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Pop-up Globe

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for what the artistic vision calls 'judicious ad-libs' as often the conditions of performance at Pop-up Globe—weather, planes flying overhead, unexpectedly boisterous audience members—mean that no two performances are the same and actors have to acknowledge the environment around them. Pop-up Globe productions make huge use of live original music and dance, and all productions have ended with a jig danced by the company, For the first three seasons of Pop-up Globe one company was a dedicated 'Jacobean' company, wearing 17th century dress and exploring original conditions of performance to various degrees, while the other company was 'eclectic' and not bound by any Early Modern conventions.
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space. The two faux marble stage pillars were replaced with narrower posts. Instead of the small projecting gallery that had been in the centre of the middle level of the frons scenae, a tarras now ran the whole length of the frons scenae at middle gallery level, and the previously flat garret level was given a projecting balcony for musicians. The 'honeymoon boxes' of the Season Two stage boxes were removed so that the flanking stage doors could be repositioned. A small bar was added to the playhouse yard so that audience members could buy drinks during performances without having to leave the theatre.
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re-purposed from the first version of the Ellerslie playhouse in Auckland, the Perth playhouse was redesigned in order to be easier and more cost effective to assemble. While still including the gold onion dome at the back of the double-gabled roof, the roof structure itself was simplified and the playhouse walls were canvas rather than corrugated iron as a means of improving internal temperature control.
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The four productions played in repertory until Pop-up Globe Perth closed on Sunday 8 December 2019 after a combined total of 107 performances to an audience of approximately 60,000 people. Several stalwart Pop-up Globe actors celebrated milestones during the Perth run, with musician Oscar West giving
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In partnership with Live Nation, Pop-up Globe opened their third Australian transfer in the west Australian city of Perth on Wednesday 9 October 2019, on the grounds of the Crown Casino. While retaining the same interior frons scenae design as the Melbourne and Sydney versions of Pop-up Globe, itself
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In partnership with Live Nation, Pop-up Globe opened their second Australian transfer in Sydney on 5 September 2018. Improving on their learnings from the Melbourne playhouse, Australian company Stage Kings constructed the fourth iteration of Pop-up Globe on the central lawn in Sydney's Entertainment
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While the 2017 productions ran in Melbourne, in Auckland Pop-up Globe began rehearsals for their third summer season in Auckland on 30 October 2017. To lessen the logistical and financial pressure of trying to rehearse and open four productions simultaneously, the three companies and five productions
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were remounted and revised for the touring set, with some major adjustments being made to both productions to reflect that they would be performing indoors in proscenium arch theatres. There were also a number of changes of personnel within the Nottingham's Company, including Clementine Mills taking
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Pop-up Globe's productions have featured international casts, with approximately 20% of each company coming from outside of New Zealand. Pop-up Globe's companies have included actors from the UK, the US and Australia working alongside local actors. With the exception of the Admiral's Company (Around
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starred Renee Lyons and Rutene Spooner as Beatrice and Benedick and was a revival of Miriama McDowell's 2017 Pasifika-themed production but with an entirely new cast except for Theo David reprising his performance as Claudio. The two productions played in repertory until finally closing on Sunday 1
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In addition to undertaking a nationwide tour, in April 2019 Pop-up Globe announced that they would present their first ever winter season in the Ellerslie playhouse in Auckland as part of ATEED's Elemental Festival. The partnership with ATEED would enable Pop-up Globe to build a temporary roof over
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starred first season stalwarts Jonathan Tynan-Moss and Adrian Hooke as Rosalind and Orlando and Stanley Andrew Jackson III as Celia, in Jacobean dress with the court of Duke Frederick played as flamboyant Cavaliers opposite the more sober mild-mannered court of Duke Senior and his fellows in exile.
