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for what the artistic vision calls 'judicious ad-libs' as often the conditions of performance at Pop-up Globe—weather, planes flying overhead, unexpectedly boisterous audience members—mean that no two performances are the same and actors have to acknowledge the environment around them. Pop-up Globe productions make huge use of live original music and dance, and all productions have ended with a jig danced by the company, For the first three seasons of Pop-up Globe one company was a dedicated 'Jacobean' company, wearing 17th century dress and exploring original conditions of performance to various degrees, while the other company was 'eclectic' and not bound by any Early Modern conventions.
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space. The two faux marble stage pillars were replaced with narrower posts. Instead of the small projecting gallery that had been in the centre of the middle level of the frons scenae, a tarras now ran the whole length of the frons scenae at middle gallery level, and the previously flat garret level was given a projecting balcony for musicians. The 'honeymoon boxes' of the Season Two stage boxes were removed so that the flanking stage doors could be repositioned. A small bar was added to the playhouse yard so that audience members could buy drinks during performances without having to leave the theatre.
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1093:(directed by Brigid Costello & David Lawrence) featured Natasha Daniel and Jamie Irvine as Katherina and Petruchio and was presented in 17th century Italian dress, with a rewritten version of the play's original framing device—in this case, Christopher Sly was a drunken audience member who passed out in the yard so that the cast could enlist the audience's support in their plan to gull him by dressing him in Jacobean attire and insisting when he regained consciousness that he was in England in 1616.
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re-purposed from the first version of the
Ellerslie playhouse in Auckland, the Perth playhouse was redesigned in order to be easier and more cost effective to assemble. While still including the gold onion dome at the back of the double-gabled roof, the roof structure itself was simplified and the playhouse walls were canvas rather than corrugated iron as a means of improving internal temperature control.
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1199:. This was the first time Pop-up Globe had remounted an existing production with a new company and an almost entirely-new cast (Patrick Carroll reprised his performance as Demetrius, Jonathan Martin had played Snug in the Sydney transfer and now took on Egeus as well, and Reuben Butler, who had originated Puck in 2017, returned especially to play the role for the winter season).
866:(directed by Miles Gregory) had portions of its script translated into Te Reo Māori by Pierre Lyndon. The court and lovers wore Jacobean dress, the Mechanicals were dressed as modern tradies in hardhats and high-vis vests, and the fairy world of Oberon, Titania and Puck were attired in traditional Māori dress and much of their text delivered entirely in Te Reo Māori.
1329:(directed by Miles Gregory) was a brand new production of the play, starring Darcy Kent and Jess Hong in the title roles, with an eclectic mix of Jacobean dress and track-suited 'hoodies' as attendants, with the Capulets' masque a lavish fruit-themed party where the lovers first meet with Romeo dressed as a banana and Juliet as a giant strawberry.
884:(directed by Rita Stone) was presented by a reverse-gender cast in modern dress, with the premise of Rome as a female-led society where men were indentured slaves. Imagery from the 2016 US presidential elections in the first half gave way to combat gear and riot shields in the second half. Sheena Irving played Brutus,
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The four productions played in repertory until Pop-up Globe Perth closed on Sunday 8 December 2019 after a combined total of 107 performances to an audience of approximately 60,000 people. Several stalwart Pop-up Globe actors celebrated milestones during the Perth run, with musician Oscar West giving
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In partnership with Live Nation, Pop-up Globe opened their third
Australian transfer in the west Australian city of Perth on Wednesday 9 October 2019, on the grounds of the Crown Casino. While retaining the same interior frons scenae design as the Melbourne and Sydney versions of Pop-up Globe, itself
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In partnership with Live Nation, Pop-up Globe opened their second
Australian transfer in Sydney on 5 September 2018. Improving on their learnings from the Melbourne playhouse, Australian company Stage Kings constructed the fourth iteration of Pop-up Globe on the central lawn in Sydney's Entertainment
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While the 2017 productions ran in
Melbourne, in Auckland Pop-up Globe began rehearsals for their third summer season in Auckland on 30 October 2017. To lessen the logistical and financial pressure of trying to rehearse and open four productions simultaneously, the three companies and five productions
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were remounted and revised for the touring set, with some major adjustments being made to both productions to reflect that they would be performing indoors in proscenium arch theatres. There were also a number of changes of personnel within the
Nottingham's Company, including Clementine Mills taking
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Pop-up Globe's productions have featured international casts, with approximately 20% of each company coming from outside of New
Zealand. Pop-up Globe's companies have included actors from the UK, the US and Australia working alongside local actors. With the exception of the Admiral's Company (Around
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starred Renee Lyons and Rutene
Spooner as Beatrice and Benedick and was a revival of Miriama McDowell's 2017 Pasifika-themed production but with an entirely new cast except for Theo David reprising his performance as Claudio. The two productions played in repertory until finally closing on Sunday 1
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In addition to undertaking a nationwide tour, in April 2019 Pop-up Globe announced that they would present their first ever winter season in the
Ellerslie playhouse in Auckland as part of ATEED's Elemental Festival. The partnership with ATEED would enable Pop-up Globe to build a temporary roof over
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starred first season stalwarts
Jonathan Tynan-Moss and Adrian Hooke as Rosalind and Orlando and Stanley Andrew Jackson III as Celia, in Jacobean dress with the court of Duke Frederick played as flamboyant Cavaliers opposite the more sober mild-mannered court of Duke Senior and his fellows in exile.
