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envelopes to him. "Words," Jacob wrote in the invitation to participate, "are the translation of ideas, made specific and personal by the specific persons who use them." Recipients were asked to respond to the words "in any manner, using the generic form (the small envelopes) as the point of origination." Rather grandiloquently, in the documentation Jacob declared "Consider this 'Catalogue of Ideas,' as
Lascaux condensed." Eighty-five artists from twenty-six nations returned envelopes to Jacob, a selection of which were reproduced in the periodical along with a complete list of participants enclosed in a bank envelope marked "Artists." Included among the usual suspects were
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152:, these artists engaged in a competition of giving that introduced rivalry and antagonism into the mail art network. Attempting to gain prestige by demonstrating their ability to absorb great expenditures, they also took a perverse approach towards the idea of gift exchange. Many experienced mail artists complained of an 'explosion of junk mail and self-serving egotism.'" Citing
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2(5) documented Jacob's project "The
Catalogue of Ideas." Having found a trove of discarded, unmarked bank envelopes in a dumpster, Jacob stamped them with the words "Life," "Time," "Death," and "Hunger," wrapped each group of four with a paper band, and asked recipients to transform and return the
160:, Ferranto argues that many such projects were originated by "artists unaware of history and community tr to become the leading figure in the network," whose aggressive actions spoiled their own nest. The paradoxical issue of mail art fame was already noted by
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in relation to other mail art zines of the period. "The new availability of quick, inexpensive xerographic printing machines," according to
Ferranto, "coupled with the circulation of thousands of names and addresses in such mail art-oriented publications as
168:. Indeed, this was one among the many complaints made by Jacob, the editor as petulant chief despoiler, in a series of essays disclosing his gradual alienation from the mail art community. Mail artist and historian GĂ©za Perneczky, on the other hand, lists
124:. With an advertisement declaring "Each copy contains a valuable original artwork by a famous mailartist!!" Jacob gave away original works from his mail art collection to all recipients of the publication, until both he and it were exhausted.
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arcade known as
Playland, which recorded the visits of other mail artists to New York City. Later issues expanded to document various mail art projects organized by Jacob.
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in the United States led many new mail artists to mass mail printed matter to as many individuals as possible. In a situation reminiscent of the
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In 1984, as a participant in the two-day
Artists Talk on Art panels related to the exhibition "Mail Art: Then and Now" at the
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3(1), "Mail Art: A Partial
Anatomy." Increasingly interested in issues related to censorship, and working with artists in the
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was printed using an original rubber stamp by Jacob, hand carved from photographs made using the photo-booth machine at the
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on paper, as a birthday gift to the artist Steven
Durland, and modeled on Durland's satirical mini-magazine
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112:(4(1)) documented a mail and telephone art project entitled "East/West: Mail Art & Censorship."
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as among the major sources of information pertinent to the mail art activities of the 1980s.
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In an undated article entitled "(mis)reading m@ilart," author Matt
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The Coffee Table Book of Mail Art: The
Intimate Letters of J.P. Jacob, 1981 - 1987
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The Coffee Table Book of Mail Art: The
Intimate Letters of J.P. Jacob
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was discontinued in 1985. A promised new periodical, to be titled
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Jacob, John (1985). "East/West: Mail Art & Censorship".
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The 2nd International Portfolio of Artists' Photography
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in 1981. The first issue was created, using pressed
313:Jacob, John (1984). "Mail Art: A Partial Anatomy".
54:. Each of the first four post-card sized issues of
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263:"Mail Art From 1984 Franklin Furnace Exhibition"
454:. Boston: Sandbar Willow Press. pp. 24–26.
344:. Boston: Sandbar Willow Press. pp. 41–42.
243:Jacob, John (1983). "The Catalogue of Ideas".
