646:, which culminated on 7 November. His Piano Concerto No. 2 in B major, Op. 100, which he conducted, was premiered at the first concert held in Petrograd after that date. After the end of World War I, he was instrumental in the reorganization of the Conservatory—this may, in fact, have been the main reason he waited so long to go into exile. During his tenure he worked tirelessly to improve the curriculum, raise the standards for students and staff, as well as defend the institute's dignity and autonomy. Among his achievements were an opera studio and a students' philharmonic orchestra.
937:, the Fourth was written as a deliberately cosmopolitan work by a Russian looking outward to the West, yet it remained unmistakably Russian in tone. He continued to synthesize nationalist tradition and Western technique in the Fifth Symphony. By the time Glazunov wrote his Seventh Symphony, his duties at the Conservatory had slowed his rate of composition. After his Eighth Symphony, his heavy drinking may have started taking a toll on his creativity, as well. He sketched one movement of a
1053:. He proved to be a disciplined, hard-working student. Glazunov may have recognized in Shostakovich an echo of his younger self. He carefully monitored his progress in Steinberg's class and, in awarding him his doctorate, recommended Shostakovich for a higher degree which normally would have led to a professorship. Due to his family's financial hardship, Shostakovich was not able to take advantage of this opportunity. Glazunov also arranged for the premiere of Shostakovich's
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668:, the minister of education. Nevertheless, Glazunov's conservatism was attacked within the Conservatory. Increasingly, professors demanded more progressive methods, and students wanted greater rights. Glazunov saw these demands as both destructive and unjust. Tired of the Conservatory, he took advantage of the opportunity to go abroad in 1928 for the
601:. This catalysed Rachmaninoff's three-year depression. The composer's wife later claimed that Glazunov seemed to be drunk at the time. While this assertion cannot be confirmed, it is not implausible for a man who, according to Shostakovich, kept a bottle of alcohol hidden behind his desk and sipped it through a tube during lessons.
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Also in 1884, Belyayev rented out a hall and hired an orchestra to play
Glazunov's First Symphony plus an orchestral suite Glazunov had just composed. Buoyed by the success of the rehearsal, Belyayev decided the following season to give a public concert of works by Glazunov and other composers. This
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Glazunov wrote three ballets; eight symphonies and many other orchestral works; five concertos (2 for piano; 1 for violin; 1 for cello; 1 for saxophone); seven string quartets; two piano sonatas and other piano pieces; miscellaneous instrumental pieces; and some songs. He also collaborated with the
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Glazunov's musical development was paradoxical. He was adopted as an idol by nationalist composers who had been largely self-taught and, apart from Rimsky-Korsakov, were deeply distrustful of academic technique. Glazunov's first two symphonies could be seen as an anthology of nationalist techniques
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Glazunov became a teacher at the St. Petersburg
Conservatory (1900) and later its director (1905)... ...Among his many pupils, one of the last and most famous was Dmitri Shostakovich, on whose behalf Glazunov personally interceded during the parlous postrevolutionary years to ensure adequate paper
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This attitude changed over time. In his memoirs, Stravinsky called
Glazunov one of the most disagreeable men he had ever met, adding that the only bad omen he had experienced about the initial (private) performance of his symphony was Glazunov having come to him afterwards saying, "Very nice, very
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In 1929, at age 64, Glazunov married the 54-year-old Olga
Nikolayevna Gavrilova (1875–1968). The previous year, Olga's daughter Elena Gavrilova had been the soloist in the first Paris performance of his Piano Concerto No. 2 in B major, Op. 100. He subsequently adopted Elena (she is sometimes
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Rimsky-Korsakov taught
Glazunov as a private student. "His musical development progressed not by the day, but literally by the hour", Rimsky-Korsakov wrote. The nature of their relationship also changed. By the spring of 1881, Rimsky-Korsakov considered Glazunov more of a junior colleague than a
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For his part, Glazunov was not supportive of the modern direction
Stravinsky's music took. He was not alone in this prejudice—their mutual teacher Rimsky-Korsakov was as profoundly conservative by the end of his life, wedded to the academic process he helped instill at the Conservatory. Unlike
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Glazunov soon enjoyed international acclaim. He emerged from a creative crisis in 1890–1891 with a new maturity. During the 1890s he wrote three symphonies, two string quartets and a ballet. When he was elected director of the Saint
Petersburg Conservatory in 1905, he was at the height of his
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at his own expense. Young composers started appealing for his help. To help select from their offerings, Belyayev asked
Glazunov to serve with Rimsky-Korsakov and Lyadov on an advisory council. The group of composers that formed eventually became known at the Belyayev Circle.
