Knowledge

Paris Belongs to Us

Source đź“ť

42: 270:, the director of which proves to be GĂ©rard. Because the actress for the part of Marina has not arrived, Anne is asked to read, and she performs well. Afterward she runs into Philip, who recounts long tales in veiled language about sinister interests that have destroyed Juan and may now get GĂ©rard too. 429:
reviewed the film positively: "Rivette’s tightly wound images turn the ornate architecture of Paris into a labyrinth of intimate entanglements and apocalyptic menace; he evokes the fearsome mysteries beneath the surface of life and the enticing illusions that its masterminds, whether human or divine,
251:
The film opens with literature student Anne who is reading Shakespeare when she hears sounds of distress in the next room. There she finds a Spanish girl who says her brother Juan has been killed by dark forces. Anne then meets with her own brother Pierre, who takes her to a party held by some of his
416:
liked the film: "Jacques Rivette’s troubled and troubling 1960 account of Parisians in the late 50s remains the most intellectually and philosophically mature, and one of the most beautiful...Few films have more effectively captured a period and milieu; Rivette evokes bohemian paranoia and sleepless
230:
The story centres on young university student Anne who, through her older brother, meets a group of people haunted by mysterious tensions and fears and the deaths of two of its members. The source of the malaise affecting the group is never explained, leaving viewers to wonder how far it might be an
433:
The critic Hamish Ford stated: "... for me at least, his debut feature is a perfect film in its way. If the first work of a long career should, at least in the oeuvre-charting rear-vision mirror, offer an appropriately characteristic or even perhaps idiosyncratic entry point into a distinct
273:
Anne becomes determined to resolve the mystery that is obsessing the lives of the people she met, including a missing music recording by Juan which GĂ©rard had planned to use for his play, and predictions that GĂ©rard might end up dead like Juan. GĂ©rard eventually dies, either by suicide or the
274:
machinations of an ominous group which according to Philip and Terry is heading for world domination. Terry kills Pierre who is supposedly part of the conspiracy, but later admits that it might exist only in Philip's mind.
263:, gets drunk and later slaps a smartly dressed woman named Terry, accusing her of causing Juan's death by breaking up with him. Terry, who had also been the lover of Philip, is now together with theatre director GĂ©rard. 333: 283: 749: 314: 1349: 1932: 1435: 967: 718: 681: 522: 255:
Initially bored and knowing nobody, she gradually becomes fascinated by mysterious interactions around her. Juan, a musician and
1071: 1942: 1937: 17: 547: 352:
Written in 1957, shot from July to November 1958, but not released until 13 December 1961, it was the film critic Rivette's
1912: 1451: 259:
refugee, has recently died from a knife wound which some think was a suicide. Philip, an unsteady American refugee from
654: 308: 95: 374:
for most of the core New Wave era from 1958 to 1968, only completing two more full-length films during this time.
370:, Rivette did not find popularity with his early films, and unlike many of the New Wave directors, he remained at 266:
The next day, Anne meets with a friend who is an aspiring actor, and he takes her to a rehearsal of Shakespeare's
1927: 1715: 1342: 1296: 455: 960: 916: 711: 604: 500: 1922: 1907: 744: 1917: 1799: 1523: 803: 739: 417:
nights in tiny one-room flats, along with the fragrant, youthful idealism conveyed by the film’s title".
1669: 1515: 1467: 1335: 1197: 900: 827: 763: 397:
The film was met by some London film critics with furious incomprehension; however, it was awarded the
353: 206: 1661: 1585: 438:
is indeed a perfect 'first' Rivette in its combination of formal daring and conceptual elusiveness."
1483: 1475: 953: 704: 219: 1631: 1165: 932: 924: 628: 579: 1863: 1623: 1507: 1237: 1229: 402: 890: 1839: 1823: 1815: 1739: 1691: 1545: 1459: 787: 406: 1601: 1537: 1175: 1114: 1023: 691: 338: 240: 1290: 1013: 362: 8: 1902: 1879: 1723: 1707: 1561: 1221: 1056: 859: 779: 214: 1253: 296: 1791: 1499: 1419: 1129: 843: 413: 327: 288: 1683: 1761: 1699: 1645: 1553: 1443: 1358: 1079: 883: 867: 676: 650: 398: 224: 478: 1847: 1491: 1379: 1315: 1279: 1150: 1036: 552: 319: 1327: 819: 1753: 1307: 1008: 998: 976: 835: 728: 382: 357: 202: 182: 55: 556:. Vol. 32, no. 1. British Film Institute. Winter 1962–1963. p. 13 1427: 1387: 1170: 1160: 1124: 1099: 993: 425: 378: 302: 256: 232: 91: 77: 1155: 1061: 1003: 367: 1896: 1411: 1245: 1213: 1205: 1094: 1051: 875: 420: 41: 377:
As a New Wave characteristic, the film includes cameos for fellow directors
1777: 1731: 1593: 1569: 1089: 1084: 1046: 1041: 696: 386: 198: 65: 1871: 1609: 1577: 1371: 1134: 1119: 1109: 1104: 1031: 565: 260: 1261: 670: 1831: 1180: 687: 223:, the title is highly ironic because the characters are immigrants or 1855: 908: 851: 1395: 1301: 236: 945: 1807: 1769: 1615: 1284: 811: 409:
during the year. It had only a brief commercial run in London.
