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Poor Folk

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661:. A similar view was held by Belinsky, who also stated that "Dostoyevsky's talent is ... not descriptive, but to the highest degree creative." Victor Terras thought that Dostoyevsky did not use satire except in a few cases, but instead employed a "humor derived from the eternal conflict between the simple soul of a good man and the complex apparatus of the soulless, institutionalized society run by 'clever' people." Joseph Frank, who suggested that the whole work is a "serious parody", recalled that 315: 327: 577: 546:, who was planning to issue an anthology in 1846. Dostoevsky took the manuscript to Nekrasov and returned home. Shortly afterwards the doorbell of his house rang, and he opened the door to the excited Nekrasov and Grigorovich, both of whom congratulated him on his debut novel, of which they had only read 10 pages. They finished the full 112-page work during the night at Dostoevsky's apartment. The next morning, the three men went to the critic 1333:Пушкин (Pushkin, Alexander Sergeyevich), Александр Сергеевич; (Князь,Prince Pyotr Andreyevich Vyazemsky), Петр Андреевич Вяземский; Жуковский (Zhukovsky, Vasily Andreyevich), Василий Андреевич; Плетнев (Pletnëv, Pëtr Alexandrovič), Петр Александрович; Некрасов (Nekrasov, Nikolay Alekseyevich), Николай Алексеевич; Панаев (Panaev, Ivan Ivanovich), Иван Иванович; Боград (Bograd, Vladimir Èmmanuilovich), Владимир Эммануилович (1846). 2026: 434: 365:
generous settlement they seem to be destined to be perfectly happy, but the father dies, leaving his family in a shambles despite the money. Soon after this, Dobroselova announces that a rich man, Mr. Bykov who had dealings with Anna Fyodorovna and Pokrovsky's father, has proposed to her. She decides to leave with him, and the last few letters attest to her slowly becoming accustomed to her new money.
239:. A deep but odd friendship develops between them until Dobroselova loses her interest in literature, and later in communicating with Devushkin after a rich widower Mr. Bykov proposes to her. Devushkin, a prototype of the clerk found in many works of naturalistic literature at that time, retains his sentimental characteristics; Dobroselova abandons art, while Devushkin cannot live without literature. 492:, it put strong emphasis on literature. As the school required 800 rubles per year, his father had to do additional work and ask his aristocratic relatives, the Kumanins, for money. Although Dostoevsky settled in well, he had to leave after his mother's death on 27 September 1837 led to financial problems for his family. He was sent to the 554:" though Belinsky replied sceptically "You find Gogols springing up like mushrooms". Dostoevsky himself did not believe his book would receive a positive review from Belinsky, but when Nekrasov visited Belinsky in the evening, the latter wanted to meet Dostoevsky to congratulate him on his debut. Dostoevsky proposed to issue 702:– to penetrate into the psychology of Gogol's characters. It is claimed that the result of Dostoevsky's unequivocal humanization of the Gogolian model intensified its effect. Gogol's debonair portrayal of sociopsychological frustrations is a case in point. Dostoevsky took a different path by highlighting its tragic aspect. 344:
who was previously cruel to them but at least pretends to feel sympathy for their situation. Dobroselova is tutored by a poor student named Pokrovsky, whose drunken father occasionally visits. She eventually falls in love with Pokrovsky. She struggles to save a measly amount of money to purchase the complete works of
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opening the blinds to reveal grey clouds and dirty rain. In response Pokrovsky only shakes his head and then passes away. Dobroselova's mother dies shortly afterwards, and Dobroselova is left in the care of Anna for a time, but the abuse becomes too much and she goes to live with Fedora across the street.
538:. It's a rather original work." Dostoevsky later wrote to his brother on 23 March 1845, "I finished the novel in November, then rewrote it in December, and again in February–March. I am seriously satisfied with my novel. It is a serious and elegant work ..." Sometime around April 1845, his friend 824:
noted after a number of publications by Dostoevsky: "Gogol was usually the leading social poet, while Dostoevsky usually the leading psychological poet. The former is known as the representative of the contemporary society or contemporary circle, for the latter the society itself becomes interesting
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She asks Devushkin to find linen for her and begins to talk about various luxuries, but leaves him alone in the end despite his improving fortunes. In the last correspondence in the story, on September 29, Devushkin begs Dobroselova to write to him. Dobroselova responds saying that "all is over" and
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The reader progressively learns their history. Dobroselova originally lived in the country, but moved to St. Petersburg (which she hates) when her father lost his job. Her father becomes very violent and her mother severely depressed. Her father dies and they move in with Anna Fyodorovna, a landlady
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is the position that the former is considered the continuation of the latter, that Dostoevsky picked up where Gogol left off in his tale about poor civil servants. This view does not imply that Dostoevsky did not offer innovations since this novel also distinguished itself by humanizing those that
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is a shy, poor and lonely forty-seven-year-old clerk and copyist. He has been compared to other clerks from the "natural school" such as "The Overcoat"'s Akaky Akakievich. Although trying to use literature to understand life, Devushkin does not discuss these topics separately, and falsely believes
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Devushkin works as a lowly copyist, frequently belittled and picked on by his colleagues. His clothing is worn and dirty, and his living conditions are perhaps worse than Dobroselova's. He considers himself a rat in society. He and Dobroselova exchange letters (and occasional visits that are never
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games were a huge drain on his funds because of his frequent losses. As a consequence, Dostoyevsky was often forced to ask his relatives for money, but he felt uncomfortable doing so and decided to write a novel to raise money. "It's simply a case", Dostoevsky wrote to his brother Mikhail, "of my
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Varvara Dobroselova and Makar Devushkin are second cousins twice-removed and live across from each other on the same street in terrible apartments. Devushkin's, for example, is merely a portioned-off section of the kitchen, and he lives with several other tenants, such as the Gorshkovs, whose son
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as his diary. However, as an external narrator is missing the only source for the character's motivation and personality is available in the letters and Dobroselova's diary. The numerous different voices, that is Devushkin's quotations from stories, his commentaries about these books and his own
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The writer Ratazyayev, who jokes about using Devushkin as a character in one of his stories, offends him, but genuinely seems to like him. Eventually Devushkin's pride is assuaged and their friendship is restored. The Gorshkovs come into money because the father's case is won in court. With the
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Dobroselova considers moving to another part of the city where she can work as a governess. Just as he is out of money and risks being evicted, Devushkin has a stroke of luck: his boss takes pity on him and gives him 100 rubles to buy new clothes. Devushkin pays off his debts and sends some to
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at the market for his birthday present, then allows his father to give the books to him instead, claiming that just knowing he received the books will be enough for her happiness. Pokrovsky falls ill soon after, and his dying wish is to see the sun and the world outside. Dobroselova obliges by
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contained a great deal of parody and satire of Gogol books; however, there are some dissenters. Karin Jeanette Harmon guesses in "Double Parody Equals Anti-Parody" that Dostoyevsky mixes the parody of the sentimental epistolary novel with the parody of the naturalistic sketch of the clerk.