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The foundation of performance at Pop-up Globe is the relationship between actors and audience. Direct address is the central feature of the way Shakespeare is played at Pop-up Globe, although some productions have varied the degree to which they embrace direct address as a tool. Allowances are made
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that it was possible to remount older productions with entirely new casts and still retain the essence of the original show. The financial strain of trying to retain a permanent staff, company and building in Auckland while also maintaining offshore operations had led Pop-up Globe's management and
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The interior of the playhouse was completely redecorated for Season Three: instead of brickwork and plaster intended to resemble modern Jacobean exterior architecture, a new frons scenae was installed, decorated in gold and blue with dark brown wood, intended to resemble a modern Jacobean interior
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The New Zealand tour opened at the Regent Theatre in Dunedin on 27 June 2019, and then played at the Theatre Royal in Nelson, the Isaac Theatre Royal in Christchurch, the Opera House in Wellington, the Municipal Theatre in Napier, the Clarence Street Theatre in Hamilton, and at TSB Theatre in New
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To better manage the difficulties of internal staff being spread across four productions, and trying to maintain a large payroll without any infrastructural funding or subsidy, rather than present all four productions in repertory Pop-up Globe's fourth season was presented in two halves, with one
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extending for an extra week past the official close of the season on Sunday 14 May. Pop-up Globe also hosted a fundraiser performance for NZ Actors' Equity to benefit the Actors' Benevolence Fund on Sunday 2 April and a concert by the Auckland Philharmonic Orchestra on Sunday 23 April featuring a
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starred Chris Huntly-Turner in the title role, with the company shifting from Jacobean dress in the court scenes to full medieval armour once in France. The production made use of scaling ladders, pyrotechnic-firing cannons, and flaming arrows were fired across the playhouse into the frons scenae
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After several months of working in secret on a new venue, Pop-up Globe announced in August 2016 that they would be mounting a second season in a new location for 2017. Over 1,200 actors from around the world applied to be part of the audition process that took place through October 2016, and in a
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In a partnership with Live Nation, Pop-up Globe opened their first Australian transfer in Melbourne on 21 September 2017. The third iteration of Pop-up Globe was constructed at the back of the Sidney Myer Music Bowl in the King's Domain over August and September 2017, with much of the decorative
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The interior of the playhouse was left in the same configuration as Season Three, with the wide tarras covering the whole middle gallery retained, but the frons scenae was repainted from its dark browns and golds into lighter marble colours, and sections of Jacobean brickwork reminiscent of the
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starred Te Kohe Tuhaka in the title role and Haakon Smested played Iago as a literal manifestation of the devil who was hauled on a chain up into the ceiling by his feet at the end of the play and then re-arose from beneath the stage via a trapdoor, surrounding by fireworks, during the jig. The
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would be presented by an all-male cast, and the anger and outrage expressed by the Auckland theatre community led Pop-up Globe to announce a change in their artistic vision: from now on, all new work made by the company in Auckland would feature equal numbers of male and female actors across a
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In August 2019, amidst the New Zealand tour, the Winter Season and pre-production for the Perth transfer, Pop-up Globe announced that their fifth summer season would be their last time performing in Auckland, after which they would dismantle the Ellerslie playhouse and vacate their racecourse
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Over the course of the season, the programme was supplemented with a range of enrichment activities including classes on stage, public talks, a book launch, and guided tours of the playhouse. Pop-up Globe also hosted a number of visiting productions for short engagements: the Auckland Summer
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Concrete foundations for the playhouse were laid in the racecourse gardens in December 2016 and construction began on the first day of rehearsals, Wednesday 4 January 2017. This completely redesigned version of the playhouse opened to the public on 23 February. The Queen's Company performed
1112:(directed by Miles Gregory) featured Will Alexander as the Duke, Rebecca Rogers as Isabella and Hugh Sexton as Angelo, and was presented in 17th century Viennese dress with boisterous musical numbers and the Duke disguised as a blind friar with a comic German accent in the prison scenes. 1310:
board to conclude that it made best sense for the business to return to its original artistic purpose, which was to pop up Pop-up Globes in different cities and countries, and then pop them down again. Pop-up Globe's 'Summer of Love' Farewell Season would consist of three productions.
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Pop-up Globe undertook their first New Zealand tour during the winter of 2019. Scenic designer Malcolm Dale designed a touring set resembling an indoor Jacobean playhouse that could be easily reconfigured for differently-sized stage spaces and the Nottingham's Company's productions of
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Plymouth, where the productions closed on 8 September 2019 after a combined total of 48 performances to an audience of approximately 25,000 people. Both productions also returned to Pop-up Globe's Auckland playhouse for a fortnight in August as part of the 2019 Winter Season.
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premises. Rather than continuing to develop new productions for Auckland audiences, Pop-up Globe would focus on the international market and re-purpose their now-extensive back catalogue of existing productions, having proved to themselves with the Perth transfer of
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was named Best Production, with awards also going to actors Chris Huntly-Turner, Max Loban and Sarah Griffin. Brigid Costello was named Best Choreographer, Miles Gregory was named Best Director, and Bob Capocci and Shona Tawhaio won Best Costume Design.
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design. The audience was seated in 360°, with "Lord's" and "Gentlemen's" rooms in the middle and upper galleries behind the stage. Based on practical learnings from the first season, the 2017 season featured a flat scaenae frons with three doors in a
1097:(directed by Miles Gregory) starred Stephen Butterworth in the title role and featured authentic medieval pageantry, lavish Jacobean costumes, and a recreation of the Battle of Bosworth that included armies fighting with pikes and firing arquebuses. 332:
sketch of London's skyline in the early 1640s with extensive research into the Jacobean ad quadratum technique of architectural planning, and with the results of the limited archaeological evidence available from the site of the original Globe.
1116:(directed by David Lawrence) starred Adrian Hooke in the title role and was presented in Jacobean dress and investigating how the original staging might have worked, with use of a 'fast trap' to enable to Ghost to appear and disappear rapidly. 910:(directed by Miles Gregory) in Mediterranean dress featuring belly dancing and Whirling Dervishes, with Ephesus as a military police state. Paul Jennings and Jason Will played the Antipholuses and Tom Clark and Blake Kubena played the Dromios. 1356:
The third and final production of Pop-up Globe's Farewell Season was the first time a new play had been performed in the playhouse: after securing a licence for its southern hemisphere debut, Pop-up Globe presented the New Zealand premiere of
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Season Two frons scenae were reintroduced. The yard bar was retired but two rows of raised bench seating were installed at the back of the yard, to provide audience members with an option in between a groundling ticket and a D-reserve seat.
