199:
2409:
3055:
478:
either an early
Shakespeare work or not written by him at all. Wilkins has been proposed as the co-author since 1868. In 1919, H. Dugdale Sykes published a detailed comparison of numerous parallels between the first half of Pericles and four of Wilkins's works, but he thought that Wilkins's novelisation of the play preceded its composition. Many other scholars followed Sykes in his identification of Wilkins, most notably Jonathan Hope in 1994 and
1915:
3065:
33:
3148:
1117:. Unlike most scholars, Haj believes that the play was written entirely by Shakespeare, calling it "deep" and "mature". Rather than an elaborate set, the play uses visual projections on a large screen; this is particularly effective for the shipwreck scene and the "literal wall of water... coming right at you.". Musicians effectively set the mood, create tension, and underscore the theme.
650:. Giustinian was in London from 5 January 1606 to 23 November 1608. As far as is known, there was no other play with the same title that was acted in this era; the usual assumption is that this must have been Shakespeare's play. The title page of the play's first printed edition states that the play was often acted at the
583:: A Study in the Dramatic Use of Romantic Narrative," scholars began to find merits and interesting facets within the play's dramaturgy, narrative and use of the marvelous. And, while the play's textual critics have sharply disagreed about editorial methodology in the last half-century, almost all of them, beginning with
75:
of the play, but modern editors generally agree that
Shakespeare was responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies suggest that the first two acts, 835 lines detailing the many voyages of
1157:
In 2020, members of Mary
Baldwin University's MFA company model performed the show as part of Fireside Shakespeare Company's 2020-2021 season. Directed by Millie Koncelik, the show was a small-scale production in which five actors portrayed all the characters. Due to the restraints of the pandemic,
477:
wrote, "there is good Reason to believe that the greatest part of that Play was not written by him; tho' it is own'd, some part of it certainly was, particularly the last Act." Rowe here seems to be summarising what he believes to be a consensus view in his day, although some critics thought it was
317:
Pericles' wanderings bring him to
Mytilene where the governor Lysimachus, seeking to cheer him up, brings in Marina. They compare their sad stories and joyfully realise they are father and daughter. Next, the goddess Diana appears in a dream to Pericles, and tells him to come to the temple where he
250:
relationship with his daughter. If he answers incorrectly, he will be killed, but if he reveals the truth, he will be killed anyway. Pericles hints that he knows the answer, and asks for more time to think. Antiochus grants him forty days, and then sends an assassin after him. However, Pericles has
285:
A letter sent by the noblemen reaches
Pericles in Pentapolis, who decides to return to Tyre with the pregnant Thaisa. Again, a storm arises while at sea, and Thaisa appears to die giving birth to her child, Marina. The sailors insist that Thaisa's body be set overboard in order to calm the storm.
1099:
as
Pericles. Nunn utilized a generally bare stage but with more elaborate and ornate costuming from different eras and cultures. Nunn shifted some scenes around and brought in prose text from George Wilkins' Pericles story (thought to be the co-author of this play with Shakespeare) in order to
457:
links between the play and
Wilkins's style that are found nowhere else in Shakespeare. The Cambridge editors reject this contention, arguing that the play is entirely by Shakespeare and that all the oddities can be defended as a deliberately old-fashioned style; however, they do not discuss the
980:
series, directed by Jon
Ciccarelli (2006) and Noelle Fair (2014) respectively. Both directors noted the 2002 Adrian Noble production as a direct influence on their productions utilizing diversely ethnic casts and set in Mediterranean locales. Ciccarelli's production took a more historical and
361:
by George
Wilkins, published in 1608. But this seems to be a "novelization" of the play, stitched together with bits from Twine; Wilkins mentions the play in the Argument to his version of the story – so that Wilkins' novel derives from the play, not the play from the novel. Wilkins, who with
281:
who inform him that
Simonides, King of Pentapolis, is holding a tournament the next day and that the winner will receive the hand of his daughter Thaisa in marriage. Fortunately, one of the fishermen drags Pericles' suit of armour on shore that very moment, and the prince decides to enter the
403:, the 1609 quarto (all subsequent quartos were reprints of the original), is manifestly corrupt; it is often clumsily written and incomprehensible and has been interpreted as a pirated text reconstructed from memory by someone who witnessed the play (much like theories surrounding the 1603 "
539:
wrestled with the text and found that the play "as a whole is singularly undramatic" and "entirely lacks unity of action." The episodic nature of the play combined with the Act Four's lewdness troubled Dowden because these traits problematised his idea of Shakespeare. Dowden also banished
1918:
922:
played Antiochus, Cerimon, and the Bawd. The production made extensive use of the mechanised wheel in the theatre to emphasise movement in time and space; however, the wheel's noise made some scenes difficult to hear, and some critics disparaged what they saw as pointless gimmickry in the
1055:
in Stratford, Canada. In 1973 there was a production directed by Jean Gascon that was repeated in 1974; there were later productions, respectively in 1986, 2003, and the latest in 2015. Both the 1973 and 1974 productions had the same cast, headed by Stratford stars, Nicholas Pennel and
311:. There, Marina manages to keep her virginity by convincing the men that they should seek virtue. Worried that she is ruining their market, the brothel rents her out as a tutor to respectable young ladies. She becomes famous for music and other decorous entertainments.
458:
stylistic links with Wilkins's work or any of the scholarly papers demonstrating contrary opinions. If the play was co-written or revised by Wilkins, this would support a later date, as it is believed Wilkins' career as a writer spanned only the years 1606-8. The 1986
621:
said that the play works well on the stage despite its problems, and even wrote, "Perhaps because he declined to compose the first two acts, Shakespeare compensated by making the remaining three acts into his most radical theatrical experiment since the mature
282:
tournament. Although his equipment is rusty, Pericles wins the tournament and the hand of Thaisa (who is deeply attracted to him) in marriage. Simonides initially expresses doubt about the union, but soon comes to like Pericles and allows them to wed.
398:
Most scholars support 1607 or early 1608 as most likely, which accords well with what is known about the play's likely co-author, George Wilkins, whose extant literary career seems to span only three years, 1606 to 1608. The only published text of
985:
as a direct story teller of the action in medieval costume vs. the Greek/Turkish garb of the main cast. Fair's production took a more dream like approach using a variety of international music and devised movement pieces to convey the Gower
905:
Productions in the 1990s differed from earlier productions in that they generally stressed the dislocation and diversity inherent in the play's setting, rather than striving for thematic and tonal coherence. As early as 1983,
1143:
In August 2019, Dan Dawes directed a stripped back, multi-roling production of the play for the company Idle Discourse, which focused heavily on bold storytelling and physical comedy. The production initially ran at London's
270:. The generous Pericles gives the governor of the city, Cleon, and his wife Dionyza, grain from his ship to save their people. The famine ends, and after being thanked profusely by Cleon and Dionyza, Pericles continues on.
417:
twice in 1609 by the stationer Henry Gosson. Subsequent quarto printings appeared in 1611, 1619, 1630, and 1635; it was one of Shakespeare's most popular plays in his own historical era. The play was not included in the
366:
lawsuit of 1612, has been an obvious candidate for the author of the non-Shakespearean matter in the play's first two acts; Wilkins wrote plays very similar in style, and no better candidate has been found.
797:
was the Bawd. The production was a success; it was later viewed as a model for "coherent" or thematically unified approaches, in contrast to the postmodern or disintegrative approaches of the seventies and
307:
Marina grows up more beautiful than Philoten the daughter of Cleon and Dionyza, so Dionyza plans Marina's murder. The plan is thwarted when pirates kidnap Marina and then sell her to a brothel in
867:
series and was first transmitted on 8 December 1984. The play was opened out so as to deal with the various locations and time intervals and was given a thoughtful and moving interpretation.
1709:
892:. The production was centred on a grid-covered trap suspended in air; the brothel scenes were played below, as in a basement; the shipboard scenes were played on and around the grid.