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The foundation of performance at Pop-up Globe is the relationship between actors and audience. Direct address is the central feature of the way
Shakespeare is played at Pop-up Globe, although some productions have varied the degree to which they embrace direct address as a tool. Allowances are made
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that it was possible to remount older productions with entirely new casts and still retain the essence of the original show. The financial strain of trying to retain a permanent staff, company and building in Auckland while also maintaining offshore operations had led Pop-up Globe's management and
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The interior of the playhouse was completely redecorated for Season Three: instead of brickwork and plaster intended to resemble modern Jacobean exterior architecture, a new frons scenae was installed, decorated in gold and blue with dark brown wood, intended to resemble a modern Jacobean interior
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The New Zealand tour opened at the Regent Theatre in Dunedin on 27 June 2019, and then played at the Theatre Royal in Nelson, the Isaac Theatre Royal in Christchurch, the Opera House in Wellington, the Municipal Theatre in Napier, the Clarence Street Theatre in Hamilton, and at TSB Theatre in New
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To better manage the difficulties of internal staff being spread across four productions, and trying to maintain a large payroll without any infrastructural funding or subsidy, rather than present all four productions in repertory Pop-up Globe's fourth season was presented in two halves, with one
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extending for an extra week past the official close of the season on Sunday 14 May. Pop-up Globe also hosted a fundraiser performance for NZ Actors' Equity to benefit the Actors' Benevolence Fund on Sunday 2 April and a concert by the Auckland Philharmonic Orchestra on Sunday 23 April featuring a
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starred Chris Huntly-Turner in the title role, with the company shifting from Jacobean dress in the court scenes to full medieval armour once in France. The production made use of scaling ladders, pyrotechnic-firing cannons, and flaming arrows were fired across the playhouse into the frons scenae
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After several months of working in secret on a new venue, Pop-up Globe announced in August 2016 that they would be mounting a second season in a new location for 2017. Over 1,200 actors from around the world applied to be part of the audition process that took place through October 2016, and in a
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In a partnership with Live Nation, Pop-up Globe opened their first Australian transfer in Melbourne on 21 September 2017. The third iteration of Pop-up Globe was constructed at the back of the Sidney Myer Music Bowl in the King's Domain over August and September 2017, with much of the decorative
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The interior of the playhouse was left in the same configuration as Season Three, with the wide tarras covering the whole middle gallery retained, but the frons scenae was repainted from its dark browns and golds into lighter marble colours, and sections of Jacobean brickwork reminiscent of the
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starred Te Kohe Tuhaka in the title role and Haakon Smested played Iago as a literal manifestation of the devil who was hauled on a chain up into the ceiling by his feet at the end of the play and then re-arose from beneath the stage via a trapdoor, surrounding by fireworks, during the jig. The
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would be presented by an all-male cast, and the anger and outrage expressed by the Auckland theatre community led Pop-up Globe to announce a change in their artistic vision: from now on, all new work made by the company in Auckland would feature equal numbers of male and female actors across a
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In August 2019, amidst the New Zealand tour, the Winter Season and pre-production for the Perth transfer, Pop-up Globe announced that their fifth summer season would be their last time performing in Auckland, after which they would dismantle the Ellerslie playhouse and vacate their racecourse
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Over the course of the season, the programme was supplemented with a range of enrichment activities including classes on stage, public talks, a book launch, and guided tours of the playhouse. Pop-up Globe also hosted a number of visiting productions for short engagements: the Auckland Summer
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Concrete foundations for the playhouse were laid in the racecourse gardens in December 2016 and construction began on the first day of rehearsals, Wednesday 4 January 2017. This completely redesigned version of the playhouse opened to the public on 23 February. The Queen's Company performed
1112:(directed by Miles Gregory) featured Will Alexander as the Duke, Rebecca Rogers as Isabella and Hugh Sexton as Angelo, and was presented in 17th century Viennese dress with boisterous musical numbers and the Duke disguised as a blind friar with a comic German accent in the prison scenes.