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is written in the form of letters between the two main characters, Makar Devushkin and Varvara Dobroselova, who are poor third cousins twice removed. The novel showcases the life of poor people, their relationship with rich people, and poverty in general, all common themes of
2029: 714:, are mentioned in the letters between Dobroselova and Devushkin. Dostoevsky may have chosen the epistolary genre to include his personal critical observations, similar to real-life letters between writer and addressee. According to Yakubovich, Dostoevsky uses 496:; he had problems adjusting to life there, but nevertheless managed to graduate on 12 August 1843 as a military engineer. After his graduation, he lived a quite liberal lifestyle, attending many plays and the ballets of composers 801:
ideas. He also praised him for illustrating human nature and taking out "souls in the centre of the depth which are caged after protesting for identity against the exterior, violent pressure, and presents it to our verdict".
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According to critic Rebecca Epstein Matveyev, Pushkin's "The Stationmaster" serves as a "thematic subtext, as a basis for Devushkin's literary experiments, and as a resource for his epistolary relationship." Both,
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The Dostoevsky Archive: Firsthand Accounts of the Novelist from Contemporaries' Memoirs and Rare Periodicals, Most Translated Into English for the First Time, with a Detailed Lifetime Chronology and Annotated
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Varvara Alekseyevna Dobroselova (Варвара Алексеевна Добросёлова) – lives in similar conditions as Devushkin. Her decision to live with the unscrupulous Mr. Bykov makes her an outsider, not typical of
284:, on January 15, 1846. It became a huge success nationwide. Parts of it were translated into German by Wilhelm Wolfsohn and published in an 1846/1847 magazine. The first English translation was provided by 361:
Dobroselova. She sends him 25 rubles back because she does not need it. The future looks bright for both of them because he can now start to save money and it may be possible for them to move in together.
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groans in agonizing hunger almost the entire story. Devushkin and Dobroselova exchange letters attesting to their terrible living conditions and the former frequently squanders his money on gifts for her.
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played in German literature ... He became so deeply immersed in the life of civil servants that the dull and uninteresting everyday life became for him a nightmare close to madness". Count
1332: 781:. I have read this novel and said: 'Poor Russian readers!' However, Mr. Dostoevsky is a man of some talent and, if he finds his way in literature, he will be able to write something decent." 777:
News about a new genius, Mr. Dostoevsky, is circulating across St. Petersburg. We do not know whether it is his real name or a pen-name. The reading audience is praising his new novel,
730:. This is demonstrated, for instance, in the suggestion of something dishonorable in Varvara's past as well as the fact that she and Devushkin are distantly related, hinting an 504:, and renting an expensive apartment, the Prianishnikov House, for 1,200 rubles, even though he was only earning 5,000 rubles per year. These events and his introduction to 36: 685:, "Dostoyevsky wanted to utilize Gogol's humour with naive simplicity of the undisturbed Osnovyanenko ." Another perspective that describes the connection between 211:, written over the span of nine months between 1844 and 1845. Dostoevsky was in financial difficulty because of his extravagant lifestyle and his developing 665:
burlesques the "high-society adventure novel, the Gogolian humorous local color-tale" and "the debunking physiological sketch". Victor Terras dubbed it a "
215:; although he had produced some translations of foreign novels, they had little success, and he decided to write a novel of his own to try to raise funds. 2276: 383:
that Dobroselova's letters reflect his life, taking short stories as realistic works. He exhibits typical sentimental characteristics; according to
639:. Additional elements include the backgrounds of the two protagonists and the tragic ending, both typical characteristics of a middle-class novel. 508:
were responsible for his deteriorating financial situation. He worked as a translator, but the translations he completed in 1843, such as Balzac's
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composed of letters written by Varvara and her close friend Makar Devushkin. The name of the book and the main female character were adapted from
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to not forget her. The last letter is from Devushkin saying that he loves her and that he will die when he leaves her and then she will cry.