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opened on 19 July 2019, followed by A Midsummer Night's Dream on 20 July 2019, and the productions played 35 performances in repertory until 26 August 2019. The Winter Season also featured daytime performances of the Stage Company's
874:(directed by David Lawrence) in Jacobean dress in a production that tried to solve the play's difficulties by embracing and amplifying them. Kevin Keys played Antonio, Sarah Griffin played Portia, Cameron Moore played Bassanio, and 141:
Between 2015 and 2020, Pop-up Globe attracted audiences of approximately 748,000 people to predominantly Shakespeare productions across New Zealand and Australia, constructing five temporary Pop-up Globe playhouses in four cities.
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was an all-ages show designed to introduce younger audiences to the world in which Shakespeare wrote his plays with a fictional plot centred on William Davenant's attempt to re-open the Globe Theatre during the English Civil War.
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featured Semu Filipo and Jacque Drew as Benedick and Beatrice and was set on a banana plantation with Dogberry and Verges functioning as customs officers in charge of ensuring no illegal or dangerous produce entered the island.
898:(directed by Tom Mallaburn) was presented in medieval dress with singing witches, gruesome battle scenes and a supernatural music score played throughout the playhouse by actors hidden around all 360 degrees of the 'metal' O. 1119:
The four productions gave a combined total of 141 performances before the season finally closed on Sunday 14 April 2019. The season was complemented with a wide array of pre-show talks and post-show Q&As. The matinee of
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over the role of Isabella in Measure For Measure and fan favourite Jonathan Tynan-Moss returning from the UK to take over as the Duke, whose disguise changed from a German friar to an evangelical Southern preacher.
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The five productions played for a cumulative 299 performances before Pop-up Globe Melbourne finally closed on Sunday 12 February 2018. Approximately 150,000 people attended a performance at Pop-up Globe Melbourne.
344:, which some scholars and theatre practitioners had judged to be too large. As a consequence of this smaller diameter, the 'yard' where audiences stand was around 40% smaller than the yard at Shakespeare's Globe. 599:. This time, Pop-up Globe would have two in-house repertory companies meaning the theatre could open 7 days a week offering 2 performances a day, without reliance on outside productions to keep the doors open. 492:(directed by Miles Gregory) was performed in Jacobean dress by an all-male cast including Daniel Watterson as Olivia, Aaron Richardson as Viola, Stanley Andrew Jackson III as Malvolio and Adrian Hooke as Feste. 913:
The Season Three productions were complemented with a number of pre-show talks and events before selected performances. The five productions played a combined total of 160 performances over the season, with
393:), Pop-up Globe actors always work as a repertory company, with actors playing contrasting roles in two different productions: for example, in the 2017 season Chris Huntly-Turner doubled the title role in 134:, in specially-built temporary replicas of the second Globe, the theatre Shakespeare and his company built and used. The company's theatre was the world's first full-scale reconstruction of the Second 347:
Pop-up Globe was 56 feet (17 m) high, with a standing capacity of 300 'groundlings' and 600 seats in three galleries. It was topped by a distinctive 'onion dome', visible in the Hollar sketch.
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joined the project at a very early stage. Both are native Aucklanders. Gregory had worked for 18 years in the UK as a director and producer, and Grant had a background in media and marketing.
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media launch on October 25 Pop-up Globe revealed their new location – in the gardens at Auckland's oldest racing club, Ellerslie Racecourse – and the plays that would make up the season:
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interior including the frons scenae carefully dismantled anc shipped from the Ellerslie playhouse. With some cast changes, the transfer featured the Queen's Company's productions of
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Approximately 102,000 people attended Pop-up Globe during the 2016 season. At that time this was the largest known attendance for a drama festival in New Zealand history.
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The four productions played a cumulative total of 199 performance before Pop-up Globe Sydney closed on Sunday 16 December 2018. In the 2018 BroadwayWorld theatre awards,
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the playhouse yard to provide protection from the weather for the groundlings. The specially-formed Exeter's Company would premiere new productions of Shakespeare's
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The season was originally scheduled to close on Sunday 24 April, the day after the 400th anniversary of Shakespeare's death, but was extended until Sunday 7 May.
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during the siege of Harfleur. All four productions made use of pyrotechnics and mechanised flying technology installed in the playhouse ceiling, the 'heavens'.
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by the Pop-up Globe Youth Theatre Company. The many strands of Pop-up Globe's Youth Theatre classes also combined for one night in December to present
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Based on this, Pop-up Globe's design was a 16-sided polygon, 88 feet (27 m) in external diameter. This was some 12 feet (3.7 m) smaller than
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The company was put into liquidation a year later in March 2021, as it could no longer operate with no income or touring for the foreseeable future.
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was the last production to perform at the Ellerslie playhouse, opening on Thursday 5 March 2020 amidst growing public concern about the approaching
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doubled as Theseus and Oberon, Edward Peni played Hippolyta and Titania, and Reuben Butler originated the role of Puck. The same company performed
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on Sunday 15 March ended up being its last and the rest of the season was prematurely curtailed as the whole of New Zealand went into lockdown.
