377:. In the apse there is an imposing Baroque decoration, consisting of stuccos and frescoes. The structure depicts a radiant cave with golden clouds in the center of which two angels hold up a large crown of thorns. Around it there are cherubs and angels and on the sides two symbolic figures of Religion and the Fatherland. This plant surrounds the seventeenth-century reliquary in silver and crystal containing the Holy Thorns of Christ's crown. In fact, three thorns are preserved in the Cathedral, which according to tradition were found by
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The monument is a large building. The church develops on three naves (the central double of the lateral ones and crossed by a practicable gallery), both in the longitudinal body and in the transept. The side aisles are flanked by semicircular chapels. The interior, with pure
Renaissance architectural
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The church is on the Greek Cross plan: it therefore has the same length and width at the transept. At about 84 m (276 ft), it is one of the largest edifices with a central plan in northern Italy. The central dome, with an octagonal plan, is 97 m (318 ft) tall, with a total weight
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forms. The two churches were deconsecrated and progressively demolished as the
Renaissance construction site advanced; the last elements to be destroyed were the remains of the facades, landed at the end of the 19th century to make way for the front of the new Cathedral, while a large part of the
405:, first bishop of Pavia (III-IV century), with double front. Above the nineteenth-century crystal urn with the remains of the saint, there is a monumental ancona in white marble with an alabaster base from the Orsolino (1645-1650) depicting the Virgin delivering the keys of the city to
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The "twin" cathedrals of Santo
Stefano and Santa Maria Maggiore, commonly called Santa Maria del Popolo, once stood on the area currently occupied by the cathedral. The two original churches were founded between the sixth and seventh centuries and subsequently renovated, but around the
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In the apse of the left transept, in the center, the Altar of the
Confraternity of suffrage, built by the Genoese Tommaso Orsolino in 1644-46 and remodeled in 1652 with the addition of two columns and other elements of precious marble. In the apse of the right transept, the Altar of
273:. The crypt, like other buildings made by Bramante, has a central plan, divided into two naves structured on two spans. The large pillars, which support lowered vaults, and the pointed arches of the central nave recall the thermal rooms of the classical age and the
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known as Sojaro (1530-1531) depicting the
Madonna with the child, Saint Dominc and Saint Alexander. Fifteen episodes referring to the mysteries of the rosary are represented in the outline of the painting (to be read counterclockwise).
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is also known to have contributed to the project. In particular, the planimetric project, the design of the crypt (completed in 1492), of the base part of the apse area of the building and of the sacristies are attributed to
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lines, gives an impression of great grandeur, amplified by the brightness of the very white marble cladding. On the counter-façade, two masterpieces of the
Baroque period: Madonna and ss. Siro and Antonio, by
200:. The construction was begun in the 15th century on the site of two pre-existing Romanesque, "twin" cathedrals (Santo Stefano and Santa Maria del Popolo). The cathedral houses the remains of
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on behalf of the canon
Giovanni Battista Bosisio in 1857. At the foot of the Virgin you can see the outline of the city of Pavia, while on the architrave there is the inscription
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On the east side of the right transept is the Chapel of Our Lady of the Rosary previously dedicated to the passion. On the altar there is a canvas by the Pavese artist
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324:(in order to save the remains of the medieval Santa Maria del Popolo). The arms are still missing part of the internal marble decoration.
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447:. On the sides of the altar are the statues of the parents of the Virgin, Joachim and Anna. The remains of the bishop of Pavia Saint
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256:. The original project, with a nave and two aisles flanked by semicircular niches and a large central dome, was influenced by
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and completed in 1885, but partially collapsed the same year. In 1930, construction continued with the two arms of the
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built, while the dome itself and the facade had to wait for the 19th century. The dome was designed by
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Favretto, Paola; Giordano, Luisa; Visioli, Monica; Baini, Laura (1995). "Il duomo (secoli XV-XVIII)".
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vigil to be carried in procession on following Monday. This tradition has been repeated since 1645.
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The cathedral was begun in 1488, under architect
Cristoforo Rocchi, who was soon replaced by
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In the left aisle, in the third chapel, there is an altarpiece depicting the
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worn by Christ. The marble facing of the exterior was never completed.
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crypt (from the 11th century) of Santa Maria del Popolo was preserved.
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705:"Madonna del Rosario con i SS. Domenico e Alessandro e devoti"
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of some 20,000 tons. It is the fourth in Italy in size, after
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had been completed but only in the following century was the
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538:"900-Year-Old Bell Tower Collapses in Italy; Three Killed"
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17th-century Roman
Catholic church buildings in Italy
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History of medieval Arabic and
Western European domes
668:. Milano: Banca Regionale Europea. pp. 770–790.
373:, known as Cerano, and Adoration of the Magi, by
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244:Crypt of Santa Maria del Popolo, 11th century.
232:eleventh-twelfth century they were rebuilt in
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471:History of early modern period domes
466:History of Italian Renaissance domes
331:Model of the Cathedral, 1487- 1488,
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804:Roman Catholic cathedrals in Italy
536:Montalbo, William D (1989-03-18).
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819:Donato Bramante church buildings
799:Roman Catholic churches in Pavia
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445:Fecit mihi magna qui potens est
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510:"Italy's Endangered Treasures"
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640:"Cupola del Duomo di Pavia"
615:"Cupola del Duomo di Pavia"
508:Hofman, Paul (1989-07-30).
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371:Giovanni Battista Crespi
254:Gian Giacomo Dolcebuono
250:Giovanni Antonio Amadeo
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16:Church in Pavia, Italy
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437:Immaculate Conception
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149:and Cristoforo Rocchi
112:45.184583°N 9.15361°E
730:"Faruffini Federico"
381:, mother of Emperor
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262:St. Peter's Basilica
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322:reinforced concrete
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266:Leonardo da Vinci
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134:Architect(s)
128:Architecture
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739:8 September
714:8 September
407:Saint Syrus
403:Saint Syrus
383:Constantine
217:Civic Tower
167:Renaissance
115: /
100:45°11′4.5″N
47:Affiliation
788:Categories
550:2020-04-29
522:2020-04-29
518:. New York
477:References
306:presbytery
275:nymphaeums
234:Romanesque
649:23 August
624:23 August
396:The dome.
387:Pentecost
364:Interior.
264:in Rome.
202:St. Sirus
455:See also
353:and the
351:Pantheon
340:Overview
318:transept
296:, 1492 .
294:Bramante
271:Bramante
258:Bramante
204:, first
103:9°9′13″E
75:Location
70:Location
59:Province
41:Religion
752:Portals
689:30 July
599:30 July
574:30 July
423:(1531).
310:tambour
227:History
186:Italian
349:, the
157:Church
778:Italy
194:Pavia
163:Style
83:Italy
79:Pavia
64:Pavia
741:2022
716:2022
691:2022
651:2022
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601:2022
576:2022
283:Rome
252:and
215:The
154:Type
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