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board to conclude that it made best sense for the business to return to its original artistic purpose, which was to pop up Pop-up Globes in different cities and countries, and then pop them down again. Pop-up Globe's 'Summer of Love' Farewell Season would consist of three productions.
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Pop-up Globe undertook their first New Zealand tour during the winter of 2019. Scenic designer Malcolm Dale designed a touring set resembling an indoor Jacobean playhouse that could be easily reconfigured for differently-sized stage spaces and the Nottingham's Company's productions of
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1207:(directed by Miles Gregory) was an entirely new production, utilising largely Elizabethan dress rather than Pop-up Globe's usual Jacobean costuming. Its cast included Rebecca Rogers as Viola, Sheena Irving as Olivia, Jonathan Martin as Malvolio and Keagan Carr Fransch as Feste.
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Plymouth, where the productions closed on 8 September 2019 after a combined total of 48 performances to an audience of approximately 25,000 people. Both productions also returned to Pop-up Globe's Auckland playhouse for a fortnight in August as part of the 2019 Winter Season.
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premises. Rather than continuing to develop new productions for Auckland audiences, Pop-up Globe would focus on the international market and re-purpose their now-extensive back catalogue of existing productions, having proved to themselves with the Perth transfer of
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was named Best Production, with awards also going to actors Chris Huntly-Turner, Max Loban and Sarah Griffin. Brigid Costello was named Best Choreographer, Miles Gregory was named Best Director, and Bob Capocci and Shona Tawhaio won Best Costume Design.
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design. The audience was seated in 360°, with "Lord's" and "Gentlemen's" rooms in the middle and upper galleries behind the stage. Based on practical learnings from the first season, the 2017 season featured a flat scaenae frons with three doors in a
1097:(directed by Miles Gregory) starred Stephen Butterworth in the title role and featured authentic medieval pageantry, lavish Jacobean costumes, and a recreation of the Battle of Bosworth that included armies fighting with pikes and firing arquebuses.
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sketch of London's skyline in the early 1640s with extensive research into the Jacobean ad quadratum technique of architectural planning, and with the results of the limited archaeological evidence available from the site of the original Globe.
1116:(directed by David Lawrence) starred Adrian Hooke in the title role and was presented in Jacobean dress and investigating how the original staging might have worked, with use of a 'fast trap' to enable to Ghost to appear and disappear rapidly.
910:(directed by Miles Gregory) in Mediterranean dress featuring belly dancing and Whirling Dervishes, with Ephesus as a military police state. Paul Jennings and Jason Will played the Antipholuses and Tom Clark and Blake Kubena played the Dromios.
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The third and final production of Pop-up Globe's Farewell Season was the first time a new play had been performed in the playhouse: after securing a licence for its southern hemisphere debut, Pop-up Globe presented the New Zealand premiere of
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Season Two frons scenae were reintroduced. The yard bar was retired but two rows of raised bench seating were installed at the back of the yard, to provide audience members with an option in between a groundling ticket and a D-reserve seat.
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opened on 19 July 2019, followed by A Midsummer Night's Dream on 20 July 2019, and the productions played 35 performances in repertory until 26 August 2019. The Winter Season also featured daytime performances of the Stage Company's
874:(directed by David Lawrence) in Jacobean dress in a production that tried to solve the play's difficulties by embracing and amplifying them. Kevin Keys played Antonio, Sarah Griffin played Portia, Cameron Moore played Bassanio, and
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Between 2015 and 2020, Pop-up Globe attracted audiences of approximately 748,000 people to predominantly Shakespeare productions across New Zealand and Australia, constructing five temporary Pop-up Globe playhouses in four cities.
