3669: 3658: 3651: 3650: 3642: 3631: 3624: 3623: 3615: 3607: 3601: 3597: 3596: 3588: 3581: 3574: 3567: 3563: 3556: 3547: 3539: 3538: 3530: 3528: 3526: 3514: 3507: 3506: 3499: 3485: 3481: 3474: 3470: 3454: 3444: 3440: 3430: 3427: 3425: 3422: 3421: 3409: 3403: 3402: 3398: 3397: 3393: 3392: 3388: 3387: 3383: 3382: 3379: 3377: 3373: 3369: 3364: 3354: 3352: 3348: 3339: 3334: 3332: 3325: 3323: 3319: 3315: 3310: 3306: 3302: 3297: 3295: 3291: 3287: 3283: 3278: 3268: 3266: 3261: 3256: 3254: 3250: 3240: 3231: 3229: 3225: 3221: 3217: 3213: 3200: 3197: 3195: 3192: 3190: 3187: 3185: 3182: 3180: 3178: 3173: 3171: 3168: 3166: 3163: 3161: 3158: 3156: 3153: 3151: 3148: 3146: 3143: 3141: 3138: 3136: 3134: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3103: 3102: 3099: 3097: 3092: 3088: 3087:Chapter house 3084: 3074: 3071: 3061: 3052: 3046:Chapter House 3043: 3041: 3037: 3033: 3029: 3025: 3021: 3017: 3013: 3009: 3001: 2996: 2983: 2978: 2974: 2969: 2965: 2960: 2959: 2958: 2955: 2954:Luis Berrueco 2951: 2946: 2944: 2940: 2939:Luis Berrueco 2936: 2932: 2931:Julián Garcés 2928: 2924: 2919: 2917: 2913: 2909: 2905: 2901: 2895: 2889: 2885: 2880: 2867: 2863: 2861: 2857: 2853: 2843: 2840: 2833: 2830: 2829: 2828: 2826: 2822: 2818: 2814: 2810: 2806: 2801: 2799: 2795: 2791: 2787: 2783: 2779: 2775: 2771: 2767: 2760: 2757: 2756: 2751: 2747: 2745: 2741: 2737: 2733: 2726: 2723: 2722: 2721: 2719: 2715: 2711: 2707: 2703: 2699: 2695: 2690: 2688: 2684: 2680: 2673: 2670: 2669: 2668: 2666: 2662: 2658: 2654: 2650: 2646: 2642: 2638: 2633: 2629: 2626:and later to 2625: 2621: 2617: 2610: 2607: 2606: 2605: 2603: 2599: 2595: 2588: 2585: 2584: 2583: 2581: 2577: 2573: 2569: 2565: 2558: 2555: 2554: 2553: 2545: 2543: 2539: 2535: 2530: 2526: 2522: 2518: 2511: 2508: 2507: 2506: 2504: 2500: 2496: 2492: 2485: 2482: 2481: 2480: 2478: 2474: 2470: 2466: 2462: 2455: 2452: 2451: 2450: 2448: 2444: 2440: 2436: 2432: 2428: 2424: 2420: 2413: 2410: 2409: 2408: 2406: 2402: 2398: 2397: 2392: 2391: 2387: 2383: 2379: 2375: 2374: 2369: 2365: 2359: 2356: 2355: 2354: 2352: 2344: 2341: 2340: 2339: 2337: 2333: 2329: 2325: 2321: 2320:Zacarías Cora 2317: 2316:Saint Eligius 2313: 2309: 2305: 2301: 2297: 2290: 2287: 2286: 2285: 2278: 2262: 2257: 2250: 2245: 2238: 2233: 2232: 2231: 2229: 2224: 2220: 2215: 2212: 2208: 2199: 2193: 2190: 2189: 2188: 2186: 2182: 2178: 2174: 2170: 2164: 2162: 2158: 2148: 2135: 2130: 2126: 2121: 2117: 2112: 2108: 2103: 2096: 2091: 2090: 2089: 2087: 2083: 2078: 2074: 2070: 2065: 2063: 2059: 2055: 2054:Saint Ambrose 2051: 2050:Saint Gregory 2047: 2043: 2039: 2034: 2032: 2028: 2024: 2020: 2013: 2010: 2009: 2008: 2006: 2002: 1998: 1993: 1988: 1984: 1976: 1972: 1968: 1963: 1954: 1952: 1948: 1944: 1940: 1936: 1932: 1928: 1924: 1920: 1915: 1913: 1909: 1905: 1901: 1897: 1891: 1889: 1885: 1881: 1877: 1873: 1869: 1865: 1861: 1856: 1854: 1850: 1846: 1842: 1838: 1834: 1830: 1826: 1822: 1818: 1809: 1802: 1797: 1785: 1782: 1779: 1777:Chapter House 1776: 1773: 1770: 1767: 1764: 1761: 1758: 1755: 1752: 1749: 1746: 1743: 1740: 1737: 1734: 1731: 1728: 1725: 1722: 1719: 1716: 1715: 1711: 1702: 1700: 1696: 1692: 1688: 1684: 1683:Mudéjar style 1680: 1676: 1671: 1669: 1665: 1664:Luis Berrueco 1661: 1657: 1650: 1647: 1646: 1645: 1643: 1639: 1632: 1629: 1628: 1627: 1625: 1621: 1616: 1614: 1609: 1607: 1602: 1598: 1594: 1586: 1581: 1574: 1569: 1560: 1557: 1555: 1551: 1547: 