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926:. By his early 20s he realized the polemic battles between academicism and nationalism were no longer valid. Although he based his compositions on Russian popular music, Glazunov's technical mastery allowed him to write in a sophisticated, cultured idiom. With his
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admitted that, as a young man, he greatly admired
Glazunov's perfection of musical form, purity of counterpoint and ease and assurance of his writing. At 15, Stravinsky transcribed one of Glazunov's string quartets for piano solo. He also deliberately modeled his
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Glazunov was not the only one to comment on heaviness in the orchestration. Rimsky-Korsakov, under whose supervision
Stravinsky had written the symphony, reportedly told his young student, "This is too heavy; be more careful when you use trombones in the middle
626:'s death, as both speaker and conductor. After he left Russia, he conducted an evening of his works in Paris in 1928. This was followed by engagements in Portugal, Spain, France, England, Czechoslovakia, Poland, the Netherlands, and the United States.
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Glazunov toured Europe and the United States in 1928, and settled in Paris by 1929. He always claimed that the reason for his continued absence from Russia was "ill health"; this enabled him to remain a respected composer in the Soviet Union, unlike
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Drunk or not, Glazunov had insufficient rehearsal time with the symphony and, while he loved the art of conducting, he never fully mastered it. From time to time he conducted his own compositions, especially the ballet
1001:, Op. 1, on Glazunov's symphonies, which were then in vogue. He used Glazunov's Eighth Symphony, Op. 83, which was written in the same key as his, as a pattern on which to base corrections to his symphony.
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Rimsky-Korsakov, Glazunov was not anxious about the potential dead end Russian music might reach by following academia strictly, nor did he share Rimsky-Korsakov's grudging respect for new ideas and techniques.
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and would take a keen interest in the teenager's musical future, then extend that interest to an entire group of nationalist composers. Belyayev took Glazunov on a trip to Western Europe in 1884. Glazunov met
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nice." Later, Stravinsky amended his recollection of this incident, adding that when Glazunov passed him in the aisle after the performance, he told Stravinsky, "Rather heavy instrumentation for such music."
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and Shostakovich eventually considered his music old-fashioned, while also admitting he remained a composer with an imposing reputation, and a stabilizing influence in a time of transition and turmoil.
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While Glazunov's sobriety could be questioned, his prestige could not. Because of his reputation, the Conservatory received special status among institutions of higher learning in the aftermath of the
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Chances are that Glazunov treated Stravinsky with reserve, certainly not with open rudeness. His opinion of Stravinsky's music in the presence of others was another matter. At the performance of
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461:, the son of a wealthy publisher. His father Konstantin was granted the status of hereditary nobility later, in 1882. He began studying piano at the age of nine and began composing at 11.
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The Third Symphony was a transitional work. Glazunov admitted its composition caused him a great deal of trouble. With the Fourth Symphony, he came into his mature style. Dedicated to
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degrees from the universities of Oxford and Cambridge. There were also cycles of all-Glazunov concerts in Saint Petersburg and Moscow to celebrate his 25th anniversary as a composer.
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entered the Petrograd Conservatory at age 13, becoming the youngest student there. He studied piano with Leonid Nikolayev and composition with Rimsky-Korsakov's son-in-law
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with Glazunov's early life, the symphony caused almost as much of a sensation as the appearance of the 19-year-old Shostakovich on the stage awkwardly taking his bow.
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Glazunov made his conducting debut in 1888. The following year, he conducted his Second Symphony in Paris at the World Exhibition. He was appointed conductor for the
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between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the
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Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to
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More important than this praise was that among the work's admirers was a wealthy timber merchant and amateur musician,
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1061:. This was 44 years after Glazunov's First Symphony had first been presented in the same hall. In another instance of
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student. While part of this development may have been from Rimsky-Korsakov's need to find a spiritual replacement for
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referred to as his stepdaughter), and she then used the name Elena Glazunova. In 1928, Elena had married the pianist
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1630:"GLAZUNOV, A.K.: Orchestral Works, Vol. 14 - Piano Concertos Nos. 1 and 2 (Yablonskaya, Moscow Symphony, Yablonsky)"
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2017:(Berkeley and Los Angeles: University of California Press, 1966). Library of Congress Card Catalog Number 66-27667.
