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father of lying. The Baron challenges Albert to a duel, and Albert accepts. The duke rebukes the father, and banishes the son from his court. However, stressed by this confrontation, the baron collapses fatally. As the Baron dies, his last request is not for his son, but the keys to his chests of gold.
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Albert has appealed to the Duke for help in obtaining money from his father. Albert hides, as the Duke summons the Baron to a meeting. The Duke asks the Baron to support his son, but the Baron accuses Albert of wanting to steal from him. Albert then angrily reveals his presence and accuses his own
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Albert is a young knight who devotes himself to jousting and courtly pleasures, but is now deeply in debt as a result. His father, a very wealthy but equally frugal baron, refuses to support his son's lifestyle. Albert's ability to maneuver in society is now limited, and he tries to obtain a loan
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The Baron descends to his cellars, exultant now because he has accumulated enough gold to fill his sixth and final storage chest, and gloats before them. However, he realizes that if he died soon, his son Albert could then claim the fortune and fritter it away on his sensual pleasures.
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from outside his family. A money-lender denies Albert a loan, but instead offers Albert poison, to allow Albert to murder his father. Albert is appalled at such a suggestion. He resolves then to go to the Duke to make his appeal.
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Productions of the opera have been rare. In addition, the characterization of the moneylender, who is identified in the story as being Jewish, has been criticized as anti-Semitic.
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Chandos 10264: Mikhail Guzhov, Vsevolod
Grivnov, Andrei Baturkin, Borislav Molchanov, Vitaly Efanov; Russian State Symphony Orchestra; Valeri Polyansky, conductor
148:'s drama of the same name. It contains roles for five male singers, but no females. The composer decided essentially to set the Pushkin text as written, and had
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in mind for the role of the Baron, however, Chaliapin withdrew from the production over artistic differences.
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354:(The Duke); Ian Caley (Jewish Moneylender); Anatoly Kotscherga (Servant);
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453 454-2 (1997): Sergei
Aleksashkin (The Baron), Sergei Larin (Albert);
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The first performance was on 24 January (11 January OS) 1906 at the
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Steve
Griffiths, Review of vocal scores of Rachmaninoff's
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Baron (i.e., the knight of the opera's title)
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The composer and members of the premiere cast in 1906
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475:"The Miserly Knight/Gianni Schicchi".
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964:Variations on a Theme of Corelli
491:"Even the corpse is fantastic".
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927:Variations on a Theme of Chopin
768:Rhapsody on a Theme of Paganini
669:Piano Concerto No. 4 in G minor
664:Piano Concerto No. 3 in D minor
659:Piano Concerto No. 2 in C minor
434:"Rachmaninov's last bastion".
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871:Suite No. 1 for two pianos
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140:in one act with music by
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81:'s drama of the same name
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1004:Piece (Canon) in D minor
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1242:Russian-language operas
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866:Cello Sonata in G minor
332:Gennady Rozhdestvensky
233:Ivan, servant (sluga)
1257:Operas set in England
1147:Rachmaninoff (crater)
907:Morceaux de fantaisie
523:"Review | Gramophone"
921:Six moments musicaux
588:List of compositions
1023:Fughetta in F major
1010:Four Improvisations
820:Three Russian Songs
617:Francesca da Rimini
579:Sergei Rachmaninoff
450:Francesca da Rimini
381:Opus Arte OA 0909:
348:Deutsche Grammophon
328:The Covetous Knight
195:Sergei Rachmaninoff
165:. The director was
162:Francesca da Rimini
142:Sergei Rachmaninoff
121:The Covetous Knight
29:Sergei Rachmaninoff
1122:Prelude in F major
729:Scherzo in D minor
610:The Miserly Knight
542:The Miserly Knight
454:The Miserly Knight
115:The Miserly Knight
19:The Miserly Knight
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761:Isle of the Dead
754:Caprice bohémien
740:Prince Rostislav
734:Suite in D minor
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383:Sergei Leiferkus
352:Vladimir Chernov
341:Isle of the Dead
324:Melodiya Records
258:Duke (Gyertsog)
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136:), is a Russian
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458:Musical Times
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130:Скупой рыцарь
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56:Скупой рыцарь
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1135:Recognitions
1049:Prelude in C
1028:Three Pieces
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47:Native title
1252:1906 operas
1183:Romanticism
1178:Villa Senar
994:Four Pieces
631:Monna Vanna
393:, conductor
362:, conductor
360:Neeme Järvi
1226:Categories
976:Étude in F
899:Solo piano
685:Symphonies
678:Orchestral
398:References
313:Recordings
94:1906-01-24
813:The Bells
710:The Bells
462:136(1825)
436:Telegraph
417:Telegraph
261:baritone
1201:Category
1052:♯
1042:Preludes
979:♯
959:, Op. 39
948:♭
940:, Op. 33
827:Vocalise
747:The Rock
651:♯
641:Concerto
624:Salammbô
273:Synopsis
206:baritone
104:, Moscow
86:Premiere
75:Based on
67:Language
1156:Related
836:Chamber
338:, with
304:Scene 3
295:Scene 2
286:Scene 1
197:
126:Russian
92: (
70:Russian
52:Russian
1262:Operas
806:Spring
248:tenor
186:Voice
1211:Audio
1055:minor
982:major
951:minor
861:No. 2
853:No. 1
785:Vocal
654:minor
603:Aleko
595:Opera
376:Video
358:with
318:Audio
222:tenor
183:Role
176:Roles
138:opera
25:Opera
452:and
237:bass
336:LPs
27:by
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