596:, an album that combined his music and animal sounds (wolves, eagles, and whales). In 1980, a chance encounter with a wild sea lion pup off Baja California affected Winter deeply, and inspired him to explore the realm of pinnipeds and the role of sound in their lives, in the same way he had immersed himself in learning about whales and wolves. He spent three years observing, listening to, and occasionally playing his saxophone to sea mammals. His research expeditions took him to Newfoundland, British Columbia, Scotland's Inner Hebrides, the California coastal islands, San Salvador in the Bahamas, and twice again to Magdalena Island in Baja California. The resulting album,
158:
656:
high point with audiences. After the
Consort was asked to do a residency of "master classes" at the Hartt School of Music in 1971, Winter began developing a process for unlocking the unique music inside each person, by creating safe, fun contexts for free interplay. He calls his workshops "Adventures in SoundPlay" No "wrong notes", no worship of virtuosity, the dissolving of fears – all these things served to open new paths. Winter has conducted about 300 of these sessions at music schools, universities, and at centers such as Esalen, Kripalu, Rowe, and Omega.
537:, which popularized the whale songs, and was perhaps the greatest single contribution to awakening humanity to whales. The grandfather of all natural sound recordings, and a bestseller, it touched the hearts of millions of people throughout the world. (Winter believed that it contributed more, perhaps, towards saving whales and sea mammals than all other efforts put together, and re-released the album on his Living Music label in 1990.)
490:. In 1980, Dean Morton invited him to become artist-in-residence there, to build bridges between spirituality and the environment with his music. St. John the Divine Cathedral is the largest gothic cathedral in the world and known as "the green cathedral." In the 1980s and 1990s, it became the center of a vital community of thinkers and seekers working on issues of ecology and environment and world peace. Cosmologist Father
32:
611:, It realized a long-standing dream shared by Payne and Winter to create an entire album of music based on melodies by whales. The album intersperses readings of prose and poetry about whales with music improvised in response to recordings of the whale voices, extending the whale melodies in a way similar to how the whales themselves gradually change and grow their long, complex songs.
526:. Listening to the long, complex songs the whales repeat, he was amazed by their musical intelligence, and shocked to learn that these extraordinary creatures were rapidly being hunted to extinction. They opened the door to the whole symphony of nature and changed the direction of Winter's musical life.
627:
In 1973, at a wildlife conference in St. Louis, Winter met wolf biologist Fred
Harrington, who invited him to Minnesota, where Winter heard wolves in the wild for the first time. In the mid-1970s, at a wolf preserve in the mountains of California, a captive wolf named Ida howled a duet with Winter's
552:
and the Paul Winter
Consort; and fans of the whales. During the early 1970s, as whale consciousness emerged in the culture, Japan began to come under widespread criticism for its continued whaling operations. From the Sacramento whale conference came the idea that, rather than boycott Japan, efforts
521:
and Scott McVay discovered that humpbacks produce sounds in intricate patterns that fit the definition of "songs." These change over time and represent a cultural tradition passed orally from one whale to the next. Winter was thrilled by the soulful beauty of these humpback whale voices, in much the
623:
In late 1968, Winter saw wolves for the first time in the
Redding, Connecticut, middle school, at a program given by John Harris. Harris was touring the country to raise awareness about wolves and trying to counter the prejudice that was responsible for the extermination of these creatures from the
655:
In 1968, Winter began introducing improvisations into the
Consort's concerts as a way for the group (cello, alto flute, English horn and sax) to play freely. The band would perform one "free piece" with all the lights turned out in every concert. This shared adventure into the unknown was often a
303:, United States. He studied piano and clarinet, then fell in love with saxophone in the fourth grade. He started the Little German Band with his schoolmates when he was twelve, then a Dixieland band, and a nine-piece dance band known as The Silver Liners. He became enthralled by big bands and
624:
wild. Looking into the eyes of the wolf as it sat in the back of Harris' van after the program, Winter was inspired to write his piece "Wolf Eyes." It presented the lyrical voice of the wolf, and a different, gentle, image of a creature so long misunderstood and vilified by humans.