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29 July] 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian
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722:.) Elena later appeared as Elena Gunther-Glazunova after her second marriage, to Herbert Gunther (1906–1978).
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and firing, then re-hiring of Rimsky-Korsakov that year, Glazunov became its director. He remained so until
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in 1896. In March of that year he conducted the posthumous premiere of Tchaikovsky's student overture
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posts. He played a prominent part in the Russian observation in 1927 of the centenary of
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Letters from Glazunov "The Saxophone Concerto Years" published in Saxophone Journal
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734:(near Paris) at the age of 70 in 1936. In 1972 his remains were reinterred at the
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415:'s epic grandeur while absorbing a number of other influences. These included
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ran the Conservatory in his absence until Glazunov finally resigned in 1930.
1972:(New York: The Free Press, a division of Simon & Schuster, Inc., 1995).
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Glazunov showed paternal concern for the welfare of needy students, such as
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as practiced by Balakirev and Borodin; the same could be said for his
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Despite the hardships he suffered during World War I and the ensuing
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and Marina Frolova-Walker, "Glazunov, Aleksandr Konstantinovich" in
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creative powers. His best works from this period are considered his
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196:. Statements consisting only of original research should be removed.
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Concerto for Alto Saxophone and String Orchestra in E-flat major
1902:; Royal Scottish National Orchestra conducted by José Serebrier.
1895:; Royal Scottish National Orchestra conducted by José Serebrier.
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briefly considered Glazunov to compose the music for his ballet
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Commemorative Cantata for the Centenary of the Birth of Pushkin
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is not music, but is excellently and skillfully orchestrated."
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Aleksandr Konstantinovich Glazunov: His life and creative work
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VOX recording of the Violin Concerto in A minor, Op. 82
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Stravinsky, A Creative Spring: Russia and France, 1882–1934
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Glazunov: Symphony No. 1, "Slavyanskaya"; Violin Concerto
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Schwarz, Boris, "Glazunov, Aleksandr Konstantinovich" in
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Glazunov's most popular works nowadays are his ballets
1594:"Letters From Glazunov "The Saxophone Concerto Years""
701:, a virtuoso and lyrical work for the alto saxophone.
542:, which were inaugurated during the 1886–1887 season.
1716:. Oxford: Oxford University Press. pp. 577–579.
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centenary celebrations in Vienna. He did not return.
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In 1885 Belyayev started his own publishing house in
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90:. Unsourced material may be challenged and removed.
3448:Honorary members of the Royal Philharmonic Society
1924:(Saint Petersburg, 1909), published in English as
1244:[ɐlʲɪkˈsandrkənstɐnʲˈtʲinəvʲɪdʑɡləzʊˈnof]
867:, some of his later symphonies, particularly the
534:, where Glazunov's First Symphony was performed.
521:. Belyayev was introduced to Glazunov's music by
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1928:(New York: Knopf, 1925, 3rd ed. 1942). ISBN n/a.
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3443:Academic staff of Saint Petersburg Conservatory
1909:(Boston: Northeastern University Press, 1990).
1278:[alɛkˈsandɐkɔnstanˈtiːnovɪtʃɡlazuˈnɔf]
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1970:Testimony: The Memoirs of Dmitri Shostakovich
1863:Natasha's Dance: A Cultural History of Russia
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593:. In 1897, he led the disastrous premiere of
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971:after failing to interest his first choice,
634:In 1899, Glazunov became a professor at the
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1495:"Aleksandr Glazunov - Tchaikovsky Research"
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848:Performed by the Skidmore College Orchestra
822:Category:Compositions by Alexander Glazunov
784:. Unsourced material may be challenged and
493:(he left a ninth unfinished at his death).
53:Learn how and when to remove these messages
3398:Conductors (music) from the Russian Empire
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2353:
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1650:Liner notes to Sergei Tarnowsky recording
1261:[alɛksɑ̃dʁkɔ̃stɑ̃tinɔvitʃɡlazunɔf]
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818:List of compositions by Alexander Glazunov
465:, former leader of the nationalist group "
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2037:International Music Score Library Project
1983:Volkov, Solomon, tr. Bouis, Antonina W.,
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1341:. Rowman & Littlefield. p. 173.
