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Physically integrated dance

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650:(2002), has written about the perhaps unnecessary labelling of a dance performance as "integrated" or "inclusive" dance when advertising it to the public, calling it, "a bit like a roadsign warning the unwary theatre-goer of possible encounters with wheelchairs—it tells us that we can expect to see a disabled person on stage, which can only leave us asking, 'Is that really necessary? Who is it that needs to be warned?'" Part of the reason for this practice may be the breaking of a taboo for some audience members to see bodies in many conditions performing on stage, an event that may create astonishment, among other reactions. Audiences in Western cultures are accustomed to seeing only dancers in peak physical condition when they attend performances at top theatres. 839: 682: 599:
March 2021. Lawson is concerned that disabled dancers might not receive proper training customized to their bodies and has developed her own pedagogical approach. In her approach she encourages what she call "biomechanical alignment", and she has also designed specialized wheelchairs for dancers from the US and Europe. In 2019, Lawson was one of 31 dance artists to receive a fellowship from Dance/USA for integrating social justice and dance. This was the first time Dance/USA gave awarded fellowship to anyone working in physically integrated dance.
626:, and because they have very strict physical requirements to audition for them. For example, The Rockettes do not consider dancers who do not meet a specific height range and only have a certain number of slots available to women of an exact height within the range. Mesher is able to meet the bar of uniformity because her particular disability does not impact the majority of the choreography and she has found ways to modify movements of her left arm to match closely enough to the other dancers. 446: 595:. In the interview she stated that the biggest challenge to physically integrated dance is the lack of accessibility to dance training for disabled dancers. She said the barrier that has slowed improvement to training access is that dance teachers are not trained in how to teach dance to students with disabilities; some of these teachers, Smith said, are not aware that there is a demand of disabled students who would take their classes if it was offered. 654:
made by non-disabled people, though some disabled dancers have said that non-disabled choreographers are ill-equipped to make full use of the talents of someone who uses a wheelchair, crutch or cane. Laurel Lawson has said that the overuse injuries normalized in sports and concert dance can take a greater toll on a dancer who is disabled.
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as additive rather than focusing on what they cannot do. Due to the nature of being integrated, those who choreograph for physical integrated companies may themselves be disabled or not, or works may be created collaboratively with the dancers through improvisation. Judith Smith, former Artistic Director of
817:. The company has three core areas of activity: a community workshop program for small children with intellectual disability, a core performance group of 15- to 26-year-olds with and without disabilities who work in collaboration with professional artists and a touring company of professional dancers. 653:
Some disabled dancers say that a flaw of physically integrated dance is that the disabled dancers can be treated "as a prop onstage". Others say that disabled dancers can be turned away from such companies at auditions if their disability is not visible. Not all physically integrated choreography is
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by expanding the movement vocabulary to include the skillsets of people with various disabilities that may effect their mobility or balance or who are missing limbs. Directors and choreographers of physically integrated dance tend to approach the work by looking at the abilities of disabled dancers
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Some physically integrated dance companies are founded or led by people who identify as disabled and/or work with disabled choreographers. Many dance works performed by such companies challenge conceptions of dance, stage, and artistry in their work, such as Kim Manri (Taihen), Gerda Koenig (DIN A
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who, they claim, had become frustrated and disillusioned with the preoccupation and direction of most dance. The company has produced 16 dance pieces, which have toured internationally, and 4 award-winning films for television. They are performing works that break down the barriers between dance,
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As a new generation entered in the movement in the late 2010s and early 2020s, new perspectives of how to better support, train, and accommodate disabled dancers emerged. Dancer, engineer, and wheelchair user Laurel Lawson was writing a book on dance technique for manual wheelchair dancers as of
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Where others saw limitation, Stange saw potential. Where others saw a medical condition, Stange saw the possibility of a new form of expression. Like Holger, he believed that the key to performance was honesty: the presentation of the authentic self. Everyone could be honest, so everyone had
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is a South African contemporary dance company that "brings together performers with physical disabilities and performers without." It concentrates on the contemporary dance genre, with its activities focused on education and the creation of "performances that are intriguing and intelligent".
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is a professional dance company based in Cleveland, Ohio. Founded in 1980, it was the first in America to stage performances involving dancers with and without disabilities. The company uses its performances to enhance public awareness of disability issues and promote social change.
829:, founded by Wolfgang Stange in 1980 and based in London, UK, includes dancers with physical and also mental disabilities. The approach of Stange has been described as one that directly incorporates each dancer's unique qualities into the dance: 727:, fell while dancing on stage. The resulting spinal injury prevented her from dancing until choreographer Darshan Singh Buller persuaded her to dance again, albeit from her wheelchair, for the subsequently award-winning dance film 723:
Dance Company is a British contemporary dance company of disabled and non-disabled dancers, founded in 1991 by Celeste Dandeker and Adam Benjamin. Dandeker, who had previously trained with the
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Alice Sheppard of Kinetic Light said in March 2021 that she as a disabled dancer she is not out to evangelize to non-disabled people; she sees other disabled people as her primary audience.
