19:
486:
103:
These pieces are representative of
Beethoven's "Middle" stylistic period, which went from roughly 1803 to 1812, and which included many of his most famous works. Beethoven wrote the two piano trios while spending the summer of 1808 back once again in
123:
Although these two trios are sometimes numbered as "No. 5" and "No. 6", the numbering of
Beethoven's twelve piano trios is not standardized, and in other sources the two Op. 70 trios may be shown as having different numbers, if any.
79:
states that "because of its strangely scored and undeniably eerie-sounding slow movement, it was dubbed the 'Ghost' Trio. The name has stuck with the work ever since. The ghostly music may have had its roots in sketches for a
18:
92:, and this was the origin of the nickname. James Keller also attributes the nickname to Czerny, adding, "You may discard as erroneous the oft-encountered claim that this movement of the
317:
313:
300:"Beethoven: Biography of a Genius, by George R. Marek, 1969, page 264, "has so mysterious a slow movement that work has been nicknamed the "Ghost Trio."
371:
446:
436:
506:
465:
321:
120:. This was a period of uncertainty in Beethoven's life, in particular because he had no dependable source of income at the time.
413:
521:
364:
227:
516:
526:
339:
441:
427:
400:
395:
357:
276:
88:
wrote in 1842 that the slow movement reminded him (Czerny) of the ghost scene at the opening of
Shakespeare's
67:
331:
511:
476:
117:
109:
72:
84:
opera that
Beethoven was contemplating at the time." According to Lewis Lockwood, Beethoven's pupil
490:
327:
105:
384:
39:
55:
8:
96:
Trio is a reworking of music
Beethoven originally sketched as the Witches Chorus for his
58:
estate, and both are dedicated to her for her hospitality. They were published in 1809.
405:
349:
451:
198:
187:
177:
153:
143:
133:
206:
167:
335:
500:
112:
the previous summer. He wrote the two trios immediately after finishing his
191:
171:
181:
85:
29:
127:
380:
34:
71:). The D major trio features themes found in the second movement of
76:
65:, is one of his best known works in the genre (rivaled only by the
280:
147:
137:
81:
54:. Both trios were composed during Beethoven's stay at Countess
47:
51:
43:
160:
343:
379:
474:
396:
Three Trios, Op. 1 in E-flat major, G major, C minor
498:
365:
466:List of compositions by Ludwig van Beethoven
228:"Piano Trio in D major ("Ghost"), Op. 70/1"
128:Piano Trio in D major, Op. 70 No. 1 "Ghost"
372:
358:
322:International Music Score Library Project
277:"Trio in D Major, Op. 70, No. 1, "Ghost""
252:, W. W. Norton & Company (2005), p306
161:Piano Trio in E-flat major, Op. 70 No. 2
17:
499:
318:Piano Trio in E-flat major, Op.70 No.2
353:
274:
225:
61:The first, in D major, known as the
507:Piano trios by Ludwig van Beethoven
13:
414:Variations in E-flat major, Op. 44
265:Oxford University Press (2010) p56
25:, op. 70, no. 1, musical autograph
14:
538:
314:Piano Trio in D major, Op.70 No.1
307:
263:Chamber Music: A Listener's Guide
250:Beethoven: The Music and The Life
484:
340:Isabella Stewart Gardner Museum
419:Two Trios, Op. 70 in D major (
409:(arranged from Septet, Op. 20)
294:
268:
255:
242:
219:
1:
212:
108:, where he had completed his
522:Compositions in E-flat major
7:
10:
543:
205:The second movement is in
73:Beethoven's Symphony No. 2
463:
391:
428:Op. 97 in B-flat major (
517:Compositions in D major
332:Piano Trio Op. 70 No. 2
328:Piano Trio Op. 70 No. 1
527:Music with dedications
447:WoO 39 in B-flat major
442:WoO 38 in E-flat major
406:Op. 38 in E-flat major
401:Op. 11 in B-flat major
26:
146:assai ed espressivo,
106:Heiligenstadt, Vienna
32:. 70 is a set of two
23:Piano trio in D Major
21:
385:Ludwig van Beethoven
40:Ludwig van Beethoven
201:, E-flat major, 2/4
136:vivace e con brio,
423:) and E-flat major
275:Rothwell, Jessie.
