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technique would be to play the PAS Flam Accent (a grace note and accent on the first of 3 single strokes) with the accent on the first note, then the second note, then the third note, producing 3 variations of the pattern and exhausting the placement options for the accent within the rhythm. The same could then be done with the grace note for the flam, producing 3 more patterns. The resulting 6 patterns could then be combined in a sequential way, producing further variations until all combinations of elements are exhausted. Not all of the resulting combinations are named or officially listed as rudiments, but are useful in developing a player's skills.
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drum arrangements and fife tunes, rather than the distinctively snappy dot-cut triplet shuffle sound that pipe band drumming would use later. The Scotch
Reveille that would normally accompany The Mother and the Three Camps was adapted from, or at least inspired by, the Scotch Reveilly from this pre-pipe band era. Scottish pipe bands, in their modern form, were created by the British Army around 1830. British regiments made up of Scottish clansmen married rudimental drumming with the
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929:). The first stroke is a quieter grace note followed by a louder primary stroke on the opposite hand. The two notes are played almost simultaneously, and are intended to sound like a single, broader note. The temporal distance between the grace note and the primary note can vary depending on the style and context of the piece being played. In the past, or in some European systems, open flams and closed flams were listed as separate rudiments.
913:. Other rudimental systems have differing sticking methods and names for similar notation figures. Though still used and taught by drummers and drum teachers in practice, the 3 Stroke Ruff and 4 Stroke Ruff are not officially listed on the NARD or PAS rudiment sheets and the term Drag has eclipsed Ruff (or Rough) for the double stroked rudiments, in both open or closed execution, according to the current PAS standard terminology.
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470:. In the 18th century, drummers uniforms were reverse color from the rest of their military unit, but after the War of 1812, and coincidentally during Samuel Potter's service, their uniforms were switched to the standard color scheme so as not to stand out in battle. Samuel's son, Henry Potter, a noted instrument maker, would later publish an updated drum manual called
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20th century (Berger devised his own notation system for export that was much more legible) while Swiss rudiments were written in standard notation centuries earlier. Swiss
Ordonnanz rudiments are nearly unknown outside of Switzerland, while Basel rudiments are featured (after the 1930s) in other systems around the world, such as the Scottish, American, and Hybrid. The
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around 1909 but the USSR reintroduced drumming to the military in the 1920s. Russia actually has no names or specific sticking for rudimental patterns but a selection of rolls and ruffs of various lengths are present in military music. Youth
Pioneer groups use simplified military signals, though the rudiments taught in these groups use American terms.
763:, Swiss Ordonnanz Trommel (non-Basel, poorly understood outside of Switzerland), and Bajoaragonés systems, which are still studied and performed on a small scale in their home countries. There is also a distinct historic Spanish military rudimental culture, though this system is no longer widely used, as well as a similarly defunct Sicilian system.
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A hybrid drum rudiment is when two rudiments are combined into one rudiment. For example, the PAS #30 Flam Drag is a simple hybrid combining the traditional PAS rudiments #20 Flam and #31 Drag. A hybrid can also be created by adding a prefix before a rudiment or a suffix at the end of the rudiment in
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A right hand flam followed by a right tap and a left tap, or (using a left hand lead) a left hand flam followed by a left tap and a right tap. It is often used in the place of a flam accent, since repeated flam accents will have three taps on the same hand in a row, where repeated Swiss army triplets
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Recently, the
International Association of Traditional Drummers (IATD) has been working to once again promote the 26 NARD rudiments of 1933 (1870 Strube list of 25 plus 1). One of the chief issues the IATD has with the PAS 40 is the "Swiss influence," though only eight of the extra 14 rudiments (that
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was founded in 1971 bringing together drum corps from around North
America to compete, some of which had been in existence since the 1930s or 1940s (though many others were formed as late as the mid-1960s). From the outset, the drummers steadily expanded the rudimental vocabulary from the traditional
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The
Italian peninsula was home to fife and drum traditions as far back as the 1400s. During the 19th century, at least 3 distinct styles of drumming were practiced: Austrian style drumming in the northern regions adjacent to the Austrian Empire, a central Italian style in Sardinia, Piedmont, and the
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The latest innovation in hybrid rudiments has been "The Grid", which is a method for producing variations on a simple rudimental pattern by moving the individual elements of the rudiment (for example flams, accents, or diddles) through the notes of basic rhythm of the rudiment. One example of a Grid
988:. There are more than 850 rudiments worldwide, but these 40 are the current American standards, referred to as âinternationalâ because they mix rudiments traditionally used in Anglo-American drumming with several drawn from the Swiss Basel drumming tradition. They were compiled by a committee led by
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Russian drumming was originally brought in from abroad specifically to emulate the drumming of other nations. Dutch drumming was used verbatim in the 17th century. This gave way to a more distinct
Russian style in the 18th century under Peter I. Imperial Russian military units stopped using drummers
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has a distinct rudimental system. Drummers are known to have participated in military functions from possibly as far back as 1570. Military units paid the drummers from their own commanders' budget until 1688 when the military began paying musicians directly. The rudimental term "Tattoo," a term for
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continued to promote Basel style drumming in North
America for many years. The two Swiss systems differ in several ways, including that Basel drumming rudiments draw heavily from the French system while Swiss rudiments are indigenous, and that Basel drumming was notated in a set of symbols until the
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A few examples are the "Herta" which is a drag played with alternating sticking; the "cheese", a diddle with a grace note; and the "eggbeater", a five-tuplet with the sticking "rrrll." These hybrids have themselves given way to further hybrids; the "cheese invert" (an inverted flam tap with cheeses
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A double stop consists of two single strokes played simultaneously, one on each hand. It differs from a flam or charge stroke in that there is no space between the notes and both hands fall exactly at the same time. This is not considered an
American rudiment on any common list, but is a staple of
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Scottish drum and fife signals (those differing significantly from the
English) date back to at least the 17th century, when the English referred to them as the "Scots Duty." The old Scottish calls used similar rudimental patterns and drumming idioms to the English, but featured slightly different
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Sweden had drummers on military payrolls as early as 1528. The Swedish rudimental style has some unique features and rhythmic interpretations, however it draws significant influence from both French and Prussian sources. The first written manual dates from 1836 with little variation in style until
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at Valley Forge. He included camp duty signals in his general manual on military practices for George Washingtonâs troops, the âblue bookâ written in 1778â79, though the drum parts were listed in prose. The first America rudimental manual to have prescribed rudimental exercises in notation was
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in order to regain their independent culture. The drum rudiments were modified from British and European sources to fit with the piping idioms that had been in place for several hundred years prior. Pipe bands, and their stylistically unique drummers, saw their first widespread use during the
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The system was dominated by the right hand and featured only about 14 standard rudiments, such as the druckruf and doppelwirbel. The Prussian drumming style was distinct from the regional rudimental practices of Bavaria, despite Bavaria being a part of modern Germany. It also did not apply in
512:, after which they assumed a ceremonial role. There are currently around 60â75 Scottish rudiments played in pipe bands around the commonwealth countries and former British colonies, taking influence from Swiss, French, and American Hybrid drumming as well as traditional Scottish rhythms.
1622:, drummer Tommy Igoe describes flams as "the easiest rudiment to play wrong" and goes on to say "...think of the syllable 'lam'. It's one syllable. 'Flam' is still only one syllable, but it's slightly longer." This is a good way for a beginner to conceptualize a "correct" flam.
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calls the military rudiments "ancient," "old fashioned," and "old style beats, rolls, and flourishes," to be played only when emulating a military sound. The Bower book offers several competing versions of many rudiments taken from multiple competing 19th century manuals.
337:'s Bolero. The French system is complex and expansive, rivaled in scope only by the Swiss, American, and Scottish systems. Between 30 and 34 rudiments have normally been taught from the mid-20th century onward, from a historical catalog of over 70 rudiment variations.
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A drag is a double stroke played at twice the speed of the context in which it is placed. For example, if a sixteenth-note passage is being played then any drags in that passage would consist of thirty-second notes. Drags can also be notated as
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from 1848 details the rudimental signals starting as far back as the 17th century and works up through the variations to his contemporary mid-19th century usage, showing that the complexity of French drumming increased significantly over time.
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instead of flams) and the "diddle-egg-five" (a paradiddle-diddle followed by an eggbeater and two diddles, one on each hand). Other hybrid rudiments include: "book reports", "ninjas", and "flam dragons" (formerly known as "double flam drags").
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A charge stroke is a special variation on an open flam in which one or both of the notes are accented to provide a driving feel that can create the illusion that the downbeat has moved earlier in time. The two major types are French
636:, organized a list of 13 essential rudiments and second set of 13 additional rudiments to form the Standard NARD 26 in 1933. This was largely based on Strube's 25 rudiments from 1870, with a single addition, the single stroke roll.
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Papal States, and a southern style in Naples and Sicily. With the unification of the Kingdom of Italy in the 1870s, the central Italian style was adopted over the Austrian or Sicilian as the official pan-Italian rudimental system.
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of 1588 is commonly cited as one of the first "rudimental" texts, though its actual use of notation is limited. French professional drummers became part of the king's honor guard in the 17th and 18th centuries. In 1754
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The earliest instance of rudimental fife and drum is often cited as the Swiss military at the battle of Sempach in 1386. There is evidence, however, that the Swiss were already using drums in battle in 1315 at the
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Alternate-handed strokes with no specific number of bounces. Sounds even and continuous. Also called a "buzz roll," "closed roll," or "press roll" (most often when referred to in the context of drum-set playing).
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The Rudiment needs to be symmetrical meaning that it may be played on the right or left. As an example; the rock beat cannot be a rudiment because the right-hand plays something completely different from the
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778:, to revise rudimental practices and combine the French and Basel systems with some of the modern American rudiments into a single Rudimental Codex of 42 rudiments. The Rudimental Codex has been submitted to
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when played open. Ruff can also refer to a single stroked set of grace notes preceding a regular note. In American playing the 3 Stroke Ruff has 2 single stroked grace notes before the primary or full note
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A diddle is a double stroke played at the current prevailing speed of the piece. For example, if a sixteenth-note passage is being played, then any diddles in that passage would consist of sixteenth notes.