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was an all-ages show designed to introduce younger audiences to the world in which Shakespeare wrote his plays with a fictional plot centred on William Davenant's attempt to re-open the Globe Theatre during the English Civil War.
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featured Semu Filipo and Jacque Drew as Benedick and Beatrice and was set on a banana plantation with Dogberry and Verges functioning as customs officers in charge of ensuring no illegal or dangerous produce entered the island.
898:(directed by Tom Mallaburn) was presented in medieval dress with singing witches, gruesome battle scenes and a supernatural music score played throughout the playhouse by actors hidden around all 360 degrees of the 'metal' O.
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The four productions gave a combined total of 141 performances before the season finally closed on Sunday 14 April 2019. The season was complemented with a wide array of pre-show talks and post-show Q&As. The matinee of
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over the role of Isabella in Measure For Measure and fan favourite Jonathan Tynan-Moss returning from the UK to take over as the Duke, whose disguise changed from a German friar to an evangelical Southern preacher.
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The five productions played for a cumulative 299 performances before Pop-up Globe Melbourne finally closed on Sunday 12 February 2018. Approximately 150,000 people attended a performance at Pop-up Globe Melbourne.
344:, which some scholars and theatre practitioners had judged to be too large. As a consequence of this smaller diameter, the 'yard' where audiences stand was around 40% smaller than the yard at Shakespeare's Globe.
599:. This time, Pop-up Globe would have two in-house repertory companies meaning the theatre could open 7 days a week offering 2 performances a day, without reliance on outside productions to keep the doors open.
492:(directed by Miles Gregory) was performed in Jacobean dress by an all-male cast including Daniel Watterson as Olivia, Aaron Richardson as Viola, Stanley Andrew Jackson III as Malvolio and Adrian Hooke as Feste.
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The Season Three productions were complemented with a number of pre-show talks and events before selected performances. The five productions played a combined total of 160 performances over the season, with
393:), Pop-up Globe actors always work as a repertory company, with actors playing contrasting roles in two different productions: for example, in the 2017 season Chris Huntly-Turner doubled the title role in
134:, in specially-built temporary replicas of the second Globe, the theatre Shakespeare and his company built and used. The company's theatre was the world's first full-scale reconstruction of the Second
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Pop-up Globe was 56 feet (17 m) high, with a standing capacity of 300 'groundlings' and 600 seats in three galleries. It was topped by a distinctive 'onion dome', visible in the Hollar sketch.
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joined the project at a very early stage. Both are native Aucklanders. Gregory had worked for 18 years in the UK as a director and producer, and Grant had a background in media and marketing.
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media launch on October 25 Pop-up Globe revealed their new location – in the gardens at Auckland's oldest racing club, Ellerslie Racecourse – and the plays that would make up the season:
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interior including the frons scenae carefully dismantled anc shipped from the Ellerslie playhouse. With some cast changes, the transfer featured the Queen's Company's productions of
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Approximately 102,000 people attended Pop-up Globe during the 2016 season. At that time this was the largest known attendance for a drama festival in New Zealand history.
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The four productions played a cumulative total of 199 performance before Pop-up Globe Sydney closed on Sunday 16 December 2018. In the 2018 BroadwayWorld theatre awards,
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the playhouse yard to provide protection from the weather for the groundlings. The specially-formed Exeter's Company would premiere new productions of Shakespeare's
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The season was originally scheduled to close on Sunday 24 April, the day after the 400th anniversary of Shakespeare's death, but was extended until Sunday 7 May.
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during the siege of Harfleur. All four productions made use of pyrotechnics and mechanised flying technology installed in the playhouse ceiling, the 'heavens'.
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187:. A year later, in March 2021, with no foreseeable prospect of further international touring, the Pop-up Globe group of companies was put into liquidation.
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by the Pop-up Globe Youth Theatre Company. The many strands of Pop-up Globe's Youth Theatre classes also combined for one night in December to present
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Based on this, Pop-up Globe's design was a 16-sided polygon, 88 feet (27 m) in external diameter. This was some 12 feet (3.7 m) smaller than
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The company was put into liquidation a year later in March 2021, as it could no longer operate with no income or touring for the foreseeable future.