804:Learn how and when to remove this message
230:Learn how and when to remove this message
212:Learn how and when to remove this message
150:Learn how and when to remove this message
3413:Ballet composers from the Russian Empire
1946:Taylor, Philip, Notes for Chandos 9751,
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2074:first recording of Glazunov's original
1574:http://www.bostonclassicalorchestra.org
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411:'s nationalism, he tended more towards
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1898:Huth, Andrew, Notes for Warner 63236,
1891:Huth, Andrew, Notes for Warner 61939,
1876:Huth, Andrew, Notes for Warner 61434,
1865:(New York: Metropolitan Books, 2002).
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1338:Historical Dictionary of Russian Music
922:practices much like those employed by
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1878:Glazunov: Symphony No. 5; The Seasons
1714:Stravinsky and the Russian Traditions
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3393:People from Sankt-Peterburgsky Uyezd
1987:(New York: Harper & Row, 1979).
1985:Saint Petersburg: A Cultural History
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1270:Alexander Konstantinowitsch Glasunow
1253:Alexandre Konstantinovitch Glazounov
1223:Алекса́ндр Константи́нович Глазуно́в
975:, before he eventually commissioned
881:, and his two Concert Waltzes. His
782:adding citations to reliable sources
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88:adding citations to reliable sources
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3226:Tchaikovsky and the Belyayev circle
2002:(New York: Alfred A. Knopf, 1999).
1592:Sobchenko, André (September 1997).
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885:, which was a favorite vehicle for
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2064:Alexander Konstantinovich Glazunov
1893:Glazunov: Symphony No. 8; Raymonda
1505:from the original on 21 June 2015.
1335:Jaffé, Daniel (15 February 2022).
1235:Aleksándr Konstantínovich Glazunóv
382:Alexander Konstantinovich Glazunov
14:
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3433:Pupils of Nikolai Rimsky-Korsakov
3423:Composers from the Russian Empire
2033:Free scores by Alexander Glazunov
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2015:Stravinsky: The Man and His Works
1900:Glazunov: Symphonies Nos. 4 and 7
1882:Royal Scottish National Orchestra
1640:from the original on 10 May 2018.
431:skill. Younger composers such as
34:This article has multiple issues.
3378:20th-century classical composers
3368:19th-century classical composers
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1952:Russian State Symphony Orchestra
1922:Letoppis Moyey Muzykalnoy Zhizni
1858:Concerts Publishing House, 1907.
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644:the revolutionary events of 1917
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3383:Composers from Saint Petersburg
3373:19th-century conductors (music)
2256:Piano Concerto No. 1 in F minor
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914:with its use of the folk song "
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392:period. He was director of the
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3453:People's Artists of the RSFSR
1603:. dornpub.com. Archived from
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679:
636:Saint Petersburg Conservatory
394:Saint Petersburg Conservatory
364:Saint Petersburg Conservatory
246:Eastern Slavic naming customs
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453:Glazunov family coat of arms
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16:Russian composer (1865–1936)
7:
3438:Burials at Tikhvin Cemetery
3269:Gothic Revival architecture
2028:More Complete List of Works
1499:en.tchaikovsky-research.net
1234:
987:In his 1935 autobiography,
192:the claims made and adding
10:
3469:
3428:Russian Romantic composers
3418:Soviet emigrants to France
3210:Neue Zeitschrift für Musik
2385:List of Romantic composers
2251:Violin Concerto in A minor
1920:Rimsky-Korsakov, Nikolai,
1841:
1456:Rimsky-Korsakov, 279, 281.
959:orchestrated by Glazunov.
815:
736:Alexander Nevsky Monastery
444:
419:'s orchestral virtuosity,
244:In this name that follows
243:
3403:Soviet conductors (music)
3301:
3246:
3191:
3125:
3104:
2391:
2382:
2328:
2312:
2303:Songs and Dances of Death
2287:
2269:
2243:
2165:
2140:
2131:
1378:Rimsky-Korsakov, 230–231.
1222:
1042:Glazunov and Shostakovich
916:Song of the Volga Boatmen
585:Russian Symphony Concerts
540:Russian Symphony Concerts
369:
359:
339:
317:
292:
276:
269:
3408:String quartet composers
3231:Tchaikovsky and The Five
1950:; Julie Krasko, violin;
1672:Huth, Warner 63236, 4–5.
1070:
725:
697:. In 1934, he wrote his
283:Portrait of Glazunov by
1652:Vignettes of Old Russia
983:Glazunov and Stravinsky
640:1905 Russian Revolution
557:
471:Nikolai Rimsky-Korsakov
3254:Common practice period
2183:No. 2 in F-sharp minor
1699:Hugh, Warner 61939, 6.
