390:(CBR) approach to generating poetic formulations of a given input text via a composition of poetic fragments that are retrieved from a case-base of existing poems. Each poem fragment in the ASPERA case-base is annotated with a prose string that expresses the meaning of the fragment, and this prose string is used as the retrieval key for each fragment.
76:
has written a software system called "Experiments in
Musical Intelligence" (or "EMI") that is capable of analyzing and generalizing from existing music by a human composer to generate novel musical compositions in the same style. EMI's output is convincing enough to persuade human listeners that its
412:
and The MINSTREL system represent a complex elaboration of this basis approach, distinguishing a range of character-level goals in the story from a range of author-level goals for the story. Systems like
Bringsjord's BRUTUS can create stories with complex interpersonal themes like betrayal. On-line
102:
Some systems exist that automatically choose chords to accompany a vocal melody in real-time. A user with no musical experience can create a song with instrumental accompaniment just by singing into a microphone. An example is a
Microsoft Research project called Songsmith, which trains a
413:
metaphor generation systems like 'Sardonicus' or 'Aristotle' can suggest lexical metaphors for a given descriptive goal (e.g., to describe a supermodel as skinny, the source terms “pencil”, “whip”, “whippet”, “rope”, “stick-insect” and “snake” are suggested).
373:
The Tra-la-Lyrics system produces song lyrics, in
Portuguese, for a given melody. This not only involves matching each word syllable with a note in the melody, but also matching the word's stress with the strong beats of the melody.
123:
for each note is constructed, completing a transition probability matrix (see below). An algorithm is constructed to produce an output note values based on the transition matrix weightings, which could be
94:
Projects in Pop music automation may include, but are not limited to, ideas in melody creation and song development, vocal generation or improvement, automatic accompaniment and lyric composition.
84:
and the cognitive demands that this places on a musical agent: reasoning about time, remembering and conceptualizing what has already been played, and planning ahead for what might be played next.
353:
th-order chains tend to "group" particular notes together, while 'breaking off' into other patterns and sequences occasionally. These higher-order chains tend to generate results with a sense of
57:, for example, can often be reduced to algorithmic determinant. Now the term is usually reserved, however, for the use of formal procedures to make music without human intervention.
425:) one can create musings on a subject that may be weak grammatically but are still sensical. See such projects as the Flowerewolf automatic poetry generator or the Dada engine.
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26:
algorithmically. It is often based on the premise that pop music is especially formulaic, unchanging, and easy to compose. The idea of automating pop
627:, Shank, R. C. and Riesbeck, C. K., (eds.), Inside Computer Understanding: Five Programs plus Miniatures. Hillsdale, NJ: Lawrence Erlbaum Associates
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53:(or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in
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597:, Proceedings of the 4th International Joint Workshop on Computational Creativity, pp. 47–55, London, UK, (June 2007)
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automatic accompaniment, writes arrangements for given instruments, plays its own songs for an infinitely long time.
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Comprehending and
Generating Apt Metaphors: A Web-driven, Case-based Approach to Figurative Language
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Artificial
Intelligence and Literary Creativity. Inside the Mind of BRUTUS, a Storytelling Machine.
39:
686:, Proceedings of AAAI 2007, the 22nd AAAI Conference on Artificial Intelligence. Vancouver, Canada
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is a field of study among musicians and computer scientists with a goal of producing successful
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rules are then used to combine these fragments into a well-formed poetic structure.
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structure, rather than the 'aimless wandering' produced by a first-order system.
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Classical music automation software exists that generates music in the style of
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A second-order Markov chain can be introduced by considering the current state
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using a music database and uses that model to select chords for new melodies.
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generates any element, potentially creates whole new songs from scratch.
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by xoxos. Simple lyrical vocal content is generated with simple music.
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also the previous state, as indicated in the second table. Higher,
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612:, Journal of Knowledge-Based Systems 14(3-4) pp 181–188
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An expert system for the composition of formal
Spanish poetry
459:- Infinite generator of electronic dance music and synth pop.
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Parsing existing Pop music (for content or word choice, e.g.)
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Tra-la-lyrics: an approach to generate text based on rhythm
125:
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Automated lyric creating software may take forms such as:
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Creativity research in jazz has focused on the process of
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by xoxos. Audio input is vocoded in tune with the music.
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music is human-generated to a high level of competence.
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640:
The
Creative Process: A Computer Model of Storytelling
16:
Field of study among musicians and computer scientists
87:Inevitably associated with Pop music automation is
115:Automatic melody generation is often done with a
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696:: CS1 maint: multiple names: authors list (
667:: CS1 maint: multiple names: authors list (
642:, Hillsdale, NJ: Lawrence Erlbaum Associates
593:Gonçalo Oliveira, Hugo; et al. (2007),
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657:, Hillsdale NJ: Lawrence Erlbaum Associates
489::Automatic Accompaniment for Vocal Melodies
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369:Selecting words according to their rhythm
653:Bringsjord, S., Ferrucci, D. A. (2000),
1661:Applications of artificial intelligence
482:Musical Palette - Melody Composing Tool
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501:creates music in many different styles
452:Midi Internet Algorithmic Composition
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543:Computer Models of Musical Creativity
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421:Using a language database (such as
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682:Veale, Tony, Hao, Yanfen (2007),
417:Free association of grouped words
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46:History of automation in music
1:
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860:Contemporary Christian music
30:is related to many ideas in
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571:The Computer Music Tutorial
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384:natural language processing
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569:Curtis Roads, ed. (1996),
545:, Cambridge, MA: MIT Press
499:Automated Composing System
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128:note values, frequency (
40:computational creativity
98:Automatic accompaniment
36:Artificial Intelligence
1581:Popular music pedagogy
623:Meehan, James (1981),
608:Gervás, Pablo (2001),
465:- Trap beat generator.