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Government restrictions on mass gatherings as New Zealand began experiencing its first cases of the pandemic meant that the performance of
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and that the productions would be thematically linked in their exploration of 'abuse of power'. Controversy greeted the announcement that
488:(directed by Ben Naylor) was performed in emblematic modern dress, with Jonathan Tynan-Moss and Christel Chapman playing the title roles; 1789: 1779: 958:
Quarter, next to Fox Studios and the Sydney Cricket Ground. The Sydney transfer featured the Buckingham's Company's productions of
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of Shakespeare's death. Over 100,000 tickets were sold during a 12-week season, making it the largest Shakespeare festival in the
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While in rehearsals for the Sydney transfer, in July 2018 Pop-up Globe that their fourth summer season in Auckland would feature
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that made up the third season had a 'staggered' rehearsal process and were opened one at a time. The Buckingham's Company opened
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design, with the audience seated around 270°, with a balcony above the central door, and a musician's gallery above the balcony.
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Rehearsals began in Auckland on 5 January 2016, the same day that construction of the playhouse commenced in the carpark beside
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On 29 October 2019 the Northumberland's Company began rehearsals, beginning preview performances on 7 December before opening
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Pop-up Globe opened to the public on 16 February 2016, with the in-house Pop-up Globe Theatre Company performing
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his 600th performance in the playhouse since the first season, and Adrian Hooke passing his 400th performance.
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in 2017) sometimes doubling is about a balanced workload (such as Adrian Hooke alternating the title role in
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Performance of Much Ado About Nothing by the Pop-up Globe Queen's Company at Pop-up Globe Auckland, May 2017
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company performing from November to January, and the other company performing from February to April.
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in 2019), and sometimes the doubling is intended to illuminate recurrent tropes in the plays (such as
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The interior design of the stage (43 feet (13 m) in width, as specified in the contract for the
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The Pop-up Globe touring company onstage at the Nelson Theatre Royal in July 2019. (c) Pop-up Globe.
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The second season featured two in-house repertory acting companies, Queen's and King's, performing
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on 22 February 2018. All five productions then played in repertory until Sunday 1 April 2018.
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Amelia Reynolds as Luciana, Stephen Lovatt as Dr Pinch, Jess Holly Bates as the Courtesan in
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extending by a fortnight at the end of the run, which finally closed on Sunday 15 May 2018.
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March 2020 after a combined total of 82 performances to audiences of approximately 40,000.
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were performed a total of 97 times, a record-breaking run for Shakespeare in New Zealand.
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The four productions gave a combined total of 162 performances over the season, with
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and the Ugly Shakespeare Company gave three performances of their schools version of
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was presented by the all-female Irihapeti Company and directed by Miriama McDowell.
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The theatre's architectural plan is based on the published research of Professor
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and partway through the season Asalemo Tofete took over the role of Benedick in
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The Farewell Season also featured daytime performances of the Stage Company's
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also played two weeks of encore performances in their revised touring format.
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Fitzpatrick's reconstruction synthesised a mathematical projection based on
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Approximately 103,000 people attended Pop-up Globe during the 2017 season.
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Interior photograph of Pop-up Globe 2016, showing galleries and stage roof
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across four audience bays at the rear of the stage, with four doors in a
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after its success during 2019’s Winter Season, and four performances of
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The first season, featuring the Pop-up Globe Theatre Company performing
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with different sections of the play performed by different age groups.
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The Perth transfer featured the Nottingham's Company's productions of
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on Sunday 17 February 2019 marked Pop-up Globe's 1000th performance.
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The Nottingham's Company began rehearsals on 4 January 2019, opening
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The company ceased all performances in March 2020 as a result of the
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in London and subsequent West End run. Pop-up Globe's production of
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The Somerset's Company began rehearsals on 1 October 2018, opening
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respectively. Over 100,000 tickets were sold in the second season.
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played Oberon/Theseus and Renaye Tamati played Titania/Hippolyta.
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and Hugh Sexton taking over the role of Antipholus of Syracuse in
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Over 91,000 people attended Pop-up Globe during the 2018 season.
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Jessie Lawrence as Mark Antony in Pop-up Globe's reverse-gender
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The four NZ shows were joined in repertory by a new production,
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Hymen, god of marriage, descends from the heavens at the end of
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View of the playhouse from the back of the upper gallery during
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selection of orchestral music based on Shakespeare's plays.
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on 16 November 2018 and Richard III on 17 November 2018.
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on 11 January 2018; and the Southampton's Company opened
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Pop-up Globe was founded in 2015 by Artistic Director Dr
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Theo David as Claudio and Rutene Spooner as Benedick in
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Keven Keys, Theo David, Semu Filipo and Phil Grieve in
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Pop-up Globe's first international season, promoted by
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was a New Zealand theatre production company, based in
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Pop-up Globe Sydney was seen by over 105,000 people.
