137:
118:
149:
86:
165:
18:
186:
952:
962:
988:
132:, the "B" section introduces a lyrical chordal melody over an extended arpeggiated figure. Beginning in measure 35, a two-measure phrase is repeated and then serially extended in measures 39–41. A counter melody appears at measure 42 in the middle voice, intensifying the passage.
159:
Following the middle section, the
Prelude transitions to a recapitulation of the march section by gradual increases in tempo and dynamics. The section uses chromatically upward moving chords following embellished diminished seventh figures.
81:
section). First, the chordal march of measure one; second, the fragment on the second half of the beat in measure two; third, the fragment on the second half of beat two in measure three.
965:
96:
Measures 1–9 expand on the march theme. Following a cadence in the dominant, the section repeats in measures 10–16 with slight alterations and concludes in a G minor perfect
77:
section is in itself in ternary ABA form. Within the first three measures of the
Prelude, Rachmaninoff introduces the unifying factors of the piece (notwithstanding the
876:
787:
782:
777:
771:
764:
758:
753:
748:
742:
730:
488:
681:
553:
324:
922:
342:
293:
574:
297:
42:
set of ten preludes, despite having been written two years earlier than the other nine. Rachmaninoff himself premiered the piece in
1008:
668:
612:
604:
819:
803:
598:
864:
859:
854:
844:
824:
107:
section (measures 17–24) mirrors the rhythm of the first measure, presenting a sequence of related chords beginning with E
675:
423:
418:
413:
402:
371:
849:
834:
829:
699:
686:
483:
317:
1013:
718:
871:
814:
636:
529:
522:
515:
494:
37:
917:
546:
470:
458:
453:
447:
955:
310:
620:
185:
164:
148:
136:
117:
85:
17:
1018:
978:
896:
630:
625:
710:
691:
378:
217:"Gilels is playing at the front, to remind us what the war is worth fighting for: Immortal music!"
581:
501:
268:
992:
175:
Finally, the piece ends in a highly original way: a short arpeggiated run to a high G, marked
901:
661:
560:
567:
464:
357:
8:
333:
33:
508:
364:
58:, consisting of an opening "A" section with punctuated sixteenth-note chords (marked:
70:), a transition into the original tempo, and a recapitulation of the initial march.
177:
927:
643:
97:
937:
260:
1002:
724:
209:
205:
55:
932:
385:
201:
302:
221:
This prelude is one of the most performed and recorded pieces of the
212:
63:
46:
on
February 10, 1903, along with Preludes No. 1 and 2 from Op. 23.
62:, march), a more lyrical and melancholy "B" section with sweeping
22:
The first measure introduces the prelude's idiosyncratic jumps.
43:
961:
215:
forces fighting in the war. The narrator says (in
Russian):
976:
1000:
318:
923:Music written in all major and/or minor keys
261:"Gilels – Prelude Op 23 No 5 – Rachmaninoff"
36:, completed in 1901. It was included in his
325:
311:
439:
298:International Music Score Library Project
240:
238:
32:, Op. 23, No. 5, is a piece of music by
796:
332:
1001:
244:
306:
235:
54:The Prelude's taut structure is in
13:
204:played this prelude at a front in
14:
1030:
287:
986:
960:
951:
950:
719:Variations on a Theme of Corelli
1009:Preludes by Sergei Rachmaninoff
772:Morceau de Fantaisie in G minor
682:Variations on a Theme of Chopin
523:Rhapsody on a Theme of Paganini
424:Piano Concerto No. 4 in G minor
419:Piano Concerto No. 3 in D minor
414:Piano Concerto No. 2 in C minor
271:from the original on 2021-12-21
918:Sergei Rachmaninoff recordings
554:Liturgy of St. John Chrysostom
253:
249:. Schirmer Books. p. 170.
1:
687:Piano Sonata No. 1 in D minor
228:
196:
49:
7:
10:
1035:
897:Conservatoire Rachmaninoff
631:Suite No. 2 for two pianos
626:Suite No. 1 for two pianos
103:The "B" subsection of the
66:in the left hand (marked:
946:
910:
889:
653:
590:
539:
471:Symphony No. 3 in A minor
459:Symphony No. 2 in E minor
454:Symphony No. 1 in D minor
432:
403:Piano Concerto No. 1 in F
395:
349:
340:
245:Norris, Geoffrey (1993).