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was the last production to perform at the Ellerslie playhouse, opening on Thursday 5 March 2020 amidst growing public concern about the approaching
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doubled as Theseus and Oberon, Edward Peni played Hippolyta and Titania, and Reuben Butler originated the role of Puck. The same company performed
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on Sunday 15 March ended up being its last and the rest of the season was prematurely curtailed as the whole of New Zealand went into lockdown.
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Government restrictions on mass gatherings as New Zealand began experiencing its first cases of the pandemic meant that the performance of
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and that the productions would be thematically linked in their exploration of 'abuse of power'. Controversy greeted the announcement that
488:(directed by Ben Naylor) was performed in emblematic modern dress, with Jonathan Tynan-Moss and Christel Chapman playing the title roles;
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Quarter, next to Fox Studios and the Sydney Cricket Ground. The Sydney transfer featured the Buckingham's Company's productions of
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of Shakespeare's death. Over 100,000 tickets were sold during a 12-week season, making it the largest Shakespeare festival in the
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While in rehearsals for the Sydney transfer, in July 2018 Pop-up Globe that their fourth summer season in Auckland would feature
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that made up the third season had a 'staggered' rehearsal process and were opened one at a time. The Buckingham's Company opened
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design, with the audience seated around 270°, with a balcony above the central door, and a musician's gallery above the balcony.
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Rehearsals began in Auckland on 5 January 2016, the same day that construction of the playhouse commenced in the carpark beside
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On 29 October 2019 the Northumberland's Company began rehearsals, beginning preview performances on 7 December before opening
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750:, featuring an Australian cast and written especially for the playhouse by Tom Mallaburn and directed by John Walton.
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1260:. There were several cast changes in the Exeter's Company, including Eds Eramiha taking over the role of Puck in
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Pop-up Globe opened to the public on 16 February 2016, with the in-house Pop-up Globe Theatre Company performing
401:. Sometimes doubling is about practicality of rehearsal, (such as the actors playing Othello, Iago and Cassio in
1645:"The 1599 Globe and its modern replica: Virtual Reality modelling of the archaeological and pictorial evidence"
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his 600th performance in the playhouse since the first season, and Adrian Hooke passing his 400th performance.
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in 2017) sometimes doubling is about a balanced workload (such as Adrian Hooke alternating the title role in
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Performance of Much Ado About Nothing by the Pop-up Globe Queen's Company at Pop-up Globe Auckland, May 2017
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company performing from November to January, and the other company performing from February to April.
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in 2019), and sometimes the doubling is intended to illuminate recurrent tropes in the plays (such as
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The interior design of the stage (43 feet (13 m) in width, as specified in the contract for the
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The Pop-up Globe touring company onstage at the Nelson Theatre Royal in July 2019. (c) Pop-up Globe.
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The second season featured two in-house repertory acting companies, Queen's and King's, performing
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354:) changed significantly between the first and second seasons. The first season employed a canted
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on 22 February 2018. All five productions then played in repertory until Sunday 1 April 2018.
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Amelia Reynolds as Luciana, Stephen Lovatt as Dr Pinch, Jess Holly Bates as the Courtesan in
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extending by a fortnight at the end of the run, which finally closed on Sunday 15 May 2018.
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March 2020 after a combined total of 82 performances to audiences of approximately 40,000.
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were performed a total of 97 times, a record-breaking run for Shakespeare in New Zealand.
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515:, the Young Auckland Shakespeare Company presented two performances of a reverse-gender
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1618:"Reconstructing Shakespeare's second Globe using 'Computer Aided Design' (CAD) tools"
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The four productions gave a combined total of 162 performances over the season, with
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and the Ugly Shakespeare Company gave three performances of their schools version of
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was presented by the all-female Irihapeti Company and directed by Miriama McDowell.
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The theatre's architectural plan is based on the published research of Professor
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and partway through the season Asalemo Tofete took over the role of Benedick in
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1460:"Melbourne's Pop-Up Globe unleashes Shakespeare's plays as they were intended"
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The Farewell Season also featured daytime performances of the Stage Company's
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also played two weeks of encore performances in their revised touring format.