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In 1984, the Percussive Arts Society added 14 more rudiments to extend the list to the current 40 International Snare Drum Rudiments. The ordering was completely changed during this last re-organization.
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Baldassarre, Antonio. âEnvisioned History or âHis Storyâ: Warfare, Musical Culture, and Imagination in the Lucerne Chronicle (1511â13) by Diebold Schilling the Younger.â Music in Art 41, no. 1â2 (2016):
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several European systems. Alternative names include Flat Flam, Unison, or Both and the technique is used in modern corps style snare drumming as well as drum kit and classical percussion applications.
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with the first note preceding the downbeat, which falls on the second note, in both types. Charge strokes can be combined with flams or drags to create complex grace note figures preceding a downbeat.
844:. When multiple paradiddles are played in succession, the first note always alternates between right and left. Therefore, a single paradiddle is often used to switch the "lead hand" in drumming music.
213:. Initially, Swiss rudiments were very influential to the French system, which in turn was the basis for many other rudimental systems. Switzerland produced two distinct rudimental cultures, the wider
2389:. The number of hybrid rudiments expanded rapidly starting in the 1990s. Today there are an indeterminate number, with more than 500 published and documented hybrid rudiments or unique variations.
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is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of
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German speaking regions of Europe, often referred to historically as Prussian, had developed their own unique rudimental system by the late 18th century, as evidenced by Wittwe's 1777 publication
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Rudimental drumming has something of a flexible definition, even within drumming societies devoted to that form of drumming. RudimentalDrumming.com defines it as "the study of coordination." The
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do not appear in the Standard 26) are foreign or not found in American military manuals prior to Strube. Only two of those eight non-traditional rudiments can be traced to a Swiss origin.
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Hazeltine, David. Instructor in Martial Music: Containing Rules and Directions for the Drum and Fife, with a Select Collection of Beats, Marches, Airs, &c. C. Norris and Company, 1810
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produced a manual in 1886 that would later be revised several times by the U.S. Army. Walter Smith also produced a manual in 1897 for the Army and Navy, though he was a bandleader in the
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American military and NARD repertoire to include Swiss rudiments as well as Hybrid rudiments that combined elements of multiple unrelated rudiments into new, more complex patterns.
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a meeting of drum corps and a signal from the standard camp duty, derives from the Dutch "Taptoe" Tamboers. Manuals go back at least as far as 1809 with the publication of
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Four notes played with alternating sticking, usually as a triplet followed by an eighth note (as in the picture) or as three grace notes before a downbeat (like a ruff)
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defines a drum rudiment as an excerpt from a military call with a definite rhythm, definite sticking, definite dynamic structure (accents), and a defined nomenclature.
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defines it as a particular method for learning the drumsâbeginning with rudiments, and gradually building up speed and complexity through practicing those rudiments.
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The second drag paradiddle is two accented notes followed by a paradiddle, with drag grace notes on the second accented note and the first note of the paradiddle.
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Many attempts at formalizing a standard list of American snare drum rudiments have been made. The first publication to formally organize American drumming was by
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published his influential distillation of Civil War practices in 1870. Between the Civil War and the 20th century, Fifes and Drums were phased out in favor of
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Several more manuals of note were printed between 1812 and 1860, including those by Charles Robbins (1812), Rumrille and Holton (1817), Alvan Robinson (1818),
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from 1901. The system was simplified and many embellishments removed in the 1930s. The system was again refined following WWII in 1945 and 1946. Now, only the
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Unlike most other double stroke rudiments, the six stroke roll begins with an accented single note. It is followed by two diddles and another accented note.
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which was one of the earliest military drum manuals to codify a specific national duty in legible drum notation. The craft was improved during the reign of
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committee led by Jay Wanamaker reorganized, and reinterpreted, the NARD 26 and added another 14 to form the current 40 International Snare Drum Rudiments.
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was published in 1946 and combined a selection of 34 rudiments and the classic French military calls with studies of common orchestral excerpts such as
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defines a rudiment as a short pattern of strokes, using John Pratt's logic that "the rudiments of drumming are strokes," in reference to the four basic
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in 1984 that also happened to include William F. Ludwig Jr., son of the founder of NARD in 1933. In contrast, there are 26 rudiments between the NARD
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was published around 1780 and was an influential book on both sides of the Atlantic. The British system was further refined for the 19th century by
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The Basler Trommeln rudiments, in contrast to the Swiss Ordonnanz Trommel, are much more widely known and practiced outside of Switzerland due to
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575:'s general military manual of 1861 also contained a small section on rudimental drumming, but in a very simplified form, as did Brigadier General
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Eagle, Michael. "Expanding the Vocabulary: The Scottish Rudiment Project." Percussive Arts Society International Convention Presentation, 2014.
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is a prominent organization from Basel Switzerland that utilizes traditional Basel rudimental drumming along with other rudimental influences.
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Two taps (a grace note followed by a full volume tap) played very close together in order to sound like one slightly longer note. In the
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continue the official military tradition actively, along with a few civilian groups. There are currently only about 14 Dutch rudiments.
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the 20th century. After the 1960s the drum parts in standard military music became simplified compared to their earlier incarnations.
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643:, that clearly echoes Smith and Safranek. The Marine Corps had a competing manual, essentially mirroring Sousa but updated in 1942,
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was published in 1815 and shows about nine basic rudiments. Several manuals are known from the late 1800s and early 1900s, such as
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French rudiments were influenced by the Swiss and then later contributed back to the specific Basel culture in a two-way exchange.
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A group of four notes and an ending downbeat, where the first note and the down beat are flammed, and the second note is accented
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Ordinanza di sua MaestĂĄ per gli Esercizj e le Evoluzioni delle Truppe di Fanteria. Vol 1. Napoli: Reale Epografia Militare, 1846.
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In Scottish pipe band snare drumming, a drag consists of a flam where the grace note is played as a "deadstick" (staccato note).
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and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum rudiments.
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Alternating diddles (offset by one sixteenth note) with a flam on the second note of each diddle. Also known as a "tap flam".
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Hannover â which was effectively part of the British Empire for a significant period and thus used British drumming idioms.
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Alternate-handed strokes with three specific strokes. Each stroke can be bounced or wristed. Also called a "French roll".
529:, also from 1778, which displayed 20 exercises that can be taken as rudiments as well as "drum beatings" such as the piece
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Later in the 20th century there were several notable variations and extensions of rudimental drumming from teachers like
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Widensky, Tommaso. Regolamento DâInstruzione per LâI.R. Infanteria di Linea e di Confine. Vienna: Leopoldo Sommer, 1851.
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British rudimental manuals with decipherable rudiments date back as far as 1634 with the publication of Thomas Fisher's
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Beginning in the early 1990s, rudimental instruction began to focus heavily on hybrid rudiments. Edward Freytag's 1993
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in the British military has a rudimental Corps of Drums except for Irish, Scottish, and Rifle Battalions which feature
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with an accent on the first note. The single flammed mill is the most common mill stroke variant in American playing.
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from 1885, followed closely and expanded upon by H. Broutin (1889), Théophile Dureau (1895), and E. Reveillé (1897).
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Steuben, Friedrich. Regulations for the Order and Discipline of the Troops of the United States. Pennsylvania, 1779.
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353:. Composed mostly of single strokes, the system is extremely simple with only around eight to ten named patterns.
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The first drag paradiddle is an accented note followed by a paradiddle with drag grace notes on the first note.
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which is one of only a few pre-20th century publications to feature the 17 stroke roll. In modern times, every
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Ashworth, Charles Stewart. A New Useful and Complete System of Drum Beating. trans. George P. Carroll, 1974.
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A lesson 25 is three alternating notes where the first note has drag grace notes and the third is accented
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for official signals, though military music continued to be taught and practiced for ceremonial purposes.
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Regolamento di Esercizii di Evoluzioni per La Guardia Nazionale. Roma: Tipograffa Fratelli Pallota, 1869.
2328:: contributor to the PAS 40 rudiments, instructor and arranger, Santa Clara Vanguard Drum and Bugle Corps
2268:: author and teacher, contributor to the selection of the standard 26 rudiments, former president of NARD
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http://www.batterie-fanfare.fr/wp-content/uploads/2013/08/Programme-de-formation-instr-Cadres-BF-Mag.pdf
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both feature significant hybrid rudiment instruction. This trend continued into the 21st century with
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Hybrid rudiments have been historically associated with modern marching band repertoire, especially
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put a list in his 1925 book, which is one of the few books here intended for civilian drummers. The
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Hessler, Claus. "Rudimental Codex PrÀsentation". Percussion Creativ. Freiburg, Germany (2018). PDF.
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hybrid drumming). Other organized rudimental systems include the French, Dutch, German (Prussian),
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533:. This was followed by Ben Clark's manual on military drumming in 1797 and David Hazeltine's book
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At least 5 French military manuals appeared between 1870 and 1900, beginning with FĂ©lix Carnaud's
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Brensilver, David A. "History of the Snare Drum: Eight Centuries of Innovation & Ingenuity."
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advocated for a return to the "ancient" traditions of military drumming technique and rudiments.
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which shows at least 4 ruff-based rudiments. A more thorough manual appeared in 1760, Spencer's
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https://bateriaipercussiovalls.files.wordpress.com/2014/08/rudimental-ritual-by-alan-dawson.pdf
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The Military Drummer: A Manual on Drum Playing as Practiced in the United States Army and Navy
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Seven notes played with alternating sticking, usually as sextuplet followed by a quarter note
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are considered a double stroke roll. Played so each individual note can be heard distinctly.
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Two alternating notes where the first note has drag grace notes and the second is accented
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Like the single-stroke roll, usually played fast, but even when played slowly, alternating
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The Thirteen Essential Rudiments & The Thirteen Rudiments to Complete the Standard 26.
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Vorschriften fĂŒr den Unterricht in den WaffenbĂŒngen der Königlich-Baierischen Infanterie
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Farmer, Henry George. "Scots Duty: The Old Drum and Fife Calls of Scottish Regiments."
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Evenly-spaced notes played with alternating sticking. Though usually played fast, even
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plays a prominent role. In this context "rudiment" means not only "basic", but also
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was the first person to actually label short drum exercises as "Rudiments" in 1812.
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873:, in which case the spacing between the notes can be interpreted by the player. On
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significantly focusing on hybrid corps-style rudiments as well as older standards.