1653: 795: 210: 405:
as the most original and innovative film introduced at the
523:"Paris Belongs to Us: Nothing Took Place but the Place" 683:
Paris Belongs to Us: Nothing Took Place but the Place
1357: 644: 1894: 356:as a director and one of the early works of the 645:Rivette, Jacques; De Pascale, Goffredo (2003). 1343: 961: 712: 726: 1350: 1336: 968: 954: 719: 705: 580:"Paris Belongs to Us | Jonathan Rosenbaum" 231:amalgam of individual imbalances, general 40: 227:and do not feel that they belong at all. 476: 14: 1895: 605:"Paris Belongs to Us - The New Yorker" 239:as the world faced the possibility of 1331: 949: 700: 1452:The Chronicle of Anna Magdalena Bach 975: 24: 1436:The Man Who Had His Hair Cut Short 638: 631:by Hamish Ford at Senses of Cinema 25: 1954: 1933:Films directed by Jacques Rivette 664: 477:Bradshaw, Peter (13 April 2006), 381:(who also co-produced the film), 235:anxiety, or the paranoia of the 207:feature-length directorial debut 622: 597: 572: 540: 515: 493: 470: 448: 213:in 1957 and often referencing 13: 1: 917:The Story of Marie and Julien 441: 347: 1943:1961 directorial debut films 1938:French black-and-white films 392: 7: 1913:1960s French-language films 1800:Beasts of the Southern Wild 1747:For the Living and the Dead 1524:Hitler: A Film from Germany 891:"Une aventure de Ninon" in 804:Celine and Julie Go Boating 10: 1959: 1670:The Silences of the Palace 1516:In the Realm of the Senses 649:(in Italian). Il Castoro. 191:, sometimes translated as 134:13 December 1961 1662:The Scent of Green Papaya 1366: 1272: 1189: 1143: 1070: 1022: 983: 758: 735: 584:www.jonathanrosenbaum.net 166: 158: 148: 125: 117: 109: 101: 85: 73: 61: 51: 39: 34: 1484:The Hour of the Furnaces 1476:Four Nights of a Dreamer 527:The Criterion Collection 1632:The Fabulous Baker Boys 1166:Jacques Doniol-Valcroze 933:Around a Small Mountain 925:The Duchess of Langeais 277: 246: 1928:Films set in the 1950s 1508:The Travelling Players 1297:CinĂ©mathèque Française 1238:Last Year at Marienbad 1144:Theoretical influences 403:British Film Institute 354:first full-length film 186: 629:Paris nous appartient 457:Turner Classic Movies 436:Paris nous appartient 407:National Film Theatre 389:and Rivette himself. 188:Paris nous appartient 18:Paris nous appartient 1176:Joseph-Marie Lo Duca 1115:Jean-Pierre Melville 692:Criterion Collection 241:nuclear annihilation 113:Denise de Casabianca 1923:Films shot in Paris 1908:1960s mystery films 1880:Paradise Is Burning 1708:You Can Count on Me 1562:No Mercy, No Future 1404:Paris Belongs to Us 1222:Hiroshima mon amour 1057:Alain Robbe-Grillet 893:Lumière and Company 772:Paris Belongs to Us 672:Paris Belongs to Us 197:) is a 1961 French 178:Paris Belongs to Us 35:Paris Belongs to Us 1918:Films set in Paris 1586:This Is My Country 1311:(2010 documentary) 844:Love on the Ground 548:"The B.F.I. Award" 414:Jonathan Rosenbaum 360:. Like his fellow 328:Jean-Claude Brialy 1890: 1889: 1684:The Life of Jesus 1554:Two Stage Sisters 1444:Samurai Rebellion 