2594:
197:
Entire extended works as song cycles, ballets, operas and oratorios that finish in a different tonic than the starting one, unless the two keys carry clear extramusical or programmatic connotions within the work (an explanation of which must accompany any such listings
185:
Frequently performed portions of a larger work consisting of what is technically two separate movements, if the first of these finishes clearly on the tonic (and thus doesn't require continuation), such as the opening pair of movements in
Beethoven's
2061:
minor for the final scene, in which the Old
Believers commit mass suicide; this was respected by Stravinsky in his completion, although written enharmonically for easier reading. Other completions do not respect this: Rimsky-Korsakov ends in
75:
The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient.
67:
music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a
2209:
However, some authorities consider this to be an unfinished work; two incomplete C-major movements (D. 346 and D. 309A) have been put forward as candidates for the missing finale, both of which would make this cease to be
2072:'s productions, though using Shostakovich's completion, cut the final bars and end with an orchestral restatement of the Old Believers' final chorus (as written by Rimsky-Korsakov and reorchestrated by Shostakovich) in G
1985:(The Abduction from the Seraglio), Aria, "Solche Hergelauf'ne Laffen" (F-a) (though the aria is interrupted by spoken dialogue after the full cadence in F major, before continuing in A minor at a new tempo)
163:
Compositions in which the opening major chord merely serves a function (e.g. dominant or
Neapolitan) in the ensuing minor key, without being tonicized in its own right, such as Saint-Saëns'
3484:
3452:
3316:
3179:
3437:
2489:
2892:
887:) (although sometimes construed as two separate movements, they are not really separable as the first ends with a half-cadence leading into the second)
2617:
284:
2051:
major, is the sharpest music in the whole opera, and many portentions or descriptions of disaster in the opera are written in six or seven flats or
3070:"Performing Expressive Closure in Structurally Open Contexts: Chopin's Prelude in A minor and the Last Two Dances of Schumann's Davidsbündlertänze"
2776:
2760:
2541:
2524:
2519:
2448:
92:
38:
331:
108:
179:
142:
Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms
72:, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.)
2573:
2203:
156:
127:
Compositions that would be major/minor, but end inconclusively on the major dominant of the final minor key, e.g. Nos. 2 and 9 of
2504:
934:– In modo populari: Petite Suite No. 3, Op. 43, vi (Vivace, ma non troppo) (G) (returns to theme of first movement in G minor)
3434:
2160:
1759:
1621:
367:
3561:
3180:
Chausson, E.: Concert for Violin, Piano and String
Quartet / Piano Trio (Meadowmount Trio, Wihan String Quartet) – Naxos
2889:
2788:
1781:
919:
1085:
2951:
3052:
2568:
2441:
1787:
Chausson – Poème de l'amour et de la mer, ii (actually the third movement, counting an unnumbered interlude) (E-d)
681:
218:
1982:
3606:
3596:
2833:
1542:
1447:
1092:
866:
692:
187:
151:
147:
356:(E) (only if the chorus is used as an instrumental introduction, as done in the widely-performed arrangement by
3591:
2633:
2531:
1422:
941:
3473:
164:
2712:
Catoire: Piano Music - CDH55425 - Georgy
Catoire (1861-1926) - Hyperion Records - MP3s and Lossless downloads
523:
3293:"Piano Trio in A minor, Op 50 (Tchaikovsky) - from CDH55322 - Hyperion Records - MP3 and Lossless downloads"
3234:
Nikolai
Medtner's Early Piano Sonatas: Analytic Studies on their Genesis, Style, and Compositional Technique
2676:
2583:
2367:
1668:
1454:
1099:
821:
2761:
http://cnks.imslp.org/files/imglnks/usimg/4/46/IMSLP99159-PMLP200270-Couperin_-_Pieces_de_clavecin_Bk3.pdf
2105:
1327:
2514:
2484:
2434:
2045:
The key scheme in the opera is constructed mostly on a sharp-flat principle; thus the opening, reaching G
1194:
175:
17:
3394:"Trio for piano, violin and cello in B major, Op 8 - Hyperion Records - CDs, MP3 and Lossless downloads"
3228:
Bitzan, Wendelin. "A Milestone of
Symbolist Music: A Multi-Perspective Examination of Nikolai Medtner's
2637:
2546:
2474:
1552:
1532:
121:
3573:
2844:
834:
3616:
2382:
1966:
1434:
1337:
1228:– Piano Trio in A minor Op. 100, iv (revised version only; first version remains in major to the end)
1219:
1057:
410:
143:
3035:
3014:
2553:
2509:
1247:
1243:
812:
729:
2578:
2536:
1978:
1368:
1212:
1105:
959:
781:
765:
659:
D. Scarlatti – Keyboard Sonata K. 140 (L. 107) in D (ends on an open octave in a D minor context)
544:
395:
379:
3129:
3069:
1989:
1939:
1502:
3292:
3280:
2558:
2394:
1894:
1626:
1404:
1303:
1149:
987:
213:
178:, without any indication that the composer intended them to be major/minor, such as Schubert's
168:
3357:
3331:
1824:
1686:
1478:
1352:
1266:
937:
529:
3611:
3022:
2128:
1416:
1257:
1163:
357:
88:
3375:
3204:
896:
3498:
2421:
1790:
1701:
1632:
1557:
1315:
872:
632:
327:
271:
3524:
Intimate Voices: Shostakovich to the Avant-Garde. Dmitri
Shostakovich: The String Quartets
3194:, ed. Hogwood, Christopher and Richard Luckett, Cambridge University Press (1983), p. 150.
2975:
1343:
1156:
925:
8:
3091:
2711:
2687:
2665:
2563:
2360:
2300:
1898:
1617:
1548:
1030:
595:
48:
30:
3393:
1946:
3536:
2878:
2348:
1587:
1462:
1127:
953:
806:
671:
650:
548:
29:"Major/minor" redirects here. For the 2011 album by the American rock band Thrice, see
2344:
653:– Keyboard Sonata K. 63 (L. 84) in G ("Capriccio") (ending sometimes changed to major)
3217:
The French
Symphony at the Fin de Siècle: Style, Culture, and the Symphonic Tradition
2156:
2140:
2023:
1812:
1796:
1737:
1721:
1717:
1599:
1508:
1443:
1231:
1081:
616:
571:
494:
470:
353:
349:
343:
321:
238:
117:
1309:
981:
337:
3601:
2855:
2121:
1993:
1876:
1321:
1045:
998:
991:
975:
902:
460:
416:
404:
294:
1708:
1644:
1392:
1291:
1225:
363:
3441:
3056:
2896:
2618:
Merrick, Paul. "The Role of
Tonality in the Swiss Book of Annees de Pelerinage".
