365:"His legacy resides in a long and distinguished list of art historical publications, in thousands of witty and melancholy drawings, in the microfiches of the Fondo Cicognara, and in the enjoyment of art he inspired in his students and friends. He also entrusted to us an indelible testimony of the inhumanity of Nazi Europe. In person, he was distinguished by a quick, nervous, ironic intelligence, an engaging warmth, a sense of humor. He spoke English with a vast vocabulary and the accent of his native Vienna, absorbing ideas and parsing them with broad learning and brilliant asides. As an artist he thought in images and metaphors that enlivened his conversation and sharpened his memory. He wrote as he spoke, with wit and passion. He was never dull."
753:
771:
818:
Capricci, selection and introduction by
Wilfried Skreiner, Neue Galerie am Landesmuseum Joanneum, Graz, 1971. Also Published in German, same title. Voyages, Chapel Hill, North Carolina, IV, 1971, nos. 1–2, 39, 63, 67; nos. 3–4, 64, 65, 85, 89, 163; V, 1973–1974, nos. 1–4, 109. Au Verso (St. John's College, Santa Fe, New Mexico), 1972, "Aging", 10 pages. North Carolina Museum of Art Bulletin, XII, 1975, no. 4; 11. Archaeological News, IV, 1975, no. 1; 7, 11. Polity, Summer 1977, title page. Birds of a Feather (with an introduction by Maurice Cope), University of Illinois Press, Champaign, Illinois, 1991.
274:
1723:"Michelangelo's Decorum and the Grotesque.", paper first presented at the 22nd International Medieval Congress held under the auspices of the Medieval Institute of Western Michigan University, May, 1987. The expanded version was read in homage of John W. Dixon, September, 1987, in Chapel Hill, NC. The paper must still be better restored. It was badly garbled by the software. Raina Fehl added a section of this paper as an appendix to Monuments and the Art of Mourning: The Tombs of Popes and Princes in St. Peter's.
500:
31:
1729:"Piety and the Conspicuous Monument: Michelangelo's Tomb of Julius II", unpublished lecture, certainly no later than 15 May 1984. It was likely read at the meetings of that year of the International Medieval Society in Kalamazoo, MI. Philipp re-used the first part of this essay, with its title, "Prelude macabre" in his essay "L'umiltĂ cristiana e il monumento sontuoso: la tomba di Urbano VIII del Bernini" and
1944:
New York: New York
University Press, 1972. 63 illus.+115 pp. $ 15. - Timothy Kaori Kitao. Circle and Oval in the Square of Saint Peter's: Bernini's Art of Planning. (Monographs on Archaeology and the Fine Arts sponsored by the Archaeological Institute of America and the College Art Association of America, 29.) New York: New York University Press, 1974. 95 illus.+156 pp. $ 18.50".
1696:"The Dedication Copy of Leopoldo Cicognara's Catalogo Ragionato of 1821 (B.A.V., Riserva IV. 169) and the Fondo Cicognara at the Vatican Library. Thoughts on a Legacy", with Maria Raina Fehl, Miscellanea Bibliothecae Vaticanae Apostolicae VI, Collectanea in honorem Rev.mi Patris Leonardi E. Boyle Septuagesimum quintum annum feliciter complentis. Città del Vaticano, 1998, 173–209.
399:
methods") and 1951–1963 as an instructor in Home
Studies, University of Chicago ("Elementary Figure Drawing in the Academic Tradition"). He started academic teaching in 1951 as a lecturer at the University of Chicago and, after holding a number of other academic appointments and receiving numerous honours (see list), retired in 1990 as
1666:"Restitution in Retrospect: Remembering Erik Sjöqvist", "Nobile Munus" Origine e Primi Sviluppi dell'Unione Internazionale degli Istituti di Archeologia, Storia e Storia dell'Arte in Roma (1946–1953). Per la storia della collaborazione internazionale a Roma nelle ricerche umanistiche nel secondo dopoguerra, Roma, 1996, 159–176.
1763:. One set of tapes were deposited and were to be available for use in the Media Center of the Library of the University of Illinois at Urbana-Champaign (Undergraduate Library), another in the Department of Education of the Krannert Museum of the University of Illinois. Neither seems extant in 2007. Goddard has a set.
1444:"Vasari e Stradano come panegiristi dei Medici: Osservazioni sul rapporto tra verità storica e verità poetica nella pittura di fatti storici", Il Vasari storiografo e artista: congresso internazionale nel IV centenario della morte, 1974, Istituto Nazionale di Studi sul Rinascimento, Florence. 1976, 207–224.
290:
259:
from 1948 to 1952. He was one of the graduate students participating in the
Committee on Social Thought. In 1963 he received g a Ph.D. with a dissertation on "The Classical Monument: Reflections on the Connection Between Morality and Art in Greek and Roman Sculpture." In 1972 a version of this study
1943:
Barton, Eleanor Dodge (1976). "Philipp Fehl. The
Classical Monument: Reflections on the Connection between Art and Morality in Greek and Roman Sculpture. (Monographs on Archaeology and the Fine Arts sponsored by the Archaeological Institute of America and the College Art Association of America, 24.)
1744:
and
Leonard Boyle. Philipp worked out the architectural possibilities with Kasimir and Maria Piechotka and the drawings to scale are by them, working out Philipp's ideas. The paper but only two of the illustrations is included as an appendix to Monuments and the Art of Mourning: The Tombs of Popes
817:
Carolina
Quarterly, Winter 1966, 21–27. Sample Copy, University of North Carolina, Chapel Hill, North Carolina, 1968: "Series", 5 pages. Lillabulero, Chapel Hill, North Carolina, VII, 1969, 86, 96, 100. The Bird (serigraph and original pen and ink drawings), Finial Press, Urbana, Illinois, 1970.
312:
Through his work at the trials, he became well acquainted with a number of war criminals who had exercised direct influence on German art as well as others who committed crimes against humanity. He gives detailed descriptions of his work at the trials in the portion of his memoirs entitled "The
1137:. A reprint on microfiche of all the works contained in the Fondo Cicognara of the Vatican Library (circa 5000 books and pamphlets). The publication program, known as the Cicognara Project, is a joint venture of the Vatican Library and the University of Illinois Library. (work in progress). See
398:
While studying he also began to teach, 1949–1950 photography with the Youth
Program of Temple Sinai, Chicago, 1951–1952 as director of The Bateman School, Chicago, 1951–1954 as a lecturer in art at University College, University of Chicago ("Experimental figure drawing according to 18th century
669:
College Art
Association of America, Renaissance Society of America, South Eastern Renaissance Society, Central Renaissance Society, American Society for Aesthetics and Art Criticism, Midwest Art History Society, Midwest Medieval Society of America, International Survey of Jewish Monuments.
1018:
Pieces of Fehl's work are owned by both private and public collections including, but not limited to the Beach Museum at Kansas State
University, The American Academy in Rome, the Krannert Museum at the University of Illinois in Champaign-Urbana and the Vatican Library.
1556:"Sculpture in St. Peter's, Rome: Function and the Exigencies of Display", Abstracts, XXV. Internationaler Kongress für Kunstgeschichte, Comité International d'Histoire de l'Art, Vienna, 1983, Arbeitsgruppe: Neue Forschungsergebnisse und Arbeitsvorhaben, Abstract no. 12.