553:
should be made to communicate with
Japanese environmentalists and share with them the growing body of information about whales and why they should be protected. This resulted the next April in a large contingent of biologists and musicians (including the Paul Winter Consort,
589:, musicians attempting to "communicate" with the whales using various instruments and a Serge synthesizer. Photos of Winter and the whales appeared on wire services and in media around the world, helping the ultimate success of the mission against Soviet whalers.
572:
Winter traveled to Japan several times with the "Save the Whale" campaign; played benefits for
Greenpeace and other organizations; and led music-making and whale-watching workshops on Cape Cod and in Baja California. In 1975, Winter sailed aboard the
290:
and earth music, which interweaves the voices of the wild with instrumental voices from classical, jazz and world music. The music is often improvised and recorded in nature to reflect the qualities brought into play by the environment.
375:
of the 16th and 17th centuries, when bands combined woodwinds, strings, and percussion, the same families of instruments he wanted to combine in his contemporary consort. With this group, he became one of the earliest creators of
632:
album, Winter's first musical statement about the entire family of life, and the first album to feature voices of endangered species – symbolically representing with whale, wolf, and eagle the realms of sea, land, and air.
614:
In 1990, Paul convinced Roger Payne to come to Japan to various whaling cities, including Shoji and
Ogasawara to tour a joint program showing how whale watching could be a viable business alternative to whale-killing.
465:
In 1980, Winter founded Living Music
Records as a forum for his musical and ecological vision. The name alludes to his desire to make timeless music in natural acoustic spaces like stone churches, canyons, and barns.
339:, playing 160 concerts in 23 countries. First Lady Jacqueline Kennedy invited the band to perform at the White House. The performance in the East Room on November 19, 1962 was the first jazz concert in the
640:
tour, Winter invited Harris to introduce his wolf on stage, including on
September 8, 1978, at a benefit for the Audubon Society at Carnegie Hall, after which the wolf was featured on the front page of
1275:
1390:
569:), along with Governor Brown, traveling to Tokyo for a week of performances. Called "Japan Celebrates the Whale and Dolphin," it was reportedly the first environmental event ever held in Japan.
60:
497:
Since 1980, Winter and the Paul Winter Consort have presented over 100 events at the Cathedral, including "Tao of Bach" with Al Huang, Carnival for the Rainforest, and with tightrope walker
1313:
544:
declared Whale Day" in California. He convened a three day whale conference in Sacramento, bringing together biologists such as John Lily; filmmakers; environmentalists; poets, including
1256:
505:
a choir of hundreds of voices, gospel singer Theresa Thomason, and the Forces of Nature Dance Theatre join the Consort in a liturgical performance of Winter's ecological and ecumenical
1158:
672:, the Peace Abbey's Courage of Conscience Award, the Spirit of the City Award presented at New York's Cathedral of St John the Divine, and an honorary Doctorate of Music from the
1139:
1682:
786:
1217:
1717:
1075:
765:
391:
was his first to incorporate sounds of whales, eagles, and wolves into his music. The Paul Winter Consort recorded during the 1960s and 1970s. Four albums for
482:, of scientists, artists, scholars, and contemplatives devoted to the study and realization of a planetary culture. Through this organization, Winter met the
1775:
1518:
1198:
1118:
367:
and other Brazilian music, to give ensemble playing and soloing equal importance, analogous to a democracy where every voice would count. He borrowed the
1236:
1037:
540:
During the 1970s, Winter became involved in the movement to bring awareness of whales and their extraordinary music to the world. In late 1976,
1607:
839:
636:
After the Redding program, Winter visited John Harris many times, and Harris and the wolves sometimes stayed on Winter's farm. During the 1978
64:
1932:
1927:
335:, but postponed that plan when during the next year the sextet went on a goodwill tour of Latin America, as cultural ambassadors for the
1922:
826:
327:, he majored in English and visited jazz clubs in Chicago. In 1961, his sextet won the Intercollegiate Jazz Festival and was signed by
1917:
157:
454:
to encourage collaboration between Russians and Americans. On a tour of the Soviet Union in 1986, the Consort performed with the
40:
1937:
1627:
343:. In the mid-1960s, Winter lived for a year in Brazil. It became a second home for him and he recorded several albums there.
