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is not a comedy but a tragedy, revolving around a main character, a hero of historical significance, linked to the region or the Basque
Country, while prior to the second half of the 20th century the characters portrayed were religious or French national icons. Back then women were banned from
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Basque by the players following a pre-established stance and steps on the scene. Singing and dance play an important role too, the performance actually culminating with a choral staging where the collective spirit is voiced. The development of the story is supported by a brass-band and/or the
47:. It features a set range of characters and acts repeated on all pieces. This kind of theatre represents a dualism between the wicked (dressed in red, called
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s too, with female roles being performed by men. During the revival of the event in the decades following
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Unlike the other traditional theatrical event of Soule, the
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