1359:Sutherland Trophy 1325: 1324: 1291:Cahiers du CinĂ©ma 1198:Le Coup du Berger 1080:Philippe de Broca 1014:François Truffaut 985:Cahiers du CinĂ©ma 943: 942: 884:Up, Down, Fragile 868:La Belle Noiseuse 553:Sight & Sound 434:film-world, then 399:Sutherland Trophy 363:Cahiers du cinĂ©ma 343:as Dr. de Georges 334:Jean-Marie Robain 324:as Philip Kaufman 309:Françoise PrĂ©vost 174: 173: 105:Charles L. Bitsch 96:Françoise PrĂ©vost 16:(Redirected from 1950: 1531:The Scenic Route 1380:The World of Apu 1352: 1345: 1338: 1329: 1328: 1280:Arthouse musical 1254:ClĂ©o from 5 to 7 1151:Alexandre Astruc 1072:Other filmmakers 1037:Marguerite Duras 970: 963: 956: 947: 946: 750:Themes and style 721: 714: 707: 698: 697: 660: 632: 626: 620: 619: 617: 615: 601: 595: 594: 592: 590: 576: 570: 569: 563: 561: 544: 538: 537: 535: 533: 519: 513: 512: 511: 509: 497: 491: 490: 489: 487: 474: 468: 467: 466: 464: 452: 342: 323: 299:as Pierre Goupil 297:François Maistre 292: 141: 139: 121:Philippe Arthuys 44: 32: 31: 21: 1958: 1957: 1953: 1952: 1951: 1949: 1948: 1947: 1893: 1892: 1891: 1886: 1362: 1356: 1326: 1321: 1316:Trouver Frisson 1308:Two in the Wave 1268: 1185: 1139: 1066: 1018: 1009:Jacques Rivette 999:Jean-Luc Godard 979: 977:French New Wave 974: 944: 939: 836:Le Pont du Nord 754: 731: 729:Jacques Rivette 725: 667: 657: 647:Jacques Rivette 641: 639:Further reading 636: 635: 627: 623: 613: 611: 603: 602: 598: 588: 586: 578: 577: 573: 559: 557: 546: 545: 541: 531: 529: 521: 520: 516: 507: 505: 499: 498: 494: 485: 483: 475: 471: 462: 460: 454: 453: 449: 444: 395: 383:Jean-Luc Godard 358:French New Wave 350: 336: 317: 311:as Terry Yordan 286: 284:Betty Schneider 280: 249: 203:Jacques Rivette 151: 144: 137: 135: 128: 94: 90: 89:Betty Schneider 80: 69:Jacques Rivette 68: 56:Jacques Rivette 47: 28: 23: 22: 15: 12: 11: 5: 1956: 1946: 1945: 1940: 1935: 1930: 1925: 1920: 1915: 1910: 1905: 1888: 1887: 1885: 1884: 1876: 1868: 1860: 1852: 1844: 1836: 1828: 1820: 1812: 1804: 1796: 1788: 1782: 1774: 1766: 1758: 1750: 1744: 1736: 1728: 1720: 1712: 1704: 1696: 1688: 1680: 1674: 1666: 1658: 1650: 1642: 1636: 1628: 1620: 1606: 1598: 1590: 1582: 1574: 1566: 1558: 1550: 1542: 1534: 1528: 1520: 1512: 1504: 1496: 1488: 1480: 1472: 1468:The Conformist 1464: 1456: 1448: 1440: 1432: 1428:Pierrot le Fou 1424: 1416: 1408: 1400: 1392: 1384: 1376: 1367: 1364: 1363: 1361:–winning films 1355: 1354: 1347: 1340: 1332: 1323: 1322: 1320: 1319: 1312: 1304: 1299: 1294: 1287: 1282: 1276: 1274: 1270: 1269: 1267: 1266: 1258: 1250: 1242: 1234: 1226: 1218: 1210: 1202: 1193: 1191: 1187: 1186: 1184: 1183: 1178: 1173: 1171:Henri Langlois 1168: 1163: 1161:Robert Bresson 1158: 1153: 1147: 1145: 1141: 1140: 1138: 1137: 1132: 1130:Straub–Huillet 1127: 1125:Jacques Rozier 1122: 1117: 1112: 1107: 1102: 1100:Georges Franju 1097: 1092: 1087: 1082: 1076: 1074: 1068: 1067: 1065: 1064: 1059: 1054: 1049: 1044: 1039: 1034: 1028: 1026: 1020: 1019: 1017: 1016: 1011: 1006: 1001: 996: 994:Claude Chabrol 990: 988: 981: 980: 973: 972: 965: 958: 