1942:
1800:
1352:
114:
1907:
1902:
86:
1177:
1856:
1718:"Ending Lively Era, A Dean Is Leaving St. John the Divine;The Innovator's Work Is Done, Even if the Cathedral Is Not"
1590:
805:
332:
133:
487:
93:
904:
686:
earned Winter his first Grammy Award in 1993 for Best New Age Album. His other Grammy wins were for the albums
600:, helped initiate a successful campaign to have Congress designate March 1 each year as "The Day of the Seal."
336:
517:
In 1968, when he attended a lecture on whale songs by Roger Payne at Rockefeller University in New York City,
1912:
1577:
1371:
942:
711:
677:
446:
in Siberia, and found it so beautiful that he returned to try to protect it. In 1984, he became friends with
100:
669:
451:
311:
in 1957, he spent the summer on a tour of state fairs in the Midwest with the conductor and members of the
20:
82:
999:
885:
688:
56:
961:
586:
509:(Earth Mass). The major movements of the mass are based on the voices of whale, harp seal, and wolf.
455:
462:
in Moscow and New York. It was the first album of music created together by Americans and Russians.
387:
in 1968 influenced his music, and his desire to become an environment activist. In 1977, his album
312:
308:
45:
1619:
1531:
866:
502:
475:
324:
49:
286:(born August 31, 1939) is an American saxophonist, composer, and bandleader. He is a pioneer of
1897:
673:
479:
442:
In the early 1980s, Winter began traveling to the Soviet Union. In 1984, he ventured as far as
368:
1572:
1294:
847:
682:
300:
188:
1892:
1643:
8:
1582:
447:
372:
360:
107:
1749:
680:. Paul Winter received 6 Grammy Awards and 13 Grammy nominations between 1986 and 2010.
411:
to the moon with them and named two craters after the songs "Ghost Beads" and "Icarus".
1805:
643:
483:
364:
348:
1725:
1692:
1623:
1586:
494:
influenced Winter and affirmed his intent to awaken in people as sense of community.
412:
1827:
1776:"Jazz Musician Paul Winter Speaks the Language of Wolves on His Sax—and They Reply"
1615:
778:
757:
706:
582:
328:
243:
1687:
1333:
1056:
700:
694:
428:
384:
71:
1863:(Northwestern University alumni magazine), Spring 2000. Accessed October 8, 2006
1131:
1018:
980:
818:
665:
558:
523:
498:
436:
392:
247:
554:
1886:
1867:
1729:
1696:
608:
549:
420:
207:
458:
at Moscow University. During the next year the two bands recorded the album
1190:
923:
491:
424:
400:
251:
192:
577:
anti-whaling expedition for three days of playing saxophone to wild gray
562:
545:
541:
530:
518:
443:
396:
377:
340:
287:
1877:
566:
432:
404:
585:(Tofino). He was accompanied in this effort by Melville Gregory and
603:
A further collaboration with Dr. Roger Payne resulted in the album
578:
70:
from the article and its talk page, especially if potentially
304:
267:
1413:
1098:
726:
522:
same way as when he had first heard jazz saxophonists like
203:
419:
and considered it one of the best he produced. The band
16:
American saxophonist, composer, and bandleader (b. 1939)
1519:
Jazz Casual: Paul Winter/Bola Sete and Vince Guaraldi
423:
was formed by band members who worked on this album:
1868:"Paul Winter: Common Ground (A&M Records, 1978)"
1884:
664:Winter has received a Global 500 Award from the
1605:
628:soprano sax, and her voice was featured on the
1571:
1567:
1565:
1563:
1561:
1559:
1557:
1555:
1553:
1551:
1549:
1668:MusicHound world: The essential album guide
1801:"THE DESPISED WOLF HAS ITS ENDEARING SIDE"
1620:10.1093/gmo/9781561592630.article.A2267423
650:
307:bands of the 1950s. After graduating from
156:
63:about living persons that is unsourced or
1546:
347:was released in 1965 with liner notes by
134:Learn how and when to remove this message
1094:
668:, the Joseph Wood Krutch Medal from the
1683:"Winter Consort the 'Beat' Goes Global"
1409:
1885:
1715:
469:
354:
1798:
1680:
318:
1933:21st-century American male musicians
618:
25:
678:James Parks Morton Interfaith Award
13:
1928:21st-century American saxophonists
1799:Brody, Jane E. (10 January 1984).