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in early 1844. He first mentioned the upcoming work in a letter to Mikhail on 30 September 1844: "I am finishing up a novel of the size of
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of an old man's loving a girl with its vague interweaving of eroticism and 'paternal affection' is one of Dostoevsky's favorite themes."
387:, Dostoyevsky "writes on the edge of sentimentality, but he is a completely credible and rounded figure". Devushkin's name derives from 2102: 493: 2097: 420:
Mr. Bykov (Быков) – an old, rich, brutal widower. Successfully proposes to Dobroselova at the end. His name derives from
1961: 1940: 1875: 1833: 1812: 1791: 1766: 1745: 1684: 1663: 1642: 1188: 675:
stated "In this work comedy is somehow explored and includes an appreciable tone, colour and even the language of Gogol and
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were – in Gogol's tale - mechanical and lifeless. This is aligned with the theory that Dostoevsky attempted – both in
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detailed), and eventually they also begin to exchange books. Devushkin becomes offended when she sends him a copy of "
1909: 1854: 1724: 1507: 2065: 2461: 2290: 2092: 1476: 1976:Щкола сентиментального натурализма – Роман Достоевского "Бедные люди" на фоне литературной эволюции 40-х годов 2346: 2159: 2127: 926: 657: 624: 1999: 954:) has different meanings, such as misfortune, poverty, trouble or calamity, and the nearest translation for 2506: 2143: 453:, was the first genre Dostoevsky was introduced to. Other formative influences were the works by the poets 160: 2311: 852: 652: 539: 761:
praised the book in his essay "About the Progress of Revolutionary Ideas in Russia", noting the book's "
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received nationwide critical acclaim. Dostoevsky observed that "the whole of Russia is talking about my
542:, with whom he had shared an apartment since the autumn of 1844, proposed giving the manuscript to poet 2521: 2511: 2297: 2135: 2058: 1901: 1783: 610: 2199: 1052:
Matveyev, Rebecca Epstein (Winter 1995). "Textuality and Intertextuality in Dostoevsky's Poor Folk".
2474: 797:, in the 1861 essay "Downtrodden People", wrote that Dostoevsky studies poor reality and expresses 2151: 820:
also liked the novel, stating that "it was written with force and simplicity by a great talent".
413:, she chooses the materialistic path and loses her interest in literature. Her name derives from 289: 1737:
Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol
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Dostoevsky showed interest in literature since his childhood. His mother's subscription to the
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love. Other sources contributed in this view such as Konstantin Mochulsky who said that "the
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of voices from different perspectives and narrators. Initially offered by Dostoyevsky to the
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enabled the family entry into the leading contemporary Russian and non-Russian literature.
488:, the Chermak boarding school. Founded by a Czech immigrant who moved to Russia after the 8: 2431: 2389: 2371: 2191: 2175: 794: 646:
as the inspiration for the novel. Later critics stated that the sentimental-humanitarian
592: 474: 236: 2437: 2409: 1493: 1069: 666: 547: 247: 212: 1986:] (in Russian). Fundamental Electronic Library of Russian Literature and Folklore. 510: 2466: 2449: 2425: 2394: 2339: 2332: 2081: 2018: 1971: 1957: 1936: 1905: 1871: 1850: 1829: 1808: 1787: 1762: 1741: 1720: 1701: 1680: 1659: 1638: 1503: 1499: 1472: 1447: 1422: 1060:(4). American Association of Teachers of Slavic and East European Languages: 535–51. 872: 817: 813: 805: 735: 606: 470: 454: 404: 400: 223: 208: 145: 49: 378:
Makar Alekseyevich Devushkin (Макар Алексеевич Девушкин) – the protagonist of
2399: 2242: 1061: 896: 758: 632: 628: 543: 458: 293: 255: 227: 190: 171: 94: 84: 2283: 2269: 2004: 1951: 1929: 1895: 1865: 1844: 1823: 1777: 1756: 1735: 1714: 1695: 1674: 1653: 1632: 1600: 1334: 821: 489: 391:, meaning maiden or girl, possibly symbolizing virginity and innocence, although 1802: 2443: 2404: 2207: 906: 766: 676: 446: 833:
The following is a list of English versions (publication date in parentheses)
2500: 2304: 862: 620: 596: 551: 450: 219: 357:", because he finds the main character is living a life similar to his own. 314: 882: 681: 601: 478: 354: 251: 1705: 326: 1539: 842: 671: 501: 462: 285: 74: 2040: 152: 1189:"Letters of Fyodor Michailovitch Dostoyevsky to his family and friends" 655:
rejects the idea of any satiric content; he notes that satire began in
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and the relationship between the poor and the rich, common themes of
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A Plot of Her Own: The Female Protagonist in Russian Literature
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The Making of a Counter-Culture Icon: Henry Miller's Dostoevsky
1608:(in Russian). Vol. 53. Andrei Kraevsky. 1847. pp. 2–4 731: 505: 485: 263: 1446:. New Brunswick, NJ: Transaction Publishers. pp. 105–06. 765:
tendencies and animations". The work was classified by critic
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Georgy Mikhailovich Fridlender. "Бедные Люди (Poor People)".
1227: 812:: "Dostoevsky starts to play in our literature the same role 466: 146: 1980:
School of the Sentimental Naturalism – Dostoyevsky's Novel
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as a work of the so-called "natural school". The newspaper
35: 1537: 1290: 1256: 1254: 723:. These effects confuse the reader and hide the narrator. 527:
novel covering all. If I fail in this, I'll hang myself."