1542: 1540: 1536: 1532: 1528: 1524: 1520: 1516: 1512: 1507: 1503: 1501: 1497: 1493: 1488: 1486: 1482: 1478: 1474: 1469: 1468:parallelogram 1460: 1451: 1448: 1446: 1441: 1439: 1438: 1432: 1428: 1424: 1419: 1417: 1413: 1409: 1405: 1395: 1391: 1389: 1385: 1377: 1376: 1371: 1367: 1363: 1359: 1355: 1351: 1346: 1337: 1335: 1330: 1325: 1323: 1319: 1314: 1309: 1308:of the arch. 1307: 1303: 1299: 1295: 1291: 1287: 1283: 1278: 1276: 1271: 1268: 1259: 1246: 1240: 1235: 1231: 1230:Julián Garcés 1225: 1220: 1217: 1210: 1205: 1201: 1194: 1189: 1188: 1187: 1185: 1184:Amore langueo 1181: 1177: 1173: 1169: 1165: 1160: 1158: 1154: 1153:Julián Garcés 1150: 1145: 1143: 1139: 1138:golden fleece 1134: 1130: 1125: 1121: 1117: 1113: 1109: 1098: 1096: 1087: 1075: 1072: 1069: 1065: 1062: 1058: 1054: 1053: 1052: 1047: 1044: 1043: 1042: 1039: 1029: 1027: 1023: 1018: 1015: 1010: 1007: 1003: 998: 996: 992: 988: 984: 980: 976: 972: 968: 964: 960: 956: 952: 948: 944: 940: 936: 931: 929: 925: 916: 907: 905: 901: 891: 883: 871: 867: 864: 860: 856: 853: 849: 846: 845: 839: 837: 832: 827: 825: 820: 818: 814: 807: 803: 800: 796: 788: 783: 774: 772: 767: 765: 761: 756: 754: 750: 746: 741: 734: 729: 725: 723: 719: 715: 711: 706: 704: 700: 696: 688: 683: 674: 670: 668: 662: 658: 655: 651: 647: 643: 639: 629: 627: 626:Julián Garcés 623: 619: 615: 611: 597: 588: 585: 580: 576: 573: 569: 565: 561: 556: 551: 549: 545: 541: 537: 533: 529: 525: 521: 517: 513: 503: 499: 496: 493: 489: 486: 483: 479: 474: 468: 464: 460: 456: 452: 448: 445: 441: 439:Official name 437: 433: 428: 424: 420: 416: 412: 409: 405: 401: 398: 393: 389: 385: 381: 377: 373: 369: 364: 350: 346: 332: 328: 325: 321: 317: 314: 312: 308: 304: 299: 294: 289: 285: 282: 280: 276: 271: 266: 238: 236: 232: 228: 225: 221: 216: 201: 199: 195: 192: 188: 185: 183: 179: 176: 173: 171: 167: 164: 161: 159: 155: 150: 143: 138: 133: 127: 122: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: – 59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 5321:Neoclassical 5143:Popocatépetl 4839:San Fernando 4583:co-cathedral 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in the 1290:triglyphs 1112:pedestals 975:triglyphs 963:pedestals 947:pilasters 793:Bringing 568:Philip IV 560:Philip II 348:Completed 295:(cypress) 187:Cathedral 5311:Chilotan 5241:Hacienda 5231:Bullring 5159:Presidio 5042:Paraguay 5022:Honduras 4987:Colombia 4909:Veracruz 4904:Trujillo 4869:Santa Fe 4849:San Juan 4679:Campeche 4669:Arequipa 4641:articles 4525:Veracruz 4438:Huejutla 4369:Mexicali 4359:Ensenada 4317:Tlaxcala 4312:Tehuacán 4245:Saltillo 4137:Irapuato 4101:Culiacán 4019:Mazatlán 4009:El Salto 3861:Acapulco 3418:See also 3389:Sundays 3309:emeralds 3305:diamonds 3286:scepters 3265:Talavera 3024:Heracles 3008:Gobelins 3000:gobelins 2874:Sacristy 2742:and the 2700:made by 2570:and the 2564:sacristy 2475:and the 2296:Sagrario 2077:seraphim 1803:in 1688. 1783:Archive. 1656:transept 1649:Transept 1527:fleurons 1519:rosettes 1515:crossing 1454:Interior 1388:azulejos 1384:crossing 1286:capitals 1133:pediment 1022:azulejos 933:The two 877:Exterior 722:Tlaxcala 622:Tlaxcala 458:Criteria 453:Cultural 229:, Mexico 223:Location 218:Location 170:District 152:Religion 99:May 2022 5304:Mexican 5284:Baroque 5253:Cabildo 5236:Convent 5200:Tayabas 5102:Uruguay 5080:Florida 5066:Arizona 5007:Ecuador 4977:Bolivia 4899:Tayabas 4809:Popayán 4784:Morelia 4764:Malolos 4719:Granada 4500:Orizaba 4495:Córdoba 4415:Texcoco 4374:Tijuana 4276:Morelia 4250:Tampico 4220:Linares 4111:Nogales 4024:Torreón 4004:Durango 3866:Chilapa 3694:(1966). 