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Fitzpatrick's reconstruction synthesised a mathematical projection based on
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Approximately 103,000 people attended Pop-up Globe during the 2017 season.
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Interior photograph of Pop-up Globe 2016, showing galleries and stage roof
1743:"Pop-Up Globe goes into liquidation after getting caught out by Covid-19"
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across four audience bays at the rear of the stage, with four doors in a
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after its success during 2019’s Winter Season, and four performances of
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The first season, featuring the Pop-up Globe Theatre Company performing
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with different sections of the play performed by different age groups.
527:, Grae Burton Productions presented four performances of an all-female
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1729:"From 750,000 ticket sales to $ 1m liabilities: Pop-up Globe's demise"
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The Perth transfer featured the Nottingham's Company's productions of
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on Sunday 17 February 2019 marked Pop-up Globe's 1000th performance.
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The Nottingham's Company began rehearsals on 4 January 2019, opening
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519:, the Lord Lackbeards presented two performances of their all-female
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The company ceased all performances in March 2020 as a result of the
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in London and subsequent West End run. Pop-up Globe's production of
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The Somerset's Company began rehearsals on 1 October 2018, opening
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respectively. Over 100,000 tickets were sold in the second season.
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played Oberon/Theseus and Renaye Tamati played Titania/Hippolyta.
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and Hugh Sexton taking over the role of Antipholus of Syracuse in
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Over 91,000 people attended Pop-up Globe during the 2018 season.
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Jessie Lawrence as Mark Antony in Pop-up Globe's reverse-gender
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The four NZ shows were joined in repertory by a new production,
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Hymen, god of marriage, descends from the heavens at the end of
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View of the playhouse from the back of the upper gallery during
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1566:"Pop-up Globe Theatre to rise again - at Ellerslie Racecourse"
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1411:"Pop-up Globe to rise in the gardens at Ellerslie Racecourse"
1515:"Shakespeare's death remembered at the Pop-up Globe theatre"
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selection of orchestral music based on Shakespeare's plays.
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on 16 November 2018 and Richard III on 17 November 2018.
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on 11 January 2018; and the Southampton's Company opened
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Pop-up Globe was founded in 2015 by Artistic Director Dr
164:, ran from 21 September to 3 February 2018 in an area of
1489:"Guest Blog: Why I want to build a Pop-up Globe Theatre"
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Theo David as Claudio and Rutene Spooner as Benedick in
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Keven Keys, Theo David, Semu Filipo and Phil Grieve in
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Pop-up Globe's first international season, promoted by
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was a New Zealand theatre production company, based in
1673:"Globe Theatre" in The Oxford Companion to Shakespeare
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Pop-up Globe Sydney was seen by over 105,000 people.
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511:, Byrnes Productions presented eight performances of
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New Zealand nationwide tour (June – September 2019)
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Stephen Butterworth as Richard III (c) Pop-up Globe
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Melbourne Transfer (September 2017 – February 2018)
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838:on 12 January 2018; the Pembroke's Company opened
421:and Jess Hong playing father and daughter in both
385:the Globe in 60 Minutes), the Pembroke's Company (
145:The company constructed the first Pop-up Globe in
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469:and Q Theatre on Grey's Ave in central Auckland.
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1172:in the roofed playhouse in 2019 (c) Pop-up Globe
1009:Theo David as Cambio and Dave Fane as Gremio in
906:played the Macbeths. The same company performed
523:, Fractious Tash presented four performances of
1021:Adrian Hooke as Hamlet at Pop-up Globe in 2019.
966:and the Southampton's Company's productions of
937:Jade Daniels as Puck in the Sydney transfer of
639:(directed by Ben Naylor). The Pasifika-infused
570:Chris Huntly-Turner as Henrv V (c) Pop-up Globe
698:during the Melbourne transfer (c) Pop-up Globe
405:doubling as Don John, Conrade and Borachio in
87:The second Globe Theatre, London, as drawn by
1795:New Zealand companies disestablished in 2021
535:. Loop Media presented a one-night concert,
1224:by the Pop-up Globe Youth Theatre Company.