1708:"Michelangelos Decke der Sixtinischen Kapelle als Ornament: Rahmen und Inhalt", In Erinnerung an Fabrizio Mancinelli. Die Rhetorik des Ornaments, ed. Isabelle Frank, Freia Hartung (aus dem Englischen von Jürgen Blasius). Wilhelm Fink Verlag, München, 2001, 35–37.
1592:"The Capriccio in Prints", lead article in The Jest and Earnestness of Art, ed. Philipp P. Fehl and Stephen Prokopoff. Exhibition Catalogue, Krannert Art Museum, Champaign, IL, 1987, 2–12 and the section "Text and Images", with Judith Dundas, 32–36.
1748:"Laudatio Naomi Vogelman" read 15, April, 1999, in Rome on the occasion of the presentation of her Roma, Una storia d'amore. Introduzione al Mosè, Firenze, 1997, con prefazione di Philipp Fehl, "Vasari e il "Mosè" di Michelangelo" (unpublished).
1702:"The Fondo Cicognara in the Vatican Library: Inventing the Art Library of the Future", Memory and Oblivion: Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1–7 September 1996, Dordrecht, 1999, 43–56.
1782:"Belvedere Apollo", "Junius (Du Jou), Franciscus, the younger (1591–1677)", An Encyclopedia of the History of Classical Archaeology, ed. Nancy Thomson De Grummond, Fitzroy Dearborn Publishers, London–Chicago, 1996, I, 143–146 and 625–627.
1580:"Death and the Artist's Fame: The AGENDA of Prominent Signatures on Papal Tombs in St. Peter's", Abstracts and Program Statements for Art History Sessions, 75th Annual Meeting of the College Art Association of America, Boston, 1987, 67.
796:
1547:"Beauty and the Historian of Art: Reflections on Titian's "Venus and Adonis"", Problemi di metodo: condizioni di esistenza di una storia dell'arte, ed. Layos Vayer (Comité International d'Histoire de l'Art, X). Bologna, 1982, 185–195.
1684:"Kunstgeschichte und die Sehnsucht nach der hohen Kunst: Winckelmann, Fiorillo und Leopoldo Cicognara", Johann Dominicus Fiorillo. Kunstgeschichte und die romantische Bewegung um 1800, ed. A. M. Kosegarten. Göttingen, 1997, 450–476.
1672:"Epilogue. On Virtue and Vice: Milton's "Pandemonium" and Bernini's Baldachin", Power Matchless: The Pontificate of Urban VIII. The Baldachin and Gian Lorenzo Bernini, ed. W. Chandler Kirwin. Peter Lang, New York, 1997, 235–252 .
360:, and his thesis, The Classical Monument: Reflections on the Connection Between Morality and Art, was written under the committee's aegis (his thesis was partly published in 1972 as "The Classical Monument", see bibliography).
1711:"Life Beyond the Reach of Hope: Recollections of a Refugee, 1938–39. With a Postscript on Hope and the Humanities: Recollections of an art historian", Exile and Displacement, ed. Lauren Enzie. Peter Lang, New York, 2001.
1663:"Touchstones of Art and Art Criticism: Rubens and the Work of Franciscus Junius", The Humanities Lecture of 1984 at the University of Illinois at Urbana-Champaign, Journal of Aesthetic Education, XXX, no. 2, 1996, 5–24.
205:
in 1941. He became an artist, author and lecturer at several universities. He retired as Professor Emeritus from the University of Illinois at Champaign-Urbana in 1990. In the same year he and his wife the classicist
1625:"DĂĽrer's Historiated Self-Portraits: "The Marrtyrdom of the Ten Thousand" and Related Works", lecture given at the Hebrew University (Mount Scopus) on 11.3.1992. (So far I have the announcement, must find the text).
1699:"Van Dyck's moral grace: Antwerp and the classics", Ars longa. Prace dedykowane pamieci profesora Jana Bialostockiego: materially sesji Stowarzyszenia Historyków Sztuki, ed. M. Porprzecka. Warszawa, 1999, 295–331.
1571:"Improvisation and the Artist's responsibility in St. Peter's, Rome: Papal Tombs by Bernini and Canova", XXV. Internationaler Kongress für Kunstgeschichte, CIHA, Wien, Acts, IX. Vienna, 1985, 111–123, 199–204.
512:
1758:
Art and the Imagination: An Introduction to the Poetry of Renaissance Painting for the Particular Pleasure of the Blind, a series of twelve tape recordings (conversations). Twelve radio broadcasts, edited by
1693:"Drei Ebenen von Platons Höhle: Wiederbegegnung mit Edgar Winds 'Art and Anarchy'", Egdar Wind. Kunsthistoriker und Philosoph, ed. H. Bredekamp, B. Buschendorf, F. Hartung, J. M. Krois. Berlin, 1998, 135–177.
1739:
Bernini's Project of a Funerary Chapel for the Popes of the Future, final version dated by Philipp February, 1990. Philipp read it first at the conference held by the Canadian Institute in Rome in honor of
1616:"Dürer's Literal Presence in his Pictures: Reflections on his Signatures in the "Small Woodcut Passion"", Der Künstler über sich in seinem Werk, ed. Matthias Winner. Acta humaniora, Weinheim, 1992, 191–244.
1604:"Verrocchio's Tomb of Piero and Giovanni de Medici: Ornament and the Language of Mourning", Italian Echoes in the Rocky Mountains, ed. Sante Matteo et al. Brigham Young University, Provo, Utah, 1990, 47–67.
1613:"The French Revolution and the Origins of Modern Art History: The Contribution of Leopoldo Cicognara, Acts of the XVI. International Congress of Art History, Strasbourg, 1987. Strasbourg, 1992, 332–343.
752:
1610:"Begegnung mit dem Ursprung: Leopoldo Cicognara und die Erfindung der modernen Kunstgeschichte", Der Kunsthistoriker, Vienna, VIII, 1991, Sondernummer 6: Österreichischer Kunsthistorikertag, 22–29.
1559:"Poetry and the Art of Raphael", Raphael and the Ruins of Rome: the Poetic Dimension. Exhibition catalogue, ed. Philipp Fehl and Stephen Prokopoff, Krannert Art Museum. Champaign, IL, 1983, 5–13.
1589:"Imitation as a Source of Greatness: Rubens, Titian and the Painting of the Ancients", The Bacchanals by Titian and Rubens, ed. Görel Cavalli-Björkman, National Museum, Stockholm, 1987, 107–132.
1779:"Antonio Correggio", "Lorenzo Lotto", "Jacopo Tintoretto", "Paolo Veronese", The McGraw-Hill Encyclopedia of World Biography, New York, 1973, III, 145–147; VI, 572–573; X, 449–452; XI, 126–128.
1158:"Coordination of Art History. Studio Work and Museum Study", Midwestern College Art Conference 1953, Report of the Meetings at Kansas City and Lawrence. Kansas City, Missouri, 1954, 39–41, 46.
727:. He and Raina were married for 54 years. The Fehls lived primarily in Rome from 1990 until his death in 2000. He is buried at Prima Porta in Rome. Raina died in 2009. They had two daughters,
1565:"Painting and the Inquisition at Venice: Three Forgotten Files" (with Marilyn Perry), Interpretazioni Veneziane ... in onore di Michelangelo Muraro, ed. David Rosand. Venice, 1984, 371–381.