3680:. 2017. 3448:uneven. 3331:escudos 3320:in his 3290:pallium 3271:Jewelry 3194:Graves. 3096:Palafox 3077:Archive 3010:) from 2860:Criollo 2572:Calvary 2324:descent 2159:of the 2157:oratory 2071:of the 2069:anagram 1997:Cypress 1967:cypress 1860:tempera 1853:Palafox 1845:Baroque 1821:reredos 1819:of its 1620:Joachim 1523:coffers 1475:to the 1416:ossuary 1375:tumbaga 1366:Raphael 1362:Gabriel 1358:Michael 1116:cornice 1108:columns 1097:style. 1081:Facades 1014:merlons 995:bossage 983:imposts 979:metopes 939:cornice 861:to the 859:chancel 817:Jesuits 795:Palafox 718:Cholula 638:Cabildo 473:session 395:Width ( 356: ( 338: ( 324:Baroque 207: ( 83:scholar 5331:Rococo 5289:Andean 5133:Chiloé 5037:Panama 5027:Mexico 4956:Oldest 4814:Puebla 4794:Oaxaca 4779:Mompox 4769:Manila 4759:Malabo 4739:La Paz 4734:Iloílo 4729:Havana 4704:Cuenca 4674:Bogotá 4530:Xalapa 4364:La Paz 4307:Puebla 4199:Toluca 4127:Celaya 4050:Colima 4045:Autlán 3976:Madera 3913:Oaxaca 3747: 3602: 3376:saints 3368:Easter 3363:masses 2856:Puebla 2803:Every 2501:and a 2467:, and 2326:and a 2207:organs 2192:Organs 2046:stucco 2005:ambons 1884:Esther 1876:Judith 1817:niches 1550:stucco 1546:niches 1544:Eight 1535:pumice 1496:arches 1473:façade 1427:vaults 1423:barrel 1404:Veytia 1398:Atrium 1354:stucco 1149:Pius X 1120:niches 1067:bells" 1006:plinth 971:frieze 951:arches 935:towers 910:Towers 870:marble 813:tithes 703:Monzón 540:UNESCO 532:Puebla 491:Region 471:(11th 461:ii, iv 379:Length 85: 78: 71: 64: 56: 5268:Plaza 5128:Bohol 5094:Texas 4982:Chile 4914:Vigan 4889:Sucre 4819:Quito 4714:Cusco 4654:Agaña 4080:Tepic 3741:(PDF) 3660:(PDF) 3653:(PDF) 3633:(PDF) 3626:(PDF) 3516:(PDF) 3509:(PDF) 3435:Notes 3351:ebony 3282:paxes 3206:Music 2461:guild 2219:pipes 2142:Choir 1679:cedar 1601:niche 1511:domes 1500:domes 1481:naves 1477:Altar 1370:Uriel 1142:crown 1038:bells 1032:Bells 987:jambs 955:bells 863:choir 749:Cusco 745:Quito 469:1987 408:Spire 387:Width 311:Style 90:JSTOR 76:books 5047:Peru 5012:Guam 4997:Cuba 4894:Taal 4754:Lima 4744:León 4699:Coro 4689:Cebú 4132:León 3773:2010 3745:ISBN 3600:ISBN 3307:and 3299:The 3226:and 3030:and 2882:The 2850:The 2784:and 2708:and 2647:and 2578:and 2445:and 2380:and 2211:nave 2205:The 2060:and 2029:and 1965:The 1929:and 1921:and 1902:and 1888:Jael 1886:and 1880:Ruth 1825:dome 1705:Plan 1622:and 1539:lime 1368:and 1352:the 1329:arch 1320:and 1300:and 1114:and 953:for 824:nave 747:and 720:and 566:and 510:The 450:Type 397:nave 358:1737 286:and 189:and 62:news 3038:of 2886:by 2776:to 2370:of 1827:on 1336:). 701:in 648:of 538:by 530:of 485:416 410:(s) 45:by 5384:: 3676:. 3564:. 3524:^ 3482:. 3410:.) 3378:. 3370:, 3316:. 3284:, 3255:. 2945:. 2780:, 2720:. 2689:. 2582:. 2479:. 2449:. 2353:. 2338:. 2088:. 2064:. 2056:, 2052:, 2048:, 1914:. 1882:, 1878:, 1701:. 1670:. 1644:. 1364:, 1360:, 1159:. 1144:. 997:. 985:, 838:. 819:. 562:, 550:. 322:, 4631:e 4624:t 4617:v 4572:) 4568:( 4562:) 4558:( 4552:) 4548:( 3837:e 3830:t 3823:v 3775:. 3753:. 3711:. 3608:. 3492:. 3333:. 3135:. 1587:. 1063:. 475:) 413:2 399:) 360:) 342:) 211:) 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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