2296:
2086:
2052:
2027:
1777:
1674:
1638:
1575:
1538:
1398:
1333:
1253:
1145:
1110:
1069:
1054:– Sonata à la Marésienne (La Gamme et Autres Morceaux de Simphonie 1723), iii (C)
912:
890:
802:
761:
755:
598:– K Djétjam (To the Children), Op. 26 No. 7, from "Fifteen Romances" of Op.26 (F)
554:
474:
428:
277:
259:
132:
128:
99:
34:
1934:
1581:
1428:
422:
373:
300:
2939:
The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style
2469:
2172:
2069:
1962:
1881:
1828:
1808:
1755:
1733:
1662:
1569:
1514:
1190:
1039:
789:
748:
677:
481:
450:
309:
60:
2736:
1297:
626:
589:
Purcell – Oh! fair Cedaria, Z. 402 (C) (some performances add a Picardy third)
565:
558:
3585:
2795:
2398:
2328:
2032:
1834:
1749:
1496:
1410:
796:
774:
577:
510:
454:
84:
69:
63:), specifying the keynote (as C major/minor). This is a very unusual form in
2457:
2416:
2316:
1916:
1849:
1680:
1563:
1474:
1425:– Suite No.2 from Pièces de clavecin qui peuvent se jouer sur le violon (G)
1184:
1063:
1051:
1023:
971:
965:
601:
385:
154:, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's
113:
3049:
931:
3192:
Music in Eighteenth-Century England: Essays in Memory of Charles Cudworth
2150:
1928:
1901:, Chorus of Babylonians: "Ye tutelar gods of our empire, look down" (G-e)
1356:
742:
592:
Purcell – This poet sings the Trojan wars (Anacreon's defeat), Z. 423 (C)
366:– Malířské Studie (Studies on Painters), No. 2, Spor Masopustu s Postem (
160:(all of which are in B minor, but start with the possibility of D major);
2777:
Waltons Music: Mendelssohn Rondo Cappricioso in E major, Op. 14 (Piano)
2146:
1011:
853:
840:
622:
490:
Mendelssohn – Capriccio brillante for piano and orchestra in B, Op. 22
391:
265:
1175:
Poulenc – Un soir de neige FP 126, iv. La nuit le froid la solitude (E
837:– Symphony in D major, i (ends on an open octave in a D minor context)
3485:
Hummel: Piano Trios / Piano Quartet in G major / Cello Sonata – Naxos
2494:
2426:
1362:
477:
56:
52:
3245:
This movement was originally intended to be a stand-alone "Ballade".
2397:– Three Shakespeare Songs, "The Cloud Capp'd Towers" (D-f) (reverse
3574:
MTO 18.4: Wadsworth, Directional Tonality in Schumann's Early Works
2411:
1114:, Quintet (Wie? Wie? Wie? Ihr an diesem Schreckensort?), Act II (G)
906:
64:
3420:
Hepokoski and Darcy. "The Three- and Four-Movement Sonata Cycle".
2287:
Schubert – Der Pilgrim, D. 794 (Op. 37 No. 1) (D-b, originally E-c
1124:(both movements played without pause) from Suite, K. 399/385i (C)
484:
202:
174:
Compositions that are only incidentally major/minor due to being
3562:
Schubert's Poets and the Making of Lieder. – Free Online Library
3236:, (Berlin University of the Arts, Faculty of Music, 2016), p. 41
3332:"Classical Net Review - Weinberg - String Quartets #4 & 16"
3117:
The Concert Song Companion: A Guide to the Classical Repertoire
1258:
Concerto for Strings & Continuo in G, R151 ("Alla Rustica")
1846:
Enescu – Nocturne e Saltarello for cello and piano, 1897 (F-a)
346:- Le Dodo, ou l'amour au Berçeau, from Pieces de Clavecin (A)
1005:
735:
Schubert – Die böse Farbe (No. 17 of Die Schöne Müllerin) (B)
517:
509:
Mendelssohn – Characteristic Piece Op. 7 No. 7 in E (reverse
2215:
Schubert – Deutscher Tanz, D. 365 No. 22 (Op. 9 No. 22) (B-g
541:
Moniuszko – Do Niemna, No. 4 from Śpiewnik domowy Vol. 6 (E)
419:– Introduction and Variations for flute and piano Op. 99 (A)
1913:
Handel – Suite for Harpsichord No. 2 in F, HWV 427, i (F-a)
79:
Works falling into the following categories are excluded:
2988:
Schubert's Fingerprints: Studies in the Instrumental Works
2856:
Hyperion Records – Love arms himself in Celia's eyes, Z392
3537:
Fejes Quartet: Sunday 8 June 2014 at 7:30pm – Music Nairn
2666:
Trio Solisti – Program Notes 2014 by Miriam Villchur Berg
2652:
Cone, Edward T. and Robert P. Morgan. "Beyond Analysis".
1699:
532:– Magda Karczmarka, No. 20 from Śpiewnik domowy Vol. 2 (B
3281:
Redwood Symphony Program Notes: Sibelius, Symphony No. 4
3190:
Hicks, Anthony. "Late Additions to Handel's Oratorios".
376:– Fantaisie in A, from Trois Pièces for organ (1878) (A)
37:. For music written in all major and/or minor keys, see
3499:"Program notes: Emanuel Ax - Vancouver Recital Society"
2908:
Kirkpatrick, Ralph. "Anatomy of the Scarlatti Sonata".
586:
Purcell – Love arms himself in Celia's eyes, Z. 392 (C)
83:
Compositions that would be major/minor but for a final
3526:(University of Rochester Press: Rochester 2009), p. 8.
3152:
Music as Philosophy: Adorno and Beethoven's Late Style
2890:
Scarlatti: Complete Keyboard Sonatas – Warner Classics
928:– Pieces de clavecin, Troisieme livre, "L'enjouée" (G)
2845:
Purcell, Harmonia Sacra, Rosemary Joshua – eClassical
2819:
Todd, R. Larry. "Piano Music Reformed: Mendelssohn".
2373:
Tchaikovsky – Six Pieces Op. 21, No. 1 "Prelude" (B-g
1560:– Suite in G from Nouvelles Pièces de clavecin, RCT 6
1263:
Verdi – Rigoletto, Finale (D♭, reverse picardy third)
1711:– Córdoba, No. 4 of Cantos de España, Opus 232 (F-d)
1306:– Sonate de Concert for Cello and Piano in E, Op. 47
668:
D. Scarlatti – Keyboard Sonata K. 297 (L.S. 19) in F
3474:
Amazon.com: George Frideric Handel, Concerto Grossi
2869:
Volumes 5–6, Gramophone Publications (2001), p. 44.
2834:Rondo capriccioso, in E Major, Op. 14 Yakov Flier.
2656:(University of Chicago Press: Chicago 1989), p. 74.