485:
1687:"Das gezähmte Monster. Bemerkungen zum Gartenportal des Palazzo Zuccari in Rom: 'prudentia monstrorum domitrix'", Römisches Jahrbuch der Bibliotheca Hertziana 32, 1997/98, Beih., 265–293.
1574:"Feasting at the Table of the Lord: Pietro Aretino and the Hierarchy of Pleasures in Venetian Painting", Hebrew University Studies in Literature and the Arts, XIII, no. 2, 1985, 161–174.
1562:"Schönheit, Schicklichkeit und Ikonographie: Bemerkungen zur "Fontana delle Tartarughe" in Rom", Martin Gosebruch zu Ehren: Festschrift, ed. Frank N. Steigerwald. Munich, 1984, 126–137.
479:
410:
He began to make pen and ink drawings of bird like characters (who closely resembled him physically) dressed in the peruke and trousers of the 18th century. He called these drawings "
1099:
The Literature of Classical Art: I. The Painting of the Ancients. London 1638. II. Catalogus Architectorum, Mechanicorum sed praecipue Pictorum, Statuariorum . ... Rotterdam, 1694
324:. His Master's Thesis, "A Stylistic Analysis of Some Propaganda Posters of World War II", 1948, showed the existence, and defined the formal manifestations of the international "
453:. Professor 1969 - 1990. Professor Emeritus, 1990-. Director, Summer Seminar for College Teachers, National Endowment for the Humanities, University of Illinois, 1978 and 1981.
1553:"Bernini's DECORO: some preliminary observations on the baldachin and his tombs in St. Peter's", Studies in Iconography, VII–VIII, 1981–82, 323–369 (with Chandler Kirwin).
1048:
1726:"VirtĂą and Truth: Arundel state Portraits by Rubens and Van Dyck", paper read for the Society of Art History and Archaeology, University of Illinois, September 14, 1995.
826:
Daily Tar Heel, The Courier, The News-Gazette, Kleine Zeitung, Kultur, William and Mary News, The Cavalier Daily, Illini Week. The Carolina Quarterly, Lillibulero
770:
1619:"Eine Begegnung mit Albrecht Bloch", Kontinuität: Identität. Festschrift für Wilfried Skreiner, ed. Götz Pochat, Christa Steinle, Peter Weibel. Vienna, 1992, 227–240.
469:
1586:"L'umiltà cristiana e il monumento sontuoso: la tomba di Urbano VIII del Bernini", Gian Lorenzo Bernini e le arti visive, ed. Marcello Fagiolo. Rome, 1987, 185–208.
1468:
Contribution to John W. Dixon, "A Hermeneutic of Narrative", a Colloquium, 1976, Colloquy 24, Center for Hermeneutical Studies, Berkeley, California, 1977, 27–30.
225:
1492:"Titian and the Olympian Gods: The Camerino of Philip II", Convegno di Studi: Tiziano e Venezia, Università degli Studi di Venezia, 1976. Venice, 1980, 139–147.
1736:
Paper read May, 1986, 21st Int. Congress on Medieval Studies, Kalamazoo, MI., "More Modest than Thou: Complexities of Decorum in Christian Funerary Sculpture"
1568:"Vasari and the Arch of Constantine", Giorgio Vasari tra decorazione ambientale e storiografia artistica, ed. Gian Carlo Garafagnini. Florence, 1985, 27–44.
1595:"The "Stadttempel" of the Jews of Vienna: Childhood Recollections and History", Artibus et Historiae 17, IX, 1988 (in honor of Rachel Wischnitzer), 89–126.
2076:
1076:
732:
240:
as an apprentice commercial artist with the firm Stagg Displays before immigrating to the United States of America in 1940, becoming a citizen in 1943.
2031:
1622:"Meine Flucht vor den Deutschen, 1939" aus dem Englischen von Freia Hartung, Merkur, Deutsche Zeitschrift für europäisches Denken, Heft S 39 (?? 2001).
388:
1583:"Wagner's Anti-Semitism and the Dignity of Art", Wagner in Retrospect: A Centennial Reappraisal, ed. Leroy R. Shaw, et al. Amsterdam, 1987, 197–202.
2116:
1760:
1598:"The Ghost of Homer: Observations on Ruben's "Portrait of the Earl of Arundel"", Fenway Court, Isabella Stewart Gardner Museum, Boston, 1988, 7–24.
392:
1675:"Nostalgie und Kunstgeschichte: Der goldene Name Gottes auf dem Michaelerplatz in Wien," Sinn und Form, 49. Jahr (1997), 2. Heft, pp. 293–97.
1530:""The Rape of Europa" and Related Ovidian Pictures by Titian (Part II)", Fenway Court, 1980, Isabella Stewart Gardner Museum, Boston, 1981, 2–19.
1502:""The Rape of Europa" and Related Ovidian Pictures by Titian (Part I)", Fenway Court, 1979, Isabella Stewart Gardner Museum, Boston, 1980, 3–24.
1550:"The Naked Christ in Santa Maria Novella in Florence: Reflections on an Exhibition and the Consequences", Storia dell'Arte, XLV, 1982, 161–169.
1057:
A Course in Drawing, being the plates and notes on figure drawing in the Encyclopédie ou Dictionnaire Raisonné des Arts et des Métiers of 1751
933:, Charlottesville, Virginia, April–June 1986 (a retrospective exhibition of Capricci: "A Poet's Progress"). Catalogue essay by Paul Barolsky.
186:, to Hugo Fehl and Friederike "Frieda" Fehl (née Beck - previous married name Singer). He was the cousin of the renowned ballet photographer
1705:"Stendhal and Leopoldo Cicognara, Notes on the Strategy and the Truth of Stendhal's Lies", Gazette des Beaux-Arts 141, CXXXIV, 1999, 93–116.
1283:"Mass Murder or Humanity in Death (Reflections on DĂĽrer's "Martyrdom of the Ten Thousand" and Bruegel's "Massacre of the Holy Innocents")",
1252:"Realism and Classicism in the Representation of a Painful Scene: Titian's "Flaying of Marsyas" in the Archiepiscopal Palace at Kromeriz",
728:
1714:"Michelangelo's Tomb in Rome: Observations on the "Pietà " in Florence and the "Rondanini Pietà ". Artibus et Historiae. No. 45, 2002, 9–26.
2101:
444:
2106:
1406:
1974 (Proceedings of the South Eastern Renaissance Conference, University of North Carolina). Chapel Hill, North Carolina, 1975, 61–85.
1122:' and the Art of Painting Finely. Open-ended Narration in Paintings by Apelles, Raphael, Michelangelo, Titian, Rembrandt and Ter Borch
2096:
2041:
1681:"Vasari e il Mosè di Michelangelo", introduction to Naomi Vogelman, Roma, Una Storia d'Amore. Introduzione al Mosè, Florence, 1997.
450:
1717:""Der Heilige Stephan und Michelangelos "Bekehrung des Heiligen Paul"" Wiener Jahrbuch fĂĽr Kunstgeschichte, LII, 2002, pp. 47-66.
1678:"Death and the Sculptor's Fame: Artist's Signatures on Renaissance Tombs in Rome", Biuletyn Historii Sztuki, LXI, 1997, 196–217.