172: 1984:
Against the Background of Literary Evolution of the 1840s
1471:. Princeton, NJ: Princeton University Press. p. 36. 986: 484:
Dostoevsky initially attended the best private school in
417:, meaning good, symbolizing her good-hearted personality. 1389: 1387: 1362: 1360: 1144: 1084: 946:
Depending on the translation, the work is also known as
1302: 1251: 1010: 976: 974: 1417:. Princeton, NJ: Princeton University Press. pp.  1022: 1921:
Dostojewskij: Sein Leben, Sein Werk, Sein Vermächtnis
1580: 1568: 1556: 1516: 1384: 1357: 1278: 1215: 1156: 1120: 1314: 1203: 1108: 971: 1266: 1132: 757:, Belinsky named it Russia's first "social novel". 1410: 1168: 1096: 424:, meaning bull, symbolizing sexual power and lust. 1491: 998: 2498: 1498:(in Russian). Vol. 15th Letters 1834–1881. 1634:Dostoevsky's Secrets: Reading Against the Grain 2277:Another Man's Wife and a Husband Under the Bed 1186: 726:Sexual guilt is another recognizable theme in 564:, but it was instead published in the almanac 296:and publication by London's Mathews and Lane. 2066: 1761:. Vol. 1–5. Princeton University Press. 1533: 1531: 60: 2484:Twenty Six Days from the Life of Dostoyevsky 1884: 1712: 1233: 992: 669:of the sentimental epistolary love story." 2073: 2059: 1825:Dostoevsky and English Modernism 1900–1930 1800: 1779:Dostoevsky: The Seeds of Revolt, 1821–1849 1528: 1090: 550:; Nekrasov proclaimed Dostoevsky "the New 395:remarked it is an incongruent description. 280:, the novel was published in the almanac, 34: 2326:The Beggar Boy at Christ's Christmas Tree 1893: 1672: 1630: 1466: 1441: 1260: 1245: 1028: 1016: 753:". As soon as he read the manuscript for 494:Military Engineering-Technical University 230:, as well as English and French authors, 1651: 1296: 1051: 825:through its influence on other people". 575: 432: 262:work, other critics detected parody and 1927: 1842: 1586: 1574: 1562: 1522: 1444:Dostoevsky: The Author as Psychoanalyst 1221: 1162: 1150: 1126: 1047: 1045: 1043: 1041: 1039: 1037: 2499: 1970: 1949: 1918: 1733: 1393: 1366: 1320: 1284: 1114: 980: 2080: 2054: 1863: 1775: 1754: 1408: 1404: 1402: 1308: 1272: 1209: 1138: 1102: 958:in this case is "people", not "folk". 1821: 1693: 1492:Fyodor Dostoevsky (8 October 1846). 1174: 1054:The Slavic and East European Journal 1034: 1004: 1191:. Translated by Ethel Golburn Mayne 571: 246:for its humanitarian themes. While 13: 2365:Winter Notes on Summer Impressions 1399: 372: 19:For people living in poverty, see 14: 2533: 1992: 1956:. University of Wisconsin Press. 1807:. Northwestern University Press. 1801:Hoisington, Sona Stephan (1995). 1740:. Northwestern University Press. 1719:. Northwestern University Press. 1637:. Northwestern University Press. 288:in 1894, with an introduction by 250:dubbed the novel Russia's first " 2291:The Christmas Tree and a Wedding 2024: 1923:(in German). Erich Wewel Verlag. 1887:Dostoevsky: The Man and His Work 1758:Dostoevsky: A Writer in His Time 1413:Dostoevsky: A Writer in His Time 950:as the Russian word for "poor" ( 518:, were not very successful. His 325: 313: 1679:. University of Toronto Press. 1658:. University Press of America. 1623: 1592: 1485: 1460: 1435: 1372: 1326: 1180: 828: 266:. The novel uses a complicated 1894:Mochulsky, Konstantin (1973). 1870:. Greenwood Publishing Group. 1828:. Cambridge University Press. 1655:Dostoevsky's Polyphonic Talent 1541:Complete Letters in 15 Volumes 1467:Mochulsky, Konstantin (1971). 940: 617:Letters of Abelard and Heloise 40:First English language edition 1: 2347:The Dream of a Ridiculous Man 1897:Dostoevsky: His Life and Work 1694:Carr, Edward Hallett (1962). 1469:Dostoevsky: His Life and Work 965: 679:". "Through his tale", wrote 2144:The Village of Stepanchikovo 1885:Meier-Gräfe, Julius (1988). 1713:Dostoyevsky, Fyodor (1877). 1673:Bloshteyn, Maria R. (2007). 