2620:
Studia Musicologica Academie Scientierum Hungericae
2111:
Poulenc – Trio pour piano hautbois et basson, ii (B
1740:(Grande Messe des Morts), Op. 5, viii, Hostias (G-b
665:
D. Scarlatti – Keyboard Sonata K. 206 (L. 257) in E
662:
D. Scarlatti – Keyboard Sonata K. 182 (L. 139) in A
656:
D. Scarlatti – Keyboard Sonata K. 107 (L. 474) in F
2272:Schubert – Auf der Donau, D. 553 (Op. 21 No. 1) (E
1440:Marpurg – Cinqième Suite de Pièces de Clavecin (G)
1117:Mozart – Sonata for Violin and Piano K. 379, i (G)
3092:"BBC - Proms - Programme note Strauss - Don Juan"
2879:Satie – Gymnopedie No. 1 | Classical Piano Pieces
2789:"CHAN 2025: An Introduction to Felix Mendelssohn"
1837:– Cantabile e Presto for flute and piano, 1904 (E
1765:Brahms – Du mein einzig Licht, WoO 33 No. 37 (A-f
978:(incidental music), iii ("Ved mannjevningen") (A)
3583:
3170:, University of California Press (1994), p. 220.
2002:-d) (ends on an open fifth in a D minor context)
547:– Violin Sonata in A, K. 402/385e (completed by
2976:Franz Peter Schubert – Moments Musicaux, D. 780
2823:, ed. Todd, R. Larry, Routledge (2004), p. 191.
2772:
2770:
2768:
2632:
33:. For information on major/minor tonality, see
3453:Fuchs: Piano Sonatas Op. 19 and Op. 88 – Naxos
2078:minor, thus following the original key scheme.
1324:– Guitar Quintet "Fandango" in D major, G. 448
828:
207:
203:Major/minor compositions retaining the keynote
182:or Haydn's String Quartet in D minor, Op. 103;
2442:
2312:Schumann – No. 16 of Davidsbündlertänze (G-b)
1395:– Deux Interludes pour orgue ou harmonium (C)
1318:– Sonata quasi una fantasia, Biamonti 213 (D)
1285:
1060:– Cinqième Suite de Pièces de Clavecin, v (G)
401:Heidrich – Variations on "Happy Birthday" (C)
3416:
3414:
3376:"Piano Sonata in D, Biamonti 213 (1792-93?)"
3271:, Cambridge University Press (2006), p. 225.
3131:Beethoven: The Complete Music for Piano Trio
3003:, Cambridge University Press (2010), p. 104.
2941:, Cambridge University Press (2008), p. 355.
2765:
2702:. Alfred Music Publishing Co. (1992), p. 10.
1346:– Troisième Concert from Concerts Royaux (A)
1036:Lalo – Symphony in G Minor, ii (scherzo) (E)
39:Music written in all major and/or minor keys
3326:
3324:
3258:, Wm. B. Eerdmans Publishing (2005), p. 30.
2920:
2918:
2912:(Princeton University Press, 1983), p. 274.
2737:"Frédéric Chopin's Nocturnes, Part I, 2015"
2642:. New York: John Lane Company. p. 100.
1437:– Troisième Suite de Pièces de Clavecin (C)
413:– Stanisław i Anna Oświecimowie, Op. 12 (B)
3219:, Boydell & Brewer (2013), pp. 114–15.
3154:, Indiana University Press (2006), p. 136.
2677:The Alkan Society, Bulletin 32: April 1987
2449:
2435:
2242:Schubert – Klage an den Mond, D. 436 (F-d)
1042:– String Quartet in A minor Op. 17, iv (A)
738:Schubert – Lied eines Kriegers, D. 822 (A)
3411:
3162:
3160:
2688:Alkan: Esquisses Op 63 – Hyperion Records
2654:Music. A View from Delft. Selected Essays
2224:Schubert – Ritter Toggenburg, D. 397 (F-b
2014:Mozart – Preludes and Fugues K. 404, v (E
1931:– "Marsh Birds" for Flute and Piano (D-b)
1653:Stöhr – Violin Sonata No. 15, Op. 134b (B
893:– Three Pieces for solo clarinet, iii (G)
710:Schubert – Am Bach im Frühling, D. 361 (D
382:– Andante grazio and Capriccio Op. 63 (A)
3424:(Oxford University Press, 2006). p. 336.
3321:
3166:Kerman, Joseph. "Beethoven's Minority".
2924:Marshall, Robert. "Domenico Scarlatti".
2915:
2263:Schubert – Didone Abbandonata, D. 510 (E
1774:Brahms – Vom Strande, Op. 69 No. 6 (F-a)
1650:Stöhr – Violin Sonata No. 7, Op. 107 (E)
583:Purcell – The earth trembled, Z. 197 (A)
334:(final chord sometimes changed to major)
268:– The Devil that Tempted St. Anthony (F)
109:Quatre motets pour un temps de pénitence
3435:Sydney Symphony Orchestra – 2015 Season
3015:"Schubert's Winterreise Song Cycle"
2990:, Ashgate Publishing Ltd (2011), p. 24.
2083:Rudolf Peterka – Piano Trio Op. 6 (D-b)
1904:Handel – Concerto Grosso Op. 3 No. 1 (B
1459:Mendelssohn – Suite in G MWV Z1/105-108
771:R. Schumann – Der Handschuh, Op. 87 (D)
14:
3584:
3317:Vivaldi: Concertos for Strings – Naxos
3256:Notes on Mendelssohn: 20 Crucial Works
3157:
3067:
2456:
1349:Couperin – Ordre 12ème de clavecin (E)
1159:for Harpsichord and Orchestra, iii (D)
942:Piano Trio ("Dumky") Op. 90 in E minor
818:Tchaikovsky – Valse-Scherzo Op. 7 in A
324:– Caprice for clarinet Op. 4 No. 4 (E)
3168:Write All These Down: Essays on Music
3068:Hatten, Robert S. (1 December 2014).
2726:, Courier Corporation (1960), p. 146.
2430:
2233:Schubert – Der Herbstabend, D. 405 (A
2005:Mozart – Preludes K. 284a/395, iii (B
1100:Symphony No.5, Op.107 ("Reformation")
741:Schubert – Frühlingstraum (No. 11 of
3050:Chandos – Imogen Cooper – CHAN 10841
2193:Schubert – Erster Verlust, D. 226 (A
2055:. Mussorgsky intended an ending in A
1602:– String Quartet Op. 12 or Op. 17 (D
1187:– Flute Quartet Op. 98 No. 6, iv (G)
1048:– Piano sonata No. 3, Op.57, iii (D)
984:– Petite Suite Galoise Op. 90, i (G)
787:Sibelius – Winter Scene, No. 2 from
500:Mendelssohn – Capriccio, MWV U 43 (E
94:Darzu ist erschienen der Sohn Gottes
87:stipulated by the composer, such as
3496:
2910:Domenico Scarlatti: Revised Edition
2351:, Aria, "Kdybych se co takového" (B
1760:Suite for Flute and Jazz Piano Trio
1665:– String Quintet No. 2 in C, Op. 16
758:– Der Wanderer in der Sägemühle (C)
407:– The President's Funeral March (E)
368:The Fight Between Carnival and Lent
24:
3549:Performance and Analysis of Lieder
3355:
3012:
2952:"Schubert: Moments musicaux, D780"
1919:– Arianna a Naxos, Hob. XXVIb:2 (E
1879:– "Paradoxical Moods", No. 3 from
1867:Fuchs – Serenade in D Op. 9, ii (B
1714:Alkan – Prière, Op. 66 No. 7 (C-a)
1635:– Esquisses de la Crimée Op.23 (G)
1407:– Concerto Grosso Op. 3 No. 6 in D
1401:– String Quartet No. 2, Op. 37 (A)
1008:, "Per dar fine alla mia pena" (G)
728:Schubert – Tränenregen (No. 10 of
725:Schubert – An den Mond, D. 468 (A)
25:
3628:
2926:Eighteenth-Century Keyboard Music
2622:, T. 39, Fasc. 2/4 (1998), p. 371
1647:– Violin Sonata No. 1, Op. 27 (G)
1622:String Quartet No. 2 in A, Op. 68
1517:– Impromptu and Scherzo Op. 10 (D
1386:Fuchs – String Quartet Op. 58 (E)
994:, "All That Is in Hamor Mine" (G)
641:) (ends on an open octave in an A
551:; the work has only one movement)
297:– Sonatina No. 6 in A, BV 284 (A)
2700:Brahms – The Shorter Piano Works
2592:
2068:major, Shostakovich in F major.