660:
Program at the University of Illinois Library, dedicated to the study and promulgation of literary sources in the history of art
286:
244:
332:, where he continued his studies at the University of Chicago in painting and graphic arts as well as history of art. At the
2036:
2026:
1690:"Franciscus Junius, Rubens and Van Dyck", Franciscus Junius and his Circle, ed. Rolf Bremmer. Amsterdam–Atlanta, 1998, 35–70.
1374:"Gods and Men on the Parthenon Frieze" (excerpts from "The Rocks on the Parthenon Frieze", 1961, reprinted with a foreword),
557:
537:
607:
795:
2111:
2091:
1064:
War I Propaganda Posters: Selections from the Bowman-Gray Collection of Materials Related to World War I and World War II
328:" style which governed the propaganda art of countries confronting each other in World War II. In 1948 he moved back to
305:, also born in Vienna. After his discharge from the Army, he and Raina were given appointments as interrogators at the
1485:"Farewell to Jokes: The last "Capricci" of Giovanni Domenico Tiepolo and the Tradition of Irony in Venetian Painting",
636:
583:
459:
1639:: Acts of the XXVIII International Congress of Art History, Berlin, 1992, ed. Thomas Gaethgens. Berlin, 1993, 453–471.
1933:
1720:"Colossal Sculpture and the Light of God: Remarks on Michelangelo's Tomb of Julius II." (CAA, New York, 1990 ??)
597:
590:
2001:
1577:"Hermeticism and Art: Emblem and Allegory in the Work of Bernini", Artibus et Historiae, no. 14, VII, 1986, 153–189.
2086:
2066:
2051:
1923:
1269:"Peculiarities in the Relation of Text and Image in two Prints by Peter Bruegel: "The Rabbit Hunt" and "Fides"",
996:
Rethinking the Avant-Garde, Kotonah Gallery, Kotonah, New York, April–May, 1986: catalogue by Jonathan Fineberg.
680:
Corresponding Member, Braunschweigische Wissenschafliche Gesellschaft, Klasse fĂĽr Geisteswissenschaften, 1992-.
289:
in Fine Arts, Painting. In 1943 he enrolled in the US Army. From 1945 to 1946 he worked as instructor to the
1203:"Veronese and the Inquisition: a study of the subject matter of the so-called "Feast in the House of Levi"",
1094:
306:
1653:. Exhibition Catalogue, ed. Reinhold Baumstark, Peter Volk, Bayerisches Nationalmuseum, Munich, 1995, 49–91.
2081:
1791:
In : College Art Journal, Art Digest, Journal of Aesthetics and Art Criticism, Renaissance Quarterly.
1733:
adopted a part of it in "Monuments and the Art of Mourning: The Tombs of Popes and Princes in St. Peter's".
1070:
The Classical Monument: Reflections on the Connection between Morality and Art in Greek and Roman Sculpture
568:
1872:
2056:
1805:
1339:"Pictorial Precedents for the Representation of Doge Lionardo Loredano in Batoni's "Triumph of Venice"",
519:
415:
357:
294:
1367:"The Account Book of Thomas Appleton of Livorno: A Document in the History of American Art, 1802–1825",
414:". The bulk of these capricci are now preserved in the Exile's archives at the German National Library,
1523:"A Tomb in Rome by Harriet Hosmer: Notes on the Rejection of Gesture in the Rhetoric of Funerary Art",
1601:"Art Lessons: Thoughts on Raphael and Wagner", ed. Charles R. Mack, Collections, I, no. 4, 1989, 7–11.
1290:"Michelangelo's "Crucifixion of St. Peter": Notes on the identification of the locale of the action",
1238:"Canova's "Hercules and Lichas": notes regarding a small bronze in the North Carolina Museum of Art",
543:
1970–2000: University of Illinois, Center for Advanced Study – Associate (1970–1971, 1981–82, 1989–90)
2061:
2046:
432:
251:, where he got his B.A. in Romance Languages. In 1948, Fehl received his M.A. in History of Art from
1873:"Philipp P. Fehl (American, B. 1920) - Sociable Moment; and a companion drawing (Sale 2176, Lot 64)"
1263:, 1968 (South Eastern Renaissance Conference), Duke University, Durham, North Carolina, 1969, 85–87.
643:
530:
1105:
Decorum and Wit: The Poetry of Venetian Painting. Essays in the History of the Classical Tradition
302:
183:
55:
1006:
Renaissance Society of the University of Chicago, 1948–1963. (drawings, prints, glass-etchings).
2071:
438:
404:
198:, and Fehl determined that he also wanted this classical higher education for gifted students.
1430:"The Worship of Bacchus and Venus in Bellini's and Titian's "Bacchanals" for Alfonso d'Este",
1510:
1437:"Bernini's STEMME for Urban VIII on the baldacchino in St. Peter's: a forgotten compliment",
1130:
Unione Internazionale degli Istituti di Archeologia, Storia e Storia dell'Arte in Roma. 2007.
650:
523:
423:
353:
333:
273:
256:
1231:"Rodolphe Toepffer's Course in Figure Drawing for Men of Humorous Curiosity and Good Will",
2021:
2016:
1829:
1395:""Die Bartholomäusnacht" von Giorgio Vasari: Gedanken über das Schreckliche in der Kunst",
372:
674:
Honorary Associate, Centro Studi Monopolis: Arte e Cultura, Monopoli, Puglia, 1984–2000.
291:
Office of the Provost Marshal General's re-educational program for German Prisoners of War
8:
1741:
1378:, ed. Vincent J. Bruno (Norton Critical Studies in Art History). New York, 1974, 311–321.
945:, Department of Medical Illustration, Salt Lake City, "Capricci," October–November, 1987.
563:
1966–1969: Committee for the Administration of the Medieval and Renaissance Institute of
475:
252:
248:
1669:"Der Klucky-Tempel. Kindheitserinnerungen zur Architekturgeschichte", Merkur, 575, 1997.
1110:(ed. with a translation by J. K. Newman and an essay on Chelidonius by Thomas F. Kelly)
1990:
1969:
1961:
1846:
1471:"Ekphrasis or Iconology? The Case of the Neglected Cows in Titian's "Rape of Europa"",
1029:
Krannert Art Museum and Kinkaid Pavilion (University of Illinois), Champaign, Illinois.
657:
400:
195:
1916:
1837:(48). Istituto Internationale per le Ricerche di Storia dell'Arte (IRSA s.c.): 13–15.
1776:"Monument", "Triumphal Arch", Oxford Companion to Art, Oxford, 1971, 623–625, 737–738.
1628:"Raphael as a Historian: Poetry and Historical Accuracy in the "Sala di Costantino"".
1360:"Thomas Sully's "Washington's Passage of the Delaware": The History of a Commission",
1221:(Bulletin 11 of the Southern Humanities Conference). Lexington, Kentucky, 1964, 53–60.
1112:
Albrecht DĂĽrer's "Small Passion" of 1511 with its Latin Text by Benedictus Chelidonius
980:, Adickesallee 1, D-60322 Frankfurt am Main, November 2001 through early January 2002.