1078: – via JSTOR 741: 530:Dostoevsky began working on 242:Contemporary critics lauded 7: 2517:Novels by Fyodor Dostoevsky 2034:public domain audiobook at 1867:The Dostoevsky Encyclopedia 1381:, in Russian, 1846, vol. 25 919: 428: 201:), sometimes translated as 16:Novel by Fyodor Dostoyevsky 10: 2538: 1902:Princeton University Press 1864:Lantz, Kenneth A. (2004). 1784:Princeton University Press 1442:Santayana, George (1989). 437:Dostoyevsky as an engineer 18: 2418: 2382: 2356: 2261: 2226: 2111: 2088: 1652:Barnhart, Joe E. (2005). 1631:Apollonio, Carol (2009). 859:Poor Folk and the Gambler 789:, 1 February 1848, no. 27 566:St. Petersburg Collection 282:St. Petersburg Collection 218:Inspired by the works of 194: 170: 158: 144: 128: 120:Published in English 118: 110: 100: 90: 80: 70: 61: 55: 45: 33: 1975: 1700:. Taylor & Francis. 1602:Annals of the Fatherland 933: 642:Belinsky and others saw 595:. Largely influenced by 403:; unlike the heroine in 207:, is the first novel by 2152:Humiliated and Insulted 1950:Terras, Victor (1998). 1928:Sekirin, Peter (1997). 1919:Müller, Ludolf (1982). 1776:Frank, Joseph (1979) . 1734:Fanger, Donald (1998). 1080:(subscription required) 719:works, are examples of 307:The two main characters 299: 2251:Notes from Underground 2216:The Brothers Karamazov 1843:Kjetsaa, Geir (1989). 1755:Frank, Joseph (2009). 1409:Frank, Joseph (2010). 792: 581: 438: 292:, cover art design by 2160:The House of the Dead 1849:. Fawcett Columbine. 775: 579: 568:on January 15, 1846. 436: 2456:The Grand Inquisitor 2168:Crime and Punishment 1822:Kaye, Peter (1999). 1697:Dostoevsky 1821–1881 1187:Fyodor Dostoyevsky. 625:Héloïse d’Argenteuil 2507:1846 Russian novels 2432:Lyubov Dostoevskaya 2192:The Eternal Husband 795:Nikolay Dobrolyubov 593:literary naturalism 320:Varvara Dobroselova 237:literary naturalism 56:Original title 30: 2438:Mikhail Dostoevsky 2410:Rodion Raskolnikov 2390:Nastasya Filipovna 2136:Netochka Nezvanova 1972:Vinogradov, Viktor 1953:Reading Dostoevsky 1502:. pp. 51–53. 1311:, pp. 137–58. 1299:, pp. 226–27. 1248:, pp. 24, 46. 1236:, pp. 307–17. 810:The Finnish Herald 582: 548:Vissarion Belinsky 540:Dmitry Grigorovich 516:La dernière Aldini 443:Library of Reading 439: 401:sentimental novels 274:-leaning magazine 258:called it a major 248:Vissarion Belinsky 213:gambling addiction 65:(tr. Bednye lyudi) 28: 2522:1846 debut novels 2512:Epistolary novels 2494: 2493: 2450:Dostoevsky Museum 2426:Anna Dostoevskaya 2395:Alyosha Karamazov 2340:The Peasant Marey 2082:Fyodor Dostoevsky 2019:Project Gutenberg 1963:978-0-299-16054-8 1942:978-0-7864-0264-9 1877:978-0-313-30384-5 1835:978-0-521-62358-2 1814:978-0-8101-1224-7 1793:978-0-691-01355-8 1768:978-0-691-12819-1 1747:978-0-8101-1593-4 1686:978-0-8020-9228-1 1665:978-0-7618-3097-9 1644:978-0-8101-2532-2 1153:, pp. 51–52. 873:Constance Garnett 818:Vladimir Sollogub 806:Apollon Grigoriev 708:The Stationmaster 612:The Stationmaster 607:Alexander Pushkin 455:Alexander Pushkin 405:Samuel Richardson 209:Fyodor Dostoevsky 182: 181: 111:Publication place 50:Fyodor Dostoevsky 2529: 2400:Fyodor Karamazov 2372:A Writer's Diary 2305:A Nasty Anecdote 2284:The Honest Thief 2075: 2068: 2061: 2052: 2051: 2047: 2028: 2027: 2021: 1987: 1967: 1946: 1924: 1915: 1890: 1881: 1860: 1839: 1818: 1797: 1772: 1751: 1730: 1716:A Writer's Diary 1709: 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329: 317: 294:Aubrey Beardsley 277:Fatherland Notes 256:Alexander Herzen 196: 174: 148: 102:Publication date 95:Epistolary novel 64: 63: 38: 31: 27: 2537: 2536: 2532: 2531: 2530: 2528: 2527: 2526: 2497: 2496: 2495: 2490: 2414: 2378: 2352: 2270:Mr. Prokharchin 2257: 2222: 2107: 2084: 2079: 2045: 2025: 2011: 2005:Standard Ebooks 1995: 1990: 1977: 1964: 1943: 1912: 1889:. insel verlag. 