1566:– Flute Quartet Op. 98 No. 6 (G)
1477:– Hagbarth and Signe: Music for
1389:Fuchs – String Trio Op. 61/1 (E)
1026:– Concerto Russe, Opus 29, i (G)
899:– Symphony No.2, Op. 11, iii (D)
824:– Fantasia for piano, Op. 12 (C)
607:Reicha – Fugue, Op. 36 No. 32 (E
453:– Tango Brasileiro (A) (reverse
3566:
3554:
3541:
3529:
3516:
3490:
3478:
3467:
3458:
3446:
3427:
3386:
3368:
3349:
3310:
3285:
3274:
3261:
3248:
3239:
3222:
3209:
3197:
3184:
3173:
3144:
3122:
3109:
3084:
3061:
3042:
3006:
2993:
2980:
2969:
2944:
2931:
2902:
2883:
2872:
2860:
2849:
2838:
2826:
2813:
2781:
2754:
2729:
2634:Fuller Maitland, John Alexander
2254:Schubert – Liedesend, D. 473 (E
1752:– Symphony in C major, ii (F-a)
1553:Suite for Two Pianos No. 2 in C
1543:Sonata for clarinet and bassoon
968:– Symphony in D Op. 39, iii (D)
915:– Piano Trio in G minor, iv (G)
909:, "Ebben, ne andrò lontana" (E)
867:Violin Sonata No. 9, "Kreutzer"
701:(ends on an open octave in an A
388:– Theodor-Storm-Musik Op.93 (A)
250:Alkan – Prière Op. 64 No. 10 (B
157:Grande sonate 'Les quatre âges'
146:, Haydn's two string quartets,
3362:Ludwig van Beethoven's website
3267:Todd, R. Larry. "Wanderlust".
2821:Nineteenth-Century Piano Music
2716:
2705:
2692:
2681:
2670:
2659:
2646:
2626:
2611:
2184:Schubert – Grablied, D. 218 (A
2161:Chamber Symphony No. 2, Op. 38
1852:– Childhood Among the Ferns (E
1677:– Keyboard Sonata in C, Op. 15
1535:– Harpsichord Sonata No. 4 (A)
1455:Symphony No. 4 in A, "Italian"
1215:- Symphony No. 3 Op. 32, i (C)
1130:– Symphony No. 25 Op. 69, i (D
815:– To Forget So Soon, TH 94 (F)
777:– Impromptu, Opus 5 No. 6 in E
241:, Op. 63 No. 7 "Le frisson" (F
13:
1:
2867:International Piano Quarterly
2724:Chopin: The Man and His Music
2604:
2490:featuring Andalusian cadences
2370:– Finale and Apotheosis (D-g)
1983:Die Entführung aus dem Serail
1782:Poème de l'amour et de la mer
1590:– 2 Tanz-Impromptus Op. 86 (F
1431:– Concerto Russe, Op. 29 in G
1300:– Symphony No. 2 in D, Op. 11
1248:Piano Trio in A minor, Op. 50
1072:– Sonata-Ballade Op. 27, i (F
962:– String Trio Op. 61/1, i (E)
956:– Violin Sonata Op. 12, i (F)
920:Poème de l'amour et de la mer
843:– Symphony No.7, GP 344, i (A
604:– L'Art de Varier, Op. 57 (F)
219:Chant d'amour - chant de mort
135:cycle, Op. 35, or Schumann's
3455:; or just see score @ IMSLP.
2331:– Scène Lyrique, No. 3 from
1799:– Ordre 25ème de clavecin (E
1338:Piano Trio No. 1 in B, Op. 8
580:– Awake, ye dead, Z. 182 (C)
433:Siete Danzas Cubanas Tipicas
425:– Fantaisie norvégienne in A
306:Campra – Quis ego Domine (A)
7:
3503:Vancouver Recital Society -
2405:
2245:Schubert – Edone, D. 445 (E
2143:– Piano Sonata Op. 47 (C-a)
1689:– String Quartet No. 4 in E
1671:– Violin Sonata in G, Op. 5
1505:– String Quartet Op. 22 (G)
1499:– String Quartet Op. 20 (E)
1419:– Cello Sonata Op. 104 in A
1312:– String Quartet IEA 12 (A)
1269:– String Quartet No. 4 in E
829:Movements from larger works
799:– Keyboard Sonata R. 6 in F
682:Impromptu Op. 90 No. 2 in E
526:– La Nouvelle Valentine (A)
285:Rhapsody Op. 119 No. 4 in E
208:Single works and miniatures
10:
3633:
3547:Puchi, Richard Navarrete.
3398:www.hyperion-records.co.uk
3380:The Unheard Beethoven, Inc
3297:www.hyperion-records.co.uk
1683:– Violin Sonata in A, 1908
1641:– Violin Sonata Op. 69 (G)
1572:– Cello Sonata Op. 21 in A
1294:– String Quartet Op. 7 (E)
1286:Works in several movements
1014:– Piano Sonata No. 2, i (E
1001:, "All We Like Sheep" (F)
875:– Piano Quartet No. 1 in E
751:– Romance, op. 5 no. 3 (B)
332:Nocturne Op. 32 No. 1 in B
28:
3422:Elements of Sonata Theory
2590:
2465:
1949:– Etude in D, No. 1 from
1584:– Cello Sonata Op. 13 (C)
1578:– Cello Sonata Op. 38 (E)
1220:Symphony No. 4 in A minor
1195:Piano Concerto No. 3 in C
635:– Se Florindo e fedele (A
312:– Prelude Op. 17 No. 4 (B
303:– Cari Zephiri volate (A)
280:– Jägerlied, Op. 66/4 (C)
180:Piano Sonata in C, D. 840
3440:21 February 2015 at the
3055:16 February 2016 at the
2741:www.classicalconnect.com
2325:-d) (first edition only)
2153:Nos. 5 (G-e) and 6 (F-c)
1465:– Divertimento Op. 80 (E
1371:– Piano Sonata Op. 19 (G
1365:– Cello Sonata Op. 8 (B)
1066:– Symphony No. 5, iv (F)
520:Capriccioso in E, Op. 14
262:– Girl of the Orient (F)
45:Major/minor compositions
3572:Wadsworth, Benjamin K.