1690:Huth, Warner 63236, 5.
1681:Huth, Warner 61434, 6.
1269:
1252:
1014:
955:, a suite of music by
901:
538:project grew into the
514:
454:
2218:No. 8 in E-flat major
2198:No. 5 in B-flat major
2193:No. 4 in E-flat major
2087:25 April 2012 at the
1447:Rimsky-Korsakov, 278.
1438:Rimsky-Korsakov, 275.
1429:Rimsky-Korsakov, 274.
1390:Rimsky-Korsakov, 231.
949:to create the ballet
899:
638:. In the wake of the
504:
457:Glazunov was born in
452:
384:(10 August [
352:Conservatory director
3291:Romantic nationalism
3237:War of the Romantics
2134:List of compositions
2013:White, Eric Walter,
1907:The New Shostakovich
1854:; Sanct-Petersburg,
1579:4 March 2010 at the
1051:Maximilian Steinberg
900:Glazunov before 1913
778:improve this section
674:Maximilian Steinberg
497:Mentored by Belyayev
398:Bolshevik Revolution
374:List of compositions
99:"Alexander Glazunov"
84:improve this article
3388:Composers for piano
3286:Musical nationalism
3204:Musical nationalism
1848:Ossovsky, Alexander
1610:on 15 February 2020
1047:Dmitri Shostakovich
746:Works and influence
666:Anatoly Lunacharsky
651:Dmitri Shostakovich
402:Dmitri Shostakovich
3199:Indianist movement
3117:Romantic orchestra
2125:Alexander Glazunov
2053:Chant du ménestrel
1966:Bouis, Antonina W.
902:
891:Saxophone Concerto
832:Chant du ménestrel
699:Saxophone Concerto
662:October Revolution
515:
455:
271:Alexander Glazunov
177:possibly contains
3345:
3344:
3216:New German School
2811:Felix Mendelssohn
2806:Fanny Mendelssohn
2342:
2341:
2008:978-0-679-41484-1
1993:978-0-06-014476-0
1978:978-0-02-874052-2
1915:978-1-55553-089-1
1871:978-0-8050-5783-6
1710:Taruskin, Richard
1663:Huth, 61434, 5–6.
1654:, Genesis Records
1601:Saxophone Journal
1348:978-1-5381-3008-7
1232:
843:
814:
813:
806:
732:Neuilly-sur-Seine
730:Glazunov died in
720:Vladimir Horowitz
616:Russian Civil War
519:Mitrofan Belyayev
507:Mitrofan Belyayev
487:Modest Mussorgsky
379:
378:
329:Neuilly-sur-Seine
240:
239:
232:
222:
221:
214:
179:original research
160:
159:
152:
134:
57:
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3324:
3221:Post-romanticism
3086:Vaughan Williams
2369:
2362:
2355:
2346:
2345:
2334:
2333:
2313:Related articles
2228:
2223:No. 9 in D minor
2208:No. 7 in F major
2203:No. 6 in C minor
2188:No. 3 in D major
2173:No. 1 in E major
2118:
2111:
2104:
2095:
2094:
2076:Oriental Reverie
2072:Quinteto AMIZADE
1998:Walsh, Stephen,
1956:Valery Polyansky
1932:Norris, Geoffrey
1905:MacDonald, Ian,
1861:Figes, Orlando,
1856:Alexander Siloti
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935:Anton Rubinstein
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459:Saint Petersburg
423:'s lyricism and
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3163:Orchestral song
3143:Chorale prelude
3138:Character piece
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3105:Instrumentation
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2936:Rimsky-Korsakov
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2089:Wayback Machine
2057:recording from
2047:Mutopia Project
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1962:Volkov, Solomon
1926:My Musical Life
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883:Violin Concerto
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569:Violin Concerto
565:Eighth Symphony
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1886:José Serebrier
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1016:Feu d'artifice
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939:Ninth Symphony
928:Third Symphony
907:symphonic poem
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2514:
2512:
2509:
2507:
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2499:
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2392:Composers and
2390:
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2377:
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2236:
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2224:
2221:
2219:
2216:
2213:
2209:
2206:
2204:
2201:
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2184:
2181:
2178:
2174:
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2170:
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2164:
2158:
2157:
2153:
2151:
2150:
2146:
2145:
2143:
2139:
2135:
2130:
2126:
2119:
2114:
2112:
2107:
2105:
2100:
2099:
2096:
2090:
2086:
2083:
2080:
2077:
2073:
2070:
2068:
2065:
2062:
2060:
2056:
2055:, Op. 71
2054:
2050:
2048:
2044:
2041:
2038:
2034:
2031:
2029:
2026:
2025:
2016:
2012:
2009:
2005:
2001:
1997:
1994:
1990:
1986:
1982:
1979:
1975:
1971:
1967:
1963:
1960:
1957:
1954:conducted by
1953:
1949:
1945:
1943:
1939:
1937:
1933:
1930:
1927:
1923:
1919:
1916:
1912:
1908:
1904:
1901:
1897:
1894:
1890:
1887:
1884:conducted by
1883:
1879:
1875:
1872:
1868:
1864:
1860:
1857:
1853:
1849:
1846:
1845:
1832:
1830:
1820:
1811:
1802:
1793:
1791:
1781:
1775:
1769:
1760:
1751:
1742:
1733:
1725:
1723:0-19-816250-2
1719:
1715:
1711:
1705:
1696:
1687:
1678:
1669:
1660:
1653:
1647:
1639:
1635:
1634:www.naxos.com
1631:
1625:
1606:
1602:
1595:
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1387:
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1310:
1308:
1303:
1287:
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1245:
1236:
1230:
1219:
1215:
1214:
1205:
1139:
1133:
1132:
1123:
1087:
1080:
1076:
1068:
1066:
1065:
1060:
1059:Nikolai Malko
1056:
1052:
1048:
1039:
1037:
1036:
1031:
1027:
1023:
1018:
1017:
1010:
1006:
1002:
1000:
994:Symphony in E
990:
980:
978:
974:
973:Anatol Lyadov
970:
969:
964:
960:
958:
954:
953:
952:Les Sylphides
948:
947:Michel Fokine
942:
940:
936:
931:
929:
925:
921:
917:
913:
912:
908:
898:
894:
892:
888:
884:
880:
879:
878:Les Sylphides
874:
870:
866:
865:
860:
859:
835:
834:, Op. 71
833:
823:
819:
808:
805:
797:
787:
783:
779:
773:
772:
768:
763:This section
761:
757:
752:
751:
743:
741:
737:
733:
723:
721:
717:
713:
702:
700:
696:
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688:
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671:
667:
663:
658:
656:
652:
647:
645:
641:
637:
627:
625:
621:
617:
612:
610:
609:
602:
600:
599:Symphony No 1
596:
592:
591:
586:
576:
574:
570:
566:
555:
552:
548:
543:
541:
535:
533:
529:
524:
520:
512:
508:
503:
494:
492:
488:
482:
480:
476:
472:
468:
464:
460:
451:
437:
434:
430:
426:
422:
418:
414:
410:
405:
403:
399:
395:
391:
387:
383:
375:
372:
368:
365:
362:
360:Organizations
358:
351:
348:
345:
344:
342:
338:
334:
330:
321:21 March 1936
320:
316:
312:
308:
295:
291:
286:
280:
275:
268:
263:
259:
256: and the
255:
251:
247:
242:
234:
231:
216:
213:
205:
202:December 2023
195:
191:
187:
181:
180:
175:This article
173:
164:
163:
154:
151:
143:
140:December 2023
132:
129:
125:
122:
118:
115:
111:
108:
104:
101: –
100:
96:
95:Find sources:
89:
85:
79:
78:
73:This article
71:
67:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
3312:
3305:
3208:
3192:Other topics
3016:J. Strauss I
2906:Rachmaninoff
2661:Gretchaninov
2635:
2301:
2294:
2276:
2270:Choral music
2234:Stenka Razin
2232:
2211:
2176:
2154:
2147:
2124:
2075:
2052:
2014:
1999:
1984:
1969:
1947:
1941:
1935:
1925:
1921:
1906:
1899:
1892:
1877:
1862:
1851:
1819:
1810:
1801:
1780:
1773:
1772:Stravinsky,
1768:
1759:
1750:
1741:
1732:
1713:
1704:
1695:
1686:
1677:
1668:
1659:
1651:
1646:
1633:
1624:
1612:. Retrieved
1605:the original
1600:
1587:
1569:
1545:
1540:
1532:
1516:
1511:
1498:
1478:
1461:
1452:
1443:
1434:
1425:
1417:
1374:
1366:
1361:
1352:
1337:
1330:
1322:
1286:
1079:
1062:
1045:
1033:
1021:
1011:
1007:
1003:
986:
968:The Firebird
966:
961:
950:
943:
932:
911:Stenka Razin
909:
903:
876:
862:
856:
854:
831:
800:
791:
776:Please help
764:
729:
708:
705:Married life
694:
691:Rachmaninoff
683:
659:
648:
633:
630:Conservatory
613:
606:
603:
595:Rachmaninoff
588:
582:
561:
544:
536:
516:
505:Portrait of
483:
456:
429:contrapuntal
406:
381:
380:
323:(1936-03-21)
261:
253:
241:
226:
208:
199:
176:
146:
137:
127:
120:
113:
106:
94:
82:Please help
77:verification
74:
50:
43:
37:
36:Please help
33:
3363:1936 deaths
3358:1865 births
3259:Romanticism
3041:Tchaikovsky
2976:R. Schumann
2971:C. Schumann
2956:Saint-Saëns
2851:Niedermeyer
2741:Leoncavallo
2711:Kalkbrenner
2486:Bortkiewicz
2244:Concertante
2156:The Seasons
2043:Free scores
1805:White, 143.