1878: 1857: 1846:A Writer's Life 1836: 1815: 1794: 1769: 1748: 1727: 1687: 1666: 1645: 1626: 1621: 1611: 1609: 1605: 1598: 1597: 1593: 1585: 1581: 1573: 1569: 1561: 1557: 1547: 1545: 1536: 1529: 1521: 1517: 1510: 1490: 1486: 1479: 1465: 1461: 1454: 1440: 1436: 1429: 1407: 1400: 1392: 1385: 1377: 1373: 1365: 1358: 1348: 1346: 1331: 1327: 1319: 1315: 1307: 1303: 1295: 1291: 1283: 1279: 1271: 1267: 1259: 1252: 1244: 1240: 1232: 1228: 1220: 1216: 1208: 1204: 1194: 1192: 1185: 1181: 1173: 1169: 1161: 1157: 1149: 1145: 1137: 1133: 1125: 1121: 1113: 1109: 1101: 1097: 1091:Hoisington 1995 1089: 1085: 1079: 1050: 1035: 1027: 1023: 1015: 1011: 1003: 999: 991: 987: 979: 972: 968: 963: 962: 945: 941: 936: 922: 915:, by Hugh Aplin 831: 822:Valerian Maykov 791: 785: 744: 580:Makar Devushkin 574: 536:Eugénie Grandet 522:and betting on 511:Eugénie Grandet 490:Napoleonic Wars 431: 375: 373:Main characters 337: 336: 335: 334: 333: 332:Makar Devushkin 330: 322: 321: 318: 309: 308: 302: 163: 129:Media type 121: 103: 41: 24: 17: 12: 11: 5: 2535: 2525: 2524: 2519: 2514: 2509: 2492: 2491: 2489: 2488: 2480: 2472: 2464: 2462:Pushkin Speech 2459: 2452: 2447: 2444:Polina Suslova 2441: 2435: 2429: 2422: 2420: 2416: 2415: 2413: 2412: 2407: 2405:Prince Myshkin 2402: 2397: 2392: 2386: 2384: 2380: 2379: 2377: 2376: 2368: 2360: 2358: 2354: 2353: 2351: 2350: 2343: 2336: 2329: 2322: 2315: 2308: 2301: 2294: 2287: 2280: 2273: 2265: 2263: 2259: 2258: 2256: 2255: 2247: 2239: 2230: 2228: 2224: 2223: 2221: 2220: 2212: 2208:The Adolescent 2204: 2196: 2188: 2180: 2172: 2164: 2156: 2148: 2140: 2132: 2124: 2115: 2113: 2109: 2108: 2106: 2105: 2100: 2095: 2089: 2086: 2085: 2078: 2077: 2070: 2063: 2055: 2049: 2048: 2038: 2022: 2009: 2007: 1994: 1993:External links 1991: 1989: 1988: 1968: 1962: 1947: 1941: 1925: 1916: 1910: 1891: 1882: 1876: 1861: 1855: 1840: 1834: 1819: 1813: 1798: 1792: 1773: 1767: 1752: 1746: 1731: 1725: 1710: 1691: 1685: 1670: 1664: 1649: 1643: 1627: 1625: 1622: 1620: 1619: 1591: 1579: 1567: 1555: 1527: 1515: 1508: 1484: 1477: 1459: 1453:978-1412808439 1452: 1434: 1428:978-0691128191 1427: 1398: 1396:, p. 152. 1383: 1371: 1369:, p. 161. 1356: 1341:(in Russian). 1325: 1313: 1301: 1289: 1287:, p. 162. 1277: 1265: 1261:Apollonio 2009 1250: 1246:Mochulsky 1973 1238: 1226: 1214: 1212:, p. 333. 1202: 1179: 1167: 1155: 1143: 1131: 1119: 1107: 1095: 1093:, p. 125. 1083: 1066:10.2307/309105 1033: 1029:Apollonio 2009 1021: 1019:, p. 235. 1017:Bloshteyn 2007 1009: 997: 995:, p. 492. 985: 983:, p. 153. 969: 967: 964: 961: 960: 938: 937: 935: 932: 931: 930: 921: 918: 917: 916: 909: 907:Robert Dessaix 899: 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2253: 2252: 2248: 2245: 2244: 2243:Uncle's Dream 2240: 2237: 2236: 2232: 2231: 2229: 2225: 2218: 2217: 2213: 2210: 2209: 2205: 2202: 2201: 2197: 2194: 2193: 2189: 2186: 2185: 2181: 2178: 2177: 2173: 2170: 2169: 2165: 2162: 2161: 2157: 2154: 2153: 2149: 2146: 2145: 2141: 2138: 2137: 2133: 2130: 2129: 2125: 2122: 2121: 2117: 2116: 2114: 2110: 2104: 2101: 2099: 2096: 2094: 2091: 2090: 2087: 2083: 2076: 2071: 2069: 2064: 2062: 2057: 2056: 2053: 2044: 2043: 2039: 2037: 2033: 2032: 2023: 2020: 2016: 2015: 2010: 2008: 2006: 2002: 2001: 1997: 1996: 1985: 1981: 1973: 1969: 1965: 1959: 1955: 1954: 1948: 1944: 1938: 1935:. McFarland. 1934: 1933: 1926: 1922: 1917: 1913: 1911:0-691-01299-7 1907: 1903: 1899: 1898: 1892: 1888: 1883: 1879: 1873: 1869: 1868: 1862: 1858: 1856:9780449903346 1852: 1848: 1847: 1841: 1837: 1831: 1827: 1826: 1820: 1816: 1810: 1806: 1805: 1799: 1795: 1789: 1785: 1781: 1780: 1774: 1770: 1764: 1760: 1759: 1753: 1749: 1743: 1739: 1738: 1732: 1728: 1726:9780810125216 1722: 1718: 1717: 1711: 1707: 1703: 1699: 1698: 1692: 1688: 1682: 1678: 1677: 1671: 1667: 1661: 1657: 1656: 1650: 1646: 1640: 1636: 1635: 1629: 1628: 1604: 1603: 1595: 1589:, p. 74. 1588: 1583: 1577:, p. 60. 1576: 1571: 1565:, p. 57. 1564: 1559: 1543: 1542: 1534: 1532: 1525:, p. 73. 