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Exercier-Reglement fĂŒr die Infanterie der Koniglich-Hannoverschen ArmĂ©e, Volume 4
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In the 21st century there are four principal rudimental drumming cultures: Swiss
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Using a metronome with a practice pad is a common way to practice drum rudiments.
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The Rudiment cannot be too long as to where it extends beyond one measure (bar).
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Four notes where the first note has drag grace notes and the fourth is accented
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Howeâs United States Regulation Drum and Fife Instructor for the Army and Navy.
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A paradiddle consists of two single strokes followed by a double stroke, i.e.,
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A double stroke consists of two single strokes played by the same hand (either
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571:(1862), Simpson and Canterbury (1862), William Nevins (1864). Adjutant-General
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https://www.percussion-creativ.de/uploads/download/file/80/dp_Poster_4_18.pdf
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Historically, 2 grace notes preceding a beat were known as a Ruff (or Rough)
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https://www.olsfederatie.com/sites/default/files/bundel%20tamboer%20B2.2.pdf
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A paradiddle with a flam on the first note. Also known as a "flamadiddle".
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796:
704:
628:, an organization established to promote rudimental drumming that included
345:
Spain used its own rudimental system, documented as far back as 1761, with
192:
in close formation required a great deal of coordination. The sound of the
4253:
2949:
2456:
2369:
There are certain characteristics that make a reasonable hybrid rudiment;
1365:
974:
are various techniques employed to produce a sustained, continuous sound.
597:. In 1912, just 42 years after Strube's Lessons, Harry Bower, in his book
4448:
4367:
4268:
4157:
4122:
2241:: champion drummer, contributor to the 26 rudiments, former president of
1699:
1382:
1144:
800:
728:
696:
663:
576:
509:
505:
393:
165:
4299:
3586:
3498:
1924:
1775:
1348:
1104:
4458:
4283:
4223:
4173:
2847:
Over Het Tromslaan â Met Marschen En Andere Muziekstukken Voor Den Trom
1954:
1939:
1793:
1577:
1514:
1497:
1480:
1446:
1162:
1070:
1049:
870:
564:
399:
Over Het Tromslaan â Met Marschen En Andere Muziekstukken Voor Den Trom
291:
287:
177:
129:
3477:"About Drum Corps International (DCI), Marching Music's Major Leagueâą"
2527:
2258:: contributor to the selection of the standard 26 rudiments, owner of
1999:
1984:
1969:
1314:
1297:
4620:
4433:
4357:
4273:
4153:
2197:
2027:
1894:
1879:
1682:
1331:
1246:
1058:
971:
852:
A mill stroke is essentially a reversed paradiddle with the sticking
732:
568:
483:
479:
3620:
Rudimental Grand Tour - Drumming Across 22 International Traditions.
2644:
Manuel GĂ©nĂ©ral de Musique Militaire a LâUsage des ArmĂ©es Françaises.
1732:
Alternating paradiddle-diddles with flams on the first note of each
1263:
1061:
with alternating sticking would be considered a single stroke roll.
218:
71:. Statements consisting only of original research should be removed.
3409:"Moeller Method | History Of The Moeller Stroke And Technique"
921:
A flam consists of two single strokes played by alternating hands (
770:
There is a movement in the German-speaking areas of Europe, led by
300:
Manuel GĂ©nĂ©ral de Musique Militaire a LâUsage des ArmĂ©es Françaises
4263:
3975:
The Drum Rudiment Bible: 500 Rudiments from Beginner to Advanced.
1741:
1631:
874:
639:
During World War II, the War Department used a manual from 1940,
185:
3370:
The Harry A. Bower System for Drums Bells Xylophone and Tympani.
2310:: contributor to the PAS 40 rudiments, instructor and arranger,
1870:
Two diddled grace notes before a tap, which is usually accented
1656:
Alternating diddles with flams on the first note of each diddle
599:
The Harry A. Bower System for Drums Bells Xylophone and Tympani,
4188:
3941:
Encyclopedia Rudimentia: The Ultimate Drum Rudiment Collection.
1909:
1810:
1021:
The single-stroke roll consists of alternating sticking (i.e.,
779:
609:
published a manual in 1916 (based on Smith's 1897 work), while
226:
2887:âPioneer Drummer.â Moscow: National Pioneer Association, 2015.
1665:
1648:
4020:"The Drum Rudiment Bible: 500 Rudiments Beginner to Advanced"
3338:
3336:
586:
450:. British military drumming had already been exported to the
401:
which indicates some basic rolls and a few military signals.
197:
3455:, Second Revision. Washington D.C.: U.S. Marine Corps, 1942.
4117:
3193:
The Manual of Instruction for Drummers, on an Improved Plan
2019:
1766:
A four-note pattern with flams on the first and last notes
500:
112:
3633:"International Association of Traditional Drummers â Home"
3632:
3333:
3018:
Royal Scottish Pipe Band Association Tutor Volumes 1 and 2
2646:
Paris: Firmin Didot FrĂ©res de lâInstitute de France, 1848.
2579:
MĂ©thode baloise de tambour = Instructor for Basle-drumming
2288:
The 26 Standard American Drum Rudiments and Selected Solos
1864:
1606:
1198:
There are 10 official variants of the double-stroke roll.
909:
and a 4 Stroke Ruff has 3 singles before the primary note
403:
Marsen en Signalen voor de Koninklijke Nederlandsche Armee
294:
is one of the cornerstones of modern rudimental drumming.
3383:
Complete Instructive Manual for Bugle, Trumpet, and Drum.
2835:
http://www.henkbruggeman.nl/Boeken/Garnizoen/Garn%209.pdf
2334:: author, contributor to the PAS 40 rudiments, president
1900:
A single drag tap with another grace note drag before it
1522:
Two alternating taps followed by two alternating diddles
2968:
Drum and Flute Duty for the Infantry Branch of the Army.
3180:
The Drummers Assistant or the Art of Drumming Made Easy
476:
Drum and Flute Duty for the Infantry Branch of the Army
2950:"Henry Potter & Co. (Drums) Ltd | Since 1810"
508:. They continued to be an active part of battle until
3245:
H.C. Hart's New and Improved Instructor for the Drum.
2824:
https://www.marinensmusikkar.se/revelj/Reveljen42.pdf
3099:"Examples of Snare Drum Notation, Part 1: 1589â1797"
1193:
979:
877:, drags are often played with alternating sticking (
4118:
Motion Capture Analysis of Snare Drumming Technique
4091:"Drumline Chops â Improve Your Rudimental Drumming"
3732:
3111:
Clark, Benjamin. Ben Clark Drum Book. Boston, 1797.
3007:
Journal of the Society for Army Historical Research
2871:"Rudiments in Russia | RudimentalDrumming.com"
2618:"Basler Pfyffersyte - Repertoire vo de Clique 2005"
2543:
2541:
2016:(NARD Standard 26 American Drum Rudiments of 1933)
4108:13 essential rudiments rundown sheet from N.A.R.D.
3882:National Association of Rudimental Drummers, 1933.
3122:"Examples of Snare Drum Notation, Part 2: 1809â20"
3286:A Concise System of Instructions and Regulations.
3256:
2366:the form of extra notes or a rudimental pattern.
2319:: composer, clinician, former president of NARD,
2280:: author and teacher, promoter of Swiss rudiments
1118:
486:and their associated style of Scottish drumming.
411:Voorschrift voor den seargent of korporaaltamboer
4653:
2538:
3841:"A Ruff Death, (1634â2008, Requiescat in pace)"
3453:Manual for Field Musics: U.S. Marine Corps 1935
2697:MĂ©thode de Tambour et Caisse Claire d'Orchestre
1835:Alternating groups of three notes of the form
1715:) with a flam on the first note of each diddle
1639:Alternating groups of three notes of the form
1182:Example of the drum rudiment triple stroke roll
1090:Example of the drum rudiment single stroke four
327:MĂ©thode de Tambour et Caisse Claire d'Orchestre
3895:Pearl Drums and Eagle Artist Management, 2014.
3079:Pearl Drums and Eagle Artist Management, 2014.
2610:
2286:: teacher known for his official recording of
1466:Example of the drum rudiment single paradiddle
4315:
4138:
4077:"The Importance Of Learning Hybrid Rudiments"
3603:. Sociedad de la Entrada, 2006. PDF version.
3154:The Drummerâs Instructor or Martial Musician.
1418:"Diddle" redirects here. For other uses, see
551:A number of manuals next appeared during the
3691:"Percussion Creativ e.V. â Rudimental Codex"
3312:: CS1 maint: multiple names: authors list (
2070:
2005:A single ratamacue with two drags before it
1930:A paradiddle where the first note is a drag
1488:Four alternating notes followed by a diddle
1339:Four diddles followed by two accented notes
1283:Example of the drum rudiment six stroke roll
1004:sheet, and 42 rudiments on the French/Swiss
559:(1861), Keach, Burditt, and Cassidy (1861),
4575:National Association of Rudimental Drummers
4113:16 single stroke roll exercises incl. video
4036:
4017:
3273:Army Regulations for Drum, Fife, and Bugle.
2898:Warlike Directions or the Soldiers Practice
1505:Six alternating notes followed by a diddle
1471:Two alternating notes followed by a diddle
1407:Eight diddles followed by an accented note
1390:Seven diddles followed by an accented note
1305:Three diddles followed by an accented note
1025:, etc.) of indeterminate speed and length.
666:, whose "Rudimental Ritual" was popular at
645:Manual for Drummers, Trumpeters, and Fifers
626:National Association of Rudimental Drummers
444:Warlike Directions or the Soldiers Practice
136:. This tradition of drumming originates in
4322:
4308:
4152:
4145:
4131:
3919:Swiss Army Triplet Example on VicFirth.com
3440:Technical Manual â Field Music: TM 20â250.
3330:New York: D. Appleton & Company, 1870.
3029:"RSPBA â The Heart of the Pipe Band World"
2118:
2011:
1356:Five diddles followed by an accented note
1322:Four diddles followed by an accented note
1016:
4329:
4039:"The History of the Snare Drum Rudiments"
3614:
3612:
3497:. Percussive Arts Society. Archived from
3156:Albany: Packard and Van Benthuyeer, 1817.