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New Zealand nationwide tour (June – September 2019)
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Stephen Butterworth as Richard III (c) Pop-up Globe
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Melbourne Transfer (September 2017 – February 2018)
549: 437: 838:on 12 January 2018; the Pembroke's Company opened 421:and Jess Hong playing father and daughter in both 385:the Globe in 60 Minutes), the Pembroke's Company ( 145:The company constructed the first Pop-up Globe in 1127:Approximately 60,000 people attended the season. 469:and Q Theatre on Grey's Ave in central Auckland. 1771: 1172:in the roofed playhouse in 2019 (c) Pop-up Globe 1009:Theo David as Cambio and Dave Fane as Gremio in 906:played the Macbeths. The same company performed 523:, Fractious Tash presented four performances of 1021:Adrian Hooke as Hamlet at Pop-up Globe in 2019. 966:and the Southampton's Company's productions of 937:Jade Daniels as Puck in the Sydney transfer of 639:(directed by Ben Naylor). The Pasifika-infused 570:Chris Huntly-Turner as Henrv V (c) Pop-up Globe 698:during the Melbourne transfer (c) Pop-up Globe 405:doubling as Don John, Conrade and Borachio in 87:The second Globe Theatre, London, as drawn by 1795:New Zealand companies disestablished in 2021 535:. Loop Media presented a one-night concert, 1224:by the Pop-up Globe Youth Theatre Company. 731:. Regan Taylor took over the title role in 218:, with independent visiting productions of 1512: 1252:and the Exeter's Company's productions of 723:, and the King's Company's productions of 446:Stanley Andrew Jackson III as Mercutio in 1593:"Pop up Globe announces Australian dates" 949:Stephen Lovatt in the Sydney transfer of 929:Sydney Transfer (September—December 2018) 413:with the much smaller role of Claudio in 71:Learn how and when to remove this message 16:Theatre production company in New Zealand 1439:"Pop-up Globe Australia: About Overview" 1291: 1279: 1276:Season Five (December 2019 – March 2020) 1236:Perth transfer (October – December 2019) 1164: 1134: 1036: 1024: 1016: 1004: 1001:Season Four (November 2018 – April 2019) 944: 932: 812: 800: 789: 777: 766: 701: 689: 613: 601: 565: 553: 507:Shakespeare presented 8 performances of 452: 441: 370: 304: 296: 102: 94: 82: 34:This article includes a list of general 1622:extra.shu.ac.uk/emls/si-13/fitzpatrick/ 1615: 1486: 797:as Macbeth and Matu Ngaropo as Macduff. 763:Season Three (December 2017 – May 2018) 618:Fireworks during the jig at the end of 1772: 1161:2019 Winter Season (July – August 2019 432: 1669: 1339:A Children's Midsummer Night's Dream 1216:A Children's Midsummer Night's Dream 20: 694:Regan Taylor and Haakon Smestad in 13: 1790:2015 establishments in New Zealand 1676:(1st ed.). OUP. p. 166. 1513:Van Beynen, Jack (23 April 2016). 649:all-male King's Company performed 40:it lacks sufficient corresponding 14: 1806: 1753: 774:at Pop-up Globe in December 2017. 330:Long View of London from Bankside 1780:Theatre companies in New Zealand 1642: 1538: 653:(directed by Tom Mallaburn) and 550:Season Two (February – May 2017) 438:Season One (February - May 2016) 25: 1735: 1721: 1697: 1663: 1636: 1367:, 18 months after its debut at 708:Around The Globe In 60 Minutes! 107:Aerial view of Pop-up Globe at 99:Pop-up Globe, Auckland CBD 2016 1760:Official website (New Zealand) 1609: 1585: 1558: 1532: 1506: 1480: 1452: 1431: 1403: 1029:Rebecca Rogers as Isabella in 752:Around The Globe In 60 Minutes 748:Around The Globe In 60 Minutes 1: 1651:. Sheffield Hallam University 1649:Early Modern Literary Studies 1624:. Sheffield Hallam University 1487:Gregory, Miles (9 May 2015). 1396: 710:in Melbourne (c) Pop-up Globe 657:(directed by Miles Gregory). 389:) and the Irihapeti Company ( 190: 1765:Official website (Australia) 1541:"New Zealand's Pop-up Globe" 1296:Darcy Kent and Jess Hong in 7: 1221:The Two Gentlemen of Verona 10: 1811: 1705:"The Pop-up Globe is back" 1319:on Friday 13 December and 817:Peter Daube as Shylock in 429:in the 2019/2020 season). 