1644:"The Kennedy White House Concerts"
14:
1954:
1923:People from Altoona, Pennsylvania
1849:
501:. Every year on the feast day of
333:University of Virginia Law School
1918:Jazz musicians from Pennsylvania
488:Cathedral of St. John the Divine
484:Very Reverend James Parks Morton
30:
1820:
1878:Allmusic entry for Paul Winter
1792:
1768:
1742:
1716:Martin, Douglas (1996-02-27).
1709:
1674:
1660:
1636:
1599:
1578:The Guinness Who's Who of Jazz
717:
529:Another milestone was hearing
512:
337:United States State Department
1:
1539:
1372:Miho: Journey to the Mountain
712:Miho: Journey to the Mountain
294:
1938:American male jazz musicians
670:United States Humane Society
41:biography of a living person
21:Paul Winter (disambiguation)
7:
1943:Paul Winter Consort members
1874:. Accessed January 29, 2006
535:Songs of the Humpback Whale
68:must be removed immediately
10:
1959:
1908:American male saxophonists
1903:American jazz saxophonists
1681:Joyce, Mike (1988-03-25).
1426:
1421:
1416:
1111:
1106:
1101:
1000:Prayer for the Wild Things
739:
734:
729:
689:Prayer for the Wild Things
486:, Dean of New York City's
474:Winter is a member of the
450:. Winter took part in the
18:
1467:Jazz Premiere: Washington
1450:Jazz Meets the Bossa Nova
1257:The Man Who Planted Trees
962:Earth: Voices of a Planet
746:Jazz Meets the Bossa Nova
659:
592:In 1978, Winter released
456:Dmitri Pokrovsky Ensemble
407:took the Consort's album
331:. He was accepted by the
262:
258:
239:
229:
221:
213:
199:
172:
167:
162:Clearwater Festival, 2007
155:
148:
1606:Holmes, Jeffrey (2014).
1501:Jazz Meets the Folk Song
1424:
1419:
1109:
1104:
737:
732:
452:U.S.–Soviet Space Bridge
313:Ringling Brothers Circus
309:Altoona Area High School
722:
676:. He also received the
651:Adventures in SoundPlay
565:band, Stuff, featuring
503:Saint Francis of Assisi
476:Lindisfarne Association
359:In 1967 he started the
325:Northwestern University
1433:The Paul Winter Sextet
674:University of Hartford
480:William Irwin Thompson
168:Background information
55:Please help by adding
1612:Oxfordmusiconline.com
1608:"Paul Winter Consort"
1218:Concert for the Earth
1140:Something in the Wind
848:Missa Gaia/Earth Mass
301:Altoona, Pennsylvania
1913:Grammy Award winners
1756:. September 24, 2013
1648:Museum Music Website
1076:Journey with the Sun
766:The Sound of Ipanema
548:; musicians such as
542:Governor Jerry Brown
61:Contentious material
19:For other uses, see
1583:Guinness Publishing
1095:Paul Winter Consort
470:Artist-in-residence
448:Yevgeny Yevtushenko
415:produced the album
373:Elizabethan theater
361:Paul Winter Consort
355:Paul Winter Consort
299:Winter was born in
1806:The New York Times
1722:The New York Times
1581:(First ed.).
1484:New Jazz on Campus
1410:Paul Winter Sextet
1119:The Winter Consort
644:The New York Times
365:Heitor Villa-Lobos
349:Vinicius de Moraes
319:Paul Winter Sextet
1857:"A Winter's Tale"
1629:978-1-56159-263-0
1585:. p. 435/6.
