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Piano Concerto No. 1 (Prokofiev)

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1803: 1815: 1842: 705:† — Part of a complete cycle of the five concertos by this pianist and conductor. There have been relatively few such cycles (14 as of 2020) due to the diversity of the five works and their technical demands, and to the extraordinarily central role played by the conductor, such that a majority of pianists omit at least one or two of them from their repertory. The extant cycles are: 141:. He had proposed his own concerto for the programme, reasoning that, though he may not be able to win with a classical concerto, with his own concerto the jury would be “unable to judge whether he was playing well or not.” Competition rules required that the piece be published, so Prokofiev found a publisher willing to produce 20 copies in time for the event. The jury headed by 335: 23:, Op. 10, in 1911, and finished it the next year. The shortest of all his concertos, it is in one movement, about 15 minutes in duration, and dedicated to the “dreaded 1435: 1818: 1769: 1786: 926: 1862: 835: 422: 1689: 968: 930: 105:
Described as extroverted, even showy, for much of its length, the concerto begins and ends with the same spacious D-flat theme. Its
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Prize for pianistic accomplishments in an 18 May 1914 performance of the work before the
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conducting. Saradzhev “realized splendidly all my tempos,” wrote Prokofiev afterwards.
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section, in G-sharp minor, offers warm, veiled contrast: a quasi “middle movement.”
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This date on old Gregorian calendar converts to 7 August on new Julian Calendar
793:(No. 1: July 1997; Nos. 2 and 5: July 1–7, 1995; and Nos. 3 and 4: July 1996), 790: 770: 584: 551: 524: 506: 935: 806: 653: 455: 1856: 539: 301: 293: 245: 633: 1036: 794: 754: 608: 257: 774: 696: 519: 777:(Nos. 1, 3 and 5: Oct. 14-25, 1991; and Nos. 2 and 4: July 8–17, 1993), 785:(Nos. 2 and 3: Dec. 19-20, 1995; and Nos. 1, 4 and 5: Jan. 2-3, 1998), 758: 718: 648: 322: 206: 1470: 198: 879: 35:
The work's single 15-minute span has the following tempo markings:
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Piano Concerto No. 1: Yuja Wang Performance 2014 (video; 14:27)
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This is a partial list. At least 62 recordings exist in all.
737:(No. 1: 1973; Nos. 2 and 3: 1972; and Nos. 4 and 5: 1977), 1436:
Cantata for the 20th Anniversary of the October Revolution
229: 753:(No. 2: 1983; Nos. 1, 3 and 4: 1985; and No. 5: 1987), 1830: 836:"Program Notes Sergei Prokofiev Piano Concerto No. 1" 1698:
Three Pieces & Six Pieces & Ten Pieces from
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Orchestre Symphonique du Théâtre Royal de la Monnaie
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Lina and Serge: The Love and Wars of Lina Prokofiev
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Index

Sergei Prokofiev
Tcherepnin
Moscow
Konstantin Saradzhev
Anton Rubinstein
Saint Petersburg Conservatory
Alexander Glazunov
Sviatoslav Richter
Prague Symphony Orchestra
Karel AnÄŤerl
Supraphon
Rudolfinum
Boston Symphony Orchestra
Erich Leinsdorf
RCA
Symphony Hall, Boston
Gary Graffman
Cleveland Orchestra
George Szell
CBS Masterworks
Vladimir Ashkenazy
London Symphony Orchestra
André Previn
Decca
Kingsway Hall
Michel BĂ©roff
Gewandhaus-Orchester Leipzig
Kurt Masur
EMI Pathé-Marconi
Versöhnungskirche, Leipzig

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