170:. Burne-Jones stated that he did not think highly of negroes and was sceptical of their belonging in American society. He wrote "...among a highly civilized and strenuous people the negroes are in an absolutely false position," "the negro is not, and can never be, the equal of his white brother," and considering "exceptions here and there, the best that can be said for them is that they make tolerably good servants." In spite of holding these commonly held views, he was aware they were exaggerated by his conditioning, a reflection of where he grew up, how, and when: "When aversion to race is instinctive and deep-seated, it is a bit difficult to write fairly on the subject"; and repeatedly offered his regrets and commiseration over their difficult situation in America, stating it was a "real tragedy", for which "they deserve our profound sympathy". He summed up his overview on the matter in his final remark on the subject: "I am sorry for the negroes, and I wish they weren't in America at all."
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during 1902, where he was popular in fashionable society and contributed to the then-fashionable travelogue literary genre by publishing an account (Dollars and
Democracy) of his time spent there. He lived most of his life in London, where he died in 1926.
136:'s poem of the same name. The location of the original painting is unknown. In July 1902 several papers including the Baltimore Sun and the St. Louis Republic reported the painting was sold to
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Having a famous father was difficult for him, and it was Philip's fate in life that his work was often compared unfavourably with that of his father.
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that had been bestowed on his father during 1894. It is said that his father had accepted the title only because Philip was keen to inherit it.
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for two years, but left before graduating. To appease his parents for this failure, he agreed to take lessons in painting in London.
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Philip studied painting seriously. His skill was great and he exhibited his work in well-known galleries in London and Paris. The
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128:(1897), depicting a woman leaning over an unconscious man, was believed to have been modelled by the actress
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exhibited his work eleven times between 1898 and 1918, and his work was also shown in the
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Philip expressed racist attitudes on Black
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of 1900. There he exhibited his portrait of his father, now in the
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Upon his father's death in 1898, Philip succeeded to the title of
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190:. 1 May 2008. Archived from the original on 1 May 2008
119:. He painted portraits of many well-known people.
25:Formal portrait of Philip Burne-Jones in mid-life
703:Baronets in the Baronetage of the United Kingdom
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72:. He produced more than 60 paintings, including
52:. He was the first child of more famed British
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280:: D. Appleton & Company. pp. 165–169
140:; however, Burne-Jones denied the reports.
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338:Works by or about Philip Burne-Jones
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505:The Last Sleep of Arthur in Avalon
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270:Burne-Jones, Philip (March 1904).
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232:. 22 April 1940. Archived from
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480:Pygmalion and the Image
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153:Philip visited the
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561:Star of Bethlehem
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259:. 8 August 1902.
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508:(1881–1898)
500:(1876–1880)
492:(1875–1883)
484:(1875–1878)
475:(1872–1877)
315:, included
125:The Vampire
113:Paris Salon
56:artist Sir
35:The Vampire
687:Categories
605:Tapestries
390:1898–1926
174:References
78:landscapes
448:Paintings
74:portraits
50:Edwardian
521:The Mill
394:Extinct
284:25 April
278:New York
240:9 August
204:cite web
630:Related
382:Baronet
340:at the
317:Vampire
148:baronet
94:England
616:(1890)
588:Murals
580:(1896)
572:(1891)
564:(1890)
556:(1887)
548:(1886)
532:(1884)
524:(1882)
482:series
467:(1873)
459:(1863)
194:7 July
90:London
577:Hope
330:via:
310:via:
286:2022
242:2008
210:link
196:2022
354:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.