1524: 1519: 1511: 1509:5-02-028255-3 1505: 1501: 1497: 1496: 1488: 1480: 1474: 1470: 1463: 1455: 1449: 1445: 1438: 1430: 1424: 1420: 1415: 1414: 1405: 1403: 1395: 1390: 1388: 1380: 1375: 1368: 1363: 1361: 1344: 1340: 1336: 1335:"New Stories" 1329: 1323:, p. 30. 1322: 1317: 1310: 1305: 1298: 1297:Barnhart 2005 1293: 1286: 1281: 1275:, p. 73. 1274: 1269: 1263:, p. 13. 1262: 1257: 1255: 1247: 1242: 1235: 1230: 1224:, p. 59. 1223: 1218: 1211: 1206: 1190: 1183: 1177:, p. 20. 1176: 1171: 1165:, p. 51. 1164: 1159: 1152: 1147: 1141:, p. 55. 1140: 1135: 1129:, p. 10. 1128: 1123: 1117:, p. 11. 1116: 1111: 1105:, p. 77. 1104: 1099: 1092: 1087: 1075: 1071: 1067: 1063: 1059: 1055: 1048: 1046: 1044: 1042: 1040: 1038: 1031:, p. 14. 1030: 1025: 1018: 1013: 1007:, p. 13. 1006: 1001: 994: 989: 982: 977: 975: 970: 957: 953: 949: 943: 939: 929: 928: 924: 923: 914: 910: 908: 904: 900: 898: 894: 893:A Little Hero 890: 886: 884: 880: 876: 874: 870: 866: 864: 863:C. J. Hogarth 860: 856: 854: 850: 846: 844: 840: 836: 835: 834: 826: 823: 819: 815: 811: 807: 803: 800: 796: 788: 782: 780: 774: 772: 768: 764: 760: 756: 752: 748: 739: 737: 733: 729: 724: 722: 717: 713: 709: 703: 701: 697: 692: 688: 684: 683: 678: 674: 673: 668: 664: 660: 659: 654: 649: 645: 640: 638: 634: 630: 626: 622: 621:Peter Abelard 618: 614: 613: 608: 604: 603: 598: 597:Nikolai Gogol 594: 590: 586: 578: 569: 567: 563: 562: 557: 553: 549: 545: 541: 537: 533: 528: 525: 521: 517: 513: 512: 507: 503: 499: 495: 491: 487: 482: 480: 476: 472: 468: 464: 460: 456: 452: 451:Ann Radcliffe 449:, such as by 448: 444: 435: 423: 419: 416: 412: 411: 406: 402: 397: 394: 390: 386: 381: 377: 376: 370: 366: 362: 358: 356: 350: 347: 341: 328: 316: 297: 295: 291: 287: 283: 279: 278: 273: 269: 265: 261: 257: 253: 249: 245: 240: 238: 233: 229: 225: 221: 216: 214: 210: 206: 205: 200: 192: 188: 187: 177: 175: 173:LC Class 169: 165: 162: 161:Dewey Decimal 157: 154: 151: 149: 143: 139: 135: 131: 127: 123: 117: 113: 109: 105: 99: 96: 93: 89: 86: 83: 79: 76: 73: 69: 66: 58: 54: 51: 48: 44: 37: 32: 26: 22: 2482: 2475: 2467: 2370: 2333:The Meek One 2298:White Nights 2249: 2241: 2235:The Landlady 2233: 2214: 2206: 2198: 2190: 2182: 2174: 2166: 2158: 2150: 2142: 2134: 2126: 2119: 2118: 2093:Bibliography 2046:(in Russian) 2041: 2030: 2012: 1998: 1983: 1979: 1952: 1932:Bibliography 1930: 1920: 1896: 1886: 1866: 1845: 1824: 1803: 1778: 1757: 1736: 1715: 1696: 1675: 1654: 1633: 1624:Bibliography 1610:. Retrieved 1601: 1594: 1587:Sekirin 1997 1582: 1575:Sekirin 1997 1570: 1563:Sekirin 1997 1558: 1546:. Retrieved 1544:(in Russian) 1540: 1523:Sekirin 1997 1518: 1494: 1487: 1468: 1462: 1443: 1437: 1412: 1378: 1374: 1347:. Retrieved 1342: 1338: 1328: 1316: 1304: 1292: 1280: 1268: 1241: 1229: 1222:Sekirin 1997 1217: 1205: 1193:. Retrieved 1182: 1170: 1163:Sekirin 1997 1158: 1151:Sekirin 1997 1146: 1134: 1127:Kjetsaa 1989 1122: 1110: 1098: 1086: 1057: 1053: 1024: 1012: 1000: 988: 955: 951: 947: 942: 925: 912: 902: 892: 888: 883:Lev Navrozov 878: 868: 858: 848: 838: 832: 829:Translations 809: 804: 793: 786: 778: 776: 770: 754: 750: 746: 745: 727: 725: 715: 712:The Overcoat 711: 707: 704: 699: 695: 691:The Overcoat 690: 686: 680: 670: 662: 656: 653:Robert Payne 647: 644:The Overcoat 643: 641: 636: 616: 611: 602:The Overcoat 600: 584: 583: 565: 559: 555: 535: 531: 529: 515: 509: 483: 479:Walter Scott 447:Gothic tales 442: 440: 421: 414: 408: 393:Joseph Frank 388: 385:Robert Payne 379: 367: 363: 359: 355:The Overcoat 351: 342: 338: 290:George Moore 281: 275: 252:social novel 243: 241: 231: 217: 203: 202: 199:Bednye lyudi 198: 185: 184: 183: 59: 25: 2487:(1981 film) 2375:(1873–1881) 2357:Non-fiction 2176:The Gambler 1394:Fanger 1998 1321:Terras 1998 1115:Müller 1982 981:Fanger 1998 948:Poor People 913:Poor People 889:Poor People 869:Poor People 843:Lena Milman 