1537:
1536:
1407:
1406:
1092:
1091:
619:Winter and wolves
581:off the coast of
395:were produced by
278:
277:
144:
143:
136:
118:
44:needs additional
1950:
1843:
1842:
1840:
1838:
1824:
1818:
1817:
1815:
1813:
1796:
1790:
1789:
1787:
1786:
1772:
1766:
1765:
1763:
1761:
1746:
1740:
1739:
1737:
1736:
1713:
1707:
1706:
1704:
1703:
1678:
1672:
1671:
1664:
1658:
1657:
1655:
1654:
1640:
1634:
1633:
1603:
1597:
1596:
1569:
1414:
1099:
727:
583:Vancouver Island
403:. Astronauts of
363:, influenced by
329:Columbia Records
274:
271:
269:
232:
186:
182:
180:
160:
146:
145:
139:
132:
128:
125:
119:
117:
76:
57:reliable sources
34:
33:
26:
1958:
1957:
1953:
1952:
1951:
1949:
1948:
1947:
1883:
1882:
1852:
1847:
1846:
1836:
1834:
1826:
1825:
1821:
1811:
1809:
1797:
1793:
1784:
1782:
1774:
1773:
1769:
1759:
1757:
1748:
1747:
1743:
1734:
1732:
1714:
1710:
1701:
1699:
1688:Washington Post
1679:
1675:
1666:
1665:
1661:
1652:
1650:
1642:
1641:
1637:
1630:
1604:
1600:
1593:
1570:
1547:
1542:
1412:
1334:Silver Solstice
1097:
1057:Celtic Solstice
725:
720:
701:Silver Solstice
695:Celtic Solstice
662:
653:
621:
533:'s 1970 album,
515:
472:
429:Paul McCandless
385:humpback whales
357:
321:
297:
281:
266:
230:
187:
184:
183:August 31, 1939
178:
176:
163:
151:
140:
129:
123:
120:
77:
75:
54:
35:
31:
24:
17:
12:
11:
5:
1956:
1946:
1945:
1940:
1935:
1930:
1925:
1920:
1915:
1910:
1905:
1900:
1895:
1881:
1880:
1875:
1864:
1855:Breen, Terry.
1851:
1850:External links
1848:
1845:
1844:
1819:
1791:
1767:
1741:
1708:
1673:
1659:
1635:
1628:
1598:
1591:
1575:, ed. (1992).
1544:
1543:
1541:
1538:
1535:
1534:
1529:
1527:
1524:
1522:
1514:
1513:
1510:
1508:
1505:
1503:
1497:
1496:
1493:
1491:
1488:
1486:
1480:
1479:
1476:
1474:
1471:
1469:
1463:
1462:
1459:
1457:
1454:
1452:
1446:
1445:
1442:
1440:
1437:
1435:
1429:
1428:
1425:
1423:
1420:
1418:
1411:
1408:
1405:
1404:
1401:
1399:
1396:
1394:
1386:
1385:
1382:
1380:
1377:
1375:
1367:
1366:
1363:
1361:
1358:
1356:
1348:
1347:
1344:
1342:
1339:
1337:
1329:
1328:
1325:
1323:
1320:
1318:
1317:(compilation)
1309:
1308:
1305:
1303:
1300:
1298:
1290:
1289:
1286:
1284:
1281:
1279:
1271:
1270:
1267:
1265:
1262:
1260:
1252:
1251:
1248:
1246:
1243:
1241:
1240:(compilation)
1232:
1231:
1228:
1226:
1223:
1221:
1213:
1212:
1209:
1207:
1204:
1202:
1194:
1193:
1188:
1186:
1183:
1181:
1173:
1172:
1169:
1167:
1164:
1162:
1154:
1153:
1150:
1148:
1145:
1143:
1135:
1134:
1129:
1127:
1124:
1122:
1114:
1113:
1110:
1108:
1105:
1103:
1096:
1093:
1090:
1089:
1086:
1084:
1081:
1079:
1071:
1070:
1067:
1065:
1062:
1060:
1052:
1051:
1048:
1046:
1043:
1041:
1038:Brazilian Days
1033:
1032:
1029:
1027:
1024:
1022:
1019:Canyon Lullaby
1014:
1013:
1010:
1008:
1005:
1003:
995:
994:
991:
989:
986:
984:
981:Solstice Live!