1973:
1929:
1854:
1838:
1635:"DĂĽrer's Portrait of Erasmus and the Medal by Quentin Massys: Two Kinds of Mimesis",
1297:"John Trumbull and Robert Ball Hughes' Restoration of the Statue of Pitt the Elder",
317:
1217:"The Fineness of the Visual Arts: Notes on the Survival of a Humanistic Tradition",
619:
1977- : NEH Division of Public Programs, Board of Reviewers for grant proposals
429:
Department of Home Study, University of Chicago. Instructor (part-time), 1951–1963.
1953:
1311:"Sehnsucht in Arkadien: Bemerkungen zu Pastoralgemälden von Giorgione und Tizian",
622:
1997–2000: International Survey of Jewish Monuments, President and Advisory Council
575:
465:
2002:
http://www.d-nb.de/sammlungen/dea/samml_bestaende/archivalien/exil_nachlaesse.htm
1128:
Monuments and the Art of Mourning: The Tombs of Popes and Princes in St. Peter's.
564:
546:
1990–2000: University of Illinois, Center for Advanced Study – Resident Associate
411:
313:
Ghosts of Nuremberg", The Atlantic Monthly, vol. 229, no. 3, March 1972, 70–80.
215:
1423:"Masks, False Gods and the Truth of Art: A Phantasy Biased in Favor of Reason",
1388:"The Placement of the Equestrian Statue of Marcus Aurelius in the Middle Ages",
1649:"Ăśber das Schreckliche in der Kunst: "Die Schindung des Marsyas" als Aufgabe",
990:
Exline, Fehl, and Lancaster, Krannert Art Museum, University of Illinois, 1971.
499:
337:
325:
321:
1981:
Perry, Marilyn (2003). "Philipp P. Fehl: Artist, Scholar, Humanist, Witness".
1858:
1827:
Perry, Marilyn (2003). "Philipp P. Fehl: Artist, Scholar, Humanist, Witness".
2010:
1877:
1842:
1607:"Dürer's Signatures: The Artist as Witness", Continuum, I, no. 2, 1991, 3–34.
1052:
341:
202:
167:
116:
1865:
1266:"On the dark Side of the Love of Art", Theology Today, XXVII, 1970, 207–211.
1381:"Vasari's "Extirpation of the Huguenots": The Challenge of Pity and Fear",
1332:"The Placement of Canova's "Hercules and Lichas" in the Palazzo Torlonia",
508:
1952: Belgian-American Educational Foundation, Fellow, Brussels Art Seminar
349:
1773:"Paolo Veronese", New Catholic Encyclopedia, New York, 1967, XIV, 623–625.
1447:"Turner's Classicism and the Problem of Periodization in History of Art",
1397:
Mitteilungen der Technischen Universität Carola-Wilhelmina zu Braunschweig
1210:"Practical Observations on the Development of a Taste for the Beautiful",
967:
Miracles Cafe", Cardiff By The Sea, California, "Capricci" June–July 1992.
1505:"Poetry and the Entry of the Fine Arts into England: UT PICTURA POESIS",
1119:
191:
112:
90:
1135:
The Art and Architecture Library of Count Leopoldo Cicognara (1767–1834)
229:
1994:
1965:
1850:
1800:
1730:
1313:
Mitteilungen der Gesellschaft fĂĽr vergleichende Kunstforschung in Wien,
1245:"Thomas Appleton of Livorno and Canova's Statue of George Washington",
821:
724:
345:
298:
278:
237:
207:
126:
1495:"Life Beyond the Reach of Hope: Recollections of a Refugee, 1938–39",
1168:"The Hidden Genre: A Study of the "Concert ChampĂŞtre" in the Louvre",
993:
Figures, The Anderson Gallery, Champaign, Illinois: April–May, 1986.
441:, Lincoln. Assistant Professor, later associate professor, 1954–1963.
1088:
The Jest and Earnestness of Art: A History of the Capriccio in Prints
356:; Philipp Fehl was one of the graduate students participating in the
187:
160:
1957:
1009:
University of Illinois Faculty Show, Krannert Art Museum, 1969–1986.
30:
108:
1516:"The Decorum of Paolo Veronese: Notes on the "Marriage at Cana"",
1465:, ed. Robert M. Hutchins and Mortimer Adler. Chicago, 1977, 74–90.
1454:"Ovidian Delight and Problems in Iconography" (with Paul Watson),
1276:"A Literary Keynote for Pompeo Batoni's "The Triumph of Venice"",
1175:"Questions of Identity in Veronese's "Christ and the Centurion'",
867:(Ann Hathaway Gallery), Washington D.C. "Birds on Crutches," 1973.
625:
1980–1983: Midwest Medieval Society of America, Board of Directors
603:
1975–1977: The Dunlap Society (Washington, D.C.), Advisory Council
1083:. Exhibition Catalogue, Krannert Art Museum, Champaign, IL, 1983.
600:
f/k/a Central Illinois Archaeological Society, Board of Directors
329:
236:, (graduation), he emigrated to England. He worked for a time in
1090:. Exhibition Catalogue, Krannert Art Museum, Champaign, IL, 1987
1353:"Raphael's Reconstruction of the Throne of Gregory the Great",
1325:"On the Representation of Character in Renaissance Sculpture",
1249:, ed. Antje Kosegarten and Peter Tigler. Berlin, 1968, 523–552.
387:
He and his work are discussed in the comic-philosophical novel
233:
179:
163:
51:
1901:
1513:
and Raymond B. Waddington. Manchester, England, 1980, 273–306.
211:
1434:, National Gallery of Art, Washington, D.C., VI, 1974, 37–87.
1101:. University of California Press, Berkeley, California, 1992.
613:
1976–1978: Midwest Art History Society, Publication Committee
77:
1911:
1822:
1820:
201:
Fehl became a refugee in 1938, eventually emigrating to the
1906:
1478:"Enlightenment: E. H. Gombrich's The Heritage of Apelles".
1473:
Actas del XXIII Congreso Internacional de Historia del Arte
1402:"Saints, Donors and Columns in Titian's "Pesaro Madonna"",
1256:, ed. Miloslav Rechcigl Jr. The Hague, 1969, II, 1387–1415.
1138:
951:, Urbana, Illinois, "New Capricci," November–December 1987.
649:
1986–2000: Committee for the Advancement of Early Studies,
73:
145:
1817:
1658:
Wilfried Skreiner. Texte, Fotos, Reaktionen: Eine Hommage
1259:"The Final Version of Michelangelo's Tomb of Julius II",
1184:
Register of the Museum of Art of the University of Kansas
1182:"A Statuette of the Pugilist Creugas by Antonio Canova",
221:
From childhood on he drew and painted whenever possible.
1066:, Ackland Art Center, Chapel Hill, North Carolina, 1969.
677:
Corresponding Member, Ateneo Veneto, Venice, 1988–2000.
593:
f/k/a Central Illinois Archaeological Society, President
247:, where he studied painting. In 1943, he transferred to
159:(May 9, 1920 – September 11, 2000) was an Austrian born
1518:
Art the Ape of Nature: Studies in Honor of H. W. Janson
1642:"In Praise of Imitation: Leonardo and his Followers",
760:
Artists Have No Illusions. That Is Why We Create Them.
1093:(ed. and transl., with Keith Aldrich and Raina Fehl)
937:
University of Delaware Perkins Student Center Gallery
316:
He returned to Stanford University, taking a B.A. in
1525:
Essays in Honor of Jan Bialostocki: Ars Auro Prior".
