294:, Artpool's former semi-official operation was replaced by non-profit institutional status and the Artpool Art Research Center was opened in 1992. The new institution defined itself as an art archive, research space, art library and bookstore, continuing its previous activities in a new cultural environment, supported by the Budapest Municipal Council. The city provided Artpool a property at Liszt Ferenc square, where the most significant part of the archive, the research space and the library was located between 1992 and 2020. As a continuation of its former enedevors and also reflecting on its new public status, Artpool started the systematic research and presentation of the avant-garde art of the seventies and the eighties. Artpool has also sustained the consequent documentation and archiving of contemporary art and the organization of art projects. The institution maintained its collaborations with prominent actors of the international art world, by inviting many of them to public events in Budapest, including
343:, as part of the Data and Documentation Department of the museum. The integration became inevitable due to the fact that from the 2000s on it was not possible to raise funds for Artpool's steady operation as a non-profit institution, so it became essential to develop a new funding strategy. The relationship between Artpool and the Museum of Fine Arts can be traced back to the eighties: GalĂĄntai designed a poster for the museum already in 1981. The first major collaboration between the two institutions was the artistamp exhibition entitled Stamp Images in 1987; which was followed twenty years later by the exhibition
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expanded with the venue "Area 51". The visibility of
Artpool's program in Kapolcs was strengthened by the Kapolcs Art Days, and later on the program of the Valley of Arts Festival. Artpool's exhibition venues in Kapolcs feature audio-visual presentations and experimental curatorial projects by György Galåntai with samples from the archive and the collection.
202:
numerous catalogs and periodicals. It organized two "Art Tours", first to Italy in 1979 and a West-European round trip in 1982 to establish personal contacts and exchange publications with artists who they got in contact through the mail art network. Reports on this second Art Tour were published in the first four issues of
330:
Artpool has been organizing exhibitions in
Kapolcs, a small town in the countryside of Hungary, since 1991. The continuation of the program of the Newkapolcs Gallery, operating between 1991 and 1995 was taken over by the GalĂĄntai House (K55) in 2009, and from 2015 on Artpool's presence in Kapolcs was
326:
in 2001. Artpool's website was launched at the end of 1995 and served as a new interface for
Artpool's projects as an expanded online space for previous networking and telecommunication activities. Following György Galåntai's concept and design, the website was created and is still being developed on
309:
Artpool's activities in the 1990s and 2000s were characterized by annual conceptual themes developed by György Galåntai. In the nineties it presented important historical trends related to its own activity and collection (e.g. 1993: The Year of Fluxus; 1995: The Year of
Performance; 1998: The Year of
183:
and JĂșlia
Klaniczay, as an offshoot of György's Chapel Studio in Balatonboglår, which functioned as an independent venue and presented various groups of neo-avant-garde artists from Hungary as well as from Yugoslavia and Czechoslovakia. In addition to the desire to preserve and continue the heritage
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in 2007. Negotiations on the integration of
Artpool's collection into the Museum of Fine Arts began around 2005, and got realized in 2015. The year 2020 marks another turning point in Artpool's history: by the end of this year, Artpool has become part of the Central European Research Institute for
313:
In the 1990s
Artpool organized a number of public events in the Liszt Ferenc Square, such as the Fluxus Flags open air exhibition in 1992; the BEN (vauTiER) SQUARE project, performance, and discussion in 1993; or the Loose Slogans board-exhibition in 1994. Artpool's Budapest based exhibition space
201:
Artpool functioned in the studio flat of GalĂĄntai and
Klaniczay for 13 years as an underground institution. In addition to maintaining and developing the archive Artpool organized several international mail art projects and exhibitions in various small galleries and clubs in Hungary, and published
62:
It was founded in 1979 based on the "Active
Archive" conception as a center for the type of avant-garde art that was marginalized by the state-socialist establishment. The "Active Archive does not only collect material already existing 'out there', but the way it operates also generates the very
66:
The public archive and library contain unique documents of international and
Hungarian avant-garde art and subculture from the 1960s on, such as "correspondence, notes, plans, ideas, interviews, writings, works of art, photo documents, catalogs, invitation cards, bibliographies, chronologies,
67:
diagrams, video and sound documents, CD-Roms, etc." Artpool in addition to running its own research projects receives ca. 100 local and foreign researchers, university students, interns, and volunteers yearly. It participates in conferences and in international research groups.