951:
was Gower. In an echo of the music played during the interval of the 1619 Whitehall performance, Noble featured belly dancing and drumming during the intermission of his production.
1902:
1100:
improve the pace and clarity of the story. The production included folk songs and dances interwoven throughout the play as was often done in the original Shakespeare productions.
552:
found more to admire, saying of the moment of Pericles' reunion with his daughter: "To my mind the finest of all the 'recognition scenes' is Act V, sc. i of that very great play
482:
in 1993 and 2003. In 2002, Prof. Brian Vickers summarised the historical evidence and took the Cambridge editors to task for ignoring more than a century of scholarship.
1158:
the production was masked and socially distanced. As part of the show's concept, each of the five actors in turn performed one of Gower's choruses throughout the show.
579:
was among the most notorious "bad quartos". In the second half of the twentieth century, critics began to warm to the play. After John Arthos' 1953 article "
556:. It is a perfect example of the 'ultra-dramatic', a dramatic action of beings who are more than human... or rather, seen in a light more than that of day."
2709:
1896:
844:, an unlikely venue for such an expansive play. Daniels compensated for the lack of space by canny use of lighting and offstage music and sound effects.
258:, where his trusted friend and counsellor Helicanus advises him to leave the city, for Antiochus surely will hunt him down. Pericles leaves Helicanus as
3280:
3101:
470:, which adapts passages from Wilkins' novel on the assumption that they are based on the play and record the dialogue more accurately than the quarto.
1068:
and Goldie Semple; the 2003 production was directed by Leon Rubin and starred Jonathan Goad; and in 2015 the director was Scott Wentworth and starred
1662:
584:
759:
The play has risen somewhat in popularity since Monck, though it remains extraordinarily difficult to stage effectively, an aspect played with in
2812:
3232:
2865:
1028:
824:
1735:
535:
After Jonson and until the mid-twentieth century, critics found little to like or praise in the play. For example, nineteenth-century scholar
3562:
1951:
1675:
293:
near the residence of Lord Cerimon, a physician who revives her. Thinking that Pericles died in the storm, Thaisa becomes a priestess in the
1661:
16 January – 21 February 2016, p. 10. Press release, “Playmakers’ Haj Takes UNC/Chapel Hill Creative Team to Oregon Shakespeare Festival,”
727:
in 1854. Phelps cut Gower entirely, satisfying his narrative role with new scenes, conversations between unnamed gentlemen like those in
2430:
2367:
2362:
2767:
378:
314:
Meanwhile, Pericles returns to Tarsus for his daughter. The governor and his wife claim she has died; in grief, he takes to the sea.
733:, 5.2. In accordance with Victorian notions of decorum, the play's frank treatment of incest and prostitution was muted or removed.
3592:
318:
finds Thaisa. The wicked Cleon and Dionyza are killed when their people revolt against their crime. Lysimachus will marry Marina.
65:, was not included in Shakespeare's collections of works until the third folio, and the main inspiration for the play was Gower's
3289:
3043:
2721:
17:
3192:
863:
3273:
3094:
2883:
2782:
703:
soon after the theatres re-opened in 1660; it was one of the earliest productions, and the first Shakespearean revival, of the
105:
was one of the seventeen plays that were in print during Shakespeare's life, and was reprinted 5 times between 1609 and 1635.
2878:
2310:
71:. Various arguments support the theory that Shakespeare was the sole author of the play, notably in DelVecchio and Hammond's
1618:
57:
and included in modern editions of his collected works despite questions over its authorship, as it was not included in the
3577:
2379:
815:
above a bare stage. Hands also introduced extensive doubling, which has since become a staple of productions of this play.
1152:, Czech Republic, the following month. Tom Grace starred as Pericles, Adam Elms as Gower, and Lauren Cornelius as Marina.
3409:
2956:
2459:
2318:
1078:
1566:
Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings
3552:
1574:
195:, who has offered the hand of his beautiful daughter to any man who answers his riddle; but those who fail shall die.
3266:
3173:
3087:
3068:
2822:
2792:
1944:
1344:
1315:
1285:
1257:
1227:
977:
350:
97:
3441:
2860:
2855:
2787:
1644:
781:, unified the play; the stage was dominated by a large ship in which Gower related the tale to a group of sailors.
423:
643:
286:
Pericles grudgingly agrees, and decides to stop at Tarsus because he fears that Marina may not survive the storm.
3567:
2835:
2830:
2750:
1761:
3215:
2802:
2574:
2389:
2349:
1630:
914:; devices such as these dominated English main stages in the nineties. Phyllida Lloyd directed the play at the
1817:
2703:
77:
3058:
2925:
2741:
2394:
2042:
1986:
1937:
774:
571:
gave increased attention to the examination of quarto editions of Shakespearean plays published before the
3079:
422:
in 1623; it was one of seven plays added to the original Folio thirty-six in the second impression of the
3557:
3465:
2731:
2692:
2679:
2553:
2085:
1114:
999:
960:
711:
made his stage debut in the title role. Yet the play's pseudo-naive structure placed it at odds with the
935:(his last before leaving the RSC) stressed diversity in another way. Responding to critical interest in
3587:
3582:
2899:
2617:
2445:
2384:
2344:
2035:
2014:
1088:
998:
from 2008 to 2016: at the PlayMakers Repertory Company in Chapel Hill, North Carolina, in 2008; at the
973:
692:
1631:"Shakespeare Troupe bringing "Pericles" to Stratford Library Shakespeare Company to perform on July 8"
3497:
2918:
2913:
2870:
2746:
2544:
1145:
1006:
in Minneapolis, Minnesota, in 2016—his inaugural production as artistic director of that institution.
841:
720:
72:
3516:
3369:
2777:
2726:
2716:
2697:
2684:
2424:
1440:
911:
889:
81:
807:
at Stratford also received favourable reviews. The set was almost bare, with a hanging replica of
473:
The play has been recognised as a probable collaboration since 1709, if not earlier. In that year
198:
191:
John Gower introduces each act with a prologue. The play opens in the court of Antiochus, king of
3572:
2500:
2064:
1875:
1020:
786:
459:
3457:
3425:
2930:
2657:
2595:
2515:
2438:
2049:
2028:
1968:
1012:
915:
880:
853:
474:
442:
1564:
3508:
3417:
3220:
3022:
2936:
2905:
2807:
2470:
2201:
2111:
2092:
900:
played Pericles, and Suzan Sylvester and Sally Edwards were Marina and Thaisa, respectively.
2845:
2632:
2610:
2190:
2141:
2120:
2100:
2000:
1977:
1589:
740:
729:
678:
479:
383:
3258:
715:
tastes of the Restoration era. It vanished from the stage for nearly two centuries, until
8:
3547:
3110:
3016:
2998:
2797:
2639:
2603:
2536:
2493:
2452:
2021:
1960:
761:
736:
704:
662:
517:
363:
54:
1605:
Siobhan Keenan, "The Simpson players of Jacobean Yorkshire and the professional stage",
3320:
3226:
3010:
2968:
2850:
2588:
2486:
2291:
1407:
1065:
1052:
932:
564:
546:
from the canon because it belonged to "the pre-Shakespearean school of bloody dramas".
372:
341:
246:), hears the riddle, and instantly understands its meaning: Antiochus is engaged in an
1839:
1553:
Harold Bloom "Shakespeare: The Invention of the Human" (Riverhead Books, 1998) p. 604.