950: 941: 940: 938: 937: 929: 921: 913: 905: 901:Secret Defense 897: 888: 880: 872: 864: 856: 848: 840: 832: 828:Merry-Go-Round 824: 816: 808: 800: 792: 784: 776: 768: 759: 756: 755: 753: 752: 747: 742: 736: 733: 732: 724: 723: 716: 709: 701: 695: 694: 679: 666: 665:External links 663: 662: 661: 655: 640: 637: 634: 633: 621: 609:The New Yorker 596: 571: 539: 514: 502:The New Yorker 492: 469: 446: 445: 443: 440: 426:The New Yorker 394: 391: 379:Claude Chabrol 349: 346: 345: 344: 331: 325: 312: 306: 305:as GĂ©rard Lenz 303:Giani Esposito 300: 294: 293:as Anne Goupil 279: 276: 248: 245: 233:existentialist 172: 171: 168: 164: 163: 160: 156: 155: 152: 149: 146: 145: 143: 142: 131: 129: 126: 123: 122: 119: 115: 114: 111: 107: 106: 103: 102:Cinematography 99: 98: 92:Giani Esposito 87: 83: 82: 78:Claude Chabrol 75: 71: 70: 63: 59: 58: 53: 49: 48: 45: 37: 36: 26: 9: 6: 4: 3: 2: 1955: 1944: 1941: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1900: 1898: 1882: 1881: 1877: 1874: 1873: 1869: 1866: 1865: 1861: 1858: 1857: 1853: 1850: 1849: 1845: 1842: 1841: 1837: 1834: 1833: 1829: 1826: 1825: 1821: 1818: 1817: 1813: 1810: 1809: 1805: 1802: 1801: 1797: 1794: 1793: 1789: 1786: 1783: 1780: 1779: 1775: 1772: 1771: 1767: 1764: 1763: 1759: 1756: 1755: 1751: 1748: 1745: 1742: 1741: 1737: 1734: 1733: 1729: 1726: 1725: 1721: 1718: 1717: 1713: 1710: 1709: 1705: 1702: 1701: 1697: 1694: 1693: 1689: 1686: 1685: 1681: 1678: 1677:Bob's Weekend 1675: 1672: 1671: 1667: 1664: 1663: 1659: 1656: 1655: 1651: 1648: 1647: 1643: 1640: 1637: 1634: 1633: 1629: 1626: 1625: 1621: 1618: 1617: 1612: 1611: 1607: 1604: 1603: 1599: 1596: 1595: 1591: 1588: 1587: 1583: 1580: 1579: 1575: 1572: 1571: 1567: 1564: 1563: 1559: 1556: 1555: 1551: 1548: 1547: 1543: 1540: 1539: 1535: 1532: 1529: 1526: 1525: 1521: 1518: 1517: 1513: 1510: 1509: 1505: 1502: 1501: 1497: 1494: 1493: 1489: 1486: 1485: 1481: 1478: 1477: 1473: 1470: 1469: 1465: 1462: 1461: 1457: 1454: 1453: 1449: 1446: 1445: 1441: 1438: 1437: 1433: 1430: 1429: 1425: 1422: 1421: 1417: 1414: 1413: 1409: 1406: 1405: 1401: 1398: 1397: 1393: 1390: 1389: 1385: 1382: 1381: 1377: 1374: 1373: 1369: 1368: 1365: 1360: 1353: 1348: 1346: 1341: 1339: 1334: 1333: 1330: 1318: 1317: 1313: 1310: 1309: 1305: 1303: 1300: 1298: 1295: 1293: 1292: 1288: 1286: 1283: 1281: 1278: 1277: 1275: 1271: 1264: 1263: 1259: 1256: 1255: 1251: 1248: 1247: 1246:Jules and Jim 1243: 1240: 1239: 1235: 1232: 1231: 1227: 1224: 1223: 1219: 1216: 1215: 1214:The 400 Blows 1211: 1208: 1207: 1206:Le Beau Serge 1203: 1200: 1199: 1195: 1194: 1192: 1188: 1182: 1179: 1177: 1174: 1172: 1169: 1167: 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1148: 1146: 1142: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1095:Jean Eustache 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1077: 1075: 1073: 1069: 1063: 1060: 1058: 1055: 1053: 1052:Alain Resnais 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1029: 1027: 1025: 1021: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 991: 989: 986: 982: 