310:
Installation; etc.), while the program of the 2000s was organized around the conceptual interpretation of the numerals in the post-millennium dates (e.g. 2000: The Year of Chance; 2001: The Year of the Impossible; 2002: The Year of Doubt ; etc.).
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the basis of the structural-formal peculiarities of early HTML-language. It represents both an interface for Artpool's archival operation and a medium of creative experimentations with the possibilities of hypertextuality.
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released documents, reports, and interviews on local as well as international art events. Artpool also issued a thematic cassette series distributed through international exchange under the name Artpool Radio.
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exhibition, which was opened by Anna Banana. The catalog included the stamp: "Please send information about your activity" and was sent to hundreds of addresses GalĂĄntai and Klaniczay collected previously.
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György Galåntai with the exhibition organized from the material of Budapest Session of the 1992 Decentralized World Wide Networker Congress and Artpool's first fax action in the background
247:(Artpool Letter), an underground (samizdat) art magazine which was an important source on the parallel culture of that time in Hungary. Produced with a photocopier in 300-500 copies
224:'s concept of the Eternal Network Artpool organized 14 exhibitions at different venues under the heading "Artpoolâs Periodical Space" (APS) between 1979 and 1984. The exhibitions
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Art History (KEMKI), a newly established sub-institution of the Museum of Fine Arts in Hungary, integrating the documentation and archival departments of both the museum and the
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with the participation of 550 artists from 35 countries (1982), the Telephone Concert with the participation of Robert Adrian X (1983), as well as the exhibition
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of the Chapel Studio in Balatonboglår, the surprising amount of responses and exchange materials received as a reaction to the publication of György Galåntai,
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called Artpool P60 was opened in 1997 and provided a venue to organize regular events, talks, and exhibitions, such as the reconstruction of Robert Filliou's
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Some of the international avant-garde artists and art-groups who are in the Artpool Archives, and have exhibited and lectured there include:
929:"Hungary Can Be Yours / International Hungary, Young Artists' Club, Budapest, 1984 and 1989 â Registry â Courage â Connecting collections"
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in the Heroes' Square Budapest, Buda Ray University (1982-1997), which was a several year-long correspondence art project, and the
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1101:"I Will Counterrevolution / I Will Stop All The Motion" Archiving Exile, Samizdat, and Underground Audio from the Eastern Bloc
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613:"Anna Banana and György Galantai poster mailed to Gregory Battcock, 1978, from the Gregory Battcock papers, 1952-circa 1980"
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State of the Art Archives: Internationale Konferenz fĂŒr Archive zur Dokumentation von moderner und zeitgenössischer Kunst
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236:(1984) which was the last officially banned art exhibition in Hungary, and which was restaged more times after the
188:, also inspired the foundation of Artpool in 1979. Antecedents was the poster catalog documenting GalĂĄntai's 1978
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1061:"ARTISTS' BOOKS IN (what was formerly known as) EASTERN EUROPE â A Table by What, How & for Whom / WHW"
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Symposion (1987). Artpool also participated in the Amsterdam festival Europe Against the Current in 1989.
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as part of the Year of Installation in 1998; the presentation of artists' money in the exhibition
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1521:(in German and English). Heidelberg: arthistoricum.net. pp. 137â156.
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The Mukhina Project: Interpretations of Being in György Galåntai's Oeuvre
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In 2015 the collection of Artpool became an independent unit of the
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Parastamp â Four Decades of Artistamps from Fluxus to the Internet
955:"International Hungary!: György Galåntai's Networking Strategies"
399:"General Information on the Institution and its Operation (2012)"
1362:"Institute of the Present | We Are Always Working on the RootsâŠ"
524:"Institute of the Present | We Are Always Working on the RootsâŠ"
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is an archive, research space, specialist and media library in
1002:"Eastern Europe Can Be Yours! Alternative Art of the Eighties"
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Between 1983 and 1985 Artpool published 11 issues of
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1143:"György GalĂĄntai: Homage to Vera Mukhina, 1980 â MG+MSUM"
1387:"Fluxus East: György Galåntai responds to six questions"
828:"Artpool's Art Tour â Maastricht, 24 June â Rod Summers"
599:"The Short Story of the Chapel Studio at BalatonboglĂĄr"
418:"Artpool â Registry â Courage â Connecting collections"
805:"Artpool's Art Tour â Kassel, 18 June â Documenta 7"
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Beöthy, BalĂĄzs; Klaniczay, JĂșlia (14 January 2019).
446:. Heidelberg: arthistoricum.net. pp. 137â156.