747:, cutting the first act. This production was revived at Stratford after the war, with
661:
known with certainty occurred in May 1619, at Court, "in the King's great chamber" at
3481:
3401:
3165:
3137:
2980:
2298:
2225:
2217:
1891:
1786:
1683:
1570:
1340:
1333:
1311:
1281:
1253:
1223:
1096:
1061:
1016:
808:
635:
560:
446:
328:
298:
294:
263:
67:
3489:
3004:
2992:
2986:
2581:
2508:
2408:
2282:
2275:
2267:
2244:
2237:
2210:
2183:
2169:
1039:
876:
782:
778:
708:
639:
542:
521:
337:
2760:
2372:
2260:
2176:
1908:
1880:
1106:
1003:
964:
948:
820:
794:
770:
700:
529:
427:
206:
304:
Pericles departs to rule Tyre, leaving Marina in the care of Cleon and Dionyza.
3336:
3210:
2253:
1993:
1148:
in Highgate before transferring to the Baroque Palace Theatre in the Palace of
1073:
956:
919:
893:
849:
828:
568:
387:
345:
255:
235:
88:
1858:
Thwarting the Wayward Seas: A critical and Theatrical History of Shakespeare's
1122:
The BBC has broadcast two radio adaptations of the play: one in 2005 starring
3541:
3449:
3433:
3355:
3028:
2974:
2736:
2078:
1687:
1247:
1168:
1131:
1127:
944:
910:
directed a production in Boston that featured extras dressed as contemporary
907:
872:
845:
812:
748:
716:
712:
666:
651:
596:
536:
827:
playing Marina when the two characters appear together in the final scene).
3393:
3385:
3312:
3246:
3109:
2962:
2664:
2328:
1384:
F. E. Halliday, A Shakespeare Companion 1564–1964, Baltimore, Penguin, 1964
1172:
1069:
1057:
976:
of New Jersey mounted the play in two separate productions in their annual
928:
832:
618:
50:
3524:
3361:
3240:
2755:
2567:
2323:
2071:
1736:"Theater review: 'Pericles' is an impressive debut for new Guthrie chief"
1135:
1123:
1092:
1046:
Four actors in search of Shakespeare was the nub of this 2013 production.
1024:
936:
897:
868:
816:
804:
790:
724:
572:
549:
435:
419:
58:
466:
and the subsequent individual edition include a "reconstructed text" of
95:
which is the prose version of the story, and drew from Lawrence Twines'
3132:
2840:
2127:
1885:
1734:
Press, Dominic P. Papatola | Special to the Pioneer (25 January 2016).
1110:
1035:
991:
940:
677:
group of itinerant players arrested for performing a religious play at
491:
454:
404:
333:
175:
1929:
181:
Lords, Knights, Gentlemen, Sailors, Pirates, Fisherman, and Messengers
2772:
2624:
2560:
2148:
2007:
939:, Noble accentuated the multicultural aspects of the play's setting.
835:, Hands added a special acknowledgment of the event to Gower's lines.
682:
532:, the first production of any of Shakespeare's works in the new era.
490:
Critical response to the play has traditionally been mixed. In 1629,
414:
274:
239:
76:
Pericles, were written by a collaborator, who may well have been the
1051:
There have been four important productions of "Pericles" mounted at
3328:
1924:
1306:
Shakespeare, William; Wilkins, George (2003). Warren, Roger (ed.).
1248:
Shakespeare, William; DelVecchio, Dorothy; Hammond, Antony (1998).
674:
308:
85:
1676:"Pericles review – marine miracles on an adventure around the Med"
963:
for their 2004–05 Season. The production transferred to Chicago's
2529:
2522:
2354:
2162:
2155:
1149:
831:
played the title role. For the performances on the nights of the
744:
370:
The choruses spoken by Gower were influenced by Barnabe Barnes's
290:
278:
273:
A storm wrecks Pericles' ship and washes him up on the shores of
243:
192:
3147:
32:
3377:
2134:
1510:
The Authorship of Shakespeare's Plays: A Socio-Linguistic Study
1091:
in New York City staged a production in early 2016 directed by
409:
267:
259:
247:
62:
37:
1532:
Edward Dowden. Shakespeare, His Mind and His Art. Dublin: 1875
3473:
1331:
Shakespeare, William; Mowat, Barbara A.; et al. (2005).
982:
1512:(Cambridge, 1994); Jackson, MacDonald P. "The Authorship of
1330:
1192:
E. g., DelVecchio & Hammond, Gossett, Warren, and Mowat.
494:
lamented the audiences' enthusiastic responses to the play:
3288:
1710:"'Perhaps, Pericles' deft take on alleged Shakespeare play"
1484:
Some Account of the Life &c. of Mr. William Shakespeare
1456:
Edwards, Philip. "An Approach to the Problem of Pericles."
1275:
326:
The play draws upon two sources for the plot. The first is
1305:
507:
Throwne forth, and rak't into the common tub (Ben Jonson,
1031:
played Pericles. The production was noted for its humor.
1645:"Shakespeare's 'Pericles' comes to Kenilworth Aug. 14"
559:
The New Bibliographers of the early twentieth century
453:
accept Wilkins as Shakespeare's collaborator, citing
685:
in 1609; however, it is not clear if they performed
1167:for a July-September 2024 performance, directed by
1042:, deconstructed the play in an adaptation entitled
1657:Printed program for Guthrie Theater production of
1332:
1619:Australia Dancing – Sainthill, Loudon (1919–1969)
918:in 1994. The production used extensive doubling.
93:The Painful Adventures of Pericles Prince of Tyre
3539:
888:In 1989, David Thacker directed the play at the
1276:Shakespeare, William; Gossett, Suzanne (2004).
503:As the Shrieve's crusts, and nasty as his fish—
1019:used a minimal set within the tiny, candlelit
819:played Gower (as a Welsh bard) and Helicanus.
160:Thaisa – daughter to Simonides, Pericles' wife
3274:
3095:
1945:
1497:Defining Shakespeare: Pericles as a Test Case
1163:The Royal Shakespeare Company have scheduled
943:took the title role to Lauren Ward's Thaisa;
611:), and Doreen DelVecchio and Antony Hammond (
524:played the title role in a new production of
1864:. Newark: University of Delaware Press 1998.
1825:. United Kingdom: Classic Literature Library
2892:
1762:"Review of Pericles at The Guthrie Theater"
1594:Defining Shakespeare: Pericles as Test Case
1469:Roger Prior, "The Life of George Wilkins,"
379:The Trauailes of the Three English Brothers
27:Play written in part by William Shakespeare
3281:
3267:
3102:
3088:
1952:
1938:
1673:
1563:Driver, Martha W.; Ray, Sid, eds. (2009).
1380:
1378:
1376:
354:, dating from c. 1576, reprinted in 1607.
289:Luckily, Thaisa's casket washes ashore at
1562:
1528:
1526:
1362:
1360:
1358:
1356:
1271:
1269:
1252:. Cambridge: Cambridge University Press.
861:The play was among those adapted for the
840:Ron Daniels directed the play in 1979 at
595:. (Other, more recent, critics have been
485:
121:Helicanus and Escanes – two lords of Tyre
1759:
1674:Billington, Michael (26 November 2015).
1423:Stephen Orgel, Stephen. Introduction to
1301:
1299:
1297:
197:
163:Marina – daughter to Pericles and Thaisa
31:
3290:Laurence Olivier Award for Best Revival
1959:
1837:
1815:
1373:
959:directed Pericles at Washington D.C.'s
689:, or if theirs was Shakespeare's play.
14:
3540:
1707:
1523:
1520:238 (2993): pp. 197–200; Jackson 2003.
1393:Charles Nicholl, 'The gent upstairs',
1353:
1266:
1060:; the 1986 production was directed by
629:
591:edition, have been enthusiastic about
520:when the theatres had just re-opened,
336:, an English poet and contemporary of
234:Pericles, the young Prince (ruler) of
3262:
3083:
2704:Complete Works of William Shakespeare
1933:
1733:
1339:. New York: Washington Square Press.