731:. Regan Taylor took over the title role in
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1252:and the Exeter's Company's productions of
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446:Stanley Andrew Jackson III as Mercutio in
1593:"Pop up Globe announces Australian dates"
949:Stephen Lovatt in the Sydney transfer of
929:Sydney Transfer (September—December 2018)
413:with the much smaller role of Claudio in
71:Learn how and when to remove this message
16:Theatre production company in New Zealand
1439:"Pop-up Globe Australia: About Overview"
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1276:Season Five (December 2019 – March 2020)
1236:Perth transfer (October – December 2019)
1164:
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1001:Season Four (November 2018 – April 2019)
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507:Shakespeare presented 8 performances of
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34:This article includes a list of general
1622:extra.shu.ac.uk/emls/si-13/fitzpatrick/
1615:
1486:
797:as Macbeth and Matu Ngaropo as Macduff.
763:Season Three (December 2017 – May 2018)
618:Fireworks during the jig at the end of
1772:
1161:2019 Winter Season (July – August 2019
432:
1669:
1339:A Children's Midsummer Night's Dream
1216:A Children's Midsummer Night's Dream
20:
694:Regan Taylor and Haakon Smestad in
13:
1790:2015 establishments in New Zealand
1676:(1st ed.). OUP. p. 166.
1513:Van Beynen, Jack (23 April 2016).
649:all-male King's Company performed
40:it lacks sufficient corresponding
14:
1806:
1753:
774:at Pop-up Globe in December 2017.
330:Long View of London from Bankside
1780:Theatre companies in New Zealand
1642:
1538:
653:(directed by Tom Mallaburn) and
550:Season Two (February – May 2017)
438:Season One (February - May 2016)
25:
1735:
1721:
1697:
1663:
1636:
1367:, 18 months after its debut at
708:Around The Globe In 60 Minutes!
107:Aerial view of Pop-up Globe at
99:Pop-up Globe, Auckland CBD 2016
1760:Official website (New Zealand)
1609:
1585:
1558:
1532:
1506:
1480:
1452:
1431:
1403:
1029:Rebecca Rogers as Isabella in
752:Around The Globe In 60 Minutes
748:Around The Globe In 60 Minutes
1:
1651:. Sheffield Hallam University
1649:Early Modern Literary Studies
1624:. Sheffield Hallam University
1487:Gregory, Miles (9 May 2015).
1396:
710:in Melbourne (c) Pop-up Globe
657:(directed by Miles Gregory).
389:) and the Irihapeti Company (
190:
1765:Official website (Australia)
1541:"New Zealand's Pop-up Globe"
1296:Darcy Kent and Jess Hong in
7:
1221:The Two Gentlemen of Verona
10:
1811:
1705:"The Pop-up Globe is back"
1319:on Friday 13 December and
817:Peter Daube as Shylock in
429:in the 2019/2020 season).
292:
1344:All's Well That Ends Well
1325:on Saturday 14 December.
1307:A Midsummer Night's Dream
1262:A Midsummer Night's Dream
1258:A Midsummer Night's Dream
1196:A Midsummer Night's Dream
1193:with a revival of 2017’s
1170:A Midsummer Night's Dream
991:A Midsummer Night's Dream
976:A Midsummer Night's Dream
960:A Midsummer Night's Dream
939:A Midsummer Night's Dream
916:A Midsummer Night's Dream
864:A Midsummer Night's Dream
829:A Midsummer Night's Dream
772:A Midsummer Night's Dream
379:
162:Live Nation Entertainment
1300:in 2019 (c) Pop-up Globe
1218:and two performances of
1104:on 14 February 2019 and
1033:in 2019 (c) Pop-up Globe
821:in 2018 (c) Pop-up Globe
1091:The Taming of the Shrew
1087:The Taming of the Shrew
1067:The Taming of the Shrew
1048:The Taming of the Shrew
1011:The Taming of the Shrew
892:played the title role.
850:on 7 February 2018 and
832:on 7 December 2017 and
622:in 2017 (c)Pop-up Globe
610:in 2017 (c)Pop-up Globe
55:more precise citations.
1670:Egan, Gabriel (2001).