3059:"Pipe Band Drumming | The Rudiments"
3009:Vol. 24, No. 98 (Summer, 1946), pp. 65â70
2670:Methode de Tambour. Paris: Tilliard, 1885
2345:Santa Clara Vanguard Drum and Bugle Corps
2302:Hawthorne Caballeros Drum and Bugle Corps
1990:A single ratamacue with a drag before it
1373:Six diddles followed by an accented note
1254:Two diddles followed by an accented note
87:Learn how and when to remove this message
3951:
3949:
3605:http://entrada1598.com/mdia/RF&D.pdf
3584:
3257:Simpson, Henry; Canterbury, Ira (1862).
3167:Massachusetts Collection: Martial Musick
2981:"Corps of Drums History â Drummers Call"
1816:
1784:only involve two taps on the same hand.
1747:
1452:
1269:
1168:
1076:
100:
3784:
3247:New York: William Hall & Son, 1862.
3234:New York: Firth, Pond, & Co., 1862.
2737:Borges: Radio Nacional de Espana, 1937.
2560:
2558:
2173:
1761:Example of the drum rudiment pataflafla
751:, Bavarian, Austro-Hungarian, Italian,
458:in the 1770s. The anonymously authored
14:
4654:
3728:
3726:
3724:
3722:
3720:
3718:
3716:
3714:
3712:
3609:
3442:Washington D.C.: War Department, 1940.
3357:Instructions for the Trumpet and Drum.
3182:. Philadelphia: Bacon & Co., 1819.
2685:. Paris: Imprimerie Générale Durdilly.
1830:Example of the drum rudiment flam drag
795:A stroke performs a single percussive
782:as an intangible World Heritage Site.
641:TM 20â250 Field Music Technical Manual
548:(1819), and George Klinehanse (1853).
4303:
4126:
3946:
3297:
3288:Philadelphia: Charles Desilver, 1861.
2680:
2605:LâInstruction pour les Tambours 1754.
2566:Das Basler Trommeln, Werden und Wesen
2356:, contributor to the Rudimental Codex
2312:Phantom Regiment Drum and Bugle Corps
1234:
472:Authorised Sergeant Drummers' Manual.
242:Das Basler Trommeln, Werden und Wesen
4585:Royal Scottish Pipe Band Association
4037:Agostinelli, D. Mark (7 July 2019).
4018:Agostinelli, D. Mark (4 June 2019).
3907:. Germany: Percussion Creativ, 2018.
3774:"How to Play Grace Notes on Timpani"
2814:. Hanover (Electorate): Armée, 1840.
2555:
2300:, Interstatesmen, Gray Knights, and
2296:: author, instructor, and arranger,
36:
3709:
3221:Boston: Oliver Ditson and Co., 1861
3195:. Washington D.C.: U.S. Army, 1853.
2360:
1413:
739:, and American modern drumming (or
24:
3230:Bruce, Geo. B. and Emmett, Dan D.
3217:Keach, Burditt, and Cassidy, Eds.
3169:. Massachusetts: F. Goodale, 1818.
2775:Kurze Anweisung zum Trommel-Spiel.
2481:Germany: Alfred Music, 2017. Pg 7.
2321:The Cavaliers Drum and Bugle Corps
1535:
474:In 1887, the War Office published
25:
4678:
4662:Percussion performance techniques
4101:
3298:Casey, Silas, Brig.-Gen. (1862).
2710:"MĂ©thode de Tambour d'ordonnance"
2699:. Paris: Editions Salabert, 1946.
2592:Orchesographie, Metode et Teorie.
2262:Company, former president of NARD
1841:
1528:
1194:Double stroke open roll rudiments
1011:
980:Percussive Arts Society rudiments
900:if played closed and a Half Drag
527:A Revolutionary War Drummers Book
372:Kurze Anweisung zum Trommel-Spiel
140:and it is a central component of
4083:
4069:
4056:
4030:
4011:
3993:
3980:
3967:
3933:
3910:
3898:
3885:
3873:
3427:"A Brief Note on Drum Rudiments"
3232:The Drummers' and Fifers' Guide.
2788:Pauken and Kleine Trommel Schule
1998:
1983:
1968:
1953:
1938:
1923:
1908:
1893:
1878:
1863:
1809:
1792:
1774:
1740:
1723:
1698:
1681:
1664:
1647:
1630:
1605:
1576:Problems playing this file? See
1551:
1513:
1496:
1479:
1445:
1398:
1381:
1364:
1347:
1330:
1313:
1296:
1262:
1245:
1224:
1161:
1143:
1103:
1069:
1048:
932:
806:
790:
419:Tamboers- and Hoornblazersschool
415:Tamboers- and Hoornblazersschool
180:rudiments can be traced back to
41:
3860:
3855:Le Tambour Technique Superieure
3847:
3833:
3819:
3810:
3766:
3753:
3683:
3665:
3656:
3643:
3625:
3593:
3578:
3565:
3552:
3539:
3526:
3513:
3487:
3469:
3458:
3445:
3433:
3419:
3401:
3398:. New York: Carl Fischer, 1918.
3388:
3375:
3362:
3349:
3346:. New York: Hudson Music, 2019.
3320:
3291:
3278:
3275:Chicago: Root & Cady, 1864.
3265:
3250:
3237:
3224:
3211:
3198:
3185:
3172:
3159:
3152:Rumrille, J. L. and Holton, H.
3146:
3137:
3128:
3114:
3105:
3091:
3082:
3069:
3051:
3021:
3012:
2999:
2973:
2960:
2942:
2929:
2926:Longman and Broderip, ca. 1780.
2916:
2903:
2890:
2881:
2863:
2852:
2839:
2828:
2817:
2805:
2793:
2780:
2767:
2758:
2749:
2740:
2727:
2716:
2702:
2689:
2674:
2662:
2649:
2636:
2597:
2584:
2571:
2223:69th New York Infantry Regiment
2215:22nd New York Infantry Regiment
2184:United States Marine Corps Band
4636:Drum and bugle corps (classic)
3857:. Paris: Alphonse Leduc, 1987.
3651:Instructor for Basle Drumming.
3601:Renaissance Fife and Drum Book
2773:Wittwe, Georg Ludwig Winters.
2568:. Basel; Trommel Verlag, 1928.
2520:
2510:
2497:
2484:
2471:
2445:
2415:
2219:5th Maryland Infantry Regiment
2020:Thirteen "essential" rudiments
1890:Double drag tap (double drag)
1875:Single drag tap (single drag)
1119:Multiple bounce roll rudiments
957:
847:
785:
722:
392:The military tradition of the
284:Instruction pour les Tambours,
13:
1:
4641:Drum and bugle corps (modern)
3990:. Row-Loff Productions, 1995.
3943:New York: Hudson Music, 2019.
3585:Eastwood, Hank (2 May 2014).
3385:New York: Carl Fischer, 1916.
3372:New York: Carl Fischer, 1912.
2939:. London: Henry Potter, 1817.
2581:. Basel: Trommelverlag, 1964.
2408:
2193:Band of the Coldstream Guards
831:
660:Modern Rudimental Swing Solos
522:Friedrich Wilhelm von Steuben
246:Instructor for Basle Drumming
147:
4001:"Flag Drag â DRUM RUDIMENTS"
3893:Scottish Drumming Rudiments.
3653:Basel: Trommel Verlag, 1964.
3219:The Army Drum and Fife Book.
2494:. Hudson Music, 2019. Pg 2."
2247:New Haven Symphony Orchestra
2150:The single paradiddle-diddle
2050:The drag (half drag or ruff)
1000:sheets, 46 rudiments on the
290:. The French dance known as
7:
4064:Encyclopedia of Percussion.
3622:Mel Bay Publications, 2023.
3359:Boston: Carl Fischer, 1897.
2937:The Art of Beating the Drum
2790:. Berlin: Hinrichsen, 1951.
2396:
2343:: instructor and arranger,
1002:Scottish Drumming Rudiments
984:Rudiments according to the
579:âs tactics manual of 1862.
535:Instructor in Martial Music
515:
489:
468:The Art of Beating the Drum
229:, and the Basel version or
67:the claims made and adding
30:For musical rudiments, see
10:
4683:
4631:Indoor percussion ensemble
4565:Winter Guard International
3413:www.rockdrummingsystem.com
2875:www.rudimentaldrumming.com
2549:"Swiss and Basel Drumming"
2290:, former president of NARD
2107:The flam paradiddle-diddle
1905:Lesson 25 (two and three)
1620:Great Hands For a Lifetime
1417:
691:and Dennis Delucia's 1995
613:released another in 1918.
437:
428:
378:
356:
340:
252:in the 1930s. His student
171:
29:
4593:
4552:
4396:
4340:
4164:
3929:Accessed 8 November 2007.
3870:Hudson Music, 2019. pg 4.
3778:freepercussionlessons.com
3763:. Hug Musikverlage, 1972.
3733:Percussive Arts Society.
3677:26 September 2019 at the
3328:Drum and Fife Instructor.
3208:Boston: Elias Howe, 1861.
2924:Young Drummers Assistant.
2911:The Drummer's Instructor.
2231:: drum major and author,
2209:: drum major and author,
2200:: drum major and author,
2191:: drum major and author,
2182:: drum major and author,
2144:The seventeen stroke roll
2104:The drag paradiddle No. 2
2101:The drag paradiddle No. 1
2071:Second thirteen rudiments
1860:Drag (half drag or ruff)
1221:(open roll or long roll)
822:
801:four basic single strokes
365:
325:in 1901. Robert Tourte's
280:Joseph-Henri de Bombelles
264:
4560:Drum Corps International
4409:Charles Stewart Ashworth
4043:www.thedrumrudiments.com
3868:Encyclopedia Rudimentia.
3573:Encyclopedia Rudimentia.
3261:. Boston: Oliver Ditson.
3259:Union Drum and Fife Book
2970:Harrison and Sons, 1887.
2387:Drum Corps International
2180:Charles Stewart Ashworth
2135:The multiple bounce roll
2089:The thirteen stroke roll
1707:An inverted paradiddle (
998:13 Rudiments to Complete
674:Drum Corps International
668:Berklee College of Music
539:Charles Stewart Ashworth
460:Young Drummers Assistant
448:The Drummer's Instructor
387:
310:from 1870 and N. Pita's
203:
4570:Percussive Arts Society
3988:The Rudimental Cookbook
3939:Bloom, Ryan Alexander.