1586:Rockism and poptimism
638:Turner, S.R. (1994),
517:Artificial creativity
1576:Pop music automation
541:Cope, David (2006),
388:case-based reasoning
20:Pop music automation
1566:Honorific nicknames
813:Paisley Underground
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105:Hidden Markov model
781:Adult contemporary
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121:probability vector
89:Pop music analysis
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1625:Verse–chorus form
1571:Music and fashion
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1230:Hong Kong English
1076:Regional variants
746:Stylistic origins
512:Algorithmic music
434:More or less free
399:Automatic analogy
361:Lyric composition
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199:2nd-order matrix
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136:1st-order matrix
111:Melody generation
32:algorithmic music
28:music composition
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72:. Most notably,
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914:Experimental
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1550:Teenybopper
1545:Sasaeng fan
1540:Bobby soxer
1294:Kazakhstani
1287:Shibuya-kei
1223:Chinoiserie
1176:Azerbaijani
1062:Traditional
1010:Psychedelic
1005:Progressive
870:Bro-country
808:Alternative
791:Quiet storm
1650:Categories
1618:Girl group
1591:Songwriter
1449:Macedonian
1422:French pop
1383:Turbo-folk
1339:Vietnamese
1329:Philippine
1257:Indonesian
1045:Electropop
956:Orchestral
929:Hypnagogic
904:Disco polo
528:References
493:Ludwig 3.0
470:Commercial
446:CubeBreath
440:BreathCube
74:David Cope
51:Algorithms
1656:Pop music
1635:Worldbeat
1608:Teen idol
1535:Celebrity
1515:Ukrainian
1508:VIA music
1439:Hungarian
1412:Eurodance
1400:Nederbeat
1355:Austropop
1324:Pakistani
1319:Malaysian
1277:Kayōkyoku
1150:Nueva ola
1123:Argentine
1095:Afrobeats
1050:Futurepop
1040:Synth-pop
1025:Space age
988:Pop metal
897:Freestyle
887:Dancehall
850:Bubblegum
786:Christian
739:Pop music
625:TALE-SPIN
487:SongSmith
410:TALE-SPIN
38:(AI) and
24:pop music
1613:Boy band
1478:Schlager
1461:Romanian
1267:Japanese
1250:Hindutva
1201:Mandopop
1186:Cantopop
1171:Assyrian
1138:Tropipop
1118:American
1100:Moroccan
1030:Sunshine
993:Pop-punk
973:Pop rock
951:Operatic
924:Hyperpop
796:Rhythmic
692:citation
663:citation
506:See also
429:Software
392:Metrical
1493:Turkish
1488:Swedish
1483:Serbian
1473:Russian
1454:Čalgija
1444:Italian
1417:Europop
1405:New pop
1390:British
1378:Tallava
1298:Korean
1282:Ryūkōka
1262:Iranian
1240:Bhangra
1196:Hokkien
1181:Chinese
1143:Mexican
968:Pop rap
961:Baroque
865:Country
855:Chamber
820:Ambient
423:wordnet
355:phrasal
1503:Soviet
1466:Manele
1373:Manele
1363:Chalga
1348:Europe
1235:Indian
1213:Xinyao
1206:French
1166:Arabic
1090:Africa
1083:Africa
983:Jangle
882:Cringe
875:Cowboy
773:Styles
577:
62:Mozart
1432:Yé-yé
1395:Dutch
1368:Laïko
1307:South
1302:North
1245:Filmi
1191:Hakka
1133:Latin
1067:Wonky
1035:Swamp
998:Power
934:Indie
909:Dream
892:Dance
835:Beach
830:Avant
801:Urban
457:infno
325:0.25
283:0.75
227:0.22
1557:Wota
1334:Thai
1272:City
1159:Asia
1057:Teen
944:Twee
919:Folk
840:Beat
698:link
669:link
575:ISBN
557:and
322:0.25
311:0.2
277:0.25
255:0.1
252:0.75
249:0.15
221:0.18
204:Note
178:0.7
175:0.05
172:0.25
164:0.3
141:Note
126:MIDI
70:jazz
68:and
66:Bach
64:and
1314:Lao
978:Emo
825:Art
401:or
347:and
330:GD
319:0.5
316:GA
308:0.4
305:0.4
302:GG
294:0.1
291:0.9
288:DG
274:DA
260:DD
246:AG
238:0.5
235:0.5
232:AD
224:0.6
218:AA
189:0.3
186:0.7
183:Eb
169:C#
161:0.6
158:0.1
150:Eb
1652::
694:}}
690:{{
665:}}
661:{{
339:0
297:0
269:1
241:0
213:G
192:0
155:A
147:C#
130:Hz
91:.
42:.
34:,
731:e
724:t
717:v
700:)
671:)
351:n
336:0
333:1
280:0
266:0
263:0
210:D
207:A
144:A
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