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456:, which some cinema-lovers consider his masterpiece, was a commercial and personal failure, to de Broca's dismay. Yet it eventually achieved genuine cult-film status during the mid 1970s when it was presented in repertory movie theaters as well as non-theatrical college and university film series across the United States, eventually running for five years at the now defunct film house, the Central Square Cinemas in
304:(army film service) in Germany and then in Algeria, directing or acting as head cameraman on short films. Greatly affected by the war he witnessed, he vowed to show life in its best light in his future films "because laughter is the best defence against upsets in life". After his discharge from the military, he set off on a journey taking in the length of Africa in Berliet trucks before returning to Paris.
584:. Yet even this dual classification is not easily applied to Philippe de Broca's work, because the man himself hated conventions and enjoyed blurring the line between the real world and the imaginary. His films, which may at first glance seem lightweight, are being re-assessed by cinema-lovers as a thoughtful life's work, which asks questions about society in the second half of the 20th century.
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The most famous bit of programming here was
Philippe de Broca's 1966 "King of Hearts", which ran for four years or so and spawned a huge cult following that gave the film new life across the United States. The Central Square Cinemas closed April 1,
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Philippe de Broca was born on 15 March 1933 in Paris. He was the son of a cinema set designer and the grandson of a well-known painter, Alexis de Broca. He studied at the Paris
Photography and Cinematography School
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Philippe de Broca was married to
Michelle de Broca, with whom he founded the production company Fildebroc. He has two daughters, Chloé and Jade, with Michelle; and one son Alexandre, with Marthe Keller.
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since his childhood, his painter grandfather having lived there, as well as being fond of his boat. He died of cancer, aged 71, and chose to be buried in Sauzon cemetery on
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He then directed ten or so telefilms, enjoying the speed of filming as well as the teamwork involved. De Broca found success again in 1997 with his adaptation of
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546:. This movie was to be his last hit with the cinema-going public, although he was not able to enjoy the success, passing away from cancer on 26 November 2004.
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The majority of the music featured in
Philippe de Broca's films has been published in its own right. Below are a few notable compilations.
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From 2011, the French label Music Box
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1960: Philippe de Broca received the Silver Bear
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to the west of Paris, where he greatly enjoyed tending his garden. He felt a strong connection with
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Throughout his career, de Broca's work alternates between two styles: large-scale productions like
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Today, Philippe de Broca is acknowledged by the younger generation of movie directors, such as
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He directed 30 full-length feature films, including the highly successful
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In 2003, the label
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In 2004 Philippe de Broca filmed the adaptation of the novel
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Le cinéma de
Philippe de Broca â musiques de Georges Delerue
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In 2007, the
Canadian label Disques Cinémusique released
811:(Le Plus Vieux MĂ©tier du monde) â La RĂ©volution française
1307:. New York: The H.W. Wilson Company. pp. 158â162.
247:. His works include historical, romantic epics such as
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690:(short film) with Charles L. Bitsch, Edith Krausse
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367:. De Broca went on to work with Cassel again in
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403:De Broca's first commercial success came with
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1305:World Film Directors, Volume 2, 1945â1985
793:(Les Tribulations d'un Chinois en Chine)
429:(Les tribulations d'un Chinois en Chine)
357:produced de Broca's first film for him,
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1233:. Cinema Treasures, LLC. Archived from
864:/ The Man from Acapulco (Le Magnifique)
719:/ Playing at Love (Les Jeux de l'amour)
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302:service cinématographique des armées
261:Practice Makes Perfect (Le Cavaleur)
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417:. International acclaim came with
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318:Bitter Reunion (Le Beau Serge)
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440:Incorrigible (L'Incorrigible)
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396:Un Monsieur de Compagnie
269:The African (L'Africain)
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1204:"Philippe de Broca Bio"
1103:Y aura pas Ă©cole demain
1704:CinémathÚque Française
1645:Last Year at Marienbad
1551:Theoretical influences
1016:The Keys to Paradise (
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828:Les Caprices de Marie
819:The Devil by the Tail
809:The Oldest Profession
744:The Seven Deadly Sins
688:Les Trois Rendez-vous
452:. This parody of the
385:L'Amant de cinq jours
347:Pierre Schoendoerffer
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1522:Jean-Pierre Melville
1262:retrieved 5 May 2015
702:Sous un autre soleil
662:by François Truffaut
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156: 1983;
127: 1958;
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1274:"Philippe de Broca"
1206:. Philippe de Broca
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564:On Guard (Le Bossu)
521:On Guard (Le Bossu)
244:On Guard (Le Bossu)
1718:(2010 documentary)
1225:DeLuca, Gerald A.