759:Piece (Canon) in D minor
1014:Compositions in G minor
700:Piano Sonata No. 2 in B
621:Cello Sonata in G minor
188:
167:
151:
139:
120:
88:
24:
902:Rachmaninoff (crater)
662:Morceaux de fantaisie
208:, in support for the
184:
163:
147:
135:
116:
84:
16:
676:Six moments musicaux
343:List of compositions
778:Fughetta in F major
765:Four Improvisations
575:Three Russian Songs
372:Francesca da Rimini
334:Sergei Rachmaninoff
128:In contrast to the
34:Sergei Rachmaninoff
877:Prelude in F major
484:Scherzo in D minor
365:The Miserly Knight
123:Measures 17 and 18
29:Prelude in G minor
1019:1901 compositions
974:
973:
885:
884:
669:Morceaux de salon
599:Morceaux de salon
479:
478:
1026:
991:
990:
989:
982:
964:
954:
953:
872:Preludes, Op. 32
815:Preludes, Op. 23
809:
808:
794:
793:
743:Lento in D minor
736:
735:
705:
704:
637:Russian Rhapsody
530:Symphonic Dances
516:Isle of the Dead
509:Caprice bohémien
495:Prince Rostislav
489:Suite in D minor
437:
436:
408:
407:
327:
320:
313:
304:
303:
296:: Scores at the
281:
280:
278:
276:
257:
251:
250:
242:
192:
171:
155:
143:
124:
112:
111:
92:
91:Measures 2 and 3
1034:
1033:
1029:
1028:
1027:
1025:
1024:
1023:
999:
998:
997:
993:Classical Music
987:
985:
977:
975:
970:
942:
928:Ivanovka estate
906:
881:
806:
805:
792:
754:Three Nocturnes
733:
732:
712:Études-Tableaux
702:
701:
693:Études-Tableaux
649:
644:Polka Italienne
586:
547:All-Night Vigil
535:
475:
428:
405:
404:
391:
345:
336:
331:
290:
285:
284:
274:
272:
259:
258:
254:
243:
236:
231:
199:
194:
190:
187:
173:
169:
166:
157:
153:
150:
145:
141:
138:
126:
122:
119:
109:
108:
94:
90:
87:
79:Poco meno mosso
68:Poco meno mosso
52:
25:
21:
19:
12:
11:
5:
1032:
1022:
1021:
1016:
1011:
996:
995:
972:
971:
969:
968:
958:
947:
944:
943:
941:
940:
935:
930:
925:
920:
914:
912:
908:
907:
905:
904:
899:
893:
891:
887:
886:
883:
882:
880:
879:
874:
869:
868:
867:
862:
857:
852:
847:
842:
837:
832:
827:
822:
812:
800:
798:
791:
790:
785:
780:
775:
768:
761:
756:
751:
746:
739:
728:
721:
716:
708:
697:
689:
684:
679:
672:
665:
657:
655:
651:
650:
648:
647:
640:
633:
628:
623:
618:
614:Trio élégiaque
610:
606:Trio élégiaque
602:
594:
592:
588:
587:
585:
578:
571:
564:
557:
550:
543:
541:
537:
536:
534:
533:
526:
519:
512:
505:
498:
491:
486:
480:
477:
476:
474:
473:
468:
461:
456:
451:
448:Youth Symphony
443:
441:
434:
430:
429:
427:
426:
421:
416:
411:
399:
397:
393:
392:
390:
389:
382:
375:
368:
361:
353:
351:
347:
346:
341:
338:
337:
330:
329:
322:
315:
307:
301:
300:
289:
288:External links
286:
283:
282:
252:
233:
232:
230:
227:
198:
195:
183:
162:
146:
142:Measures 35–36
134:
115:
83:
51:
48:
15:
9:
6:
4:
3:
2:
1031:
1020:
1017:
1015:
1012:
1010:
1007:
1006:
1004:
994:
984:
983:
980:
967:
963:
959:
957:
949:
948:
945:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
915:
913:
909:
903:
900:
898:
895:
894:
892:
888:
878:
875:
873:
870:
866:
863:
861:
858:
856:
853:
851:
848:
846:
843:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
817:
816:
813:
811:
802:
801:
799:
795:
789:
788:Miscellaneous
786:
784:
781:
779:
776:
774:
773:
769:
767:
766:
762:
760:
757:
755:
752:
750:
747:
745:
744:
740:
738:
729:
727:
726:
725:Polka de W.R.
