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from an A minor suite begin with repeated chords and include octave triplets in the left hand; the toccatas as well as any other piece may feature rapid modulations to completely foreign keys, highly contrasting sections and sections built on various kinds of repetition.
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organist and composer of unknown origin. In the second half of the 17th century
Poglietti settled in Vienna, where he attained an extremely high reputation, becoming one of
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Poglietti's importance lies primarily in his keyboard music. Together with Johann Kaspar Kerll, he represents the transitional period between the time of
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53:'s favorite composers. Poglietti held the post of court organist for 22 years from 1661 until his death during the Turkish siege that led into the
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and the late
Baroque period. Particularly important are two large sets of pieces: an unpublished collection of twelve keyboard ricercares and
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https://web.archive.org/web/20160503074907/https://onedrive.live.com/?id=7C9129D365E25EBE!23096&cid=7C9129D365E25EBE
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390:(1676) is a treatise on keyboard composition; a sketchbook survives which also serves as a guide to keyboard students.
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163:—in 1672 Poglietti inherited estates near their residences. Another important connection of Poglietti's was with the
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Poglietti held the court position until his death and apparently enjoyed a high reputation. The
Emperor (who was
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A standard allemande—courante—sarabande—gigue suite in which every movement has a double (the allemande has two)
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151:. Poglietti also had friends among Austrian nobility, among them Count Anton Franz von Collalto and
230:(1677), a collection of harpsichord music. The ricercares belong to the tradition of Frescobaldi's
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Poglietti's other music includes chamber music (mostly suites and sonatas), sacred vocal works (
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pieces, on the other hand, are quite different. The collection, which
Poglietti presented to
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have been suggested as his possible birthplace. He may have received musical training in
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139:) was particularly fond of Poglietti, ennobling him and bestowing upon him the title
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that includes a large number of imitations of natural sounds, and a collection of 12
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Performed by Sylvia Kind on a harpsichord of the type made in the early 20th century
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Performed by Sylvia Kind on a harpsichord of the type made in the early 20th century
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Performed by Sylvia Kind on a harpsichord of the type made in the early 20th century
335:). Poglietti's other pieces include more program music: a canzon and capriccio pair
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Numerous pieces contain highly original treatments of the form: movements of the
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Riedel, Friedrich W. & Wollenberg, Susan (2001). "Alessandro
Poglietti". In
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numerous other pieces: suites, canzonas, capriccios, preludes and fugues, etc.
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Rampe, Siegbert & Rockstroh, Andreas (2001). "Johann Kaspar Kerll". In
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are very demanding, virtuosic pieces based on
Poglietti's adaptation of
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Poglietti is primarily important for his keyboard music, particularly
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parts that specifically order the performer to "avoid consonances".
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38:' portrait of Alessandro Poglietti (the original painting is lost).
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of possible pieces) in his performance and composition treatise
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Many of these pieces employ programmatic devices. For example,
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was a personal friend of
Poglietti's, and he may have known
112:: in early 1661 he became organist and Kapellmeister at the
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Compendium oder kurtzer
Begriff, und EinfĂĽhrung zur Musica
711:. Translated by Hans Tischler. Indiana University Press.
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Compendium oder kurtzer
Begriff und EinfĂĽhrung zur Musica
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imitate music for non-keyboard instruments (Variation 5
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Nothing is known of
Poglietti's origins and early life.