1499:, St. John's College, Md., XXXI, no. 2, 1980, 32–39.
1161:"Arts vs. Birds and Beasts" (Letter to the editor),
822:
Critiques and reproduction of drawings in newspapers
336:, he was friends with the now renowned philosopher,
1917:
https://openlibrary.org/a/OL735689A/Philipp-P.-Fehl
1081:
Raphael and the Ruins of Rome: The Poetic Dimension
616:
1975–2000: Gazette des Beaux-Arts, Advisory Council
447:. Associate Professor, later Professor, 1963–1969.
1413:, ed. Owen Gingerich. Washington, D.C., 1975, 485.
957:, New York, New York, "Capricci," April–May, 1989.
664:
630:Dictionary of the History of Classical Archaeology
1107:. Bibliotheca Artibus et Historiae, Vienna, 1992.
610:(New York), Selection Committee for Kress Fellows
2008:
435:, Kansas City, Missouri. Instructor, 1952–1954.
260:was published by the New York University Press.
1390:Journal of the Warburg and Courtauld Institutes
1191:Journal of the Warburg and Courtauld Institutes
873:, Peoria, Illinois, "Birds of a Feather," 1975.
812:
1013:
974:, Prague, "Birds of a Feather," Spring, 1993.
513:Warburg Institute of the University of London
1533:"Franciscus Junius and the Defense of Art",
1124:. The Ninth Gerson Lecture. Groningen, 1997.
1072:. New York University Press, New York, 1972.
919:Kunsthistorisches Institut, Universität Kiel
897:, South Hadley, Mass., "New Capricci," 1979.
879:(Department of Art and Design), 1969, 1974.
1767:
1637:KĂĽnstlerischer Austausch: Artistic Exchange
1224:"Bernini's Triumph of Truth over England",
1086:(with Judith Dundas and Stephen Prokopoff)
1026:North Carolina Museum of Art, Raleigh, N.C.
961:Krannert Museum of Art and Kinkaid Pavilion
708:International Authors and Writers Who's Who
445:University of North Carolina at Chapel Hill
2077:American people of Austrian-Jewish descent
1032:U.S. Embassy to the Czech Republic, Prague
943:Hallside Gallery at the University of Utah
843:, Chapel Hill, North Carolina, 1968, 1970.
632:(ed. Nancy de Grummond), Consultant editor
16:Austrian-American artist and art historian
2032:20th-century American non-fiction writers
1036:
352:. In 1963 he obtained his Ph.D. from the
228:and continued to attend school after the
1656:"Begegnung im Grenzland: Zwei Freunde",
1540:"Canova's Tomb and the Cult of Genius",
1327:Journal of Aesthetics and Art Criticism,
1304:"Rubens' "Feast of Venus Verticordia"",
1023:Neue Galerie am Joanneum, Graz, Austria.
963:, "Birds of a Feather," September, 1991.
560:, Committee for Awards in the Humanities
498:
451:University of Illinois, Urbana-Champaign
272:
2117:Austrian emigrants to the United States
1921:
1170:Journal of Aesthetics and Art Criticism
1133:(editor-in-chief until September 2000)
285:From 1941 through 1942 he attended the
2009:
1942:
1752:
1482:, XXI, 1979, 178–181 (review article).
907:Department of Art, Tel Aviv University
891:, Gambier, Ohio, "New Capricci," 1979.
778:Saying Good bye to a mediocre drawing.
287:School of the Art Institute of Chicago
245:School of the Art Institute of Chicago
1980:
1925:Franciscus Junius F.F. And His Circle
1826:
1646:137, CXXVI, 1995 (July–August), 1–12.
1341:North Carolina Museum of Art Bulletin
1334:North Carolina Museum of Art Bulletin
1322:, vol. 229, no. 3, March 1972, 70–80.
1299:New York Historical Society Quarterly
1278:North Carolina Museum of Art Bulletin
1271:North Carolina Museum of Art Bulletin
1240:North Carolina Museum of Art Bulletin
1189:"The Rocks on the Parthenon Frieze",
1000:
699:Dictionary of International Biography
558:American Council of Learned Societies
538:National Endowment for the Humanities
243:From 1940 to 1942, Fehl attended the
608:Institute of International Education
978:Exil Archiv, Die Deutsche Bibliotek
486:Central European University, Prague
13:
2102:20th-century American male writers
1411:The Nature of Scientific Discovery
637:College Art Association of America
584:College Art Association of America
460:University of California, Berkeley
14:
2128:
2107:American male non-fiction writers
1895:
939:, A Poet's Progress," April 1987.
931:University of Virginia Art Museum
598:American Institute of Archaeology
591:American Institute of Archaeology
2097:20th-century American historians
1196:"Manfred L. Keiler" (obituary),
1062:(with Patricia Fenix) texts for
794:
769:
751:
718:
480:The Hebrew University, Jerusalem
29:
2042:20th-century American educators
1786:
1350:XXX, no. 2, July 1973, 148–153.
1308:, LXIV, 1972, no. 828, 159–162.
1254:Czechoslovakia Past and Present
1214:, XI, no. 3 (March 1962), 8–11.
885:, Williamsburg, Virginia, 1977.
781:Pen and Ink Wash
763:Pen and Ink Wash
723:Fehl was married to classicist
665:Membership in Learned Societies
1922:Bremmer, Rolf Hendrik (1998).
1461:"Patronage through the Ages",
1059:, University of Chicago, 1954.
984:
829:
690:Directory of American Scholars
1:
1811:
1660:. Graz–Vienna, 1995, 143–148.
1475:, Granada, 1977, II, 258–277.
1432:Studies in the History of Art
1287:, XXVIII, 1971, no. 1, 52–71.
1247:Festschrift Ulrich Middeldorf
1095:Franciscus Junius the Younger
834:
395:(2009, privately published).
307:Nuremberg War Crimes Tribunal
268:
224:He was accepted and attended
173:
2037:Austrian non-fiction writers
2027:20th-century Austrian people
1420:, IV, 1975, nos. 2–3, 29–48.
1416:"Raphael as Archaeologist",
1346:"Hasidism and Elie Wiesel",
813:Publications of works of art
684:
569:University of North Carolina
533:, Art Historian in Residence
503:Philipp Fehl at work in 1996
281:in London in the early 1960s
35:Philipp Fehl at Work in 1996
7:
1902:http://www.philippfehl.com/
1806:San Gregorio Magno al Celio
1794:
1745:and Princes in St. Peter's.
1451:, III, no. 1, 1976, 93–129.
1318:"The Ghosts of Nuremberg",
1273:, IX, 1970, no. 3–4, 24–35.
1186:, no. 10, June 1958, 13–24.
1145:
1014:Works in public collections
972:Central European University
883:College of William and Mary
520:Committee on Social Thought
416:Deutsche Nationalbibliothek
382:
358:Committee on Social Thought
295:Camp Butner, North Carolina
10:
2133:
2112:20th-century American Jews
2092:Jewish American historians
1632:, no. 28, XIV, 1993, 9–76.
1520:. New York, 1981, 341–365.
1242:, VIII, 1968, no. 1, 2–25.
1207:103, LVIII, 1961, 325–354.