722:
720:
717:
715:
713:
709:
707:
698:
696:
694:
690:
688:
685:
683:
680:
678:
677:
673:
671:
670:
666:
664:
663:
659:
658:
656:
652:
646:
645:
641:
639:
638:
634:
632:
629:
627:
624:
622:
619:
617:
615:
611:
609:
607:
603:
601:
600:
596:
595:
593:
589:
584:
583:
579:
577:
576:
572:
570:
569:
565:
563:
562:
558:
556:
555:
551:
549:
548:
544:
542:
538:
532:
531:
527:
525:
524:
520:
518:
517:
513:
511:
510:
506:
504:
503:
499:
497:
496:
492:
490:
487:
485:
482:
481:
472:
469:
467:
466:
462:
460:
457:
455:
452:
450:
449:
445:
444:
442:
438:
435:
431:
425:
422:
420:
417:
415:
412:
410:
401:
400:
398:
394:
388:
387:
383:
381:
380:
376:
374:
373:
369:
367:
366:
362:
360:
359:
355:
354:
352:
348:
344:
339:
335:
328:
323:
321:
316:
314:
309:
308:
305:
299:
295:
292:
291:
270:
266:
262:
256:
248:
241:
239:
234:
226:
224:
219:
218:
214:
211:
207:
203:
193:
182:
180:
179:
172:
161:
156:
144:
133:
131:
125:
114:
106:
101:
99:
93:
82:
80:
76:
71:
69:
65:
61:
57:
47:
45:
41:
40:
35:
31:
30:
23:
890:Recognitions
839:
804:Prelude in C
783:Three Pieces
770:
763:
741:
723:
711:
692:
674:
667:
660:
642:
635:
613:
605:
597:
580:
573:
566:
559:
552:
545:
528:
521:
514:
507:
500:
493:
463:
446:
384:
377:
370:
363:
356:
273:. Retrieved
264:
255:
247:Rachmaninoff
246:
222:
220:
216:
206:World War II
200:
189:
176:
174:
168:
158:
152:
140:
129:
127:
121:
104:
102:
95:
89:
78:
74:
72:
67:
59:
56:ternary form
53:
38:
28:
27:
26:
20:
938:Romanticism
933:Villa Senar
749:Four Pieces
386:Monna Vanna
275:11 November
202:Emil Gilels
130:Alla marcia
105:Alla marcia
75:Alla marcia
60:Alla marcia
1003:Categories
731:Étude in F
654:Solo piano
440:Symphonies
433:Orchestral
229:References
197:Recordings
191:Measure 84
178:pianissimo
170:Measure 72
154:Measure 42
568:The Bells
465:The Bells
64:arpeggios
50:Structure
956:Category
807:♯
797:Preludes
734:♯
714:, Op. 39
703:♭
695:, Op. 33
582:Vocalise
502:The Rock
406:♯
396:Concerto
379:SalammbĂ´
269:Archived
213:military
110:♭
911:Related
591:Chamber
294:Opus 23
265:YouTube
98:cadence
39:Opus 23
979:Portal
561:Spring
223:Op. 23
210:Soviet
44:Moscow
966:Audio
810:minor
737:major
706:minor
616:No. 2
608:No. 1
540:Vocal
409:minor
358:Aleko
350:Opera
225:set.
277:2016
73:The
1005::
865:10
267:.
263:.
237:^
181:.
113:.
100:.
981::
860:9
855:8
850:7
845:6
840:5
835:4
830:3
825:2
820:1
326:e
319:t
312:v
279:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.