1796:Walsh, 103.
1736:White, 138.
920:orientalist
858:The Seasons
695:The Seasons
421:Tchaikovsky
340:Occupations
258:family name
3352:Categories
3247:Background
3148:Intermezzo
3081:Wieniawski
3061:Vieuxtemps
3026:R. Strauss
2951:Rubinstein
2876:Paderewski
2846:Mussorgsky
2841:Moszkowski
2816:Mercadante
2296:Chopiniana
2227:unfinished
1754:Walsh, 87.
1481:, 938–939.
1465:Maes, 173.
1402:Taylor, 4.
1369:, 939–940.
1299:References
1291:register."
816:See also:
687:Stravinsky
680:Emigration
511:Ilya Repin
491:symphonies
299:1865-08-10
285:Ilya Repin
250:patronymic
186:improve it
110:newspapers
39:improve it
2861:Offenbach
2836:Moscheles
2831:Moniuszko
2826:Meyerbeer
2781:Marschner
2766:MacDowell
2581:Donizetti
2526:Cherubini
2516:Chaminade
2441:Beethoven
2426:Balakirev
2416:Atterberg
2394:musicians
2177:Slavonian
1942:New Grove
1936:New Grove
1763:White, 12
1614:31 August
1546:New Grove
1544:Schwarz,
1517:New Grove
1479:New Grove
1477:Schwarz,
1367:New Grove
1365:Schwarz,
1323:New Grove
1321:Schwarz,
1229:romanized
1213:-ə-no(h)f
1035:Petrushka
1022:Fireworks
979:instead.
765:does not
740:Leningrad
716:Sol Hurok
624:Beethoven
590:The Storm
579:Conductor
440:Biography
433:Prokofiev
409:Balakirev
349:Conductor
190:verifying
45:talk page
3327:Category
3304: ←
3183:Symphony
3046:Thalberg
3011:Spontini
2986:Sibelius
2981:Scriabin
2966:Schubert
2961:Sarasate
2926:Respighi
2921:Reinecke
2881:Paganini
2791:Massenet
2786:Masarnau
2771:Madetoja
2716:Kreisler
2706:Kalivoda
2651:J. Gomis
2636:Glazunov
2631:Giuliani
2521:Chausson
2511:Chadwick
2501:Bruckner
2336:Category
2212:Pastoral
2149:Raymonda
2085:Archived
1712:(1996).