1049:Nicolas Cochin the Younger
865:Folger Shakespeare Library
841:Art Gallery of Chapel Hill
550:
1912:http://www.cicognara.com/
1343:, XI, 1973, no. 4, 20–31.
1336:, XI, 1973, no. 3, 14–27.
1315:XXIV, 1972, no. 3, 16–17.
955:Gallery 107 Mercer Street
927:, Urbana, Illinois, 1984.
903:, Venice, Italy, 1980–81.
849:, Graz, "Capricci," 1971.
693:Who's Who in American Art
656:1987–2000: Director, The
579:, Editor for Book Reviews
494:
456:Visiting appointments at
433:University of Kansas City
320:, French, and an M.A. in
263:
140:
132:
122:
104:
96:
84:
62:
40:
28:
21:
1907:http://www.ranafehl.com/
1768:Entries in Encyclopedias
1544:, I, no. 2, 1982, 46–67.
1441:, LXVIII, 1976, 484–491.
1392:, XXXVII, 1974, 362–367.
1228:, XLVIII, 1966, 404–405.
1139:http://www.cicognara.com
1041:
949:Gallery ?Nature's Table?
925:Gallery ?Nature's Table?
913:Herzog August Bibliothek
861:, Vienna, Austria, 1973.
847:Neue Galerie am Joanneum
733:Caroline "Lynn" Coulston
705:Who's Who in the Midwest
644:American Academy in Rome
639:, Art Bulletin Committee
531:American Academy in Rome
2087:Jewish American artists
2067:Austrian art historians
2052:American art historians
1427:VI, no. 12, 1975, 8–10.
1385:, LXXXI, 1974, 257–283.
1280:, X, 1971, no. 3, 2–15.
1179:, XXXIX, 1957, 301–302.
901:SocietĂ Dante Alighieri
470:Trinity College at Rome
426:. Lecturer, 1951–1954.
303:Erich Fritz Schweinburg
301:daughter of the writer
1651:Apoll schindet Marsyas
1644:Gazette des Beaux-Arts
1537:no. 3, II, 1981, 9–55.
1527:Warsaw, 1981, 639–649.
1425:Creative Communicator,
1383:Gazette des Beaux-Arts
1294:, LIII, 1971, 326–343.
1205:Gazette des Beaux-Arts
1037:Works and publications
877:University of Illinois
738:
729:Katharine "Kathy" Fehl
504:
439:University of Nebraska
405:University of Illinois
367:
297:. In 1945 he married
282:
1946:Renaissance Quarterly
1535:Artibus et Historiae,
1463:The Great Ideas Today
1235:, Winter 1966, 16–28.
1172:, XVI, 1957, 153–168.
1155:, XII, 1953, 233–248.
915:, WolfenbĂĽttel, 1982.
702:The Writers Directory
651:Ball State University
524:University of Chicago
502:
424:University of Chicago
363:
354:University of Chicago
334:University of Chicago
276:
257:University of Chicago
226:Bundes Real Gymnasium
100:American and Austrian
1983:Artibus et Historiae
1830:Artibus et Historiae
1630:Artibus et Historiae
1458:, XXVI, 1976, 23–30.
1371:, IX, 1974, 123–151.
1369:Winterthur Portfolio
1357:, LV, 1973, 373–379.
1329:XXXI, 1973, 291–307.
1320:The Atlantic Monthly
1219:Speculum Humanitatis
1193:, XXXIV, 1961, 1–44.
803:Self Portrait in Oil
714:Who's Who in Society
696:Who's Who in Austria
586:, Board of Directors
422:University College,
373:Artibus et Historiae
190:. His older cousin,
157:Philipp Pinchas Fehl
88:Prima Porta Cemetery
45:Philipp Pinchas Fehl
2082:Writers from Vienna
1753:Tapes for the Blind
1742:Richard Krautheimer
1480:Burlington Magazine
1439:Burlington Magazine
1409:"Science and Art",
1306:Burlington Magazine
1200:, XXI, 1961, 30–31.
1198:College Art Journal
1165:, XIV, 1954, 55–56.
1163:College Art Journal
1153:College Art Journal
895:Mt. Holyoke College
711:Who's Who in Europe
476:Tel Aviv University
253:Stanford University
249:Stanford University
2057:Austrian educators
1507:The Age of Milton,
1489:VI, 1979, 761–791.
1418:Archeological News
1404:Renaissance Papers
1399:, IX, 1974, 71–87.
1364:LV, 1973, 584–599.
1301:, LVI, 1972, 6–28.
1261:Renaissance Papers
1233:Carolina Quarterly
1047:(ed. and transl.)
1001:Annual exhibitions
658:Leopoldo Cicognara
653:, Advisory Council
646:, Advisory Council
505:
401:Professor Emeritus
340:and the comedians
283:
255:. Fehl was at the
1487:Critical Inquiry,
1151:"Test of Taste",
1077:Stephen Prokopoff
515:, Research Fellow
478:, Winter, 1982;
370:– Marilyn Perry,
318:Romance Languages
212:Cicognara Project
178:Fehl was born in
154:
153:
66:11 September 2000
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2062:Austrian artists
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1456:Storia dell'Arte
1449:Critical Inquiry
871:Peoria Art Guild
859:Galerie im Stock
798:
773:
755:
576:The Art Bulletin
466:Brown University
389:Harmony Junction
378:
210:, initiated the
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102:
101:
98:
94:
93:
86:
82:
81:
72:
70:(aged 80)
64:
60:
59:
50:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
2129:
2118:
2115:
2113:
2110:
2108:
2105:
2103:
2100:
2098:
2095:
2093:
2090:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2072:Austrian Jews
2070:
2068:
2065:
2063:
2060:
2058:
2055:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2015:
2014:
2012:
2003:
2000:
1996:
1992:
1989:(48): 13–15.