114:Sinfonia pastorale
56:Marie von Erdödy's
27:
512:1808 compositions
472:
471:
453:Kakadu Variations
437:WoO 37 in G major
410:
248:Lockwood, Lewis.
226:Johnston, Blair.
170:, ma non troppo,
166:Poco sostenuto –
534:
489:
488:
487:
480:
408:
374:
367:
360:
351:
350:
326:Performances of
320:: Scores at the
301:
298:
292:
291:
289:
287:
272:
266:
259:
253:
246:
240:
239:
237:
235:
223:
207:double variation
542:
541:
537:
536:
535:
533:
532:
531:
497:
496:
495:
491:Classical Music
485:
483:
475:
473:
468:
459:
387:
378:
310:
305:
304:
299:
295:
285:
283:
273:
269:
261:Keller, James.
260:
256:
247:
243:
233:
231:
224:
220:
215:
190:ma non troppo,
163:
130:
77:All-Music Guide
12:
11:
5:
540:
530:
529:
524:
519:
514:
509:
494:
493:
470:
469:
464:
461:
460:
458:
457:
449:
444:
439:
434:
425:
416:
411:
403:
398:
392:
389:
388:
377:
376:
369:
362:
354:
348:
347:
336:Claremont Trio
324:
309:
308:External links
306:
303:
302:
293:
267:
254:
241:
217:
216:
214:
211:
203:
202:
195:
185:
175:
162:
159:
158:
157:
156:, D major, 4/4
151:
141:
129:
126:
118:Symphony No. 6
110:Symphony No. 5
42:, written for
9:
6:
4:
3:
2:
539:
528:
525:
523:
520:
518:
515:
513:
510:
508:
505:
504:
502:
492:
482:
481:
478:
467:
462:
456:
454:
450:
448:
445:
443:
440:
438:
435:
433:
431:
426:
424:
422:
417:
415:
412:
407:
404:
402:
399:
397:
394:
393:
390:
386:
382:
375:
370:
368:
363:
361:
356:
355:
352:
345:
341:
337:
333:
329:
325:
323:
319:
315:
312:
311:
297:
282:
278:
271:
264:
258:
251:
245:
229:
222:
218:
210:
208:
200:
196:
193:
189:
186:
183:
179:
176:
173:
169:
165:
164:
155:
152:
149:
145:
142:
139:
135:
132:
131:
125:
121:
119:
115:
111:
107:
101:
99:
95:
91:
87:
83:
78:
74:
70:
69:
68:Archduke Trio
64:
59:
57:
53:
49:
45:
41:
37:
36:
31:
24:
20:
16:
452:
429:
420:
418:
296:
284:. Retrieved
270:
262:
257:
249:
244:
232:. Retrieved
221:
204:
192:A-flat major
172:E-flat major
122:
113:
102:
97:
93:
89:
66:
62:
60:
33:
28:
22:
15:
381:Piano trios
182:major/minor
174:, 4/4 - 6/8
86:Carl Czerny
35:Piano Trios
501:Categories
455:, Op. 121a
286:14 October
234:15 October
230:. AllMusic
213:References
188:Allegretto
178:Allegretto
338:from the
430:Archduke
197:Finale.
334:by the
281:LA Phil
199:Allegro
168:Allegro
148:D minor
138:D major
134:Allegro
98:Macbeth
82:Macbeth
75:. The
477:Portal
346:format
209:form.
154:Presto
150:, 2/4
90:Hamlet
50:, and
48:violin
421:Ghost
194:, 3/4
184:, 2/4
144:Largo
140:, 3/4
94:Ghost
63:Ghost
52:cello
44:piano
330:and
288:2014
236:2014
180:, C
383:by
344:MP3
342:in
38:by
503::
316:,
279:.
116:,
100:.
46:,
30:Op
479::
432:)
373:e
366:t
359:v
290:.
238:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
,_Beethoven,_1808,_musical_autograph_-_Morgan_Library_%26_Museum_-_New_York_City_-_DSC06675.jpg)