292: 1344:All's Well That Ends Well 1325:on Saturday 14 December. 1307:A Midsummer Night's Dream 1262:A Midsummer Night's Dream 1258:A Midsummer Night's Dream 1196:A Midsummer Night's Dream 1193:with a revival of 2017’s 1170:A Midsummer Night's Dream 991:A Midsummer Night's Dream 976:A Midsummer Night's Dream 960:A Midsummer Night's Dream 939:A Midsummer Night's Dream 916:A Midsummer Night's Dream 864:A Midsummer Night's Dream 829:A Midsummer Night's Dream 772:A Midsummer Night's Dream 379: 162:Live Nation Entertainment 1300:in 2019 (c) Pop-up Globe 1218:and two performances of 1104:on 14 February 2019 and 1033:in 2019 (c) Pop-up Globe 821:in 2018 (c) Pop-up Globe 1091:The Taming of the Shrew 1087:The Taming of the Shrew 1067:The Taming of the Shrew 1048:The Taming of the Shrew 1011:The Taming of the Shrew 892:played the title role. 850:on 7 February 2018 and 832:on 7 December 2017 and 622:in 2017 (c)Pop-up Globe 610:in 2017 (c)Pop-up Globe 55:more precise citations. 1670:Egan, Gabriel (2001). 1571:The New Zealand Herald 1331:Much Ado About Nothing 1322:Much Ado About Nothing 1301: 1289: 1286:Much Ado About Nothing 1173: 1140: 1042: 1034: 1022: 1014: 980:The Merchant of Venice 964:The Merchant of Venice 954: 942: 920:The Merchant of Venice 872:The Merchant of Venice 835:The Merchant of Venice 822: 819:The Merchant of Venice 810: 798: 787: 775: 737:Much Ado About Nothing 717:Much Ado About Nothing 711: 699: 676:Much Ado About Nothing 641:Much Ado About Nothing 629:Much Ado About Nothing 623: 611: 608:Much Ado About Nothing 578:Much Ado About Nothing 571: 563: 517:Much Ado About Nothing 462: 450: 427:Much Ado About Nothing 407:Much Ado About Nothing 310: 302: 268:Much Ado About Nothing 233:Much Ado About Nothing 170:Sidney Myer Music Bowl 112: 100: 92: 1295: 1283: 1168: 1138: 1108:on 15 February 2019. 1040: 1028: 1020: 1008: 948: 936: 816: 804: 793: 781: 770: 705: 693: 617: 605: 569: 557: 456: 445: 371:Style of presentation 308: 300: 106: 98: 86: 1785:Theatres in Auckland 1359:Morgan Lloyd Malcolm 984:The Comedy of Errors 972:The Comedy of Errors 908:The Comedy of Errors 853:The Comedy of Errors 807:The Comedy of Errors 743:on 25 October 2017. 513:Antony and Cleopatra 467:the Basement Theatre 245:Antony and Cleopatra 155:Ellerslie Racecourse 132:works of Shakespeare 109:Ellerslie Racecourse 1369:Shakespeare's Globe 1246:Measure For Measure 1226:Measure For Measure 1146:Measure For Measure 1122:Measure For Measure 1110:Measure For Measure 1102:Measure For Measure 1062:Measure For Measure 1031:Measure For Measure 888:played Cassius and 433:Performance History 415:Measure For Measure 338:Shakespeare's Globe 260:Southern Hemisphere 130:, particularly the 1616:Fitzpatrick, Tim. 1302: 1290: 1201:Anatonio Te Maioha 1174: 1141: 1043: 1035: 1023: 1015: 955: 943: 823: 811: 799: 788: 776: 712: 700: 624: 612: 572: 564: 463: 451: 311: 303: 151:Auckland Town Hall 113: 101: 93: 1419:. 25 October 2016 1381:Covid-19 pandemic 352:Fortune Playhouse 326:Wenceslaus Hollar 319:Sydney University 185:Covid-19 Pandemic 81: 80: 73: 1802: 1747: 1746: 1739: 1733: 1732: 1725: 1719: 1718: 1716: 1715: 1701: 1695: 1694: 1692: 1690: 1667: 1661: 1660: 1658: 1656: 1640: 1634: 1633: 1631: 1629: 1613: 1607: 1606: 1604: 1603: 1589: 1583: 1582: 1580: 1578: 1562: 1556: 1555: 1553: 1551: 1536: 1530: 1529: 1527: 1525: 1510: 1504: 1503: 1501: 1499: 1493:whatsonstage.com 1484: 1478: 1477: 1475: 1473: 1456: 1450: 1449: 1447: 1445: 1435: 1429: 1428: 1426: 1424: 1407: 1327:Romeo and Juliet 1316:Romeo and Juliet 1298:Romeo and Juliet 1191:The Roaring Girl 1186:The Roaring Girl 1183:and Middleton's 1013:at Pop-up Globe. 953:(c) Pop-up Globe 941:(c) Pop-up Globe 878:played Shylock. 809:at Pop-up Globe. 