1294:
1243:
1241:
1239:
1220:Pericles Prince of Tyre- Introduction
1217:
665:. The play was also performed at the
217:On mother's flesh which did me breed:
3563:Laurence Olivier Award-winning plays
1324:
1213:
1211:
1209:
1072:. The 2015 production was filmed by
896:was Gower, dressed as a bureaucrat;
219:I sought a husband, in which labour,
3064:
1651:
1647:. Cranford Chronicle. 29 July 2014.
1079:CBC Presents the Stratford Festival
777:in Stratford. The scene design, by
277:. He is rescued by a group of poor
223:He's father, son, and husband mild,
24:
2879:Shakespeare's influence on Tolkien
1809:
1760:Aalgaard, Mary (25 January 2016).
1236:
1076:for the Shakespearean film series
981:literary slant on the story using
754:
359:The Painful Adventures of Pericles
225:I mother, wife; and yet his child:
221:I found that kindness in a father;
169:A Bawd (female owner of a brothel)
148:A Pandar (male owner of a brothel)
25:
3604:
3234:The Pattern of Painful Adventures
3174:The Pattern of Painful Adventures
1868:
1206:
1126:as Pericles and one in 2017 with
362:Shakespeare was a witness in the
351:The Pattern of Painful Adventures
229:As you will live resolve it you.
130:Lysimachus – governor of Mytilene
98:The Pattern of Painful Adventures
53:play written at least in part by
3146:
3063:
3054:
3053:
2407:
1913:
1516:: The Evidence of Infinitives",
1429:The Complete Pelican Shakespeare
1408:"Pericles, creation of the play"
994:directed several productions of
823:doubled Thaisa and Marina (with
739:revived the play in 1929 at his
393:
227:How they may be, and yet in two,
61:. It was published in 1609 as a
3124:
1779:
1753:
1727:
1701:
1667:
1637:
1623:
1612:
1599:
1583:
1556:
1547:
1535:
1502:
1489:
1476:
1463:
1450:
1434:
1417:
1400:
1370:, Oxford UP, 2002, pp. 291–293.
879:was Thaisa. It was directed by
669:on 10 June 1631. A play called
348:prose version of Gower's tale,
2884:Works titled after Shakespeare
1909:Internet off-Broadway Database
1862:in the 19th and 20th Centuries
1387:
1186:
654:, which was most likely true.
203:Marina singing before Pericles
124:Simonides – king of Pentapolis
13:
1:
3442:Long Day's Journey into Night
3044:Shakespeare and other authors
1787:"Cast and Creatives:Pericles"
1280:. London: Arden Shakespeare.
1199:
1113:was a collaboration with the
644:Antoine Lefèvre de la Boderie
516:In 1660, at the start of the
340:. This provides the story of
139:Philemon – servant to Cerimon
108:
3156:
2926:Shakespeare Birthplace Trust
1633:. Stratford Bard. June 2006.
1034:Cesear's Forum, Cleveland's
775:Shakespeare Memorial Theatre
657:The earliest performance of
151:Boult – The Pandar's servant
142:Leonine – servant to Dionyza
136:Thaliard – a lord of Antioch
7:
3593:Shakespeare's late romances
3578:Plays set in ancient Greece
3216:Shakespeare's late romances
2732:English Renaissance theatre
2575:The Second Maiden's Tragedy
2554:The Merry Devil of Edmonton
2086:The Two Gentlemen of Verona
1923:public domain audiobook at
1793:. Royal Shakespeare Company
1708:HELLER, FRAN (1 May 2013).
1310:. Oxford University Press.
1115:Oregon Shakespeare Festival
1000:Oregon Shakespeare Festival
961:Shakespeare Theatre Company
413:). The play was printed in
344:. The second source is the
186:
166:Lychorida – nurse to Marina
133:Cerimon – a lord of Ephesus
115:Antiochus – king of Antioch
10:
3609:
2900:Folger Shakespeare Library
2446:The Phoenix and the Turtle
2036:The Merry Wives of Windsor
1569:. McFarland. p. 215.
1089:Theatre for a New Audience
974:Hudson Shakespeare Company
931:'s 2002 production at the
864:BBC Television Shakespeare
673:was in the repertory of a
499:No doubt some mouldy tale,
321:
251:fled the city in disgust.
127:Cleon – governor of Tarsus
3553:English Renaissance plays
3347:
3296:
3203:
3184:
3155:
3144:
3123:
3038:
2949:
2919:Royal Shakespeare Theatre
2914:Royal Shakespeare Company
2821:
2678:
2649:
2478:
2469:
2416:
2405:
2337:
2309:
2200:
2110:
2043:A Midsummer Night's Dream
1987:All's Well That Ends Well
1976:
1967:
1609:, 67:1 (2013), pp. 16–35.
1146:Upstairs at the Gatehouse
773:directed the play at the
215:I am no Viper, yet I feed
154:The Daughter of Antiochus
118:Pericles – Prince of Tyre
3517:A Streetcar Named Desire
3466:Ma Rainey's Black Bottom
3370:Mourning Becomes Electra
3193:Pericles, Prince of Tyre
3116:Pericles, Prince of Tyre
2057:Pericles, Prince of Tyre
1920:Pericles, Prince of Tyre
1904:Pericles, Prince of Tyre
1841:Pericles, Prince of Tyre
1819:Pericles, Prince of Tyre
1179:
978:Shakespeare in the Parks
912:American homeless people
642:and the French diplomat
581:Pericles, Prince of Tyre
505:Scraps out of every dish
501:Like Pericles; and stale
357:A third related work is
46:Pericles, Prince of Tyre
2065:The Taming of the Shrew
1218:Orgel, Stephen (2019).
1109:production directed by
1021:Sam Wanamaker Playhouse
1015:production directed by
803:The 1969 production by
719:staged a production at
460:Oxford University Press
157:Dionyza – wife to Cleon
18:Pericles Prince of Tyre
3568:Shakespearean comedies
3458:A View from the Bridge
2747:Lord Chamberlain's Men
2658:The Passionate Pilgrim
2431:comparison to Petrarch
2050:Much Ado About Nothing
2029:The Merchant of Venice
1844:. Toronto: MaximumEdge
1838:Shakespeare, William.
1816:Shakespeare, William.
1596:(Oxford, 2003), p. 37.
1495:Jackson, MacDonald P.
1368:Shakespeare, Co-Author
1053:The Stratford Festival
916:Royal National Theatre
721:Sadler's Wells Theatre
638:ambassador to England
514:
486:Analysis and criticism
232:
210:
41:
3418:Cat on a Hot Tin Roof
3221:Shakespeare apocrypha
2937:Shakespeare Institute
2906:Shakespeare Quarterly
2425:Shakespeare's sonnets
2093:The Two Noble Kinsmen
1714:Cleveland Jewish News
1542:Shakespeare Quarterly
1138:as Dionyza/Lychorida.
496:
212:
201:
35:
2793:Spelling of his name
2633:Vortigern and Rowena
2611:Thomas Lord Cromwell
2191:Troilus and Cressida
2121:Antony and Cleopatra
2015:Love's Labour's Lost
2001:The Comedy of Errors
1590:MacDonald P. Jackson
1002:in 2015; and at the
765:(filmed 1957–1960).
741:Maddermarket Theatre
609:Reconstructed Oxford
603:), Suzanne Gossett (
480:MacDonald P. Jackson
254:Pericles returns to
91:. Wilkins published
3111:William Shakespeare
3017:Richard Shakespeare
2999:Gilbert Shakespeare
2931:Shakespeare's Globe
2836:Authorship question
2831:Attribution studies
2798:Stratford-upon-Avon
2640:A Yorkshire Tragedy
2618:Thomas of Woodstock
2604:The Spanish Tragedy
2545:Love's Labour's Won
2537:The London Prodigal
2494:The Birth of Merlin
2453:The Rape of Lucrece
2439:A Lover's Complaint
2319:Quarto publications
2022:Measure for Measure
1961:William Shakespeare
1458:Shakespeare Studies
1412:Shakespeare Quartos
1038:theatre company at
1013:Shakespeare's Globe
762:Paris Belongs to Us
751:in the title role.