3497:VRS (15 January 2015).
3205:Handel's Messiah Untold
2956:www.classical-music.com
1511:– Piano Trio Op. 15 (G)
1234:– Fantasy Op. 14, ii (A
340:– Le Départ, Op. 31 (E)
3607:Classical compositions
3597:Lists of musical works
3358:"Rare works for Piano"
3030:Cite journal requires
2520:Twelve-tone and serial
2363:– Symphony No. 3 (A-c)
2175:– Die Nonne, D. 212 (A
1629:– Ouverture-Suite in G
1448:String Symphony No. 11
1093:String Symphony No. 11
564:Poulenc – Amoureuses,
3592:Classical music lists
2299:– Réplique, No. 8 of
2089:– Piano Sextet, ii (D
1988:Mozart (completed by
1793:– Ballade No. 2 (F-a)
1413:– Serenade Op. 24 (A)
1086:String Quartet Op. 13
881:WoO 36, i (and ii) (E
674:– Mazurka in F (1889)
574:– Rhapsody No. 2 in F
497:in E, Op. 118 (1837)
358:Giancarlo Chiaramello
2999:Damschroder, David.
2937:Sutcliffe, W. Dean.
2895:3 April 2018 at the
2584:Tone rows and series
2422:Progressive tonality
2204:Piano Sonata, D. 279
1940:Rapsodie norvégienne
1702:changing the keynote
1423:Jacquet de La Guerre
1330:– Harp Concerto in C
619:– Toccata Op. 12 (G)
274:– Klage, WoO 113 (E)
188:Piano Sonata Op. 109
49:musical compositions
3522:Jones, Evan Allan.
3356:Prevot, Dominique.
3269:Mendelssohn Studies
3119:, A Da Capo (1985).
3074:Music Theory Online
3001:Harmony in Schubert
2986:Wollenberg, Susan.
2928:, Routledge (2004).
2801:on 20 February 2015
2368:The Sleeping Beauty
1479:Adam Oehlenschläger
1031:Symphonie espagnole
730:Die Schöne Müllerin
31:Major/Minor (album)
3433:Robertson, David.
3215:Deruchie, Andrew.
3203:Kreuger, Stephen.
3150:Spitzer, Michael.
3115:Osborne, Charles.
2698:Hindson, Maurice.
2349:The Bartered Bride
2260:-e, both versions)
1996:, VII. Communio (B
1700:Major/minor works
1122:Overture-Allemande
897:Norbert Burgmüller
784:, op. 44 no. 1 (G)
766:Davidsbündlertänze
549:Maximilian Stadler
467:, Op. 38 No. 4 (F)
431:– La 32, No. 6 of
222:, Op. 35 No. 10 (G
3464:see score @ IMSLP
2832:Du Bose, Joseph.
2601:
2600:
2385:– Sonata No. 5 (B
2333:5 Romantic Pieces
1951:Etudes and Polkas
1813:Suite bergamasque
1722:Chichester Psalms
1222:, Op. 63, iv (A)
1157:Concert champêtre
1033:, Opus 21, ii (G)
354:Torna a Surriento
190:(connected by an
118:Felix Mendelssohn
16:(Redirected from
3624:
3617:Musical analysis
3576:
3570:
3564:
3560:Platt, Heather.
3558:
3552:
3545:
3539:
3533:
3527:
3520:
3514:
3513:
3511:
3509:
3494:
3488:
3487:; see also IMSLP
3482:
3476:
3471:
3465:
3462:
3456:
3450:
3444:
3431:
3425:
3418:
3409:
3408:
3406:
3404:
3390:
3384:
3383:
3372:
3366:
3365:
3353:
3347:
3346:
3344:
3342:
3328:
3319:
3314:
3308:
3307:
3305:
3303:
3289:
3283:
3278:
3272:
3265:
3259:
3254:Wilson, Conrad.
3252:
3246:
3243:
3237:
3226:
3220:
3213:
3207:
3201:
3195:
3188:
3182:
3177:
3171:
3164:
3155:
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3142:
3141:
3140:
3138:
3126:
3120:
3113:
3107:
3106:
3104:
3102:
3088:
3082:
3081:
3065:
3059:
3048:Cooper, Imogen.
3046:
3040:
3039:
3033:
3028:
3026:
3018:
3010:
3004:
2997:
2991:
2984:
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2948:
2942:
2935:
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2922:
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2887:
2881:
2876:
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2858:
2853:
2847:
2842:
2836:
2830:
2824:
2817:
2811:
2810:
2808:
2806:
2800:
2794:. Archived from
2793:
2785:
2779:
2774:
2763:
2758:
2752:
2751:
2749:
2747:
2733:
2727:
2722:Huneker, James.