978: 971: 966: 964: 959: 957: 952: 951: 948: 935: 934: 930: 927: 926: 922: 919: 918: 914: 911: 910: 906: 903: 902: 898: 895: 894: 889: 886: 885: 881: 878: 877: 876:Joan the Maid 873: 870: 869: 865: 862: 861: 857: 854: 853: 849: 846: 845: 841: 838: 837: 833: 830: 829: 825: 822: 821: 817: 814: 813: 809: 806: 805: 801: 798: 797: 793: 790: 789: 785: 782: 781: 777: 774: 773: 769: 766: 765: 761: 760: 757: 751: 748: 746: 743: 741: 738: 737: 734: 730: 722: 717: 715: 710: 708: 703: 702: 699: 693: 689: 685: 684: 680: 678: 674: 673: 669: 668: 658: 656:88-8033-256-2 652: 648: 643: 642: 630: 625: 610: 606: 600: 585: 581: 575: 567: 555: 554: 549: 543: 528: 524: 518: 504: 503: 496: 482: 481: 473: 459: 458: 451: 447: 439: 437: 431: 428: 427: 422: 421:Richard Brody 418: 415: 410: 408: 404: 400: 390: 388: 384: 380: 375: 373: 369: 365: 364: 359: 355: 340: 335: 332: 329: 326: 321: 316: 315:Daniel Crohem 313: 310: 307: 304: 301: 298: 295: 290: 285: 282: 281: 275: 271: 269: 264: 262: 258: 253: 244: 242: 238: 234: 228: 226: 222: 221: 216: 212: 208: 204: 200: 196: 195: 194:Paris Is Ours 190: 189: 184: 180: 179: 169: 165: 161: 157: 153: 147: 133: 132: 130: 124: 120: 116: 112: 108: 104: 100: 97: 93: 88: 84: 79: 76: 72: 67: 64: 60: 57: 54: 50: 43: 38: 33: 30: 19: 1878: 1870: 1862: 1854: 1846: 1838: 1830: 1822: 1814: 1806: 1798: 1790: 1784: 1776: 1768: 1760: 1752: 1746: 1738: 1730: 1722: 1714: 1706: 1698: 1690: 1682: 1676: 1668: 1660: 1652: 1644: 1638: 1630: 1622: 1614: 1608: 1600: 1594:Yellow Earth 1592: 1584: 1576: 1570:Elippathayam 1568: 1560: 1552: 1544: 1536: 1530: 1522: 1514: 1506: 1498: 1490: 1482: 1474: 1466: 1458: 1450: 1442: 1434: 1426: 1418: 1410: 1403: 1402: 1394: 1386: 1378: 1370: 1314: 1306: 1289: 1260: 1252: 1244: 1236: 1228: 1220: 1212: 1204: 1196: 1090:Jean Douchet 1085:Jacques Demy 1047:Chris Marker 1042:Armand Gatti 984: 931: 923: 915: 907: 899: 892: 882: 874: 866: 860:Gang of Four 858: 850: 842: 834: 826: 818: 810: 802: 794: 786: 778: 771: 770: 762: 745:Bibliography 686:an essay by 682: 671: 646: 624: 612:. Retrieved 608: 599: 587:. Retrieved 583: 574: 564:– via 558:. Retrieved 551: 542: 530:. Retrieved 526: 517: 506:, retrieved 501: 495: 484:, retrieved 480:The Guardian 479: 472: 461:, retrieved 456: 450: 435: 432: 424: 419: 412:Film critic 411: 396: 387:Jacques Demy 376: 371: 361: 351: 330:as Jean-Marc 272: 267: 265: 254: 250: 229: 218: 201:directed by 199:mystery film 193: 192: 187: 177: 176: 175: 150:Running time 127:Release date 81:Roland Nonin 66:Jean Gruault 29: 1792:Las Acacias 1716:The Warrior 1639:On the Wire 1610:Terrorizers 1578:Sans Soleil 1460:L'Amour fou 1388:L'Avventura 1372:Tokyo Story 1156:AndrĂ© Bazin 1135:Roger Vadim 1120:Luc Moullet 1110:Louis Malle 1105:Pierre Kast 1062:Agnès Varda 1032:Henri Colpi 1004:Éric Rohmer 788:L'Amour fou 764:Fool's Mate 740:Filmography 566:Archive.org 508:12 February 486:12 February 463:12 February 368:Éric Rohmer 337: [ 318: [ 287: [ 261:McCarthyism 257:anti-Franco 215:Shakespeare 154:141 minutes 74:Produced by 52:Directed