737:Walter Nugent Monck
630:Performance history
601:Pelican Shakespeare
441:The editors of the
364:Bellott v. Mountjoy
55:William Shakespeare
3558:Off-Broadway plays
3504:No Ceremony (2021)
3498:Cyrano de Bergerac
3321:An Inspector Calls
3227:Apollonius of Tyre
3011:Edmund Shakespeare
2969:Hamnet Shakespeare
2866:Screen adaptations
2589:Sir John Oldcastle
2487:Arden of Faversham
1518:Note & Queries
1499:. (200) n13 p. 34.
1471:Shakespeare Survey
1066:Geraint Wyn Davies
1044:Perhaps, Pericles.
789:was Pericles; and
646:saw a play titled
565:Walter Wilson Greg
373:The Diuils Charter
342:Apollonius of Tyre
266:, a city beset by
211:
42:
40:edition title page
3588:Temple of Artemis
3583:Tragicomedy plays
3535:
3534:
3482:Angels in America
3256:
3255:
3166:Confessio Amantis
3077:
3076:
2981:Elizabeth Barnard
2945:
2944:
2674:
2673:
2403:
2402:
2101:The Winter's Tale
1892:Project Gutenberg
1766:Play Off The Page
1406:British Library,
1222:. Penguin Books.
1097:Christian Camargo
1062:Richard Ouzounian
1027:played Gower and
1017:Dominic Dromgoole
871:played Pericles,
848:played Pericles;
809:Leonardo da Vinci
730:The Winter's Tale
607:), Roger Warren (
561:Alfred W. Pollard
329:Confessio Amantis
73:Cambridge edition
68:Confessio Amantis
16:(Redirected from
3600:
3490:Summer and Smoke
3283:
3276:
3269:
3260:
3259:
3150:
3104:
3097:
3090:
3081:
3080:
3067:
3066:
3057:
3056:
3005:Joan Shakespeare
2987:John Shakespeare
2890:
2889:
2871:Shakespeare and
2582:Sejanus His Fall
2549:
2509:Double Falsehood
2476:
2475:
2460:Venus and Adonis
2411:
2184:Titus Andronicus
2170:Romeo and Juliet
1974:
1973:
1954:
1947:
1940:
1931:
1930:
1917:
1916:
1853:
1851:
1849:
1834:
1832:
1830:
1824:
1803:
1802:
1800:
1798:
1783:
1777:
1776:
1774:
1772:
1757:
1751:
1750:
1748:
1746:
1731:
1725:
1724:
1722:
1720:
1705:
1699:
1698:
1696:
1694:
1671:
1665:
1655:
1649:
1648:
1641:
1635:
1634:
1627:
1621:
1616:
1610:
1607:Theatre Notebook
1603:
1597:
1587:
1581:
1580:
1560:
1554:
1551:
1545:
1539:
1533:
1530:
1521:
1508:Hope, Jonathan.
1506:
1500:
1493:
1487:
1482:Rowe, Nicholas,
1480:
1474:
1467:
1461:
1454:
1448:
1441:Nicholl, Charles
1438:
1432:
1421:
1415:
1404:
1398:
1397:20 October 2007.
1391:
1385:
1382:
1371:
1366:Vickers, Brian.
1364:
1351:
1350:
1338:
1328:
1322:
1321:
1303:
1292:
1291:
1273:
1264:
1263:
1245:
1234:
1233:
1215:
1193:
1190:
1134:as Pericles and
1040:Playhouse Square
877:Juliet Stevenson
783:Geraldine McEwan
779:Loudon Sainthill
709:Thomas Betterton
679:Goulthwaite Hall
640:Zorzi Giustinian
543:Titus Andronicus
522:Thomas Betterton
509:Ode (to Himself)
338:Geoffrey Chaucer
84:, dramatist and
21:
3608:
3607:
3603:
3602:
3601:
3599:
3598:
3597:
3538:
3537:
3536:
3531:
3426:After the Dance
3343:
3292:
3287:
3257:
3252:
3199:
3180:
3151:
3142:
3119:
3108:
3078:
3073:
3034:
2983:(granddaughter)
2941:
2888:
2817:
2783:Religious views
2761:Curtain Theatre
2682:
2670:
2645:
2596:Sir Thomas More
2542:
2516:Edmund Ironside
2465:
2412:
2399:
2373:Ghost character
2333:
2305:
2196:
2177:Timon of Athens
2106:
1963:
1958:
1914:
1881:Standard Ebooks
1871:
1856:Skeele, David.
1847:
1845:
1828:
1826:
1822:
1812:
1810:Further reading
1807:
1806:
1796:
1794:
1785:
1784:
1780:
1770:
1768:
1758:
1754:
1744:
1742:
1732:
1728:
1718:
1716:
1706:
1702:
1692:
1690:
1672:
1668:
1656:
1652:
1643:
1642:
1638:
1629:
1628:
1624:
1617:
1613:
1604:
1600:
1588:
1584:
1577:
1561:
1557:
1552:
1548:
1540:
1536:
1531:
1524:
1507:
1503:
1494:
1490:
1481:
1477:
1468:
1464:
1455:
1451:
1439:
1435:
1422:
1418:
1405:
1401:
1392:
1388:
1383:
1374:
1365:
1354:
1347:
1329:
1325:
1318:
1304:
1295:
1288:
1274:
1267:
1260:
1246:
1237:
1230:
1216:
1207:
1202:
1197:
1196:
1191:
1187:
1182:
1107:Guthrie Theater
1004:Guthrie Theater
965:Goodman Theatre
949:Brian Protheroe
947:played Marina.
875:was Marina and
842:The Other Place
821:Susan Fleetwood
795:Angela Baddeley
793:was Simonides.
787:Richard Johnson
785:played Marina;
771:Tony Richardson
757:
755:Modern revivals
701:Cockpit Theatre
632:
626:of 1600–1601."
530:Cockpit Theatre
513:
506:
504:
502:
500:
488:
462:edition of the
428:William Jaggard
396:
390:, and Wilkins.