633:Miriama McDowell 562:(c) Pop-up Globe 525:Titus Andronicus 501:Romeo and Juliet 486:Romeo and Juliet 481:Romeo and Juliet 448:Romeo and Juliet 423:Romeo and Juliet 397:with Le Beau in 221:Titus Andronicus 215:Romeo and Juliet 168:adjacent to the 128:Jacobean theatre 76: 69: 65: 62: 56: 51:this article by 42:inline citations 29: 28: 21: 1810: 1809: 1805: 1804: 1803: 1801: 1800: 1799: 1770: 1769: 1756: 1751: 1750: 1745:. 8 March 2021. 1741: 1740: 1736: 1727: 1726: 1722: 1713: 1711: 1703: 1702: 1698: 1688: 1686: 1684: 1668: 1664: 1654: 1652: 1643:Egan, Gabriel. 1641: 1637: 1627: 1625: 1614: 1610: 1601: 1599: 1591: 1590: 1586: 1576: 1574: 1564: 1563: 1559: 1549: 1547: 1537: 1533: 1523: 1521: 1511: 1507: 1497: 1495: 1485: 1481: 1471: 1469: 1458: 1457: 1453: 1443: 1441: 1437: 1436: 1432: 1422: 1420: 1409: 1408: 1404: 1399: 1278: 1238: 1163: 1133: 1003: 931: 765: 706:Hugh Sexton in 688: 552: 440: 435: 382: 373: 315:Tim Fitzpatrick 295: 256:quatercentenary 193: 89:Wencelas Hollar 77: 66: 60: 57: 47:Please help to 46: 30: 26: 17: 12: 11: 5: 1808: 1798: 1797: 1792: 1787: 1782: 1768: 1767: 1762: 1755: 1754:External links 1752: 1749: 1748: 1734: 1720: 1696: 1682: 1662: 1635: 1608: 1584: 1557: 1531: 1505: 1479: 1451: 1430: 1401: 1400: 1398: 1395: 1277: 1274: 1237: 1234: 1162: 1159: 1132: 1129: 1002: 999: 930: 927: 904:Amanda Billing 900:Stephen Lovatt 795:Stephen Lovatt 764: 761: 725:As You Like It 687: 684: 672:As You Like It 659:As You Like It 651:As You Like It 590:As You Like It 560:As You Like It 551: 548: 484:in repertory. 439: 436: 434: 431: 419:Stephen Lovatt 399:As You Like It 381: 378: 372: 369: 294: 291: 280:As You Like It 192: 189: 149:, next to the 126:. It produced 79: 78: 33: 31: 24: 15: 9: 6: 4: 3: 2: 1807: 1796: 1793: 1791: 1788: 1786: 1783: 1781: 1778: 1777: 1775: 1766: 1763: 1761: 1758: 1757: 1744: 1738: 1730: 1724: 1710: 1706: 1700: 1685: 1683:9780198708735 1679: 1675: 1674: 1666: 1650: 1646: 1639: 1623: 1619: 1612: 1598: 1594: 1588: 1573: 1572: 1567: 1561: 1546: 1542: 1535: 1520: 1516: 1509: 1494: 1490: 1483: 1468:. 4 July 2017 1467: 1466: 1461: 1455: 1440: 1434: 1418: 1417: 1412: 1406: 1402: 1394: 1391: 1389: 1384: 1382: 1378: 1374: 1370: 1366: 1365: 1360: 1354: 1352: 1351: 1346: 1345: 1340: 1335: 1332: 1328: 1324: 1323: 1318: 1317: 1311: 1308: 1299: 1294: 1287: 1282: 1273: 1269: 1267: 1266:Twelfth Night 1263: 1259: 1255: 1254:Twelfth Night 1251: 1247: 1242: 1233: 1231: 1227: 1223: 1222: 1217: 1212: 1211:Twelfth Night 1208: 1206: 1205:Twelfth Night 1202: 1198: 1197: 1192: 1188: 1187: 1182: 1181: 1180:Twelfth Night 1171: 1167: 1158: 1154: 1151: 1147: 1137: 1128: 1125: 1123: 1117: 1115: 1111: 1107: 1103: 1098: 1096: 1092: 1088: 1083: 1079: 1075: 1072: 1068: 1064: 1063: 1058: 1057: 1053: 1049: 1039: 1032: 1027: 1019: 1012: 1007: 998: 995: 992: 987: 985: 981: 977: 973: 969: 965: 961: 952: 947: 940: 935: 926: 923: 921: 917: 911: 909: 905: 901: 897: 893: 891: 887: 883: 882:Julius Caesar 879: 877: 873: 869: 868:Jason Te Kare 865: 861: 857: 855: 854: 849: 848: 843: 842: 841:Julius Caesar 837: 836: 831: 830: 820: 815: 808: 803: 796: 792: 785: 784:Julius Caesar 780: 773: 769: 760: 756: 753: 749: 744: 742: 738: 734: 730: 726: 722: 718: 709: 704: 697: 692: 683: 680: 677: 673: 668: 665: 660: 656: 652: 647: 642: 638: 634: 631:(directed by 630: 621: 616: 609: 604: 600: 598: 597: 592: 591: 586: 585: 580: 579: 568: 561: 556: 547: 544: 542: 538: 534: 530: 526: 522: 518: 514: 510: 504: 502: 498: 497:Twelfth Night 493: 491: 490:Twelfth Night 487: 483: 482: 477: 476: 475:Twelfth Night 470: 468: 460: 459:Twelfth Night 455: 449: 444: 430: 428: 424: 420: 416: 412: 408: 404: 400: 396: 392: 388: 387:Julius Caesar 377: 368: 366: 361: 360:neo-classical 357: 356:scaenae frons 353: 348: 345: 343: 339: 334: 331: 327: 322: 320: 316: 307: 299: 290: 288: 287: 282: 281: 276: 275: 270: 269: 263: 261: 257: 253: 252: 247: 246: 241: 240: 235: 234: 229: 228: 223: 222: 217: 216: 211: 210: 209:Twelfth Night 204: 202: 199:. Co-founder 198: 197:Miles Gregory 188: 186: 181: 179: 175: 171: 167: 163: 158: 157:in Auckland. 