976:
975:
972:
970:
967:
965:
957:
956:
953:
951:
948:
946:
938:
937:
934:
932:
929:
927:
919:
918:
915:
913:
910:
908:
900:
899:
896:
894:
891:
889:
881:
880:
877:
875:
872:
870:
862:
861:
858:
856:
853:
851:
843:
842:
837:
835:
832:
830:
822:
821:
816:
814:
811:
809:
801:
800:
797:
795:
792:
790:
782:
781:
776:
774:
771:
769:
761:
760:
755:
753:
750:
748:
742:
741:
738:
736:
733:
731:
724:
721:
719:
716:
666:United Nations
661:
658:
652:
649:
620:
617:
559:Jackson Browne
524:Charlie Parker
514:
511:
499:Philippe Petit
471:
468:
437:Collin Walcott
383:Recordings of
356:
353:
320:
317:
296:
293:
280:Musical artist
279:
276:
275:
264:
260:
259:
256:
255:
254:, Living Music
241:
237:
236:
233:
227:
226:
223:
219:
218:
215:
211:
210:
201:
197:
196:
174:
170:
169:
165:
164:
161:
153:
152:
149:
142:
141:
65:poorly sourced
38:
36:
29:
15:
9:
6:
4:
3:
2:
1955:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1899:
1898:Living people
1896:
1894:
1891:
1890:
1888:
1879:
1876:
1873:
1870:, review in
1869:
1865:
1862:
1858:
1854:
1853:
1833:
1829:
1828:"Paul Winter"
1823:
1808:
1807:
1802:
1795:
1781:
1777:
1771:
1755:
1751:
1750:"Earth Music"
1745:
1731:
1727:
1723:
1719:
1712:
1698:
1694:
1690:
1689:
1684:
1677:
1670:. 2000-06-01.
1669:
1663:
1649:
1645:
1639:
1631:
1625:
1621:
1617:
1613:
1609:
1602:
1594:
1592:0-85112-580-8
1588:
1584:
1580:
1579:
1574:
1568:
1566:
1564:
1562:
1560:
1558:
1556:
1554:
1552:
1550:
1545:
1533:
1530:
1528:
1525:
1523:
1521:
1520:
1516:
1515:
1511:
1509:
1506:
1504:
1502:
1499:
1498:
1494:
1492:
1489:
1487:
1485:
1482:
1481:
1477:
1475:
1472:
1470:
1468:
1465:
1464:
1460:
1458:
1455:
1453:
1451:
1448:
1447:
1443:
1441:
1438:
1436:
1434:
1431:
1430:
1415:
1403:Living Music
1402:
1400:
1397:
1395:
1393:
1392:
1388:
1387:
1384:Living Music
1383:
1381:
1378:
1376:
1374:
1373:
1369:
1368:
1365:Living Music
1364:
1362:
1359:
1357:
1355:
1354:
1350:
1349:
1346:Living Music
1345:
1343:
1340:
1338:
1336:
1335:
1331:
1330:
1327:Living Music
1326:
1324:
1321:
1319:
1316:
1315:
1311:
1310:
1307:Living Music
1306:
1304:
1301:
1299:
1297:
1296:
1295:Spanish Angel
1292:
1291:
1288:Living Music
1287:
1285:
1282:
1280:
1278:
1277:
1276:Turtle Island
1273:
1272:
1269:Living Music
1268:
1266:
1263:
1261:
1259:
1258:
1254:
1253:
1250:Living Music
1249:
1247:
1244:
1242:
1239:
1238:
1234:
1233:
1230:Living Music
1229:
1227:
1224:
1222:
1220:
1219:
1215:
1214:
1210:
1208:
1205:
1203:
1201:
1200:
1196:
1195:
1192:
1189:
1187:
1184:
1182:
1180:
1179:
1175:
1174:
1170:
1168:
1165:
1163:
1161:
1160:
1156:
1155:
1151:
1149:
1146:
1144:
1142:
1141:
1137:
1136:
1133:
1130:
1128:
1125:
1123:
1121:
1120:
1116:
1115:
1100:
1088:Living Music
1087:
1085:
1082:
1080:
1078:
1077:
1073:
1072:
1069:Living Music
1068:
1066:
1063:
1061:
1059:
1058:
1054:
1053:
1050:Living Music
1049:
1047:
1044:
1042:
1040:
1039:
1035:
1034:
1031:Living Music
1030:
1028:
1025:
1023:
1021:
1020:
1016:
1015:
1012:Living Music
1011:
1009:
1006:
1004:
1002:
1001:
997:
996:
993:Living Music
992:
990:
987:
985:
983:
982:
978:
977:
974:Living Music
973:
971:
968:
966:
964:
963:
959:
958:
955:Living Music
954:
952:
949:
947:
945:
944:
940:
939:
936:Living Music
935:
933:
930:
928:
926:
925:
921:
920:
917:Living Music
916:
914:
911:
909:
907:
906:
902:
901:
898:Living Music
897:
895:
892:
890:
888:
887:
883:
882:
879:Living Music
878:
876:
873:
871:
869:
868:
864:
863:
860:Living Music
859:
857:
854:
852:
850:
849:
845:
844:
841:
838:
836:
833:
831:
829:
828:
824:
823:
820:
817:
815:
812:
810:
808:
807:
806:Common Ground
803:
802:
798:
796:
793:
791:
789:
788:
784:
783:
780:
777:
775:
772:
770:
768:
767:
763:
762:
759:
756:
754:
751:
749:
747:
744:
743:
728:
715:
713:
709:
708:
703:
702:
697:
696:
691:
690:
685:
684:
683:Spanish Angel
679:
675:
671:
667:
657:
648:
646:
645:
639:
638:Common Ground
634:
631:
630:Common Ground
625:
616:
612:
610:
609:Leonard Nimoy
607:, with actor
606:
605:Whales Alive!
601:
599:
595:
594:Common Ground
590:
588:
584:
580:
576:
570:
568:
564:
560:
556:
551:
550:Joni Mitchell
547:
543:
538:
536:
532:
527:
525:
520:
510:
508:
504:
500:
495:
493:
489:
485:
481:
478:, founded by
477:
467:
463:
461:
457:
453:
449:
445:
440:
438:
434:
430:
426:
422:
418:
414:
413:George Martin
410:
406:
402:
398:
394:
390:
389:Common Ground
386:
381:
379:
374:
371:from English
370:
366:
362:
352:
350:
346:
342:
338:
334:
330:
326:
316:
314:
310:
306:
302:
292:
289:
285:
273:
265:
261:
257:
253:
249:
245:
242:
238:
234:
228:
224:
220:
216:
212:
209:
205:
202:
198:
194:
190:
185:(age 85)
175:
171:
166:
159:
154:
147:
138:
135:
127:
124:December 2017
116:
113:
109:
106:
102:
99:
95:
92:
88:
85: –
84:
83:"Paul Winter"
80:
79:Find sources:
73:
69:
66:
62:
58:
52:
51:
47:
42:
37:
28:
27:
22:
1871:
1866:Knapp, Tom.