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8 sonatas, various balletti, all for string instruments
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Canzon and Capriccio ĂĽber das Henner und Hannengeschrey
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618:(1676; includes a collection of keyboard pieces)
147:, i.e., a member of the second highest Order of
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772:The New Grove Dictionary of Music and Musicians
738:The New Grove Dictionary of Music and Musicians
721:Geschichte der Orgel- und Klaviermusik bis 1700
624:, a sketchbook containing advice on composition
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572:(1676; misspelled "Cassedio" in the source)
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285:Capriccio per Io Rossignol Sopra'l Ricercar
128:(a post previously held by none other than
64:(1677), a collection of diverse pieces for
806:International Music Score Library Project
271:A set of pieces based on a single theme:
108:. Towards the 1660s Poglietti settled in
34:A late-17th-century engraving done after
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45:(early 17th century – July 1683) was a
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709:The History of Keyboard Music to 1700
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570:fatta sopra l'assedio di Filippsburgo
190:. His death was lamented by Kerll in
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153:Karl II von Liechtenstein-Kastelkorn
802:Free scores by Alessandro Poglietti
186:siege that eventually led into the
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494:Problems playing these files? See
442:ĂĽber das Henner und Hannengeschrey
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339:, in which the capriccio imitates
337:ĂĽber das Henner und Hannengeschrey
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314:calls. Many of the variations of
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842:Italian male classical composers
660:article "Alessandro Poglietti",
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563:sopra la ribellione di Ungheria
470:sopra la ribellione di Ungheria
353:Compendium oder kurtzer Begriff
345:sopra la ribellione di Ungheria
295:Imitatione del medesimo Uccello
847:17th-century Italian composers
723:by Bärenreiter-Verlag, Kassel.
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658:Ă–sterreichisches Musiklexikon
586:A collection of 12 ricercares
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382:choirs) and a single opera (
118:Zu den neun Chören der Engel
86:Zu den neun Chören der Engel
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852:17th-century male musicians
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290:Aria bizarra del Rissignolo
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719:. Originally published as
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468:, first movement of Suite
165:Göttweig Benedictine Abbey
837:Italian Baroque composers
415:with 20 variations, from
333:Französische Baiselements
280:Sincopatione del Ricercar
275:Ricercar per Il Rossignol
182:in July 1683, during the
145:Knight of the Golden Spur
141:Comes palatinus Caesareus
775:(2nd ed.). London:
741:(2nd ed.). London:
673:Rampe, Rockstroh, Grove.
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198:. Kerll's work includes
149:Papal Orders of Chivalry
521:Litaniae Lauretanae Ă 8
510:Ave regina coelorum Ă 5
192:Missa in fletu solatium
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515:Endimione festeggiante
440:Canzona and Capriccio
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384:Endimione festeggiante
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130:Johann Jakob Froberger
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622:Regulae compositionis
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122:Nine Choirs of Angels
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36:Jan-Erasmus Quellinus
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777:Macmillan Publishers
743:Macmillan Publishers
444:("on Hen and Cocks")
43:Alessandro Poglietti
827:17th-century births
662:subscription access
376:Litaniae Lauretanae
258:Toccata and Canzona
169:Johann Kaspar Kerll
600:Other instrumental
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268:with 20 variations
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178:Poglietti died in
137:a composer himself
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84:Kirche am Hof (or
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786:978-1-56159-239-5
752:978-1-56159-239-5
565:, 8 pieces (1671)
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16:(Redirected from
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239:The Art of Fugue
188:Battle of Vienna
173:Johann Pachelbel
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27:Italian composer
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832:1683 deaths
705:Apel, Willi
591:del 7. tono
312:nightingale
236:and Bach's
224:Frescobaldi
66:harpsichord
821:Categories
699:References
576:Rossignolo
496:media help
417:Rossignolo
326:Bayrische
308:Imitatione
244:Rossignolo
228:Rossignolo
216:Rossignolo
196:Missae sex
70:ricercares
62:Rossignolo
542:Missa Ă 5
537:Missa Ă 4
531:Missa Ă 3
466:Toccatina
386:, 1677).
248:Leopold I
126:Leopold I
51:Leopold I
18:Poglietti
769:(eds.).
735:(eds.).
707:. 1972.
610:Writings
589:Toccata
568:Toccata
556:Keyboard
551:2 motets
378:for two
355:(1676).
349:incipits
328:Schalmay
200:continuo
808:(IMSLP)
804:at the
218:(1677).
184:Turkish
161:Olomouc
116:church
106:Bologna
98:Bohemia
94:Tuscany
47:Baroque
783:
765:&
749:
731:&
715:
561:Suite
472:(1671)
419:(1677)
372:motets
368:masses
180:Vienna
114:Jesuit
110:Vienna
629:Notes
504:Vocal
206:Works
781:ISBN
747:ISBN
713:ISBN
380:SATB
321:Lyra
306:and
102:Rome
96:and
76:Life
264:An
159:of
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104:or
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637:^
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120:(
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