by 46:Film poster 1903:1961 films 1897:Categories 1864:Playground 1762:Persepolis 1700:Ratcatcher 1624:Pathfinder 1230:Breathless 1181:Jean Rouch 688:Lucy Sante 560:3 December 442:References 348:Production 138:1961-12-13 62:Written by 1856:Atlantics 1840:The Wound 1824:The Witch 1816:The Tribe 1785:The Arbor 1740:Tarnation 1692:The Apple 1546:The Falls 1492:Pirosmani 1285:Auteurism 1190:Key films 1024:Left Bank 987:Directors 909:Va savoir 852:Hurlevent 727:Films by 430:create." 393:Reception 252:friends. 225:alienated 209:. Set in 110:Edited by 27:1961 film 1754:Red Road 1602:Comrades 1538:The Herd 1396:Il Posto 1302:Jump cut 1262:La JetĂ©e 268:Pericles 237:Cold War 220:Pericles 217:'s play 167:Language 118:Music by 86:Starring 1808:Ilo Ilo 1724:Carnage 1273:Related 780:The Nun 690:at the 401:by the 372:Cahiers 366:critic 205:in his 159:Country 136: ( 1883:(2023) 1875:(2022) 1867:(2021) 1859:(2019) 1851:(2018) 1843:(2017) 1835:(2016) 1827:(2015) 1819:(2014) 1811:(2013) 1803:(2012) 1795:(2011) 1787:(2010) 1781:(2009) 1773:(2008) 1770:Tulpan 1765:(2007) 1757:(2006) 1749:(2005) 1743:(2004) 1735:(2003) 1727:(2002) 1719:(2001) 1711:(2000) 1703:(1999) 1695:(1998) 1687:(1997) 1679:(1996) 1673:(1995) 1665:(1994) 1657:(1993) 1649:(1992) 1641:(1991) 1635:(1990) 1627:(1989) 1619:(1987) 1616:Yeelen 1605:(1986) 1597:(1985) 1589:(1984) 1581:(1983) 1573:(1982) 1565:(1981) 1557:(1980) 1549:(1980) 1541:(1979) 1533:(1978) 1527:(1977) 1519:(1976) 1511:(1975) 1503:(1974) 1500:Martha 1495:(1973) 1487:(1972) 1479:(1971) 1471:(1970) 1463:(1969) 1455:(1968) 1447:(1967) 1439:(1966) 1431:(1965) 1423:(1964) 1420:Hamlet 1415:(1963) 1412:Muriel 1407:(1962) 1399:(1961) 1391:(1960) 1383:(1959) 1375:(1958) 1265:(1962) 1257:(1962) 1249:(1962) 1241:(1961) 1233:(1960) 1225:(1959) 1217:(1959) 1209:(1958) 1201:(1956) 936:(2009) 928:(2007) 920:(2003) 912:(2001) 904:(1998) 896:(1995) 887:(1995) 879:(1994) 871:(1991) 863:(1989) 855:(1985) 847:(1984) 839:(1981) 831:(1981) 823:(1976) 820:NoroĂ®t 815:(1976) 812:Duelle 807:(1974) 799:(1971) 791:(1969) 783:(1966) 775:(1960) 767:(1956) 653:  614:7 July 589:7 July 532:7 July 183:French 170:French 162:France 1778:Ajami 1732:Osama 1654:Vacas 1646:Proof 796:Out 1 341:] 322:] 291:] 211:Paris 1872:1976 1848:Girl 677:IMDb 651:ISBN 616:2018 591:2018 562:2022 534:2018 510:2018 488:2018 465:2018 278:Cast 247:Plot 1832:Raw 675:at 423:of 1899:: 1613:/ 607:. 582:. 550:. 525:. 385:, 339:fr 320:fr 289:fr 243:. 185:: 1351:e 1344:t 1337:v 969:e 962:t 955:v 720:e 713:t 706:v 659:. 618:. 593:. 568:. 536:. 181:( 140:) 20:)

Index

Paris nous appartient

Jacques Rivette
Jean Gruault
Claude Chabrol
Giani Esposito
Françoise Prévost
French
mystery film
Jacques Rivette
feature-length directorial debut
Paris
Shakespeare
Pericles
alienated
existentialist
Cold War
nuclear annihilation
anti-Franco
McCarthyism
Betty Schneider
fr
François Maistre
Giani Esposito
Françoise Prévost
Daniel Crohem
fr
Jean-Claude Brialy
Jean-Marie Robain
fr

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