1571:The New Zealand Herald
1331:Much Ado About Nothing
1322:Much Ado About Nothing
1301:
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1286:Much Ado About Nothing
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980:The Merchant of Venice
964:The Merchant of Venice
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920:The Merchant of Venice
872:The Merchant of Venice
835:The Merchant of Venice
822:
819:The Merchant of Venice
810:
798:
787:
775:
737:Much Ado About Nothing
717:Much Ado About Nothing
711:
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676:Much Ado About Nothing
641:Much Ado About Nothing
629:Much Ado About Nothing
623:
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608:Much Ado About Nothing
578:Much Ado About Nothing
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517:Much Ado About Nothing
462:
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427:Much Ado About Nothing
407:Much Ado About Nothing
310:
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268:Much Ado About Nothing
233:Much Ado About Nothing
170:Sidney Myer Music Bowl
112:
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1108:on 15 February 2019.
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371:Style of presentation
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1785:Theatres in Auckland
1359:Morgan Lloyd Malcolm
984:The Comedy of Errors
972:The Comedy of Errors
908:The Comedy of Errors
853:The Comedy of Errors
807:The Comedy of Errors
743:on 25 October 2017.
513:Antony and Cleopatra
467:the Basement Theatre
245:Antony and Cleopatra
155:Ellerslie Racecourse
132:works of Shakespeare
109:Ellerslie Racecourse
1369:Shakespeare's Globe
1246:Measure For Measure
1226:Measure For Measure
1146:Measure For Measure
1122:Measure For Measure
1110:Measure For Measure
1102:Measure For Measure
1062:Measure For Measure
1031:Measure For Measure
888:played Cassius and
433:Performance History
415:Measure For Measure
338:Shakespeare's Globe
260:Southern Hemisphere
130:, particularly the
1616:Fitzpatrick, Tim.
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1419:. 25 October 2016
1381:Covid-19 pandemic
352:Fortune Playhouse
326:Wenceslaus Hollar
319:Sydney University
185:Covid-19 Pandemic
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1298:Romeo and Juliet
1191:The Roaring Girl
1186:The Roaring Girl
1183:and Middleton's
1013:at Pop-up Globe.
953:(c) Pop-up Globe
941:(c) Pop-up Globe
878:played Shylock.
809:at Pop-up Globe.
633:Miriama McDowell
562:(c) Pop-up Globe
525:Titus Andronicus
501:Romeo and Juliet
486:Romeo and Juliet
481:Romeo and Juliet
448:Romeo and Juliet
423:Romeo and Juliet
397:with Le Beau in
221:Titus Andronicus
215:Romeo and Juliet
168:adjacent to the
128:Jacobean theatre
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651:As You Like It
590:As You Like It
560:As You Like It
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199:. Co-founder
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1709:OurAuckland
1689:21 November
1655:21 November
1628:21 November
1577:21 November
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1524:21 November
1519:stuff.co.nz
1498:21 November
1423:21 November
1416:stuff.co.nz
1095:Richard III
1071:Richard III
1052:Richard III
890:Donogh Rees
876:Peter Daubé
509:The Tempest
227:The Tempest
138:(1614–44).
124:New Zealand
53:introducing
1774:Categories
1714:2017-09-02
1602:2017-09-02
1397:References
191:Background
36:references
1597:NZ Herald
1545:The Stage
1350:King Lear
178:Australia
174:Melbourne
1361:'s play
1288:in 2019.
1074:season.
461:in 2016.
120:Auckland
61:May 2021
1472:10 July
1465:The Age
968:Macbeth
951:Macbeth
896:Macbeth
847:Macbeth
741:Henry V
733:Othello
729:Henry V
721:Othello
696:Othello
664:Henry V
655:Henry V
646:Othello
637:Othello
620:Othello
596:Henry V
584:Othello
537:Play On
533:Othello
529:Henry V
403:Othello
395:Henry V
365:baroque
293:Theatre
286:Henry V
274:Othello
239:Henry V
49:improve
1680:
1444:6 July
1388:Emilia
1377:Emilia
1373:Emilia
1364:Emilia
1250:Hamlet
1230:Hamlet
1150:Hamlet
1114:Hamlet
1106:Hamlet
1056:Hamlet
635:) and
521:Hamlet
411:Hamlet
391:Emilia
380:Actors
342:London
251:Hamlet
38:, but
1691:2016
1678:ISBN
1657:2016
1630:2016
1579:2016
1552:2016
1526:2016
1500:2016
1474:2017
1446:2017
1425:2016
1256:and
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