1988:
1984:
1979:
1975:
1971:
1967:
1963:
1959:
1955:
1951:
1947:
1941:
1937:
1935:9789051835854
1931:
1927:
1926:
1920:
1918:
1915:
1913:
1910:
1908:
1905:
1903:
1900:
1899:
1880:
1879:
1874:
1868:
1860:
1856:
1852:
1848:
1844:
1840:
1836:
1832:
1831:
1823:
1821:
1816:
1807:
1804:
1802:
1799:
1798:
1792:
1781:
1778:
1775:
1772:
1771:
1762:
1757:
1756:
1747:
1743:
1738:
1735:
1732:
1728:
1725:
1722:
1719:
1716:
1713:
1710:
1707:
1704:
1701:
1698:
1695:
1692:
1689:
1686:
1683:
1680:
1677:
1674:
1671:
1668:
1665:
1662:
1659:
1655:
1652:
1648:
1645:
1641:
1638:
1634:
1631:
1627:
1624:
1621:
1618:
1615:
1612:
1609:
1606:
1603:
1600:
1597:
1594:
1591:
1588:
1585:
1582:
1579:
1576:
1573:
1570:
1567:
1564:
1561:
1558:
1555:
1552:
1549:
1546:
1543:
1539:
1536:
1532:
1529:
1526:
1522:
1519:
1515:
1512:
1508:
1504:
1501:
1498:
1494:
1491:
1488:
1484:
1481:
1477:
1474:
1470:
1467:
1464:
1460:
1457:
1453:
1450:
1446:
1443:
1440:
1436:
1433:
1429:
1426:
1422:
1419:
1415:
1412:
1408:
1405:
1401:
1398:
1394:
1391:
1387:
1384:
1380:
1377:
1376:The Parthenon
1373:
1370:
1366:
1363:
1362:Art Bulletin,
1359:
1356:
1352:
1349:
1345:
1342:
1338:
1335:
1331:
1328:
1324:
1321:
1317:
1314:
1310:
1307:
1303:
1300:
1296:
1293:
1289:
1286:
1282:
1279:
1275:
1272:
1268:
1265:
1262:
1258:
1255:
1251:
1248:
1244:
1241:
1237:
1234:
1230:
1227:
1223:
1220:
1216:
1213:
1212:Four Quarters
1209:
1206:
1202:
1199:
1195:
1192:
1188:
1185:
1181:
1178:
1174:
1171:
1167:
1164:
1160:
1157:
1154:
1150:
1149:
1140:
1136:
1132:
1129:
1126:
1123:
1121:
1116:
1113:
1109:
1106:
1103:
1100:
1096:
1092:
1089:
1085:
1082:
1078:
1074:
1071:
1068:
1065:
1061:
1058:
1054:
1053:Denis Diderot
1050:
1046:
1045:
1031:
1028:
1025:
1022:
1021:
1020:
1008:
1005:
1004:
995:
992:
989:
988:
979:
976:
973:
970:
968:
965:
962:
959:
956:
953:
950:
947:
944:
941:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
899:
896:
893:
890:
887:
884:
881:
878:
875:
872:
869:
866:
863:
860:
857:
854:
851:
848:
845:
842:
839:
838:
827:
819:
806:Oil (c. 1950)
804:
797:
792:
791:
790:
789:
779:
772:
767:
761:
754:
749:
748:
747:
745:
736:
734:
730:
726:
719:Personal life
713:
710:
707:
704:
701:
698:
695:
692:
689:
688:
679:
676:
673:
672:
671:
659:
655:
652:
648:
645:
641:
638:
634:
631:
627:
624:
621:
618:
615:
612:
609:
605:
602:
599:
595:
592:
588:
585:
581:
578:
577:
572:
570:
566:
562:
559:
555:
554:
545:
542:
539:
535:
532:
528:
525:
521:
517:
514:
510:
507:
506:
501:
487:
484:
481:
477:
474:
471:
467:
464:
462:, 1960, 1963;
461:
458:
457:
455:
452:
449:
446:
443:
440:
437:
434:
431:
428:
425:
421:
420:
419:
417:
413:
408:
406:
402:
396:
394:
390:
379:
376:
374:
366:
361:
359:
355:
351:
347:
343:
342:Severn Darden
339:
335:
331:
327:
323:
319:
314:
310:
309:(1946–1947).
308:
304:
300:
296:
292:
288:
280:
275:
261:
258:
254:
250:
246:
241:
239:
235:
231:
227:
222:
219:
217:
213:
209:
204:
203:United States
199:
197:
193:
189:
185:
181:
171:
169:
168:art historian
165:
162:
158:
149:
143:
139:
135:
131:
128:
125:
121:
118:
117:Art Historian
114:
110:
107:
103:
99:
95:
92:
87:
85:Resting place
83:
79:
75:
65:
61:
57:
53:
43:
39:
32:
27:
20:
1986:
1982:
1949:
1945:
1924:
1884:11 September
1882:. Retrieved
1876:
1867:
1834:
1828:
1790:
1787:Book reviews
1657:
1650:
1643:
1636:
1629:
1542:Il Labirinto
1541:
1534:
1524:
1517:
1506:
1496:
1486:
1479:
1472:
1462:
1455:
1448:
1438:
1431:
1424:
1417:
1410:
1403:
1396:
1389:
1382:
1375:
1368:
1361:
1355:Art Bulletin
1354:
1347:
1340:
1333:
1326:
1319:
1312:
1305:
1298:
1292:Art Bulletin
1291:
1284:
1277:
1270:
1260:
1253:
1246:
1239:
1232:
1226:Art Bulletin
1225:
1218:
1211:
1204:
1197:
1190:
1183:
1177:Art Bulletin
1176:
1169:
1162:
1152:
1134:
1127:
1117:
1111:
1104:
1098:
1087:
1080:
1069:
1063:
1056:
1017:
977:
971:
966:
960:
954:
948:
942:
936:
930:
924:
918:
912:
906:
900:
894:
888:
882:
876:
870:
864:
858:
852:
846:
840:
825:
816:
802:
787:
786:
777:
759:
743:
742:
722:
668:
629:
574:
409:
397:
386:
371:
368:
364:
350:Mike Nichols
315:
311:
284:
277:Philipp and
242:
223:
220:
200:
177:
156:
155:
68:(2000-09-11)
23:Philipp Fehl
2022:2000 deaths
2017:1920 births
1497:The College
1120:Sprezzatura
985:Group shows
830:Exhibitions
642:1982–1990:
635:1968–1991:
628:1983–1996:
606:1976–1978:
596:1975–1977:
589:1973–1975:
582:1967–1971:
573:1965–1968:
556:1965–1969:
536:1977–1978:
529:1967–1968:
526:, Associate
518:1963–2000:
511:1952–1953:
194:, attended
192:Paul Eisler
146:philippfehl
113:Pen and Ink
97:Nationality
91:Rome, Italy
2011:Categories
1878:Christie's
1859:5548213435
1812:References
1801:Raina Fehl
1731:Raina Fehl
835:Solo shows
725:Raina Fehl
346:Elaine May
299:Raina Fehl
279:Raina Fehl
269:Early work
238:Birmingham
208:Raina Fehl
174:Early life
127:Raina Fehl
48:9 May 1920
1974:191384676
1843:0391-9064
744:Capricci
685:Listed in
403:from the
232:. After
196:Gymnasium
188:Fred Fehl
1795:See also
1146:Articles
1141:website.
567:and the
540:, Fellow
468:, 1967;
412:capricci
383:Teaching
230:AnschluĂź
161:American
133:Children
109:Painting
1995:1483726
1966:2860281
1851:1483726
921:, 1983.
909:, 1982.
551:Offices
330:Chicago
214:at the
184:Austria
141:Website
56:Austria
1993:
1972:
1964:
1932:
1857:
1849:
1841:
1075:(with
731:" and
495:Honors
264:Career
234:Matura
180:Vienna
164:artist
123:Spouse
52:Vienna
1991:JSTOR
1970:S2CID
1962:JSTOR
1847:JSTOR
1042:Books
78:Italy
1930:ISBN
1886:2015
1855:OCLC
1839:ISSN
1509:ed.
1051:and
788:Oils
377:2003
348:and
166:and
148:.com
74:Rome
63:Died
41:Born
1954:doi
739:Art
391:by
293:at
2013::
1987:24
1985:.
1968:.
1960:.
1950:29
1948:.
1928:.
1875:.
1853:.
1845:.
1835:24
1833:.
1819:^
1097:,
1079:)
1055:,
735:.
522:,
418:.
407:.
344:,
218:.
182:,
170:.
76:,
54:,
1997:.
1976:.
1956::
1938:.
1888:.
1861:.
1118:'
375:,
136:2
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