2720:
2714:
2709:
2703:
2696:
2690:
2685:
2679:
2674:
2668:
2663:
2657:
2650:
2644:
2643:
2630:
2624:
2615:
2596:
2595:
2569:Scales and modes
2554:Jazz contrafacts
2525:Whole tone scale
2451:
2444:
2437:
2428:
2427:
2395:Vaughan Williams
2390:
2389:
2378:
2377:
2356:
2355:
2340:
2339:
2324:
2323:
2308:
2307:
2292:
2291:
2283:
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2250:
2249:
2238:
2237:
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2220:
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2198:
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2189:
2188:
2180:
2179:
2168:
2167:
2136:
2135:
2116:
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2100:
2099:
2094:
2093:
2077:
2076:
2067:
2066:
2060:
2059:
2050:
2049:
2041:
2040:
2019:
2018:
2010:
2009:
2001:
2000:
1974:
1973:
1958:
1957:
1924:
1923:
1909:
1908:
1890:
1889:
1872:
1871:
1863:
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1803:
1770:
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1745:
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1729:
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1613:
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1382:
1381:
1376:
1375:
1280:
1279:
1274:
1273:
1239:
1238:
1208:
1207:
1203:, Op. 55, iii (C
1200:
1199:
1180:
1179:
1171:
1170:
1141:
1140:
1135:
1134:
1077:
1076:
1019:
1018:
976:Sigurd Jorsalfar
949:
948:
886:
885:
880:
879:
861:
860:
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612:
611:
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446:
445:
440:
439:
317:
316:
290:
289:
255:
254:
246:
245:
233:
232:
227:
226:
144:Clarinet Quintet
104:Vinea mea electa
51:that begin in a
21:
3632:
3631:
3627:
3626:
3625:
3623:
3622:
3621:
3582:
3581:
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3507:
3505:
3495:
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3479:
3472:
3468:
3463:
3459:
3451:
3447:
3442:Wayback Machine
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3057:Wayback Machine
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2897:Wayback Machine
2888:
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2235:
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2226:
2225:
2217:
2216:
2195:
2194:
2186:
2185:
2177:
2176:
2165:
2164:
2133:
2132:
2124:FP 177, i (G-b)
2113:
2112:
2108:FP 80, ii (F-d)
2106:Suite Francaise
2097:
2096:
2091:
2090:
2074:
2073:
2064:
2063:
2057:
2056:
2047:
2046:
2038:
2037:
2016:
2015:
2007:
2006:
1998:
1997:
1971:
1970:
1955:
1954:
1921:
1920:
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1905:
1887:
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1518:
1489:
1488:
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1482:
1467:
1466:
1379:
1378:
1373:
1372:
1340:(both versions)
1288:
1277:
1276:
1275:, Op. 20, iv (E
1271:
1270:
1236:
1235:
1213:Rimsky-Korsakov
1205:
1204:
1197:
1196:
1177:
1176:
1168:
1167:
1138:
1137:
1132:
1131:
1111:The Magic Flute
1074:
1073:
1016:
1015:
946:
945:
891:Lennox Berkeley
883:
882:
877:
876:
858:
857:
845:
844:
831:
756:Friedrich Wieck
754:C. Schumann or
718:
717:
712:
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703:
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697:
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684:
683:
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314:
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287:
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252:
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224:
223:
210:
205:
139:, Op. 49 No. 3;
129:Robert Schumann
100:Francis Poulenc
59:(generally the
42:
35:Major and minor
23:
22:
15:
12:
11:
5:
3630:
3620:
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3230:Sonata-Ballade
3221:
3208:
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3183:
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3156:
3143:
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3108:
3083:
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3041:
3032:|journal=
3013:Howell, Cory.
3005:
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2559:Turkish makams
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2366:Tchaikovsky –
2364:
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2270:
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2240:
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2125:
2118:
2109:
2102:
2084:
2081:
2080:
2079:
2070:Valery Gergiev
2026:(completed by
2021:
2012:
2003:
1986:
1976:
1967:Piano Concerto
1960:
1944:
1932:
1926:
1914:
1911:
1902:
1892:
1882:Triakontameron
1874:
1865:
1847:
1844:
1832:
1829:The Noon Witch
1822:
1806:
1794:
1788:
1785:
1775:
1772:
1763:
1756:Claude Bolling
1753:
1747:
1731:
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1555:
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1494:
1472:
1460:
1457:
1453:Mendelssohn –
1451:
1441:
1438:
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1426:
1420:
1414:
1408:
1402:
1396:
1390:
1387:
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1173:
1160:
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1125:
1118:
1115:
1103:
1098:Mendelssohn –
1096:
1091:Mendelssohn –
1089:
1079:
1067:
1061:
1055:
1049:
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1034:
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733:
726:
723:
708:
707:minor context)
693:Moment Musical
689:
675:
669:
666:
663:
660:
657:
654:
648:
647:minor context)
630:
620:
614:
605:
599:
593:
590:
587:
584:
581:
575:
569:
562:
552:
542:
539:
527:
521:
516:Mendelssohn –
514:
507:
498:
493:Mendelssohn –
491:
488:
468:
458:
448:
426:
420:
414:
408:
402:
399:
396:Symphony No. 3
389:
383:
377:
371:
361:
347:
341:
335:
325:
319:
307:
304:
298:
292:
281:
275:
269:
263:
257:
248:
235:
209:
206:
204:
201:
200:
199:
195:
183:
172:
161:
140:
125:
61:parallel minor
9:
6:
4:
3:
2:
3629:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3593:
3590:
3589:
3587:
3575:
3569:
3563:
3557:
3550:
3544:
3538:
3532:
3525:
3519:
3504:
3500:
3493:
3486:
3481:
3475:
3470:
3461:
3454:
3449:
3443:
3439:
3436:
3430:
3423:
3417:
3415:
3399:
3395:
3389:
3381:
3377:
3371:
3363:
3359:
3352:
3337:
3336:Classical Net
3333:
3327:
3325:
3318:
3313:
3298:
3294:
3288:
3282:
3277:
3270:
3264:
3257:
3251:
3242:
3235:
3231:
3225:
3218:
3212:
3206:
3200:
3193:
3187:
3181:
3176:
3169:
3163:
3161:
3153:
3147:
3133:
3132:
3125:
3118:
3112:
3097:
3093:
3087:
3079:
3075:
3071:
3064:
3058:
3054:
3051:
3045:
3037:
3024:
3016:
3009:
3002:
2996:
2989:
2983:
2977:
2972:
2957:
2953:
2947:
2940:
2934:
2927:
2921:
2919:
2911:
2905:
2898:
2894:
2891:
2886:
2880:
2875:
2868:
2863:
2857:
2852:
2846:
2841:
2835:
2829:
2822:
2816:
2797:
2790:
2784:
2778:
2773:
2771:
2769:
2762:
2757:
2742:
2738:
2732:
2725:
2719:
2713:
2708:
2701:
2695:
2689:
2684:
2678:
2673:
2667:
2662:
2655:
2649:
2641:
2640:
2635:
2629:
2623:
2621:
2614:
2610:
2585:
2582:
2580:
2577:
2575:
2572:
2570:
2567:
2565:
2562:
2560:
2557:
2555:
2552:
2548:
2545:
2543:
2540:
2539:
2538:
2535:
2533:
2530:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2506:
2503:
2501:
2498:
2496:
2493:
2491:
2488:
2486:
2483:
2482:
2481:Compositions
2480:
2476:
2473:
2472:
2471:
2468:
2467:
2464:
2459:
2452:
2447:
2445:
2440:
2438:
2433:
2432:
2429:
2423:
2420:
2418:
2415:
2413:
2410:
2409:
2400:
2399:Picardy third
2396:
2393:
2384:
2381:
2372:
2369:
2365:
2362:
2359:
2350:
2346:
2343:
2334:
2330:
2327:
2318:
2314:
2311:
2302:
2298:
2295:
2286:
2271:
2262:
2253:
2244:
2241:
2232:
2223:
2214:
2208:
2207:
2205:
2201:
2192:
2183:
2174:
2171:
2162:
2158:
2155:
2152:
2148:
2145:
2142:
2139:
2130:
2126:
2123:
2119:
2110:
2107:
2103:
2088:
2085:
2082:
2071:
2054:
2044:
2043:
2035:
2034:
2033:Khovanshchina
2029:
2025:
2022:
2013:
2004:
1995:
1991:
1987:
1984:
1980:
1977:
1968:
1964:
1961:
1952:
1948:
1945:
1942:
1941:
1936:
1933:
1930:
1927:
1918:
1915:
1912:
1903:
1900:
1896:
1893:
1884:
1883:
1878:
1875:
1866:
1851:
1848:
1845:
1836:
1833:
1830:
1826:
1823:
1814:
1810:
1807:
1798:
1795:
1792:
1789:
1786:
1783:
1779:
1776:
1773:
1764:
1761:
1757:
1754:
1751:
1748:
1739:
1735:
1732:
1723:
1719:
1716:
1713:
1710:
1707:
1706:
1703:
1688:
1685:
1682:
1679:
1676:
1673:
1670:
1667:
1664:
1661:
1652:
1649:
1646:
1643:
1640:
1637:
1634:
1631:
1628:
1625:
1623:
1619:
1616:
1601:
1598:
1589:
1588:P. Scharwenka
1586:
1583:
1580:
1577:
1574:
1571:
1568:
1565:
1562:
1559:
1556:
1554:
1550:
1547:
1544:
1540:
1537:
1534:
1531:
1516:
1513:
1510:
1507:
1504:
1501:
1498:
1495:
1480:
1476:
1473:
1464:
1461:
1458:
1456:
1452:
1449:
1445:
1442:
1439:
1436:
1433:
1430:
1427:
1424:
1421:
1418:
1415:
1412:
1409:
1406:
1403:
1400:
1397:
1394:
1391:
1388:
1385:
1370:
1367:
1364:
1361:
1359:in D, Op. 39
1358:
1354:
1351:
1348:
1345:
1342:
1339:
1335:
1332:
1329:
1326:
1323:
1320:
1317:
1314:
1311:
1308:
1305:
1302:
1299:
1296:
1293:
1290:
1289:
1268:
1265:
1262:
1259:
1255:
1252:
1249:
1245:
1242:
1233:
1230:
1227:
1224:
1221:
1217:
1214:
1211:
1202:
1192:
1189:
1186:
1183:
1174:
1166:FP 185, ii (B
1165:
1161:
1158:
1154:
1152:FP 143, i (E)
1151:
1147:
1144:
1129:
1126:
1123:
1119:
1116:
1113:
1112:
1107:
1104:
1101:
1097:
1094:
1090:
1087:
1083:
1080:
1071:
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1028:
1025:
1022:
1013:
1010:
1007:
1003:
1000:
996:
993:
989:
986:
983:
980:
977:
973:
970:
967:
964:
961:
958:
955:
952:
943:
939:
936:
933:
930:
927:
924:
921:
917:
914:
911:
908:
904:
901:
898:
895:
892:
889:
874:
871:
868:
864:
862:major, ii (C)
855:
851:
842:
839:
836:
833:
832:
823:
820:
817:
814:
811:
808:
804:
801:
798:
795:
792:
791:
786:
783:
779:
776:
773:
770:
767:
763:
760:
757:
753:
750:
747:
744:
740:
737:
734:
731:
727:
724:
709:
694:
690:
688:
679:
676:
673:
670:
667:
664:
661:
658:
655:
652:
649:
634:
631:
628:
624:
621:
618:
615:
606:
603:
600:
597:
594:
591:
588:
585:
582:
579:
576:
573:
570:
567:
563:
560:
556:
553:
550:
546:
543:
540:
531:
528:
525:
522:
519:
515:
512:
511:Picardy third
508:
499:
496:
492:
489:
486:
483:
479:
476:
472:
469:
466:
462:
459:
456:
455:Picardy third
452:
449:
434:
430:
427:
424:
421:
418:
415:
412:
409:
406:
403:
400:
397:
393:
390:
387:
384:
381:
378:
375:
372:
369:
365:
362:
359:
355:
351:
348:
345:
342:
339:
336:
333:
329:
326:
323:
320:
311:
308:
305:
302:
299:
296:
293:
291:
282:
279:
276:
273:
270:
267:
264:
261:
258:
249:
240:
236:
221:
220:
215:
212:
211:
196:
193:
189:
184:
181:
177:
173:
170:
169:first Ballade
166:
165:Danse macabre
162:
159:
158:
153:
149:
145:
141:
138:
134:
130:
126:
123:
119:
115:
111:
110:
105:
101:
97:
95:
90:
86:
85:Picardy third
82:
81:
80:
77:
73:
71:
70:Picardy third
66:
62:
58:
55:and end in a
54:
50:
46:
40:
36:
32:
27:
19:
3612:Musical keys
3568:
3556:
3548:
3543:
3535:Bell, John.
3531:
3523:
3518:
3508:21 September
3506:. Retrieved
3502:
3492:
3480:
3469:
3460:
3448:
3429:
3421:
3403:21 September
3401:. Retrieved
3397:
3388:
3379:
3370:
3361:
3351:
3341:21 September
3339:. Retrieved
3335:
3312:
3302:21 September
3300:. Retrieved
3296:
3287:
3276:
3268:
3263:
3255:
3250:
3241:
3233:
3229:
3224:
3216:
3211:
3199:
3191:
3186:
3175:
3167:
3151:
3146:
3137:21 September
3135:, retrieved
3130:
3124:
3116:
3111:
3101:21 September
3099:. Retrieved
3095:
3086:
3077:
3073:
3063:
3044:
3023:cite journal
3008:
3000:
2995:
2987:
2982:
2971:
2961:21 September
2959:. Retrieved
2955:
2946:
2938:
2933:
2925:
2909:
2904:
2885:
2874:
2866:
2862:
2851:
2840:
2828:
2820:
2815:
2803:. Retrieved
2796:the original
2783:
2756:
2746:21 September
2744:. Retrieved
2740:
2731:
2723:
2718:
2707:
2699:
2694:
2683:
2672:
2661:
2653:
2648:
2638:
2628:
2619:
2613:
2542:5-limit just
2515:Quarter tone
2499:
2475:Progressions
2458:Music theory
2417:Parallel key
2335:Op. 101 (E-c
2332:
2317:Kreisleriana
2210:major/minor.
2131:FP 185, (G-a
2031:
1950:
1938:
1880:
1618:Shostakovich
1549:Rachmaninoff
1545:in D, FP 32a
1150:Cello Sonata
1121:
1109:
865:Beethoven –
852:Beethoven –
809:, Op. 20 (E)
788:
782:Valse triste
768:, Opus 6 (B)
764:– No. 17 of
651:D. Scarlatti
633:A. Scarlatti
596:Rachmaninoff
557:– Nocturne,
464:
432:
217:
191:
167:or Chopin's
155:
152:Op. 64 No. 2
148:Op. 33 No. 1
136:
122:Piano Sextet
107:
103:
93:
78:
74:
44:
43:
26:
3232:, Op. 27".