881:Julie pot de colle
646:Assistant director
501:In 1988, his film
411:Jean-Paul Belmondo
365:Jean-Pierre Cassel
277:Jean-Pierre Cassel
273:Jean-Paul Belmondo
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1605:Le Coup du Berger
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1339:Philippe de Broca
1314:978-0-8242-0763-2
1054:(VipĂšre au poing)
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802:(Le Roi de Coeur)
773:That Man from Rio
709:Opération gas-oil
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570:That Man from Rio
536:(VipĂšre au poing)
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493:
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341:The 400 Blows
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288:
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194:
193:Marthe Keller
191:
187:
170:Valérie Rojan
165:
164:
143:
142:Margot Kidder
136:
135:
109:
108:
106:
102:
98:
94:
91:Film director
90:
86:
81:
71:
67:
62:
57:15 March 1933
45:
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34:
29:
22:
16:
1721:
1713:
1696:
1667:
1659:
1651:
1643:
1635:
1627:
1619:
1611:
1603:
1497:Jean Douchet
1492:Jacques Demy
1486:
1454:Chris Marker
1449:Armand Gatti
1391:
1304:
1281:. Retrieved
1278:The Guardian
1277:
1267:
1255:
1246:
1239:. Retrieved
1235:the original
1230:
1220:
1208:. Retrieved
1197:
1176:
1158:
1150:
1139:
1132:
1128:
1124:
1118:
1108:
1102:
1101:2003 :
1096:
1095:2002 :
1090:
1089:1996 :
1084:
1083:2001 :
1078:
1077:1995 :
1072:
1071:1994 :
1066:
1065:1993 :
1050:
1049:2004 :
1041:
1040:2000 :
1032:
1031:1997 :
1015:
1014:1991 :
1006:
1005:1990 :
998:
997:1988 :
981:
980:1986 :
970:
969:1984 :
953:
952:1983 :
938:
937:1981 :
929:
928:1980 :
912:
911:1979 :
895:
894:1978 :
878:
877:1977 :
871:Incorrigible
869:
868:1975 :
860:
859:1973 :
851:
850:1972 :
844:Touch and Go
842:
841:1971 :
825:
824:1970 :
817:
807:
806:1967 :
798:
797:1966 :
789:
788:1965 :
780:
779:1964 :
771:
770:1964 :
761:
760:1963 :
752:
751:1962 :
742:
741:1962 :
733:
732:1961 :
728:(Le Farceur)
724:
723:1960 :
715:
714:1960 :
708:
707:1956 :
701:
700:1954 :
694:
693:1954 :
687:
686:1953 :
673:
672:1958 :
666:
665:1959 :
659:
658:1959 :
652:
651:1959 :
617:
613:
604:Ryan Coogler
601:
586:
581:
575:
568:
562:
556:
550:
548:
532:
530:
519:
517:
502:
500:
491:
476:
475:in 1978 and
472:
469:Yves Montand
464:
462:
447:
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438:
437:in 1973 and
432:
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418:
404:
402:
395:
391:
384:
380:
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369:
358:
350:
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328:
322:
316:
309:Henri Decoin
306:
301:
294:
268:
264:
260:
254:
248:
242:
236:
232:
225:
223:
209:
208:
74:(2004-11-26)
15:
1750:2004 deaths
1745:1933 births
1563:André Bazin
1542:Roger Vadim
1527:Luc Moullet
1517:Louis Malle
1512:Pierre Kast
1469:AgnĂšs Varda
1439:Henri Colpi
1411:Ăric Rohmer
1115:Discography
1107:2003 :
1021: [
1008:1001 Nights
987: [
982:The Gypsy (
971:Louisiana (
959: [
943: [
918: [
915:Le Cavaleur
901: [
884: [
853:Dear Louise
831: [
816:1969 :
641:Filmography
353:. In 1959,
1739:Categories
1637:Breathless
1588:Jean Rouch
1184:References
1161:(music by
1153:(music by
1109:Le menteur
1060:Television
1036:(Le Bossu)
956:L'Africain
627:department
467:featuring
374:Le Farceur
88:Occupation
53:1933-03-15
1692:Auteurism
1597:Key films
1431:Left Bank
1394:Directors
1283:7 January
1260:Criterion
1189:Citations
1045:(Amazone)
984:La Gitane
973:Louisiana
754:Cartouche
726:The Joker
635:Belle-Ile
454:Great War
443:in 1975.
431:in 1965,
424:in 1964,
370:The Joker
351:Ramuntcho
291:Biography
99:1959â2004
1709:Jump cut
1669:La Jetée
1210:21 March
1034:On Guard
1000:Chouans!
681:Director
631:Brittany
624:Yvelines
504:Chouans!
250:Chouans!
200:Children
82:, France
63:, France
1680:Related
1296:Sources
1241:16 June
1133:Chouans
813:segment
767:segment
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622:in the
398:, 1964)
387:, 1961)
376:, 1960)
214:French:
195:(1970s)
189:Partner
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104:Spouses
1672:(1962)
1664:(1962)
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389:, and
1248:1980.
1170:Award
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1343:IMDb
1309:ISBN
1285:2022
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