862:; she is the first disabled person to hold the title in the company's 24-year history. A new leadership group was established at the end of 2021 called the Artistic Direction Panel and 1480: 174: 622:] opportunity." Mesher's hiring was novel in the physically integrated dance movement both in that The Rockettes are a commercial dance organization, rather than 643:, has said that outside choreography who set work on the company approach creating the work the same way they would for a company that is not physically integrated. 661:" is more than the constant arguing for justice and the constant explaining of disabled life. ... who are ... when we're not justifying our humanity to others." 760:
theatre, and personal politics and, above all, communicate ideas and feelings clearly and unpretentiously. Dancers and production staff include people with
1983: 731:. From this, Dandeker took inspiration to create Candoco Dance Company, which, since its inception, has been creating an inclusive dance practice. 606:
hired the first dancer with a visible disability in the organization's 94-year history. Sydney Mesher, 22 years old at the time she was hired, has
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was founded in California. A number of other dance companies around the world now perform with physically or mentally disabled dancers.
616:"...even though I don't consider my disability to be that challenging, I need to be in this position to let others have this [ 922: 553:
and performed it at the Playhouse at Hunter College in New York. In 2010, in her 70s, Rainer restaged the piece again and called it
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in 1968. Among Holger's students was Wolfgang Stange, who was inspired to found a company to perform integrated dance works, the
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is an American company based in Atlanta, Georgia composed of professional dancers with and without physical disabilities.
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is a New York–based modern dance project by the Heidi Latsky Dance company. The founder of this project is not disabled.
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to showcase how with her older body "getting up and down off the floor requires a lot more maneuvering than it used to".
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Pelka, Fred (1997). ABC-CLIO Companion to the Disability Rights Movement. Santa Barbara, California: ABC-CLIO. p. 97.
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and choreographer, was recovering from a surgery in 1967 when she restaged a version of her famous work
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Modern integrated or inclusive dance was first explored during the late 1960s. Dance instructor
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Integrated dance gained a higher profile with the mainstream public during the 1980s. In 1986,
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movement, which recognizes and celebrates the first-person experience of disability, not as a
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The goal of physically integrated dance is to bring disabled people into the norms of
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and nine additional nominations for both their artistry and production values.
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Disability Culture and Community Performance: Find a Strange and Twisted Shape
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Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers
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Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers
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established in 1997. As of March 2021, the Interim Artistic Director was
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was formed in 1986 by an independent collective of British
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Disability and Contemporary Performance: Bodies on Edge
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in light of her stepping down as Artistic Director of
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Houndmills and New York: Palgrave. 676: 672:Physically Integrated Dance Companies 352:Disabled Peoples' International (DPI) 1433:"What â€” Restless Dance Theatre" 1266:Austin, Kristin (February 1, 2011). 1132: 1130: 1105: 1103: 1101: 1099: 1048: 1046: 995: 993: 991: 989: 987: 985: 983: 981: 979: 977: 771: 764:, for example in the company's film 276:Social Security Disability Insurance 1213:McCarthy, Suzanne (28 March 2002). 1186: 782: 13: 1446: 14: 2417: 1502: 1362:"The Gimp Project — Heidi Latsky" 1127: 1096: 1043: 1039:. London and New York: Routledge. 974: 734: 725:London Contemporary Dance Theatre 525:taught dance to her son, who had 1512:. Adambenjamin.co.uk. 2011-12-20 1315: 1008:Watlington, Emily (2021-03-09). 846: 708:. Their work has received seven 445: 444: 342:National Telecommuting Institute 2340:Dance in mythology and religion 1473: 1425: 1404: 1354: 1309: 1155: 1077: 955:Jennings, Luke (27 June 2010). 666:Alice Sheppard, Contra* podcast 1187:Roy, Sanjoy (6 January 2009). 1071: 1026: 914: 897: 842:Rodney Bell during performance 584:, Bill Shannon and Marc Brew. 555:Trio A: Geriatric with Talking 347:Society for Disability Studies 204:Unlicensed assistive personnel 1: 1291:"Communicating Through Dance" 890: 629: 281:Supplemental Security Income 43:Ableism / Disablism 7: 2406:Physically integrated dance 961:The Guardian (The Observer) 873: 827:Amici Dance Theatre Company 821:Amici Dance Theatre Company 710:Isadora Duncan Dance Awards 535:Amici Dance Theatre Company 499:physically integrated dance 296:Disabled students allowance 291:Disability Living Allowance 10: 2422: 516: 155:Disability rights movement 2295: 1982: 1892: 1767: 1657: 1589: 1561: 1553: 1510:"International Directory" 1166:. 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173: 171: 168: 166: 165:Normalization 163: 161: 158: 156: 153: 152: 145: 144: 136: 133: 131: 128: 126: 123: 122: 115: 114: 106: 103: 101: 98: 96: 93: 91: 90:Special needs 88: 87: 83: 80: 78: 77:Mainstreaming 75: 74: 68: 67: 59: 56: 54: 51: 49: 48:Medical model 46: 44: 41: 39: 36: 35: 28: 27: 24: 21: 20: 2370:Dance troupe 2315:Dance awards 2304: 2210:Pontic Greek 1917:Dance theory 1907:Choreography 1819:Contemporary 1514:. 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Index

Disability
Disability theory
Ableism / Disablism
Medical model
Social model
Other models
Mainstreaming
Individualized Education Program (IEP)
Special needs
Special school
Special education
Learning disability
Physical
Occupational
Speech
Disability rights movement
Inclusion
Normalization
People-first language
Pejorative terms
Sexuality and disability
Women's health
Unlicensed assistive personnel
ADLs
Accessible toilet
Assistive technology
Assisted living
Mobility aid
Orthotics and braces
Physical accessibility

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