2805:20 February
2564:Set classes
2500:Major/minor
2315:Schumann –
2202:Schubert –
2151:Gnossiennes
2141:Rheinberger
2129:Oboe Sonata
2053:even beyond
1953:Book I (D–b
1929:Miriam Hyde
1444:Mendelssohn
1357:Czech Suite
1244:Tchaikovsky
1232:Szymanowski
1218:Sibelius –
1164:Oboe Sonata
1082:Mendelssohn
918:Chausson –
813:Tchaikovsky
793:Op. 114 (A)
790:5 Esquisses
780:Sibelius –
762:R. Schumann
749:C. Schumann
743:Winterreise
691:Schubert –
617:Rheinberger
471:Mendelssohn
18:Major/minor
3586:Categories
2605:References
2361:W.G. Still
2319:, No. 4 (B
2157:Schoenberg
2127:Poulenc –
2120:Poulenc –
2104:Poulenc –
2028:Stravinsky
2024:Mussorgsky
1899:Belshazzar
1633:Spendiarov
1481:'s Play (D
1463:Myaskovsky
1322:Boccherini
1162:Poulenc –
1155:Poulenc –
1128:Myaskovsky
1012:Kabalevsky
856:No. 6 in E
854:Piano trio
695:No. 6 in A
627:Gymnopédie
524:de Momigny
176:unfinished
124:, Op. 110;
3096:BBC Proms
2579:Theorists
2537:Intervals
2510:Polytonal
2495:Homotonal
2383:Wagenseil
2163:, ii (G-e
1718:Bernstein
1576:Rosenhain
1328:Boieldieu
1316:Beethoven
1250:, iiB (A)
1120:Mozart –
1046:MacDowell
1004:Handel –
997:Handel –
954:Fitelberg
873:Beethoven
629:No. 1 (D)
568:No. 5 (F)
561:No. 6 (G)
530:Moniuszko
495:Capriccio
478:Cantabile
461:MacDowell
411:Karłowicz
350:de Curtis
322:Cavallini
283:Brahms –
272:Beethoven
137:Die Nonne
57:minor key
53:major key
3438:Archived
3053:Archived
2893:Archived
2636:(1911).
2574:Teachers
2547:Meantone
2412:Tonality
2406:See also
2388:♭
2376:♯
2354:♭
2338:♯
2329:Sibelius
2322:♭
2306:♭
2301:Carnaval
2297:Schumann
2290:♯
2281:♯
2275:♭
2266:♭
2257:♭
2248:♭
2236:♭
2227:♭
2218:♯
2196:♭
2187:♭
2178:♭
2173:Schubert
2166:♭
2134:♭
2114:♭
2098:♭
2092:♭
2075:♯
2065:♭
2058:♭
2048:♯
2039:♯
2017:♭
2008:♭
1999:♭
1990:Süssmayr
1972:♭
1963:Massenet
1956:♭
1922:♭
1907:♭
1888:♯
1877:Godowsky
1870:♭
1861:♭
1855:♭
1840:♭
1818:♯
1802:♭
1797:Couperin
1778:Chausson
1768:♯
1743:♭
1727:♭
1695:, Op. 20
1692:♭
1687:Weinberg
1675:G. Weber
1656:♭
1639:Steibelt
1611:♯
1605:♭
1600:Sgambati
1593:♯
1533:Pescetti
1526:♯
1520:♭
1515:Palmgren
1490:♯
1484:♭
1468:♭
1411:Hartmann
1380:♯
1374:♭
1344:Couperin
1278:♭
1272:♭
1267:Weinberg
1237:♭
1206:♯
1198:♯
1178:♭
1169:♭
1139:♯
1133:♭
1075:♯
1017:♭
947:♭
926:Couperin
913:Chausson
907:La Wally
903:Catalani
884:♭
878:♭
859:♭
846:♭
807:Don Juan
775:Sibelius
719:♯
713:♭
704:♭
698:♭
685:♭
678:Schubert
672:Scriabin
644:♭
638:♭
610:♭
535:♭
503:♭
444:♯
438:♭
405:Heinrich
344:Couperin
315:♭
288:♭
253:♭
244:♯
239:Esquisse
237:Alkan –
231:♯
225:♭
116:97), or
96:, BWV 40
3602:Harmony
2899:, p. 7.
2345:Smetana
2087:Poulenc
1994:Requiem
1947:Martinů
1809:Debussy
1738:Requiem
1734:Berlioz
1709:Albéniz
1669:Voříšek
1663:Taneyev
1582:Schäfer
1539:Poulenc
1509:O'Kelly
1475:Nielsen
1435:Marpurg
1260:, i (G)
1254:Vivaldi
1146:Poulenc
1102:, i (D)
1095:, i (F)
1088:, i (A)
1070:Medtner
1058:Marpurg
1040:Lazzari
1029:Lalo –
999:Messiah
992:Jephtha
966:Graener
922:, i (G)
869:, i (A)
835:Arriaga
822:Voříšek
803:Strauss
578:Purcell
572:Praeger
555:Poulenc
485:Agitato
475:Andante
429:Lecuona
386:Graener
310:Catoire
198:below).
192:attacca
2639:Brahms
2532:Genres
2485:Atonal
2470:Chords
2206:(C-a)
2122:Gloria
1979:Mozart
1895:Handel
1835:Enescu
1825:Dvořák
1791:Chopin
1681:Walter
1564:Reicha
1558:Rameau
1497:Norman
1417:Hummel
1405:Handel
1399:Godard
1393:Gigout
1353:Dvořák
1334:Brahms
1310:Andrée
1298:Alfvén
1185:Reicha
1106:Mozart
1052:Marais
988:Handel
944:, v (E
938:Dvořák
602:Reicha
545:Mozart
482:Presto
417:Kuhlau
392:Harris
374:Franck
370:) in C
364:Fibich
328:Chopin
301:Campra
295:Busoni
278:Brahms
133:Kerner
2799:(PDF)
2792:(PDF)
2460:lists
2147:Satie
1943:(A-d)
1917:Haydn
1850:Finzi
1831:(C-a)
1784:(G-d)
1762:(G-c)
1750:Bizet
1645:Stöhr
1627:Smith
1503:Novák
1369:Fuchs
1304:Alkan
1292:Aimon
1226:Stöhr
1201:minor
1064:Mayer
1006:Serse
982:Gouvy
972:Grieg
960:Fuchs
797:Soler
745:) (A)
732:) (A)
623:Satie
566:FP 77
559:FP 56
518:Rondo
465:Witch
380:Fuchs
338:Coste
260:Allen
214:Alkan
106:from
65:tonal
3510:2024
3405:2024
3343:2024
3304:2024
3139:2024
3103:2024
3080:(4).
3036:help
2963:2024
2807:2015
2748:2024
2505:Just
2036:(E-g
2030:) –
1992:) –
1935:Lalo
1885:(E-c
1815:(F-f
1570:Ries
1429:Lalo
1363:Frey
1191:Ries
1024:Lalo
487:in B
451:Levy
423:Lalo
150:and
89:Bach
47:are
2391:-g)
2357:-g)
2309:-g)
2269:-f)
2251:-c)
2239:-f)
2199:-f)
2190:-f)
2181:-f)
2117:-f)
2020:-c)
2011:-c)
1975:-c)
1925:-f)
1910:-g)
1873:-g)
1843:-g)
1805:-c)
1730:-g)
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