3866:Bloom, Ryan Alexander.
3618:Bloom, Ryan Alexander.
3571:Bloom, Ryan Alexander.
3344:Encyclopedia Rudimentia
3342:Bloom, Ryan Alexander.
3077:The Scottish Rudiments.
2492:Encyclopedia Rudimentia
2490:Bloom, Ryan Alexander.
2153:The single flammed mill
2132:The single stroke seven
2119:Last fourteen rudiments
2092:The fifteen stroke roll
2026:The double stroke open
2012:Historical organization
1720:Flam paradiddle-diddle
1567:United States Navy Band
1420:Diddle (disambiguation)
1017:Single stroke rudiments
986:Percussive Arts Society
966:
916:
891:
863:
717:Encyclopedia Rudimentia
682:Percussive Arts Society
331:Nikolai Rimsky-Korsakov
215:Swiss Ordonnanz Trommel
162:Encyclopedia Rudimentia
154:Percussive Arts Society
3973:Agostinelli, D. Mark.
3957:"507 Hybrid Rudiments"
3243:Hart, H. C., Colonel.
3191:Klinehanse, George D.
2427:rudimentaldrumming.com
2235:, 12th Regiment NGSNY.
2202:71st New York Infantry
2168:The single dragadiddle
2159:The Swiss Army triplet
2138:The triple stroke roll
2129:The single stroke four
2086:The eleven stroke roll
2077:The single stroke roll
1950:Drag paradiddle No. 2
1935:Drag paradiddle No. 1
1831:
1762:
1540:
1467:
1395:Seventeen stroke roll
1284:
1183:
1091:
733:Scottish pipe drumming
634:William F. Ludwig, Sr.
466:in 1817 with his book
106:
4524:George Lawrence Stone
4194:Double- and half-time
3977:Self Published, 2010.
3925:31 March 2008 at the
3827:"Rudimental Articles"
3792:"Too Many Rudiments?"
3534:Percussion Discussion
2954:www.henrypotter.co.uk
2681:Kling, Henri (1901).
2607:Theatrum Belli, 2013.
2423:"Rudimental Drumming"
2304:, and founder of IATD
2266:George Lawrence Stone
2162:The inverted flam tap
2147:The triple paradiddle
2098:The single paradiddle
2059:The double paradiddle
2035:The seven stroke roll
1829:
1760:
1539:
1465:
1361:Thirteen stroke roll
1282:
1181:
1140:Multiple bounce roll
1089:
693:Percussion Discussion
630:George Lawrence Stone
555:, including those by
317:In the 20th century,
259:Top Secret Drum Corps
248:, and travels to the
104:
4424:George Barrett Bruce
4079:. 13 September 2016.
4024:Thedrumrudiments.com
3521:Rudimental Cookbook.
3451:Sousa, John Philip.
3326:Strube, Gardiner A.
2987:on 21 September 2019
2274:: author and teacher
2211:7th New York Militia
2207:George Barrett Bruce
2174:Notable contributors
2113:The double ratamacue
2080:The nine stroke roll
2065:The triple ratamacue
2062:The single ratamacue
2032:The five stroke roll
1695:Single flammed mill
1378:Fifteen stroke roll
1100:Single stroke seven
656:All-American Drummer
605:During World War I,
333:'s Scheherezade and
196:was used to set the
4611:Fife and drum corps
4606:Marching percussion
4244:Percussion notation
3917:Vic Firth Home page
3761:Das Basler Trommeln
3575:Hudson Music, 2019.
3547:Rudimental Remedies
3063:pipebanddrummer.com
2624:on 18 February 2012
2603:Bouzzard, Thierry.
2507:September 10, 2015.
2459:on 26 November 2013
2141:The six stroke roll
2083:The ten stroke roll
2056:The double drag tap
2053:The single drag tap
2044:The flam paradiddle
1920:Single dragadiddle
1771:Swiss Army triplet
1344:Eleven stroke roll
1158:Triple stroke roll
1066:Single stroke four
1045:Single stroke roll
701:Rudimental Remedies
689:Rudimental Cookbook
456:American Revolution
454:by the time of the
323:MĂ©thode de Tambour
211:Battle of Morgarten
4580:Percussion Creativ
4534:Gardiner A. Strube
4529:Edward B. Straight
4494:Sanford A. Moeller
4383:Open, closed, open
3798:on 2 February 2009
3735:"Rudiments Online"
3697:on 6 February 2020
3429:. 20 January 2009.
3039:on 3 November 2019
2849:. Amsterdam, 1809.
2683:Methode de Tambour
2642:Kastner, Georges.
2551:. 5 February 2015.
2433:on 18 January 2020
2354:Percussion Creativ
2336:Roland Corporation
2229:Gardiner A. Strube
1832:
1789:Inverted flam tap
1763:
1547:Four flams (drums)
1541:
1510:Paradiddle-diddle
1493:Triple paradiddle
1476:Double paradiddle
1468:
1442:Single paradiddle
1293:Seven stroke roll
1285:
1184:
1092:
776:Percussion Creativ
583:Gardiner A. Strube
553:American Civil War
480:infantry battalion
347:Manuel de Espinosa
312:Methode de Tambour
107:
52:possibly contains
32:rudiments of music
4649:
4648:
4484:William F. Ludwig
4297:
4296:
4005:drumrudiments.com
3986:Freytag, Edward.
3891:Eagle, Miachael.
3562:. Row-Loff, 2010.
3549:. Row-Loff, 2010.
3536:. Row-Loff, 1995.
3532:Delucia, Dennis.
3519:Freytag, Edward.
3394:Gardner, Carl E.
3302:. D Van Nostrand.
3271:Nevins, William.
3165:Robinson, Alvan.
2802:. Lindauer, 1822.
2735:Toques de Guerra.
2657:Ecole du Tambour.
2590:Arbeau, Thoinot.
2577:Berger, Fritz R.
2479:Camp Duty Update.
2256:William F. Ludwig
2251:Governor's Guards
2009:
2008:
1995:Triple ratamacue
1980:Double ratamacue
1965:Single ratamacue
1839:
1838:
1827:
1758:
1556:
1526:
1525:
1463:
1411:
1410:
1310:Nine stroke roll
1280:
1242:Five stroke roll
1191:
1190:
1179:
1116:
1115:
1087:
735:, Anglo-American
591:John Philip Sousa
497:Highland bagpipes
452:American Colonies
240:'s publications,
182:Swiss mercenaries
138:military drumming
97:
96:
89:
54:original research
16:(Redirected from
4674:
4544:Charles Wilcoxon
4324:
4317:
4310:
4301:
4300:
4147:
4140:
4133:
4124:
4123:
4095:
4094:
4087:
4081:
4080:
4073:
4067:
4066:Routledge, 2013.
4060:
4054:
4053:
4051:
4049:
4034:
4028:
4027:
4015:
4009:
4008:
3997:
3991:
3984:
3978:
3971:
3965:
3964:
3953:
3944:
3937:
3931:
3914:
3908:
3905:Rudimental Codex
3902:
3896:
3889:
3883:
3877:
3871:
3864:
3858:
3851:
3845:
3844:
3837:
3831:
3830:
3829:. 7 August 2019.
3823:
3817:
3814:
3808:
3807:
3805:
3803:
3794:. Archived from
3788:
3782:
3781:
3770:
3764:
3757:
3751:
3750:
3748:
3746:
3737:. Archived from
3730:
3707:
3706:
3704:
3702:
3693:. Archived from
3687:
3681:
3669:
3663:
3660:
3654:
3647:
3641:
3640:
3629:
3623:
3616:
3607:
3597:
3591:
3590:
3582:
3576:
3569:
3563:
3560:Rudimental Logic
3556:
3550:
3543:
3537:
3530:
3524:
3517:
3511:
3510:
3508:
3506:
3491:
3485:
3484:
3473:
3467:
3462:
3456:
3449:
3443:
3437:
3431:
3430:
3423:
3417:
3416:
3405:
3399:
3392:
3386:
3381:Safranek, V. F.
3379:
3373:
3368:Bower, Henry A.
3366:
3360:
3353:
3347:
3340:
3331:
3324:
3318:
3317:
3311:
3303:
3300:Infantry Tactics
3295:
3289:
3284:Cooper, Samuel.
3282:
3276:
3269:
3263:
3262:
3254:
3248:
3241:
3235:
3228:
3222:
3215:
3209:
3202:
3196:
3189:
3183:
3178:Lovering, Levi.
3176:
3170:
3163:
3157:
3150:
3144:
3141:
3135:
3132:
3126:
3125:
3118:
3112:
3109:
3103:
3102:
3095:
3089:
3086:
3080:
3075:Eagle, Michael.
3073:
3067:
3066:
3055:
3049:
3048:
3046:
3044:
3035:. Archived from
3025:
3019:
3016:
3010:
3003:
2997:
2996:
2994:
2992:
2983:. Archived from
2977:
2971:
2964:
2958:
2957:
2946:
2940:
2933:
2927:
2920:
2914:
2907:
2901:
2900:. England, 1634.
2896:Fisher, Thomas.
2894:
2888:
2885:
2879:
2878:
2867:
2861:
2856:
2850:
2843:
2837:
2832:
2826:
2821:
2815:
2809:
2803:
2797:
2791:
2784:
2778:
2771:
2765:
2762:
2756:
2753:
2747:
2744:
2738:
2731:
2725:
2720:
2714:
2713:
2706:
2700:
2695:Tourte, Robert.
2693:
2687:
2686:
2678:
2672:
2666:
2660:
2655:Carnaud, Felix.
2653:
2647:
2640:
2634:
2633:
2631:
2629:
2620:. Archived from
2614:
2608:
2601:
2595:
2588:
2582:
2575:
2569:
2564:Berger, Fitz R.
2562:
2553:
2552:
2545:
2536:
2535:
2524:
2518:
2514:
2508:
2501:
2495:
2488:
2482:
2477:Hessler, Claus.