259:(1979), the first assembling published in Hungary,
903:"Interview with Artpool Cofounder JĂșlia Klaniczay"
759:"Artpool's Art Tour â Nice, 10 July â Ben Vautier"
1551:Artpool in the database of UNESCO Archives Portal
1306:"ARTPOOL EXHIBITIONS, PROJECTS, EVENTS FROM 1992"
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1103:. New York: New York University. pp. 50â71.
1034:Broekman, Pauline van Mourik (1 December 2004).
372:Broekman, Pauline van Mourik (1 December 2004).
444:Hungary / Budapest: Artpool Art Research Center
442:Klaniczays, JĂșlia; Anne Thurmann-Jajes (2019).
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1623:Art museums and galleries established in 1979
1510:JĂșlia Klaniczay; Anne Thurmann-Jajes (2019).
266:(1980), performance with JĂșlia Klaniczay and
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175:A piece from Artpool's first postcard series
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1250:"Opening of Artpool Art Research Center"
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1574:47.5202367163838°N 19.073256972973994°E
850:"ARTPOOL RĂDIĂ 5 / RADIO ARTPOOL No. 5"
213:The covers of the first three issue of
206:and in the 5th issue of Artpool Radio.
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1211:"Europe Against The Current 1985-1989"
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255:Further significant Artpool projects:
1021:Al (Aktuålis Levél / Artpool Letter)
1000:Fowkes, Maja; Fowkes, Reuben (2017).
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179:It was founded, and is still run, by
126:, mail art and artist's book artists
1608:Art museums and galleries in Hungary
1579:47.5202367163838; 19.073256972973994
901:Debeusscher, Juliane (7 June 2011).
683:"Artpool's Publications (1979-1991)"
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322:in 2000; or the exhibition entitled
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780:Klaniczay, JĂșlia (February 1983).
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757:JĂșlia, Klaniczay (January 1983).
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1484:KOVĂCS, ZOLTĂN (22 March 2020).
586:Artpool's international projects
1613:Tourist attractions in Budapest
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927:Kotun, Viktor (20 March 2019).
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826:Klaniczay, JĂșlia (April 1983).
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803:Klaniczay, JĂșlia (March 1983).
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1618:1979 establishments in Hungary
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1167:Klaniczay, JĂșlia, ed. (2018).
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1512:"Artpool Art Research Center"
572:Bloch, Mark, "Fluxus Portal".
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1429:"GalĂĄntai House (K 55 / 53)"
1171:. Budapest: Vintage Galéria.
669:"Artpool Events (1979-1991)"
652:"Anna Banana's recollection"
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403:Artpool Art Research Center
128:Guglielmo Achille Cavellini
102:sound poets and performers
17:Artpool Art Research Center
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733:"ARTPOOLÂŽS ART TOUR, 1982"
708:"ARTPOOLÂŽS ART TOUR, 1979"
575:retrieved 20 November 2009
350:Hungarian National Gallery
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63:material to be archived".
1115:"Textile without Textile"
638:"Book Objects exhibition"
1366:institutulprezentului.ro
1129:"Homage to Vera Mukhina"
953:Tumbas, Jasmina (2012).
876:"Artpool's Fluxus Pages"
528:institutulprezentului.ro
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257:Textile without Textile
1099:Whalen, Allie (2015).
933:cultural-opposition.eu
588:at the Artpool website
422:cultural-opposition.eu
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226:Everybody with Anybody
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1183:"Buda Ray University"
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1415:"Newkapolcs Gallery"
1292:"Jean-Jacques Lebel"
1036:"Relational history"
971:10.1162/ARTM_a_00020
549:"Artpool â Monoskop"
374:"Relational history"
234:Hungary Can Be Yours
1603:Archives in Hungary
1598:Culture in Budapest
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1401:"Artpool's website"
1348:"Money after Money"
1215:imaginarymuseum.org
1197:"Duchamp Symposion"
1486:"Past and present"
1471:"Artpool Integral"
324:Impossible Realism
304:Jean-Jacques Lebel
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96:Jean-Jacques Lebel
84:Geoffrey Hendricks
1528:978-3-947449-20-0
1011:. September 2017.
453:978-3-947449-20-0
320:Money after Money
156:Barbara Rosenthal
112:Bernard Heidsieck
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499:on 21 July 2011
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245:Aktuålis Levél
230:World Art Post
222:Robert Filliou
215:Artpool Letter
204:Artpool Letter
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152:John Held, Jr.
144:Vittore Baroni
108:Paul Panhuysen
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