1638:Archived
1577:Archived
1531:Volkov,
1515:Norris,
1503:Archived
1416:Volkov,
997:♭
924:The Five
864:Raymonda
670:Schubert
620:Red Army
608:Raymonda
567:and his
467:The Five
390:Romantic
346:Composer
262:Glazunov
3317:→
3279:Science
3158:Mazurka
3133:Ballade
3066:Voříšek
3036:Tárrega
3031:Taneyev
2991:Smetana
2946:Rossini
2901:Puccini
2896:Prudent
2856:Nielsen
2821:Méreaux
2796:Medtner
2761:Lysenko
2731:Lachner
2696:Joachim
2676:Herbert
2596:Farrenc
2561:Delibes
2536:Crusell
2481:Borodin
2471:Berwald
2461:Berlioz
2451:Bennett
2446:Bellini
2431:Bazzini
2411:Arensky
2141:Ballets
2059:Musopen
2045:at the
2039:(IMSLP)
2035:at the
1842:Sources
1774:Memoirs
1218:Russian
1211:GLA(H)Z
1131:-oo-nof
1064:déjà vu
786:removed
771:sources
551:Borodin
547:Leipzig
475:Borodin
445:Prodigy
425:Taneyev
413:Borodin
184:Please
124:scholar
3337:Portal
3274:Poetry
3126:Genres
3071:Wagner
3051:Tobias
2916:Reicha
2891:Popper
2871:Pacini
2866:Onslow
2776:Mahler
2756:Lumbye
2721:Kuhlau
2701:Joplin
2691:Hummel
2681:Hérold
2671:Halévy
2656:Gounod
2641:Glinka
2621:Franck
2616:Foster
2586:Dvořák
2576:d'Indy
2566:Delius
2546:Czerny
2531:Chopin
2506:Busoni
2491:Brahms
2466:Bertin
2456:Bériot
2006:
1991:
1976:
1964:, tr.
1913:
1873:(hc.).
1869:
1720:
1548:, 939.
1535:, 351.
1519:, 709.
1420:, 349.
1345:
1325:, 938.
1266:German
1249:French
1220::
918:" and
869:Fourth
532:Weimar
513:(1886)
479:Stasov
333:France
287:, 1887
248:, the
126:
119:
112:
105:
97:
3264:Chess
3096:Ysaÿe
3076:Weber
3056:Verdi
3006:Spohr
3001:Sousa
2886:Paine
2801:Méhul
2751:Loewe
2746:Liszt
2726:Kuula
2686:Holst
2666:Grieg
2646:Gomes
2626:Franz
2611:Foote
2606:Field
2601:Fauré
2591:Elgar
2571:Denza
2496:Bruch
2476:Bizet
2436:Beach
2421:Auber
2406:Alkan
2067:Naxos
1608:(PDF)
1597:(PDF)
1071:Notes
873:Fifth
726:Death
528:Liszt
370:Works
131:JSTOR
117:books
3153:Lied
3091:Wolf
2941:Rode
2931:Ries
2911:Raff
2736:Lalo
2401:Adam
2004:ISBN
1989:ISBN
1974:ISBN
1911:ISBN
1867:ISBN
1718:ISBN
1616:2012
1343:ISBN
1274:IPA:
1257:IPA:
1240:IPA:
1129:GLAZ
861:and
820:and
769:any
767:cite
689:and
653:and
558:Fame
477:and
386:O.S.
318:Died
293:Born
103:news
2996:Sor
2541:Cui
1192:-,-
780:by
738:in
597:'s
530:in
509:by
427:'s
260:is
252:is
188:by
86:by
3354::
1968:,
1880:;
1850:,
1828:^
1789:^
1636:.
1632:.
1599:.
1553:^
1524:^
1501:.
1497:.
1486:^
1470:^
1407:^
1395:^
1383:^
1351:.
1306:^
1272:,
1268::
1264:;
1255:,
1251::
1247:;
1238:,
1226:,
1216:;
1198:oʊ
1186:ɑː
1140::
1138:US
1134:,
1088::
1086:UK
871:,
742:.
404:.
331:,
309:,
48:.
3239:"
3235:"
2368:e
2361:t
2354:v
2229:)
2225:(
2214:)
2210:(
2179:)
2175:(
2117:e
2110:t
2103:v
2078:.
2010:.
1995:.
1980:.
1958:.
1917:.
1888:.
1726:.
1618:.
1281:.
1231::
1204:/
1201:f
1195:n
1189:z
1183:l
1180:ɡ
1177:ˈ
1174:,
1171:f
1168:ɒ
1165:n
1162:ə
1159:z
1156:æ
1153:l
1150:ɡ
1147:ˈ
1144:/
1122:/
1119:f
1116:ɒ
1113:n
1110:u
1107:z
1104:æ
1101:l
1098:ɡ
1095:ˈ
1092:/
1020:(
807:)
801:(
796:)
792:(
788:.
774:.
301:)
297:(
264:.
233:)
227:(
215:)
209:(
204:)
200:(
182:.
153:)
147:(
142:)
138:(
128:·
121:·
114:·
107:·
80:.
55:)
51:(
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