2475:
2469:
2468:
2466:
2464:
2455:. Archived from
2449:
2443:
2442:
2440:
2438:
2429:. Archived from
2419:
2361:Hybrid rudiments
2272:Charley Wilcoxon
2233:Duryeé's Zouaves
2002:
1987:
1972:
1957:
1942:
1927:
1912:
1897:
1882:
1867:
1846:
1845:
1828:
1813:
1796:
1778:
1759:
1744:
1727:
1714:
1710:
1702:
1685:
1668:
1651:
1634:
1609:
1585:
1584:
1558:
1557:
1538:
1517:
1500:
1483:
1464:
1449:
1425:
1424:
1414:Diddle rudiments
1402:
1385:
1368:
1351:
1334:
1327:Ten stroke roll
1317:
1300:
1281:
1266:
1259:Six stroke roll
1249:
1228:
1201:
1200:
1180:
1165:
1147:
1123:
1122:
1107:
1088:
1073:
1052:
1028:
1027:
1006:Rudimental Codex
737:ancient drumming
709:Rudimental Logic
652:Charles Wilcoxon
351:Toques de Guerra
308:Ăcole du Tambour
184:armed with long
158:Camp Duty Update
118:percussion music
92:
85:
81:
78:
72:
69:inline citations
45:
44:
37:
21:
4682:
4681:
4677:
4676:
4675:
4673:
4672:
4671:
4652:
4651:
4650:
4645:
4589:
4548:
4489:Mitch Markovich
4404:Frank Arsenault
4392:
4348:Snare technique
4336:
4328:
4298:
4293:
4279:Rosanna shuffle
4160:
4151:
4104:
4099:
4098:
4089:
4088:
4084:
4075:
4074:
4070:
4061:
4057:
4047:
4045:
4035:
4031:
4016:
4012:
3999:
3998:
3994:
3985:
3981:
3972:
3968:
3955:
3954:
3947:
3938:
3934:
3927:Wayback Machine
3915:
3911:
3903:
3899:
3890:
3886:
3878:
3874:
3865:
3861:
3852:
3848:
3843:. 26 June 2014.
3839:
3838:
3834:
3825:
3824:
3820:
3815:
3811:
3801:
3799:
3790:
3789:
3785:
3772:
3771:
3767:
3759:Berger, Fritz.
3758:
3754:
3744:
3742:
3741:on 18 July 2011
3731:
3710:
3700:
3698:
3689:
3688:
3684:
3679:Wayback Machine
3670:
3666:
3661:
3657:
3649:Berger, Fritz.
3648:
3644:
3637:iatdrummers.com
3631:
3630:
3626:
3617:
3610:
3599:Poulin, David.
3598:
3594:
3583:
3579:
3570:
3566:
3558:Bachman, Bill.
3557:
3553:
3544:
3540:
3531:
3527:
3523:Row-Loff, 1993.
3518:
3514:
3504:
3502:
3493:
3492:
3488:
3475:
3474:
3470:
3463:
3459:
3450:
3446:
3438:
3434:
3425:
3424:
3420:
3407:
3406:
3402:
3393:
3389:
3380:
3376:
3367:
3363:
3355:Smith, Walter.
3354:
3350:
3341:
3334:
3325:
3321:
3305:
3304:
3296:
3292:
3283:
3279:
3270:
3266:
3255:
3251:
3242:
3238:
3229:
3225:
3216:
3212:
3203:
3199:
3190:
3186:
3177:
3173:
3164:
3160:
3151:
3147:
3142:
3138:
3133:
3129:
3124:. 26 June 2010.
3120:
3119:
3115:
3110:
3106:
3101:. 26 June 2010.
3097:
3096:
3092:
3087:
3083:
3074:
3070:
3057:
3056:
3052:
3042:
3040:
3027:
3026:
3022:
3017:
3013:
3004:
3000:
2990:
2988:
2979:
2978:
2974:
2965:
2961:
2948:
2947:
2943:
2935:Potter, Samuel.
2934:
2930:
2921:
2917:
2908:
2904:
2895:
2891:
2886:
2882:
2869:
2868:
2864:
2857:
2853:
2844:
2840:
2833:
2829:
2822:
2818:
2810:
2806:
2798:
2794:
2785:
2781:
2772:
2768:
2763:
2759:
2754:
2750:
2745:
2741:
2732:
2728:
2721:
2717:
2708:
2707:
2703:
2694:
2690:
2679:
2675:
2667:
2663:
2654:
2650:
2641:
2637:
2627:
2625:
2616:
2615:
2611:
2602:
2598:
2589:
2585:
2576:
2572:
2563:
2556:
2547:
2546:
2539:
2528:"Jungtambouren"
2526:
2525:
2521:
2515:
2511:
2502:
2498:
2489:
2485:
2476:
2472:
2462:
2460:
2451:
2450:
2446:
2436:
2434:
2421:
2420:
2416:
2411:
2399:
2363:
2352:: president of
2317:Mitch Markovich
2298:West Point Band
2284:Frank Arsenault
2176:
2171:
2121:
2116:
2073:
2068:
2041:The flam accent
2022:
2014:
1844:
1817:
1748:
1712:
1708:
1678:Flam Paradiddle
1583:
1582:
1574:
1572:
1571:
1570:
1569:
1559:
1552:
1549:
1542:
1536:
1531:
1453:
1423:
1416:
1270:
1196:
1169:
1121:
1077:
1019:
1014:
982:
969:
960:
935:
919:
894:
866:
850:
834:
825:
809:
793:
788:
725:
615:Sanford Moeller
611:Carl E. Gardner
518:
492:
440:
431:
390:
381:
368:
359:
349:publication of
343:
267:
231:Basler Trommeln
206:
174:
150:
93:
82:
76:
73:
58:
46:
42:
35:
28:
27:Rhythm exercise
23:
22:
15:
12:
11:
5:
4680:
4670:
4669:
4667:Drum rudiments
4664:
4647:
4646:
4644:
4643:
4638:
4633:
4628:
4623:
4618:
4616:Corps of drums
4613:
4608:
4603:
4601:Front ensemble
4597:
4595:
4591:
4590:
4588:
4587:
4582:
4577:
4572:
4567:
4562:
4556:
4554:
4550:
4549:
4547:
4546:
4541:
4536:
4531:
4526:
4521:
4516:
4511:
4506:
4501:
4499:J. Burns Moore
4496:
4491:
4486:
4481:
4476:
4474:Jim Kilpatrick
4471:
4466:
4461:
4456:
4454:Ralph Hardimon
4451:
4446:
4444:Alfons Grieder
4441:
4436:
4431:
4426:
4421:
4416:
4411:
4406:
4400:
4398:
4394:
4393:
4391:
4390:
4385:
4380:
4378:Moeller method
4375:
4370:
4365:
4360:
4355:
4350:
4344:
4342:
4338:
4337:
4327:
4326:
4319:
4312:
4304:
4295:
4294:
4292:
4291:
4286:
4281:
4276:
4271:
4266:
4261:
4259:Rhythm section
4256:
4251:
4249:Purdie shuffle
4246:
4241:
4236:
4231:
4226:
4221:
4216:
4211:
4209:Drum tablature
4206:
4201:
4196:
4191:
4186:
4181:
4176:
4171:
4165:
4162:
4161:
4150:
4149:
4142:
4135:
4127:
4121:
4120:
4115:
4110:
4103:
4102:External links
4100:
4097:
4096:
4082:
4068:
4062:Beck, John H.
4055:
4029:
4010:
3992:
3979:
3966:
3961:Ninja Drummist
3945:
3932:
3909:
3897:
3884:
3872:
3859:
3853:LefĂšvre, Guy.
3846:
3832:
3818:
3809:
3783:
3765:
3752:
3708:
3682:
3664:
3655:
3642:
3624:
3608:
3592:
3587:"26 Rudiments"
3577:
3564:
3551:
3545:Wooton, john.
3538:
3525:
3512:
3501:on 24 May 2014
3486:
3468:
3457:
3444:
3432:
3418:
3400:
3387:
3374:
3361:
3348:
3332:
3319:
3290:
3277:
3264:
3249:
3236:
3223:
3210:
3197:
3184:
3171:
3158:
3145:
3136:
3127:
3113:
3104:
3090:
3081:
3068:
3050:
3020:
3011:
2998:
2972:
2959:
2941:
2928:
2915:
2902:
2889:
2880:
2862:
2851:
2838:
2827:
2816:
2804:
2792:
2779:
2766:
2757:
2748:
2739:
2726:
2715:
2701:
2688:
2673:
2661:
2648:
2635:
2609:
2596:
2583:
2570:
2554:
2537:
2519:
2509:
2496:
2483:
2470:
2444:
2413:
2412:
2410:
2407:
2406:
2405:
2398:
2395:
2379:
2378:
2374:
2362:
2359:
2358:
2357:
2347:
2341:Ralph Hardimon
2338:
2329:
2323:
2314:
2305:
2291:
2281:
2275:
2269:
2263:
2253:
2239:J. Burns Moore
2236:
2226:
2204:
2195:
2186:
2175:
2172:
2170:
2169:
2166:
2163:
2160:
2157:
2156:The pataflafla
2154:
2151:
2148:
2145:
2142:
2139:
2136:
2133:
2130:
2126:
2120:
2117:
2115:
2114:
2111:
2108:
2105:
2102:
2099:
2096:
2093:
2090:
2087:
2084:
2081:
2078:
2074:
2072:
2069:
2067:
2066:
2063:
2060:
2057:
2054:
2051:
2048:
2045:
2042:
2039:
2036:
2033:
2030:
2023:
2021:
2018:
2013:
2010:
2007:
2006:
2003:
1996:
1992:
1991:
1988:
1981:
1977:
1976:
1973:
1966:
1962:
1961:
1958:
1951:
1947:
1946:
1943:
1936:
1932:
1931:
1928:
1921:
1917:
1916:
1913:
1906:
1902:
1901:
1898:
1891:
1887:
1886:
1883:
1876:
1872:
1871:
1868:
1861:
1857:
1856:
1853:
1850:
1843:
1842:Drag rudiments
1840:
1837:
1836:
1833:
1814:
1807:
1803:
1802:
1799:
1797:
1790:
1786:
1785:
1781:
1779:
1772:
1768:
1767:
1764:
1745:
1738:
1734:
1733:
1730:
1728:
1721:
1717:
1716:
1705:
1703:
1696:
1692:
1691:
1688:
1686:
1679:
1675:
1674:
1671:
1669:
1662:
1658:
1657:
1654:
1652:
1645:
1641:
1640:
1637:
1635:
1628:
1624:
1623:
1612:
1610:
1603:
1599:
1598:
1595:
1592:
1589:
1573:
1560:
1550:
1545:
1544:
1543:
1534:
1533:
1532:
1530:
1529:Flam rudiments
1527:
1524:
1523:
1520:
1518:
1511:
1507:
1506:
1503:
1501:
1494:
1490:
1489:
1486:
1484:
1477:
1473:
1472:
1469:
1450:
1443:
1439:
1438:
1435:
1432:
1429:
1415:
1412:
1409:
1408:
1405:
1403:
1396:
1392:
1391:
1388:
1386:
1379:
1375:
1374:
1371:
1369:
1362:
1358:
1357:
1354:
1352:
1345:
1341:
1340:
1337:
1335:
1328:
1324:
1323:
1320:
1318:
1311:
1307:
1306:
1303:
1301:
1294:
1290:
1289:
1286:
1267:
1260:
1256:
1255:
1252:
1250:
1243:
1239:
1238:
1231:
1229:
1222:
1215:
1214:
1211:
1208:
1205:
1195:
1192:
1189:
1188:
1185:
1166:
1159:
1155:
1154:
1150:
1148:
1141:
1137:
1136:
1133:
1130:
1127:
1120:
1117:
1114:
1113:
1110:
1108:
1101:
1097:
1096:
1093:
1074:
1067:
1063:
1062:
1055:
1053:
1046:
1042:
1041:
1038:
1035:
1032:
1018:
1015:
1013:
1012:Roll rudiments
1010:
981:
978:
968:
965:
959:
956:
934:
931:
918:
915:
893:
890:
865:
862:
849:
846:
833:
830:
824:
821:
808:
805:
792:
789:
787:
784:
724:
721:
670:in the 1970s.