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1168:Theatre of Cruelty
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568:Art & Language
269:on 2 February 2014
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1960:Indie design
1914:Outsider art
1878:Microbrewery
1821:
1611:Professional
1587:Amateur film
1507:
1495:Pirate radio
1468:Record label
1406:
1123:Epic theatre
960:Atonal music
795:Flarf poetry
785:Ego-Futurism
583:Proto-Cubism
471:. Retrieved
460:
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158:Ken Friedman
141:
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60:Times Square
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30:
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1992:Maker Faire
1933:(wrestling)
1873:Homebrewing
1799:development
1794:Indie games
1786:Video games
1776:Warez scene
1685:'80s–
1582:Home movies
1515:Lo-fi music
1436:Small press
1414:conventions
1275:Primitivism
1101:and theatre
1041:Noise music
1014:Drone music
845:Slam poetry
732:Suprematism
717:Process art
645:Incoherents
640:Color Field
615:Divisionism
563:Art Nouveau
543:Avant-garde
162:Chuck Welch
136:in France,
102:Soviet Bloc
79:Ray Johnson
42:founded by
2012:Categories
1986:(magazine)
1804:developers
1670:Golden Age
1648:Mumblecore
1295:Surrealism
1233:Minimalism
1108:Cinéma pur
753:and poetry
751:Literature
660:Minimalism
551:Visual art
473:25 January
435:25 January
299:1895176271
273:26 January
228:25 January
207:References
189:Jean Brown
156:historian
87:Carl Andre
1969:DIY ethic
1926:Indie RPG
1909:NaĂŻve art
1894:Indie art
1751:Demoscene
1638:Indiewood
1602:Machinima
1408:Doujinshi
1395:Minicomic
1300:Symbolism
1228:Modernism
1061:Serialism
1046:Post-rock
987:Free jazz
895:Free funk
850:UltraĂsmo
805:Imaginism
780:Cyberpunk
742:Vorticism
545:movements
469:. Artpool
399:0743-6025
327:0743-6025
72:In 1983,
1904:Mail art
1839:ROM hack
1816:Fan game
1811:Homebrew
1734:Software
1597:Fan film
1473:Netlabel
1419:printers
1383:business
1378:Webcomic
1248:Neo-Dada
1223:Lettrism
1204:Futurism
1118:Drop Art
1113:Dogme 95
1081:Totalism
999:Futurism
950:Ars nova
878:By style
825:Neoteric
727:Rayonism
680:De Stijl
655:Mail art
610:Devětsil
387:PostHype
315:PostHype
245:PostHype
177:PostHype
170:PostHype
150:Bataille
146:potlatch
142:Posthype
129:PostHype
114:PostHype
110:PostHype
98:Posthype
74:PostHype
56:PostHype
48:Letraset
37:mail art
32:PostHype
1948:General
1695:Z movie
1687:present
1665:B movie
1575:Amateur
1525:Podsafe
1490:Station
1390:Webtoon
1373:Fanzine
1355:Reading
1177:General
1036:No wave
810:Imagism
760:Acmeism
712:Pop art
702:Orphism
620:Fauvism
598:Bauhaus
134:DOC(K)S
2023:Fluxus
1976:Doujin
1858:Drinks
1822:Doujin
1508:Doujin
1400:Co-ops
1253:Neoism
1199:Fluxus
1099:Cinema
938:Others
840:Oulipo
835:Oberiu
722:Purism
588:Cubism
397:
325:
296:
154:Fluxus
85:, and
35:was a
2018:Zines
1887:Other
1567:Video
1510:music
1485:Radio
1451:Audio
1424:shops
927:Metal
870:Music
393:(1).
321:(1).
52:Tacit
1983:Make
1855:Food
1824:soft
1675:'50s
1189:Dada
922:Punk
917:Prog
912:Rock
900:Yass
890:Jazz
885:Funk
860:Zaum
475:2014
437:2014
395:ISSN
323:ISSN
294:ISBN
275:2014
251:(5).
230:2014
40:zine
1829:Mod
907:Pop
199:at
2014::
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249:2
232:.
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