779:Poor People 763:socialistic 627:, it is an 514:and Sand's 502:Franz Liszt 465:usually by 286:Lena Milman 204:Poor People 195:Бедные люди 75:Lena Milman 62:Бедные люди 2501:Categories 2446:(mistress) 2434:(daughter) 2383:Characters 2128:The Double 1548:21 October 1478:0691060274 1367:Vinogradov 1309:Frank 1979 1285:Vinogradov 1273:Frank 2009 1210:Lantz 2004 1139:Lantz 2004 1103:Frank 2009 966:References 927:The Double 799:humanistic 773:recorded: 732:incestuous 700:The Double 658:The Double 71:Translator 29:Poor Folk 2440:(brother) 2184:The Idiot 2120:Poor Folk 2042:Poor Folk 2031:Poor Folk 2014:Poor Folk 2000:Poor Folk 1982:Poor Folk 1612:4 October 1349:5 October 1195:3 October 1175:Carr 1962 1005:Kaye 1999 903:Poor Folk 879:Poor Folk 849:Poor Folk 839:Poor Folk 808:wrote in 755:Poor Folk 751:Poor Folk 747:Poor Folk 742:Reception 728:Poor Folk 721:polyphony 716:Poor Folk 696:Poor Folk 687:Poor Folk 663:Poor Folk 648:Poor Folk 637:Poor Liza 587:explores 585:Poor Folk 556:Poor Folk 532:Poor Folk 475:Cervantes 461:, heroic 380:Poor Folk 268:polyphony 260:socialist 244:Poor Folk 232:Poor Folk 186:Poor Folk 138:Paperback 2478:magazine 2470:magazine 2367:" (1863) 2349:" (1877) 2342:" (1876) 2335:" (1876) 2328:" (1876) 2321:" (1873) 2314:" (1865) 2307:" (1862) 2300:" (1848) 2293:" (1848) 2286:" (1848) 2279:" (1848) 2272:" (1846) 2227:Novellas 2036:LibriVox 920:See also 814:Hoffmann 784:—  667:travesty 524:billiard 520:gambling 498:Ole Bull 429:Creation 410:Clarissa 389:devushka 228:Karamzin 166:891.73/3 134:Hardback 81:Language 2419:Related 2098:Letters 911:(2002) 901:(1982) 887:(1968) 877:(1956) 867:(1917) 857:(1915) 847:(1900) 837:(1894) 589:poverty 558:in the 506:casinos 346:Pushkin 272:liberal 224:Pushkin 191:Russian 153:2041466 132:Print ( 85:Russian 21:poverty 2468:Vremya 2254:(1864) 2246:(1859) 2238:(1847) 2219:(1880) 2211:(1875) 2203:(1872) 2200:Demons 2195:(1870) 2187:(1869) 2179:(1867) 2171:(1866) 2163:(1862) 2155:(1861) 2147:(1859) 2139:(1849) 2131:(1846) 2123:(1846) 2112:Novels 2103:Themes 1960:  1939:  1908:  1874:  1853:  1832:  1811:  1790:  1765:  1744:  1723:  1706:319723 1704:  1683:  1662:  1641:  1506:  1475:  1450:  1425:  1074:309105 1072:  677:Kvitka 486:Moscow 264:satire 254:" and 178:PG3328 136:& 114:Russia 46:Author 2476:Epoch 2319:Bobok 1978:[ 1606:(PDF) 1599:"V". 1500:Nauka 1345:: 273 1070:JSTOR 956:lyudi 952:bedny 934:Notes 905:, by 895:, by 881:, by 871:, by 861:, by 851:, by 841:, by 736:motif 552:Gogol 467:Homer 463:epics 415:dobro 220:Gogol 91:Genre 1958:ISBN 1937:ISBN 1906:ISBN 1872:ISBN 1851:ISBN 1830:ISBN 1809:ISBN 1788:ISBN 1763:ISBN 1742:ISBN 1721:ISBN 1702:OCLC 1681:ISBN 1660:ISBN 1639:ISBN 1614:2012 1550:2012 1504:ISBN 1473:ISBN 1448:ISBN 1423:ISBN 1351:2012 1197:2012 891:and 710:and 698:and 689:and 623:and 615:and 500:and 477:and 469:and 457:and 300:Plot 226:and 147:OCLC 124:1894 106:1846 2017:at 2003:at 1974:. 1343:XLI 1062:doi 635:'s 619:by 609:'s 599:'s 473:by 422:byk 2503:: 1904:. 1900:. 1786:. 1782:. 1530:^ 1421:. 1419:99 1401:^ 1386:^ 1359:^ 1337:. 1253:^ 1068:. 1058:39 1056:. 1036:^ 973:^ 605:, 481:. 222:, 197:, 193:: 2458:" 2454:" 2363:" 2345:" 2338:" 2331:" 2324:" 2317:" 2310:" 2303:" 2296:" 2289:" 2282:" 2275:" 2268:" 2074:e 2067:t 2060:v 1966:. 1945:. 1914:. 1880:. 1859:. 1838:. 1817:. 1796:. 1771:. 1750:. 1729:. 1708:. 1689:. 1668:. 1647:. 1616:. 1552:. 1512:. 1481:. 1456:. 1431:. 1353:. 1199:. 1076:. 1064:: 189:( 140:) 23:.

Index

poverty

Fyodor Dostoevsky
Lena Milman
Russian
Epistolary novel
Hardback
Paperback
OCLC
2041466
Dewey Decimal
LC Class
Russian
Fyodor Dostoevsky
gambling addiction
Gogol
Pushkin
Karamzin
literary naturalism
Vissarion Belinsky
social novel
Alexander Herzen
socialist
satire
polyphony
liberal
Fatherland Notes
Lena Milman
George Moore
Aubrey Beardsley

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