619:Moeller method
517:
514:
491:
488:
439:
436:
430:
427:
407:Jacob Rauscher
389:
386:
380:
377:
367:
364:
358:
355:
342:
339:
321:published his
275:Orchesographie
271:Thoinot Arbeau
266:
263:
254:Alfons Grieder
205:
202:
176:The origin of
173:
170:
149:
146:
126:field drumming
95:
94:
49:
47:
40:
26:
9:
6:
4:
3:
2:
4679:
4668:
4665:
4663:
4660:
4659:
4657:
4642:
4639:
4637:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4598:
4596:
4592:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4557:
4555:
4553:Organizations
4551:
4545:
4542:
4540:
4539:Jay Wanamaker
4537:
4535:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4510:
4509:John S. Pratt
4507:
4505:
4504:Samuel Potter
4502:
4500:
4497:
4495:
4492:
4490:
4487:
4485:
4482:
4480:
4479:Levi Lovering
4477:
4475:
4472:
4470:
4467:
4465:
4464:Claus Hessler
4462:
4460:
4457:
4455:
4452:
4450:
4447:
4445:
4442:
4440:
4437:
4435:
4432:
4430:
4427:
4425:
4422:
4420:
4417:
4415:
4412:
4410:
4407:
4405:
4402:
4401:
4399:
4395:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4363:Drum rudiment
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4345:
4343:
4339:
4335:
4332:
4325:
4320:
4318:
4313:
4311:
4306:
4305:
4302:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
4204:Drum rudiment
4202:
4200:
4197:
4195:
4192:
4190:
4187:
4185:
4182:
4180:
4177:
4175:
4172:
4170:
4167:
4166:
4163:
4159:
4155:
4148:
4143:
4141:
4136:
4134:
4129:
4128:
4125:
4119:
4116:
4114:
4111:
4109:
4106:
4105:
4092:
4086:
4078:
4072:
4065:
4059:
4044:
4040:
4033:
4026:. p. 11.
4025:
4021:
4014:
4006:
4002:
3996:
3989:
3983:
3976:
3970:
3962:
3958:
3952:
3950:
3942:
3936:
3930:
3928:
3924:
3918:
3913:
3906:
3901:
3894:
3888:
3881:
3876:
3869:
3863:
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3850:
3842:
3836:
3828:
3822:
3813:
3797:
3793:
3787:
3779:
3775:
3769:
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3756:
3740:
3736:
3729:
3727:
3725:
3723:
3721:
3719:
3717:
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3713:
3696:
3692:
3686:
3680:
3676:
3673:
3668:
3659:
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3646:
3638:
3634:
3628:
3621:
3615:
3613:
3606:
3602:
3596:
3588:
3581:
3574:
3568:
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3555:
3548:
3542:
3535:
3529:
3522:
3516:
3500:
3496:
3490:
3482:
3478:
3472:
3466:
3461:
3454:
3448:
3441:
3436:
3428:
3422:
3414:
3410:
3404:
3397:
3391:
3384:
3378:
3371:
3365:
3358:
3352:
3345:
3339:
3337:
3329:
3323:
3315:
3309:
3301:
3294:
3287:
3281:
3274:
3268:
3260:
3253:
3246:
3240:
3233:
3227:
3220:
3214:
3207:
3204:Howe, Elias.
3201:
3194:
3188:
3181:
3175:
3168:
3162:
3155:
3149:
3140:
3131:
3123:
3117:
3108:
3100:
3094:
3085:
3078:
3072:
3064:
3060:
3054:
3038:
3034:
3033:www.rspba.org
3030:
3024:
3015:
3008:
3002:
2986:
2982:
2976:
2969:
2963:
2955:
2951:
2945:
2938:
2932:
2925:
2919:
2913:London, 1760.
2912:
2906:
2899:
2893:
2884:
2876:
2872:
2866:
2860:
2855:
2848:
2842:
2836:
2831:
2825:
2820:
2813:
2808:
2801:
2796:
2789:
2783:
2777:Berlin: 1777.
2776:
2770:
2761:
2752:
2743:
2736:
2730:
2724:
2719:
2711:
2705:
2698:
2692:
2684:
2677:
2671:
2665:
2658:
2652:
2645:
2639:
2623:
2619:
2613:
2606:
2600:
2594:France, 1588.
2593:
2587:
2580:
2574:
2567:
2561:
2559:
2550:
2544:
2542:
2533:
2532:www.trummu.ch
2529:
2523:
2513:
2506:
2500:
2493:
2487:
2480:
2474:
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2454:
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2432:
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2383:
2375:
2372:
2371:
2370:
2367:
2355:
2351:
2348:
2346:
2342:
2339:
2337:
2333:
2332:Jay Wanamaker
2330:
2327:
2324:
2322:
2318:
2315:
2313:
2309:
2306:
2303:
2299:
2295:
2294:John S. Pratt
2292:
2289:
2285:
2282:
2279:
2276:
2273:
2270:
2267:
2264:
2261:
2257:
2254:
2252:
2248:
2244:
2240:
2237:
2234:
2230:
2227:
2224:
2220:
2216:
2212:
2208:
2205:
2203:
2199:
2196:
2194:
2190:
2189:Samuel Potter
2187:
2185:
2181:
2178:
2177:
2167:
2165:The flam drag
2164:
2161:
2158:
2155:
2152:
2149:
2146:
2143:
2140:
2137:
2134:
2131:
2128:
2127:
2125:
2112:
2110:The lesson 25
2109:
2106:
2103:
2100:
2097:
2094:
2091:
2088:
2085:
2082:
2079:
2076:
2075:
2064:
2061:
2058:
2055:
2052:
2049:
2046:
2043:
2040:
2037:
2034:
2031:
2029:
2025:
2024:
2017:
2004:
2001:
1997:
1994:
1993:
1989:
1986:
1982:
1979:
1978:
1974:
1971:
1967:
1964:
1963:
1959:
1956:
1952:
1949:
1948:
1944:
1941:
1937:
1934:
1933:
1929:
1926:
1922:
1919:
1918:
1914:
1911:
1907:
1904:
1903:
1899:
1896:
1892:
1889:
1888:
1884:
1881:
1877:
1874:
1873:
1869:
1866:
1862:
1859:
1858:
1854:
1851:
1848:
1847:
1834:
1815:
1812:
1808:
1805:
1804:
1800:
1798:
1795:
1791:
1788:
1787:
1782:
1780:
1777:
1773:
1770:
1769:
1765:
1746:
1743:
1739:
1736:
1735:
1731:
1729:
1726:
1722:
1719:
1718:
1706:
1704:
1701:
1697:
1694:
1693:
1689:
1687:
1684:
1680:
1677:
1676:
1672:
1670:
1667:
1663:
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1659:
1655:
1653:
1650:
1646:
1643:
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1638:
1636:
1633:
1629:
1626:
1625:
1621:
1617:
1613:
1611:
1608:
1604:
1601:
1600:
1596:
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1587:
1586:
1581:
1579:
1568:
1564:
1548:
1521:
1519:
1516:
1512:
1509:
1508:
1504:
1502:
1499:
1495:
1492:
1491:
1487:
1485:
1482:
1478:
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1474:
1470:
1451:
1448:
1444:
1441:
1440:
1436:
1433:
1430:
1427:
1426:
1421:
1406:
1404:
1401:
1397:
1394:
1393:
1389:
1387:
1384:
1380:
1377:
1376:
1372:
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1367:
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1360:
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1355:
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1342:
1338:
1336:
1333:
1329:
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1325:
1321:
1319:
1316:
1312:
1309:
1308:
1304:
1302:
1299:
1295:
1292:
1291:
1287:
1268:
1265:
1261:
1258:
1257:
1253:
1251:
1248:
1244:
1241:
1240:
1236:
1232:
1230:
1227:
1223:
1220:
1219:Double stroke
1217:
1216:
1212:
1209:
1206:
1203:
1202:
1199:
1186:
1167:
1164:
1160:
1157:
1156:
1151:
1149:
1146:
1142:
1139:
1138:
1134:
1131:
1128:
1125:
1124:
1111:
1109:
1106:
1102:
1099:
1098:
1094:
1075:
1072:
1068:
1065:
1064:
1060:
1056:
1054:
1051:
1047:
1044:
1043:
1039:
1036:
1033:
1030:
1029:
1026:
1024:
1009:
1007:
1003:
999:
995:
991:
990:Jay Wanamaker
987:
977:
975:
973:
964:
955:
953:
949:
945:
941:
933:Charge stroke
930:
928:
924:
914:
912:
908:
903:
899:
889:
886:
884:
880:
876:
872:
861:
859:
855:
845:
843:
839:
829:
820:
818:
814:
807:Double stroke
804:
802:
798:
791:Single stroke
783:
781:
777:
773:
772:Claus Hessler
768:
764:
762:
758:
754:
750:
746:
742:
738:
734:
730:
720:
718:
714:
710:
706:
702:
698:
694:
690:
685:
683:
678:
675:
671:
669:
665:
661:
657:
653:
648:
646:
642:
637:
635:
631:
627:
622:
620:
616:
612:
608:
607:V.F. Safranek
603:
600:
596:
592:
588:
584:
580:
578:
574:
573:Samuel Cooper
570:
566:
562:
558:
554:
549:
547:
546:Levi Lovering
542:
540:
536:
532:
528:
523:
513:
511:
507:
502:
498:
487:
485:
481:
477:
473:
469:
465:
464:Samuel Potter
461:
457:
453:
449:
445:
435:
426:
424:
423:Dutch Marines
420:
417:of 1896, and
416:
412:
408:
404:
400:
395:
385:
376:
373:
363:
354:
352:
348:
338:
336:
335:Maurice Ravel
332:
328:
324:
320:
315:
313:
309:
304:
301:
297:
293:
289:
285:
281:
276:
272:
262:
260:
255:
251:
250:United States
247:
243:
239:
234:
232:
228:
224:
220:
217:practiced in
216:
212:
201:
199:
195:
191:
188:. The use of
187:
183:
179:
169:
167:
163:
159:
155:
145:
143:
142:martial music
139:
135:
131:
127:
123:
122:drum rudiment
119:
115:
114:
103:
99:
91:
88:
80:
70:
66:
62:
56:
55:
50:This article
48:
39:
38:
33:
19:
4626:Fanfare band
4514:Fred Sanford
4469:Marty Hurley
4439:Robert Goute
4429:Alex Duthart
4419:Fritz Berger
4414:Bill Bachman
4388:Backsticking
4362:
4353:Drum cadence
4330:
4269:Ride pattern
4229:Gravity roll
4203:
4199:Drum cadence
4184:Cymbal choke
4085:
4071:
4063:
4058:
4046:. Retrieved
4042:
4032:
4023:
4013:
4004:
3995:
3987:
3982:
3974:
3969:
3960:
3940:
3935:
3920:
3912:
3904:
3900:
3892:
3887:
3879:
3875:
3867:
3862:
3854:
3849:
3835:
3821:
3812:
3800:. Retrieved
3796:the original
3786:
3777:
3768:
3760:
3755:
3743:. Retrieved
3739:the original
3699:. Retrieved
3695:the original
3685:
3667:
3658:
3650:
3645:
3636:
3627:
3619:
3600:
3595:
3580:
3572:
3567:
3559:
3554:
3546:
3541:
3533:
3528:
3520:
3515:
3503:. Retrieved
3499:the original
3489:
3480:
3471:
3460:
3452:
3447:
3439:
3435:
3421:
3412:
3403:
3395:
3390:
3382:
3377:
3369:
3364:
3356:
3351:
3343:
3327:
3322:
3299:
3293:
3285:
3280:
3272:
3267:
3258:
3252:
3244:
3239:
3231:
3226:
3218:
3213:
3205:
3200:
3192:
3187:
3179:
3174:
3166:
3161:
3153:
3148:
3139:
3130:
3116:
3107:
3093:
3084:
3076:
3071:
3062:
3053:
3041:. Retrieved
3037:the original
3032:
3023:
3014:
3006:
3001:
2991:21 September
2989:. Retrieved
2985:the original
2975:
2967:
2966:War Office.
2962:
2953:
2944:
2936:
2931:
2923:
2918:
2910:
2905:
2897:
2892:
2883:
2874:
2865:
2854:
2846:
2841:
2830:
2819:
2811:
2807:
2799:
2795:
2787:
2782:
2774:
2769:
2760:
2751:
2742:
2734:
2729:
2718:
2704:
2696:
2691:
2682:
2676:
2669:
2664:
2659:Paris, 1870.
2656:
2651:
2643:
2638:
2626:. Retrieved
2622:the original
2612:
2604:
2599:
2591:
2586:
2578:
2573:
2565:
2531:
2522:
2512:
2504:
2499:
2491:
2486:
2478:
2473:
2461:. Retrieved
2457:the original
2447:
2435:. Retrieved
2431:the original
2426:
2417:
2403:Drum cadence
2391:
2384:
2380:
2368:
2364:
2350:Claus HeĂler
2326:Fred Sanford
2308:Marty Hurley
2287:
2278:Fritz Berger
2260:Ludwig Drums
2122:
2095:The flam tap
2047:The flamacue
2015:
1855:Description
1627:Flam accent
1619:
1616:Hudson Music
1597:Description
1575:
1563:drum cadence
1437:Description
1213:Description
1197:
1135:Description
1040:Description
1022:
1020:
1005:
1001:
997:
994:13 Essential
993:
983:
976:
970:
961:
951:
947:
943:
939:
936:
926:
922:
920:
910:
906:
901:
897:
895:
887:
882:
878:
867:
857:
853:
851:
841:
837:
835:
826:
816:
812:
810:
799:. There are
794:
769:
765:
726:
716:
713:Ryan Bloom's
708:
705:Bill Bachman
700:
692:
688:
686:
679:
672:
659:
655:
654:, author of
649:
644:
640:
638:
623:
604:
598:
581:
550:
543:
534:
530:
526:
519:
493:
475:
471:
467:
459:
447:
443:
441:
432:
418:
414:
410:
402:
398:
391:
382:
371:
369:
360:
350:
344:
326:
322:
316:
311:
307:
305:
299:
283:
274:
268:
245:
241:
238:Fritz Berger
235:
230:
214:
207:
175:
166:drum strokes
161:
157:
151:
133:
128:, where the
125:
121:
116:, a form of
110:
108:
98:
83:
77:January 2021
74:
51:
4449:Thom Hannum
4368:Drum stroke
3481:www.dci.org
3043:8 September
2453:"Rudiments"
1737:Pataflafla
1561:Four flams
958:Double stop
946:and Swiss
871:grace notes
848:Mill stroke
786:Terminology
749:TrommeslÄtt
723:Present day
697:John Wooton
680:In 1984, a
664:Alan Dawson
577:Silas Casey
531:Valley Forg
510:World War I
506:Crimean War
394:Netherlands
319:Henri Kling
134:fundamental
111:rudimental
4656:Categories
4519:John Seton
4459:H. C. Hart
4334:percussion
4331:Rudimental
4284:Snare rush
4254:Quadruplet
4224:Ghost note
4174:Blast beat
4154:Drum beats
3701:6 February
2409:References
1806:Flam drag
1578:media help
1059:half notes
972:Drum rolls
832:Paradiddle
731:Trommeln,
557:Elias Howe
484:Pipe Bands
292:Le Rigodon
288:Napoleon I
282:published
178:snare drum
148:Definition
130:snare drum
61:improve it
18:Paradiddle
4621:Pipe band
4434:Vic Firth
4358:Drum roll
4341:Technique
4169:Back beat
4048:28 August
3495:"History"
3308:cite book
2909:Spencer.
2668:Pita, N.
2198:H.C. Hart
1852:Notation
1661:Flamacue
1644:Flam tap
1591:Notation
1431:Notation
1207:Notation
1129:Notation
1034:Notation
569:H.C. Hart
537:in 1810.
413:of 1893,
65:verifying
4239:One drop
3923:Archived
3802:22 March
3745:15 March
3675:Archived
2786:Kruger.
2733:Tejada.
2628:27 April
2463:23 April
2437:23 April
2397:See also
2038:The flam
1594:Example
1434:Example
1210:Example
1132:Example
1037:Example
707:'s 2010
699:'s 2010
567:(1862),
516:American
490:Scottish
186:polearms
113:drumming
4594:General
4264:Rimshot
4158:strokes
1565:by the
1235:diddles
1008:sheet.
875:timpani
761:Russian
757:Mexican
753:Belgian
745:Swedish
595:Marines
438:British
429:Russian
379:Swedish
357:Italian
341:Spanish
296:Kastner
172:History
59:Please
4397:People
4234:Groove
4219:Gallop
4189:D-beat
3505:23 May
2922:Anon.
2845:Anon.
2505:Drum!.
823:Diddle
780:UNESCO
729:Basler
711:, and
662:, and
587:bugles
565:Emmett
366:German
265:French
227:Geneva
225:, and
223:Valais
219:Zurich
4289:Sting
4179:Break
2517:9â63.
2377:left.
1849:Name
1602:Flam
1588:Name
1428:Name
1204:Name
1126:Name
1031:Name
715:2019
561:Bruce
501:kilts
388:Dutch
204:Swiss
198:tempo
194:tabor
190:pikes
4373:Grip
4274:Roll
4214:Fill
4156:and
4050:2019
3804:2008
3747:2011
3703:2020
3507:2014
3314:link
3045:2019
2993:2019
2630:2012
2465:2014
2439:2014
2249:and
2243:NARD
2028:roll
1713:LLRL
1709:RRLR
1618:DVD
1023:RLRL
996:and
967:Roll
917:Flam
911:lrlR
892:Ruff
864:Drag
858:LLRL
854:RRLR
842:LRLL
838:RLRR
797:note
774:and
658:and
632:and
624:The
563:and
499:and
244:and
120:, a
950:or
942:or
925:or
907:rlR
902:llR
898:llR
885:).
883:rlR
881:or
879:lrL
856:or
840:or
819:).
815:or
741:DCI
405:by
298:'s
273:'s
109:In
63:by
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3959:.
3948:^
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3310:}}
3306:{{
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2952:.
2873:.
2557:^
2540:^
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2245:,
2221:,
2217:,
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1711:,
952:RL
948:LR
944:Rl
940:Lr
927:lR
923:rL
817:LL
813:RR
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759:,
755:,
747:,
703:,
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4323:e
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