324:
231:
228:
226:
224:
222:
220:
218:
216:
207:Thomas Stothard
189:
184:
111:
28:
23:
22:
15:
12:
11:
5:
3606:
3596:
3595:
3590:
3585:
3580:
3575:
3573:West End plays
3570:
3565:
3560:
3555:
3550:
3533:
3532:
3530:
3529:
3521:
3513:
3509:Constellations
3505:
3502:
3494:
3486:
3478:
3470:
3462:
3454:
3446:
3438:
3430:
3422:
3414:
3406:
3398:
3390:
3382:
3374:
3366:
3351:
3349:
3345:
3344:
3342:
3341:
3337:As You Like It
3333:
3325:
3317:
3309:
3300:
3298:
3294:
3293:
3286:
3285:
3278:
3271:
3263:
3254:
3253:
3251:
3250:
3243:
3238:
3230:
3223:
3218:
3213:
3211:George Wilkins
3207:
3205:
3201:
3200:
3198:
3197:
3188:
3186:
3182:
3181:
3179:
3178:
3170:
3161:
3159:
3153:
3152:
3145:
3143:
3141:
3140:
3135:
3129:
3127:
3121:
3120:
3107:
3106:
3099:
3092:
3084:
3075:
3074:
3072:
3071:
3061:
3050:
3049:
3046:
3039:
3036:
3035:
3033:
3032:
3026:
3020:
3014:
3008:
3002:
2996:
2990:
2984:
2978:
2972:
2966:
2960:
2953:
2951:
2947:
2946:
2943:
2942:
2940:
2939:
2934:
2928:
2923:
2922:
2921:
2911:
2910:
2909:
2896:
2894:
2887:
2886:
2881:
2876:
2868:
2863:
2858:
2853:
2848:
2843:
2838:
2833:
2827:
2825:
2819:
2818:
2816:
2815:
2810:
2805:
2800:
2795:
2790:
2785:
2780:
2775:
2770:
2765:
2764:
2763:
2758:
2744:
2739:
2734:
2729:
2724:
2722:Collaborations
2719:
2714:
2713:
2712:
2707:
2695:
2689:
2687:
2676:
2675:
2672:
2671:
2669:
2668:
2661:
2653:
2651:
2647:
2646:
2644:
2643:
2636:
2629:
2621:
2614:
2607:
2600:
2592:
2585:
2578:
2571:
2564:
2557:
2550:
2540:
2533:
2526:
2519:
2512:
2505:
2497:
2490:
2482:
2480:
2473:
2467:
2466:
2464:
2463:
2456:
2449:
2442:
2435:
2434:
2433:
2420:
2418:
2414:
2413:
2406:
2404:
2401:
2400:
2398:
2397:
2392:
2387:
2382:
2377:
2376:
2375:
2370:
2365:
2357:
2352:
2347:
2341:
2339:
2335:
2334:
2332:
2331:
2326:
2321:
2315:
2313:
2311:Early editions
2307:
2306:
2304:
2303:
2295:
2288:
2287:
2286:
2279:
2272:
2257:
2250:
2249:
2248:
2241:
2229:
2222:
2214:
2206:
2204:
2198:
2197:
2195:
2194:
2187:
2180:
2173:
2166:
2159:
2152:
2145:
2138:
2131:
2124:
2116:
2114:
2108:
2107:
2105:
2104:
2097:
2089:
2082:
2075:
2068:
2061:
2053:
2046:
2039:
2032:
2025:
2018:
2011:
2004:
1997:
1994:As You Like It
1990:
1982:
1980:
1971:
1965:
1964:
1957:
1956:
1949:
1942:
1934:
1928:
1927:
1911:
1894:
1883:
1870:
1869:External links
1867:
1866:
1865:
1854:
1835:
1811:
1808:
1805:
1804:
1778:
1752:
1726:
1700:
1666:
1650:
1636:
1622:
1611:
1598:
1582:
1576:978-0786491650
1575:
1555:
1546:
1534:
1522:
1501:
1488:
1475:
1462:
1449:
1447:(2007) p. 199.
1433:
1431:(2002) p. 606.
1416:
1399:
1386:
1372:
1352:
1345:
1323:
1316:
1293:
1286:
1265:
1258:
1235:
1228:
1204:
1203:
1201:
1198:
1195:
1194:
1184:
1183:
1181:
1178:
1177:
1176:
1160:
1159:
1154:
1153:
1140:
1139:
1119:
1118:
1102:
1101:
1084:
1083:
1074:CBC Television
1048:
1047:
1032:
1008:
1007:
988:
987:
969:
968:
957:Mary Zimmerman
953:
952:
925:
924:
920:Kathryn Hunter
902:
901:
894:Rudolph Walker
885:
884:
858:
857:
854:Griffith Jones
850:Julie Peasgood
837:
836:
833:Apollo landing
829:Ian Richardson
800:
799:
756:
753:
631:
628:
587:with his 1963
585:F. D. Hoeniger
569:R. B. McKerrow
497:
487:
484:
464:Complete Works
395:
392:
388:William Rowley
376:(1607) and by
346:Lawrence Twine
323:
320:
213:
188:
185:
183:
182:
179:
173:
170:
167:
164:
161:
158:
155:
152:
149:
146:
143:
140:
137:
134:
131:
128:
125:
122:
119:
116:
112:
110:
107:
89:George Wilkins
26:
9:
6:
4:
3:
2:
3605:
3594:
3591:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3549:
3546:
3545:
3543:
3527:
3526:
3522:
3519:
3518:
3514:
3511:
3510:
3506:
3503:
3500:
3499:
3495:
3492:
3491:
3487:
3484:
3483:
3479:
3476:
3475:
3471:
3468:
3467:
3463:
3460:
3459:
3455:
3452:
3451:
3447:
3444:
3443:
3439:
3436:
3435:
3434:Anna Christie
3431:
3428:
3427:
3423:
3420:
3419:
3415:
3412:
3411:
3410:The Histories
3407:
3404:
3403:
3399:
3396:
3395:
3391:
3388:
3387:
3383:
3380:
3379:
3375:
3372:
3371:
3367:
3364:
3363:
3358:
3357:
3356:Twelfth Night
3353:
3352:
3350:
3346:
3339:
3338:
3334:
3331:
3330:
3326:
3323:
3322:
3318:
3315:
3314:
3310:
3307:
3306:
3302:
3301:
3299:
3295:
3291:
3284:
3279:
3277:
3272:
3270:
3265:
3264:
3261:
3249:
3248:
3244:
3242:
3239:
3237:(2008; radio)
3236:
3235:
3231:
3229:
3228:
3224:
3222:
3219:
3217:
3214:
3212:
3209:
3208:
3206:
3202:
3195:
3194:
3190:
3189:
3187:
3183:
3176:
3175:
3171:
3168:
3167:
3163:
3162:
3160:
3158:
3154:
3149:
3139:
3136:
3134:
3131:
3130:
3128:
3126:
3122:
3118:
3117:
3112:
3105:
3100:
3098:
3093:
3091:
3086:
3085:
3082:
3070:
3062:
3060:
3052:
3051:
3047:
3045:
3041:
3040:
3037:
3030:
3029:Thomas Quiney
3027:
3024:
3021:
3019:(grandfather)
3018:
3015:
3012:
3009:
3006:
3003:
3000:
2997:
2994:
2991:
2988:
2985:
2982:
2979:
2976:
2975:Judith Quiney
2973:
2970:
2967:
2964:
2961:
2958:
2957:Anne Hathaway
2955:
2954:
2952:
2948:
2938:
2935:
2932:
2929:
2927:
2924:
2920:
2917:
2916:
2915:
2912:
2908:
2907:
2903:
2902:
2901:
2898:
2897:
2895:
2891:
2885:
2882:
2880:
2877:
2875:
2874:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2852:
2849:
2847:
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2828:
2826:
2824:
2820:
2814:
2811:
2809:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2776:
2774:
2771:
2769:
2766:
2762:
2759:
2757:
2754:
2753:
2752:
2748:
2745:
2743:
2740:
2738:
2737:Globe Theatre
2735:
2733:
2730:
2728:
2725:
2723:
2720:
2718:
2715:
2711:
2708:
2706:
2705:
2701:
2700:
2699:
2696:
2694:
2691:
2690:
2688:
2686:
2681:
2677:
2667:
2666:
2662:
2660:
2659:
2655:
2654:
2652:
2648:
2642:
2641:
2637:
2635:
2634:
2630:
2627:
2626:
2622:
2620:
2619:
2615:
2613:
2612:
2608:
2606:
2605:
2601:
2598:
2597:
2593:
2591:
2590:
2586:
2584:
2583:
2579:
2577:
2576:
2572:
2570:
2569:
2565:
2563:
2562:
2558:
2556:
2555:
2551:
2547:
2546:
2541:
2539:
2538:
2534:
2532:
2531:
2527:
2525:
2524:
2520:
2518:
2517:
2513:
2511:
2510:
2506:
2503:
2502:
2498:
2496:
2495:
2491:
2489:
2488:
2484:
2483:
2481:
2477:
2474:
2472:
2468:
2462:
2461:
2457:
2455:
2454:
2450:
2448:
2447:
2443:
2441:
2440:
2436:
2432:
2429:
2428:
2427:
2426:
2422:
2421:
2419:
2415:
2410:
2396:
2393:
2391:
2388:
2386:
2383:
2381:
2378:
2374:
2371:
2369:
2366:
2364:
2361:
2360:
2358:
2356:
2353:
2351:
2350:Late romances
2348:
2346:
2345:Problem plays
2343:
2342:
2340:
2336:
2330:
2327:
2325:
2322:
2320:
2317:
2316:
2314:
2312:
2308:
2301:
2300:
2296:
2294:
2293:
2289:
2285:
2284:
2280:
2278:
2277:
2273:
2270:
2269:
2265:
2264:
2263:
2262:
2258:
2256:
2255:
2251:
2247:
2246:
2242:
2240:
2239:
2235:
2234:
2233:
2230:
2228:
2227:
2223:
2220:
2219:
2215:
2213:
2212:
2208:
2207:
2205:
2203:
2199:
2193:
2192:
2188:
2186:
2185:
2181:
2179:
2178:
2174:
2172:
2171:
2167:
2165:
2164:
2160:
2158:
2157:
2153:
2151:
2150:
2146:
2144:
2143:
2142:Julius Caesar
2139:
2137:
2136:
2132:
2130:
2129:
2125:
2123:
2122:
2118:
2117:
2115:
2113:
2109:
2103:
2102:
2098:
2095:
2094:
2090:
2088:
2087:
2083:
2081:
2080:
2079:Twelfth Night
2076:
2074:
2073:
2069:
2067:
2066:
2062:
2059:
2058:
2054:
2052:
2051:
2047:
2045:
2044:
2040:
2038:
2037:
2033:
2031:
2030:
2026:
2024:
2023:
2019:
2017:
2016:
2012:
2010:
2009:
2005:
2003:
2002:
1998:
1996:
1995:
1991:
1989:
1988:
1984:
1983:
1981:
1979:
1975:
1972:
1970:
1966:
1962:
1955:
1950:
1948:
1943:
1941:
1936:
1935:
1932:
1926:
1922:
1921:
1912:
1910:
1906:
1905:
1900:
1899:
1895:
1893:
1889:
1888:
1884:
1882:
1878:
1877:
1873:
1872:
1863:
1859:
1855:
1843:
1842:
1836:
1821:
1820:
1814:
1813:
1792:
1788:
1782:
1767:
1763:
1756:
1741:
1737:
1730:
1715:
1711:
1704:
1689:
1685:
1681:
1677:
1670:
1663:
1660:
1654:
1646:
1640:
1632:
1626:
1620:
1615:
1608:
1602:
1595:
1591:
1586:
1578:
1572:
1568:
1567:
1559:
1550:
1543:
1538:
1529:
1527:
1519:
1515:
1511:
1505:
1498:
1492:
1485:
1479:
1472:
1466:
1460:5 (1952): 26.
1459:
1453:
1446:
1442:
1437:
1430:
1426:
1420:
1413:
1409:
1403:
1396:
1390:
1381:
1379:
1377:
1369:
1363:
1361:
1359:
1357:
1348:
1346:0-7432-7329-X
1342:
1337:
1336:
1327:
1319:
1317:0-19-281460-5
1313:
1309:
1302:
1300:
1298:
1289:
1287:1-903436-84-2
1283:
1279:
1272:
1270:
1261:
1259:0-521-22907-3
1255:
1251:
1244:
1242:
1240:
1231:
1229:9781101667323
1225:
1221:
1214:
1212:
1210:
1205:
1189:
1185:
1174:
1170:
1169:Tamara Harvey
1166:
1162:
1161:
1156:
1155:
1151:
1147:
1142:
1141:
1137:
1133:
1132:Paapa Essiedu
1129:
1128:Willard White
1125:
1121:
1120:
1116:
1112:
1108:
1104:
1103:
1098:
1094:
1090:
1086:
1085:
1081:
1080:
1075:
1071:
1067:
1063:
1059:
1054:
1050:
1049:
1045:
1041:
1037:
1033:
1030:
1026:
1022:
1018:
1014:
1010:
1009:
1005:
1001:
997:
993:
990:
989:
984:
979:
975:
971:
970:
966:
962:
958:
955:
954:
950:
946:
945:Kananu Kirimi
942:
938:
934:
930:
927:
926:
921:
917:
913:
909:
908:Peter Sellars
904:
903:
899:
895:
891:
887:
886:
882:
878:
874:
873:Amanda Redman
870:
866:
865:
860:
859:
855:
851:
847:
846:Peter McEnery
843:
839:
838:
834:
830:
826:
822:
818:
814:
813:Vitruvian Man
810:
806:
802:
801:
796:
792:
788:
784:
780:
776:
772:
768:
767:
766:
764:
763:
752:
750:
749:Paul Scofield
746:
742:
738:
734:
732:
731:
726:
722:
718:
717:Samuel Phelps
714:
710:
706:
702:
698:
694:
690:
688:
684:
680:
676:
672:
668:
667:Globe Theatre
664:
660:
655:
653:
652:Globe Theatre
649:
645:
641:
637:
627:
625:
620:
616:
614:
610:
606:
602:
598:
597:Stephen Orgel
594:
590:
586:
582:
578:
574:
570:
566:
562:
557:
555:
551:
547:
545:
544:
538:
537:Edward Dowden
533:
531:
527:
523:
519:
512:
510:
495:
493:
483:
481:
476:
475:Nicholas Rowe
471:
469:
465:
461:
456:
452:
448:
444:
439:
437:
433:
429:
425:
421:
416:
412:
411:
406:
402:
394:Date and text
391:
389:
385:
381:
380:
375:
374:
368:
365:
360:
355:
353:
352:
347:
343:
339:
335:
331:
330:
319:
315:
312:
310:
305:
302:
300:
296:
292:
287:
283:
280:
276:
271:
269:
265:
262:and sails to
261:
257:
252:
249:
245:
241:
237:
230:
208:
204:
200:
196:
194:
180:
177:
174:
171:
168:
165:
162:
159:
156:
153:
150:
147:
144:
141:
138:
135:
132:
129:
126:
123:
120:
117:
114:
113:
106:
104:
100:
99:
94:
90:
87:
83:
79:
74:
70:
69:
64:
60:
56:
52:
48:
47:
39:
34:
30:
19:
3523:
3515:
3507:
3496:
3488:
3480:
3472:
3464:
3456:
3448:
3440:
3432:
3424:
3416:
3408:
3400:
3394:The Crucible
3392:
3386:Hedda Gabler
3384:
3376:
3368:
3360:
3354:
3348:2001–present
3335:
3327:
3319:
3313:Hedda Gabler
3311:
3304:
3303:
3247:The Porpoise
3245:
3233:
3225:
3191:
3172:
3164:
3115:
3114:
3031:(son-in-law)
3025:(son-in-law)
2963:Susanna Hall
2904:
2893:Institutions
2872:
2717:Coat of arms
2710:Translations
2702:
2698:Bibliography
2665:To the Queen
2663:
2656:
2638:
2631:
2623:
2616:
2609:
2602:
2594:
2587:
2580:
2573:
2566:
2559:
2552:
2543:
2535:
2528:
2521:
2514:
2507:
2499:
2492:
2485:
2458:
2451:
2444:
2437:
2423:
2385:Performances
2329:Second Folio
2297:
2290:
2281:
2274:
2266:
2259:
2252:
2243:
2236:
2231:
2224:
2216:
2209:
2189:
2182:
2175:
2168:
2161:
2154:
2147:
2140:
2133:
2126:
2119:
2099:
2091:
2084:
2077:
2070:
2063:
2056:
2055:
2048:
2041:
2034:
2027:
2020:
2013:
2006:
1999:
1992:
1985:
1919:
1903:
1897:
1886:
1874:
1861:
1857:
1846:. Retrieved
1840:
1827:. Retrieved
1818:
1795:. Retrieved
1790:
1781:
1769:. Retrieved
1765:
1755:
1743:. Retrieved
1739:
1729:
1717:. Retrieved
1713:
1703:
1691:. Retrieved
1680:The Guardian
1679:
1669:
1658:
1653:
1639:
1625:
1614:
1606:
1601:
1593:
1585:
1565:
1558:
1549:
1541:
1537:
1517:
1513:
1509:
1504:
1496:
1491:
1483:
1478:
1470:
1465:
1457:
1452:
1444:
1436:
1428:
1424:
1419:
1411:
1402:
1394:
1389:
1367:
1334:
1326:
1307:
1277:
1249:
1219:
1188:
1175:as Pericles.