1861:Northwestern
1860:
1835:. Retrieved
1831:
1822:
1810:. Retrieved
1804:
1794:
1783:. Retrieved
1779:
1770:
1758:. Retrieved
1753:
1744:
1733:. Retrieved
1721:
1711:
1700:. Retrieved
1686:
1676:
1667:
1662:
1651:. Retrieved
1647:
1638:
1611:
1601:
1576:
1573:Colin Larkin
1517:
1500:
1483:
1466:
1449:
1432:
1389:
1370:
1351:
1332:
1312:
1293:
1274:
1255:
1235:
1216:
1197:
1176:
1157:
1138:
1117:
1074:
1055:
1036:
1017:
998:
979:
960:
941:
924:Whales Alive
922:
903:
884:
865:
846:
840:Living Music
825:
804:
785:
764:
745:
710:(2007), and
705:
699:
693:
687:
681:
663:
654:
642:
637:
635:
629:
626:
622:
613:
604:
602:
597:
593:
591:
587:Will Jackson
575:Greenpeace V
574:
571:
539:
534:
528:
516:
506:
496:
492:Thomas Berry
473:
464:
459:
441:
425:Ralph Towner
416:
408:
401:Paul Stookey
388:
382:
358:
344:
322:
298:
283:
282:
235:1961–present
231:Years active
193:Pennsylvania
130:
121:
111:
104:
97:
90:
78:
67:
50:verification
43:
1893:1939 births
1754:Paul Winter
1391:Earth Music
718:Discography
555:Mimi Fariña
546:Gary Snyder
531:Roger Payne
513:Earth music
444:Lake Baikal
397:Phil Ramone
378:world music
341:White House
288:world music
284:Paul Winter
270:.paulwinter
150:Paul Winter
1887:Categories
1837:October 2,
1832:Grammy.com
1785:2019-10-29
1780:People.com
1760:August 26,
1735:2019-10-29
1702:2019-10-29
1653:2019-10-29
1540:References
1199:Earthdance
905:Wintersong
867:Sun Singer
567:Steve Gadd
561:, and the
507:Missa Gaia
433:Glen Moore
295:Early life
222:Instrument
214:Occupation
179:1939-08-31
94:newspapers
1730:0362-4331
1697:0190-8286
1532:Koch Jazz
1512:Columbia
1495:Columbia
1478:Columbia
1461:Columbia
1444:Columbia
1237:Wolf Eyes
943:Earthbeat
799:Columbia
460:EarthBeat
405:Apollo 15
225:Saxophone
46:citations
1812:3 August
1353:Crestone
1211:A&M
1171:A&M
1152:A&M
827:Callings
779:Columbia
758:Columbia
714:(2010).
707:Crestone
704:(2005),
698:(1999),
692:(2005),
598:Callings
244:Columbia
217:Musician
72:libelous
1872:Rambles
1314:Anthems
1132:A&M
819:A&M
393:A&M
263:Website
248:A&M
208:new-age
189:Altoona
108:scholar
1728:
1695:
1626:
1589:
1427:Label
1417:Title
1178:Icarus
1112:Label
1102:Title
886:Canyon
740:Label
730:Title
660:Awards
579:whales
563:fusion
435:, and
421:Oregon
417:Icarus
315:Band.
240:Labels
200:Genres
195:, U.S.
110:
103:
96:
89:
81:
1859:, in
1526:2001
1507:1963
1490:1963
1473:1963
1456:1962
1439:1961
1422:Year
1398:2011
1379:2010
1360:2007
1341:2005
1322:1998
1302:1993
1283:1991
1264:1990
1245:1989
1225:1985
1206:1977
1185:1972
1166:1970
1147:1969
1126:1968
1107:Year
1083:2000
1064:1999
1045:1998
1026:1997
1007:1994
988:1993
969:1990
950:1987
931:1987
912:1986
893:1985
874:1983
855:1982
834:1980
813:1978
794:1965
773:1964
752:1962
735:Year
519:Payne
305:bebop
115:JSTOR
101:books
39:This
1839:2023
1814:2021
1762:2018
1726:ISSN
1693:ISSN
1624:ISBN
1587:ISBN
1191:Epic
1159:Road
723:Solo
409:Road
399:and
369:name
272:.com
252:Epic
204:Jazz
173:Born
87:news
48:for
1616:doi
787:Rio
345:Rio
323:At
268:www
1889::
1830:.
1803:.
1778:.
1752:.
1724:.
1720:.
1691:.
1685:.
1646:.
1622:.
1614:.
1610:.
1548:^
647:.
557:,
439:.
431:,
427:,
380:.
351:.
250:,
246:,
206:,
191:,
181:)
59:.
1841:.
1816:.
1788:.
1764:.
1738:.
1705:.
1656:.
1632:.
1618::
1595:.
177:(
137:)
131:(
126:)
122:(
112:·
105:·
98:·
91:·
74:.
53:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