156: 152: 148: 143: 139: 137: 136:Globe Theatre 133: 129: 125: 121: 117: 111:, Winter 2017 110: 105: 97: 90: 85: 75: 72: 64: 54: 50: 44: 43: 37: 32: 23: 22: 19: 1737: 1723: 1712:. Retrieved 1708: 1699: 1687:. Retrieved 1672: 1665: 1653:. Retrieved 1648: 1638: 1626:. Retrieved 1621: 1611: 1600:. Retrieved 1596: 1587: 1575:. Retrieved 1569: 1560: 1548:. Retrieved 1544: 1539:Awde, Nick. 1534: 1522:. Retrieved 1518: 1508: 1496:. Retrieved 1492: 1482: 1470:. Retrieved 1463: 1454: 1442:. Retrieved 1433: 1421:. Retrieved 1414: 1405: 1392: 1387: 1385: 1376: 1372: 1363: 1355: 1348: 1342: 1338: 1336: 1330: 1326: 1320: 1314: 1312: 1306: 1303: 1297: 1285: 1270: 1265: 1261: 1257: 1253: 1249: 1245: 1243: 1239: 1229: 1225: 1219: 1215: 1210: 1209: 1204: 1194: 1190: 1184: 1178: 1175: 1169: 1155: 1149: 1145: 1142: 1126: 1121: 1118: 1113: 1109: 1105: 1101: 1099: 1094: 1090: 1086: 1084: 1080: 1076: 1070: 1066: 1060: 1046: 1044: 1030: 1010: 996: 990: 988: 983: 979: 975: 971: 967: 963: 959: 956: 950: 938: 924: 919: 915: 912: 907: 895: 894: 886:Alison Bruce 881: 880: 871: 863: 862: 858: 851: 845: 839: 833: 827: 824: 818: 806: 783: 771: 757: 751: 747: 745: 740: 736: 732: 728: 724: 720: 716: 713: 707: 695: 681: 675: 671: 669: 663: 658: 654: 650: 645: 640: 636: 628: 625: 619: 607: 594: 588: 582: 576: 573: 559: 545: 541:Paul McLaney 536: 532: 528: 524: 520: 516: 512: 508: 505: 500: 496: 494: 489: 485: 479: 474: 471: 464: 458: 447: 426: 422: 414: 410: 406: 402: 398: 394: 390: 386: 383: 374: 349: 346: 335: 323: 312: 284: 278: 272: 266: 264: 249: 243: 237: 231: 225: 219: 213: 207: 205: 201:Tobias Grant 194: 182: 166:Kings Domain 159: 147:Auckland CBD 144: 140: 116:Pop-up Globe 115: 114: 91:in the 1630s 67: 58: 39: 18: 1709:OurAuckland 1689:21 November 1655:21 November 1628:21 November 1577:21 November 1550:21 November 1524:21 November 1519:stuff.co.nz 1498:21 November 1423:21 November 1416:stuff.co.nz 1095:Richard III 1071:Richard III 1052:Richard III 890:Donogh Rees 876:Peter Daubé 509:The Tempest 227:The Tempest 138:(1614–44). 124:New Zealand 53:introducing 1774:Categories 1714:2017-09-02 1602:2017-09-02 1397:References 191:Background 36:references 1597:NZ Herald 1545:The Stage 1350:King Lear 178:Australia 174:Melbourne 1361:'s play 1288:in 2019. 1074:season. 461:in 2016. 120:Auckland 61:May 2021 1472:10 July 1465:The Age 968:Macbeth 951:Macbeth 896:Macbeth 847:Macbeth 741:Henry V 733:Othello 729:Henry V 721:Othello 696:Othello 664:Henry V 655:Henry V 646:Othello 637:Othello 620:Othello 596:Henry V 584:Othello 537:Play On 533:Othello 529:Henry V 403:Othello 395:Henry V 365:baroque 293:Theatre 286:Henry V 274:Othello 239:Henry V 49:improve 1680:  1444:6 July 1388:Emilia 1377:Emilia 1373:Emilia 1364:Emilia 1250:Hamlet 1230:Hamlet 1150:Hamlet 1114:Hamlet 1106:Hamlet 1056:Hamlet 635:) and 521:Hamlet 411:Hamlet 391:Emilia 380:Actors 342:London 251:Hamlet 38:, but 1691:2016 1678:ISBN 1657:2016 1630:2016 1579:2016 1552:2016 1526:2016 1500:2016 1474:2017 1446:2017 1425:2016 1256:and 1248:and 1228:and 1148:and 1069:and 1059:and 970:and 962:and 918:and 902:and 727:and 719:and 674:and 593:and 499:and 478:and 425:and 277:and 248:and 212:and 340:in 328:'s 317:of 172:in 1776:: 1707:. 1647:. 1620:. 1595:. 1568:. 1543:. 1517:. 1491:. 1462:. 1413:. 1383:. 1054:, 1050:, 986:. 587:, 581:, 543:. 321:. 262:. 242:, 236:, 230:, 224:, 176:, 122:, 1731:. 1717:. 1693:. 1659:. 1632:. 1605:. 1581:. 1554:. 1528:. 1502:. 1476:. 1448:. 1427:. 786:. 283:/ 271:/ 74:) 68:( 63:) 59:( 45:.

Index

references
inline citations
improve
introducing
Learn how and when to remove this message

Wencelas Hollar


Ellerslie Racecourse
Auckland
New Zealand
Jacobean theatre
works of Shakespeare
Globe Theatre
Auckland CBD
Auckland Town Hall
Ellerslie Racecourse
Live Nation Entertainment
Kings Domain
Sidney Myer Music Bowl
Melbourne
Australia
Covid-19 Pandemic
Miles Gregory
Tobias Grant
Twelfth Night
Romeo and Juliet
Titus Andronicus
The Tempest

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