1173:Alfred Enoch
1164:
1077:
1070:Evan Buliung
1064:and starred
1058:Martha Henry
1043:
1029:James Garnon
995:
929:Adrian Noble
862:
852:was Marina.
825:Susan Sheers
760:
758:
735:
728:
713:neoclassical
696:
691:
686:
670:
658:
656:
647:
633:
623:
619:Harold Bloom
617:
612:
608:
604:
600:
592:
588:
580:
576:
558:
553:
548:
541:
534:
525:
515:
508:
498:
489:
472:
467:
463:
450:
449:editions of
440:
434:in his 1619
431:
408:
400:
397:
377:
371:
369:
358:
356:
349:
327:
325:
316:
313:
306:
303:
288:
284:
272:
253:
233:
214:
202:
190:
102:
96:
92:
66:
45:
44:
43:
29:
3362:Uncle Vanya
3241:First water
3185:Adaptations
3069:WikiProject
2756:The Theatre
2742:Handwriting
2568:The Puritan
2359:Characters
2324:First Folio
2292:Richard III
2072:The Tempest
1890:– Ebook at
1740:Twin Cities
1136:Adjoa Andoh
1124:Tom Mannion
1093:Trevor Nunn
1025:Sheila Reid
937:Orientalism
898:Nigel Terry
881:David Jones
869:Mike Gwilym
817:Emrys James
805:Terry Hands
791:Mark Dignam
725:Clerkenwell
705:Restoration
693:John Rhodes
573:First Folio
550:T. S. Eliot
518:Restoration
436:False Folio
424:Third Folio
420:First Folio
382:(1607), by
86:pamphleteer
59:First Folio
3548:1608 plays
3542:Categories
3402:Saint Joan
3196:(1984; TV)
3133:John Gower
3125:Characters
2993:Mary Arden
2977:(daughter)
2965:(daughter)
2841:Bardolatry
2751:King's Men
2693:Birthplace
2380:Chronology
2299:Henry VIII
2226:Richard II
2218:Edward III
2128:Coriolanus
1771:6 February
1745:6 February
1719:6 February
1693:6 February
1473:55 (1972).
1445:The Lodger
1200:References
1130:as Gower,
1111:Joseph Haj
1036:minimalist
992:Joseph Haj
941:Ray Fearon
933:Roundhouse
856:was Gower.
492:Ben Jonson
426:in 1664.
405:bad quarto
334:John Gower
332:(1393) of
275:Pentapolis
248:incestuous
109:Characters
78:victualler
3297:1991–2000
3023:John Hall
3013:(brother)
3001:(brother)
2933:(replica)
2873:Star Trek
2861:Memorials
2856:Influence
2846:Festivals
2788:Sexuality
2778:Portraits
2773:New Place
2625:Ur-Hamlet
2561:Mucedorus
2471:Apocrypha
2211:King John
2202:Histories
2149:King Lear
2112:Tragedies
2008:Cymbeline
1860:Pericles
1848:9 October
1829:9 October
1688:0261-3077
1659:Pericles,
1544:4 257–270
1105:The 2016
1011:The 2015
986:dialogue.
798:eighties.
769:In 1958,
683:Yorkshire
663:Whitehall
613:Cambridge
455:stylistic
430:included
279:fishermen
240:Phoenicia
178:as Chorus
36:The 1609
3329:Machinal
3305:Pericles
3059:Category
3007:(sister)
2995:(mother)
2989:(father)
2501:Cardenio
2390:Settings
2338:See also
2261:Henry VI
2232:Henry IV
1978:Comedies
1925:LibriVox
1898:Pericles
1887:Pericles
1876:Pericles
1514:Pericles
1425:Pericles
1395:Guardian
1335:Pericles
1308:Pericles
1278:Pericles
1250:Pericles
1165:Pericles
996:Pericles
967:in 2006.
923:staging.
707:period.
697:Pericles
687:Pericles
675:recusant
671:Pericles
659:Pericles
648:Pericles
636:Venetian
593:Pericles
577:Pericles
575:(1623).
554:Pericles
526:Pericles
468:Pericles
451:Pericles
432:Pericles
401:Pericles
384:John Day
309:Mytilene
187:Synopsis
103:Pericles
82:panderer
51:Jacobean
3204:Related
3157:Sources
2851:Gardens
2727:Editors
2530:Locrine
2523:Fair Em
2355:Henriad
2254:Henry V
2163:Othello
2156:Macbeth
1907:at the
1823:(.HTML)
1797:7 April
1791:rsc.org
1486:, 1709.
1150:Valtice
745:Norwich
699:at the
695:staged
605:Arden 3
589:Arden 2
528:at the
322:Sources
291:Ephesus
244:Lebanon
193:Antioch
145:Marshal
3528:(2024)
3520:(2023)
3512:(2022)
3501:(2020)
3493:(2019)
3485:(2018)
3477:(2017)
3469:(2016)
3461:(2015)
3453:(2014)
3450:Ghosts
3445:(2013)
3437:(2012)
3429:(2011)
3421:(2010)
3413:(2009)
3405:(2008)
3397:(2007)
3389:(2006)
3381:(2005)
3378:Hamlet
3373:(2004)
3365:(2003)
3340:(1995)
3332:(1994)
3324:(1993)
3316:(1992)
3308:(1991)
3177:(1576)
3169:(1390)
3048:† Lost
2959:(wife)
2950:Family
2823:Legacy
2395:Scenes
2135:Hamlet
1686:
1573:
1343:
1314:
1284:
1256:
1226:
624:Hamlet
567:, and
443:Oxford
415:quarto
410:Hamlet
295:temple
268:famine
264:Tarsus
260:regent
209:, 1825
63:quarto
38:quarto
3525:Vanya
3474:Yerma
3138:Diana
2971:(son)
2813:Grave
2803:Style
2768:Music
2685:works
2650:Poems
2479:Plays
2417:Poems
1969:Plays
1180:Notes
1171:with
1095:with
983:Gower
447:Arden
407:" of
299:Diana
176:Gower
172:Diana
49:is a
2808:Will
2683:and
2680:Life
1901:and
1850:2008
1831:2008
1799:2024
1773:2024
1747:2024
1721:2024
1695:2024
1684:ISSN
1571:ISBN
1341:ISBN
1312:ISBN
1282:ISBN
1254:ISBN
1224:ISBN
1087:The
972:The
890:Swan
634:The
615:)).
445:and
256:Tyre
236:Tyre
3113:'s
2368:L–Z
2363:A–K
1879:at
1427:in
1023:.
811:'s
743:in
723:in
681:in
297:of
238:in
3544::
3359:/
3042:✻
2504:✻†
1789:.
1764:.
1738:.
1712:.
1682:.
1678:.
1592:,
1525:^
1443:.
1410:,
1375:^
1355:^
1296:^
1268:^
1238:^
1208:^
563:,
511:)
438:.
386:,
301:.
205:,
101:.
80:,
3282:e
3275:t
3268:v
3103:e
3096:t
3089:v
2749:/
2628:†
2599:✻
2548:†
2302:✻
2283:3
2276:2
2271:✻
2268:1
2245:2
2238:1
2221:✻
2096:✻
2060:✻
1953:e
1946:t
1939:v
1852:.
1833:.
1801:.
1775:.
1749:.
1723:.
1697:.
1664:.
1579:.
1414:.
1349:.
1320:.
1290:.
1262:.
1232:.
1082:.
883:.
599:(
242:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)